#Top 10 Best South Korean Actors of all time

[queenoftsage]

I always see these ToP 10 KoReAn AcToRs ThAt ArE sO GrEAt [OmG] on... Fail Tube...

And to be honest, they always fail me. Come the F on peoples. Where are my faves?

Yeah yeah I know. I'm not general audiences. So.... Let's make my own.

Behind this read on, you will find my TOP 10 South Korean Actors of .... Well all time. Including NEWBIES, and Honorable Mentions.

P.S. this list is based on ACTING talent. Yes, most of these men or male presenting peoples I'm about to name may be good looking, but they have the TALENT to keep me entertained. ME, who is very picky for... pretty much anything, especially a whole ass show or movie I'm gonna give hours upon hours of my time to watch. If you can't act, your looks to me are gonna go down the drain. You can't be a bad actor and be good looking, because then I'll be like... yeah... that mofo is on that screen just cause of looks. They have no freakin' talent. GET ME OUTTA HERE. lol.

THIS SAID....

Ready to hate me cause I didn't include your faves? lol. READ ON, or forever hold your peas and carrots,. and MOVE ON. [aka- don't click 'keep reading'] [Warning: LONG ASS post.]

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#10

Park Hae Soo

Listen.... It took 'Narco Saints' for me to realize that... I do love watching him on screen. I have also seen him in other things, and I honestly have loved his performances.

He manages to hold my attention long enough to acknowledge that... Yeah, I like this guy, he is very good at his craft. Let's go see more stuff with him in it! So that's how I decided he's a fave. lol.

My nickname for him: Mr. Narco Saint.

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#9

Kim Jae Wook

I have seen him in SO MANY series/dramas, and every single time, every SINGLE time, he makes me root for his characters. Yes, even when he's playing evil AF characters. I think high key, he fits the villain characters a little more. I don't know, it's something about his elegant looks that make it easy for him to play villains. His most memorable being in 'VOICE', and in 'DEATH'S GAME'.

ALSO, he has a very special place in my heart. Way back when, Tumblr used to be a fun place for online RP. I had an amazing RP partner that used his beautiful face as an FC for a very fun character. I don't remember his name too much. If I remember it, I'll come back and edit it in, but... still... That particular character was villain-ous. lol

My Nickname For Him: 'That Character's Name!' ... I'll find it...

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#8

Park Hyung Sik

This man is just adorable AF. He's fun to watch in most of the series/dramas he's in, and my favorite performance of his was in the series 'Happiness'. Despite him being a favorite, a lot of the stuff he's in is ... not really a personal favorite, [save for 'Happiness' which I really liked.] but his acting is always a breath of fresh air. Like I said, he's fun to watch on screen, even when the writing is bad. lol

My Nicknames For Him: The Cute One

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#7

Yoo Seung Ho

Just like Park Hyung Sik, this man is adorable and very fun to watch, but sometimes the stuff he's in is... not so great. However, he is great, and I have yet to watch him in Warrior Baek Dong Soo. I hear that was a great performance of his. Honestly, all his performances are great. Also, his eyes are a thing that keeps me glued to the screen. He's just beautiful.

Anyway... Favorite. I always enjoy watching him on screen, even if the stuff he's in has insanely terrible writing.

My Nickname's For Him: Jingoo's Older Brother [yeah Yeo Jin Goo, no they're not related... but still.], Yesung part 2, Orange Blossom.

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#6

Yoo Ah In

Another top performer, and reason why I'll stay and watch something. Despite all that bullshit controversy going on about drugs and this man [I would go off tangent and explain why I don't give a fuck when actresses or actors end up being junkies. That's their choice and their body. It's something they have to fight with.] , I still find it very fulfilling to watch him on screen. He's very very good at what he does, and well... You know he's also very easy on MY EYES. lol

Whatever the case, I thank that lady Song Hye Kyo, for being his friend and sticking with him through thick and thin and helping him out as the friend that she is. I hope he gets the help he needs and is able to come back to acting. I know it won't be unscathed, because South Korean audiences are very harsh on drug accusations [in which they should be harsher on GRAPE accusations, but go figure. They're very ass backwards. I won't get into it. That's all I'm saying.] , but me personally, I'll be waiting patiently for him to return.

Hope to see him in more new performances. In the meantime, I'll continue to watch what he's been in.

My Nicknames For Him: Hottie, Mr. Chicago Typewriter

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#5

Steven Yeun

GLENNNNNNNNNNNN!!!!!!!!!!!!!!!!!!!!!!... you know... Because yes. Also, he's great, overall. He's got a charm that just keeps me watching every time he's in anything. He's one of the reasons I continued to watch 'The Walking Dead' for as long as I did. Him and Michone, but that's another story for another time.

Why is he in this list, if he's mostly in Western productions? Actually, no. He was in a few South Korean productions as well, and he was great in them. Hell, he even did a variety show in South Korea and was adorable in it. So... THERE. lol.

My Nicknames For Him: The only reason I liked 'The Walking Dead', lol... Well that's not a nickname, but that's what always comes to my mind when I see him. Him and Michone were EVERYTHING to me. Aka- GLENN.

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#4

Lee Do Hyun

The first time I saw this dude was in 'Hotel Del Luna'. And I thought he was great, not gonna lie. Unfortunately, at that time, someone else had grabbed my attention. However, fastforward to a lot of performances later, including 'Exhuma' where he was superb! and I realized that this man is AMAZINg. Also, he played Shin Ha Kyun's younger self in 'Beyond Evil'. So technically he's Lee DongSik Too! How much better can we get?

That aside he's super talented. And of the new boys that are usually in Top 10s, he's the only one that made it on mine. Also, he will forever be Baby! Shin Ha Kyun to me, because I believe he can achieve such heights as an actor.

My Nicknames For Him: Baby!HaKyun [yeah... Shin Ha Kyun]

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#3

Shin Ha Kyun

........... I don't think I need to explain WHY, this man is in this list? Or do I? If I do, just know this, he's nicknamed 'The GOD of Acting' by his fellow South Koreans. So.......... Yeah. Either way, and God of acting nickname aside, he lives up to that expectation all the time. No matter what character he's playing, he always puts his soul into it. I love that about him.

My Nicknames For Him: My Husband, The MOOD, My Twin [Gemini Twin]

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#2

Doh Kyung Soo

.... Listen... Idol actors get a lot of shit when they decide to go into acting, because they're often accused of being BAD at acting. Kyungsoo, is one of those that has surprised audiences with his acting. And honestly, I feel it. I have seen most of everything he's been in [save for that one series with Zo In Sung], and I gotta say, I loved the performances through and through. Whether he was playing a high school kid with problems, and or a crazy prosecutor, and or an astronaut stranded on the moon. The feeling has been there the whole time, as well as the SOUL. This man, knows how to act, he was born for it. And of the many many MANY idol actors out there doing their thing, he's in my opinion, THE BEST of the BEST.

THE END...

Also helps that he's one of my top favorites, but that's another story for another time.

My Nicknames For Him: Baby Boy, el Ojon ['big eyes' this one from my mom too, cause that's what she calls him, and that's how she knows we're gonna see him on screen.] , Crayon Shin Chan, Baby! Ranier, itty bitty KyungSoo, [too many to be honest... I come up with nicknames every other Friday. Stay Tuned... lol.]

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Honorable Mentions:

Ji Sung

This man came into my radar, thanks to 'The Devil Judge'. I have yet to sit down and see him in more things. The only other series I have seen him in is 'Adamas', and I gotta say, it was very fun time. I'm not gonna lie that I chose to watch him because I don't mind watching him on screen. He's absolute eye candy in every sense of the damn word.

However... I hope that as I keep trying to watch stuff he's been in or is in 'currently', I can appreciate his acting more.

My Nicknames For Him: Kang YoHan [I know that's a character he played, but that's all I see when I see him... I KNOW, I need to see more.]

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Seo Ji Hoon

I'm not gonna lie... I had seen this kid in other series, and he did kind of grabbed my attention. However, the stories were so good, I was actually invested in the stories [ie. 'Revenge of Others', 'Meow The Secret Boy']. However, enter 'Flower Crew: Joseon Marriage Agency' and... That was it. I immediately remembered his face from the previous stories/series and how in those series, he was the one that had caught my attention. Then here in this series Marriage Agency... I was SOLD.

This beautiful man is up and coming, true. So I'm waiting patiently for him to get more 'STARRING' roles. He's only gotten a few. He has yet to have that one HIT that catapults him to getting even more attention. However, with what he's done, he's done enough for me to pay attention. He's good, and he was so good, that in Marriage Agency, he managed to get my attention, when that series features some of the most beautiful men South Korea has to offer. Shout out to the other Jihoon, he's beautiful too.

Either way... This kid is on my radar. I can't wait to see more of him and determine WHERE in this list he fits. Will he be Top 10? or Top 20? We'll see.

My Nicknames For Him: Baby King! [he's a little itty bitty king... no of course he's not... he's way taller than probably most of the dudes I have here on this list. lol. But still... He's so baby faced. That's all I think about when I see him.]

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Park Ji Hoon

Ok, so the same thing that happened with Seo Jihoon, happened to me with this Jihoon. He's Park Jihoon. So the first time I saw him was in 'Flower Crew: Joseon Marriage Agency'. I did take notice at how pretty and cute he was. I mean, this freakin series had some very beautiful people in it and I did notice. However, the Jihoon that caught my attention there was Seo Jihoon. Fastforward to a few months later and me watching 'Weak Hero Class 1' and I lost it. I remembered who this kid was, and I remembered where I had seen him. He is amazing in this series, so now I'm a little lost in the rabbit hole. I am currently going through his list of works. It's not that big, so I feel like I'm almost over. Currently and at the time I'm about to post this, I have started 'At a Distance Spring is Green', and I gotta say, he's adorable and he's entertaining to watch.

We'll see in the future, where he ends up in the list. Will he be Top 10? or Top 20? I will figure it out eventually. In the meantime, I also love watching him in variety shows and doing that cute gesture with his hands. You know the one....

My Nicknames For Him: THE EYES [no yeah for real. That's what comes to mind when I see him. lol.] , Tiny Boy [it fits him cause I believe he's the youngest in this list.] , Baby Tiger, My Son, and lately I realized he's 'LITTLE RED' my OC. Like seriously, fits like a glove.

KAI [Kim Jong In]

Just like the photo above, I've been sleeping on Kim JongIn as an actor. And I not only blame myself, but also blame my love for watching him as a performer/singer better than an actor. I have never given him a chance as an actor. I am aware that he has done a few series, and the bits and pieces I have seen I have liked a lot.

I feel I need to give myself the time to watch him in these and then figure out where in the list he will end up. Either way, he's an honorable mention because even when I'm not watching him in acting action, I am always watching him in dancing and performing action, so.... yeh...

My Nicknames For Him: Art In Motion, Baby Nini, Tedi Bear, El Sexy Boy, Bolita de Algodon [little ball of fluff], The CAT Boy[alternately 'Omi in RL']

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#1

YEO JIN GOO

You saw this coming, right? Either you did or didn't, but you should know by now. This man took me by the horns and hasn't let me go yet. Listen....Might as well be the devil here and say, yes this man makes me feel things every time I see him acting. Whether he's playing a robot, a hotel manager, a disgruntled king, it doesn't matter. He puts so much soul into whatever he does, that it makes me feel like I am there experiencing what the character is experiencing.

He has a long history, which has been amazing to look through. And honestly, up to this day, I still haven't watched everything he's ever been in. He has an extensive list of works that he's been part of, and his participation in each project has, honestly, always stood out to me. At least in the projects/series/dramas I've been able to see.

Thank you, Yeo Jin Goo, for sharing your insane acting talent with all of us. I consider myself lucky to be alive in this era, and to be able to witness this. Greatly appreciated. Hope to be able to live long enough to see you thrive for many many years.

His Best Characters [Top 5]:

Gu Chan Seong [Hotel Del Luna]

King YiHeon & Ha Sun [The Man Who Became King]

Han JooWon [Beyond Evil]

Hwayi [Hwayi: A Monster Boy]

King Gwanghae [Warriors of The Dawn]

My Nicknames For Him: Baby Child, Peach, and KaiSoo Love Child.

And that's it... Are any of your faves in this Top 10, or are they honorable mentions? Either way, these are MINE. If I made a video about it, these are the men it would feature.

Maybe later on I'll make the Female actress version. That one would be really hard, because I absolutely LOVE the female actresses more than I do the male actors. And I have tons of faves.

However... I'll try to make the effort to do it eventually. Don't know when.

Anyway... Hope you enjoyed this post, if you read it all.

[glindaupland]

The Phantom of the Opera | Seoul, South Korea | October 8-14th, 2023 [REVIEWS]

Wow it's about time I posted these reviews that I kept lying about (this week! tomorrow! in 10 years!) Better late than never?

In this post I'll drop a few general things about the production, but the performances are analyzed in my reviews linked here. I recommend reading those all in order since I revisit points about actors I've made previously along the way to avoid repeating myself. Also leaving a disclaimer that these performances are from October so there are some changes in what the actors are doing now (with the exception of Jeon Dong-seok since he left in November) Apologies in advance for my wordiness, but this is more of a "release my feelings for my sake and if anyone else likes it that's cool too" kind of thing? Listen - I wrote a lot of notes on my performances there. So just go in knowing this is the more coherent version of my insane looking notes app!

Before I start I want to thank a few lovely friends who helped me out with this trip because it wouldn't have gone as well as it did without them!

Thank you to @lucygold95 for helping me so much with planning over the past months and for giving me the best time in Busan. Thank you @capitanogiorgio for all the shenanigans we went through and the most special time going to the 1500th and meeting Yoon Young-seok. Thank you to @fadinglandtragedy for the fun talks and the good advice before my trip! The best part of things like this is making friends of course! : )

PERFORMANCE REVIEWS:

| October 8, 2023 | October 11, 2023 | October 12, 2023 | | October 13, 2023 (M) | October 13, 2023 (E) | October 14, 2023 |

STAGE & THEATER

This was as close to the original staging as possible. So I was able to take it in one more (or I guess 6 more?) times post-Broadway closing. The Charlotte Theater is a lot smaller than the Majestic so every view was pretty solid in my opinion, even the second to last row. I took a video of my view from 4th row under the chandelier during the exit music on October 11th so you can see! The angel and chandelier are shown halfway through. I'd say 5th row was almost the cut off for the chandelier drop (that was my spot next day) Broadway seats in this area were always too expensive for me so I'm glad I was able to grab these spots for this production

There were photo zones you can take pics at which you've probably seen. One was a large rose wall, the other was the cute statue of their mascot 오유령. People also take forever lining up for the cast boards for photos and yes I was one of those people. Here's a comparison of the cast boards from the second season (pictures I found when reading old reviews on Naver) and the cast boards now (I forgot to take a photo of one on the top floor though)

I found this review where someone took more detailed clean photos than I did if you're curious about the layout and decorations!

MERCH AND GIFTS

The tickets had these designs! If you booked on Yes24, you received a special envelope and a ticket holder with the face of the Phantom performing for that show

I only didn't receive a second Ju-taek because that was booked on another site - Interpark (bottom middle ticket). I also received paper masks with printed autographs every day I went to commemorate the 200th performance of the run/100th for Seoul and the 1500th overall Korean performance. We used them for the curtain call photos on those two dates (with Jeon Dong-seok then Kim Ju-taek). There are multiple versions of the program book and at the time of writing this I have all except the Daegu one. The first Busan program book was pretty bare and only had the teaser pictures - the same was the case for my Les Mis program book in Busan. -There are different photos in each one, so to me it was worth grabbing them all. My third version signed by Kim Ju-taek is currently on display as you can see below! (The writing says "내 노래를 날게 해 주오 - Make my song take flight") Once again thank you to Lucy for this! 🥹❤️

Here's some of my POTO merch (including a spare cupsleeve from the coffee shop next door, I also had a keyring, but I forgot to show it) RIP to the second program book I sacrificed for scans I still have the pages stored/displayed though! I'm not wasteful! I'll have more to post soon after sharing these reviews

TRANSLATION

Let me emphasize this: my Korean abilities are limited, so don't look to me as the expert on this at all. But I'll still share my notes and perspective as an outsider who's studying The lyrics have changed quite a bit since 2001-2. There are still lines kept or songs that are mostly similar. MOTN had a lot of similarity to 2009-11 even with its changes, STYDI was identical to 2009-11, but Angel of Music was pretty different from even the last season, etc etc. The Phantoms all have unique lines sprinkled here and there, mainly in MOTN (this happens sometimes in Korean musicals). You get some things like random single line changes in some parts depending on the actor or different order/wording of the same lines as well. Just tiny diversions from the script. This is the case for the Christines and Raoul to a lesser extent. Additionally, actors are often permitted to do some occasional improvisation/ad libs. Some unique lines are pretty normal parts of their interpretations now, some appear depending on the feeling of the performance, some are one time only events. I'll mention some of the actor-specific ones and such in their actual reviews, but I have been trying to mark down all of the differences like these for example

Of course, some things obviously have to be adjusted to make sense because of cultural / linguistic reasons. So one example would be the "Wrote...written" line in Notes I. Firmin speaks rudely and informally, but quickly tries adding a more respectful ending particle 요 after Raoul and André give him a shocked 'what did you just say?' kind of look. So "대체 뭘 썼다고 하는 건데...요!" is pretty much like "What the hell are you saying I wrote?" André would look so embarrassed by this each time 🫣

퇴근길 / STAGE DOOR

Stage door doesn't really work the same as it does in places like New York, London, etc. Most of the time if an actor comes out it's more like a quick greeting or chat with the fans. Some actors (not in this case) might sign or take photos in designated spots, but it really depends and it's not so common. It's gotten more restricted ever since COVID as well. 퇴근길 -> "way home from work" is literally what this is called. Dong-seok did wave at us a few times happily after the 200th performance, Gun-ha briefly came out to thank fans after the 1500th while Ceci and I waited to meet Young-seok who had agreed to meet us. I did not have the time (or strength) for the Seung-woo mob, but he usually greets fans after shows.

I literally asked Yoon Young-seok directly on Instagram if Ceci and I could meet him and give him gifts because I figured it didn't hurt to try! When he agreed, my anxiety was not necessarily about meeting an actor, but more about my ability to express my thoughts in another language. But he was truly the sweetest guy and incredibly patient. I think he got that I understood everything he said, but that replying was a whole other challenge. I'm glad I was making enough sense that he was able to get my points and helped me finish sentences if I looked stressed about it 😂 I basically told him I had been planning this trip since the cast announcement because it was too perfect to miss and that I came for 6 shows. I really like to listen to his Phantom on the cast recordings and I thought he made the shows I had seen so far so much fun.

We both said where we were from (the US and France) and he was amazed. He was also shocked when I pulled out my original Korean cast recording (I still laugh thinking about the way he said "와, 세상에!" like "Wow, oh my god!" and enthusiastically took it agreeing to sign when I was mid-way asking him haha) I also thought it was funny when he asked Ceci if she saw his Phantom last season. We wish! But she mentioned she had gone to Busan a few times and he looked very touched and appreciative that we went to multiple performances 🥹 This poor man was tired he signed our things with November (11.13) though and he also spelled Ceci's name wrong first time, but it was the 1500th show though okay. And if he says it's November...who are we to question him? Ceci should also legally change names so he isn't wrong. Anyway, ramble over you can find the art we made for him in this post

OTHER

Here's just bonus fun I had that I will manage to connect to POTO despite it not being POTO because I love doing that. I mean I went because I like these musicals as well (otherwise I would've been foolish enough to go see Ben-Hur but I have, uh, standards for my plots sorry to Park Eun-tae 😭), but it's fun to point out these things. I'm happy to share my show experiences in a different post if anyone's interested in my thoughts on those

Rebecca

I went to see Rebecca, mainly focused on seeing a scheduled date for 이지혜 Lee Ji-hye (Ich) and 장은아 Jang Eun-ah (Mrs Danvers). The whole cast was fantastic. Some Korean musicals have special encore bits they do where the leads sing a part of a song from the show during bows so that was really fun. Unfortunately, we don't get to have fun at POTO like that haha

Lee Ji-hye was in Y&K Phantom as Christine in the same cast as Jeon Dong-seok (Erik), Yoon Young-seok (Gérard Carrière), and Lee Sang-jun (Cholet). Two other cast members in Rebecca were in Y&K as well - 에녹 Enoch (Maxim) who was Philippe and 신영숙 Shin Young-sook (Mrs Danvers) who was Carlotta. Sadly, they had such few shows this season due to a busy schedule, so I couldn't see them (when will trot give Enoch back to musicals). Original Korean ALW Raoul and Y&K Erik 류정한 Ryu Jeong-han was also on rotation as Maxim, but I picked another day for my show so I didn't see him either

Les Misérables

I went to opening night of Les Mis in Busan! It was the Dream Theater, same place POTO played at before. As many of you already know, Choi Jae-rim is playing Jean Valjean at the same time as the Phantom.

I could recognize him easily as the Phantom, but honestly when he appeared at the very start of Les Mis it took me a minute to process that it was him! While I did enjoy his Phantom a lot, I think I enjoyed his Valjean performance a little more. It was only opening night, so curious to see how things develop!

The actor who played Javert that night, 카이 Kai (stage name), was a former Y&K Erik for two seasons too. So many Phantoms!

Frankenstein

On the last day I got to see Dong-seok and Ji-hye once more in a concert for the musical Frankenstein which they have been in together. So have some pics I took without a mask blocking his face!

Ending Note

Thinking back to December 2022 when I said: "Maybe I'll go to Seoul and see Dong-seok once or twice and that's it, I can have my first international POTO" That was funny. That was really very very funny and silly of me to say. 9 performances and 6 of those were POTO! But I'm so grateful and I have zero regrets about it. This is one of the best experiences I've had even if it might look ridiculous to some people to do something like this...I don't care! I hope my crazy essays can help paint a good picture for you!

[kpop-bts-astro]

Know MOON BIN - KPOP ASTRO Artist.

Moon Bin, born on January 26, 1998, is a South Korean singer, actor, and dancer. He is a member of the popular K-pop group, Astro, which debuted in 2016 under Fantagio Music. Moon Bin has been actively involved in the entertainment industry since he was a child, and his journey to stardom has been nothing short of impressive.

Moon Bin's childhood was spent in Cheongju, South Korea. He showed an interest in the performing arts at a young age and started training as a child actor at Fantagio Entertainment. He made his acting debut in 2009 with the drama "Boys Over Flowers" and later appeared in other popular dramas such as "The Mermaid" and "To the Beautiful You."

In 2015, Moon Bin was announced as a member of Astro, along with five other trainees. The group's debut single, "Hide & Seek," was released in February 2016 and quickly gained popularity. Moon Bin's role in the group is as a lead dancer, rapper, and vocalist. His smooth dance moves and powerful vocals have won the hearts of fans all around the world.

In addition to his music career, Moon Bin has continued to pursue his acting career. He has appeared in several dramas such as "The Best Hit," "Moments of 18," and "At a Distance, Spring is Green." He has also hosted a number of variety shows, including "Lipstick Prince" and "Music Bank." Check out the Bar Pendant Keychains with Moon Bin Name and Birthdate.

Moon Bin's hard work and dedication have earned him numerous awards and accolades. In 2016, he won the Best New Male Artist award at the Melon Music Awards, and in 2019, he was named as one of the top 10 most handsome K-pop idols by TC Candler's Independent Critics.

Outside of his work, Moon Bin enjoys spending time with his family and friends. He is also known for his love of fashion and often shares his outfits on social media. He has a strong fan base both in South Korea and internationally, and his fans appreciate his talent, kindness, and humility.

In conclusion, Moon Bin's life has been filled with success, hard work, and dedication. From his early years as a child actor to his current role as a popular K-pop idol, he has proven himself to be a talented performer with a bright future ahead of him.

[militaryonline]

Top grossing korean movies

Likewise, some recent movies including Spiderman Homecoming (July 5, 2017), Black Panther (Feb. In February 2018, South Korea was selected to be the first host country for the International Press Tour of the first Marvel movie of 2018, Black Panther. Moreover, many actors of Marvel movies have visited South Korea personally to promote their movies, including Tom Hiddleston, Benedict Cumberbatch, and Tom Holland. An aide who worked on Marvel movies told Chosun Ilbo that success in Korea can bring word of mouth that turns movies into hits in other Asian countries. Over time, the number of people watching Marvel movies on their first day has increased as well.Īccording to Kevin Feige, the President of Marvel Studios, the core reason for the early premieres in Korea is that South Korea has been an indicator of success. Avengers: Infinity War, for example, was released a week earlier. All the Marvel movies except Captain America: The First Avenger and Ant-Man were released in Korea before the United States. First of all, it is easy to see the slogan “First Release in Korea” or “Faster Premiere in Korea” on the movie posters. The MCU actively tries to promote and maintain a favorable public opinion in South Korea. But, to explain more about some factors which made Marvel movies so famous in South Korea, I want to address two main reasons: marketing strategies and lessons from the movies. The reason why most MCU movies were able to succeed in the Korean movie market is that people obviously love the characters and the stunning visuals. MCU so far includes 18 movies, and 13 of them appear on the list of all-time highest-grossing films at the Korean box office list Avengers: Infinity War at 14, Age of Ultron at 17, Iron Man 3 at 23 and Captain America: Civil War at 24. The movie marks the 10th anniversary since the Marvel Cinematic Universe (MCU) released Iron Man, the first in the Marvel superhero series, and clearly shows how famous the MCU movies have become among Korean audiences. Total Gross in millions.When Avengers: Infinity War was released in South Korea on April 25, 980,676 people watched it just on the first day, a record high among Marvel movies. Here are the current top 20 highest-grossing movies of all-time. The highest-grossing video game franchise may have earned most of its money from merchandising but Pokémon RedGreenBlueYellow still ranks seventh among the top-selling video games of all time topping out at 47520000 copies. The series goes on to become the highest-grossing film series of all-time. A full blast of romantic korean movies that rise the image of South Korea as. Look only to an early scene in a South Korean casino in which T. In 1953 the Korean War is entering the final stage. Four of the 20 highest-grossing movies of all time came.ĩ1 100 Powered by Rank Math SEO Are you bored. The Top 10 Best-Selling Video Game Franchises of All Time 1.

October 18 The film version of the musical West Side Story is released. 1 THIRST 2009 Park Chan-wook is one of the most successful South Korean filmmakers and his masterpiece has to be Old Boy as well as the other two movies in The Vengeance Trilogy - Sympathy. Release Calendar DVD Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes Tickets In. Release Calendar DVD Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes Tickets In Theaters Coming Soon Movie News India Movie Spotlight. July 17 Trans World Airlines screens Come September to the press aboard one of its jets to introduce in-flight movies. This another chill has finally arrived old but GOLD Best Romantic Korean Movies of All Time from different times and settings.

Seolgungnyeolcha is a 2013 South Korean-American science fiction action film based on the French graphic climate fiction novel Le Transperceneige by Jacques Lob Benjamin Legrand and Jean-Marc Rochette. The movie was a monster success the highest-grossing South Korean film at the time of its release while winning Best Film at the 2007 Asian Film Awards. South Korea Blockbusters 2020 Statista The film was directed by Bong Joon-ho and written by Bong and Kelly MastersonA South Korean-Czech co-production the film. At age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean.

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Updated K-drama list (9)

Wow, its been a WHILE since I’ve done one of these! I haven’t watched as many new shows as I’d have liked in the past couple of years (my watchlist is out of control!) but I thought it was time to add them here. Its mostly for my benefit, so I can keep track of what I’ve seen, but if you’re looking for recommendation or you’re a newby to Kdramas wondering where to start, I hope this helps! 

The GREAT (i.e. my top 21 - I couldn’t narrow it down to an even 20!)

1. Its Ok To Not Be Okay

A children’s author with antisocial personality disorder becomes obsessed with a handsome (but closed-off) carer in a mental health hospital. 

I could (and already have) written loads about this show - it became my all-encompassing obsession for the 8 weeks it was on telly. I LOVE IT SO MUCH!! I had a feeling only 1 episode in that it might become my all-time favourite K-drama, and I was right. The quality never dropped for a moment, and it absolutely nailed the ending. 

I pretty much love everything about it - the whimsical, fairytale-esque tone, the music, the costumes, the supporting characters, the side-plots exploring different mental health issues, the humour, the set design, even the opening credits!

The two leads are so beautiful with SO MUCH chemistry that you could watch them read a phone book and it would be hot. But it became a real three-hander of a show, with the male lead’s autistic brother forming an integral part of the relationship dynamic. 

Honestly, I can’t do this show justice with such a short review - just WATCH IT!!

Male lead: Soooo handsome, quiet and compassionate but with a steel core; it’s so fun watching him come out of his shell. Actor also seen in (AASI): My Love from a Star (honestly, he didn’t make much of an impression in that show, but he was amazing in this - he conveys so much emotion with the most subtle facial movements)

Female lead: Absolutely fascinating; so wounded and vulnerable, but projecting this awesome, no-fucks-given, blunt-as-hell exterior. Actress also seen in (AASI): Lawless Lawyer, Hwarang (minor character)

2. Crash Landing on You

He’s from North Korea. She’s from South Korea. They never should have met, but they’ll change each other’s lives.

This was my first K-drama, and although it’s been knocked off the top spot, it’s still fantastic. Its the full package - the entire cast of characters is great, the lead romance is ANGSTALICIOUS and its genuinely, laugh out loud funny (when its not making you cry or swoon). I’ve since discovered that they had a North Korean defector as a consultant working on the show, so apparently the NK scenes are fairly accurate which is SUPER interesting.

Male lead: Officially the best boyfriend ever - absolutely nails the small, romantic gestures. AASI: Hyde, Jekyll & Me.

Female lead: Smart, sassy, and funny. I love her.

3. Red sleeve - NEW ENTRY

A court romance between the leader of Joseon - who believes his duty is to his country first above love - and a headstrong court lady who wants to protect the life she has chosen

This is, without doubt, the best historical Kdrama I’ve ever seen. Sorry, Love in the Moonlight, you’ve been kicked out of the top 10!

The whole thing is beautifully made, from the gorgeous music and cinematography, to the fully realised characters, to the slow-burn pace of the heart-wrenchingly beautiful, bittersweet love story. Speaking of the which, I didn’t realise when I started the show that it was based on a true story. I ended up googling the ending, and I’m glad I did, because it helped prepare me for the last episode (top tip: If you want a happy ending I’d advise skipping that episode; but if you enjoy crying for 90mins straight, watch it). The two leads of the show are phenomenal - especially Lee Jun-Ho. He will tear your heart out.

Male lead - Has the weight of the world on his shoulders. You really feel it when he becomes torn between his duty and his heart. A brilliant performance. AASI: Just between lovers. 

Female lead: Funny and clever with a core of steel. You can absolutely see how she steals the King’s heart. 

4. W - Two worlds

A surgeon gets sucked into the world of her father’s webtoon when the main character’s life is threatened.

This was a WILD ride! The first 4 episodes barrelled through plot at an amazing rate and certain events happen in episode 5 that had me wondering how the show could even continue! But it did…and the plot just got more insane! I loved this show SO much. It kept me guessing, had me on the edge of my seat, and even had room for some of my favourite romance tropes. The central relationship was great, and (because of the insane plot) you basically get 2 love stories for the price of 1. It keeps creeping up my rankings because its a show I come back to again and again. 

Male lead: Just a really, really cool guy. Can’t think of how else to describe him! Always in control, calm, unflappable, analysing the situation….but he can break out the cocky charm when needed. AASI: While you were sleeping, Doctor Stranger

Female lead: I really liked her - she had more agency than a lot of other female heroines and I really related to her freaked-out panic in the beginning when she didn’t feel like she was a capable enough doctor to save a life.

5. Itaewon Class

A young man’s life is forever altered when he runs afoul of a powerful family.

This felt like a big step up in quality from everything else in this list, in terms of the production, soundtrack (which was brilliant), the lack of twee sound effects, and just the overall ‘real world’ feel of the show. All of the characters were fleshed out and 3-dimensional, and they all had their ‘moment’ to shine. The story itself was gripping and so well done - some of the twists and reveals had me gasping! And what can I say about the 2 leads? I love them, both separately, and together. He is so wise beyond his years, and his journey will break your heart and inspire you. She is borderline sociopathic, but I adore her.

Male lead: Tenacious, principled, kind, innocent, caring, driven, loyal…and he can cook! AASI: What’s wrong with secretary Kim, Fight for my way, Hwarang (and soon to be part of the MCU!)

Female lead: One of the most original Kdrama female characters I’ve seen. Plus she retains her agency all the way through, which is (unfortunately) not always the case with these shows. 

6. Healer

The lives, and pasts, of a hot shot reporter, a spunky young tabloid journalist and a mysterious thief-for-hire intersect.

I ADORE this show and its so rewatchable. The plot was tight and engaging, and this is one of the few shows I’ve watched where there didn’t seem to be a lot of filler. The central 3 characters are great, and the romance was amazing. I especially loved that the male lead started off such a brooding loner, but he became super-affectionate as soon as he admitted his feelings. So many good hugs and lots of face-cradling in this one. There’s also a great riff on the Superman/Clark Kent dynamic which was fun!

Male lead: Effortlessly beats up 2 henchmen while comforting his girl over the phone. What more do you need? AASI: The K2, Suspicious Partner, Melting me softly, Backstreet Rookie, Lovestruck in the City

Female lead: She doesn’t let her vulnerabilities stop her from getting the story or being with the man she loves. AASI: What’s wrong with secretary Kim, I’ll go to you when the weather is nice, Her private life

7. While you were sleeping

Not to be confused with the Sandra Bullock rom-com from the 90s. Instead, this is about a young woman who can dream the future, who has her fate changed by a young prosecutor who suddenly develops the same ability

I was thoroughly and utterly charmed by this show. Everything was so beautifully done - from the cinematography, to the music (OMG the music!), even the title cards were interesting and quirky. The characters were all great - the main leads are so sweet and relatable, the second lead is cute-as-a-button, the villain is properly hissable, and none of the supporting characters/extras annoyed me! The storyline itself was brilliant, with so many great set-ups, pay-offs and twists, and the romance was lovely.

Male lead: A bit of a hot mess of a human being (basically, the polar opposite of his character in W!)…but all the more loveable for it. AASI: W: 2 worlds, Doctor stranger.

Female lead: Smart, sweet, loyal (I really loved her relationship with her mum) and quietly brave.

8. Descendants of the Sun

A special forces Captain meets a capable and beautiful trauma surgeon. They feel an instant bond, but their jobs and philosophy on life get in the way, threatening to tear them apart.

I absolutely LOVE the male lead character, and the romance in this was beautiful (as was the bromance!). Plus its chock-full of CompetencePorn, with lots of scenes of people being really, really good at their jobs (this is one of my favourite things!). However, it didn’t quite nail the angst, and the last minute was a bit twee which dropped it down the rankings a bit.

Male lead: A cocky, charming, absolute BADASS with the most adorable, cheeky smile. AASI: Vincenzo

Female lead: Sweet and a bit out of her depth in the dangerous situations…but put her in charge of a patient and watch her go!

9. What’s Wrong with Secretary Kim

A personal assistant decides to quits her job in order to get a life. Her boss has other ideas.

This was my first Park Seo Joon drama, and he’s great in it. He somehow turns a self-centred, entitled and vain boss into an endearing character! The central romance is amazing - I can rewatch their scenes again and again - and its a bit more mature than some of the others on this list (be sure to check out the extended scene!!). It has some of the best kisses in Kdrama.

Male lead: Like I said, somehow makes vanity and narcissism endearing. Also not afraid to get his shirt off and flash his 6-pack. Bonus. AASI: Itaewon Class, Fight for my way, Hwarang

Female lead: I’m a sucker for uber-competent people so I loved this character. Park Min Young has become one of my favourites, and she is STUNNING in this. AASI: I’ll go to you when the weather is nice, Healer, Her private life

10. Alchemy of Souls - NEW ENTRY

In a world of magic and soul-shifting, a powerful female assassin agrees to be Master to a young, irreverent mage. 

Wow. This was fantasy drama done realllllllly well. The world-building was excellent (you easily come to understand the rules and limitations of the sorcery used) and the effects and imagery were great. The love story at the heart is wonderful - it helps casting Lee Jae-wook who is effortlessly cheeky and charming, but when he flexes his power, he looks ultra-cool. There are more episodes coming in December (Thank God! The ending of S1 nearly broke me!) so I’ll have to see if they stick the landing. 

Male lead: His laidback, irreverant facade hides a deep hurt, and a powerful, righteous soul. I love him. AASI: Extraordinary you (seond lead), Do Do Sol Sol La La Sol,  When the Weather is Nice (supporting character)

Female lead: I love her too! She’s stern and uncompromising, but when she finally opens her heart and learns to love, you just want all the good things for her. AASI: Because This is My First Life

11. Flower of Evil - NEW ENTRY

A police detective starts to suspect her loving husband may be a killer.

This was a fantastic character study, mystery and exploration of a relationship. The suspense almost killed me at times! I’m usually more of a fan about stories that take place at the beginning of a relationship rather than 14 years in, but I became so invested in them as a family. The choral music is a bit overwrought at times, but that’s one of my only complaints. I could never have imagined where they took things in the last episode but it was really good and an interesting way to further explore the character (I thought it would be cheesy, but it was so well done). Plus the most adorable little girl EVER stars in this.

Male lead: His struggles to desperately keep his family together (even though he didn’t fully understand the feelings they inspired in him) was heartbreaking - he is soooo good in this. AASI: Lawless Lawyer, Scarlet Heart

Female lead: Competent and compassionate. You’re heart aches for her when her world starts to fall apart. 

12. Love in the Moonlight / Moonlight Drawn by Clouds

A young woman poses as a eunuch in the Royal Palace and falls in love with the Crown Prince

This was the first period piece I watched and it’s still one of my favourites - almost entirely because of the male lead and his beautiful face! The start had a really light, comedic tone (and a lot of modern anachronisms - high fives everywhere!) and I loved all the identity-concealing hi-jinks. But then the romance kicked into gear and the DELICIOUS angst started flowing, and I became obsessed with it. It’s like loads of bits of my favourite regency historical romances were mashed up and transported to the Joseon Dynasty. I loved it so much!

Male lead: Manages to look amazingly handsome despite all the period headgear, kicks ass with a sword, and doesn’t allow himself to be manipulated by the corrupt officials surrounding him. Also acts like an adorable goofball when he’s in love.

Female lead: Loved her at the start - she’s scrappy and independent and capable. Unfortunately, becomes too much of a plot device by the end. AASI: Backstreet Rookie

13. I’ll Go to You When the Weather is Nice / I’ll Find You on a Beautiful Day

A cellist disillusioned with life in Seoul returns to her small home town for the winter.

This was achingly sweet and wonderful. The slow unfolding of the story, the beautiful scenery, and the simple yet moving score all combine to make this feel like the type of small town contemporary romance novel I love to read on a rainy day in front of a fire. Whilst long-held, painful secrets are eventually revealed, there is no massive conflict involved, with no antagonist or over-wrought external drama. Its just the tale of two sad, lonely people who have withdrawn from the world forming a connection with each other and trying to overcome their issues (she has a fear of abandonment; he’s a loner who has a tendency to disappear). As a bonus, there’s a bookclub with a wonderful cast of secondary characters - I wanted to spend more time with all of them.

Male Lead: Precious Cinnamon Roll, to be protected at all costs. AASI: Are you human too

Female lead: Wears her heart on her sleeve. Refreshingly, she’s the instigator of the relationship and isn’t the usual passive, coy female. AASI: What’s wrong with secretary Kim, Healer, Her private life

14. Goblin

A 900yr old immortal guardian finally meets the ‘bride’ who will end his existence

Once I got over the slight ick-factor of the age difference between the two characters at the beginning, I really fell for this show and it’s world. It had me in floods of tears at some points, and it was laugh out loud funny at others. I especially loved the secondary character of the Grim Reaper and his reluctant bromance with the Goblin.

Male lead: Surprising innocent and funny for a 900 year old

Female lead: Also innocent, but in some ways wise beyond her years. Her tears will make you cry (the actress is very good at sobbing her heart out!). AASI: The King, eternal monarch

15. Legend of the Blue Sea

A mermaid comes onto land to find the man she loves

The (literal) fish-out-of-water scenes in the first half of this show were hilarious - the actress is a comic genius! The romance was nicely done, and there wasn’t a lot of extraneous plot or too many characters. It also nicely incorporates scenes from the Joseon era, so you get a partial historical romance thrown in for free!

I couldn’t stop watching this one and I’ve since rewatched it too! Definitely one to check out.

Male lead: Cocky, arrogant conman with a soft mushy centre. AASI: The King, Eternal monarch, Heirs.

Female lead: Steals the show - funny, smart and beautiful. AASI: My love from the Star.

16. Into the Ring/The Ballot

An out-of-work young woman decides to run for office and faces all sorts of challenges in her quest to right some wrongs and earn a living.

This show has one of my favourite ever female characters - she’s headstrong, hard working, and quick to violence but so cute and charming with the most adorable laugh! She tries to act all cynical (that she’s only in it for the money) but she is actually really caring and kind. I sooo wanted her to succeed against the establishment of corrupt assholes that she worked with. Seeing her become disillusioned with politics and her colleagues was heartbreaking, and watching her fight back was great.

Her dynamic with the male lead was also great - he’s quietly in awe of her even when he’s exasperated and borderline scared of her.  And he’s super supportive. It was so much fun watching her drag him out of his monotonous, dull life. They also weren’t stingy with the PDA which was so refreshing.

On a superficial level, the show was also visually interesting, with loads of cool angles and blue lens flare. And the overall light, funny tone made it so watchable. 

Male lead: Adorkable

Female lead: The literal embodiment of sunshine and determination. I have a bit of a crush on her!

17. The King: Eternal Monarch

The reigning King of the Kingdom of Corea discovers a gateway to a parallel world - the Republic of Korea

This is the first drama I’ve watched in ‘real time’ but I think it would work better as a binge - there are a LOT of characters, and many have dopplegangers (because of the parallel world thing) so it became hard to keep track of who was who. I also think the progression of the romance is better appreciated in a binge (I wrote about it here - ignore the speculation; i got it so wrong LOL!). Unfortunately, the plot also had major holes in it (the ‘rules’ for the gateway/magical flute didn’t make sense) and It was difficult at times to differentiate Corea from Korea - a major failing of the editing.  

Buuuuuut, it still made my ‘Great’ list because all of those issues were outweighed by the sheer epicness of this show. The gorgeous sets, the dramatic scenery, the ANGST-filled, beautiful romance…at one point the King rides a majestic white horse into battle with a sword on a neon-lit highway to save the woman he loves. I mean, come on! Plus, its really funny - the ‘fish out of water’ scenes when the King first arrives in Korea, the chalk and cheese dopplegangers Yeong and Eun-Seob, the King’s constant threats of beheading…I loved those elements so much!

Male lead:  Gives Ri Jeong-Hyeok from CHOY a run for his money in the ‘Best Boyfriend’ competition.  AASI: Legend of the blue sea, Heirs.

Female lead: A bad-ass cop. Takes a while to believe Lee Gon’s story, but once she decides to go all in…she goes all in, and loves unreservedly with her whole heart. AASI: Goblin

18. Tomorrow with you 

A time-traveller struggling to live in the present meets a woman trying to let go of her past.

This reminded me a bit of ‘I’ll go to you when the weather is nice’ in terms of the melancholic tone, the simple but effective music, and the beautiful lighting etc. There were also some really interesting, innovative shots which I appreciated.

It took a few episodes to get into and it was a bit frustrating in the middle - so much could have been solved if people just TALKED to each other!! Plus the rules for this version of time travel weren’t really clear…But the last few episodes were brilliant; the way the story came together, and all the little bits of set up were paid off was really well done. These episodes alone were enough to bump this up to the ‘Great’ category (especially, given there was a bit of a Lake House vibe at one point - I’m a sucker for that movie). The romance was also beautifully portrayed; I could endlessly watch their domestic scenes - they had such good chemistry and banter.

Male lead: Absolutely, but endearingly, terrible at relationships. He ends up falling in love against his will and largely without realising it.

Female lead: A bit of a mess and a borderline alcoholic, but so cute and innocent. I love the way she talks to herself, she’s so funny! AASI: Oh My Venus

19. Fight for my Way

Two life-long friends decide to go after their dreams

I fast-forwarded large chunks of this (I wasn’t interested in the secondary couple at all), but it still made my ‘Great’ list because this is one of the best friends-to-lovers stories I’ve seen. You truly buy that these 2 have known each other their entire lives (their  bickering and teasing feels so natural). And then when they take the next step, they’re so affectionate and refreshingly open with their feelings. Speaking of which, this also has some great kissing scenes (Park Seo Joon is the master!)

Male lead: I love his contradictions. He’s goofy and childish…but can really turn on the sexy charm; he’s a badass MMA fighter…who loves when his girlfriend sticks up for him and protects him. AASI: What’s wrong with secretary Kim, Itaewon class, Hwarang

Female lead: Takes no shit from anyone and will fight for her man! AASI: Descendants of the sun (secondary character)

20. Vincenzo - NEW ENTRY

A Korean man raised in the Italian mafia to be a mob lawyer returns to Seoul with some ulterior motives.

This has the strange tone typical of Kdramas - one minute its a goofy comedy, the next some truly dark violence is going down - and it pulls it off really well.  The cast is all great, it was a unique story, and the male lead was charismatic as always. The story is not romance heavy - its got more of a found family vibe - but I still enjoyed it. It dragged a bit in the latter half, but that half contained some genuinely great moments. This is also the only kdrama my aunt and uncle have ever watched and they became obsessed with it. 

Male lead: Slick, dangerous and charming, with a heart of gold that he tries REALLY hard to hide. AASI: Descendents of the sun.

Female lead: Loud and ballsy with some questionable ethics - so not the typical Kdrama female! She was great. 

21. Suspicious Partner

A young, hardworking lawyer has her life turned upside down when she is put on trial for murder.

This was officially bumped up the list a while ago, and I stand by the decision. Its still overly long, but the serial killer plot had some nice twists and it was central to the story, so it didn’t feel extraneous like some of these types of plots do. Mainly, I just loved the central romance - the 2 characters sparked off each other so well and I loved their evolution from sort-of enemies to lovers. This is another show where I can endlessly rewatch their scenes together.

Male lead: Its Ji Chang Wook! He’s so good at playing serious guys who are secretly big dorks. AASI: Healer, The K2, Melting me softly, Backstreet Rookie, Lovestruck in the City

Female lead: Fate deals her a shitty hand, but she perseveres with grace and determination. She’s great. AASI: Shopaholic Louis, 100 days my prince.

The GOOD (in no particular order)

Lovestruck in the city - NEW ENTRY

A documentary-style tale of different couples in Seoul

I loved the premise of this, and, unsually, I was just as invested in the secondary relationships as the main pair (they even introduced a final couple in the final episode and had me rooting for them - which is a testament to the good casting and chemistry). I have to admit I went off Chi Chang-wook after Backstreet Rookie (I loathed that show so much!) but he won me back here. Jae Won is such a charming mess!

Bring it on Ghost - NEW ENTRY

A man who can see ghosts starts working with one

I officially became an Ok Taecyeon fan after this - he’s adorable. The show is fun and rolicks along at a good pace. The central romance is really sweet with lovely angsty moments. Would definitely recommend. 

I Am Not a Robot

A man who is allergic to human contact finds companionship with a robot…or does he?

I honestly thought I wouldn’t make it passed a couple of episodes of this - the concept was just too ridiculous. But I’m glad I persevered, because it developed some real depth and some proper good angst towards the end and I LOVED the central relationship. I’ve rewatched loads of this one.

I Remember You

A famous criminal profiler gatecrashes the investigation of a serial killer, hoping it will restore the missing memories of his childhood trauma

I really liked the set up of this - the lead character is introduced like a young Sherlock Holmes (the music even reminded me of the score for the BBC Sherlock series). The super-observant, socially awkward thing kind of dropped off as the series progressed, but I still enjoyed how the plot developed, especially with Park Bo-Gum’s character; I’ve only ever seen him play innocent cutie-pies, so this role was a bit of a surprise!

The female lead was like an anime character come to life (she was petite and cute with enormous eyes), but I also loved her personality; she was tenacious, and dogged and took no shit from anyone. She had a cute, antagonistic relationship with the profiler at the start (which I loved) which eventually led to some really sweet, touching moments. 

Hotel del Luna 

A hotel for wandering spirits gets a new human manager - and he forms a surprising connection to the enigmatic 1300 year old owner

If I had to describe this show in one word it would be ’lavish’. It’s a feast for the eyes - from the set design, to the costumes, to the CGI views of the hotel towering over the moon-lit Seoul cityscape, its stunning. It also plays with aspect ratios in a cool way (watch for the shots where the action spills over into the black bars top and bottom of the screen).

In terms of the characters, I really liked IU in this; her character may be uncaring, world-weary, and money-hungry, but she’s also immensely charming. I admit I got more platonic vibes with her and the male lead, but I still liked their relationship. I also really liked the stories of the ghosts passing through (some reduced me to tears with very little screen time) and there were a couple of GREAT cameos. Especially the one at the very end - I want more of him, please!!

My Holo Love

A lonely woman falls for a holographic AI and then meets his creator…

I love the concept of this show (I’m a big sci-fi nerd), and I think this stayed in my ‘favourite’ list for so long because it was the first Kdrama of this genre that I saw. I still love it - especially because of how beautifully it’s shot, and how well the story comes together - but I’m not dying to rewatch any of it, unlike all the others shows that are now on the ‘great’ list.

Extraordinary You

A high school student discovers she’s a supporting character in a comic book

The plot of this was so cool, and the way the comic story played out interspersed with the characters ‘real lives’ was really well done. Plus the central couple were so adorable. It dragged in the middle section (several versions of the same conversations were had, and the same exposition was spelled out multiple ways for no apparent reason) which kept it out of my favourite list, but it redeemed itself with some good angst at the end, and it had a really lovely ‘epilogue’.

Just Between Lovers

Three people impacted by a tragic shopping mall collapse start working on a building project together, unaware of their shared past.

I absolutely adore the male lead in this - he is the archetypal tortured hero (I constantly wanted to give him a hug and a warm meal). He’s also wonderfully romantic in his own, straightfoward, no-nonsense way. The female lead was really likeable - l love capable women and she is the definition of that (she even drives a lorry at one point!). There’s a lot of pain and angst in this show, with very little levity, but it strangely never felt heavy. I really liked it. 

Strong Girl Bong-Soon

A woman with inherited super-strength gets a job as a bodyguard for an eccentric young CEO

The lead couple in this are AD-OR-ABLE and I loved their relationship. But there was a weird tone issue in this show. The romance is super cute…but there’s a whole dark sub plot involving multiple women being held captive by a psychopath, and a really grating cast of ‘bad guy’ extras. I ended up fast forwarding most of that, and just concentrated on the romance - If someone could do a supercut of all their scenes, I would watch it on a loop.

30 but 17/Still 17

A 17 year old girl gets into an accident and wakes from a coma 13 years later.

I was worried going into this that the romance (between a 30 year old man and (essentially) a 17 year old girl) would feel icky and uncomfortable. But the writers made the wise choice of creating a 30 year old man with the emotional maturity of a 17 year old. He is so awkward and unworldly, that they actually work really well together. In fact, I loved their relationship. The secrets in this show took faaaar too long to be revealed, which made me worried that the eding would be too rushed, but there was actually time for a nice ‘epilogue’. Plus, all the supporting characters were great (including the wonderfully weird housekeeper Jennifer) and the cutest dog in the world was in this. So I definitely recommend it.  

Hometown cha cha cha - NEW ENTRY

A big city dentist opens a practice in a seaside town and clashes with the local jack-of-all-trades.

This hooked me and made me look forward to the weekends even more so I could get my fix. The story is slight (slice-of-life type thing) but the characters had me engaged and it was an enemies - friends - lovers story which is my catnip.

The male lead was such an intriguing character and the female lead has charm in spades. The romantic scenes bordered on far too cheesy but you can understood why (this was basically their first relationship) so I let it slide. Lovely cast of supporting characters. 

Nevertheless - NEW ENTRY

Two art students embark on a friends-with-benefits relationship.

I binged  this in one weekend. It reminded me of the slightly trashy YA romances that are my gulity pleasure - where the innocent girl falls for the college Fuckboy. You know she shouldn’t end up with him, but you can’t resist their chemistry.  The male lead’s character remained a mystery even by the end of the show, and he really only started to show any semblance of feelings in the last episode, which was a let down. He was so underdeveloped which was a shame, because this show really captured my attention otherwise - in large part because I’m not used to this storyline in Kdramas. There is lots of sex! Actual removal of clothes occurs (and there’s a lovely montage of the main couple sharing a bed which was a visual highlight). So overall I enjoyed it - not least for the side romances - every one of which worked for me (which is unusual). 

Da-Li and the Cocky Prince - NEW ENTRY

A down-on-her luck art curator teams up with a noveau rich ex-thug to save her father’s art museum.

This is the poor girl meets arrogant rich guy trope - but with a twist. She used to be rich and he used to be poor. This leads to a great dynamic between them. His character on paper (an uncultured money-obssessed ex-thug who has a great head for business) is elevated so much by the charm of the actor - you really root for him and his attempts to fit in to this new world. Would recommend!

Mystic Pop-up Bar

As punishment for past sins, a woman must solve the grudges of 100,000 people by entering their dreams

This was an unexpected delight. I started watching it after spotting a cute gifset on tumblr (which I didn’t realise contained huge spoilers!). The story and tone is (mostly) light and quirky, and I particularly enjoyed the worldbuilding - the banal bureaucracy of the afterlife in this even reminds me a bit of The Good Place. I’m a sucker for a ‘found family’ theme and this one was done really nicely. It also had 2 main ships - one really cute and innocent, the other took me by surprise with how moving it was. Similarly, some of the episode-specific stories and characters (i.e. the individual grudges) made me tear up.  

100 days my prince

A Prince loses his memory during an assassination attempt and ends up living as a peasant for 100 days.

Another period piece; the plots of these seem a little repetitive (Crown prince’s life is threatened by scheming Minister) but the  central cast and the romance usually makes up for it. Same for this show - I really enjoyed watching the spoiled, grumpy puppy of a Prince try to cope with manual labour, and the female lead was capable, and endearing.

True beauty - NEW ENTRY

Starting at a new school, a bullied ‘ugly’ girl reinvents herself with the help of makeup

This was really cute! I love Cha Eun-woo in anything and whilst this was similar in theme to one of his other shows (Gangnam beauty) I still enjoyed it on its own merits. He is so cute and charming and his dynamic with the female lead carried the show. The second lead also grew on me, but I wish they hadn’t dragged out the love triangle quite so much. 

Weightlifting Fairy Kim Bok-Joo

A young talented weightlifter experiences first love

Honestly, I wasn’t sold on this at first; the female lead was a bit much (lot of gurning and over-acting) and there was a weird disconnect between how she was described (big, overweight, manly, unfeminine) and how she actually looked (thin and beautiful!). But the back half of this show saved it; her relationship with Joon-Hyung was sooooo cute. He is adorable, and they were both so supportive of each other’s dreams. I finished this with a big smile on my face.

Are You Human Too

A mother separated from her son builds a robotic replacement. Decades later, he has to take the place of the ‘real’ son.

I loved the evolution of the robot in this - it never went the way of a full Pinnochio story, but it was fun to see him learning about the real world and how humans interact. It also posed some interesting questions - what does it mean to be human? And how would you react if you were ‘replaced’ by an artificial version?  

The actor in this was fantastic. The way he could change from the real Nam Shin to Nam Shin III with the most subtle shifts in posture and facial expression was really impressive. It took me longer to warm to the female lead, and by the end she was given very little to do…but her unflinching support and unconditional love for Nam Shin III won me over.  Some of the supporting characters didn’t work for me, and it was far too long…but worth a watch for the lead actor’s performance. Plus, Nam Shin III is an absolute cutie-pie.

Shopaholic Louis/ Shopping King Louis

The young, shopaholic heir to a large department store empire loses his memory and has to live as a poor man 

The male lead in this is an absolute puppy dog and I ADORE him. He squeals when he sees bugs, he can’t run to save his life, and he’s the type of guy who will punch someone and immediately apologise and ask if they’re ok. He’s spoilt, entitled, demanding and has no concept of the value of money…but thanks to the actor portraying him, he just comes across as innocent, sweet and lonely (he spends all his time shopping and accumulating stuff because they fills up his empty life). The female lead is just a really nice, kind person; at first Louis seems like he’ll be just one more burden she needs to take care of, but he makes it clear from the start that she can count on him to help her too - something she’s never had before. Their relationship develops so naturally and thoroughly that you cant help but feel they are perfect for each other. I watched this with a big smile on my face.

Oh My Venus 

The previously much-lusted after ‘Venus of Daegu’ fulfilled her dream of becoming a lawyer - but she gained weight and lost her self esteem in the process. 

I adored the female lead - she was so relentlessly bright and optimistic that you couldn’t help but love her and root for her. I was a bit worried going in that there was going to be a lot of fat-shaming, but the male lead made it clear that he was more interested in her internal health than her external appearance (and you could tell he started to fall for her when she was chubby, so it wasn’t superficial in that way). I wasn’t expecting for him to become so much of the focus in the second half of the show (I thought he was just going to be a hunky trainer;  I should have known better - in a Kdrama there is always a Tragic Backstory looming!). Their relationship was so natural and cute - the bit with the dimples never got old - and overall, this was a fun, easy watch.

A Piece of your Mind

A classical music recording engineer meets an AI designer.

I struggled to sum-up the concept of this in one sentence, because the ‘plot’ is so arbitrary (and the AI stuff makes no sense whatsoever!). It’s really more of a mood piece - the lighting, the music and the performance combine to make this a strangely ethereal show, dealing with unrequited love, grief and the importance of human connection. It’s slow and contemplative and a little odd in its structure (there’s very little set-up, so you feel like you’ve been dropped into episode 3 of an established show). This may put some people off, but I really liked it. 

I started watching it because of the leads (who I’ve loved in other shows) and they didn’t disappoint. She is so kind and lovely; he’s a little odd - like a robot learning about life. But their relationship is so beautiful (it even included one of my favourite niche tropes: insomniacs who can only sleep around each other). 

Apparently the episode run was cut down from 16 to 12 because of poor ratings, which is a real shame because i think a bit more time was needed to really sell the female lead’s emotional arc. It all felt a little rushed at the end, but I still enjoyed it, and admired that it tried something a little unconventional. 

Rookie Historian

An independent, educated woman choses to become one of the first female court historians, rather than get married.

This show had a really interesting premise and I enjoyed watching the rookie female historians navigate court-life (battling workplace harassment, misogyny and patriarchal values) and developing a real friendship with each other. 

The female lead was fantastic - she was headstrong, pragmatic, unapologetically intelligent, a lover of books and a hater of injustice. She shared that love of books with the male lead, who was sensitive, soft-spoken, and innocent. The ultimate beta hero, who’s romantic fantasies involved him feeding her cookies and fanning her while she sleeps! 

Their romance took a backseat for a lot of the show, but I didn’t mind as the plot was exploring interesting topics such as intruders from the West, catholicism, and censorship, etc.

Tempted/The Great Seducer

In an act of revenge, a wealthy heir makes a bet with his friends to seduce a hardworking female college student 

10 minutes into this I started to get major Cruel Intentions vibes…which made sense when I found out it was also an adaptation of Dangerous Liaisons! It doesn’t have the dark edge or overt sexuality of Cruel Intentions (which is one of my favs) but its still good - mainly due to the male lead. I ADORED him in TKEM and he’s really good here. I’m a sucker for the ‘bad boy falls in love for the first time’ trope and he played it so well. The female lead was also good - she was self-aware, strong, intelligent and took no shit. I was less interested by the love affairs of the adults around them, but overall it was a good show. 

The OK

My shy boss / Introverted boss

An extroverted actress takes a job at a PR company working for a man with crippling shyness

This was another deceptive show; I thought from the title and the synopsis that it would just be a light opposites attract comedy about an introverted man and an extroverted woman. But I was almost in tears by the second episode when the Tragic Backstory came to light, and we saw the full extent of the Boss’ struggles to communicate with other human beings. He has such a rich, funny, and smart inner monologue, and the way he overthinks every interaction is really endearing…which makes the contrast with his silent and withdrawn external persona all the more stark and heartbreaking. You really root for him to find happiness. This was overly long (a common pitfall with these shows) and there was some distracting shaky camera work in some of the close ups. There were also implications early on about workplace sexual harassment and possibly dubious consent in a one night stand which were dropped, leaving a bit of a sour note.  Despite that, it was overall fairly enjoyable and has one of the cutest confession scenes!

The OK

Because this is my First Life

A rational-to-a-fault software designer and an aspiring screenwriter come up with an unconventional way to solve their housing problem

When I started this, I thought it was going to be all light and fluffy (the main character’s job in the beginning was to insert the product placement in Korean dramas - hello, Red Ginseng! - which I found hilarious and meta) but it had a surprisingly melancholic tone throughout and touched on issues of workplace harassment and gender roles. I didn’t warm to the male lead until right at the end (which was probably partly intentional - he’s very remote and closed off) but overall I found the story quite lovely. Plus it had a really great central female friendship and their conversations actually passed the Bechdel test!

My Love from the Star

Alien stranded on earth meets an actress soon before he’s due to be rescued.

It took a couple of goes to get into this one, but I’m glad I finally watched the  whole thing (the female lead was initially very irritating, but she improved a lot). I enjoyed the present-day romance and all the flashes back to the past. However, the ending was really abrupt and disappointing (which kept it out of my favourite list). There should have been 1 less filler episode in the middle, and a decent, fleshed out finale instead.

The K2

An ex-mercenary takes a job as a bodyguard protecting the illegitimate daughter of a politician. A sort-of Snow White retelling.

This started off really well; there are some amazing fight sequences (hello, shower room scene!) and JCW has never been hotter - its worth watching for him alone. However, the back half became really bogged down in double crosses and manipulations, and it focussed too much on the politicians. The writers did well to give these characters some layers, but they were all essentially doing bad things for the wrong reasons, and I just didn’t care about them. The show was much better when it was following K2’s journey. The romance also started off well, but was a bit underdeveloped (mainly because they barely interacted).

Dol Dol Sol Sol La La Sol - NEW ENTRY

A sheltered, spoilt rich girl falls on hard times and is helped by a young man hiding a big secret.

I loved the bright, colourful, easy tone of this and the underlying story (which reminded me of Shopping King Louis). It has an equally innocent and charming lead who (on paper) should have been annoying and entitled. However, the twist after episode 4 (i think) really threw me and I wasn’t sure I could continue it. But I did.… only to encounter a ridiculous ending which somewhat soured me on the whole show. Watch if you’re a big fan of the central leads but be prepared to throw things at your TV.

Great Shaman Go Doo Shim - NEW ENTRY

A high school girl from a long line of Shamans reluctantly enters the family business to rid her new school of an evil spirit.

I watched this for the male lead - he’s played the younger version of so many of my favourite characters so I’ve been looking forward to his debut as a lead. He had really sweet chemistry with the female lead, who I’m also eager to see in other things. Overall, this show was short and slight, but cute. 

So I Married the Antifan - NEW ENTRY

An idol and a reporter star in a reality series where they pretend to be together.

I liked the bickering between the main couple at the start of this (who doesn’t love a good enemies-to-lovers trope!) and  the show had a good set up…but it ran out of steam a bit. The female lead became far too passive which started to get on my nerve. And the second couple were sooo annoying. Overall - a good central romance, but I probably won’t be rewatching this. 

He is psychometric - NEW ENTRY

A man with the gift of psychometry teams up with a police officer to solve an old crime

I loved the set up of this and the male lead is really likeable. But I wasn’t a fan of the big plot reveal towards the end - not because it wasn’t well executed, but because of how it impacted the characters. It spoiled a bit of my enjoyment. 

Bride of Habaek / Bride of the Water God

A God of the Land of Water visits the human realm to fulfil a task before ascending to his throne. He enlists the help of a ‘divine servant’, a down-on-her-luck psychiatrist.

I started this because I liked the lead actor. His baby-face can’t quite pull off the intensity needed for this role, but he was still cute as the arrogant, imperious God brought low by his circumstances - no money, house, powers or (most importantly to him) driving license. I also liked the female lead - she so desperately wanted to hide her kind, compassionate heart from a world that had battered and bruised her. There were some good individual scenes (especially the ‘confession’ moment, which was just lovely), but the show ran out of steam towards the end, and ultimately felt like a waste of potential.

Her Private Life

A talented art curator tries to keep her professional persona separate from her fangirl obsession with a pop idol.

This was cute and I loved the central relationship - he was so supportive of her, and their interactions were refreshingly mature and their banter felt really natural. Ultimately, it was a bit forgettable (I’m not dying to rewatch any of it), and the last minute tacked-on childhood trauma subplot was really unnecessary.

Touch Your Heart

Star actress rocked by scandal works at a law firm to prepare for her comeback role

This starred the secondary couple from Goblin and I really like them, even though they are playing very different characters in this (more opposites attract, than doomed lovers). It’s a bit too ‘cutesy’ and I had to fast forward a lot of the secondary romances which I wasn’t invested in.

My Secret Terrius

A secret agent on the run gets embroiled in the life of his next door neighbour - a mum of young twins.

The romance in this was underwhelming; the two characters ended in a really cute place, but it felt like set up for a story I probably would have liked more than this one. In saying that, this was still a relatively enjoyable watch; the female lead was great - she was constantly underestimated as ‘just a housewife’ but she was smarter, and more determined and resourceful than the spies around her. The male lead’s interactions with the twins were adorable, and there was a good cast of supporting characters. However, I’ve already pretty much forgotten the main espionage plot!

Where stars land - NEW ENTRY

A man who dreamed of being a pilot ends up working at the airport - and he hides an unusual secret.

I like the two main actors in this, which is the reason I started watching it. But (confession) I didn’t make any notes as I was watching the show and a year later I can’t remember a single thing that happened. I do recall that it was solidly made and I enjoyed watching it at the time…but it was obviously pretty forgettable!

Abyss - NEW ENTRY

Two friends are dragged into a plot surrounding a mysterious device - the Abyss.

This was a fun ride but ultimately a bit forgettable. The central conceit (you come back to life in a body that better reflects your soulI) was different and fun and the two leads getting used to their change in fortunes was amusing. They ultimately made a cute couple, but (as usual) I was less interested in the murder subplot.

Come and Hug Me - NEW ENTRY

A stoic policeman and a budding young actress share a past trauma

I liked the central relationship in this one (although the actor needed to blink more - it was so disconcerting!). But the father was a one-note hissable villain and the story was overly long and slooooow. Not one of my favs.

Strongest delivery man - NEW ENTRY

A delivery man who dreams of a better life.

I like an underdog story, so I had fun watching this. I also appreciated how the second lead could have been a typical villain but they made him so sympathetic and pitifiul (plus he was played by one of my new favs - Kim Seon-ho -  so I was rooting for him to be a better man). 

Business Proposal - NEW ENTRY

A case of mistaken identity leads to hijinks between a cold, aloof CEO and one of his employees

This was fun and passed the time, but was fairly slight. The male lead felt like a lesser-version of Park Seo-Joon from What’s Wrong with Secretary Kim? That show dealt with the story a cold, aloof businessman dealing with childhood trauma much better. But the female lead in this was a delight. 

Lawless Lawyer

A gangster-turned-lawyer moves to Gisung to take on corruption with the help of a suspended female attorney

I liked this more at the beginning; it reminded me a bit of Itaewon Class, with a charismatic lead, an intricately plotted revenge scheme that the audience only becomes aware of as the series progresses, and a take-no-shit female lead who was introduced hitting an authority figure! However, it never really gripped me (it took me weeks to finish) and a couple of the villains were overacting and hamming it up all over the place.  But I loved the two leads, and their relationship was good, despite feeling a bit rushed. 

1% of Something

To gain his inheritance, an arrogant, aloof CEO has to enter into a marriage contract with a sweet primary school teacher.

I liked how streamlined this was: it was just a show about two people who fall in love despite their best intentions. There was no overly complicated plot, and even the conflict that keeps them apart towards the end felt very organic and unforced. 

She is a delightful ball of sunshine. He is a little overbearing but has his own charm. And bear with the bad haircut and appalling fashion sense - he improves at the end!

Melting Me Softly

Two people are accidentally cryogenically frozen for 20 years. They have to navigate the modern world and their new lives together.

Another good concept, but it ultimately descended into little more than a light work-place romance. Had a couple of good kissing scenes, but it was overall a bit forgettable.

My Sassy Girl

A 'sassy’ princess meets an ambitious scholar in less than ideal circumstances…

I enjoyed the fact that this Joseon period drama focused on a Princess for a change, and not a prince. She came across as more 'obnoxious and immature’ than 'sassy’ in the beginning, but once it was made clear that she was actually a decent, kind person underneath, I soon warmed to her. I also liked the relationship with the male lead, which amounted to a pretty good enemies-to-lovers story. It took a bit of an unexpected turn right at the end, but my independent, feminine self was good with it. Overall, this was a pretty easy watch, but nothing special.

Hwarang

Follows a peasant who joins the newly-created Hwarang (Poet Warrior Youths in ancient Korea) to enact revenge for the death of his best friend

I enjoyed the scenes of the Hwarang hanging out and bonding - so many cute bromances in this! But I couldn’t really connect with the central story and romance, due to a major case of SLS (Second Lead Syndrome) - as much as I’m a fan of Park Seo-joon, I adore Park Hyung-sik, and I found his character, journey and relationship with the female lead much more compelling. The ending still managed to feel somewhat satisfying, but I won’t be rewatching any of it.

The BAD 

Hyde, Jekyll and Me

A woman becomes involved in the lives of 2 men, who share one body

Hyun Bin is sooo watchable in this, especially as the slick-haired, glasses-wearing, uptight Seo-Jin. And the show started well…but quickly went off the rails into a convoluted, dragged-out revenge plot. It was a bit of a slog to get through, to be honest.

Queen: Love and War

The long lost twin of a recently assassinated Queen assumes her identity to enter the Bridal selection to wed the resurrected King and seek revenge.

This was a bit of a mess (as you can tell from that synopsis!); it felt like the first few episodes were rushed through as a sort of ‘prologue’ before the main thrust of the story…but that prologue contained A LOT of plot with some major character revelations that were rapidly skimmed over (e.g. the female lead was introduced as having complete amnesia; but almost out of nowhere she casually mentions that she got all her memories back and now knows who she is). Because of this, it took me a while to get a sense of who the characters really were. A lot of the usual Joseon plot points played out (scheming ministers and untrustworthy queens) but it had some unique features - I especially enjoyed the bridal selection scenes and seeing the lead female outwitting her rivals in the various challenges. But ultimately, I fast forwarded a lot of this and it was pretty forgettable.

Backstreet Rookie

A struggling young woman takes a part-time job at the convenience store run by her high school crush. 

I was really not a fan of this show, and probably would have stopped watching if it wasn’t for Kim Yoo-jung. Her character was really likeable - kickass, but vulnerable, and so loving and kind. You were really rooting for her throughout.  The show also had some interesting things to say about inequality (there was a lovely scene between the male leads’s parents in episode 10 touching on this theme)…but that’s about it for the positives. 

Overall, it was just too OTT and manic and most of the characters were barely more than cartoonish caricatures. One character was actually repulsive, and the fact that he got his own romantic subplot was just gross. I’m a big fan of Ji Chang-wook, but I didn’t like some of his acting choices in this, and his character spent far too long in a relationship with another woman, which meant the main romance felt underdeveloped. 

And…it ended without a kiss. I was so pissed off! I put up with 16 episodes of crap, expecting a decent pay-off at the end…but no. I wouldn’t recommend this one. 

The UNCLASSIFIABLE

Moon Lovers: Scarlet Heart Ryeo

A modern girl is transported 1000 years into the past where she becomes embroiled in the lives of the Royal Princes.

I honestly don’t know where I stand with this one! Did I love it? Did I hate it? I seriously don’t know!

I was reluctant to start this (I knew it didn’t have a happy ending) but I was told its a rite of passage for KDrama newbies to watch this show. And there were some great things about it - the male lead was amazing! So intense and tragic, with the most arresting face. The music was also GORGEOUS, as was the scenery - the whole production felt very sumptuous. The palace intrigue stuff was also more compelling than most of the other historic dramas I’ve seen. I recognised several of the Princes from other shows, and I became really invested in 3 of them…which made the constant threat of them betraying each other/killing each other AGONISING. This show was heavy on the Emotional Torture Porn, and some of it felt gratuitous, because I just didn’t understand the motivations behind some of the plot points/character’s actions.

I also wasn’t a big fan of the female lead; partly because the actress only seemed to have 2 facial expressions to work with, but partly because and any hints that she was a modern girl with modern sensibilities quickly disappeared. It was this independence and spunk that made all the princes fall for her (to varying degrees) but she lost all of that and it left me wondering why they bothered with the time travel aspect at all.

I finished the show feeling wrung out and with the overwhelming sense of “Why? What was the point of that?”

Buuuuuut…it has lingered with me - as @talenevertold said when we were discussing the show, “Nobody enjoys it in the process… but it leaves this unique bittersweet aftertaste…” and that’s absolutely true; and it probably true that this show IS a rite of passage that everyone should watch. But don’t say I didn’t warn you!

and…The MEH (i.e. DNF):

This list is getting long! I have a bit less patience with shows than I did in the beginning - there are so many to get through, so I’m not willing to waste my time on anything that either doesn’t grip me from a story perspective, is far too slow, has mediocre acting and/or is too soapy

Master’s sun

Tale of Nokdu

The Heirs

Meow, the Secret Boy

Love Alarm

One Spring Night

Suits

Chocolate 

Doctor Stranger 

The Scholar Who Walks the Night

Oh Master!

Something In the rain

Alice

Live Up to Your Name

Record of Youth

Run on

Oh my Ghost

If I’ve made a heinous mistake by dropping any of these - get in touch and plead the case for why i should give them another chance!

[yehet-me-up]

Zhang Yixing 张艺兴 (LAY) 🐑 Overview

Zhang Yixing, known professionally as Lay Zhang or simply Lay, is a Chinese rapper, singer, songwriter, record producer, director, dancer, actor, author, and brand ambassador. He has been listed on Forbes list of the top 100 Chinese celebrities since 2017, at 20th, 11th, 5th, and 6th respectively for the subsequent years. In 2012 he debuted as a rapper, singer, and dancer with EXO. Please join me in celebrating EXO’s 🐑

Yixing is also an accomplished film and television actor, and has been active since his first role at six years old in the 1998 Chinese drama We The People. He later began his career as a child star after winning third place in a competition organized by the Hunan-based television show Star Academy in 2005. In November 2015, Zhang made his film debut with a supporting role in the Chinese romantic comedy movie Ex-Files 2: The Backup Strikes Back, which was a box office hit and garnered 2 billion in sales within 10 days of its release. The Mystic Nine series that he starred in placed first in television ratings and has accumulated over 12 billion views in total. 

In 2015, he founded a personal agency for his solo activities that serves as a management firm, and in 2020 Zhang established his own group of companies in China, called Chromosome Entertainment Group, and began the process of recruiting trainees from all over the world. His autobiography, Standing Firm at 24, was a best-seller in China, breaking several sales records. Yixing has additionally served as a mentor, producer, and presenter for numerous singing and dancing reality shows in China. Zhang also currently tops the list for K-Pop idols with the most endorsement deals, partnering with over 30 companies.

"Monodrama," written by Lay and co-composed and arranged with Divine Channel, broke records by staying at number one on YinYueTai's V Chart for five consecutive weeks. In 2016, Zhang released his first EP, Lose Control, in South Korea and China to commercial success; it peaked at number one on the Gaon Album Chart and number four on Billboard's US World Albums chart. His first studio album, Lay 02 Sheep, broke five records on QQ Music: Gold, Double Gold, Triple Gold, Platinum and Diamond Record. Lit, his third studio album, had pre-orders of over 1.5 million copies within seven minutes; Lit went on to sell 2.5 million records, making Lay the best-selling artist in China in 2020. 

Lay is involved in much of the production of his albums as a producer, and is often personally in charge of the composition, arrangement and writing of every song – as well as translation of the lyrics himself into other languages, including English, Korean and Japanese.

This post is part of an effort to celebrate the accomplishments of EXO over the past 10 years and to provide tangible avenues for supporting these artists in 2022 and beyond 🖤 On 8 April 2022, Lay announced that he would be departing from SM Entertainment after the conclusion of his ten-year contract with the company - we look forward to his future projects, both as a solo artist and as a member of EXO 💕

*Due to time/energy levels (not because I don’t love Yixing!) I won’t be including links this time, but this should be a thorough summary of his projects, music-related and otherwise :) His songs and albums are all available to listen on Spotify and Youtube, and his albums are for sale at most major retailers!*

🎵 Individual Music 🎶

🌔 Lose Control (2016) 1st EP/mini-album 🌔

1. Lose Control (失控) 2. What U Need? (你要什么) 3. Tonight 4. MYM 5. MYM (Acoustic Ver.) 6. Relax (守望)

❄️ Winter Special Gift (2017) 2nd EP/mini-album ❄️

1. Goodbye Christmas (聖誕又至) 2. Can You Feel Me (你的感覺) 3. Christmas Love (聖誕的愛) 4. Gift to XBACK (小小禮物) 5. Goodbye Christmas (English Ver.) 6. Goodbye Christmas (Instrumental Ver.)

🐑 Lay 02 Sheep (2017) 1st Studio Album 🐑

1. Sheep (羊) *Alan Walker re-lift version ∴ Lollapalooza 2018* 2. I Need U (需要你) 3. Peach (桃) 4. Hand (匕首) 5. Boss (老大) 6. Shake (摇摆) 7. Too Much (太多) 8. Mask (面罩) 9. Director (导演) 10. X Back (兴迷)

🌲 Namanana (2018) 2nd Studio Album 🌲 *2 Disc CD - first side is Chinese versions and second is English versions

1. 集结号 (The Assembly Call) 2. 梦不落雨林 (Namanana) *also a single remix in 2020* 3. 爱到这 (Give Me a Chance) 4. 催眠术 (Lay U Down) 5. 爱的引力 (Save You) 6. 坚持 (Hold On) 7. 幸福上瘾 (Thing for You) 8. 麻婆豆腐 (Mapo Tofu) 9. 香水 (Flavour) 10. 快门回溯 (Don't Let Me Go) 11. 贝壳女孩 (Tattoo)

🍯 Honey (2019) 3rd EP/mini-album 🍯

1. Honey (和你) (English version) 2. Bad (坏的) 3. Amusement Park (游乐园) 4. Honey (和你) (Chinese version)

🐲 蓮 LIT (2020) 3rd Studio Album 🐲  *Was released in two parts, each with 6 songs

1. 蓮 (Lit) 2 玉 (Jade) 3. 鷹 (Eagle) 4. 水 (H2O) 5. 飛 (Fly) 6. 靈 (Soul) 7. 沸 (Changsha) 8. 妈 (Mama) 9. 蹦 (Boom) *also Boom R3HAB remix* 10. 唤 (Call My Name) 11. 夜 (Late Night) 12. 愿 (Wish)

🎼 Producer (2021) 4th Studio Album 🎼 

1. Joker 2. 愛蓮說 (Love Lay) 3. 小城姑娘 (Flipped) 4. 十面埋伏 (Ambush) 5. 略過 (Stay With Me) 6. 馬 (Horse) 7. 炎黃子孫 (Descendants of the Dragon) *also has a remix* 8. 癡 (Obsessed) 9. 湘江水 (XiangJiang River) (Ft. 功夫胖 (Kungfu Pen))

🌄 東 EAST (2021) 4th EP/mini-album 🌄

1. 飛天 (Flying Apsaras) 2. 三昧真火 (Samadhi Real Fire) by LAY & GALI 3. 苦行僧 (Ascetic Monk) 4. 牧童 (The Shepherd Boy)

🚀 Singles and OSTs 🚀

⇢ Spectrum (2012) SM The Performance group single ⇢ Because of You (2013) Non-Album Single ⇢ I'm Coming (2014) Hunan TV special performance ⇢ Alone (One Person) (2015) Ex-Files 2 OST ⇢ Happy Youth with Jiang Wen and Li Xiaolu (2015) Oh My God OST  ⇢ Monodrama (2016) SM Station single  ⇢ A Man Thing with Royal Treasure cast (2016) Royal Treasure OST ⇢ Pray (2017) Operation Love OST  ⇢ Dream High (夢想起飛) (2017) SPD Bank Theme Song ⇢ When It’s Christmas (2018) Non-Album Single ⇢ Youth Day (theme song) (2018) ⇢ Everything Like You (2018) I'm Around You OST ⇢ Let’s Shut Up & Dance with Jason Derulo + NCT 127 (2019) Non-Album Single ⇢ No Man's Land with Anti-General and Jasmine Sokko (无人之域) Non-Album Single ⇢ Lovebird with Far East Movement (2019) Non-Album Single ⇢ I'm Not Well (我不好) (2019) Non-Album Single ⇢ Grandma (外婆) (2019) Non-Album Single ⇢ Love You More with Steve Aoki and will.i.am (2020) Steve Aoki's Neon Futures IV ⇢ Clear Sky Ballad with Panta Q (晴空谣) Non-Album Single ⇢ Gluttony (2020) Non-album Single ⇢ Bee With You (2021) Non-Album Single  ⇢ Dawn to Dusk with 24kGoldn (2022) Single Album ⇢ Jiu (酒) (2022) Non-Album Single 🌌

🎭 Acting Roles 🎭

⇢ (1998) We The People tv show - Huan Huan ⇢ (2015) Oh My God movie - Le Yi ⇢ (2015) Ex-Files 2: The Backup Strikes Back movie - Lee Xianghe ⇢ (2016) Royal Treasure movie - self ⇢ (2016) To Be A Better Man TV show - Xiao Cai (Cai Mingjun) ⇢ (2016) The Mystic Nine TV show - Er Yuehong ⇢ (2016) The Mystic Nine Side Story: Flowers Bloom in February web movie - Er Yuehong ⇢ (2017) Operation Love TV show - Yan Xiaolai ⇢ (2017) Kung Fu Yoga movie - Zhu Xiaoguang ⇢ (2017) Cars 3 movie - Jackson Storm (Chinese dub voice) ⇢ (2017) The Founding of an Army movie - Lu Deming ⇢ (2018) The Island movie - Xiao Xing  ⇢ (2018) Tomb of The Sea TV show - Jie Yuchen ⇢ (filmed 2018, release ?) Unexpected Love movie - Han Bin ⇢ (2019) The Golden Eyes TV show - Zhuang Rui ⇢ (2019) Empress of The Ming TV show - Zhu Qizhen ⇢ (2021) Faith Makes Great TV show - Xiong Dachen ⇢ (2021) Crime Crackdown TV show - Lin Hao ⇢ (2022) Challenges at Midlife TV show - Ning Shu

*TBD release - No More Bets movie - main role

📺 Other TV Credits 📺

⇢ (2014) Star Chef reality show - contestant ⇢ (2016, 2018) Happy Camp reality show - guest ⇢ (2019-present) Go Fighting! variety Series - main cast ⇢ (2018, 2019) Idol Producer reality show - main mentor, presenter ⇢ (2018) Rave Now reality show - mentor ⇢ (2019) Youth with You (Idol Producer S2) - main mentor, presenter ⇢ (2019) Roast reality show - guest ⇢ (2020) I'm CZR II reality show - singer-songwriter ⇢ (2020) We Are Young reality show - main mentor, presenter ⇢ (2020, 2021) Street Dance of China reality show - team captain ⇢ (2020, 2021) Let's Chat variety show - main cast ⇢ (2020) Dance Smash - team leader ⇢ (2021) The winter dream promise (TV Special) Self ⇢ (2021) Youth and Melody - Producer ⇢ (2021) Back to Field variety show - main cast

🏆 Awards 🏆

⇢ Awards and nominations complete list! 

🕺🏻 Fashion + Brands 🕺🏻

⇢ Zhang attended a Samsung event held at the Mercedes-Benz Arena in Shanghai, China as the ambassador of Samsung Galaxy A8s and performed on-stage alongside ASAP Ferg and Steve Aoki. ⇢ Zhang attended the 61st Annual Grammy Awards as its promotion ambassador on the red carpet event and live ceremony. ⇢ Yixing’s third wax figure was revealed in Madame Tussauds Hong Kong in 2019, following his wax figures in Madame Tussauds Shanghai and Beijing. ⇢ Zhang is a brand ambassador of over 30 brands, including Converse, MAC Cosmetics, Chaumet Paris, Ray-Ban, Milka Chocolate, H&M and Perrier. ⇢ In 2019, he was announced as Calvin Klein's first Chinese global spokesperson for Calvin Klein's underwear and jeans lines. ⇢ As an ambassador of high-end fashion brand Valentino, Zhang has attended multiple fashion shows and events in Asia and Europe, as well at the annual Met Gala wearing a custom-made suit titled "Time Traveller" designed by Valentino Creative Director Pierpaolo Piccioli. ⇢ He served as a promotional ambassador for Huawei Nova smartphones from 2015 to 2018. ⇢ Since 2016 Zhang has served the Communist Youth League of China (CYLC) of Changsha as a publicity ambassador, the first celebrity to hold such title. ⇢ In October 2017, Zhang signed a contract with the vice president of Tencent Music Entertainment Group and became a member of "Music+ Plan" (Music+ 计划) alongside TFBoys, Wang Leehom, and more. ⇢ In September 2018, Zhang signed an agreement with Easy Entertainment in which his personal studio will collaborate with Easy Entertainment to create a new team to manage Zhang's promotional activities.

🌟 Miscellaneous 🌟

⇢ Grand Line: The First Concert (2019) Solo concert ⇢ In 2015 Zhang's autobiography, Standing Firm at 24, was published. The book documents important events throughout his life and broke several online sales records with 400,000 copies sold within six months. He took the fourth place on the 10th Chinese Celebrity Writers List, becoming the youngest celebrity author to enter the charts. He was also the champion of the 2015 installment of the Annual Celebrity Book Sales and took the top spot of Asia's Best Books twice during its monthly ranking and six times on the weekly chart.  ⇢ At CCTV’s Spring Gala Festival in 2017 he sang a duet alongside Chinese actor Jing Boran ⇢ Goosebump music video (2017) Kung Fu Yoga OST featured dancer ⇢ 2019 20 January, Zhang attended a Samsung event held at the Mercedes-Benz Arena in Shanghai, China as the ambassador of Samsung Galaxy A8s and performed on-stage alongside ASAP Ferg and Steve Aoki, respectively new level and boom shakalaka ⇢ On the 2011 SHINee world tour he was a stand in for Jonghyun, who was briefly unable to participate in the tour ⇢ Zhang performed a Chinese New Year song alongside Dilraba Dilmurat, Phoenix Legend, Wallace Chung, and Zhou Dongyu at the 2019 CCTV New Year's Gala. ⇢ Zhang attended the 2018 CCTV New Year's Gala where he performed a dance collaboration stage with Huang Bo and William Chan. ⇢ Yixing is also a talented songwriter and composer of most of his own solo music, as well as the song "Promise" from the repackaged edition of Exo's second studio album, Love Me Right. He also wrote the lyrics for the Chinese version of the song, while the Korean version was co-written by Chen and Chanyeol. Apart from Karen Mok, he holds composition credits to songs released by Yu Quan, MC Jin and Show Luo. ⇢ He participated in the national anthem and its music video for Youth Day in China in May 2018. ⇢ Magazine Covers listed here

⇢ Follow Yixing on Instagram @ layzhang, on Twitter @ layzhang, and on YouTube at LAY

Thank you for supporting EXO Yixing 😘

And if you want to help spread this post to folks who haven’t experienced the magic of Yixing yet, please reblog this and tell me what your favorite Yixing moments and performances are! ✨

[absolutebl]

This Week in BL

March 2021 Part 4

Being a highly subjective assessment of one tiny corner of the interwebs. 

This is a LONG ONE, it’s been A WEEK everyone. 

Ongoing Series - Thai

Lovely Writer Ep 5 - a little slow this week, but at least Gene finally flirted back, and very cute flirting it was, too. Also we got Aey’s motivation, background, and love interest. Thank goodness for that. 

Brothers Ep 8 - still pants, what can I say? Clearly I am a BL masochist. Very embarrassing for everyone concerned. 

1000 Stars Ep 9 - the conflict over Tian’s father was REALLY well done. The plot of this drama is excellent, the leads are great together, and yes I totally cried. What, you didn’t? 

Ongoing Series - Not Thai

Word of Honor (China) Ep 16-18 - big battle fighty fighty stabby stabby. Ep 17 switches to “this drama isn’t big enough for two chaotic-neutral godlings!” So what do they do? Drink together and bicker... A LOT. Then in Ep 18 we all get the dubious joy of really freaky puppets. (I HATE puppets.) Also how is China letting this be so SO VERY VERY GAY?  Also, I wanna walk through the forest wearing a smanshy purple robe and waving a big fuck-off white fan around simply because I’m a pretentious fuss monger. And frankly, I feel like this is an achievable life goal for me. 

We Best Love 2 (Taiwan) Ep 4 - not gonna lie, this is looking to be one of my top 3 BLs of 2021. It’s SO GOOD. Big bonus to this ep for treating stalker behavior like the mental illness it is and not as some dumb representation of enduring love. 

The Most Peaceful Place is My Place (Vietnam) Ep 1 - finally dropped (find it under NƠI BÌNH YÊN NHẤT LÀ VỀ BÊN EM on O2′s channel). It’s got actors already comfortable with BL and looks pretty good so far. An angry tsundere uke reunited with his ex, a stoic chef, giving us lots of snap, crackle, and pop out the gate. 

Dear Uranus (Taiwan GL) Ep 2 - I want to love it, but it is just moving too fast. There’s not enough character dev and then they’re throwing flashbacks in? It feels like a treatment rather than a show, and a rushed treatment at that. Bummer. 

HIStory 4: Close To You (Taiwan) Ep 2 (AKA Ep 3-4) - let the cheesy popcorn continue! Idiot remains an idiot; ingenue remains an ice queen; nice gay guy remains nice and gay; obsessive stalker brother is getting ever more whackadoddle. Of course these last two have the best chemistry. (It’s caregiver codependency and the salvation trope. We got us a Leo/Fiat situation going on.​) Plus lots of classic BL tropes because OF COURSE there are lots of tropes. 

Occasionally, I am tempted to argue that shows like H4 or Cherry Magic or Ossan’s Love aren’t technically BL because of the office setting and age of the protags - but then they all behave like high school students anyway, so *shrug* 

Stand Alones

Cute little Taiwanese micro BL Friend or Lover dropped, about bisexual realization within a friendship group. Normally these are too short for me, but this one did pretty good with its 15 minutes of charm, plus it’s abad boy + shy softy pairing. 

Breaking News - Thai BL

Fish Upon the Sky released its actual trailer. The upside-down kiss is gone, which makes everyone sad, and it seems far less rivals to lovers than the first iteration, which makes ME sad. But it still looks good and a more classic BL than GMMTV has given us in a while. New trailer focused more on the makeover trope and they’ve upped Mix’s role (the object of everyone’s affection) now that he’s proved himself. (Or they are using him more to carry the trailer since he has a fan base form 1k*). Starts April 9 on GMMTV in 1K*’s time slot, probably with a 10 ep run. 

2gether the movie is apparently coming April 22 to Thai theaters. F4 Thailand must be having issues or GMMTV just wants to milk the BrightWin cash cow. It’s rumored to be a combination of 2gehter + Still 2gether with some extra scenes and ending. Also, one assumes a lot will be cut out, if it’s movie length.

Call It What You Want released its updated trailer. If anything, it looks more scary than before. What are we in for? April 9th. 

Nitiman got a release date, May 7 on One31. 

I Told Sunset About You 2 got an updated release date of May 27 on LineTV. 

Second Chance the series is coming to LineTV on March 29. I don’t know much about this one. Tons of familiar faces (mostly TharnType side dishes) and some nice looking new talent but a dearth of eng subs. I think it may take on Brothers’ time slot. Line did eng subs for Brothers so maybe they will do 2nd Chance too? 

Close Friend the series is coming April 22. This is a combination of 6 couples with 6 story arcs as music videos (maybe)? It’s an epic fan service with familiar faces like OhmFluke (UWMA), MaxNat (LBC also in Y-Destiny), YoonLay (YYY also in Y-Destiny), KimCop (GenY), and JaFirst (TT2).

Y-Destiny starts March 30, and has starting dropping couple’s trailers. I’m still suspicious given the director but it seems like there is plot (or plots) and a theme. Looks to be a series of 7 single ep vignettes (amended, see comments, might be 2 eps each for 14 eps total), different couple each time, some with supernatural elements, all with decent chemistry and acting chops. 

Sun MaxNat’s tutor/student arc

Mon jaded rich kid meets poor innocent  

Tues sports romance enemies to lovers 

Weds the messy realistic actual dating one 

Thurs hot ghost boyfriend (sad) 

Fri YoonLayPerth coping with loss and finding new love (sad). This one will all rest on Lay's acting so we know it’s in safe hands. Our boy is going to KILL it. 

Sat time-slip memory loss reunion romance 

I’m thinking we can’t expect any of these to end happy or be classic BL. They’re gonna be more slice of life-ish. 

Gossip - BL Outside of Thailand 

Scholar Ryu’s Wedding Ceremony AKA Nobleman Ryu’s Wedding (Korean historical BL) got a legit teaser (eng sub here). @curriculumvtae​ reports that it’s releasing April 15th on WeTV (Philippines & Thailand) and Idol Romance (South Korea), while Will of Thai Bl says it’ll be on Viki too. It’s a short run of 8 ep built on a fake relationship trope (arranged marriage variant):

Ryu Ho Seon’s (Kang In Soo from You Wish) arranged marriage turns out to be with his expected bride’s brother, Choi Ki Wan (Lee Se Jin from Mr Heart). Ryu tries to undo the marriage, but his ill mother opposes this saying the scandal would be too much. Meanwhile, Kim Tae Hyeong (Jang Eui Soo from Where Your Eyes Linger), a senior at Ryu’s school, comes to congratulate him and falls in love with Choi. Then one day, the original bride disappears.

Okay it seems a bit twisty turny for ONLY 8 EPS, but oh my goodness how excited are we? Our first intentional historical BL out of Korea!

We already knew Hong Kong was doing a remake of Japan’s Ossan’s Love under the same name (not my favorite Japanese BL but so very popular) but it’s now reported to be coming to Viu in June. Who knows how the CFA will take it. Depends on whether Hong Kong bows before the NO GAY KISSES regs or if they are going to use this as a political nose thumb... things could get cray with this puppy (the original has several kisses and s shower scene). Are we back in Addicted territory only with added comedy and civil unrest?

Speaking of Japan, Absolute BL (AKA Zettai BL ni Naru Sekai vs Zettai BL ni Naritakunai Otoko) dropped sooner than anyone thought, March 27. But being Japanese who knows how/when/if we get subs. Protag finds himself trapped in a world of BL, but being straight he fights against any hot guy that draws near, but the whole world (literally) is conspiring against him. It’s a parody adapted from a yoai.

What with Absolute BL from Japan plus Lovely Writer and Call it What You Want from Thailand, is 2021 the year of BL being ultra self referential? Sure feels like it.

In Case You Missed It

Faded a gay micro film from Taiwan from 2017 deals with parental acceptance and serves up a ton of BL tropes (piggyback, forehead kiss, etc). I’m pretty sure this was a propaganda piece for legalization of gay marriage, and it’s an interesting nugget of BL history as a result. Yes, it ends happy. It’s cute. 

Next Week Looks Like This:

Some shows may be listed a day later than actual air date for accessibility reasons.

Upcoming 2021 BL master post here.

Links to watch are provided when possible, ask in a comment if I missed something.

Man there’s a lot going on right now! Spring has sprung... I suppose. 

P.S. I cannot believe I missed Absolute BL as a blog name. Numbnuts = me. 

[kdramaxoxo]

do you have any recs specifically for kdramas that are available on netflix in the us? thanks!

Hi Anon!

Happy to make some recs - It used to be hard to do, but now Netflix has a bunch!

Great K-Dramas on Netflix (United States)

Just an FYI that Netflix has wildly different licensing depending on where you live and these are the ones I recommend if you live in the US).

Chicago Typewriter (Fantasy/romance): I loooooove this kdrama about three people who are connected by their past fates. It’s in my top 10 and I’ll put in on any rec list I can. The historical portion is super interesting, and the chemistry of all three main actors is just the best! Yoo Ah In…I just love him. Best kiss scene!

Run On (Romance, Slice of life): A slice of life romance that follows an athlete and a translator, a sports manager and a painter. It’s really smartly written, has super unique characters and I just really loved it. If you don’t like slow burn, you might want to skip this one but I found the romance and the storylines really enjoyable.

Hello My Twenties: (Slice of life): a bingeworthy drama about a group of college students living in the same house. Friendship, romance, coming of age.

Extracurricular (thriller): This kdrama isn’t for the faint of heart but I think everyone should watch it. It’s not filmed like a k-drama and has a different feel then I’m used to. Full of twists and turns, this drama follows a quiet kid who has a part-time job that’s not exactly legal. He “befriends” a girl he has a crush on and well, no spoilers!!

Live Up To Your Name (fantasy/romance/comedy/medical): A fun drama about a historical doctor who ends up traveling to the future and meets a modern doctor. I love this couple and the show is great, though I personally do not like medical stuff. The good news is if you are like me, you can fast forward all of the procedures and you will not miss any of the plot. Soft couple alert.

Hospital Playlist (Workplace): A group of five friends who met in college all work at the same hospital together. They are all so different but lean on one another and love each other regardless of their flaws. It’s funny, emotional and the perfect slice of life (though heads up on the long episodes).

Mystic Pop Up Bar (fantasy/found family): A fantasy k-drama that centers itself on found family. Two spirits from the afterlife set up a bar where they find humans who need to settle grudges. When the lady realizes a soft and sweet customer service boy at the local market can read people’s thoughts, she “hires” him to help out. My heart was completely taken by these three and the security guard.

Oh My Ghost (rom com/fantasy): Adorable and super fun k-drama about a shy and quiet girl who becomes possessed by a sassy and flirty ghost. Great story, great chemistry.

Crash Landing On You (Romcom/Melo): A South Korean celebrity accidentally ends up in North Korea for k-drama reasons and is helped by a soft hearted soldier and his crew. It’s one of those totally ridiculous plot lines that makes a K-drama a k-drama - You know, the ones with chaebols and all sorts of tropes, and a lot of plot that ignores reality. Still, the couple is adorable and the found family is amazing.

The Uncanny Counter (Fantasy/superhero/found family): A group of four people were brought back from comas to fight evil. It’s got real heart and you’ll love every “counter.” The found family and friendships were the best!

Stranger (Thriller/Crime): A k-drama featuring a quirky crime solving due: a prosecutor who has lost his ability to feel empathy and his (obviously gay) brilliant and quirky detective partner. This drama has NO romance and is more about political corruption and mystery.

Because This Is My First Life (Romcom, Slice-of-life): I absolutely love this drama about a total sweetheart who gets married in order to have a place to live. A lot of the story is also about her close friends (one of which: Soo-ji, is one of my favorite ladies ever!) It’s funny, heartfelt, and has a very interesting relationship dynamic. I’d say it’s in my top 10 dramas, except that the lead is a creep IRL so I actually will not watch anything is he cast in (I did not know when I watched this drama and dangit I really really love it).

When The Camellia Blooms: (Slice-of-life/Romance): A really well done slice of life drama about a single mom who opens a bar. Lots of great small town characters and her son is like, the smartest kid in the world? The romance is very fluffy too.

Itaewon Class: An optimistic underdog opens his own restaurant to honor his father. He hires in a rag tag bunch of randos who will all win your heart! (well, one of them will not but I won’t say who ;-). I found some of the plot points frustrating, but the chef and one of the waiters are two of my favorite characters ever.

Psycho But It’s Okay: A gorgeous k-drama featuring two brothers who lost their mother, and a beautiful & famous author who grew up in a traumatic and abusive household. Everyone is very closed off and holding onto intense pain, but the three come together to help one another move on and create their own family. There’s also a really pretty narrative theme featuring fairytales.

One Spring Night (Romance): A romance between a single dad and a girl who comes into his pharmacy. It’s one of those more realistic toned dramas and has a very specific slower moving pace.

Kingdom (Zombie Horror): Seriously only watch this if you are not looking for a non-kdrama-y k-drama because this show is scary. A historical drama about messy kingdom politics and a terrifying zombie outbreak. I dare you not to fall in love with the lead or Bae Doona.

A Korean Odyssey (Fantasy/Romance): Honestly this show is a bit of a mess, but it’s very creative so I just want to give it some props. A cursed demon falls in love with the spirit-seeing human who cursed him. Lots of funny demon in-fighting and while the plot gets really wonky, I still think it’s worth a watch. (you’ll know right away if you don’t like it so you can just drop it if it’s not your thing :)

Reply 1988 (Slice of life/romance/family & friendship): Taking place in 1988-89, this drama tells the stories of a group of families who live on the same block. It’s very heartfelt, funny, sad and super well made. A fan favorite.

Other good ones that I haven’t finished (yet)

Navillera

My Country

Everyone also loves Vincenzo but I haven’t seen it yet

Enjoy!

[dweemeister]

Best Animated Short Film Nominees for the 93rd Academy Awards (2021, listed in order of appearance in the shorts package)

NOTE: For viewers in the United States (continental U.S., Alaska, and Hawai’i) who would like to watch the Oscar-nominated short film packages, click here. For virtual cinemas, you can purchase the packages individually or all three at once. You can find info about reopened theaters that are playing the packages in that link. Because moviegoing carries risks at this time, please remember to follow health and safety guidelines as outlined by your local, regional, and national health officials.

Continuing with one of my favorite Oscar-time traditions, here is an omnibus review of this year’s Academy Award nominees for Best Animated Short Film. This is an older category than many might believe to be, with some of the first nominees and winner including ‘30s and ‘40s fixtures: Disney’s Silly Symphonies, Warner Bros.’ Looney Tunes, MGM’s Tom and Jerry and Happy Harmonies. These days, the category tends to be more democratic (perhaps not so much this year), but certainly more experimental. Here are the nominees, as they appeared in the order of how they appeared in the short film packages released to theaters and virtual cinemas in the United States:

Burrow (2020)

Burrow, directed by Madeline Sharafian (story artist on 2017’s Coco, writer on Cartoon Network’s We Bare Bears), is the eighth in Pixar’s SparkShorts series, in which Pixar’s junior animators craft a short film on a limited budget and timeframe. This is the film that played in front of Soul for those lucky enough to view that film theatrically. This dialogue-free, hand-drawn film stars a young rabbit, looking to dig out and furnish her own home – complete with a bathroom-disco (or something like that). Her best-laid plans, however, seem dashed when she keeps digging and running into other animals’ underground abodes in this area. Not that these animals seem to mind the intrusions too much. The rabbit, so anxiety-driven in her eagerness to project a picture of self-assuredness, soon realizes that these nearby animals she fears to have disturbed are all neighbors, a community ready to lend a paw for the newcomer.

Sharafian credits her sense of impostors’ syndrome when first working at Pixar as the film’s primary thematic inspiration. With only a bare number of lines, the rabbit expresses a vast array of emotions, endearing the audience to her self-dramatization and youthful insecurity. Drawn flatly but nevertheless suggesting some depth, the cutaway animation depicting the burrow neighborhood recalls Richard Scarry’s books and other such colorful ensemble illustrations found in children’s picture books. Burrow is a worthy addition to Disney/Pixar’s animated short film legacy, despite the lack of innovation and obvious low-budget appeal (it uses the third movement of Mozart’s Oboe Concerto as its soundtrack), and seems like something that could have been made during the heyday of Silly Symphonies or Warner Bros.’ Merrie Melodies.

My rating: 7/10

Genius Loci (2020, France)

From the Latin term meaning “the spirit of a place”, Adrien Mérigeau’s Genius Loci is the most difficult, abstract film of this year’s slate of nominees. Genius Loci stars a young black woman named Reine (Nadia Moussa), a solitary soul who embarks upon, while walking the streets of Paris at night, an existential revelation. Reine, who is supposed to be babysitting her nephew that evening, decides to have a small adventure instead. She will find this experience and this Parisian neighborhood disorienting and chaotic, in many of the ways that life in a sprawling metropolis can be. The film’s sound mix clangs, whispers, vibrates, and echoes into Reine’s soul, injecting feelings of harmony, but mostly those of displacement. The distant rumbling of traffic is subliminal here, crescendoing and decrescendoing to control the film’s tension. Throughout, Mérigeau provides a fragmented narrative (do not fixate on the plot) and the protagonist’s intangible, occasionally abstruse, narration. Spiritual and existential loss colors Reine’s ambling, as well as a sense of modern France’s racial otherizing that makes the city feel unwelcoming, if not antagonistic.

Mérigeau (background cleanup on 2009’s The Secret of Kells, art director on 2014’s Song of the Sea) collaborated with Belgian comic illustrator Brecht Evens (production designer on the excellent Marona’s Fantastic Tale from 2019) for the film’s dumbfounding backgrounds, as well as storyboarding the changes in aesthetic as Reine continues her journey through Paris. Marona’s influence is felt keenly throughout Genius Loci – from the lack of recognizably human figures among strangers to Reine and the ever-changing color scheme. Unlike Marona, Genius Loci commits to watercolors (or computerized animation meant to resemble watercolor paints) during the film’s entirety. The watercolor animation serves to loosen the character animation and the backgrounds’ definition, and serves as a paragon of expressionist animation. Genius Loci will bewilder audiences, challenging them to understand Reine’s painful attempt to find belonging and solace in a place that disallows such reflection.

My rating: 8.5/10

Opera (2020, South Korea)

Opera, directed by Erick Oh (an animator at Berkeley-based Tonko House, which crafted the 2014 nominee The Dam Keeper), is an independent South Korean/American production that owes more to Sandro Botticelli and Hieronymus Bosch than anything ever seen in animated cinema. This is a cinematic fresco teeming with activity, intended more as interactive art than for a movie theater. The setting is a pyramid filled with souls living, laboring, luxuriating, dying. As the camera pans downward from the godlike or prophet-like figures occupying the top, it later zooms outward, all timed alongside a day-night cycle. Opera’s story is that of human history, distilled in eight minutes of repetitive activity. The design of Oh’s film is as a museum installation – projected on a wall or the ground (the only instance Opera has been screened as such was at the Ars Electronica Animation Festival in Linz, Austria) – that loops continuously, and, if one looks closely enough at the pyramid’s sections, there are loops within the film’s loops. If viewed in a museum, Opera does not pan selectively as it does if projected in a theater or a home media screen.

Pieced together in between Oh’s other film projects over four years and a pandemic, Oh and his animators (some of whom participated voluntarily, without pay) concentrated on different sections of the pyramid at a time, synchronizing the action in a specific section to match the surrounding areas – and, ultimately, the film as a whole. Opera contains intricacies impossible to realize on first, second, third viewings. Even in its limited, virtual cinema form, it engulfs the viewer in its hierarchical animation, the intentionally simplistic character animation serving to universalize the drama of its beings’ existence. It is rapturous art, the sort that defies description, and undoubtedly will echo across Oh’s subsequent films.

My rating: 8.5/10

If Anything Happens I Love You (2020)

For some American viewers, I imagine that this title alone has already spoiled the film’s content even without seeing any footage. A Netflix production directed by Will McCormack (co-writer on 2019’s Toy Story 4) and Michael Govier (bit roles in American television), If Anything Happens I Love You is the only nominee in this category directed by individuals with no background in directing animation. McCormack and Govier met at acting school; acting remains their primary profession. Without dialogue, the film opens with two parents eating dinner at opposite ends of the table. They seem aloof, their minds elsewhere. The background is spare, with only a jumble of pencil sketches making sense of any barriers enclosing them. Flexible, animated silhouettes appear from their bodies – sometimes arguing vigorously with each other, at times shadowing the person and attempting to call their attention. Grief overhangs their household, expressed through a largely monotone palette, minimalistic designs and backgrounds. The background artists exclude any detail unnecessary to the story.

Written and crafted in collaboration with (so as to not spoil the film, I am about to opaquely write about this film’s intentions) a prominent, deep-pocketed political non-profit so as to shear the film of any thematic excess, If Anything Happens I Love You has, unlike its fellow nominees, broad support among certain prominent actors in Hollywood. Laura Dern is the executive producer and various actors – including Chelsea Handler, Rashida Jones, and Lesley Ann Warren, among others – have openly contributed or advocated for this movie. The visualization of the parents’ pain, even without dialogue, brings the viewer into a space unfathomable to most, unbearable for those who know too well. The use of the King Princess song “1950” meshes awkwardly with what is being portrayed on-screen at the time. But the character animation – McCormack and Govier’s experience as actors endows the couple with indelible humanity – and its visual discipline carry the film to its heartbreaking conclusion.

My rating: 8/10

Yes-People (2020, Iceland)

Icelandic film Já-Fólkið (Yes-People) is the epitome of cheap European computer-generated animation. Directed by Gísli Darri Halldórsson (a former Cartoon Network Studios character animator), Yes-People – the Best Icelandic Short winner at the 2020 Reykjavik International Film Festival and the Children’s Choice Award winner at 2020’s Nordisk Panorama – is a largely aimless movie following the zany lives of the people who live in an apartment complex. That is all I have to say about the film’s narrative. The sketches it draws in each character’s life always feel disjointed and disconnected from all the others – save one scene of the elderly couple fornicating loud enough for their downstairs neighbors to hear. Halldórsson describes his film as a mosaic of personalities, but even a mosaic has a thematic consistency that unifies its disparate parts.

The desaturated colors of Yes-People are meant to resemble old photographs. As much as I respect what Halldórsson is aiming for, the results make the film look muddy, half-rendered – like a knockoff Pixar short from the early 1990s. Inspired when Halldórsson described to some of his Irish friends about the different tonal meanings of the word “Já” (“hello” in Icelandic), Yes-People only has one repeated word of dialogue throughout: “Já”. Is this supposed to be funny? Philosophical? I am not sure; and I am not sure the film knows it either. Reading some of Halldórsson’s interviews following his Academy Award nomination, he mentions that the film’s positive response from Iceland and Scandinavia might be culturally specific, as opposed to other parts of the world. As to what those cultural differences might be that prevented me from liking this film, I hardly have a clue.

My rating: 6/10

^ All ratings based on my personal imdb rating. Half-points are always rounded down. My interpretation of that ratings system can be found in the “Ratings system” page on my blog (as of July 1, 2020, tumblr is not permitting certain posts with links to appear on tag pages, so I cannot provide the URL).

For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.

Three other films played in this package as honorable mentions: Kapaemahu (2020; 7.5/10), The Snail and the Whale (2019; 6.5/10), and To: Gerard (2020; 6.5/10).

From previous years: 85th Academy Awards (2013), 87th (2015), 88th (2016), 89th (2017), 90th (2018), 91st (2019), 92nd (2020).

[nettlestonenell]

Subjects of the Kingdom, Citizens of the Republic, and (as always) Gentle Readers, here it is (mostly for my own housekeeping needs)...

The King: Eternal Monarch Master Post

Proof of the Series’ Success:

Pinkvilla: The King: Eternal Monarch beats Crash Landing On You to become MOST watched K drama on Netflix in 2020 yet

Koreaboo: TKEM is #3-streamed Kdrama on Netflix in Korean market

Collider: Places TKEM on its list of Best Korean Dramas on (US) Netflix  “the series is a unique, ambitious story with fantastic acting from the main cast”

Lee Minho Eating Fried Chicken In The King: Eternal Monarch Helps Chain Sell 550,000 Sets Of Chicken In A Month

"The King: Eternal Monarch" Entered Netflix Top 10 Most Popular TV Shows In 28 Countries

THE KING: ETERNAL MONARCH BREAKS PREMIERE RECORDS DESPITE LOCAL CONTROVERSY

Lee Min Ho Connection to BBQ Chicken Sales - How The King: Eternal Monarch Incorporated Brands “products also saw increase in their sales. The show also popularized products including Cellreturn LED mask. Another product that was one of the major sponsors for the series was Taiwanese bubble tea franchise The Alley. This chain was used as a workplace of one of the important characters of the drama. The Alley also is said to have seen increase in its sales after the chain was shown in the drama .”

Shinhan Gold Investment "Studio Dragon expects earnings to rise due to the popularity of 'The King'" “Shinhan Financial Investment expected an increase in earnings this year for Studio Dragon … due to the popularity of 'The King: Eternal Monarch' and rising domestic content demand. Hong Se-jong, a researcher at Shinhan Investment Corp., said, "Thanks to 'The King: Eternal Monarch', overseas copyright sales are maximized and good results are expected in line with market expectations."

Pinkvilla: The King: Eternal Monarch finale rating: Lee Min Ho and Kim Go Eun’s series ends on a good note

Korea Times:  'Viewership is not everything': K-dramas find norm-breaking recipe for success "The King: Eternal Monarch" ended up garnering average ratings of 6 percent to 8 percent in Korea and "It's Okay to Not Be Okay" has shown a similar trend.” Pointing out the huge role streaming now plays in kdrama success

+Lee Min Ho gained over three million Instagram followers during the time The King was airing, making him the most followed South Korean drama actor on the platform with 17 million followers. (as of 2/2022 he now has 28.3million, despite TKEM having been his sole project to debut in the interim) Reviews & Deeper Dives

The FanGirl Verdict Review

BitchesOverDramas Ultimate Guide to The King: Eternal Monarch (links to all of their generated content)

In Defense of Kim Eun Sook’s “The King: Eternal Monarch” (written after the first 10 episodes)

The Talking Cupboard: The King: Eternal Monarch – Notes

Dramabeans.com: Recap & Review

Forbes: Lee Min-Ho Reigns In The Drama ‘The King: The Eternal Monarch’

6 Best Episode Endings Of K-Drama "The King: Eternal Monarch"

The Unconventional Plot of The King: Eternal Monarch

1,089 minutes of screen fest and it’s definitely worth it. “TKEM may not be everyone’s cup of tea. It requires patience. But I consider it a classic. Lee Min Ho’s best work and Kim Go-Eun’s best role.”

IMDb: User Reviews

TV Tropes page (see also “Meta” below)

Review: Final episode of 'The King: Eternal Monarch'

An Honest Review Of 'The King: Eternal Monarch

Meta:

@ambitious-witch’s Takedown of TV Tropes’ page: Lee Gon’s Actual Establishing Character Moment or What the Hell is TV Tropes Doing

List of Tumblrs w/ TKEM meta content

Negative Articles:

               Controversies

Korea JoongAng Daily: Controversies spoil 'The King: Eternal Monarch'

The King: Eternal Monarch director APOLOGISES for controversial Japanese warship scenes in Lee Min Ho starrer

“The King: Eternal Monarch” Producer Issues Apology About Depiction Of Japanese Warships

              Anti-fan

Lee Min Ho isn't enough to save the mess of The King: Eternal Monarch

Who is to blame – stars Lee Min-ho and Kim Go-eun, or writer Kim Eun-sook?

“The King: Eternal Monarch” Ratings Decline To New All-Time Low

[aion-rsa]

Squid Game’s Scathing Critique of Capitalism

https://ift.tt/3kOEMpF

This Squid Game article contains MAJOR spoilers.

From the very first game of ddakji out in the real world with Train to Busan actor Gong Yoo, Squid Game poses the question: how far would you go for money? How much of your body, your life, would you trade to keep the wolves at bay and to get to live the life you’ve always dreamed? Once you start, could you stop, even if you wanted to? And in the end, would it even be worth it? While Squid Game depicts an attempt to answer these questions taken to the extreme, they are the same essential questions posed to everyone living under capitalism: What kind of job, what terrible hours, what back-breaking labor, what level of abuse, what work/life imbalance will we tolerate in exchange for what we need or want to live? Unlike many examples of this genre, Squid Game is set in our contemporary reality, which makes its scathing critique of capitalism less of a metaphor for the world we live in and more of a literal depiction of life under capitalism.

Squid Game’s Workers

At the most basic level, the entire competition within Squid Game would not exist without extreme financial distress creating a ready pool of players. It’s no coincidence that Gi-hun’s hard times started when he lost his job, followed by violence against the workers who went on strike. Strike-breakers and physical violence against striking workers may feel like an antiquated idea to an American audience. South Korea, however, has something of an anti-labor reputation, with only 10% of its workers in unions and laws limiting unions to negotiating pay, among other restrictions. In the US, the anti-labor fight is alive and well, though transformed, where it takes the shape of the deceptively named “Right to Work” laws, which benefit corporations and make it harder for unions to operate.

As noted in our review, (most of) the players choose to leave and then willingly return to the arena, which separates Squid Game from other entries in the genre like the Hunger Games series and Escape Room. This element of volition contributes to the series’ primary critical goal. As Mi-nyeo and others brought up early on, they’re getting killed in the real world too, but at least inside they might actually get something for their troubles. 

As an anti-capitalist parable, the only ways to fight back or upend the game in some small way are through acts of solidarity or by turning down the allure of the cash. The final clause in the game’s consent form states that the game can end if a majority of players agree to do so. After the brutal Red Light, Green Light massacre in the first, they do exactly that. The election might as well be a union vote. It’s shocking that the contract for the game included an escape clause at all, but it seems the host and his ilk enjoy at least allowing the illusion of free will if nothing else. The players who didn’t return after the first vote to leave the game, though unseen in this narrative, are perhaps the wisest of all. 

Read more

TV

Squid Game’s Most Heartbreaking Hour is Also Its Best

By Kayti Burt

TV

Squid Game Ending Explained

By Kayti Burt

During tug of war, Gi-hun’s team surprises everyone by winning. Their teamwork, unity of purpose, and superior strategy help them defeat a stronger adversary, which is a basic principle of labor organizing, albeit usually not at the expense of the lives of other workers. Player 1 (Il-nam) and Player 240 (Ji-yeong) each find their own way to beat the game by essentially backing out of the competition during marbles. In exchange for friendship and choosing the circumstances of their own deaths, Ji-yeong and Il-nam each make their own, ethically sound choice under this miserable system. Il-nam gets an asterisk since he was never going to die, but he still found a choice beyond merely “kill” or “be killed” by teaching his Gganbu one “last” lesson and helping him continue on in the game. 

In the end, Gi-hun confounds the VIPs and the Front Man by coming to the precipice of victory and simply walking away. Under capitalism, this group of incredibly rich men simply could not understand how someone could come so close to claiming their prize, and choose not to. But for Gi-hun, human life always had greater value. Gi-hun followed (Player 67) Sae-byeok’s advice and stayed true to himself, refusing to actively take anyone’s life, especially not the life of his friend. 

Squid Game’s Ruling Class

Since the competition only exists because of the worst aspects of capitalism, it’s not surprising that in the end, it is itself a capitalist endeavor. Ultra-wealthy VIPs, who mostly seem to be white, Western men, spectate for a price and bet on the game. In their luxury accommodations, they lounge on silent human “furniture” and mistreat service staff. In one notable example, a VIP threatens to kill a server (who the audience knows to be undercover cop Hwang Jun-ho) if he doesn’t remove his mask, even though the VIP knows it would cost the server his life. 

Perhaps most enraging of all is what Player 1, who turns out to actually be the Host, has to say to Gi-hun a year after the game ends. It all circles back to the game’s existential connection to economics; on the one hand, there is the unshakeable link to a population in which a significant portion of people suffer from dire financial woes. On the other hand, there is the Host and his cronies, the ultra-rich who are so bored from their megarich lives that they decided to bet on deadly human bloodsport for fun just so they could feel something again, as though they were betting on horses. 

In spite of the enormous gulf between the two, the Host attempts to draw comparisons between the ultra-wealthy and the extreme poor, saying both are miserable. His little joke denies the reality of hunger, early death, trauma, and many other ways that being poor is actively harmful, both physically and mentally. It’s the kind of slow death that makes risking a quick one in the arena seem reasonable. He and his buddies were just kind of bored. Moreover, the Host denies the role of economic coercion in players taking part in the game, insisting that everyone was there of their own free will. But what free will can there be for people who owe millions, with families at home to care for and creditors at their back, when someone comes along and offers a solution, even a dangerous one? Anyone who has taken a dodgy job offer to get away from a worse one, or because they’re unemployed and the rent and college loans are due, knows that there is a limit to how truly free our choices can be when we need money, especially if there’s little to no safety net. 

Read more

TV

Why Are Squid Game’s English-Language Actors So Bad?

By Kayti Burt

TV

Best Squid Game Doll Sightings

By Kayti Burt

Throughout the series, it is clear that someone had to be funding Squid Game at a high level. Unlike science fiction or fantasy takes, the show is grounded in our current reality, so the large-scale, high-tech obstacles and the island locale must have cost a pretty penny. Of course for any who see it as unrealistic, consider the example of Jeffrey Epstein, a man who bought an island from the US government and ran a sexual abuse and human trafficking ring not entirely disimilar (though far more pedestrian in its purpose) from this one. 

The Host is able to pay for everything because he works in – you guessed it – banking. It’s a profession where he gained wealth by moving capital around. Given the Korean debt crisis – South Korea has the highest household debt in the world, both in size and growth – his profession makes him a worthy villain, in the same way the Lehman Brothers were after the 2008 crash. The bank executive calls in Gi-hun to offer him investment products and services, because of course someone with 45 billion won can accrue significantly more money passively, and who wouldn’t want that? Gi-hun’s decision to walk away is a callback to his earlier attempt to walk away from Squid Game when millions of dollars was within his grasp.

Throughout the series, the people running the game actively pit the players against one another in much the same way capitalism pits workers against one another. Whether they’re giving the players less food to encourage a fight overnight, the daily influx of cash every time another player dies, or giving them knives for the evening, the mysterious people pulling the strings want the players to fight each other like crabs in a barrel so they can’t work together to figure out what’s going on or take on the guys in red jumpsuits. Though there are notable examples of the players working together to succeed, it is always within the rules of the system. It is never treated as a viable or likely option for the players to team up and take the blood money literally hanging over their heads or to prevent death, merely to redirect it or choose how they will die. No, to win that, they must play the Squid Game’s rules. 

In our society, this kind of worker-vs-worker rhetoric takes the form of employers telling workers their workload is harder or they can’t go on vacation or get a raise because of fellow employees who leave or go on maternity leave.. In reality, these are all normal aspects of managing a business that employers should plan for, and their failure to do so is not the fault of their workers. Much like in Squid Game, it benefits managers and owners if workers are too busy being mad at each other to have time or energy to fight the system and those who make unjust rules in the first place. 

Squid Game’s Managers

The Front Man insists the game is fair, gruesomely hanging the dead bodies of those involved in the organ harvesting scheme because they traded medical knowledge for advanced intel on the game. However, like capitalism, there are many ways that the system is clearly rigged, no matter what the people at the top insist. There’s the obvious corruption in the organ harvesting ring, but even at its “purest” form, the game is not equitable. Sometimes the managers and soldiers in red jumpsuits stand by when unfair things happen, like Deok-su and his cronies stealing food. At other times, the people in charge intervene in player squabbles, like enforcing nonviolence during marbles and elections but encouraging violence at other times. They especially set things up to their own advantage, such as cutting the lights so the players couldn’t see the glass in the penultimate game, or the way they set up the election. Everyone knew how everyone else voted, they shared the total amount of money immediately beforehand, in an attempt to sway votes, calling to mind Amazon’s scare tactics before the recent unionization vote.

Read more

Culture

Squid Game Competitions, As Played By BTS

By Kayti Burt

Movies

Squid Game: Best Deadly Competition TV Shows & Movies to Watch Next

By Kayti Burt and 3 others

Ultimately, much like any manager/employer, the Front Man’s insistence on fairness has nothing to do with the actual value of equality, but rather the capitalist need to ensure betters are happy with the stakes and their chance at a favorable outcome. 

Even the workers, soldiers and managers in red jumpsuits, who seem to be in charge, are ultimately only in power (and alive) so long as they serve the needs of the system. Like so many low-level managers, many wield their tiny amount of power ruthlessly, shooting players with impunity or running their organ harvesting side gig. It soon becomes clear that they’re as expendable as players, if not moreso, and the Front Man shoots them without hesitating. A player asks (and it’s too bad we never learned) what “they” did to the people in red jumpsuits to get them to run this game, but it’s not too hard to guess. They seem to be very young men, who likely needed money and wouldn’t be missed if they never returned. 

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

The biggest trick capitalism ever pulled was convincing workers it’s a zero-sum game, that anything we want but don’t have is the fault of someone else who “took it” from us. Within the game, that means every player was a living obstacle to the money, and that Gi-hun should kill his childhood friend to succeed and celebrate when he’s done. But as we see after he “wins,” even without taking Sang-woo’s life himself, the money isn’t worth it. The greater success would have been both men walking out of the arena alive.

The post Squid Game’s Scathing Critique of Capitalism appeared first on Den of Geek.

from Den of Geek https://ift.tt/3CUfVXz

[chibimyumi]

Hello Chibimyumi, I apologise in advance for the uncomfortable question I have about the musicals. I hope I'm mistaken, but for those musicals where Soma and Agni are included, is it truly the case that they are portrayed by actors in brownface? Is this a common occurrence, and what is public perception of this in Japan today?

Dear Anon,

You ask an incredibly good but complicated question. It is great to hear that you are aware of how cultural contexts can play into such matters. Now, since you asked, I’d ask you all to strap in; this is going to be quite a ride.

Short answer

If you mean whether the actors used darker make-up to portray a race with a darker skin tone, then yes. The actors are all ethnically Japanese without any Indian heritage to the best of everyone’s knowledge.

However, before we can discuss this “whether this is an issue”, the following is what I need all readers here to keep in mind at all times (i.e. don’t continue reading with White SJ in mind). Namely: In Japan and Japanese live theatre medium especially, ‘[colour] face’ has entirely different connotations than in the White West. To anyone mid-pounce of their attack in light of social justice, halt. Please hear me out. I am talking ONLY about Japan.

Brown Face in Japan?

Demographics

So, before we begin, I wish to instill in you all that Japan is very, very homogeneous in comparison to most other countries. Japan has LESS THAN 2% of ethnically non-Japanese people, and half of this >2% is ethnically Chinese or Korean. So yes, in Japan, ONLY 1% is racially and phenotypically different than the native Japanese.  Japanese people are the natives in Japan, so they consider their skin ‘neutral’; it is NOT coloured. Then there are the ‘white coloured’ people who are semi-neutral, and you have everyone else who have a ‘darker colour’.

Now with this framework in mind, let us jump to how this demographic makeup affects the theatre world. For clarity’s sake I shall discuss this in sections.

Section 1 - Poor, poor industry

Japanese theatre and especially 2.5D industries are really poor. As discussed in full detail in this post about the extreme harm of pirating JP theatre, the vast majority of theatre actors need to juggle 2 or 3 jobs to make a living because most theatre companies ONLY pay the performers for their stage time (no rehearsal pay, no food, no accommodation). One run of a show is usually no more than 5 or 6 weeks. If one show gets a run of 3 months, that is considered ridiculously long. So far, only the top three Japanese theatre companies can manage such long runs, being: Takarazuka, TOHO and Shiki.

Section 2 - ‘Broad utility value’ and chances

The super short runs means that on average, an actor only has an income for 5 or 6 weeks for one job, even though their work for one production takes much more time than that (formal rehearsal is usually one month, but there’s a lot of ‘homework’ and ‘overwork’ too). This again means that in order to make a living in the theatre industry, a performer needs to have ‘broad utility value’, that is to say: they need to be ‘castable’ into as many roles as possible, and therefore ‘neutral’.

The selling stories in Japan usually have an all-Japanese or all-white character list, as you all must have noticed. When there are non-white foreigners in such stories, they’re usually countable on the fingers of one hand. And sadly, when they are present they‘re often comic relief, antagonists, or ‘exotic accessories’.

The wider sentiment in Japan is that if you are ‘neutral coloured’ you can be painted into a different colour. But if you are ‘darker than neutral’, you can’t be painted lighter. “You cannot take the colour away”, so to say. That is the reason why in Japan, darker skinned minorities would have very little incentive to sign up for the theatre industry. Why bother get a job that pays so terrible and ONLY be allowed minor/bad roles if there happen to be darker skinned characters once in a blue moon? Why bother competing with ‘neutral’ skinned people who can replace you easily?

In a nutshell, the terribly racist reality is that darker skinned actors are not considered to have broad utility value because the entertainment industry and common populace decided so. With so few dark skinned characters and the wide acceptance that ‘neutral’ skinned people can be painted into any other colour, darker skinned people’s chances of getting by on theatre work is just very slim. The entertainment industry makes itself very unappealing to these people, and indeed resulted in a shortage of darker skinned performers.

This current shortage means that if a production wants to feature differently skinned characters without ‘brown facing’, they’d have trouble finding enough people who: 1. are ‘the correct colour’, 2. are willing to work for virtually no pay, and 3. also have the skills to perform in Japanese language (many of these people also really lack the practice to build up theatre skills because - as explained - they have very little outlook in this field). So again, “why bother going through the trouble if you can just paint these actors white and those actors brown? Same difference right? Here have some brown foundation and you’re good to go!”

Section 3 - The race is the costume

Well, is painting Japanese actors white or brown ‘same difference’? In practice... to Japan, ‘yes’. Japan does not have an issue with pretending to be a different race through make-up. This means that there is no concept of ‘brown face’ or ‘any other-colour-face’. Seeing Japanese actors painted white in modern theatre and cosplay is the standard. Countless modern theatre shows feature almost exclusively white characters, after all.

As a representative example, Kuromyu mostly has white characters. But so far it has had 4 mixed-race actors in 10 years! However, all of them are partially white, meaning they’re “““light neutral””” or even “““extra pretty”””.  

There is no such thing as ‘white face’ in Japan, and outside Japan, nobody (in their right mind) should compare ‘white face’ to ‘black face’. When the Europeans arrived in Japan, the Japanese were actively challenged to prove themselves as white as possible. Japan was spared from colonisation because they proved themselves “white civilised enough” for the Europeans. That is the Japanese-Western legacy: “pretending to be a colour is part of ‘modernisation’ and ‘globalisation’”. If painting a ‘neutral’ person white is okay, why wouldn’t painting someone ‘brown’ be? It sounds quite hypocritical to Japanese people because Japan has a different racial relationship than the White West has.

Unlike white-colonising countries, Japan does not have such a long and problematic history regarding brown/black races, hence there is also no collective guilt about having systematically oppressed and excluded dark skinned people. In the White West if you paint someone darker it’s because they don’t want to employ dark skinned people. In Japan however, it’s because there are hardly any darker skinned people to actually take the job. It’d be an altogether different problem for the theatre industry to just go: “we shall only stage all-Japanese-characters productions now!” ... that’s what they did in Imperial Japan during WWII, and that was NOT pretty.

Besides, Japan in being so homogeneous, we can imagine why awareness of ‘brown/black face’ was never deemed immediately ‘necessary’ in Japan. In combination with the legacy of ‘pretending to be a colour is fine’, the current status quo had taken shape.

Unlike American media or South Korean media, Japan predominantly creates solely for the purpose of domestic consumption. Hence the DVDs are often sold in Japan only without subtitles. Hence that many websites are Japan restricted. Japanese theatre no exception, it’s made by Japanese, for the Japanese, in Japan. As explained above, because there is no concept of problematic x-colour-face, then why bother avoiding it?

Section 4 - Orientalism though....

So, are Soma and Agni ‘brown face’ in Kuromyu? Not in the same way it would be in a Euro-American way, but that does not mean it’s ‘no problem at all’.

The main problem in Japan is not the ‘brown face’, but Orientalism. The common Japanese people would not bat a single eye at two Indian characters going on and on about curry, elephants and Hindu Gods. But unlike ‘colour-face’ not really being a problem in Japan because of different cultural heritage, the perpetuation of stereotypes cannot be excused.

When there are so few dark skinned characters in an otherwise all-white/ “neutral” cast, it surely is quite aggravating that the musical chose to reduce Indian people to... well, curry, elephants and Hindu Gods. Had the writers not reduced Indian culture to a stereotype however, then as long as the portrayal of dark-skinned people is respectful, ‘brown face’ really is not a problem in Japan, just like ‘white face’ is not.

Conclusion

In this post I have discussed the demographic makeup of Japan, the terrible circumstances of the theatre industry, and how this lead to a real lack of dark-skinned performers. The lack of dark-skinned actors, in turn, means that if a theatre/film industry doesn’t want to go ‘pure Japanese race pride!!!’, they’d have to ‘paint actors into a race’.

Japan narrowly having escaped white colonialism also means that the Japanese have a very different awareness about race and sensitivity. In being challenged to ‘perform the white race’ in the 19th century, Japan gained a legacy wherein ‘race is just performative’.

That Japan has a different cultural heritage and racial history can explain why x-‘colour-face’ is non-problematic in Japan. Applying white-social-justice to Japanese standards would cause entirely different problems simply because the Japanese demographic makeup and film/theatre industry simply cannot adopt this western standard without doing more harm than good. This Japanese heritage however, does NOT excuse offensive stereotyping of people however.

So in a nutshell: Soma and Agni are not ‘brown face’ in Japanese context because there is no such concept. However, there is a problem, and it lies in the Orientalist stereotyping of Indian culture.

[dramapic]

MASTERLIST

I update this list everytime I watch and review a show. 

Disclaimer: These reviews are subjective and only reflect my opinions. There are no drama on that list that I’ve turned off and all are worthy of a watch. 

Recs welcome!

#1 Crash landing on you 

(사랑의 불시착)

Grade: A++

Genre: Modern, Star-Crossed lovers

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Son Ye-jin (who plays Yoon Se-ri) and Hyun Bin (Ri Jeong-hyeok) have amazing chemistry and every episode plays out like the chapters of an excellent fanfiction. Classic romantic tropes, humour, angst, action, CLOY has it all. Moreover, if you’ve never watched a Kdrama in your life, CLOY is a great starting point—not only will it introduce you to Korean culture but also to popular tropes and codes of the genre.

#2 Rookie historian Goo Hae-ryung 

(신입사관 구해령)

Grade: A++

Genre: Historical, Age gap

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Delightful from end to end, with lots of humour and an engaging story. The romance between Goo Hae-ryung and himbo-prince Dowon will make your heart go soft, especially if you’re into reverse gender dynamics (she’s older and kisses him first *le gasp*)

#3 Memories of the Alhambra 

(알함브라 궁전의 추억)

Grade: B+

Genre: Modern; Sci-fi; Fantasy

Episodes: 16

Happy Ending: No

Watched on: Netflix (FR)

Intriguing premise, great cast and tons of special effects but the romance between Jin-woo (Hyun Bin) and Hee-joo (Park Shin-hye) won't go down in history. On top of that, the ending is a bit wishy-washy in that annoying “maybe there’s more to come” kind of way. Give us a clear cut ending, damnit!

#4 Good doctor 

(굿 닥터)

Grade: B- 

Genre: Modern, Medical drama

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Good heart but the writing is really clumsy at times and the hospital politics don’t make an awful lot of sense. On the bright side, Joo Won is great in the role of Park Si-on.

Note: I haven’t watched the American remake so can’t compare. 

#5 My love from the star/ You from the stars

(별에서 온 그대)

Grade: A

Genre: Modern, Sci-fi, fantasy, Star-Crossed lovers

Episodes: 21

Happy Ending: Yes-ish

Watched on: Netflix (FR)

Jun Ji-hyun is absolutely stellar in the role of Cheon Seong-yi, a ditzy Hallyu* star whose career is going south while Kim Soo-hyun plays the emotionally closed-off alien to perfection. Lots of pinning, a dose of angst mixed with a pinch of wacky humor. 

*Hallyu means “Korean wave” in Chinese and refers to the popularity and spreading of Korean pop-culture outside of Korea. 

#6 Hwarang The Poet Warrior Youth 

(화랑)

Grade: B

Genre: Historical, Coming of age, fake siblings who catch feels

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Cute boys and interesting lore rooted in true facts (the bone rank system and the real Hwarang, the “Flowering Knights” of the Silla kingdom) but the story drags. I guess I expected more bromance and frolicking and less angst. Lastly, the main girl starts off quirky and fun but they quickly transform her into a sobbing mess which becomes real annoying real fast. 

#7 Love in the Moonlight / Moonlight Drawn by Clouds (구르미 그린 달빛)

Grade: A 

Genre: Historical, Romance, Coming of age, Posing as the opposite sex

Episodes: 18

Happy Ending: Yes

Watched on: Netflix (FR)

A classic tale of a girl raised as a boy who ends up in a situation where she needs to do her best to not blow her cover while catching feels (As someone raised on Versailles no bara and Ribbon no Kishi, it remains one of my favourite tropes)

Sweet romance and good characters. The fact that Crown prince Lee Yeong doesn't turn emo when he starts developing feelings for Eunuch Ra-on before discovering she's a girl is the cherry on top of the cake. 

#8 Something in the rain

(밥 잘 사주는 예쁜 누나)

Grade: C 

Genre: Modern

Episodes: 16

Happy Ending: Yes, but it still doesn't make you happy

Watched on: Netflix (FR)

Wasted potential! 

Great start but the characterization falls apart quickly and you end up wondering why the main characters keep sabotaging their lives. By the end, despite their reunion, you're left with the impression they've learned nothing and that their relationship is doomed to fall apart. 

On top of it all, watching Jin-ah fight sexism in the workplace and gaining nothing is depressing af (I don’t need realism in my escapism, thank you very much).

Too bad because Son Ye-jin and Jung Hae-in look really good together and the acting is top-notch. My advice is to watch the first 8 episodes then make up your own ending in your head.

#9 Moon embracing the sun 

(해를 품은 달)

Grade: B+

Genre: Historical,Star-Crossed lovers

Episodes: 22

Happy Ending: Yes

Watched on: Netflix (FR)

A traditional historical drama with all the tropes that go with the genre + a hint of esoterism.

If you love ill-fated relationships, tragic love triangle, evil queens, and amnesia, this is the show for you. Beware, the interrogation/torture scenes are rather brutal. 

#10 My sassy girl 

(엽기적인 그녀)

Grade: B- 

Genre: Historical, Rom-Com

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Cute and lighthearted but easily forgettable. Still worth a watch thanks to Joo Won & Oh Yeon-seo's chemistry. 

#11 Coffee Prince 

(커피프린스 1호점)

Grade: A 

Genre: Modern, Posing as the opposite sex

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Solid story, great cast but be ready for a lot of bickering. 

Yoon Eun-hye is a precious bean who manages to sell the story of Eun-chan, a struggling androgynous working-class girl who mistakenly gets hired by a rich guy to play his boyfriend, then becomes his employee, then falls for him while not correcting his assumptions about her gender. Opposite her, Gong Yoo (from Train to Busan fame) is 🥰🥰🥰

Sidenote: Despite Han-kyul's struggle to accept his feelings for Eun-chan, homosexuality isn't treated as a joke or a shameful thing. The one time he goes seek “medical help”, the doctor is depicted as an old, clueless idiot. And honestly, the story would work too if Eun-chan was a guy. 

#12 My girlfriend is a Gumiho/My girlfriend is a Nine-tailed fox 

(내 여자친구는 구미호)

Grade: B+

Genre: Modern; Fantasy

Episodes: 16

Happy Ending: Yes

Watched on: Viki - Available on Netflix (FR) too

Campy and goofy. It does look a bit dated (it’s from 2010) and the story is a little predictable but Lee Seung-gi as Cha Dae-woong, an aspiring action film actor and Shin Min-ah as “Gu Mi-ho” the nine-tailed fox looking for a mate are super cute. The show is also a good introduction to Korean folklore.

#13 Goblin / Guardian: The Lonely and Great God / The Lonely and Great God – Goblin 

(쓸쓸하고 찬란하神 – 도깨비)

Grade: A+ 

Genre:  Modern, Historical, Fantasy, bromance

Episodes: 16

Happy Ending: Yes-ish

Watched on: Viki 

Unpopular opinion but since I’m not into older guys, I wasn’t invested in the romance between Bride and Goblin until late in the series. I loved everything else though. The show has such a unique tone and atmosphere. It goes from super serious to goofy in no time. The cinematography is gorgeous (especially the historical sets) and you'll cry your eyes out.

#14 Healer 

(힐러)

Grade: A 

Genre:  Modern

Episodes: 20

Happy Ending: Yes

If you're into toll broody guys and fearless smoll girls, you’ll love Healer. The story is great, the characters are great and the way Jung-hu (played by Ji Chang-wook) and Ji-an (Park Min-young) are horny for each other is peak drama! *chef kiss*

#15 Kangchi the beginning/Gu family book 

(구가의 서)

Grade: B- 

Genre: Historical, Fantasy

Episodes:

Happy Ending: No

Watched on: Netflix (FR)

Engaging coming of age story of a half-human half-gumiho looking for his place in this world. If it wasn't for the wishy-washy ending it could have been the perfect mix of action fantasy and romance. 

Special mention for Dam Yeo-wool (played by Suzie Bae) who is a female character who's allowed to be a bit of everything at the same time (strong, kick-ass, funny, cute, romantic) 

#16 Queen for seven days 

(7일의 왕비)

Grade: A 

Genre:  Historical, Romance, Villainous crush

Episodes: 20

Happy Ending: No

Watched on: Netflix (FR)

With that title don’t expect a HEA but there are plenty of sweet moments along the way to make you appreciate the journey. 

Chae-kyung loves the Prince and the Prince loves Chae-kyung but the King wants to kill the Prince and Chae-kyung is loyal to the King but the King is a tyrant and everyone wants the Prince to take his throne. On top of that the King wants Chae-kyung. Big mess. Lots of feels.

The story is (very) loosely based on real-life Queen Dangyeong, which makes it even more poignant. I cried my eyes out at the end because I’m a big softy.   

#17 Korean Odyssey

(화유기)

Grade: A-

Genre: Modern, Fantasy

Episodes: 20

Happy Ending: Kinda

Watched on: Netflix (FR)

The show (very loosely based on Journey to the West) has its faults including the wishy-washy ending and the fact that Jin Seon-mi/Sam-jang starts off as a doormat but I ended up liking the relationship developing between the assholish Monkey god and the naive human girl more than I expected.

The side characters are compelling, and the banter and bickering between the deities work really well. If you grew up with Dragon ball, you’ll have a blast trying to match-up the Japanese and Korean names of everyone without looking up Wikipedia.

Lastly, not something I imagined saying after seeing him in Gumiho and Gu family book but Lee Seung-gi as Son Oh-gong = BDE *fans herself* 🥵

#18 Strong Girl Bong-soon 

(힘쎈여자 도봉순)

Grade: A- 

Genre:  Modern, Super-Heroine

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Trigger warning: Graphic depiction of violence against women

A++ super-heroine story, bad side characters 

First, every girl should aspire to find a Min-hyuk in their life. Someone who'll love them because of their strength, and support them unconditionally. Someone who won't ask them to change or pretend to be somebody else.

Second, western media should learn that a super-heroine can HAVE IT ALL—the superpowers AND the love AND the family. 

My only complaint with the show (and that's why I gave A- instead of A++) is the inclusion of many cringy side characters/situations that spoiled my overall enjoyment (see the caricatural flamboyant gay co-worker, Bong-soon’s mom hitting her dad, the mobsters...)

#19 The K2 

(더 케이투)

Grade: B- 

Genre: Modern, Political

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

The romance is bad and the political story far-fetched but Ji Chang-wook is 🔥🔥PEAK HOTTIE🔥🔥

That being said, I didn’t completely dislike the political intrigue and it was interesting to see the good guy working for the villains (sort of). 

#20 Weightlifting fairy Kim Bok-joo 

(역도요정 김복주)

Grade: A+ 

Genre:  Modern, Coming of age

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Uplifting coming of age story and super sweet romance. Bok-joo (Lee Sung-kyung) & Joon-hyung (Nam Joo-hyuk) are precious children on top of being cutie-patooties. Bok-joo’s insecurities hit hard, especially if you’ve ever been outside the norm of beauty standards.

I liked how the show normalizes therapy and taking care of your mental health.

In one word…

SWAG! 

#21 The scholar who walks the night 

(밤을 걷는 선비)

Grade: B 

Genre:  Historical, Fantasy, Vampire, posing as the opposite sex

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Guilty pleasure. 

Don’t ask me about the details of the main storyline, I’ve already forgotten most of it. Sometimes all you need is a show where a hundred-something years old good vampire with a sad backstory and the main girl who is thirsty for the good vampire are fighting a sexy evil vampire. 

PS: Did I mention the sexy evil vampire?

#22 Romance is a bonus book 

(로맨스는 별책부록)

Grade: A+ 

Genre: Modern, Friends to lovers

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Imagine reading a relaxing book under a cozy blanket while sipping hot cocoa. That’s how that series made me feel. 

Everything is sweet and soft from the characters' fluffy jumpers to the soft palette of color used for the sets. People make books and love books. There’s a mystery but no unnecessary angst. If you need a break from everything, jump in that ship. 

#23 Hotel Del Luna 

(호텔 델루나)

Grade: A- 

Genre: Modern  

Episodes: 16

Happy Ending: Sorta

Watched on: Viki - Available on Netflix (FR) too

Interesting world-building and a good cast of side characters but the romance lacks a bit of oomph. 

On the + side, the hotel sets are gorgeous and Man-wol's wardrobe is to kill for.

#24 Suspicious Partner 

(수상한 파트너)

Grade: A- 

Genre: Modern, Star-crossed lovers in an office

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

Toll serious who hates criminal falls for smoll weirdo falsely accused of murder. A must watch for anyone in search of a quirky romance.

#25 Touch your heart 

(진심이 닿다)

Grade: A 

Genre: Modern  

Episodes: 16

Happy Ending: Yes

Watched on: Viki

Tooth rotting sweetness. The series is just a pretext to watch two good looking people (Lee Dong-wook and Yoo In-na) being nice and awkward around each other. What do you need more? 0

Note: If you watched Goblin you can also pretend it's a spin-off series about the reincarnations of Grim Reaper and Sunny. 💡

#26 Because this is my first life 

(이번 생은 처음이라)

Grade: A 

Genre: Modern, Fake marriage

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

The Fake Marriage AU you’re looking for, mixed with slices of modern, messy, complicated life. 

The main storyline revolves around Ji-ho an assistant drama screenwriter who struggles to find her place within the patriarchal structure of Korean society, and Se-hee, a socially incompetent computer designer who only cares for his cat and his mortgage. The way they end up in a fake marriage as well as the development of their relationship feels organic and doesn’t rely too heavily on comedy like it’s often the case with that trope.

The show also follows the stories of Ji-ho’s friends, Su-ji and Ho-rang who have different aspirations in life—Su-ji’s goal is to become CEO while Ho-rang only cares about becoming a housewife. I loved that the show makes a point to not pit women against each other and advocate living your life the way YOU want rather than trying to follow societal expectations of what love, work and marriage should look like. 

Also they have the cutest cat.

#27 What's wrong with Secretary Kim? 

(김비서가 왜 그럴까 )

Grade: A- 

Genre: Modern  

Episodes: 16

Happy Ending: Yes

Watched on: Viki

I wish Secretary Kim had more agency in certain situations but the romance develops well and the horny moments are caliente 🥵🔥 

#28 Where your eyes linger 

(너의 시선이 머무는 곳에)

Grade: A++ 

Genre: Modern, BL, Coming of age, Friends to lovers

Episodes: 8

Happy Ending: Yes

Watched on: Viki

Bite-size BL gem to devour in one sitting. 

Stellar acting from the two leads and the balance between fluff and angst is just right. There's no graphic violence that sometimes plagues yaoi and BL and the story is believable. I got emo remembering my first love. 

#29 Live up to your name 

(명불허전)

Grade: A- 

Genre: Modern, Historical, Time travel, Star-crossed lovers

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Trigger warning for graphic depiction of violence

Big surprise. I was looking for a cheesy comedy but it was actually a thoughtful story about humanism. I even teared up a little. 

Trigger warning for needles. They do some pretty impressive procedures with those acupuncture needles. 

#30 W - Two Worlds Apart 

(더블유)

Grade: A 

Genre: Modern  

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Imaginary men > Real men, especially when they're played by Lee Jong-suk. Nuf’ said.

Imaginary men > Real men, especially when they're played by Lee Jong-suk.

The silly premise hides a solid story that keeps you on your toes and I was suprised by the rollercoaster of emotions I went through.

“Option 3″

“That’s 4 fingers”

#31 Life 

(라이프)

Grade: C 

Genre: Modern

Episodes: 16

Happy Ending: Kinda

Watched on: Netflix (FR)

Unless you want to learn how fucked up the private health sector is becoming in Korea, there's not much to gain watching this show. 

The story starts off well though. The problem is that by the middle of the series the writers have dropped the main mystery (the circumstances surrounding the death of the director) to deliver an exposé on the political machinations of big corporations, and then shoehorn an explanation at the last minute (“it was all but a misunderstanding”). Very underwhelming.

The relationship between the two brothers played by Lee Dong-wook and Lee Kyu-hyung is the only bright spot.

#32 Pinocchio 

(피노키오)

Grade: A- 

Genre: Modern, Fake family members who catch feels

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

On paper, the story sounds a little crazy but it all comes together nicely.

Lee Jong-suk and Park Shin-hye have great chemistry and deliver a stellar performance as “uncle” and “niece” (not related by blood) who can’t fight the romantic feelings they harbor for one another. The main storyline has enough twists to keep you entertained and surprised. 

My only complaint is that it drags a little. 16 episodes would have been enough. 

#33 My Holo Love 

(나 홀로 그대)

Grade: A 

Genre: Modern, Sci-fi

Episodes: 12

Happy Ending: Yes

Watched on: Netflix (FR)

Fake men > Real men 

Imagine a Black Mirror episode about a love triangle between a woman suffering from face blindness, an emotionally supportive AI boyfriend and the disenchanted creator of said AI, minus the nihilism. *chef kiss*

#34 Legend of the blue sea 

(푸른 바다의 전설)

Grade: B++ 

Genre: Modern, Fantasy, Fairy tale, Star-crossed lovers

Episodes: 20

Happy Ending: Yes

Watched on: Viki

Park Ji-eu (the writer) read the little mermaid and decided to give her a happy ending. Great chemistry between Lee Min-ho and Jun Ji-hyun but the spark is missing for me. 

The antics of modern-day mermaid Shim Cheong are a little predictable and Joon-jae needs to be less of a control freak at times but the story remains enjoyable. I was pleasantly surprised to see Shim Cheong’s character grow, making the power imbalance between the clueless mermaid and the con-artist less pronounced by the end of the series. 

The side characters are interesting but underused, and I wish Tae-oh was more developed. On the other hand, the Joseon area sets and costumes are absolutely gorgeous (Don’t tell anyone but Joseon!Lee Min-ho is hotter than Modern!Lee Min-ho 🥵)

#35 Tale of Arang / Arang and the Magistrate 

(아랑사또전)

Grade: B 

Genre: Historical, Fantasy,

Episodes: 20

Happy Ending: Yes

Watched on: Netflix (FR)

One word: Campy.

Interesting lore but the pacing is a little off—there’s a lot of back and forth between the characters and the locations and the love triangle doesn't add much. 

#36 My ID is Gangnam Beauty / Gangnam Beauty  

(내 아이디는 강남미인)

Grade: A+ 

Genre: Modern, Coming of age

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

If you’ve ever been bullied for your looks, you’re gonna bawl your eyes out. 

The show does a great job of calling out the unhealthy beauty standards imposed on Korean women but the topic is universal enough for the story to resonate with everyone. I love that you never see Mi-rae’s old face because it’s not our perception of her lack of beauty that matters but the fact she suffers greatly. Don’t you hate in western shows when they take a beautiful actress, give her a pair of glasses or a fat suit and call her ugly, making sure the audience feels shittier about themselves? Here, the writers concentrate on Mi-rae’s transformation and her coping with the consequences of her decision to do plastic surgery. 

It’s also not a revenge fantasy where the ugly duckling suddenly becomes the most popular girl at school. Being a “Gangnam beauty” leads to a new form of suffering. 

Romance-wise, it’s the slowest burn of slow burns because Mi-rae and Do Kyung-seok are the most socially awkward beans on the planet. I love them, Your Honor. 

#37 Tale of Nokdu 

(조선로코-녹두전)

Grade: A

Genre: Historical, Posing as the opposite sex

Episodes: 32 x 30mns

Happy Ending: Yes

Watched on: Viki - Now available on Netflix (FR)

Fun and lighthearted all the way through.

The story of a guy who puts on a dress to investigate a village of widows could have gone very wrong but it was well handled. It’s refreshing to see the classic trope of posing as the opposite sex reversed and Jang Dong-yoon is never cringy when he’s pretending to be Lady Kim Nok-soon.

#38 Bride of Habaek / Bride of the Water God

(하백의 신부 2017)

Grade: B

Genre: Modern, Fantasy

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Content warning: Crime against fashion

Promising premise and lore (I'm interested in reading the original comics now) but the writing fails to deliver an epic romance and a cathartic ending. Moreover, the sets lack imagination (or money?) and in the end I failed to ever feel immersed in a fantasy world.

The unfortunate consequence of the clumsy writing is that the male characters who are meant to be arrogant/confident Gods (Habaek and By-ryeom) sound like they're negging their love interests more than wooing them, and the relationship between Mu-ra and By-ryeom particularly irked me.

#39 Strangers from Hell / Hell is other people 

(타인은 지옥이다) 

Grade: A+

Genre: Modern, Psychological Thriller

Episodes: 10

Happy Ending: Spoiler

Watched on: Netflix (FR)

Content warning: Violence 

What a departure from everything else in that list! Absolutely worth a watch if you enjoy thrillers and shows like Hannibal. If psychological horror isn’t your cup of tea though, you might give it a pass. 

The storyline and the characters are a little cliché (it goes with the genre) but the cinematography and photography are fantastic. You can notice how the pension becomes more and more sinister throughout the series via the use of dark greens and browns and pale yellows, as opposed to the mundanity and coldness of the city (greys, and cold blues).

Last but not least, the acting is top-tiers. Im Siwan does a great job at portraying Jong-woo, an aspiring crime novelist who slowly loses his marbles but the true revelation for me is Lee Dong-wook. After seeing him so many times in roles where he plays awkward yet charming men who can barely express emotions, I was intrigued to see him take on the role of a serial killer, and holy cow, he's the perfect mix of sinister and alluring. Towards the end of the series, his character Moon-jo acts like a black-hole whenever he appears in a scene—a towering, dark presence who sucks the light out of the room (If he carries any of that darkness in the upcoming Tale of Gumiho, it’s gonna be *chef kiss*).

#40 Empress Ki 

(기황후)

Grade: A

Genre: Historical, posing as the opposite sex

Episodes: 51

Happy Ending: From a certain point of view

Watched on: Netflix (FR)

Trigger warning for violence against women (not graphic but implied)

51 episodes.

Fifty.One.Episodes.

That's a lot of episodes considering the story starts with the ending. 

Did I enjoy this show? Yes, very much so. Do I think it's for everyone? Nope. 

You'll enjoy Empress Ki if you're into old-school historical sagas or you wished Game of thrones had no gratuitous nudity and violence. If you’re looking for an historically accurate biography of the real empress Ki though, then look away because Empress Ki is basically a lengthy fanfiction trying to justify how the Goryeo native Seung-nyang married the wimpy Emperor of the Yuan dynasty whilst trying to portray her as loyal to her motherland and to her first love, the Crown Prince of Goryeo. 

Personally, I didn’t care for the love triangle formed by Seung-nyang (Ha Ji-won), Wang-yoo (Joo Jin-mo) and Toghon Temür (Ji Chang-wook) but I liked the politics and the backstabbing. Also, contrary to GoT, the bad guys get their comeuppance at the end so it makes watching the side characters die less painful.

#41 Meow, the secret boy / Welcome 

(어서와)

Grade: B-

Genre: Modern, Modern fantasy

Episodes: 24 x 35mns 

Happy Ending: I guess

Watched on: Viki

How do I put it? It's not *terribad* but it's not *good* either. 

I was super on board with the concept—if Lee Seung-gi can bang a nine-tailed fox in My girlfriend is a gumiho, I have zero issues with Sol ah, our heroine, falling in love with Hong-jo the cat-person after being dumped for no reason by Jae-sun her boyfriend—but it didn’t exactly develop that way, and as soon as they explained why Jae-sun had broken up with Sol-ah, the writers lost me because I like when things happen for a reason. 

#42 Clean with a passion for now 

(일단 뜨겁게 청소하라!!)

Grade: A-

Genre: Modern, Rom-Com

Episodes: 16 

Happy Ending: Yes

Watched on: Netflix (FR)

Super zany and tropey but that’s why it works so well. The only reason I’m giving it a minus is because it’s trying to be woke but in the end there’s still a lot of unsolicited grabbing and some iffy remarks/pick-up lines said by every male characters (IRL that’s the kind of story that ends up with a restraining order and a lawsuit for sexual harassment).

#43 Mystic pop-up bar 

(쌍갑포차)

Grade: A

Genre: Modern, Fantasy

Episodes: 12

Happy Ending: Yes

Watched on: Netflix (FR)

Trigger warning: Heavy themes (miscarriage, pregnancy, loss of a child, death of loved ones)

You know how the meme goes... Sometimes a family is a hot-tempered bar owner, a cursed kid and an ex-Afterlife-Police officer with a secret past. 

It took me a few episodes to get into it, but once the characters were established it became really enjoyable. 

The tone of the series leans toward wacky but the core of the story is actually pretty dark if you look into it. Every grudge they solve for their “clients” gives a clue about Wol-joo’s personal story and by the last episode I was crying my eyes out.

Last but not least, Wol-joo’s collection of modernized hanboks is *chef kiss*

#44 My secret Terrius 

(내 뒤에 테리우스)

Grade: A

Genre: Modern, Action, Comedy, Bromance

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

An enjoyable action drama to watch with your family or your significant other.

Koreans prove that you can write a story about a black ops agent on the run who becomes a childminder without reeking of toxic masculinity. Contrary to American comedies where the manly-man-hero working undercover is incompetent and believes that working with children is a woman’s job and a waste of his manly-man talents until he has an epiphany of some sorts, Kim Bon (played by So Ji-sub) never once expresses discomfort to the idea of looking after two kids. In spite of his sober demeanor, he’s a caring and attentive person from the start and watching him gradually becoming a part of this spunky family while investigating a national security threat made my heart go awww.

Opposite him, fearless and resourceful mom Go Ae-rin (played Jung In-sun) brings a lot of energy, and the twins are absolutely adorable.

#45 Moon Lovers: Scarlet Heart Ryeo

(달의 연인 - 보보경심 려)

Grade: A--

Genre: Historical  

Episodes: 16

Happy Ending: No

Watched on: Random streaming site

Don’t get attached—Moon Lovers is the missing link between Empress Ki and Boys over flowers, but with a sad ending.

I did binge watch the series but there are some frustrating aspects to it that prevented me from giving a perfect score, notably the fact that Wang So remains possessive and demanding with Hae Soo throughout the years—for instance “You’re my person” is a romantic statement until it evolves into “You can never leave me.”

The other problem of the series is that Lee Ji-eun (UI) does cute and goofy really well, but she doesn’t have the emotional range needed to portray a character who goes through many heartbreaks and betrayals. As a result, Hae Soo appears a little fickle in her infatuations with the princes.  

That being said if you’re a sucker for tragic romance and you believe that power corrupts even the purest of love, you’ll have a blast.

#46 Forest 

(포레스트)

Grade: B++

Genre: Modern, Romance

Episodes: 16

Happy Ending: Yes

Watched on: Viki

UST in the woods (Dat first kiss 🥵🥵🥵)

The characters and the story are a little cliché but who doesn’t love a story where the protagonists are clearly attracted to each other but can’t act on their desires because their moral values are opposite?

*slams fist*

San Hyeok is your typical heartless businessman who refuses to confront his childhood trauma, and Yeong Jae is a surgeon who suffers from panic attacks and cares too much about other people. They’re both good looking and fate brings them to a remote village in the middle of the forest where they have to share a house. Really, I wonder what’s gonna happen?

#47 100 Days My Prince / Hundred days husband

(백일의 낭군님)

Grade: B+

Genre: Historical

Episodes: 16

Happy Ending: Yes

Watched on: Viki 

Trigger warning: Important character death.

Cute and charming but also very annoying at times. Obviously, the story is tropey af (fake marriage doubled with amnesia, you can’t really beat that) but it also includes elements I’ve never seen in any other dramas like the fact that the Crown Princess is pregnant with another man’s child (le gasp!). The things that annoy me the most were the unnecessary flip-flopping of the heroine towards the end of the show for the sake of creating artificial drama (just let them be together FFS!) and the fact that the male characters take a lot of decisions for Yeon Hong-shim.

Romance wise, Do Kyung-soo and Nam Ji-hyun are really cute together but in the end I found myself more interested in the political intrigue and the side characters than the main romance because slow burn has its limit. In essence, it’s the perfect drama to watch with your conservative family because whilst the main couple is living under the same roof and is technically married they don’t get frisky. 

#48 I Am Not A Robot (로봇이 아니야)

Grade: A++

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Angsty with a good pay-off.

With a premise like that, things could have gone wrong really quickly but the writers managed to write a story that isn’t a man wanting to fuck a robot because real women are scary so big kudos for them. Seeing Min-kyu celebrating his Roomba’s birthday because he has no other friends will instantly melt your heart and from that point on you’ll cheer for his recovery. The show has the right amount of angst without becoming a mess and they handle the big reveal very well, making sure to show how hurt both Min-kyu and Ji-ah are by the situation, without making you doubt that they can find each other again. The other strong point of the show is that it’s not just about romance, it’s also about friendship and learning to let other people in your life. 

The acting is incredible to the point that by the end I wondered if Yoo Seung-ho and Chae Soo-bin were making out in front of my salad or if I was still watching the characters Min-kyu and Ji-ah being lovey dovey. 

#49 Sungkyunkwan Scandal (성균관 스캔들)

Grade: A

Genre: Historical, Posing as the opposite gender

Episodes: 20

Happy Ending: Yes

Watched on: Viki

Hana zakari no kimi tachi he with gats.

This show checks so many boxes when it comes to my favourite tropes story-wise and character-wise that I instantly fell in love with it. It might feel a little dated for a younger audience and it definitely suffers from the second male lead syndrome (who wants unseasoned boiled chicken when there are not just one but two juicy rotisserie chickens on the table next to you?!) but it’s still very much enjoyable. Also, they don’t shy away from using the word “homosexuality” and having one of the second lead confessing to having romantic feelings for his friend (I’ll take any scrap of bi-representation, okay?)

#50 It’s Okay to not be okay  (사이코지만 괜찮아)

Grade: A 

Genre: Modern

Episodes: 16

Happy Ending: Yes

Watched on: Netflix (FR)

Found family. 

In spite of one ridiculous plot twist (that I was aware of when I started the show) this show has made me feel all the feelz. The three main actors all did a phenomenal job portraying their characters in all their complexity and fragility and I ended up crying so many cathartic tears in the second to last & the last episodes.The relationship between Sang-tae and Gang-tae is one of the best sibling relationships I’ve seen on-screen in a long time while the romance between Moon-yeong and Gang-tae blends perfectly elements of comedy and melodrama. Mental illness isn’t treated as something to be ashamed of, whilst showing that you can grow and recover from trauma and finding your own happiness.

PSA from my boyfriend, who dropped the show before the end: 

The plot twist is so stupid that it takes away from the rest of the series. In my opinion it negated the positive portrayal of mental illness built up until then. They completely lost me.

^ We discussed a lot about it which is why I wanted to share his POV to balance my own review.

#51 coming soon

[timeless-hollywood-classics]

Joseph Evans Brown (July 28, 1891 – July 6, 1973) was an American actor and comedian, remembered for his amiable screen persona, comic timing, and enormous elastic-mouth smile. He was one of the most popular American comedians in the 1930s and 1940s, with films like A Midsummer Night's Dream (1935), Earthworm Tractors (1936), and Alibi Ike (1935). In his later career Brown starred in Some Like It Hot (1959), as Osgood Fielding III, in which he utters the film's famous punchline "Well, nobody's perfect."

Brown was born on July 28, 1891, in Holgate, Ohio, near Toledo, into a large family of Welsh descent. He spent most of his childhood in Toledo. In 1902, at the age of ten, he joined a troupe of circus tumblers known as the Five Marvelous Ashtons, who toured the country on both the circus and vaudeville circuits. Later he became a professional baseball player. Despite his skill, he declined an opportunity to sign with the New York Yankees to pursue his career as an entertainer. After three seasons he returned to the circus, then went into vaudeville and finally starred on Broadway. He gradually added comedy to his act, and transformed himself into a comedian. He moved to Broadway in the 1920s, first appearing in the musical comedy Jim Jam Jems.

In late 1928, Brown began making films, starting the next year with Warner Brothers. He quickly became a favorite with child audiences, and shot to stardom after appearing in the first all-color all-talking musical comedy On with the Show (1929). He starred in a number of lavish Technicolor musical comedies, including Sally (1929), Hold Everything (1930), Song of the West (1930), and Going Wild (1930). By 1931, Brown had become such a star that his name was billed above the title in the films in which he appeared.

He appeared in Fireman, Save My Child (1932), a comedy in which he played a member of the St. Louis Cardinals, and in Elmer, the Great (1933) with Patricia Ellis and Claire Dodd and Alibi Ike (1935) with Olivia de Havilland, in both of which he portrayed ballplayers with the Chicago Cubs.

In 1933 he starred in Son of a Sailor with Jean Muir and Thelma Todd. In 1934, Brown starred in A Very Honorable Guy with Alice White and Robert Barrat, in The Circus Clown again with Patricia Ellis and with Dorothy Burgess, and with Maxine Doyle in Six-Day Bike Rider.

Brown was one of the few vaudeville comedians to appear in a Shakespeare film; he played Francis Flute in the Max Reinhardt/William Dieterle film version of Shakespeare's A Midsummer Night's Dream (1935) and was highly praised for his performance. He starred in Polo Joe (1936) with Carol Hughes and Richard "Skeets" Gallagher, and in Sons o' Guns. In 1933 and 1936, he became one of the top 10 earners in films.

He left Warner Brothers to work for producer David L. Loew, starring in When's Your Birthday? (1937). In 1938, he starred in The Gladiator, a loose adaptation of Philip Gordon Wylie's 1930 novel Gladiator that influenced the creation of Superman. He gradually switched to making "B" pictures.

In 1939, Brown testified before the House Immigration Committee in support of a bill that would allow 20,000 German-Jewish refugee children into the U.S. He later adopted two refugee children.

At age 50 when the U.S. entered World War II, Brown was too old to enlist. Both of his biological sons served in the military during the war. In 1942, Captain Don E. Brown, was killed when his Douglas A-20 Havoc crashed near Palm Springs, California.

Even before the USO was organized, Brown spent a great deal of time traveling, at his own expense, to entertain troops in the South Pacific, including Guadalcanal, New Zealand and Australia, as well as the Caribbean and Alaska. He was the first to tour in this way and before Bob Hope made similar journeys. Brown also spent many nights working and meeting servicemen at the Hollywood Canteen. He wrote of his experiences entertaining the troops in his book Your Kids and Mine. On his return to the U.S., Brown brought sacks of letters, making sure they were delivered by the Post Office. He gave shows in all weather conditions, many in hospitals, sometimes doing his entire show for a single dying soldier. He signed autographs for everyone. For his services to morale, Brown became one of only two civilians to be awarded the Bronze Star during World War II.

His concern for the troops continued into the Korean War, as evidenced by a newsreel featuring his appeal for blood donations to aid the U.S. and UN troops there that was featured in the season 4 episode of M*A*S*H titled "Deluge".[5]

In 1948, he was awarded a Special Tony Award for his work in the touring company of Harvey.[1][6]

He had a cameo appearance in Around the World in 80 Days (1956), as the Fort Kearney stationmaster talking to Fogg (David Niven) and his entourage in a small town in Nebraska. In the similarly epic film It's a Mad, Mad, Mad, Mad World (1963), he had a cameo as a union official giving a speech at a construction site in the climactic scene. On television, he was the mystery guest on What's My Line? during the episode on January 11, 1953.

His best known postwar role was that of aging millionaire Osgood Fielding III in Billy Wilder's 1959 comedy Some Like It Hot. Fielding falls for Daphne (Jerry), played by Jack Lemmon in drag; at the end of the film, Lemmon takes off his wig and reveals to Brown that he is a man, to which Brown responds "Well, nobody's perfect", one of the more celebrated punchlines in film.

Another of his notable postwar roles was that of Cap'n Andy Hawks in MGM's 1951 remake of Show Boat, a role that he reprised onstage in the 1961 New York City Center revival of the musical and on tour. Brown performed several dance routines in the film, and famed choreographer Gower Champion appeared along with first wife Marge. Brown's final film appearance was in The Comedy of Terrors (1964).

Brown was a sports enthusiast, both in film and personally. Some of his best films were the "baseball trilogy" which consisted of Fireman, Save My Child (1932), Elmer, the Great (1933) and Alibi Ike (1935). He was a television and radio broadcaster for the New York Yankees in 1953. His son Joe L. Brown became the general manager of the Pittsburgh Pirates for more than 20 years. Brown spent Ty Cobb's last days with him, discussing his life.

Brown's sports enthusiasm also led to him becoming the first president of PONY Baseball and Softball (at the time named Pony League) when the organization was incorporated in 1953. He continued in the post until late 1964, when he retired. Later he traveled additional thousands of miles telling the story of PONY League, hoping to interest adults in organizing baseball programs for young people. He was a fan of thoroughbred horse racing, a regular at the racetracks in Del Mar and Santa Anita.

Brown was caricatured in the Disney cartoons Mickey's Gala Premiere (1933), Mother Goose Goes Hollywood (1938), and The Autograph Hound (1939); all contain a scene in which he is seen laughing so loud that his mouth opens extremely wide. According to the official biography Daws Butler: Characters Actor, Daws Butler used Joe E. Brown as inspiration for the voices of two Hanna-Barbera cartoon characters: Lippy the Lion (1962) and Peter Potamus (1963–1966).

He also starred in his own comic strip in the British comic Film Fun between 1933 and 1953

Brown married Kathryn Francis McGraw in 1915. The marriage lasted until his death in 1973. The couple had four children: two sons, Don Evan Brown (December 25, 1916 – October 8, 1942; Captain in the United States Army Air Force, who was killed in the crash of an A-20B Havoc bomber while serving as a ferry pilot)[8] and Joe LeRoy "Joe L." Brown (September 1, 1918 – August 15, 2010), and two daughters, Mary Katherine Ann (b. 1930) and Kathryn Francis (b. 1934). Both daughters were adopted as infants.

Joe L. Brown shared his father's love of baseball, serving as general manager of the Pittsburgh Pirates from 1955 to 1976, and briefly in 1985, also building the 1960 and 1971 World Series champions. Brown's '71 Pirates featured baseball's first all-black starting nine.

Brown began having heart problems in 1968 after suffering a severe heart attack, and underwent cardiac surgery. He died from arteriosclerosis on July 6, 1973 at his home in Brentwood, California, three weeks before his 82nd birthday. He is interred at Forest Lawn Memorial Park in Glendale, California.

For his contributions to the film industry, Brown was inducted into the Hollywood Walk of Fame in 1960 with a motion pictures star located at 1680 Vine Street.

In 1961, Bowling Green State University renamed the theatre in which Brown appeared in Harvey in the 1950s as the Joe E. Brown Theatre. It was closed in 2011.

Holgate, Ohio, his birthplace, has a street named Joe E. Brown Avenue. Toledo, Ohio has a city park named Joe E. Brown Park at 150 West Oakland Street.

Rose Naftalin's popular 1975 cookbook includes a cookie named the Joe E. Brown.[14][15] Brown was a frequent customer of Naftalin's Toledo restaurant.

Flatrock Brewing Company in Napoleon, Ohio offers several brown ales such as Joe E. Coffee And Vanilla Bean Brown Ale, Joe E. Brown Hazelnut, Chocolate Peanut Butter Joe E. Brown, Joe E Brown Chocolate Pumpkin, and Joe E. (Brown Ale).

[brentwatchesmovies]

Brent’s Top 10 Movies of 2019

Scorsese is probably my favorite living filmmaker, but I’ll be honest, when I heard that Scorsese was making this movie, and *how* he was making it (heavily digital de-aged actors) I was a bit skeptical. De Niro and Pacino haven’t been turning in interesting performances in quite awhile, and Pesci came out of a decades-long retirement for the movie as well. On top of that, the first trailer released did little for me. All that to say I was an idiot to doubt the master.

Scorsese returns to the crime genre that he re-invented many times over the years, this time with the eyes of a man in his 70’s, looking back on his life and career. The movie is very long, but in my opinion, it needs the length. The viewer needs to *feel* the totality of a life, and as is his intent with The Irishman, the *consequences* of this specific life. The final hour or so of this movie feels like a culmination of Scorsese’s career in many ways. The energy and entertainment of a crime/mob epic, with the fatalism and philosophical leanings of a movie like ‘Silence’. It’s a 3.5 hour movie that I’ve already rewatched, and actively want to again, so that alone ought to speak volumes.

Harmony Korine made one of my favorite movies of the 2010’s, the neon-soaked and often misunderstood ‘Spring Breakers’, so I was already in the bag for whatever he did next. When I heard it was a freewheeling stoner comedy where Matthew Mcconaughey plays a guy named ‘Moondog’ costarring Snoop Dogg, I reserved its location on my top 10 list.

This movie doesn’t have the empty heart at its core that defines Spring Breakers, opting instead for a character study about a ‘Florida man’ poet after his life pretty much falls apart. It’s basically plotless, stumbling from one insane, borderline hallucinatory sequence to the next, but I just loved living in the world of this movie. Beach Bum almost feels like a deliriously fun VR simulation of hanging out with Matt McConaughey and his weirdo friends down in the Florida keys. This is one that probably won’t pop up on many top 10 lists but I really adore, and will surely rewatch it a dozen times in the years to come.

Let the record show, I’ve been a huge fan of Bong Joon-ho since I first saw his monster movie/family drama ‘The Host’. Some time later, he went on to make ‘Snowpiercer’, one of my favorite movies of the last decade. All that to say, I think Parasite is probably his best movie, and a true masterwork of thriller direction. It also has his usual brand of social commentary and a script filled with darkness and humor, following a South Korean tendency to juggle multiple tones throughout, sometimes all in one moment or scene.

Parasite also follows a big 2019 trend of commenting on class and social dynamics between the rich and the poor. I think that’s part of why it’s done incredibly well at the box office (especially for a Korean language film), the fact that people can relate in a huge way, regardless of which country your from. Parasite is one of the most entertaining movie viewing experiences I’ve had this year and I’d recommend everyone check it out.

If you were to ask me what the funnest movie-going experience I had in 2019 was, I’d have to pick Rian Johnson’s ‘Knives Out’. Hot off making one of the best Star Wars movies ever made (don’t @ me) Johnson decided to make a passion project in the vein of classic Agatha Christie style murder mysteries, and the results are a total blast. Filled with clever twists and turns, weaponizing the structure of murder-mysteries against the audiences expectations, it stays one step ahead of you the entire time.

Aside from the clever mystery of it all, it’s the actors performances and chemistry that really sell this thing. Jamie Lee Curtis and Toni Collette are expectedly great per usual, and Daniel Craig is having the time of his life as Mississippi private-eye Benoit Blanc, but the heart of the movie is relative newcomer Ana de Armas. She brings an emotional weight and anchor to the movie that always keeps you emotionally invested amidst the terrible, money hungry backstabbing by the other heightened characters. I hope everyone sees this movie and Johnson is able to give us another Benoit Blanc adventure somewhere down the line, I’ll be there opening day.

Nobody makes an upbeat, feel-good movie like Ari Aster does! After last years light and breezy ‘Hereditary’ (which I liked a lot but didn’t totally love) he’s back with a completely riveting and emotionally draining (not to mention horrific) masterpiece. What I connected to most in Midsommar is the journey of Dani, played incredibly by Florence Pugh. The way the film portrays the relationship between her and her dog shit boyfriend played by the (usually) charming Jack Reynor keeps you invested in every twist, perfectly paced out over the movies admittedly long runtime.

I won’t get into spoiler territory, but where this movie goes in the end is what makes this a fully 5-star movie for me. After putting you through hell, like Aster loves to do with bells on, Midsommar ends in a euphoric, psychedelic orgy of music and violence that I couldn’t help but laugh out loud. Midsommar rules so hard and I can’t wait for whatever twisted thing Aster cooks up next.

One of my increasingly favorite brands of movies is a finely crafted, primo slice of dad-movie cinema, and James Mangold has made one with Ford v Ferrari. The story chronicles the partnership of ex-racer and designer Carroll Shelby and racer Ken Miles as they work to make a Ford that can compete in the 24 hour race of Le Mans. Bale and Damon are a blast to watch bounce off each other and the race sequences are pretty damn thrilling, combining (what I expect is) a solid amount of great VFX with practical racing to great effect.

I also didn’t expect it to have as much to say about the struggle to create something special by passionate people and not committees while also inside the very machine that churns out products on an assembly line. Just a random note, this original movie was just put out by 20th Century Fox, now owned by Disney but that’s completely unrelated and I’m not sure why I’d even bring that up??? Anyway, I love this movie and dads, moms and everybody else should check it out.

If you saw my list last year, then it must appear like I’m some diehard Mr. Rogers fan. I don’t really have many memories watching his show as a child, but what the documentary ‘Won’t You be my Neighbor’ and this film by Marielle Heller have in common is a shared fascination of his immense empathy and character. It’s only right that America’s dad Tom Hanks should play him, and I was surprised at the end that I was able to get over his stardom and accept him as Rogers. He’s not doing a direct impersonation, and I think it’s all the better for it, instead opting for matching his soft tone and laid back movements.

On a pure emotional level, this movie was a freight train. It didn’t help that the movie covers a lot of father stuff, from losing your own to becoming one yourself (2 big boxes on the Brent bingo card). Heller’s direction is clever in its weaponizing of meta/post-modern techniques, such as one incredible fourth wall break in a diner scene. It literally breaks down the barrier between Mr. Rogers, we the audience, and the films intent to make us feel something.

I cry a lot at movies, that much is well known, but it’s rare that a movie makes me weep, and this one did. Even thinking about scenes right now, days later, my eyes are welling up with tears thinking about the messages of the movie. Mr. Rogers and his lessons of empathy and emotional understanding have rarely been as vital and important as they are right now in our world.

Robert Eggers first film ‘The Witch’ from 2015 is one of my favorite movies of this decade, possibly of all time, so my hype for his black and white, period piece two-hander ‘The Lighthouse’ was through the roof. Even with sky-high expectations, it still blew me away. With dialogue reminiscent of The Witch in its specific authenticity to its era, to the two lead actors giving all-time great performances, It was one of the most entertaining film viewing experiences I had this year.

There’s something about both of Egger’s movies that I really keyed into watching this one: his fascination with shame and the liberation from it. Where Witch was from the female perspective, Lighthouse literally has two farting, drunk men in a giant phallic symbol fighting for dominance. It’s less a horror film than his first, but still utterly engrossing, demented and specific to his singular vision. I can’t wait to see 20 more movies from this guy.

This is another big movie of 2019, like The Irishman, where you can see the director looking inward, at what his films mean and represent. It initially caught me so off guard that I really didn’t know how to feel about it, but after seeing it again, it’s one of my favorites of the year, and probably Tarantino’s filmography overall. More akin to something like Boogie Nights or Dazed and Confused, letting us live with and follow a small group of characters, it mostly doesn’t feel like a Tarantino movie (until the inevitable and shocking explosion of violence in the third act, of course).

‘Hollywood’ is the most sincere and loving movie Tarantino has made, interested in giving us a send off to an era of Hollywood and artists that have been lost or forgotten (Some more tragically than others). In the end, the movie functions similarly to ‘Inglorious Basterds’ in it’s rewriting of history to give us catharsis. “If only things could have worked out this way.” Luckily in movies, removed from the restrictions of reality, they can. And once upon a time in Hollywood, they did.

Uncut Gems probably tripled my blood pressure by the time the credits rolled. A slice-of-life story about a gambler/dealer in New York’s diamond district, the movie follows Howard Ratner, played by Adam Sandler in easily the best performance of his career. Ratner is basically addicted to living at the edge of a cliff, being chased by violent debt collectors, juggling a home life and a relationship with an employee, and fully relying on risky sports bets to stay afloat. It makes for a consistently tense and unique viewing experience, expertly directed by the Safdie brothers.

Something that might not work for everyone but that I personally loved, is the chaotic way in which the movie is shot. What feels like loosely directed scenes, with characters talking over each other and multiple conversations happening at once, adds an authenticity and reality lacking from most other movies. It’s more adjacent to Linklater (thanks to Adam for the comparison) or Scorsese’s earlier films (also fitting, that he’s a producer on this). Following Howard Ratner as his life descends into chaotic hell was one of the best times I’ve had watching a movie this year.

HONORABLE MENTIONS

AVENGERS ENDGAME

DOLEMITE IS MY NAME

BOOKSMART

JOHN WICK CHAPTER 3

THE FAREWELL

AD ASTRA

[punchdrunkdoc]

Updated K-Drama list (8)

After almost a year of watching KDramas, I’ve finally found a show that has knocked CLOY off the top spot!

The GREAT:

1. Its Ok To Not Be Okay - NEW ENTRY

A children’s author with antisocial personality disorder becomes obsessed with a handsome (but closed-off) carer in a mental health hospital. 

I could (and already have) written loads about this show - it became my all-encompassing obsession for the 8 weeks it was on telly. I LOVE IT SO MUCH!! I had a feeling only 1 episode in that it might become my all-time favourite K-drama, and I was right. The quality never dropped for a moment, and it absolutely nailed the ending. 

I pretty much love everything about it - the whimsical, fairytale-esque tone, the music, the costumes, the supporting characters, the side plots exploring different mental health issues, the humour, the set design, even the opening credits!

The two leads are so beautiful with SO MUCH chemistry that you could watch them read a phone book and it would be hot. But it became a real three-hander of a show, with the male lead’s autistic brother forming an integral part of the relationship dynamic. 

Honestly, I can’t do this show justice with such a short review - just WATCH IT!!

Male lead: Soooo handsome, quiet and compassionate but with a steel core; it’s so fun watching him come out of his shell. Actor also seen in (AASI): My Love from a Star (honestly, he didn’t make much of an impression in that show, but he was amazing in this - he conveys so much emotion with the most subtle facial movements)

Female lead: Absolutely fascinating; so wounded and vulnerable, but projecting this awesome, no-fucks-given, blunt-as-hell exterior. Actress also seen in (AASI): Lawless Lawyer, Hwarang (minor character)

2. Crash Landing on You

He’s from North Korea. She’s from South Korea. They never should have met, but they’ll change each other’s lives.

This was my first K-drama, and although it’s been knocked off the top spot, it’s still fantastic. Its the full package - the entire cast of characters is great, the lead romance is ANGSTALICIOUS and its genuinely, laugh out loud funny (when its not making you cry or swoon). I’ve since discovered that they had a North Korean defector as a consultant working on the show, so apparently the NK scenes are fairly accurate which is SUPER interesting.

Male lead: Officially the best boyfriend ever - absolutely nails the small, romantic gestures. AASI: Hyde, Jekyll & Me.

Female lead: Smart, sassy, and funny. I love her.

3. Healer

The lives, and pasts, of a hot shot reporter, a spunky young tabloid journalist and a mysterious thief-for-hire intersect.

I ADORE this show and its so rewatchable. The plot was tight and engaging, and this is one of the few shows I’ve watched where there didn’t seem to be a lot of filler. The central 3 characters are great, and the romance was amazing. I especially loved that the male lead started off such a brooding loner, but he became super-affectionate as soon as he admitted his feelings. So many good hugs and lots of face-cradling in this one. There’s also a great riff on the Superman/Clark Kent dynamic which was fun!

Male lead: Effortlessly beats up 2 henchmen while comforting his girl over the phone. What more do you need? AASI: The K2, Suspicious Partner, Melting me softly, Backstreet Rookie

Female lead: She doesn’t let her vulnerabilities stop her from getting the story or being with the man she loves. AASI: What’s wrong with secretary Kim, I’ll go to you when the weather is nice, Her private life

4. Itaewon Class

A young man’s life is forever altered when he runs afoul of a powerful family.

This felt like a big step up in quality from everything else in this list, in terms of the production, soundtrack (which was brilliant), the lack of annoying sound effects, and just the overall ‘real world’ feel of the show. All of the characters were fleshed out and 3-dimensional, and they all had their ‘moment’ to shine. The story itself was gripping and so well done - some of the twists and reveals had me gasping! And what can I say about the 2 leads? I love them, both separately, and together. He is so wise beyond his years, and his journey will break your heart and inspire you. She is borderline sociopathic, but I adore her.

Male lead: Tenacious, principled, kind, innocent, caring, driven, loyal…and he can cook! AASI: What’s wrong with secretary Kim, Fight for my way, Hwarang

Female lead: One of the most original Kdrama female characters I’ve seen. Plus she retains her agency all the way through, which is (unfortunately) not always the case with these shows. 

5. W - Two worlds

A surgeon gets sucked into the world of her father’s webtoon when the main character’s life is threatened.

This was a WILD ride! The first 4 episodes barrelled through plot at an amazing rate and certain events happen in episode 5 that had me wondering how the show could even continue! But it did…and the plot just got more insane! I loved this show SO much. It kept me guessing, had me on the edge of my seat, and even had room for some of my favourite romance tropes. The central relationship was great, and (because of the insane plot) you basically get 2 love stories for the price of 1. I’ve already watched this whole show again, which is why I’ve bumped it up the ratings a bit!

Male lead: Just a really, really cool guy. Can’t think of how else to describe him! Always in control, calm, unflappable, analysing the situation….but he can break out the cocky charm when needed. AASI: While you were sleeping, Doctor Stranger

Female lead: I really liked her - she had more agency than a lot of other female heroines and I really related to her freaked-out panic in the beginning when she didn’t feel like she was a capable enough doctor to save a life.

6. While you were sleeping

Not to be confused with the Sandra Bullock rom-com from the 90s. Instead, this is about a young woman who can dream the future who has her fate changed by a young prosecutor who suddenly develops the same ability

I was thoroughly and utterly charmed by this show. Everything was so beautifully done - from the cinematography, to the music (OMG the music!), even the title cards were interesting and quirky. The characters were all great - the main leads are so sweet and relatable, the second lead is cute-as-a-button, the villain is properly hissable, and none of the supporting characters/extras annoyed me! The storyline itself was brilliant, with so many great set-ups, pay-offs and twists, and the romance was lovely.

Male lead: A bit of a hot mess of a human being (basically, the polar opposite of his character in W!)…but all the more loveable for it. AASI: W: 2 worlds, Doctor stranger.

Female lead: Smart, sweet, loyal (I really loved her relationship with her mum) and quietly brave.

7. Descendants of the Sun

A special forces Captain meets a capable and beautiful trauma surgeon. They feel an instant bond, but their jobs and philosophy on life get in the way, threatening to tear them apart.

I absolutely LOVE the male lead character, and the romance in this was beautiful. Plus its chock-full of CompetencePorn, with lots of scenes of people being really, really good at their jobs (this is one of my favourite things!). However, it didn’t quite nail the angst, and the last minute was a bit twee which dropped it down the rankings a bit.

Male lead: A cocky, charming, absolute BADASS with the most adorable, cheeky smile.

Female lead: Sweet and a bit out of her depth in the dangerous situations…but put her in charge of a patient and watch her go!

8. Love in the Moonlight / Moonlight Drawn by Clouds

A young woman poses as a eunuch in the Royal Palace and falls in love with the Crown Prince

This was the first period piece I watched and it’s still my favourite - almost entirely because of the male lead and his beautiful face! The start had a really light, comedic tone (and a lot of modern anachronisms - high fives everywhere!) and I loved all the identity-concealing hi-jinks. But then the romance kicked into gear and the DELICIOUS angst started flowing, and I became obsessed with it. It’s like loads of bits of my favourite regency historical romances were mashed up and transported to the Joseon Dynasty. I loved it so much!

Male lead: Manages to look amazingly handsome despite all the period headgear, kicks ass with a sword, and doesn’t allow himself to be manipulated by the corrupt officials surrounding him. Also acts like an adorable goofball when he’s in love.

Female lead: Loved her at the start - she’s scrappy and independent and capable. Unfortunately, becomes too much of a plot device by the end. AASI: Backstreet Rookie

9. I’ll Go to You When the Weather is Nice / I’ll Find You on a Beautiful Day

A cellist disillusioned with life in Seoul returns to her small home town for the winter.

This was achingly sweet and wonderful. The slow unfolding of the story, the beautiful scenery, and the simple yet moving score all combine to make this feel like the type of small town contemporary romance novel I love to read on a rainy day in front of a fire. Whilst long-held, painful secrets are eventually revealed, there is no massive conflict involved, with no antagonist or over-wrought external drama. Its just the tale of two sad, lonely people who have withdrawn from the world forming a connection with each other and trying to overcome their issues (she has a fear of abandonment; he’s a loner who has a tendency to disappear). As a bonus, there’s a bookclub with a wonderful cast of secondary characters - I wanted to spend more time with all of them.

Male Lead: Precious Cinnamon Roll, to be protected at all costs. AASI: Are you human too

Female lead: Wears her heart on her sleeve. Refreshingly, she’s the instigator of the relationship and isn’t the usual passive, coy female. AASI: What’s wrong with secretary Kim, Healer, Her private life

10. Goblin

A 900yr old immortal guardian finally meets the ‘bride’ who will end his existence

Once I got over the slight ick-factor of the age difference between the two characters at the beginning, I really fell for this show and it’s world. It had me in floods of tears at some points, and it was laugh out loud funny at others. I especially loved the secondary character of the Grim Reaper and his reluctant bromance with the Goblin.

Male lead: Surprising innocent and funny for a 900 year old

Female lead: Also innocent, but in some ways wise beyond her years. Her tears will make you cry (the actress is very good at sobbing her heart out!). AASI: The King, eternal monarch

11. What’s Wrong with Secretary Kim

An personal assistant decides to quits her job in order to get a life. Her boss has other ideas.

This was my first Park Seo Joon drama, and he’s great in it. He somehow turns a self-centred, entitled and vain boss into an endearing character! The central romance is amazing - I can rewatch their scenes again and again - and its a bit more mature than some of the others on this list (be sure to check out the extended scene!!). It has some of the best kisses in Kdrama.

Male lead: Like I said, somehow makes vanity and narcissism endearing. Also not afraid to get his shirt off and flash his 6-pack. Bonus. AASI: Itaewon Class, Fight for my way, Hwarang

Female lead: I’m a sucker for uber-competent people so I loved this character. Park Min Young has become one of my favourites, and she is STUNNING in this. AASI: I’ll go to you when the weather is nice, Healer, Her private life

12. Legend of the Blue Sea

A mermaid comes onto land to find the man she loves

The (literal) fish-out-of-water scenes in the first half of this show were hilarious - the actress is a comic genius! The romance was nicely done, and there wasn’t a lot of extraneous plot or too many characters. It also nicely incorporates scenes from the Joseon era, so you get a partial historical romance thrown in for free!

I couldn’t stop watching this one and I’ve since rewatched it too! Definitely one to check out.

Male lead: Cocky, arrogant conman with a soft mushy centre. AASI: The King, Eternal monarch, Heirs.

Female lead: Steals the show - funny, smart and beautiful. AASI: My love from the Star.

13. Into the Ring/The Ballot - NEW ENTRY

An out-of-work young woman decides to run for office and faces all sorts of challenges in her quest to right some wrongs and earn a living.

This show has one of my favourite ever female characters - she’s headstrong, hard working, and quick to violence but so cute and charming with the most adorable laugh! She tries to act all cynical (that she’s only in it for the money) but she is actually really caring and kind. I sooo wanted her to succeed against the establishment of corrupt assholes that she worked with. Seeing her become disillusioned with politics and her colleagues was heartbreaking, and watching her fight back was great.

Her dynamic with the male lead was also great - he’s quietly in awe of her even when he’s exasperated and borderline scared of her.  And he’s super supportive. It was so much fun watching her drag him out of his monotonous, dull life. They also weren’t stingy with the PDA which was so refreshing.

On a superficial level, the show was also visually interesting, with loads of cool angles and blue lens flare. And the overall light, funny tone made it so watchable. 

Male lead: Adorkable

Female lead: The literal embodiment of sunshine and determination. I have a bit of a crush on her!

14. The King: Eternal Monarch

The reigning King of the Kingdom of Corea discovers a gateway to a parallel world - the Republic of Korea

This is the first drama I’ve watched in ‘real time’ but I think it would work better as a binge - there are a LOT of characters, and many have dopplegangers (because of the parallel world thing) so it became hard to keep track of who was who. I also think the progression of the romance is better appreciated in a binge (I wrote about it here - ignore the speculation; i got it so wrong LOL!). Unfortunately, the plot also had major holes in it (the ‘rules’ for the gateway/magical flute didn’t make sense) and It was difficult at times to differentiate Corea from Korea - a major failing of the editing.  

Buuuuuut, it still made my ‘Great’ list because all of those issues were outweighed by the sheer epicness of this show. The gorgeous sets, the dramatic scenery, the ANGST-filled, beautiful romance…at one point the King rides a majestic white horse into battle with a sword on a neon-lit highway to save the woman he loves. I mean, come on! Plus, its really funny - the ‘fish out of water’ scenes when the King first arrives in Korea, the chalk and cheese dopplegangers Yeong and Eun-Seob, the King’s constant threats of beheading…I loved those elements so much!

Male lead:  Gives Ri Jeong-Hyeok from CHOY a run for his money in the ‘Best Boyfriend’ competition.  AASI: Legend of the blue sea, Heirs.

Female lead: A bad-ass cop. Takes a while to believe Lee Gon’s story, but once she decides to go all in…she goes all in, and loves unreservedly with her whole heart. AASI: Goblin

15. Tomorrow with you 

A time-traveller struggling to live in the present meets a woman trying to let go of her past.

This reminded me a bit of ‘I’ll go to you when the weather is nice’ in terms of the melancholic tone, the simple but effective music, and the beautiful lighting etc. There were also some really interesting, innovative shots which I appreciated.

It took a few episodes to get into and it was a bit frustrating in the middle - so much could have been solved if people just TALKED to each other!! Plus the rules for this version of time travel weren’t really clear…But the last few episodes were brilliant; the way the story came together, and all the little bits of set up were paid off was really well done. These episodes alone were enough to bump this up to the ‘Great’ category (especially, given there was a bit of a Lake House vive at one point - I’m a sucker for that movie. The romance was also beautifully portrayed; I could endlessly watch their domestic scenes - they had such good chemistry and banter.

Male lead: Absolutely, but endearingly, terrible at relationships. He ends up falling in love against his will and largely without realising it.

Female lead: A bit of a mess and a borderline alcoholic, but so cute and innocent. I love the way she talks to herself, she’s so funny! AASI: Oh My Venus

16. Fight for my Way

Two life-long friends decide to go after their dreams

I fast-forwarded large chunks of this (I wasn’t interested in the secondary couple at all), but it still made my ‘Great’ list because this is one of the best friends-to-lovers stories I’ve seen. You truly buy that these 2 have known each other their entire lives (their  bickering and teasing feels so natural). And then when they take the next step, they’re so affectionate and refreshingly open with their feelings. Speaking of which, this also has some great kissing scenes (Park Seo Joon is the master!)

Male lead: I love his contradictions. He’s goofy and childish…but can really turn on the sexy charm; he’s a badass MMA fighter…who loves when his girlfriend sticks up for him and protects him. AASI: What’s wrong with secretary Kim, Itaewon class, Hwarang

Female lead: Takes no shit from anyone and will fight for her man! AASI: Descendants of the sun (secondary character)

17. Suspicious Partner

A young, hardworking lawyer has her life turned upside down when she is put on trial for murder.

This was officially bumped up the list a while ago, and I stand by the decision. Its still overly long, but the serial killer plot had some nice twists and it was central to the story, so it didn’t feel extraneous like some of these types of plots do. Mainly, I just loved the central romance - the 2 characters sparked off each other so well and I loved their evolution from sort-of enemies to lovers. This is another show where I can endlessly rewatch their scenes together.

Male lead: Its Ji Chang Wook! He’s so good at playing serious guys who are secretly big dorks. AASI: Healer, The K2, Melting me softly, Backstreet Rookie

Female lead: Fate deals her a shitty hand, but she perseveres with grace and determination. She’s great. AASI: Shopaholic Louis, 100 days my prince.

The GOOD:

1. I Am Not a Robot

A man who is allergic to human contact finds companionship with a robot…or does he?

I honestly thought I wouldn’t make it passed a couple of episodes of this - the concept was just too ridiculous. But I’m glad I persevered, because it developed some real depth and some proper good angst towards the end and I LOVED the central relationship. I’ve rewatched loads of this one.

Actress ASI: Piece of Your Mind;  Love in the moonlight (secondary character)

2. I Remember You - NEW ENTRY

A famous criminal profiler gatecrashes the investigation of a serial killer, hoping it will restore the missing memories of his childhood trauma

I really liked the set up of this - the lead character is introduced like a young Sherlock Holmes (the music even reminded me of the score for the BBC Sherlock series). The super-observant, socially awkward thing kind of dropped off as the series progressed, but I still enjoyed how the plot developed, especially with Park Bo-Gum’s character; I’ve only ever seen him play innocent cutie-pies, so this role was a bit of a surprise!

The female lead was like an anime character come to life (she was petite and cute with enormous eyes), but I also loved her personality; she was tenacious, and dogged and took no shit from anyone. She had a cute, antagonistic relationship with the profiler at the start (which I loved) which eventually led to some really sweet, touching moments. 

Actor ASI: Shopping King Louis

3. Hotel del Luna 

A hotel for wandering spirits gets a new human manager - and he forms a surprising connection to the enigmatic 1300 year old owner

If I had to describe this show in one word it would be ’lavish’. It’s a feast for the eyes - from the set design, to the costumes, to the CGI views of the hotel towering over the moon-lit Seoul cityscape, its stunning. It also plays with aspect ratios in a cool way (watch for the shots where the action spills over into the black bars top and bottom of the screen).

In terms of the characters, I really liked IU in this; her character may be uncaring, world-weary, and money-hungry, but she’s also immensely charming. I admit I got more platonic vibes with her and the male lead, but I still liked their relationship. I also really liked the stories of the ghosts passing through (some reduced me to tears with very little screen time) and there were a couple of GREAT cameos. Especially the one at the very end - I want more of him, please!!

Actress ASI: Scarlet heart

4. My Holo Love

A lonely woman falls for a holographic AI and then meets his creator…

I love the concept of this show (I’m a big sci-fi nerd), and I think this stayed in my ‘favourite’ list for so long because it was the first Kdrama of this genre that I saw. I still love it - especially because of how beautifully it’s shot, and how well the story comes together - but I’m not dying to rewatch any of it, unlike all the others shows that are now on the ‘great’ list.

5. Extraordinary You

A high school student discovers she’s a supporting character in a comic book

The plot of this was so cool, and the way the comic story played out interspersed with the characters ‘real lives’ was really well done. Plus the central couple were so adorable. It dragged in the middle section (several versions of the same conversations were had, and the same exposition was spelled out multiple ways for no apparent reason) which kept it out of my favourite list, but it redeemed itself with some good angst at the end, and it had a really lovely ‘epilogue’.

AASI: A couple of the secondary male leads have a mini-reunion in ‘I’ll go to you when the weather is nice’!

6. Just Between Lovers - NEW ENTRY

Three people impacted by a tragic shopping mall collapse start working on a building project together, unaware of their shared past.

I absolutely adore the male lead in this - he is the archetypal tortured hero (I constantly wanted to give him a hug and a warm meal). He’s also wonderfully romantic in his own, straightfoward, no-nonsense way. The female lead was really likeable - l love capable women and she is the definition of that (she even drives a lorry at one point!). There’s a lot of pain and angst in this show, with very little levity, but it strangely never felt heavy. I really liked it. 

Actress ASI: Melting me Softly

7. Strong Girl Bong-Soon

A woman with inherited super-strength gets a job as a bodyguard for an eccentric young CEO

The lead couple in this are AD-OR-ABLE and I loved their relationship. But there was a weird tone issue in this show. The romance is super cute…but there’s a whole dark sub plot involving multiple women being held captive by a psychopath, and a really grating cast of ‘bad guy’ extras. I ended up fast forwarding most of that, and just concentrated on the romance - If someone could do a supercut of all their scenes, I would watch it on a loop.

Actor ASI: Hwarang, Heirs (minor character)

8. 30 but 17/Still 17 - NEW ENTRY

A 17 year old girl gets into an accident and wakes from a coma 13 years later.

I was worried going into this that the romance (between a 30 year old man and (essentially) a 17 year old girl) would feel icky and uncomfortable. But the writers made the wise choice of creating a 30 year old man with the emotional maturity of a 17 year old. He is so awkward and unworldly, that they actually work really well together. In fact, I loved their relationship. The secrets in this show took faaaar too long to be revealed, which made me worried that the eding would be too rushed, but there was actually time for a nice ‘epilogue’. Plus, all the supporting characters were great (including the wonderfully weird housekeeper Jennifer) and the cutest dog in the world was in this. So I definitely recommend it.  

9. Mystic Pop-up Bar - NEW ENTRY

As punishment for past sins, a woman must solve the grudges of 100,000 people by entering their dreams

This was an unexpected delight. I started watching it after spotting a cute gifset on tumblr (which I didn’t realise contained huge spoilers!). The story and tone is (mostly) light and quirky, and I particularly enjoyed the worldbuilding - the banal bureaucracy of the afterlife in this even reminds me a bit of The Good Place. I’m a sucker for a ‘found family’ theme and this one was done really nicely. It also had 2 main ships - one really cute and innocent, the other took me by surprise with how moving it was. Similarly, some of the episode-specific stories and characters (i.e. the individual grudges) made me tear up.  

10. 100 days my prince

A Prince loses his memory during an assassination attempt and ends up living as a peasant for 100 days.

Another period piece; the plots of these seem a little repetitive (Crown prince’s life is threatened by scheming Minister) but the  central cast and the romance usually makes up for it. Same for this show - I really enjoyed watching the spoiled, grumpy puppy of a Prince try to cope with manual labour, and the female lead was capable, and endearing.

Actress ASI: Suspicious partner, Shopaholic Louis

11. Weightlifting Fairy Kim Bok-Joo

A young talented weightlifter experiences first love

Honestly, I wasn’t sold on this at first; the female lead was a bit much (lot of gurning and over-acting) and there was a weird disconnect between how she was described (big, overweight, manly, unfeminine) and how she actually looked (thin and beautiful!). But the back half of this show saved it; her relationship with Joon-Hyung was sooooo cute. He is adorable, and they were both so supportive of each other’s dreams. I finished this with a big smile on my face.

Actor ASI: Bride of the Water God, Scarlet heart (tertiary character)

12. Are You Human Too

A mother separated from her son builds a robotic replacement. Decades later, he has to take the place of the ‘real’ son.

I loved the evolution of the robot in this - it never went the way of a full Pinnochio story, but it was fun to see him learning about the real world and how humans interact. It also posed some interesting questions - what does it mean to be human? And how would you react if you were ‘replaced’ by an artificial version?  

The actor in this was fantastic. The way he could change from the real Nam Shin to Nam Shin III with the most subtle shifts in posture and facial expression was really impressive. It took me longer to warm to the female lead, and by the end she was given very little to do…but her unflinching support and unconditional love for Nam Shin III won me over.  Some of the supporting characters didn’t work for me, and it was far too long…but worth a watch for the lead actor’s performance. Plus, Nam Shin III is an absolute cutie-pie.

Actor ASI: I’ll go to you when the weather is nice

13. Shopaholic Louis/ Shopping King Louis

The young, shopaholic heir to a large department store empire loses his memory and has to live as a poor man 

The male lead in this is an absolute puppy dog and I ADORE him. He squeals when he sees bugs, he can’t run to save his life, and he’s the type of guy who will punch someone and immediately apologise and ask if they’re ok. He’s spoilt, entitled, demanding and has no concept of the value of money…but thanks to the actor portraying him, he just comes across as innocent, sweet and lonely (he spends all his time shopping and accumulating stuff because they fills up his empty life). The female lead is just a really nice, kind person; at first Louis seems like he’ll be just one more burden she needs to take care of, but he makes it clear from the start that she can count on him to help her too - something she’s never had before. Their relationship develops so naturally and thoroughly that you cant help but feel they are perfect for each other. I watched this with a big smile on my face.

Actor ASI: I Remember You

Actress ASI: Suspicious partner, 100 days my prince

14. Oh My Venus 

The previously much-lusted after ‘Venus of Daegu’ fulfilled her dream of becoming a lawyer - but she gained weight and lost her self esteem in the process. 

I adored the female lead - she was so relentlessly bright and optimistic that you couldn’t help but love her and root for her. I was a bit worried going in that there was going to be a lot of fat-shaming, but the male lead made it clear that he was more interested in her internal health than her external appearance (and you could tell he started to fall for her when she was chubby, so it wasn’t superficial in that way). I wasn’t expecting for him to become so much of the focus in the second half of the show (I thought he was just going to be a hunky trainer;  I should have known better - in a Kdrama there is always a Tragic Backstory looming!). Their relationship was so natural and cute - the bit with the dimples never got old - and overall, this was a fun, easy watch.

Actress ASI: Tomorrow with you. 

Actor ASI: My secret Terrius, Master’s sun.

15. A Piece of your Mind - NEW ENTRY

A classical music recording engineer meets an AI designer.

I struggled to sum-up the concept of this in one sentence, because the ‘plot’ is so arbitrary (and the AI stuff makes no sense whatsoever!). It’s really more of a mood piece - the lighting, the music and the performance combine to make this a strangely ethereal show, dealing with unrequited love, grief and the importance of human connection. It’s slow and contemplative and a little odd in its structure (there’s very little set-up, so you feel like you’ve been dropped into episode 3 of an established show). This may put some people off, but I really liked it. 

I started watching it because of the leads (who I’ve loved in other shows) and they didn’t disappoint. She is so kind and lovely; he’s a little odd - like a robot learning about life. But their relationship is so beautiful (it even included one of my favourite niche tropes: insomniacs who can only sleep around each other). 

Apparently the episode run was cut down from 16 to 12 because of poor ratings, which is a real shame because i think a bit more time was needed to really sell the female lead’s emotional arc. It all felt a little rushed at the end, but I still enjoyed it, and admired that it tried something a little unconventional. 

Actor ASI: While you were sleeping (secondary lead).

Actress ASI: I am Not a Robot; Love in the moonlight (secondary character)

16. Rookie Historian - NEW ENTRY

An independent, educated woman choses to become one of the first female court historians, rather than get married.

This show had a really interesting premise and I enjoyed watching the rookie female historians navigate court-life (battling workplace harassment, misogyny and patriarchal values) and developing a real friendship with each other. 

The female lead was fantastic - she was headstrong, pragmatic, unapologetically intelligent, a lover of books and a hater of injustice. She shared that love of books with the male lead, who was sensitive, soft-spoken, and innocent. The ultimate beta hero, who’s romantic fantasies involved him feeding her cookies and fanning her while she sleeps! 

Their romance took a backseat for a lot of the show, but I didn’t mind as the plot was exploring interesting topics such as intruders from the West, catholicism, and censorship, etc.

Actor ASI: My ID is Gangnam Beauty

Actress ASI: Bride of Habaek

17. Tempted/The Great Seducer - NEW ENTRY

In an act of revenge, a wealthy heir makes a bet with his friends to seduce a hardworking female college student 

10 minutes into this I started to get major Cruel Intentions vibes…which made sense when I found out it was also an adaptation of Dangerous Liaisons! It doesn’t have the dark edge or overt sexuality of Cruel Intentions (which is one of my favs) but its still good - mainly due to the male lead. I ADORED him in TKEM and he’s really good here. I’m a sucker for the ‘bad boy falls in love for the first time’ trope and he played it so well. The female lead was also good - she was self-aware, strong, intelligent and took no shit. I was less interested by the love affairs of the adults around them, but overall it was a good show. 

Actor ASI: TKEM (secondary character)

18. My Love from the Star

Alien stranded on earth meets an actress soon before he’s due to be rescued.

It took a couple of goes to get into this one, but I’m glad I finally watched the  whole thing (the female lead was initially very irritating, but she improved a lot).  I enjoyed the present-day romance and all the flashes back to the past. However, the ending was really abrupt and disappointing (which kept it out of my favourite list). There should have been 1 less filler episode in the middle, and a decent, fleshed out finale instead.

Actor ASI: Its ok to not be ok. 

Actress ASI: Legend of the blue sea

19. Because this is my First Life

A rational-to-a-fault software designer and an aspiring screenwriter come up with an unconventional way to solve their housing problem

When I started this, I thought it was going to be all light and fluffy (the main character’s job in the beginning was to insert the product placement in Korean dramas - hello, Red Ginseng! - which I found hilarious and meta) but it had a surprisingly melancholic tone throughout and touched on issues of workplace harassment and gender roles. I didn’t warm to the male lead until right at the end (which was probably partly intentional - he’s very remote and closed off) but overall I found the story quite lovely. Plus it had a really great central female friendship and their conversations actually passed the Bechdel test!

20. My shy boss / Introverted boss

An extroverted actress takes a job at a PR company working for a man with crippling shyness

This was another deceptive show; I thought from the title and the synopsis that it would just be a light opposites attract comedy about an introverted man and an extroverted woman. But I was almost in tears by the second episode when the Tragic Backstory came to light, and we saw the full extent of the Boss’ struggles to communicate with other human beings. He has such a rich, funny, and smart inner monologue, and the way he overthinks every interaction is really endearing…which makes the contrast with his silent and withdrawn external persona all the more stark and heartbreaking. You really root for him to find happiness. This was overly long (a common pitfall with these shows) and there was some distracting shaky camera work in some of the close ups. There were also implications early on about workplace sexual harassment and possibly dubious consent in a one night stand which were dropped, leaving a bit of a sour note.  Despite that, it was overall fairly enjoyable and has one of the cutest confession scenes!

The OK

1. The K2

An ex-mercenary takes a job as a bodyguard protecting the illegitimate daughter of a politician. A sort-of Snow White retelling.

This started off really well; there are some amazing fight sequences (hello, shower room scene!) and JCW has never been hotter - its worth watching for him alone. However, the back half became really bogged down in double crosses and manipulations, and it focussed too much on the politicians. The writers did well to give these characters some layers, but they were all essentially doing bad things for the wrong reasons, and I just didn’t care about them. The show was much better when it was following K2’s journey. The romance also started off well, but was a bit underdeveloped (mainly because they barely interacted).

Actor ASI: Healer, suspicious partner, Backstreet rookie, Melting me softly

2.Bride of Habaek / Bride of the Water God

A God of the Land of Water visits the human realm to fulfil a task before ascending to his throne. He enlists the help of a ‘divine servant’, a down-on-her-luck psychiatrist.

I started this because I liked the lead actor. His baby-face can’t quite pull off the intensity needed for this role, but he was still cute as the arrogant, imperious God brought low by his circumstances - no money, house, powers or (most importantly to him) driving license. I also liked the female lead - she so desperately wanted to hide her kind, compassionate heart from a world that had battered and bruised her. There were some good individual scenes (especially the 'confession’ moment, which was just lovely), but the show ran out of steam towards the end, and ultimately felt like a waste of potential.

Actor ASI: Weightlifting fairy Kim Bok-joo

Actress ASI: Rookie Historian

3. Her Private Life

A talented art curator tries to keep her professional persona separate from her fangirl obsession with a pop idol.

This was cute and I loved the central relationship - he was so supportive of her, and their interactions were refreshingly mature and their banter felt really natural. Ultimately, it was a bit forgettable (I’m not dying to rewatch any of it), and the last minute tacked-on childhood trauma subplot was really unnecessary.

Actress ASI: Healer, Whats wrong with secretary kim, I’ll go to you when the weather is nice.

4. Touch Your Heart

Star actress rocked by scandal works at a law firm to prepare for her comeback role

This starred the secondary couple from Goblin and I really like them, even though they are playing very different characters in this (more opposites attract, than doomed lovers). It’s a bit too ‘cutesy’ and I had to fast forward a lot of the secondary romances which I wasn’t invested in.

5. My Secret Terrius

A secret agent on the run gets embroiled in the life of his next door neighbour - a mum of young twins.

The romance in this was underwhelming; the two characters ended in a really cute place, but it felt like set up for a story I probably would have liked more than this one. In saying that, this was still a relatively enjoyable watch; the female lead was great - she was constantly underestimated as ‘just a housewife’ but she was smarter, and more determined and resourceful than the spies around her. The male lead’s interactions with the twins were adorable, and there was a good cast of supporting characters. However, I’ve already pretty much forgotten the main espionage plot!

Actor ASI: Oh My Venus

6. Lawless Lawyer

A gangster-turned-lawyer moves to Gisung to take on corruption with the help of a suspended female attorney

I liked this more at the beginning; it reminded me a bit of Itaewon Class, with a charismatic lead, an intricately plotted revenge scheme that the audience only becomes aware of as the series progresses, and a take-no-shit female lead who was introduced hitting an authority figure! However, it never really gripped me (it took me weeks to finish) and a couple of the villains were overacting and hamming it up all over the place.  But I loved the two leads, and their relationship was good, despite feeling a bit rushed. 

Actor ASI: Scarlet Heart

Actress ASI: Its ok to not be ok, Hwarang (tertiary character)

7. 1% of Something - NEW ENTRY

To gain his inheritance, an arrogant, aloof CEO has to enter into a marriage contract with a sweet primary school teacher.

I liked how streamlined this was: it was just a show about two people who fall in love despite their best intentions. There was no overly complicated plot, and even the conflict that keeps them apart towards the end felt very organic and unforced. 

She is a delightful ball of sunshine. He is a little overbearing but has his own charm. And bear with the bad haircut and appalling fashion sense - he improves at the end!

8. Melting Me Softly

Two people are accidentally cryogenically frozen for 20 years. They have to navigate the modern world and their new lives together.

Another good concept, but it ultimately descended into little more than a light work-place romance. Had a couple of good kissing scenes, but it was overall a bit forgettable.

Actor ASI: The K2, healer, suspicious partner, backstreet rookie

Actress ASI: Just Between Lovers

9. My Sassy Girl

A 'sassy’ princess meets an ambitious scholar in less than ideal circumstances…

I enjoyed the fact that this Joseon period drama focused on a Princess for a change, and not a prince. She came across as more 'obnoxious and immature’ than 'sassy’ in the beginning, but once it was made clear that she was actually a decent, kind person underneath, I soon warmed to her. I also liked the relationship with the male lead, which amounted to a pretty good enemies-to-lovers story. It took a bit of an unexpected turn right at the end, but my independent, feminine self was good with it. Overall, this was a pretty easy watch, but nothing special.

10. Hwarang

Follows a peasant who joins the newly-created Hwarang (Poet Warrior Youths in ancient Korea) to enact revenge for the death of his best friend

I enjoyed the scenes of the Hwarang hanging out and bonding - so many cute bromances in this! But I couldn’t really connect with the central story and romance, due to a major case of SLS (Second Lead Syndrome) - as much as I’m a fan of Park Seo-joon, I adore Park Hyung-sik, and I found his character, journey and relationship with the female lead much more compelling. The ending still managed to feel somewhat satisfying, but I won’t be rewatching any of it.

Actor ASI: Itaewon class, What’s wrong with secretary kim, Fight for my way

The BAD 

1. Hyde, Jekyll and Me

A woman becomes involved in the lives of 2 men, who share one body

Hyun Bin is sooo watchable in this, especially as the slick-haired, glasses-wearing, uptight Seo-Jin. And the show started well…but quickly went off the rails into a convoluted, dragged-out revenge plot. It was a bit of a slog to get through, to be honest.

Actor ASI: CLOY

2. Queen: Love and War

The long lost twin of a recently assassinated Queen assumes her identity to enter the Bridal selection to wed the resurrected King and seek revenge.

This was a bit of a mess (as you can tell from that synopsis!); it felt like the first few episodes were rushed through as a sort of ‘prologue’ before the main thrust of the story…but that prologue contained A LOT of plot with some major character revelations that were rapidly skimmed over (e.g. the female lead was introduced as having complete amnesia; but almost out of nowhere she casually mentions that she got all her memories back and now knows who she is). Because of this, it took me a while to get a sense of who the characters really were. A lot of the usual Joseon plot points played out (scheming ministers and untrustworthy queens) but it had some unique features - I especially enjoyed the bridal selection scenes and seeing the lead female outwitting her rivals in the various challenges. But ultimately, I fast forwarded a lot of this and it was pretty forgettable.

Actress ASI: Doctor Stranger. 

Actor ASI: Backstreet Rookie (secondary character)

3. Backstreet Rookie

A struggling young woman takes a part-time job at the convenience store run by her high school crush. 

I was really not a fan of this show, and probably would have stopped watching if it wasn’t for Kim Yoo-jung. Her character was really likeable - kickass, but vulnerable, and so loving and kind. You were really rooting for her throughout.  The show also had some interesting things to say about inequality (there was a lovely scene between the male leads’s parents in episode 10 touching on this theme)…but that’s about it for the positives. 

Overall, it was just too OTT and manic and most of the characters were barely more than cartoonish caricatures. One character was actually repulsive, and the fact that he got his own romantic subplot was just gross. I’m a big fan of Ji Chang-wook, but I didn’t like some of his acting choices in this, and his character spent far too long in a relationship with another woman, which meant the main romance felt underdeveloped. 

And…it ended without a kiss. I was so pissed off! I put up with 16 episodes of crap, expecting a decent pay-off at the end…but no. I wouldn’t recommend this one. 

Actress ASI: Love in the Moonlight

Actor ASI: Suspicious Partner, Healer, K2, Melting me Softly

The UNCLASSIFIABLE

Moon Lovers: Scarlet Heart Ryeo

A modern girl is transported 1000 years into the past where she becomes embroiled in the lives of the Royal Princes.

I honestly don’t know where I stand with this one! Did I love it? Did I hate it? I seriously don’t know!

I was reluctant to start this (I knew it didn’t have a happy ending) but I was told its a rite of passage for KDrama newbies to watch this show. And there were some great things about it - the male lead was amazing! So intense and tragic, with the most arresting face. The music was also GORGEOUS, as was the scenery - the whole production felt very sumptuous. The palace intrigue stuff was also more compelling than most of the other historic dramas I’ve seen. I recognised several of the Princes from other shows, and I became really invested in 3 of them…which made the constant threat of them betraying each other/killing each other AGONISING. This show was heavy on the Emotional Torture Porn, and some of it felt gratuitous, because I just didn’t understand the motivations behind some of the plot points/character’s actions.

I also wasn’t a big fan of the female lead; partly because the actress only seemed to have 2 facial expressions to work with, but partly because and any hints that she was a modern girl with modern sensibilities quickly disappeared. It was this independence and spunk that made all the princes fall for her (to varying degrees) but she lost all of that and it left me wondering why they bothered with the time travel aspect at all.

I finished the show feeling wrung out and with the overwhelming sense of “Why? What was the point of that?”

Buuuuuut…it has lingered with me - as @talenevertold said when we were discussing the show, “Nobody enjoys it in the process… but it leaves this unique bittersweet aftertaste…” and that’s absolutely true; and it probably true that this show IS a rite of passage that everyone should watch. But don’t say I didn’t warn you!

and...The MEH (i.e. DNF):

This list is getting long! I have a bit less patience with shows than I did in the beginning - there are so many to get through, so I’m not willing to waste my time on anything that either doesn’t grip me from a story perspective, is far too slow, has mediocre acting and/or is too soapy.

Master’s sun

Tale of Nokdu

The Heirs

Meow, the Secret Boy

Love Alarm

One Spring Night

Suits

Chocolate 

Doctor Stranger 

The scholar who walks the night 

If I’ve made a heinous mistake by dropping any of these - get in touch and plead the case for why i should give them another chance!