#Toko Miura
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Drive My Car (2021), dir. Ryusuke Hamaguchi
#this sceneeee 🥺🥺🥺#drive my car#ryusuke hamaguchi#hidetoshi nishijima#toko miura#film#film stills#filmedit#movies#movie stills#cinema#cinephile#movie quotes#film quotes#my posts
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Hi, fellow aspecs! For pride month in case you haven’t heard of other aspec films. Japan has two films in store around the years 2022 to 2023.
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“I Am What I Am” / “Freckles” / “Sobakasu”
- Directed by: Shinya Tamada
- You can watch this from today until June 19th for free on: https://watch.jff.jpf.go.jp/page/jffonline2024/ you just need to sign up and you’re all set (It may not be available to some countries). Those who can’t access that, you can message me for an alternative site! The film is about Kasumi Sobata, an aromantic asexual woman struggling in an amatonormative world.
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“People Who Talk to Plushies are Kind”
- Here we have an asexual character. If you wanna know where you can watch it, feel free to dm me here! || Story: Creating a portrait of sensitive teens and their concerns, Kaneko Yurina’s adaptation of Omae Ao’s novel takes us into the midst of the Plushy Club at a university. It is a place packed with furry and comforting friends whom the club members talk to in order to relay their anxieties and fears. Male student Nanamori and female students Shiraki, and Mugito are the latest club intake, each wrestling with issues such as love, masculinity and femininity, fear of others and sexism in society. (Source: OAFF.jp)
- Based on the Novel:
#ao omae#people who talk to plushies are kind#people who talk to stuffed animals are kind#aroace#aromantic#asexual#aspec#lgbtqia#pride month#pride 2024#aspec films#films#movies#i am what i am#sobakasu#freckles#hosoda kanata#komai ren#toko miura#takumi kitamura#japan#japanese films#japanese#aromantic asexual
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This song fuuuucks!! This is "FISHANDCHIPS" by Toko Miura as I see it because of synesthesia!
I’m taking commissions! | Support me on Patreon!
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I Am What I Am 2022 ‘そばかす’ Directed by Shinya Tamada
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Drive My Car (2021)
dir. Ryusuke Hamaguchi
#asian cinema#haruki murakami#japanese film#japanese movie#films#movies#film caps#film stills#cinema#hidetoshi nishijima#toko miura#masaki okada#reika kirishima#japan#cinematography#book adaptation#film blog#movie blog#jmovie#ドライブ・マイ・カー
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But even if you think you know someone well, even if you love that person deeply, you can't completely look into that person's heart. You'll just feel hurt. But if you put in enough effort, you should be able to look into your own heart pretty well. So in the end, what we should be doing is to be true to our hearts and come to terms with it in a capable way.
Drive My Car (2021) dir. Ryûsuke Hamaguchi
#drive my car#drive#ryusuke hamaguchi#japan film#cinematography#movie#photography#aesthetic#filme#vintage#letterboxd#hidetoshi odagiri#toko miura#cinephile#cinema classics
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Recently Viewed: I Am What I Am
I Am What I Am is the exact sort of pleasant surprise that defines Japan Cuts for me. The synopsis on the festival website led me to believe that it would be a somewhat overwrought melodrama; what I got instead was a delightfully unconventional, subversive romcom that omits the “romance” entirely.
The plot revolves around Kasumi Sobata, an asexual thirty-year-old struggling to navigate the pressures of a society that expects women her age to quit their jobs, get married, and have a bunch of kids. Unfortunately, her family practically epitomizes conformity and traditional gender roles. Her heavily pregnant sister, for example, dutifully ignores the warning signs that her husband might be unfaithful. Her grandmother, meanwhile—fresh off her third divorce—insists that a “proper” wife should accept infidelity as an inevitability. Worst of all, her mother—misconstruing her lack of a love life as evidence of depression—frequently sets her up on impromptu “dates” with “eligible bachelors,” hoping to force the issue of wedded bliss through manipulation, subterfuge, and sheer tenacity.
The conflict ventures far beyond the tropes typically associated with the genre. The primary “obstacle” isn’t the protagonist’s reluctance to abandon her own ambitions (though that is a secondary concern); her very identity is at stake. Whenever she admits that she is incapable of experiencing physical attraction, her feelings are immediately dismissed, invalidated, and trivialized. A male friend, for instance, assumes that she is merely making an excuse to “politely” reject his (abrupt, clumsy) flirtatious advances; he subsequently ends their platonic relationship.
The movie’s visual style is simple, yet elegant. Most scenes unfold from a single camera angle, with only minor adjustments to the frame: a pan here, a lateral dolly move there, the occasional slow push-in. This minimalism prioritizes behavior rather than action, allowing the performances (as opposed to the editing) to guide the rhythm of the narrative—and the actors absolutely deliver in that regard! Toko Miura is particularly compelling as our hapless heroine; whereas the character that she portrayed in Ryusuke Hamaguchi’s Drive My Car was cold, aloof, and taciturn, Kasumi is sensitive, affable, and effortlessly funny—an impressive display of versatility.
Ultimately, I Am What I Am is a triumph of representation. It explicitly assures ace viewers that they are neither defective nor alone, encouraging them to express themselves freely and unapologetically—after all, no human being (queer or otherwise) should have to justify their existence; everybody deserves basic respect and dignity. The message is unsubtle by design—and that thematic transparency significantly deepens the film’s emotional resonance.
#I Am What I Am#Japan Cuts#Japan Society#Japanese cinema#Japanese film#Toko Miura#Shinya Tamada#film#writing#movie review
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#そばかす#sobakasu#sobakasu 2022#i am what i am#i am what i am 2022#freckles#freckles 2022#shinya tamada#tamada shinya#玉田真也#toko miura#miura toko#三浦透子#cinema#japanese#asian#stills#my uploads#cigarette
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Reika Kirishima in Drive My Car (2021)
Director: Ryusuke Hamaguchi
#cinematography#drama#movie#director#thriller#screenplay#filmmaking#movies#cinema#film#drive my car#reika kirishima#japan#japanese#japan girl#japanese culture#chinese#thai#ryusuke hamaguchi#amazon#prime video#hidetoshi nishijima#toko miura#masaki okada#sonia yuan#beautiful women#beautiful#hot#cute#beauty
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Drive My Car (2021), dir. Ryusuke Hamaguchi / Herakles, Euripides
#yeah that's right#i'm not above this quote#drive my car#ryusuke hamaguchi#hidetoshi nishijima#toko miura#film#film stills#filmedit#movies#movie stills#herakles#euripides#anne carson#cinema#cinephile#web weaving#my posts
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Drive My Car (2021), dir. Ryusuke Hamaguchi
#drive my car#ryusuke hamaguchi#hidetoshi nishijima#toko miura#film#film stills#filmedit#movies#movie stills#cinema#cinephile#movie quotes#film quotes#*
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I Am What I Am (2022)
Dir. Shinya Tamada
#I am what I am#japan#Japanese#Japanese film#toko miura#shinya tamada#atsuko maeda#marika ito#asexual#asexuality#asexual characters#lgbtq#lgbtq community#lgbtq films
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Top Picks of 2022
My Top 20 Favorite Movies - #13: Drive My Car
Running Time: 179 minutes
Released: November 24th, 2021
Watched It: March 2022
#Top Picks of 2022#My Top 20 Favorite Movies#Drive My Car#Hidetoshi Nishijima#Toko Miura#Masaki Okada#Reika Kirishima#Park Yu rim#Jin Dae yeon#Sonia Yuan#Ahn Hwitae#Perry Dizon#Satoko Abe
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