#Tommy adkins
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that exasperated feeling you get when the employee youâre trying to help out is being stubborn about keeping all of his fingers and toes
#old gods of appalachia#jt fields#tommy adkins#how else do you prove they died in the explosion if thereâre no little bits left#ogoa spoilers#jack timothy fields iii#jack of the wood
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Tommy: What are you doing?
Jack: Offering moral support.
Tommy: You have morals?
Jack: No, but I support those who do.
#tommy adkins#jt fields#jack of the wood#jack timothy fields iii#jack#old gods of appalachia#old gods pod#ogoa#incorrect quotes#source: tumblr
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Sketch book pages mostly dedicated to figuring out Jackâs appearance and what I was doing with the other two art pieces I was working on. Featuring lots of creatures.
#incapable of drawing something without bugs#ogoa#old gods of appalachia#fanart#jack of the woods#JT Fields III#Tommy Adkins#Ginny Estep#ogoa spoilers#old gods of Appalachia spoilers#just in case with the reference to build mama a coffin and the end of season 3#thereâs a lot of other characters I plan to draw#I just needed to get Jack out of my head first#and weâll see where I go from here
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I need more Ginny, Tommy, and Jack
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Tommy Flanagan as Brock Donnelly in Max Cloud (2020)
#tommy flanagan#tommyflanagan#tommyflanaganedit#tommy flanagan edit#max cloud#max cloud 2020#max cloud movie#scott adkins#elliot james langridge#sally collett#tommy flanagan gifs#tommy flanagan gif#brock donnelly#nsutf
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would that i
pairing: melissa schemmenti x gn!reader
summary: melissa knew what love should look like, and learned what it shouldnât be. learning what it actually is takes time | 3.4k
translations: nonna/nonno (grandma/grandpa), tâamu (i love you) | reminder that sicilian is slightly different from italian in dialect
warnings: allusions to cheating (minimal), allusions to unhealthy relationships (minimal), making up my own melissa lore bc iâm so normal about her, kissing/making out
note: a little bit of this was an homage to my grandparents, the people that showed me what love should be. thank u and love u
When Melissa was in sixth grade, her teacher assigned a two-page essay on what they thought of when they pictured love. The moment Mrs. Erikson said this, Melissa knew she was going to write about her Nonna and Nonno.
Every morning, Nonna made breakfast and coffee, she packed Nonnoâs lunch, and always left a note that said Tâamu in her flowy cursive. Every evening, Nonno brought in the laundry off the line and folded it while Nonna made dinner. Even when they fought, there was never a loss of their kiss good morning, goodbye, and good night. Only on anniversaries was Nonno allowed in the kitchen, and theyâd dance while sauce simmered on the stovetop. Love between them seemed easy and gentle. Melissa spent every Saturday night and Sunday morning across the street at their house, and every time she found something to add to her list of what love looked like and how it should be.
Melissa thought she had found love with Tommy Adkins in eighth grade. Sheâd even bought a new dress to wear to autumn formal, pink and ruffled and perfect. By the time she was ready to leave, her face almost hurt from the amount of times she redid her makeup so that Tommy would call her beautiful instead of banginâ for once. That night she watched him dance with Jennifer Milano with a half-baked excuse of him ânot wanting to kiss a chick with braces.â Melissa cried for two hours while Nonna told her she was better off, a bowl of pastina pushed her way. She forgot about him by the time Monday rolled around.
High school boyfriends came and went, but in college Melissa fell in love for the first time. A true, deep love with a firefighter-in-training that knew her neighbor. Everytime Joe visited Brian, he stopped across the hall to see Melissa, leaned against the doorway with an easy smile. He was charming, respectful, and funny, everything she had been looking for. Two months after she graduated, he dropped to one knee and she jumped into his arms. They moved from their apartment to a home in south Philly. Melissa worked during the day, and Joe started night shifts at the fire station for the extra pay.
Night shifts began to extend, and Melissa never saw him. Heâd eat the plate sheâd prepared in the fridge and leave the dirty dish on the counter. Dirt and ash from his boots tracked across her rugs and carpets, scuff marks in her living room. What almost killed her was the dirty cast iron skillet left in the sink. When she brought anything up, heâd deflect and leave. Every now and then, he came home with flowers âjust because.â But then flowers began to follow every extra long night, and she could smell the floral perfume that didnât belong to her and didnât match the flowers. It took her months to say anything, and all she was met with was eyes that couldnât look at hers.
Melissa began to think that what her grandparents had could never be hers. A loving life was in the cards, and Joe had only solidified this. She stayed at Barbaraâs that night.
â
A few years later, her perspective was changed when a new fourth grade teacher joined the staff mid-term. Never in her years had she allowed someone in so easily, allowed them to be her friend and not just a coworker. Somehow, in two years, Melissa realized sheâd never felt so cared for and loved by anyone.
â
âIs there a chance I could pour a cup of coffee before you start bursting my ear drums?â Melissa says when Jacob and Janine start babbling behind her about something she didnât care about at 7:30 on a Friday morning. Ever since she turned onto the street the school is on, a headache had been growing steadily. Staying up late to finish grading was the worst idea sheâs had all month. The two teachers cringe slightly, lowering their volume. When the door opened again for you and Barbara to enter chatting with each other, volume lowering at the sight of Melissa sat at the table with fingers pressed to her temples. She hears a bag drop on the table quietly, opening one eye to see you trying to be as quiet as possible as you dig around.
When you finally stop, you pull out a bottle of ibuprofen and pass it to her. She waves it off, muttering a donât need it. When you donât reply, she peers up to see you still holding the bottle out with an expectant look on your face. You shake the bottle, âdonât suffer just to look tough.â
���Melissa Ann, take the damn pills,â Barbara orders from her seat, spooning some sugar into her coffee.
âI donât need âem,â she mumbles out again.
You push your hand forward more, âplease. If not for yourself, for your students. Youâre irritable when you have a headache.â Barbara chuckles and sends a knowing look to Melissa. Janine and Jacob, on the other hand, turn and look at you, fully expecting the red head to make some harsh reply or threat back to you. All she does is puff out a laugh and grab the bottle from your hands. She decided not to remark on the weird looks she was getting from the peanut gallery.
When getting the kids ready for recess, she sees you peering around the corner to the doorway. She holds a finger to ask you to wait, and gets a double thumbs up in return. After zipping many jackets and helping with gloves, she watches the little eagles run outside in the chilly autumn air. As she walks back into her classroom, she sees you sitting in her chair waiting patiently for her. âYou know, I donât let anyone sit in my seat,â she jokes as approaches.
âGood thing Iâm not just anyone, now am I?â you joke, standing to meet her.
She fights her smile as she answers quietly, âno, youâre not.â She takes a second to breathe when she sees a grin cross your lips at her comment, âwe still on for dinner at mine tonight?â
âWouldnât miss it,â the grin on your face growing, the giddy feeling in Melissaâs chest with it. You loop your arm with hers and walk towards the lounge.
When Melissa opens the front door, you expect a greeting, but instead you get a groan as she stomps back to the kitchen. Dropping your bag and shrugging off your coat, you walk into the kitchen, placing the box of pastries on the table. Melissa returns to angrily rummaging through the refrigerator, desperately trying to find something. It wasnât until two hands pulled her back by the shoulders, turning her around. She relaxes into your touch, closing her eyes.
âIâm out of basil,â she says through a sigh.
âWant me to go to the store?â you ask, wanting to remove any stress from her.
âNo,â Melissa answers as she opens her eyes, âyou just got here, that wouldnât be fair.â
You laugh, âwe could go together. Or we can just be lazy, order a pizza, and not get off the couch.â
âSecond one,â she sighs out, pulling away to clean up the dishes she took out. While sheâs distracted, you take the time to call in the order, pay, and tip over the phone so that Melissa wonât even have the chance to say herself.
âIf thereâs pineapple on there, Iâm kicking you out,â she yells from the kitchen after she hears you hang up.
âNo, veggie. And yes, I asked for no mushrooms. One of these days though, Iâll convert you to being a pineapple woman,â you joke tilting your head back to see her standing behind you, âplus, you wouldnât dare kick out the person who brought you zeppole.â
She gets closer, leaning over with her hands holding the backrest on either side of your head, âis there chocolate sauce?â The excitement was evident in her tone, bringing butterflies to your stomach. You canât form words with her standing over you and smiling like that, so you just nod.
Later into the night, the TV played Weeds while you sat in comfortable silence, only breaking it when you both repeated the same joke out loud every now and then. Your legs were thrown over her lap, her fingers playing with the folding fabric of your jeans as she watched the screen. Her subconscious drew her attention toward you, eyes tracing over smile lines and the glowing reflection in your eyes from the TV. She watches you lean forward to grab a zeppole, ready to offer it to her. Itâs only then that you catch her stare.
âYou okay?â you ask, turning and scooting closer to give her your full attention.
She gives a quick squeeze to your leg, âyeah, hon. Iâm better than okay.â She feels even better when you lean into her, placing your head on her shoulder. She drops her head to yours, a deep breath leaving her as she finally relaxes fully for the first time all day.
â
Some time between then and now, things had changed, Melissa wasnât exactly sure when. At some point the Friday dinners turned into Saturday plans, then Sunday since the farmerâs market was open, no other reason. Breakfast on those days translated to bringing coffee to each other at work, ignoring the questioning gazes of other staff members as she passed you your coffee, despite having never asked how you took it. What had started with you sleeping on the couch when the night grew later, migrated to the spare bedroom.
On a Sunday night, it changed again. You watched the tail end of an Eaglesâ game while sitting in her bed after helping grade book reports. As always, your head rested on her shoulder with her own resting on yours. Anytime something that wasnât a point being scored happened, she explained it to you, though she knew not a thing she said would help make sense of it. It didnât matter to you, all you wanted was to hear her voice and have her attention.
âYour bed is comfy,â you mutter when the commercials begin before the last quarter.
A smile crosses her lips, âtreated myself to a good mattress when I kicked bozo out. Glad you approve.â
âYou deserve nice things,â you say as you settle into her more, and through a yawn add, âthe best things.â
That night, youâd both fallen asleep slumped against the headboard, leaning into each other for comfort.
Melissa woke up to a rhythmic thumping under her ear and a hand in her hair gently playing with amber waves. The small smile that came to her lips would have been foreign to her if she wasnât so comfortable, the content feeling in her chest would be almost alarming. When her eyes cracked open, she recognized her bedroom and sheets. She groaned into the cold morning air, and the hand moved from twirling the ends of her hair to scratching her scalp, making her tuck into the warmth beneath her even more.
âGood morning,â you rasp out, having only been awake a little longer, the only response being another groan. She finally rolls off of you, much to your dismay, and sits up on her elbows, looking at you with sleepy, squinted eyes.
âItâs Monday,â she grumbles.
You chuckle, grabbing her glasses off the nightstand for her, âfine, just morning then.â
Something about this morning felt different to Melissa. Youâd never spent the night on a school night, let alone sleep in her bed, but that wasnât what shook her. It wasnât you making her coffee, sipping it to make sure it tasted right before handing it to her. It also wasnât that you turned off her alarm and woke her up yourself without making her ears bleed. She thought it could be that youâd opened the door for her on the way out, or how you offered to drive her to and from work to make up for staying late, but not that either.
Maybe it was how she didnât want to get out of bed, or how her coffee tasted better than any time sheâd made it herself. Or how she hadnât slept that peacefully in twenty years. It could have been how much she enjoyed being driven to work, and having full control of the songs you listened to on the way there, or the fact that she sped ahead to open a door for you this time. She doesn't have time to dwell on it once she gets to her classroom, a knock on the doorframe comes the second to place her purse on the desk.
âI thought you werenât in today, I didnât see your car in the parking lot,â Barbara says as she walks in.
Without looking up from her bag as she pulls out folders, Melissa answers, âI got a ride in.â
âDid you now?â Barbara asks with an amused tone. âAnd would that someone happen to be the fourth grade teacher that practically lives with you?â
âWe donât live together,â Melissa says incredulously, âwe just fell asleep, so we drove in together. Itâs not a big deal, itâs not like weâre actually together.â
Barbara canât hide her laugh, âyou fell asleep? Both of you? And where was that?â Melissa only mumbles back, so Barbara presses, âwhere did you both sleep, Melissa?â
âMy bed,â Melissa finally says a little louder, but not much. She wants to send her head through a wall knowing that Barb just figured her out.
âOh, girl. You are in deep,â Barbara says with a smirk. After she leaves the room, the spiral in Melissaâs head goes faster.
Said spiral carries her through lunch, and only stops when you sit across from her and stare at her for a moment. Her face contorts in a what? look before you reach across the table and brush your fingers through her hair. When you pull back, thereâs a purple string from the third gradersâ projects between your fingers. Barbara kicks her from under the table, and she kicks back with equal force. They both see you look at them weird, before brushing it off and going back to getting your lunch out. Barbara cocks her head to you, staring at the red head, silently telling her to do something. The look the kindergarten teacher gets back replies not now.
When the end of the day rolls around, Melissa is anxious for your eventual arrival in her doorway, keys swinging around your pointer finger. All she could think about since you parted ways this morning was your hands in her hair and your heartbeat under her ear. She hadnât felt so content and so at peace in so long, the feeling was so new that it almost scared her. Melissa had to remind herself that this was about you, not anyone else. Youâd never hurt, belittled, or offended Melissa, youâd never made it your mission to anger or disregard her, nor had you ever tried putting yourself before her. She knew that feeling this way about you shouldnât scare her, but it did.
The sound of keys and footsteps in the hallways alerted her to your approaching presence, making Melissa quickly rise to her feet and grab her things, realizing sheâd been spaced out since the last student left. As she predicted, you stood there spinning your keys, smile growing when she turned toward you. It drops slightly when you see her smile not reach her eyes. âReady?â you ask.
âSure, yeah,â she clears her throat, âletâs go.â
You can tell her mind is running into overdrive as you pull onto her street. When you park in the driveway, you unbuckle to turn in your seat and face her.
âPenny for your thoughts?â
She turns to you with a scrunched face, âwhat are you, 90?â
You shrug and point to her sleeves, âyouâre thinking. You play with the thumb holes when you think.â Sheâd curse you for noticing if it didnât make her heart clench. âYou donât have to tell me,â you add, âbut Iâll listen, if you want.â
She looks at you for a moment, surrendering with a, âwanna come in?â You only answer by taking your keys out of the transmission, hopping out, and opening the door for her.
The discussion gets put on hold while Melissa heats up leftovers from the night before. She carries both bowls out to the living room where youâre turning on the TV back on for background noise. As Melissa sits down, she faces toward you and you mirror her pose. âSorry I was acting weird,â she mumbles before taking a bite.
You shake your head, âyouâre only allowed to apologize when youâve done something wrong. Thinking isnât doing something wrong.â When she doesnât speak again, you offer up something else, âAva almost had a heart attack over you this morning.â
She looks at you confused, âwere we wearing the same shade of green again?â
âNo. She thought you didnât come to work this morning cause your car wasnât there, was going off about how she was going to have to sub because thereâs still a shortage in the area,â you laugh, âI had to tell her I drove you in, which also ended me in a twenty minute interrogation during my prep period.â
âWhat sort of interrogation?â she asked, already nervous.
You look down the bowl in your lap as you speak, poking the food around, âthe kind where she asks for a detailed account of my whole weekend. Weird amounts of detail too, mealtimes, where I slept, where we went, what shows we watched.â
âWhatâd you tell her?â Melissa can feel fear creeping into her bones.
âThat we went to the farmerâs market, watched sitcoms, and I slept in the guest room,â you answer truthfully, âand what did you say to Barbara?â Her head snaps to you, you lean your head to the side, âshe stopped by to ask me about my weekend, she seemed a little too excited to see me if you hadnât spoken to her first.â
Melissa moves to place her bowl on the coffee table before looking back to you, âshe asked why we drove in together. I said we fell asleep, and she asked where we fell asleep. Mightâve told her you slept in my bed.â
âItâs impossible to lie to her,â you say as you copy her move. Youâre silent for a moment, then finally ask, âwhat were you thinking about?â
She takes in a deep breath and exhales to calm her nerves, âthis morning. This whole weekend, but mostly this morning.â She glances up, and sees your face had dropped, worry setting in, and sheâs quick to revise her statement, âin a good way. This morning, this weekend, they meant a lot to me.â
At her words, your lips stretch into a smile, âit meant a lot to me, too.â She can see you internally question saying the next part, âand you. you mean a lot to me, a crazy amount.â
Itâs her turn to smile like an idiot now, a pretty blush covering her cheeks, âyou mean a crazy amount to me, too. Being around you itâs... Itâs easy. I like being with you.â
âI do, too. Sometimes, when Iâm here I almost forget I live somewhere else. The second I step inside and Iâm with you, I donât know, leaving just feels wrong,â you say honestly, eyes flickering over her face as you speak, scanning for a rejection you wonât find.
âWaking up to you was nice,â Melissa mumbles, âyouâre a pretty good pillow, if I do say so myself.â
Your airy laugh makes her heart race, it goes even faster when you lean in to reply, âI wouldnât mind waking up that way again... and again, and again.â
She matches you lean in, smiling, âyeah?â Your noses are almost touching, she can feel your breath just barely touching her face. Her eyes flick to yours and see you looking back, faint lines forming as your lips turned upward as her gaze.
âBeing with you makes sense,â you say quietly into the space between you, eyes flicking to her lips then back up.
Her hand moves up to your cheek, warm hands and cool rings holding with gentle affection. Olive eyes look into yours for permission, but your answer is closing the space between you. Her other hand flies to hold your neck, your hands holding her wrists. They slide from her arms to her waist, pulling her closer and crawling beneath her shirt to rest on her skin. She takes the chance to straddle your lap as her tongue slides over your bottom lip, asking for the instantly granted entry. Her lips were soft, savoring the feeling of yours against hers, committing it to memory.
Your arms tighten around her, holding her as if sheâs this precious thing, and it makes her only give more into you. Her lips slow, and you can almost feel the love sheâs trying to convey in her action. But your lungs can only survive so long, and she pulls her lips away, resting her forehead against yours.
âStay?â she whispers through her breaths as she recovers.
âWasnât planning on leaving,â you mumble back, dazed from her kiss. You duck foreward, hugging her as she still sits in your lap. Her arms circle your shoulders, hearing you mumble into her neck, âI love you.â
She presses a kiss to your head, âI love you.â
Melissaâs heart beat against your ear, calm and steady. The smell of her perfume and honey shampoo flooded your senses, making you nudge into her further. You tilted your head, lips pressing softly to the skin of her neck, moving upwards back to her lips, pressing a long, sound kiss there. You pull away to look at her, smoothing back copper strands.
âIs it too early to go lay in bed for the rest of the night?â you ask quietly.
She huffs a laugh, âI was gonna suggest the same thing.â
By the fifth episode of Weeds, Melissa noticed your breathing even out. She peered down at you where you lay curled into her side with your head on her chest, arm slung over her middle, lips slightly parted. She presses a kiss to your head as she shuts the TV off, and lays there to just bask in you being with her. Sheâd never felt so adored, so cared for, so at ease. This is was it was supposed to be.
feedback appreciated as always <3
title from would that i by hozier (iâm sure everyone knew that. weâre all gay here)
#melissa schemmenti x reader#melissa schemmenti#lisa ann walter#abbott elementary#lgbtq#lgbtq fanfiction#lesbian
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For the audio drama asks : no.5 trope you like in audio dramas/or trope specific to audio dramas
thanks for asking!!
Trope you like in audio dramas/or trope specific to audio dramas: For tropes I like, I'm a huge fan of anything with "person gets A Little Too Interested in the supernatural Thing happening to them and ends up transformed into something supernatural" or So like, Jon from Magnus Archives (I quite literally rewound and relistened to the little "Elias... am I still human?" exchange like five times the first time I heard it), Leon Stamadis from Greater Boston (already im breaking the definition of the trope but look its the Vibe), Anna Limon from Mabel (I have complicated emotions about Mabel but good lord i devoured the first season), anyone fold-afflicted in Midst (especially super into what happens to REDACTED. tragically that episode is no longer up but if anyone wants to talk about the unreleased midst episodes message me immediately i love midst). Old Gods of Appalachia doesn't quite have this but it has tons of stories very adjacent that fit. (very fond of the Paradise story with Jack and Tommy Adkins "ah dammit im fond of this one". I just generally love Jack lmao)
I was thinking of something specific to audio dramas and the only thing I can think of is Zach Velenti having a cameo??
#you could say something about the very casual queer rep podcasts in general are super good at but i wouldnt call that a trope#mary blabs
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MELVIN OKAY? JT FIELDS? PARADISE? GIVE ME TOMMY ADKINS BACK???
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After years of helping their hubbies climb the ladder of success, three mid-life Manhattanites have been dumped for a newer, curvier model. But the trio is determined to turn their pain into gain. They come up with a cleverly devious plan to hit their exes where it really hurts â in the wallet! Credits: TheMovieDb. Film Cast: Elise Elliot Atchison: Goldie Hawn Brenda Morelli Cushman: Bette Midler Annie MacDuggan Paradis: Diane Keaton Gunilla Garson Goldberg: Maggie Smith Shelly Stewart: Sarah Jessica Parker Morton Cushman: Dan Hedaya Cynthia Swann Griffin: Stockard Channing Bill Atchison: Victor Garber Aaron Paradis: Stephen Collins Phoebe LaVelle: Elizabeth Berkley Dr. Leslie Rosen: Marcia Gay Harden Duarto Feliz: Bronson Pinchot Chris Paradis: Jennifer Dundas Catherine MacDuggan: Eileen Heckart Uncle Carmine Morelli: Philip Bosco Dr. Morris Packman: Rob Reiner Gill Griffin: James Naughton Jason Cushman: Ari Greenberg Ivana Trump: Ivana Trump Kathie Lee Gifford: Kathie Lee Gifford Gloria Steinem: Gloria Steinem Eliseâs Fan: Lea DeLaria Jilted Lover: Debra Monk Woman in Bed: Kate Burton Brett Artounian: Timothy Olyphant Federal Marshall: J.K. Simmons Young Brenda: Michele Brilliant Young Elise: Dina Spybey-Waters Young Annie: Adria Tennor Young Cynthia: Juliehera DeStefano Miss Sullivan: J. Smith-Cameron Eric Loest: Mark Nelson Gilâs New Wife: Heather Locklear Security Guard: Richard Council Film Crew: Producer: Scott Rudin Set Decoration: Leslie E. Rollins Second Unit Director: Jack Gill Director of Photography: Donald E. Thorin Editor: John Bloom Associate Editor: Antonia Van Drimmelen Casting: Ilene Starger Costume Design: Theoni V. Aldredge Music Supervisor: Marc Shaiman Production Design: Peter S. Larkin Associate Producer: Craig Perry Production Manager: Ezra Swerdlow Makeup Artist: Angela Levin Director: Hugh Wilson Screenplay: Robert Harling Hairstylist: Alan DâAngerio Assistant Art Director: Ed Check Art Direction: Charley Beal Choreographer: Patricia Birch Executive Producer: Adam Schroeder Camera Operator: Rob Hahn Casting Assistant: Kim Miscia Post Production Supervisor: Tod Scott Brody Sound Re-Recording Mixer: Lee Dichter Production Coordinator: Ray Angelic Sound Editor: Richard P. Cirincione Hairstylist: Frances Mathias Storyboard Artist: Brick Mason Construction Coordinator: Ron Petagna Makeup Artist: Bernadette Mazur Sound Editor: Laura Civiello Boom Operator: John Fundus Sound Mixer: Peter F. Kurland Location Manager: Joseph E. Iberti Assistant Art Director: Paul D. Kelly Negative Cutter: NoĂŤlle Penraat Costume Supervisor: Hartsell Taylor Music Editor: Nic Ratner Special Effects Coordinator: Matt Vogel Costume Supervisor: Michael Adkins Still Photographer: Andrew D. Schwartz ADR Editor: Kenton Jakub Sound Editor: Eytan Mirsky Supervising Sound Editor: Maurice Schell Chief Lighting Technician: Jerry DeBlau Hairstylist: Werner Sherer Makeup Artist: E. Thomas Case Hairstylist: Robert Ramos Foley Editor: Bruce Kitzmeyer First Assistant Director: Michael E. Steele Script Supervisor: Shari L. Carpenter Music Editor: Nicholas Meyers Unit Publicist: Eric Myers Music Programmer: Nick Vidar Second Assistant Director: Julie A. Bloom Art Department Coordinator: Julia G. Hickman Transportation Captain: Steven R. Hammond Stunt Double: Joni Avery Transportation Co-Captain: Tom Heilig Color Timer: Tom Salvatore Cableman: Tommy Louie Co-Producer: Thomas A. Imperato Novel: Olivia Goldsmith Associate Producer: Heather Neely Associate Producer: Noah Ackerman Property Master: Octavio Molina Storyboard Artist: Lorenzo Contessa Makeup Artist: Marilyn Carbone Assistant Costume Designer: Wallace G. Lane Jr. Assistant Sound Editor: Jay Kessel Foley Editor: Stuart Stanley Movie Reviews:
#based on novel or book#Divorce#divorced woman#lgbt interest#reunited friends#Revenge#Top Rated Movies
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Genealogy chart within Tommy Adkins' letter to Bob Mills. Originally shared on this blog in Nov. 2022.
#family tree#family charter#packard#packards#packard family#mills#mills family#genealogy#family history#ancestry#letters
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Watch "Scott Adkins (Boyka) MMA cage Fight #ufc #cage #shorts #mma #sports" on YouTube
It's Max showing Tommy f he's having to come back and it's true to a degree but Tommy f has stuff below that's equal to above
Thor Freya
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Tommy, about doing work for Jack: It's rotten work. Especially to me. Especially if it's you. I'll fucking do it but Christ alive
#they are best friends#old gods of appalachia#old gods pod#ogoa#tommy adkins#jt fields#jack timothy fields iii#jack of the wood#jack#incorrect quotes#source: tumblr
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New Country  #1159 (718) van 9 januari 2023  (wk 2) tussen 19.00 -22.00 op Smelne fm
Herhaling 16 januari 2023
Album van de week: Â Zachariah Malachi -Local Bar Opry Star Â
      Artiest             Title                      Â
1.   John Berry â  Standing On The Edge Of Goodbye Â
2.   Brett Young â Like I Loved You  #1 5 years ago
3.   Lainey Wilson - Middle Finger
4.   Bailey Zimmerman â Get To Gettingâ Go
5.   Doug Stone â A Jukebox With A Country Song   .
6.   John Schneider â Country Girls
7.   Ricky Skaggs â Country Boy
8.   Tom T Hall â country Is  .
9.   Zachariah Malachi -Local Bar Opry Star  *album vd week*
10. Zachariah Malachi â That Olâ Honky Tonk*album vd week
11. Jelly Roll â Son Of A Sinner
12. Jimmy Allen â Down Home  -  #1
13. Jamie OâNeal â When I Think About Angels
14. Blake Shelton â Austin  2001
15. Alan Jackson â  I Donât Even Know Your Name  Â
2e uur
16. Tommy Prine â Ships In The Harbor--favoriet  Â
17. Buddy Jewell â Help Pour Out The Rain  (buddy jewell 2003)
18. Buddy Jewell - Sweet Southern Comfort
19. The Bankesters â Rise Up  Sofi
20. Brooks & Dunn â Play Something  Country
21. Trace Adkins â Ladies Love  Country Boys
22. Jason Aldean â Sheâs  Country
23. Billy Currington â Thatâs How Country Boys Roll
24. Easton Corb in â A Little More Country Than That
25. Morgan Wallen â Sand In My Boots  #1album
26. Zachariah Malachi -Bedroom 201 Â *Album vd week
27. Alex Williams â Old Before My Time   (vorige keer)
28. Toby Keith â Iâm Just Talkinâ About Tonight
29. Cyndi Thomson â What I Really meant To Say
30. Brooks & Dunn â Only In America
31. Dailey & Vincent â Hillbilly Highway  *Trucksong
32. John Berry â Think About  It All The Time
33. Â Â Sturgill Simpson - Water In The Well * Â Â juweeltje
34. Charles Kelly â As Far As You Could .
35. Zach Bryan and Friends â God Speed .*live
36. Zachariah Malachi â Where Do You Go  *album vd week
37. Griet Wiersma /Hendrik Waringa â Wings Of A Dove
38. John & Nienke â A Good Day Â
39. Volkstone â Foolâs Gold
40. Florida Georgia Line â Cruise    (3in1 )
41. Florida Georgia Line â Up Down  w/ morgan wallen
42. Florida Georgia Line -Stay .
43. Willie Nelson w/ Dolly Parton - Â From Here To The Moon And Back Â
44. Steve Wariner â Holes In the Floor Of Heaven
45. Freddy Weller â Games People Play
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Max Cloud will be released on VOD on December 18 and on Blu-ray and DVD on January 19 via Well Go USA. The 2020 sci-fi action comedy was produced under the title The Intergalactic Adventures of Max Cloud.
Martin Owen (Let's Be Evil, Killers Anonymous) directs from a script he co-wrote with Sally Collett. Scott Adkins stars with Tommy Flanagan, Lashana Lynch, Elliot James Langridge, Sally Collett, Franz Drameh, and John Hannah.
No special features are included. Check out the trailer and below.
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When teen gamer Sarah finds an âEaster eggâ and accidentally opens a portal into her favorite side-scroller, she becomes trapped in a notorious intergalactic prison, home to the galaxyâs most dangerous villains. To escape, she must finish the game with a little help from her not-so-savvy friend on the outside...or remain a 16-bit character forever.
#max cloud#scott adkins#tommy flanagan#lashana lynch#john hannah#franz drameh#well go usa#dvd#gift#martin owen#sally collett#sci fi#science fiction#action comedy#video games#video game
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Preview: The Intergalactic Adventures of Max Cloud (Bluray)
Preview: The Intergalactic Adventures of Max Cloud (Bluray)
Directed by Martin Owen, The Intergalactic Adventures of Max Cloud, follows video-game enthusiast, Sarah (Isabelle Allen) who is transported into her favourite game, she finds herself in an intergalactic prison, home to the most dangerous villains in the galaxy. The only way to escape the game is to complete it! Teaming up with space hero, Max Cloud (Scott Adkins), Sarah battles the terrifyingâŚ
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#Franz Drameh#Isabelle Allen#John Hannah#Lashana Lynch#Martin Owen#Sally Collet#Scott Adkins#The Intergalactic Adventures of Max Cloud#Tommy Flanagan
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Avengement (2019)
Director - Jesse V. Johnson, Cinematography - Jonathan Hall
"Whatever satisfaction you think you're gonna get out of all of this is gonna be very fuckin' short-lived. Because I always come through."
#scenesandscreens#avengement#Jesse V Johnson#Jonathan Hall#Scott Adkins#Craig Fairbrass#thomas turgoose#nick moran#kierston wareing#leo gregory#beau fowler#louis mandylor#Terence maynard#Daniel adegboyega#Mark strange#Jane thorne#Philip Ray tommy
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