#Thomas Hinds

[dijidweeeb]

Motivational Music in the Morning ... #ThomasHinds, #TheOdds #3000Miles ... From the Album #WhereDoWeGoFromHere [Official Audio Track] (2023) #MMitM1

[tevanbegins]

The potential of deepening Tommy and Chimney's friendship further in season 8 is just so massive. I hope Tim taps into it and explores it as much as possible (alongside Bucktommy development ofc.) Tommy already loves Chim so dearly because he owes him his life, and now they'll love each other more, because they are practically family with their common link to the Buckleys.

Plus Kenny and Lou are such great friends IRL, I love their friendship sm! The dynamic will play out so beautifully on-screen as well! 🥰💖

Additionally, Tommy x Hen content would be so awesome to have! Gay big bro and gay lil sis queer solidarity content yes please 🌈😍😭❤

___

[closetofcuriosities]

There Will Be Blood - 2007 - Dir. Paul Thomas Anderson

[theboarsbride]

The Ballad of Sir John and the Dragon - A Dark Fantasy Terror AU🐉🏰⚔🩸

Knights Sir John, Sir James, and Sir Francis are tasked to explore - and bring the holy light of their god - to the dark, mysterious Northwest Wood, a realm of crooked trees, unending snow, and beasts with blood-stained teeth.

My silly, self indulgent medieval dark fantasy AU for The Terror where the captains are knights heehee!

Can be read on ao3, and is inspired by both my love for 80s fantasy movies and Misanthrop by Blod Besvimelse (and uhhhhhh Ciarán Hinds simping but what else is new tbh?).

Also doodle concepts for this AU!👇

[sunflowerius]

there is something so special about using a rabbit to symbolize the main character as being helpless and meek, as being a runner, as being prey and then getting to watch as that rabbit finally learns to use its nails.

[haredjarris]

Is there a Discord Server for The Terror?

I can't find one anywhere. All I can find is discussion of an old one that went down because of drama, a bunch of horror discords ("terror" is apparently the Spanish for "horror") and an official AMC Discord where I'm gonna hazard a guess you're not encouraged to be insanely horny over characters and give them all your neuroses.

Help! I need this, men (period, gender neutral). Even if you don't know, please consider giving me a reblog so that this has more reach 🥶

[universallydestinytaco]

Hi

Can you help me?

I would be really grateful if you could donate and participate to help my family escape the dangers of war and genocide in Gaza to safety

https://gofund.me/5ba0df8d

🖤❤️💚🤍 It’s an honor to help out 🖤❤️💚🤍

[thatsojasminesworld]

I am so sick of Karen and the shit goin on in her life

[a-life-in-books]

Thomas Hinde

"There'd be no danger. I'd only have to lift the receiver and say yes and yes. There'd be no confusion or doubt. I'd lie there, propped on my elbow, listening and saying yes, wide awake as I always could be the instant after sleep, my mind racing ahead, calculating the problems. I wouldn't have to ask questions. They'd never give orders which needed amplifying or could be misunderstood. And afterwards I'd invent some story about a wrong number or a madman to tell Molly - if she'd woken. That was how I'd imagined it coming."

The Day the Call Came

[thedeadthree]

AND REMEMBER: MAKE NOBLE SACRIFICES AND DONT DO ANYTHING STUPID..... PERSEY WE'RE LOOKING AT YOU. ( x )

[pop-sesivo]

En el set de rodaje de la película Tinker Tailor Soldier Spy (2011). De pie (de izq. a der.): Stephen Graham, Toby Jones, Colin Firth, Kathy Burke, David Denick, Benedict Cumberbatch, Ciaran Hinds y el director Thomas Alfredson. Sentados (de izq. a der.): Mark Strong, John Hurt, el escritor John Le Carre y Gary Oldman.

[autumncottageattic]

The Mayor of Casterbridge (2003) is a British TV movie based on the 1886 novel by Thomas Hardy. Appearing in the film are Ciarán Hinds as Henchard, Juliet Aubrey as Susan Henchard, Jodhi May as Elizabeth Jane, James Purefoy as Farfrae, and Polly Walker as Lucetta.  

Part IV

[closetofcuriosities]

There Will Be Blood - 2007 - Dir. Paul Thomas Anderson

[mythosblogging]

Appearing in Europe in the late Middle Ages, the ballad form combines poetry, story, and song. An eclectic art from, traditional ballads could be romantic, sorrowful, historical, or even saucy. As stories that were told and sung time and again, they often changed as they passed hands, resulting in many versions of a similar tale, though there are some common themes throughout – gallant knights, joyful young women, naïve lads and illegitimate children.

Where some ballads may concern themselves with true (or at least, influenced by true) events, real life problems, and romances, others deal more with the supernatural –ghosts, spirits and, quite often, fairies.

This week, Mythos takes a look at some of the most famous fairies found in British Ballads.

Keep Reading

[rookie-critic]

The Wonder (2022, dir. Sebastián Lelio) - review by Rookie-Critic

The Wonder has a lot going for it; an incredibly solid story, a cast that won't quit, and a message that is timely and troubling: where is the intersect of religion and medicine when it comes to a child? If life-saving care can be given, but the parents refuse on grounds of religion, is it ethical to allow the child to die instead of saving them? Where is the line drawn between these two often-opposing forces? The Wonder asks all these questions and, in my opinion, delivers its answers on them pretty definitively by its end. For me, and I feel that Lelio conveys this, you absolutely save the child if possible. It's not a very tricky question at all from any angle. I've read articles about the film that seem to think it presents its central question as a moral quandary, that it attempts to read both sides, but I'm not sure how those people came to that conclusion. There are only a couple scenes that even remotely hint at this, and I'm not sure that's how I read them, and if it was attempting to present both sides, I'm not sure that it succeeded.

I think the strangest part of the film has to be its framing device. The film starts on a set. A modern-day, studio lot movie set, and a voice (that of actress Niamh Algar, who plays one of the characters in the film), tells us that this is a movie. She then says that the characters in the film believe their stories fully, and then invites us to do the same. The camera then pans into one of the set pieces in the room where we have actors (including Florence Pugh) and lighting and finally the camera clicks into place, completely cutting out the surrounding room so that we only see the set "in frame." From this point the film plays out like a normal drama (outside of another fourth wall break at the halfway point) until the very end, when we cut back out the film set. From what I can tell, it was meant as a way to kind of nod to the fact that the subject matter in the film has a lot of bearing on modern day events, but honestly I didn't need any of that, at all. I don't need you to keep winking at the camera, nudging the audience and saying "Right? Right? Look how timely our period piece is! Isn't it so upsetting that this is still a problem in the MODERN DAY?!" It's honestly exhausting, immersion breaking, distracting, and frankly it feels like its treating the audience like children. It almost feels like Lelio didn't have faith enough, either in his own script or the audience, to convey or understand what the film was getting at without having to spoon feed it to us with a really contrived framing device. Thankfully the film only commits to this sparingly, and it's easy enough to just look past it.

Ultimately the film's greatest strength, as she is with almost everything she's in, is Florence Pugh, who comes at this story with so much thought and empathy for the other characters in the film that you'd be awestruck by it if this wasn't what she literally does every time she acts. I was also very impressed with Kíla Lord Cassidy, the newcomer who plays the "miracle fasting girl" at the film's center. She plays off Pugh wonderfully and has cemented her place in my mind as a name to watch out for. I really did like The Wonder, it's a well-crafted, well-acted, well-meaning film that just gets a little bogged down in a few pitfalls that keep it from being really great, for me, at least. Check this one out of you've got the time.

Score: 7/10

Currently streaming on Netflix.

[streamondemand]

'John Carter' – the original interplanetary warrior on Disney+ and Hulu

John Carter (2012) was unjustly dismissed when it was released. The mega-budget labor of love from Andrew Stanton, the Pixar director (Wall-E) who chose this huge production as his live-action debut, was branded the flop of the year by the press before it even opened. It became a symbol of runaway budgets, a case of disastrous marketing decisions, and Exhibit A in the case for a failure of…