#This was done on cardstock
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noctilu-uca · 5 months ago
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Unfinished ahh painting
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colorbarartist · 1 month ago
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Sketches (November/December 2024)
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sysig · 1 year ago
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My printer hates me :) (with many thanks and credit to @niennanir as before)
Gosh aren’t they gorgeous tho ♥ Especially the latest and largest, though I have to give all the credit to the paper on that one haha, it’s stunning IRL, I could almost stare at the gold lattice forever rather than read, but I’m so happy with how it turned out between the pages as well!
Quick showcase of the new additions! :D
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My Drinking Game as another test run, I got the spacing how I wanted it! Yay! It’s so much handsomer and less cramped! Also I gotta say, if it wasn’t such a large usage of paper, this would be my ideal way of checking for typos - I found a couple after setting it down to ink lol, they’ve been fixed now at least ♪ Paired here with the emerge, transformed three-parter, one of my all-time-favourites <3 I reread it the night I finished it and cried again, a little bit of tender mercy always wrecks me hhhh ♥ There are so many beautiful evocative lines! I’m so happy to hold it ♪ And as you can see above, that was the one that got the cute little ghost dust jacket :D
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Another test run of what I’m calling volume 1 of my Vargas Drabbles lol, so not including Have you lost your mind? since that one’s currently unfinished. I do fully intend to print it once it’s done tho :3c Hopefully that one will cause me fewer problems! I hate measuring, so I may have flubbed two covers before finally getting this one into good enough shape XP And my red yarn is still in storage so >.> Did I go purchase another ball of red yarn? I’ll never tell. You can’t tell me it doesn’t look great as a bookmark tho <3
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And my current happiest! Ah!! It turned out fantastic on all counts! The cover paper obviously, as I couldn’t Not lead with that, but also the size of the spine and the way the pages settled against each other while glueing - I used a different type of paper for this one and I think I’m completely converted over, it feels amazing to work with. Whatever I was using before had to have been like 15lbs lol, I’m literally just using normal 20lb printer paper but it feels and looks and behaves so much nicer <3 The size of Helix also allowed for a slightly larger bookmark, which was perfect because we had this soft gold ribbon that was all of a couple millimeters wider than the other ribbons/yarn I’d been using, and it looks so so so pretty with the gold detailing!! I’ve put it between Ch. 1 and 2 and getting to see the actual physical size differences of the chapters is so fun ♥
#Hhhhhh crafting is so funnnnn <3 <3 <3#Fully intending to make more - I have the next set picked out and the accompanying dust jacket to go with it haha#I've decided to stick to dust jackets for the plain non-textured covers for the most part#It does hide my detailing on the covers but it also hides if I haven't done anything to the fronts as well! Haha ♪#I added a Captain/ZEX caption to Drinking Game like I did with ZEX/DAX but the latter is still the prettiest by far <3#Their names were made to go together you could say hehe ♪♫#You can kinda see I tried my hand at making a custom cover for the Vargas drabbles as well - it kiiiinda turned out? Lol#As stated I hate measuring and the lines turned out wonky :P But it's done and I've reread it for typos lol#I was worried I'd find rereading my own work cringy since most of those are older than either of my SCII fics but no it was nice actually :)#I did actually go supply shopping yet again for these since I'm having so much fun with it hehe <3 <3#The yarn and the cover paper I used for Helix were both good finds :) I got a whole booklet of space-themed cardstock! :D#That one was one of the lesser space ones hehe ♪ I had a couple other considerations - like a yellow-on-white constellation one ♫#But I think I'm the happiest with this one! It's beautiful and I feel like it reflects the Idle Rich themes a little bit hehe <3#Hhhhhhh it's so nice to read them like I would a book ♥ I enjoy reading them on my iPod but there's something about The Experience hehe#Being able to hold it and place a physical bookmark and not having the glare of a screen or if the scroll goes funny lol#Just exactly what it is! And I can pull any of them at any point!#I actually had a moment where I wanted to read one of them but didn't want to move from my spot to physically go get it#Only to realize later I was holding my iPod at the time and could've read it that way as it's still very much available online lol#SCII#LAC#Vargas
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katzish · 6 months ago
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my boss knows absolutely nothing about art & yet insists on going through the supplies in the studio without me just throwing away shit without asking. and then when im there to help talks down to me constantly over how to arrange everything, what to keep, how fast i‘m working, etc. then changed my schedule this week so i don’t get a 3 day weekend before the students are back. Im so pissed this shit keeps happening. like im the one teaching and actually working here day to day, i know what im doing!!!!!!! you live out of the state, by your own words you’re not an artist & don’t know shit about art, ur are just here to renovate the building over the summer and do admin. i snapped n was like it would go faster if you trusted me to just work and didn’t stop to go through everything with me…. And now i was sent on a lunch break :)))) gonna EXPLODE
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bamsara · 1 year ago
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Im not as confident with this fic as everyone thinks i am about this story and this textblock has grammatical and spelling errors in it
But! The best things about book binding your own fic is that (1) its great for getting into book binding and doing tests (2) you only need your own permission as you own the transformative work and (3) its fun 10/10 highly recommend book binding your own writing. It does a cool click to your brain
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First attempt at book binding my own fic, Solar Lunacy; ARC 1, Chapters 1-13. Aprox 185,343 wordcount, newer chapters not included.
I messed up and made the font size and margins smaller than the average book, so doing the actaul book will be thicker, but I had to squish the current signature sizes into this hardcover I yanked and upcycled from the thrift store. I used fabrics that I had lying around from making my Sun & Moon cosplays.
It's not perfect but it's good for a test bind! Now to actually fix the text block and make a decent hardcover. Eventually.
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magicalgirlmascot · 11 months ago
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Oh fuck I gotta make new business cards
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cackled0g-art · 1 year ago
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covenofagatha · 1 month ago
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Okay but hear me out…
Agatha and Reader meet at a BDSM club? Kink level as far as you’re comfortable writing (though it would me amazing if there was a strap-on and maybe a fucking machine but only if you’re comfortable with it)
Hope I did it justice!
There's something in here for everyone
What's your fantasy?
Word count: 4600
Warnings: smut, exhibitionism, fingering, strap on, sex toys, degradation, praise, gagging, spanking, blindfolds, restraints, fucking machine, mommy kink (hope this is all)
This is a bad idea. 
That is the only thing going through your mind as you walk up to the doors of “The Velvet Hex.” 
Westview’s only BDSM club can be found in an unassuming part of town, in a relatively plain building. 
Definitely not what you were expecting. 
You aren’t even sure what you’re doing here, but your best friend Wanda had told you that you desperately needed to get laid and to go out and have some fun. 
But her idea of “fun” had come when she had plopped down in the chair of the library next to you and told you to take the BDSM test, gleefully holding up her phone with her results.   
So you had taken the test right there, turning more and more red as the questions went on, and when you finally finished, Wanda had looked over and let out a low whistle. 
“Damn, girl, you are kinky,” she had said as you compared yours to hers and you felt your cheeks burn even more. 
And then she had whispered, in the Westview University campus library, that her girlfriend’s roommate knew a woman who owned her own club like that, and they were having an exclusive invite-only night where anything was on the table. 
You had looked at her with questioning eyes, wondering where she was going with that, and Wanda had smacked your knee for being oblivious. 
“Nat’s roommate told us she could get us in if we wanted. We said no, but I’m sure Rio could get you an invite. You should go and explore,” she explained, a smirk plastered to her face while she wiggled her eyebrows at you. You weren’t surprised that Natasha and Wanda hadn’t wanted to get involved in that world, but you couldn’t ignore how the offer piqued your interest. 
You hummed casually. “Oh yeah?” 
And Wanda had grinned, seeing the wheels turning in your head. You were curious, that’s all. Obviously you weren’t looking for anything.
The next day, she gave you a letter on purple cardstock with a date, time, location, and password. 
At the moment, it seemed like a good idea. 
But standing here now, outside alone the club with the paper clutched in your hand, your heart is racing. 
You should turn back now and go back to your dorm. You could lie to Wanda, tell her that it was just okay, and no one would ever have to know. 
But a small part of your brain nags at you and tells you to go inside. You’re not sure why, but it feels like something from the club is calling to you, drawing you in. 
So you take a deep breath and knock on the door. 
A slot slides open and you can see a man’s brown eyes. 
“Password?” He asks. 
You clear your throat and hold up the cardstock. “Katoptronophilia.” You’re not even sure if you’ve sounded it out correctly, but the slot closes and the door swings open. 
You step inside hesitantly and take in your surroundings. 
The room is dimly lit with different colored LED lights glowing in different corners over doors that lead to different rooms. There’s a good amount of people in here, just mingling at the moment. There’s people dressed in leather outfits, or tight, short dresses, or nothing at all. 
Anything is on the table, you remember Wanda saying. You had done some research, just to see what you were getting yourself into, and the website had said that it was a tame environment, normally no sex allowed. But the exclusive, invite-only event tonight must be cause for an exception. 
You move a bit further into the main room, eyes darting all over the place. A woman yanks on a leash that’s connected to a younger man’s neck, forcing him down on all fours and making him crawl after her. A waitress bends over in a man’s lap to pick up a napkin she dropped, exposing her naked ass to him and his friends. Two women 69 on a couch while a third woman watches, slowly fingering herself to the sight. 
Feeling a little overwhelmed, you head to the bar. You’re really not sure what you’re doing here. 
And of course, the bartender ignores you. You try several times to get their attention, but people come up next to you, order something, and they get their drink immediately. 
You’re about to give up, maybe even just call it a night, when an older woman saunters in next to you. You don’t even look at her, rolling your eyes at how she will inevitably get a drink before you do. 
“Your usual?” The bartender asks her, and that makes you glance over. She’s a bit taller than you, long dark hair, bright blue eyes. She’s wearing a black blazer and pants, but under the blazer is a see-through bra. 
Your mouth runs dry. This is the first person you’ve seen here tonight that you actually find attractive. 
“Yes, please,” the woman next to you says, and then she turns her head to look at you and it almost stops your heart. “And what do you want?” 
You’ve been ignored so many times you’ve almost forgotten. “Oh, um, a Dirty Shirley, please.” The woman nods at the bartender, who starts working. “Thanks,” you say. “Do you come here often?”
The moment you say it, you cringe. Is it weird to ask someone if they’re a regular at a BDSM club? But the woman just laughs and shakes her head. 
“I’m the owner, darling,” she says and your mouth drops open. “Agatha Harkness.” 
“Oh,” you reply, completely dumbfounded. You introduce yourself and she reaches out her hand. You take it, feeling a spark at the contact. 
“So,” she drawls, eyes raking over your body, taking in your short dress and the amount of skin on display appreciatively. Your body burns under the intensity. “What brings you here for the first time?”
You frown. “How did you know it was my first time?” You don’t know why you’re even asking, it’s got to be obvious based on your tense composure and general awkwardness at being in this environment.
But she just smirks. “I would’ve remembered seeing you around here.” Surely the owner of this club is not flirting with you. “So?” 
Your brows furrow. “So?” 
“What brings you here?” She reminds you of her earlier question and you inwardly smack yourself. 
What exactly should you say? Your best friend thinks you should get laid and that you’re kinky? “Just wanted to try something new,” is what you settle on. “Get out of my comfort zone.”
Her grin widens and you see a slight resemblance to a shark about to get its prey. “And now that you’re here, how do you feel? Are you good with sitting here, or–” She leans in closer until you can feel her warm breath on your lips. You shudder at the proximity. “–do you want more?” 
“What are you suggesting?” You whisper back, a playful lilt in your voice, and you see her eyes light up before dropping to your lips. You close the gap before you can think too hard about it, brushing your mouth against hers. Your boldness surprises both of you and she chuckles darkly. 
“Whatever you want. Surely you have some things you want to explore, or else you wouldn’t be here,” she says, thumb coming up to tug at your bottom lip. You flick your tongue out against it and her eyebrow raises, urging you on. 
You shrug noncommittally, suddenly feeling much more confident. “Just wanted to spice things up a bit. See if there was any trouble I could get in tonight.” 
Agatha rests her head on her hand, dark eyes drinking you in. “Do you really want trouble though? Or do you want to be a good girl?” A tiny gasp slips out at the praise. 
“I can be whatever you want me to be,” you answer honestly and she draws you back in for a real kiss this time, all tongue and teeth and lips, and you can taste a hint of cinnamon in her mouth. She devours you like she can’t get enough until you have to stop to breathe. 
Agatha steps back and tugs you away by the hand, leaving the drinks the bartender had just put down in front of you. 
Figures that when you finally get your drink, you don’t even get to have it. 
But you can’t complain, because Agatha is weaving you through the crowd of people on the main floor, giving you the grand tour of the place. You see groups experimenting with ropes and someone teaching how to tie safe knots, you see spanking and flogging, the list goes on. 
Your head is spinning. 
Agatha stops outside a door in the back and looks back at you. “You don’t have to do anything that you won’t want to do, okay? You can say no at any point.” 
You gulp at the serious tone in her voice and nod. She pushes the door open and turns on the lights so you can see. 
Stepping into the room, your breath catches. Three out of four walls, including the one that the door is on, is covered from ceiling to floor in mirrors. The fourth wall, the one to the right of the door, is glass, looking into an adjoining room with couches facing you. 
In the middle of the room, there’s something akin to a hospital cot, although more comfortable-looking, a machine of sorts with a dildo attached to it, and then a table in the corner with more sex toys than you've ever seen in your entire life combined. There’s a chest under it and you can only imagine what’s in there.
“Jesus,” you rasp, taking it all in. You know you should be terrified, but with Agatha standing next to you just carefully watching, you feel eerily calm. “Do you – uh, what do you want me to do?” 
She tucks a piece of hair behind your ear and cups your chin. “What do you want, sweetheart? I can give you anything.” 
Your mind goes a hundred miles a minute to try and figure out what you want, eyes darting back and forth between all the things in the room. “What are my options?” 
“Well,” she says slowly. “The second I hit this button –” She motions to a circle on the wall. “The light above the door to the other room will turn green and unlock and people can come in. I can hit it or not, completely up to you. Or it could just be the two of us in here, and I could make you feel so good, baby. Fingers, mouth, strap-ons, the machine, any toy you’d like. Whatever you want to explore or try, we could do it.” 
Her clinical words have you dripping. Hearing her say all the things she could do to you only makes you want all of it more. 
One thing gives you pause though. “People…would watch?” You say, trying out the words. You’ve never thought about having an audience for sex before. 
Agatha’s eyes darken. “A pretty young thing like you? Honey, people would do more than just watch.” 
You let out a small gasp. You know you should feel dirty, but the way she says it, like people would be so turned on watching you and Agatha that they’d have to do something about it, makes you feel like you’re floating. 
“But the door can stay locked,” she reassures, taking your silence as a bad thing. Little does she know, heat is coursing through you at the thought. 
“No,” you peep. “It’s okay.” 
Before doing anything, she grasps onto your cheeks and pulls you in for a long kiss. You swoon, knees almost buckling when her tongue slides into your mouth, and she moans at your taste. 
You didn’t know having this affect on an older woman would be this addicting. 
“Fuck, baby,” she groans, tugging on your bottom lip with her teeth and making you whimper. “I think you’re the most delicious thing we’ve ever had in here.” 
“Agatha,” you pant and you don’t miss her sharp inhale at the way you say her name. 
“Yeah, sweetheart?” 
“I want you,” you tell her, kissing her earnestly again, and you did not imagine this was how your night was going to go in your wildest dreams. 
She finally breaks the kiss for air, resting her forehead against yours. “Get on the bed,” she orders, and you see a hardened glint in her eye, like something has shifted inside her. 
There’s no way to ignore how much that turns you on. A small noise escapes from your lips and you scramble to obey, sitting upright on the cot. 
She starts to make her way over to you slowly, but you stop her. “Can you hit the button?” You ask, voice small and timid, but sure of yourself. 
You see desire flit over her face as she smirks knowingly. The moment her hand presses it, you let out a quiet groan and clench around nothing. 
There’s a clicking sound and the door to the other room opens. Five people file in and take a seat on the couches and your breathing becomes heavy. There’s a slight murmur from the other side of the glass, but it’s all incoherent. 
But by the way they’re all looking at you, you don’t have to try that hard to figure out what they’re talking about.
“First things first,” Agatha says, now walking over to you. She’s whispering so your audience can’t hear. “Do you know what a safeword is?” 
You nod. 
“What do you want yours to be?” 
Your heartbeat picks up. “Will I need one?” 
Agatha shrugs. “Better to be safe than sorry. I promise I’m not going to go hard on you. At least not for your first time.” She winks and you feel a visceral ache inside of you. 
“Purple,” you say after thinking about it for a minute. She smirks at your choice and runs a hand through her hair. 
She looks you up and down again, just to make sure there’s no sign of hesitation. “Do you want to take your dress off?” She asks and you feel a pang of longing inside you for her. 
You stand up, nodding, and turn around so she can help you with the zipper. You can hear her chuckle from behind you and you watch in the mirror on the wall as her eyes drop lower as she unzips you. 
She peels the dress down your body and you step out of it, the entire thing feeling a bit surreal. Watching the scene through your reflection makes you feel like an outsider, like it’s not actually you in the mirror. 
Same hair, same face, same body, same lacy lingerie you put on earlier, but not the same person.
But when you watch Agatha plant kisses on the person’s neck and you feel them, you’re reminded that it is you. 
Your head drops back as her teeth scrape against your taunt veins and she sucks harder, pulling more sounds from your mouth. 
It’s a sight to see, the marks on your neck, the darkness of Agatha’s eyes, the way it looks like when her teeth sink into your skin.
Your breathing is ragged now and you can feel your slick on your inner thighs. 
“Please,” you beg, although you’re not quite sure what you’re asking for. Just more. 
Her grin in the mirror shows you that she understands completely. “Get on the bed.” This time, her voice is sharp, all traces of the softness from earlier gone. 
The scene has started. 
You clamber onto the cot, hoping it looks more sexy than you feel, and lay down on your back. Agatha comes to the side of you and pries open your legs, baring your covered, dripping pussy to the audience. You notice that more people have come in, and they’re hanging onto every movement. 
“God, you’re soaked,” she remarks, hand roughly cupping you and your hips buck. “Really getting off on this, huh? What a slut.” Her tone is scathing, but her eyes are watching your face carefully, just to make sure she’s not crossing a line. 
She’s not. 
It only makes you wetter and she can feel it. She chuckles condescendingly and you squirm. 
“You want me to touch you?” She asks and you nod your head so hard that it hurts. “Want me to show all these people what a good whore you are for me?” 
“Yes, please,” you gasp out, trying to ride her hand to feel just a little more. The hard pressure against your clit already has you feeling the tension building up in your stomach. 
She smirks and slides your underwear down your legs and holds them to her nose, breathing in your scent. 
“How would you feel about using these as a gag?” She questions conversationally, like she just asked you about the weather instead of something that sears your stomach and turns your world upside down. 
“Yes,” you breathe, desire raw in your voice. You feel like you’re drunk off her and she’s barely done anything to you. 
She grins and nods approvingly. “If you need to stop at any time and you can’t speak, tap me twice. Got it?” 
“Yes,” you say again and open your mouth wide so she can ball up your underwear and shove them inside. You moan at the musky flavor and you had no idea it would be so hot to taste yourself like this. 
Her fingers clasp your throat and you look at her with wide eyes, chest heaving with anticipation of what she’s going to do next. She trails her hand down and pinches your nipples through your bra. You stutter out a curse as she bends down and nips at your skin, tearing the fabric off without removing her mouth. 
And then her tongue swirls at your nipple and you keen, back arching off the bed. You can see the dazed looks on all the voyeurs’ faces, how they shift their weight watching, and it makes you want to show off more so they know just how good Agatha is making you feel. 
You garble around your panties incoherently, fingers twitching against the bed to stop yourself from showing her exactly what you need. 
She chuckles against your skin. “What do you want, baby? What do you need from Mommy?” 
At the pet name for herself, you let out an embarrassing whimper and a flush spreads throughout your body. 
“I thought you’d like that one,” she says smugly and before you can react, she sucks hard on your nipple and shoves two fingers into your waiting and wet cunt. A noise rips its way out of your throat and you throw your head back, hips frantically meeting every thrust. 
She lazily fucks you like she’s barely even trying to make you feel good, but it’s enough for you to get closer to the edge. 
You can’t do anything except take it, matching her thrusts, and your sounds get louder and louder, her fingers twisting and hitting that spot inside of you so perfectly, and you’re about to cum –
– and she yanks her fingers out of you, leaving your hips faltering against nothing. 
She sucks them into her mouth, eyes closing at the taste. “Sorry, baby. But you’re not allowed to cum yet.” She slaps your cunt with her open hand and laughs at the reverberating sound of your wetness.
You whine pathetically around the as she walks around to the table and picks up a dildo and harness. 
“Do you want me to fuck you with this?” She asks, showing it to you and then to the audience. You glance at them to find several bobbing their heads with even more enthusiasm than you have. “Sweetheart?” She says to get your attention. 
You jolt out of the stupor you were in watching them watch you with bated breath and nod breathlessly, babbling senselessly again around the gag.
She smirks and puts the harness on over her clothes. You’re not sure why, but being completely naked while she is still fully clothed only makes it feel dirtier, hotter.  
Agatha attaches the dildo, pours some lube onto her hand and strokes it, and then grabs two silk cloths back over to you. She fishes the underwear out of your mouth and trails of saliva connect it back to your mouth. 
“Get up,” she says roughly and you scramble out of the bed immediately. She turns the cot like it’s nothing, angling it so it’s parallel to the glass instead of perpendicular. 
So the audience will be able to see everything with Agatha fucking you with her strap. The realization makes you squeeze your thighs together, feeling the waterfall between them. 
She beckons you back over and each step you take puts pressure on your aching clit. It’s agonizing and yet, the most alive you’ve ever felt. 
You get back on the bed and she maneuvers you into a position where you’re on your knees near the edge, resting your ass on your heels. You watch yourself in the mirror as she takes both your arms and ties them behind your back with one of the silk cloths. And then she puts the other one around your eyes, so you can’t see anything. 
The change in your body is almost instantaneous. Goosebumps spread all down your skin, you can hear the rustling of Agatha’s clothes behind you, you can feel just how wet you are, you can even smell yourself; every sense has become so much more heightened. 
Her hand gently presses on your back and guides you down, positioning your face against the bed so your ass is up in the air with your hands behind your back. She rubs your cunt, smearing your wetness everywhere. 
“You like being watched don’t you?” She taunts, and while yes, you apparently do, you think it’s more because of her. “Dripping all over my club like a slut, just needing to be fucked.” 
You whimper and sway your hips because it’s all that you can do. And then there’s nothing. She removes her hand and you strain your ears to see if you can hear anything. 
And then without warning, there’s a loud smack on your ass and your body jolts forward, a surprised grunt coming out of your mouth. She soothes the pain with her hand and then the tip of her strap is sliding against your folds and you whine. She presses it against your clit which makes you shudder.
“Beg for it,” Agatha demands and you don’t hesitate. 
“Mommy, please, please I need it so bad, please fuck me,” you chant and are rewarded when she slowly enters you. 
Your mouth falls open but no sounds come out as she begins to thrust, gripping your hips so tightly you know you’ll have bruises. 
You want them.
“God, look at my baby girl taking my cock so well for me,” she coos but you can hear the exertion in her voice as she starts to pound harder. “Such a good slut, such a good pet.” You whine involuntarily and you can practically hear her smirking. You wish to god more than anything that she would take the blindfold off you so you could look in the mirror and see what you looked like. 
It doesn’t take long for you to reach your peak, after already being denied earlier, and you’re about to cum when she pulls out. 
“No,” you sob, convulsing uncontrollably, the feelings of your orgasm tamping down. 
She spanks you again. “What did I say earlier? You’re not allowed to cum yet. And stop pouting before I make you.” With another swat to your ass, she pushes back inside of you and sets the same bruising pace as before. 
It takes you even less time for your lower stomach to tighten, and she pulls out again right as you’re on the precipice. 
“Please, please, Mommy, let me cum,” you cry, your entire body shaking. 
She laughs cynically and starts fucking you again. You’re fully unable to move, just being rocked back and forth with her thrusts, nothing more than a glorified toy for her to use. 
And she does use you. She brings you to the edge and then stops at least five more times, and you’ve completely lost the ability to think. Words spill out of your mouth like you’re drunk on Agatha, which you think you might be. 
You’ve never felt this thoroughly ruined before. 
But this time, when she pulls out, she doesn’t push back in. You feel her hands untying the restraint on your wrist and then on your hips, flipping your pliable body over so you’re on your back. She bends your legs up on the edge and rips the blindfold off and the light, even though dim, hurts your eyes. 
“How are you doing?” She murmurs, scanning your blissed out face for any sense of discomfort. 
You babble something along the lines of “I’m good” or at least you try to. You’re not actually sure what she hears. 
But she smiles genuinely nonetheless and leans down to peck your forehead. “You’ve done so well for me, pet. I think it’s time for a reward.” 
“I get to cum?” You ask weakly and she chuckles. 
“Oh yes, baby. You’ll get to cum as many times as you want.” Your heart leaps at the promise and she drags over the machine with the dildo. Your breathing quickens and she angles it up so it’s positioned right at your stretched-out cunt. 
Before you can even breathe, she smiles wickedly and turns it on. Your head falls back and your back arches up violently when it begins fucking into you. The pace never falters and you cum almost instantly. 
Agatha leaves your side but comes back seconds later, holding a vibrator. You moan pornographically loud when she turns it on and positions it against your clit. 
You cum again shortly after. 
The machine keeps thrusting inside you, faster than you’ve ever been fucked, and the direct stimulation against the most sensitive part of your body has you practically sobbing at the pleasure. 
It doesn’t take long before you’re cumming again, and then another one weakly rolls over your body. 
But it’s too much now, all the edging and now the overstimulation is hurting so you start to squirm away from it. 
She instantly catches on and drops the vibrator before rushing to turn off the machine. 
You pant heavily on the bed, completely spent, and she lets you calm down, gently stroking your hair. 
Even though you know you have an entire audience, all you can see is her. 
“How was that?” She asks. “Too much?” 
You shake your head, feeling the slight sheen of sweat everywhere and all you can think about is needing to shake a shower. 
And when you can see Agatha again. 
“No, it was perfect,” you say truthfully, your voice hoarse. She smiles and kisses your lips. 
“We’re open Thursdays through Sundays,” she says and you laugh. “Come back anytime, baby. Although, keep coming back and putting on a performance like that, I might have to keep you all for myself.” 
Nothing has ever sounded so good. 
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villainousauthor · 10 months ago
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Hero stares down at the paper in front of them with mounting dread. Their stomach is all tied in knots, and they feel a cold sweat at the back of their neck.
"You know, you don't have to do this if you truly don't want, I'm not forcing you." Villain purrs behind Hero, voice against their ear. The threat is unspoken. If Hero doesn't sign, they'll continue with their rampage. Continue killing, destroying, maiming.
The pen shakes in Hero's hand as they continue staring down at the paper. It's just a piece of paper, made of thick cardstock, cream white. Yet Hero has been staring at it for fifteen minutes, as if it'll bite them.
Certificate of Marriage
The font is too pretty, all stately and official looking. Hero feels as if they may throw up any minute.
"I don't understand why.." Hero finally finds their voice, asking the question that's been bouncing around in their mind since Villain first pulled the paper out as they suggested a truce.
"You already know my terms. In exchange for leaving your hero friends unharmed, for leaving the civilians of the city unharmed, I want you." Villain's voice is something possessive, filled with fire and heat. "This just makes it more official. More binding."
Hero shudders, and they feel as Villain steps closer behind them, a dark shadow looming over them. They know this goes beyond simply wanting to make their agreement more binding and they both know it.
"You know it's not legitimate- it's not legally binding without an officator." Hero stumbles over their words, not even sure if that's true.
Villain snorts, not usually one to be worried about legality of course. They put a hand to Hero's shoulder, warm and rough.
"I can find a priest to threaten. No one needs to know how and when we signed. Unless you'd rather make a big ceremony of this." Villain's tone is now teasing, amused by the idea of a wedding. "That could certainly be done if you prefer."
Flushing hot, Hero shakes their head quickly. No, they would not prefer that. This is already nerve-wracking and humiliating as is. A part of them wants to outright refuse, to tear the paper the shreds, and throw it in their face, but Hero knows this is the chance to get Villain to back down.
"I wouldn't be unkind to you." Villain says, voice suddenly softer and more serious. They lean forward, face resting against Hero's neck. The most terrible part is that Hero knows they mean it. They wouldn't be unkind or cruel, and that makes this all the more difficult. "You'd belong to me, but I'd take care of you."
Hero already knows there's no choice. They knew from the beginning that there was no other option. They have to do what is best for everyone else. Shakily, they finally nod.
"So selfless, so sacrificial to others." Villain says as they place a feather light kiss against the shell of their ear. "We'll have to work on that once you're with me."
They take Hero's hand currently holding the pen in their own, their grasp strong, as they lift it to the paper.
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sillywizardman · 4 months ago
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HI!!! After finishing Disco Elysium I wanted to read Sacred and Terrible Air, but there were two issues:
1. It’s not officially released in English
2. I don’t like staring at pdfs!
So I did what any sane person would do. That is take three days of my life printing and binding it.
TRANSLATION (“thank you Group Ibex” we all say in unison!):
PROCESS PICS:
I apologize in advance for anyone who has experience in this sort of thing this is so botched.
I have NEVER done anything like this before, I don’t even read books on my own volition, but if the Disco fixation wants me to learn how to sew and bookbind I’ll do that.
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Four of the signatures above. There were nine total, eight of them with 8 sheets/32 pages and the last was five sheets I think. Threw the pdf into adobe acrobat and went straight to printing with those settings and the “booklet” option enabled.
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Pricked holes through each signature! Used thumbtacks and a piece of foam I scavenged from my room, worked out great. It’s probably also worth mentioning I do not have a bone folder, book press, or any of the other fancy schmancy bookbinding tools. Flattened the pages with a pencil and pressed with D&D books…
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SEWING TIME. I have never sewn in my life. My success in this regard can be majorly attributed to Sea Lemon on youtube, particularly this tutorial:
youtube
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The process from printing to finishing sewing the signatures took ~8 hours. Now we hit our first roadblock, I had no glue for the spine! After going to sleep and waiting what felt like ages (literally 10 hours or so) before I was free to visit a craft store, I tried to find PVA glue because that’s what you’re supposed to use I think?? Yeah. They were out of PVA glue and my impatient ass got mod podge.
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‘Tis glued! As you can see I added cardstock to the ends. Joyous day.
Also, you see that sketchbook in the pic? Yeah? You see that lovely cardboard?
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It is now the cover. Rest in piss bristol sketchpad backing.
———
EDIT: I see a bunch of people want to attempt this so here’s a video on how to make the hardcover: https://youtu.be/Av_rU-yOPd4?si=7T5zgVJGAfPFBxn-
youtube
I didn’t use any measurements or advice from it but it’s a good reference for when it comes to assembling the cover from ~3:50 onwards. The boards are same size as your text block pages and spine, I think I made the cover width a bit longer just in case it doesn’t cover the text block though. Do not do this with the spine, I regret it.
And note, this is NOT a tutorial, it is the process of someone who got a bit too silly and decided to bind a book, obviously do your own research lol. Don’t be afraid to try it though, it’s surprisingly simple!
———
… So, now that’s done! I swore to myself I wouldn’t start reading SATA/PJÕL until I finished this project completely, meaning I’ll be doing that now yippee :]
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thisapplepielife · 26 days ago
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Written for @steddieholidaydrabbles.
Let Your Heart Be Light
Prompt Day 17: Lights | Word Count: 1000 | Rating: T | CW: None | Tags: Post S4, Eddie Munson Lives, Pre-Steddie, Steve & Wayne, Good Uncle Wayne Munson, Everybody Working Together
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"What in tarnation?" 
Steve nearly falls off the roof of the trailer, but somehow finds purchase and hangs on for dear life, barely escaping toppling over the edge. His heart is pounding in his chest. He really thought he'd be able to do this without being caught.
But no, Wayne is standing there looking up at him.
"Christmas lights!" Steve hollers, as if that isn't blatantly obvious. 
"Figured that on my own, kid," Wayne drawls, and then takes a drag off of his cigarette. 
"Sorry," Steve says, holding onto the strand of lights, not wanting them, or himself, to fall. "Do you want me to take them down? I just wanted to surprise him when he comes home."
Wayne shakes his head, and Steve doesn't really know how to interpret that. No, don't take them down, or no don't stop? Wayne starts climbing the ladder, which wasn't even among the options Steve envisioned being possible. 
Eddie hasn't even been here before. He went from the hospital, straight to a rehab facility that Steve raised holy hell about until the government paid for it.
They created this mess, and Steve wasn't about to let them get by with their obvious plan to just let Eddie just suffer, barely slapped back together. He may never be good as new, but Steve was bound and determined to get him as close as possible. 
And it's been months. It's not quite Christmastime yet, but Steve thought this might be a nice sight when Eddie finally gets home.
Wayne leans against the trailer, and points a finger, "You'll need to secure those a little bit better, or the wind will get 'em faster than you can put 'em up."
Steve just nods like he totally understands what he's being told.  
He's not exactly sure how he'll secure them to metal any better than he already has without doing permanent damage, which he was obviously trying to avoid.
"Hang on, I think I still got the clips I used when Eddie was little. Out in the shed, maybe. I don't know where anything is these days after the move," Wayne mutters, like Steve should know about the clips, or where they might be. 
But Wayne disappears down the ladder, and it takes a long, long time, but he finally comes back with clips that he'd obviously made himself at some point in the past.
They're magnetic. 
Gutters aren't magnetic, and Steve learned that the hard way when he dropped the first one, but Wayne slides a washer inside the gutter, and like magic – magnetic.
And that's kind of brilliant.
"Did you make these?" Steve asks, holding it in his hand, looking at the magnet that's glued on the back.
"Yup," Wayne says with a nod, snapping the magnet in place, then running the strand of lights into the clip. It's perfect. "Old trailer didn't have guttering, but it had eaves."
Steve doesn't know what that means, but he nods.
And they work together, outlining the whole trailer, one clip at a time. It's relatively painless.
"You should sell these," Steve says, "like, the hardware store should stock them right next to the Christmas lights."
Wayne chuckles. 
Steve's serious.
"I'd help," Steve says, and Wayne laughs some more.
But Steve would, he really would. 
It's getting dark, and Wayne plugs the lights in. They look great. They'll be better when it's fully dark, even.
"Thanks for helping, kid," Wayne says, and it's not until Steve is pulling away that he realizes that Wayne made it seem like he'd done him a favor, and not the other way around.
"Well, look at that," Eddie says as Steve holds open his car door. He smiles up at the lights, and mission accomplished.
Several days later, Eddie's on the couch while they all bustle around the trailer.
Dustin is folding over the printed cardstock toppers. Smoothing the crease with a butter knife.
"Will drew this logo," Dustin says, and Steve knows that. They all know that. 
It's an assembly line they've got going after making more clips. Wayne only intervened once he realized they were trying to use a hot glue gun and not the J-B Weld he'd used. 
Once he'd straightened them out, showing them how to make them correctly, they got to work. Now, they're packaging them up. Counting them out and putting them into clear bags, then stapling the cardstock label to the top. 
They look good. 
The hardware store, Melvald's and the Big Buy all agreed to carry them. 
Nancy was persuasive, and didn't mention that they were designed by Wayne Munson. She'd just insisted they were invented and made locally, which they are, and that was that.
Steve hopes half the town buys a few sets to put up their holiday lights, and in the process, helps Wayne and Eddie recoup at least a fraction of what was taken from them after half the town lost their fucking minds, trying to pin everything evil that's ever happened in this hellhole on Eddie's shoulders.
"How many do we have?" Nancy asks, notebook and pen in hand. 
"Two hundred and fifty sets," Robin answers.
Maybe this will work, but if it doesn't, well, they tried. He bought the materials. Wayne insists he'll get his investment back, plus a cut. Steve's not interested in that, but agreed, just so Wayne would let them proceed.
Dustin did the math, and yeah, the mark-up is pretty great, without making them too expensive. 
Nancy already made Ted use them on their house, and she swears he's been telling his friends how easy they went up, no more staples ruining his shingles.
Steve himself lined the entirety of his own house with lights, and sold his neighbors on the clips after they saw the finished product. It really does look great. His dad never hung lights, never had the time, but the house finally looks like a home with them up there, Steve thinks.
It's crazy, but this scheme just might work.
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If you want to write your own, or see more entries for this challenge, pop on over to @steddieholidaydrabbles and follow along with the fun! 💡
Notes: Looks like a least one type Christmas light clips were patented in 2002, so Wayne really could have been cutting edge. Never, ever underestimate redneck engineering and ingenuity. I can remember the heavy duty staple guns coming out to hang lights, so if there were clips, they must not have been widespread. (I love a good research rabbit hole, but this seemed like a goofy place to spend any real time digging, haha.)
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noctilu-uca · 4 months ago
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"He just wants to play
And be loved
What is that.
Why it and not me
Can you please look at me
And love me too.
Can you help me be happy
Where are you going?"
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greaseonmymouth · 1 year ago
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As you've asked for asks!:
Do you have any quick-and-dirty book/fic binding methods a terrified-of-failure novice could use to bang something out to get over the first collywobbling step of Actually Doing The Thing? (this may be something I've been meaning to ask for ages)
yes! I absolutely do! in my opinion the best quick-and-dirty bookbinding method is a no-glue pamphlet: you don't have to mess with glue or measuring or cutting anything, all you need is your text, some paper, a needle and thread. you can use the same needle to punch holes if you don't have an awl.
this is going to be a little long but that's because I'm going to write out some fairly detailed instructions for an A5 sized pamphlet. If you don't want detailed instructions and think you can glean the necessary info from photos, just skip to the photos! I've also linked tutorials.
for preparing the text to printing, in whatever software you use (word, libreoffice, gdocs, whatever) make sure your document is set to page size A5. make it look readable. then save as/export that document as a straight-paged PDF. now go to the bookbinder JS tool (https://momijizukamori.github.io/bookbinder-js/), and upload the PDF. source manipulation: none printer paper size: A4 display unit (you can ignore, or choose cm if it gives you anxiety that it automatically displays points) printer type: select single-sided or duplex accordingly* rotate paper: ignore flip on long side: check if you are printing duplex and if your duplex printer flips the paper on the long side page layout:  tick folio page scaling: original page positioning: centered ignore the rest flyfleaf: ignore signature format tick: standard signatures. in the length drop down, this depends on the type of pamphlet you are doing. for folio i generally find 4-5 pages per signature a comfortable thickness. if you have 6 whole A4 pages you can still do that as a single signature or you can split it into two signatures 3 pages each. wacky small layouts: ignore this signature info click the generate preview button to see what your PDF looks like imposed! I love this step especially when I'm doing quarto (A6) or octavo (A7) sized books generate output - click this to generate an imposed PDF
for A6 and A7 sized books the instructions are much the same, except for these you make sure the page size is A6 or A7 in your software, and then you choose quarto or octavo instead of folio. for signature length drop down I keep signature length to 1 for octavos typically and 2 for quartos, as this still refers to sheets of paper, and for octavo 1 sheet of A4 paper will turn into 4 smaller sheets in one signature once folded and cut.
*if you don't have a duplex printer you will have to manually turn the paper to print on the other side. I cannot be arsed with this so I bought a printer capable of duplex printing (I didn't have a printer anyway). if you already have a printer check what it can do as you might be surprised and go from there.
now to the pamphlets! you don't need a cover - I have one for the long stitch pamphlet but for the saddle stitch one I didn't bother and just made sure the first page had a title on it. you can always take a different piece of paper and print a cover on or or just use coloured cardstock and create a simple cover, but a cover is not necessary unless you're doing a long stitch pamphlet. all you need to do is to punch holes and start sewing. there are a few different stitch types below, I wouldn't say any of them are more difficult or easier than others, but they do look different so...pick one you like the look of and go from there?
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pamphlet stitch (uneven number of holes) I haven't ever done a pamphlet stitch but here's a tutorial for how to do it: https://www.starpointestudio.com/simple-pamphlet-stitch-book-step-by-step/
saddle stitch (uneven number of holes) I realised that what I was thinking of as a pamphlet stitch is actually saddle stitch, as in this A7 pamphlet:
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here's a tutorial for how to sew saddle stitch: https://www.bookbindingworkshopsg.com/saddle-stitch-bookbinding-tutorial/ here's a video tutorial: https://www.youtube.com/watch?v=aWHkY5jOoqM (sealemon has a lot of bookbinding tutorials and I know many people who like her videos, I used her tutorial for coptic binding way back when I first made a book but I can't otherwise vouch for the quality as I haven't used her videos)
french link stitch (even number of holes) in this one I used french link stitch which I typically use for thicker textblocks that i'm not planning to use tapes with as the french link gives it some robustness, I used it here because I had never done it before and wanted to try it out. I am planning to take these stitches out and re-sew this pamphlet with a cover now that I've found a suitable piece of transformer fanart to use as a cover:
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french link tutorial. it's quite long but it has a colour coded bit towards the end that shows how the thread is supposed to link which i find very helpful to visualise: https://www.handmadebooksandjournals.com/bindings/french-link-stitch-binding/
here's a video tutoral from DAS bookbinding (he is my go to for techniques and he has the most soothing Australian accent as well, though fair warning not all of his videos are for beginners): https://www.youtube.com/watch?v=O4ZPdbaM-Ws
long stitch (even number of holes) for this one I used long stitch and I had a cover. this one is my favourite variation because I can make these pretty and simple covers and the stitch looks nice on the outside as well, so this one scratches the 'i want to make a book' itch for me.
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here's a tutorial that also includes a how to on a cover that is different from my cover: https://lccprintmaking.myblog.arts.ac.uk/files/2020/06/Long-Stitch-Tutorial-A4.pdf DAS also has a video tutorial for long stitch but it's like three videos long, maybe watch it later :'D  here's one I haven't watched but seems decent: https://www.youtube.com/watch?v=XnignTL_wDQ
you can use saddle stitch for this kind of pamphlet as well, that's what I did for dozens of ships and hundreds of souls (https://ashmouthbooks.tumblr.com/post/681587080267202560).
I hope this helped!!
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neoplatinum · 10 months ago
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i promise to love you forevermore - part 2 | minatozaki sana
summary: the minatozaki group is far bigger than you expected
pairing: heiress!sana x reader
themes: arranged marriage au, fluff, angst, tension, lots of elitism, conglomerate power-hungry side characters, implied sex, misamo!
wc: 3.2k
(series masterlist)
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"the minatozaki's request your presence at the 2024 annual ball." you say to yourself as your fingers run through the beautifully golden lettering imprinted on thick cardstock. lined with the minatozaki family crest pressed at the bottom. you turn the invite in your hand, it's been so long since you've attended the annual ball. but now, as a minatozaki, your presence is expected.
ever since you married sana, your life has gotten busier, often attending the conglomerate events as a figurehead for the family. leading the discussions on expansions of the family's power. sana often wants to ditch the events altogether, claimed they were too stuffy and business-y.
"baby, come here." sana complains, she often gets like this. soft with want, attention seeking and wishing for your comfort even if you're in the same room together.
"sana sweetheart, look at this." you walk towards her across the wooden floor, invitation still in hand. you pass it to her, and her eyes groan at the sight.
"is it already time?" she checks the event date.
"i thought you enjoyed the annual ball." you comment.
"i liked them when i was five and playing princess, now i feel like a zoo animal at the events." she says and leans onto your body. using it to hold up her bodyweight.
"i see, but we must go."
"yes. mother will have my head if i miss one."
"hey, at least i'll be there with you this year." you offer, pushing her down to massage her shoulders. "how does that feel?"
"mm, good, thank you darling." sana rewards you with a quick kiss. and then you hear the sound of your son wailing, in his bassinet. you walk up to him, picking him up and bouncing him in your arms.
"is he hungry?"
"no," you check his diaper, "stinky." you take the baby to the changing station. expertly changing his diapers and putting some baby powder, and then shoving him in sana's face.
he babbles and tries reaching out to sana, small grabby hands trying to pull at sana's face.
"aww baby, you are too cute!" sana snuggles into haruto, she claims that babies have a special 'baby' scent, one that makes them so adorable.
"oh also, you'll meet my cousins. the branch families." you're confused what she means.
"branch families?"
"yeah the minatozaki is the main family, but we also have branch families." she caresses haruto, giving him forehead kisses and he continues to babble. you would do anything for them.
you grab sana's face, cradling her jaw as you pull her into a sweet kiss. her eyes are a little unfocused after, you rocked her world.
"what was that for?"
"for being perfectly you." you reply, slipping on your shoes.
--
being escorted by bodygaurds feels a little more reasonable, as you have haruto in your arms. him playing with the collar of your shirt, tugging on it as he hugs you. sana walking by your side and being followed by a team of people that would lay down their life for you.
"sana." you start, "you ready?"
she nods, but you can feel the hesitation from a mile away, you squeeze her hand for support. and walk through the giant wooden doors. the chatter of the ball quiets with the entrance of the new minatozaki head family, and the first heir, haruto minatozaki.
you're dressed in a traditional kimono, hair gelled and pressed so stiffly. sana is in her traditional kimono as well, hair done up with beautifully golden spear keeping it together. you think she looks like a goddess like this.
the minatozaki family crest displayed in stitching on the back of both your kimonos, and little haruto's as well. the crowd claps at the sight of you three, and sana bows deeply. you do the same as well. then the crowd goes back to their discussions.
in the corner you see two women, they blend into the background, but their eyes are trained on you like hawks. you wouldn't have spotted them if it weren't for sana.
"these are my cousins: momo and mina." and you look at the two woman, they don't give you a smile even though you have your hand extended and head bowed deep.
"nice to meet you." its short and curt, like a military leader. momo shakes your hand, and you try not to wince at the hand strength. you try your best to shake it back.
mina is more gentle with her hand shaking, but her eyes don't convey that, eyes of a predator watching their prey.
then they spot small haruto's arms stretched out towards them. and their eyes light up, momo picking up your son to bounce him around.
the two women leave to mingle with other guests, showing off your son. and you grab your hand, massaging it from being crushed by momo's hand.
"momo is, very strong." you say to sana, and she laughs.
"momo and mina trained to be soldiers for the family. so that's probably why, but also i'm the youngest and the only heir. so they're protective." it makes sense, the main family didn't have sana until later. so sana's the cherished sole her of the minatozaki main family.
she loops her arms around yours and drags you away. "don't worry about haruto, he's in good hands." she whispers to you as you search for him through the crowds.
"hello mother." sana bows at the sight of her mother, you bow too.
"glad to see you both, i think i saw haruto with momo earlier." she comments, and you see a genuine smile as she makes a beeline for her grandchild.
"i'm starting to think she loves haruto more than me." sana pouts at the idea, you just laugh and reassure her that all parents are like that. sana gets whisked away by a nosy aunt, and even though she whispers "help me!" over her shoulder, you just laugh and let her get dragged away.
suddenly you feel a chill up your spine, and you turn around to see mr. seki walk up to you.
"great to see you!" that devilish smile never fails to make you shudder
"likewise, mr. seki, how are you enjoying the ball?" you ask politely. ever since he found out you were to be married to a minatozaki: he's gotten more and more persistent with his requests for a major bonus.
"it's lovely, the minatozaki's always know how to host an event." he starts, a deep bellow of a laugh, commenting on the grandeur of the hall. you nod along in agreement, but mostly to move this conversation along.
"i wanted to speak to you about something." his demeanor completely changes, he stands stiffly, nearly towering over you.
"in private?"
"yes, in private." with a signal his security starts moving with him, and you follow behind, being taken away from the main hall.
--
"please have a seat." mr. seki points to the couch. you sit down, ready to hear him lecture about seniority and the importance of shareholders.
but then he drops the biggest bomb on you.
"did i ever congratulate you on your marriage?" he starts.
"oh no need for all that, i'm sure it's very much implied." you offer.
"my apologies, let me present to you a wedding gift. see here," and on the table are photos of sana seen outside drunk and making out with various women and men. even with the dark and grainy zooms you recognize your wife. "is your wife, cheating behind your back. were you aware of this?"
"mr. seki, these are huge accusations against my wife." you lean in, eyes boring into his. he smiles at the sight, your interest is peaked.
"of course, we would never want groundless accusations." he then takes out another set of photos, much clearer and front and center is a photo of sana, undeniably her. even with her hair tossed back and her neck exposed. "so tell me, do you recognize your wife in the photo?"
he sits back as he tosses another drink. you stare at him, eyes wide and anger boiling all over. you feel yourself buzzing like a dog ready to bite.
"well?"
"mr. seki, i suggest that you keep my wife out of your mouth if you'd like to keep your tongue." you stand up, and his security team rises out of their seat, hands on their guns.
"oh i will, if she keeps her tongue out of other people's tongues. you know the minatozaki would never let this be a headline. they'd probably kill me for leaking this actually. but as a concerned uncle, i thought you should know. " his eyes dancing playfully, like he's got you in your clutches.
"mr. seki, watch your tone."
"or what?" his security force steps up.
"would you really like to find out?" you toss a knife right by his ear, nearly clipping it. the men are ready to launch at you, but he puts his fist up, stopping them. he sits up straight, getting up and buckling his blazer.
"i'll have you know something, you could kill me ten times over, but it'll never erase the fact that she's cheating on you." he smirks, patting you on your shoulder, he leaves the room.
leaving you with a table full of photos of sana, you stare at it, tucking it away into your pocket.
--
the thought sits in your head for weeks, days spent in a daze at the sight of sana. she's still as bubbly as ever, but you can't help but let the green monster grow ten-fold in your chest.
every morning at lunch you stare at her, every night at dinner you stare at her. whenever she's at her vanity you stare at her.
what else is she hiding?
so against your better judgement, you hire a private investigator. one that'll tail sana for information. track all her patterns and behaviors, who she's seeing, when she's seeing them, for how long and most importantly why she's seeing them.
you have her tailed for weeks, until it comes back to bite you in the ass.
you're busy bouncing haruto on your lap, letting him play with his toy as he babbles. he reaches out and takes your pen out of your breast pocket. chewing on it, biting into the steel body.
"haruto no! that's my pen, don't bite on that." you take the metal pen out of his mouth, and when he looks like he wants to cry, you shove his toy back in his face. and like that he's distracted again.
"emi, please take haruto." sana's voice is sudden, you didn't even hear her walk in.
emi walks in quickly, grabbing haruto out of your hold and walking out, closing the door behind her.
sana walks up to the desk, arms crossed, jaw tensed and eyes glowering at you. "do you have something to tell me?"
"sana? no i don't."
"let me ask you that one more time: do you have something to tell me?" she leans forward against the desk, face inches apart.
"sana, what's going on?"
"that's what i want to know." she walks around the desk, right next to you. "i was out with momo and mina earlier, and momo found someone tailing us. they both nearly beat him to death, and he coughed up your name, you mind telling me why he's tailing us?"
"sana, please."
"please what?" she cocks an eyebrow, "i don't appreciate being followed."
"i...i got a tip that you were...seeing other people." you explain, "i needed to know for myself."
"so instead of asking me, you hire someone to tail me, all to see if im cheating?" she's quick on her feet, just like her mother. "i swear i will rain hellfire on you if you don't answer me right now!"
"yes, i did. i had to know."
she paces back and forth, finger in between her teeth.
"why do you care?" sana questions you.
"i do. of course i do." you respond. its honest, although you aren't explaining the reason in full.
her eyes are ablaze, challenging you. "why?"
you get up, needing to make a little distance from sana. she's just so intimidating when she's mad. just like her mother.
"i wanted to know because he wanted to leak it to the press." and that's not a lie, but it's also not the main reason right now.
"are you serious?" she throws the pile of photos onto the floor, the ones you handed to the private investigator. they're stained with blood, probably his if you had to guess.
"yes."
"well you don't have to worry. the minatozaki group owns all the media outlets." she sigh, frustrated at you. "i'm not cheating."
she walks right out of your study, making a beeline to the grand staircase. you chase right after her on her tail. with her dodging all your questions. she enters the bedroom and throws two big luggages on the bed.
"where are you going?"
"packing my bags, or should i tell that to your PI too." she bites out, her voice venomous and her movements rushed. she's tossing all her clothes in the suitcase, not bothering to fold them.
"no need, i'm sorry sana. for sending a PI after you." you try and calm her down, standing in front of her suitcase.
"is that all?" she stops with a dress in one hand.
"and for accusing you of cheating." you continue. she side steps you, continuing to shove clothes into her suitcase. and you stand there, unsure of what to do. sana's never left so suddenly.
"sana please don't leave, we can talk this out!" you urge her, as the butlers descend down the stairs with her luggages in hand.
"what is there to talk about, you don't trust me enough so you had to send someone to monitor me." she pushes a finger into your chest.
sana leaves for weeks. you feel yourself get antsy when she doesn't reply to your calls or messages, unless they're related to haruto. so under that guise you offer to drop off some toys for haruto, but mostly to corner sana so she'll hear you out.
--
with the infrequent visits to the main minatozaki estate, you still always feel lost inside. the large main estate is surrounded by minor estates. tall cement walls lining the the acres of land away from the prying eyes of the public. you sit in a minatozaki black sedan, flowers in hand and a bag of haruto's toys in the other.
being reclined in polished leather seat, the car begins rolling forward into a side road, disguised behind rows of moving trees and a thick wall that sinks into the ground.
you being to really notice the size of the minatozaki power. outside are men and women all dressed in all black, ear pieces and sunglasses. all with that signature bowl cut hair, you gulp at the sight. they all eye your car as you roll into the outdoor garage.
you're pat down, taking out all your items from your jacket. they even begin inspecting the toys and flowers in your hand. you sigh as you watch them whisper to each other in coded language. and then a wooden door open, disguised as a panel of the wall, and out steps momo and mina.
both of them eyeing you with the same look they gave you at the ball.
"sana's waiting." momo begins to walk, meanwhile mina waits for you, impatiently. you pick up the pace walking through the tunnel, large stone slabs under your feet, and glass displaying the lush green open gardens in the minatozaki estate.
they don't utter another word, rhythmic measured steps as they fall into the same tempo with each other. measured steps even if they are different heights. you try and match their step, nearly tripping, but you catch yourself.
then you see her, far away, in a deep brown wooden gazebo, intricate japanese carpentry displaying the minatozaki crests on the panels, you quicken your step to get to her, but momo places a hand to stop you.
"you may not know much about us," momo nods to mina and she nods too, "but we know everything about you. one wrong move and it'll be like you never existed. don't underestimate the minatozaki power."
then the two women disappear, falling in line with the other security groups that are circulating the estate. you fix your tie, a little intimidated by the watching eyes, every direction you look there's someone staring you down.
you walk up the wooden steps into the gazebo, sana looking away and a tea cup in hand.
"hello, sana."
"haruto's toys?" her hand is extended.
"they're here, in this bag." you hand her the bag, and she looks into it, nodding to you before dismissing you.
"wait sana, please, could you let me explain myself?" you sit down next to her, her eyes faraway.
"you explained yourself pretty clear last time." she says, taking a sip of her tea, setting the cup onto a tray.
"i don't think i did, please let me explain myself." she doesn't say anything. eyes trained on that lone duck in the pond.
"i, for a very very stupid reason, wanted to tail you. because it's harder to open the can of worms of who we are to each other. we married out of convenience, but to me, you are my wife, my only love. i needed to know if you see me the same way. or am i still someone you married for convenience?"
sana stares at you, more specifically the flowers you brought, her favorite. and the wedding band you still keep on your finger.
"then let me make this very clear. you are mine. and i am yours. there is no one else in the picture." she stands up, handing you a usb stick, "i found out your anonymous tip, mr. shugo seki of seki industries, 62, married with two children and five grandchildren. four mistresses and six children out of wedlock. $12 million in gambling debt. he's been taken care of."
she takes the flowers from your hand, sniffing them and smiling at it, before returning back to her authoritative demeanor.
"and i'll explain myself once, those photos you were presented were in the very early stages of our marriage, long before haruto. i haven't been with anyone but you for a very long time. now tell me, is that clear enough?"
"no, i think you made it very clear." you flip the usb stick in your hand, "what is in this?"
"the original raw files of the photos. if you want the dates for proof, it's all in there." she says, letting you continue to flip it around in between your fingers.
you toss it into the pond.
"don't need the proof?"
"no, why should i?" you smile at her.
"let me also make it clear, if i catch you, with anyone, i will behead you myself; do not forget it's until death do us part." she tugs you close, whispering it into your ear and you shudder. grabbing your tie, and smashing her lips against yours. pulling away with a smirk.
you don't doubt for a second she will. "understood."
"good, haruto will be up in an hour," she grabs your hand, and tugs you along the wooden bridge to the main house. "you better make it up to me before then, okay?"
you blush at that but nod, "yes, mrs. minatozaki."
--
a/n: if sana talked to me like that 😍😍😍😍 misamo in the house and we all cheered! the idea for branch families is inspired by naruto LOL (which i actually believe is true to historical japanese family systems). and a thank you to @footzanginamaurin @blaymine @d3viant0n3 @moonpheus @im--yoong and also the anon who requested for a part 2!! stay safe and stay healthy everyone!
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alchemistc · 6 months ago
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won't make my mama proud
read on ao3
Buck's just gonna say it. He's not gonna be cagey about it. He's not gonna make it weird. Everyone important doesn't need an announcement, they'll - they'll see him, and they'll understand, and Buck will get to enjoy himself.
His parents are the wildcard.
"E- Buck," his mom starts, brow furrowed as she looks at the seating chart. She's getting better at catching herself, and it's small fries but it's not nothing. "Why did George get moved to table seven?"
He'd been a little giddy, sitting at Maddie's kitchen table with the seating chart out, the tips of his ears bright red and the smile refusing to leave his face, basking in the little hip-shake arm-wave dance Maddie'd done when he asked if she could fit a plus one in.
Buck honestly couldn't remember who they'd moved to make it work, but it'd made the most sense - Tommy knew Bobby and Athena, he knew Karen and Eddie and Marisol, he wouldn't have to sit with a table of strangers who didn't even know a "George" anyway.
His mom's eyes flit to the extended family table, where Tommy has been tucked in between Eddie and Denny. He'd made the place card himself, intent to match the script from the printers, tongue sticking out as he swooped the 'Y' out in gold Sharpie on a piece of leftover cardstock cut to match.
"Uh - I'm bringing a date, after all," Buck says, and he watches his mom slide through names, a mental list of people she vaguely knows of. The Marisol thing had been a point of contention - extended family meant family to Margaret and Phillip Buckley, and they'd already made an exception to let Chim include Eddie and his son at that particular table. They'd acted like the relationship to the bride and the groom was going to be hovering over the top of each table. So. She knows the name Marisol. She knows Athena and Bobby. Knows Karen.
The list of potential dates is growing smaller by the minute and clearly it's not computing.
He's just gonna rip the bandaid off. "His name is Tommy. My date."
Once upon a time, he'd have taken an opportunity like this to make sure he was the center of fucking attention for as long as he possibly could be. Maybe drive home the point that his parents didn't know him as well as they claimed they did. Definitely press their buttons, see if he could invite a reaction out of them.
Now he waves off his mother's confused silence. "I already ran it by Maddie and Chim, they know him." Sort of. It's too complicated to explain to his parents, right now. Maybe if the dancing goes well, at the reception. Maybe once he's snuck about fifty more kisses in.
"Buck, you can't bring a friend as a plus one to your sister's wedding."
He doesn't see why not, really, but that's - very much not the point. Oh. Oh yeah, that's a little painful. He gets why Tommy'd slammed the brakes, now, when he'd stuck his foot in it.
"Good thing he's my date, then, mom."
Even after all this time, he always feels like he's one bad interaction away from laying into his parents, but he tempers it. This isn't really about him, or them. This is about Maddie's wedding, which is two days away and doesn't need the distraction of the brides family having it out. Again.
"What do you mean?" she asks, and - her defensive voice always sounds like she's expecting a direct attack, teeth at her jugular and she's too frail to stop it. He's always hated the way she does that, because it always makes her sound like the victim of a heinous crime when half the time she's just trying to deny something she's been accused of.
Buck takes a deep breath through his nose. "Tommy. He's my date to the wedding. Once we've all eaten and toasted at the reception he'll be the one I'm getting drinks for, he'll be the one I'm introducing to Maddie's work friends, he'll be the one I'm dancing with." He'll be the one I'm going home with, Buck doesn't say, even if he really fucking wants to. He'd gotten a dick pic for the first time last night that had rocked his entire fucking world and he's very ready to explore the realities of finally understanding he's attracted to the male form in a sexual way.
She goes through what seems like all the stages of grief at once. Not unexpected, but still kinda shitty to witness. But she's - they're both better. His parents are trying. He'll give them that. She shores up a PTA mom smile.
"Oh. I didn't know you... Well I just didn't know."
"It's new," he says, because now doesn't feel like the time to tell her he's been analyzing old friendships for weeks now, that his penchant for trying to create deep bonds with men he admires has taken on a new meaning to him. He doesn't want to get into the conversation he'd had with Tommy two nights ago, Tommy laughing but understanding as Buck regaled him with the tale of how he'd followed the varsity kicker around like a lost puppy for most of his junior year and he'd only just figured out why. "Tommy used to work at the 118, though, so he's not exactly a stranger."
He doesn't really feel like giving her more than that. It's new to him, too, it's new and fragile and it's settling warm in his gut, this feeling like he finally knows the way to make a proper chili is to add some unsweetened cocoa powder. The recipe works without it but it was never quite right, until the secret ingredient got thrown in.
"You'll have to introduce us," his mom says, and Buck thinks about it - about the way Tommy will internalize the confused looks his parents try to hide, and the way Buck will want to curl tighter around him because of it, the way he'll want to shrink under the force of his parents never quite getting him and how he knows, he knows Tommy won't let him shrink.
"Yeah," he says, and his mind goes back to thinking of Tommy in a suit.
Tommy with a button undone that turns into three by the third song, Tommy fiddling with cufflinks, Tommy with suspenders, Tommy's ass in a pair of crisp tapered trousers. Buck wonders if he's an ankle sock with dress shoes guy.
His mom turns back to her trove of little gift bags, plastic crinkling as she ties another finished one off. He's - it feels a bit like he's waiting for a shoe to drop, sitting there next to her as her hands continue to pull jute twine from its roll in even six inch lengths, cutting them, twisting bags and tying them off.
Their hands meet the next time he slides a pile of filled bags over to her -- a bubble jar, three Jordan almonds, four Kisses, a quarter inch of crinkle paper on the bottom. Buck goes to move his hand back and her soft, wrinkled hand reaches out to pat his knuckles before she returns to her twine.
-----
He picks up Tommy's call when he's halfway home. "Hey," he says, and he knows Tommy can hear the smile in his voice. He can't bring himself to care.
"Hey. Did you already eat at your sisters?"
"No, my parents took Jee out to dinner so Maddie and Chim could have the night before Maddie imposes her weird twenty-four hour no contact rule."
"You Buckley's," Tommy says, and there's something fond in his voice that makes Buck's heart squeeze, just a bit. "I know I'll see you tomorrow night, but I thought, if you're not busy --."
"I'm not busy," Buck interrupts, and Tommy's little chuff of a laugh echoes back at him.
"Maybe I'm about to ask you to detail my truck for me."
Buck's still trying to find the right way to word his thoughts about armor-all and gear shafts when Tommy cuts across them.
"Low hanging fruit, Evan," he warns, even though he can't have possibly known what Buck was thinking.
"I was thinking about the twig, not the berries," Buck shoots back, and Tommy groans.
"You have sufficient evidence not to call it a twig."
"Which is why I was trying to compare it to the gear shift, before you derailed that train of thought."
"Do you wanna come over for dinner or not, Evan Buckley?"
Buck taps his thumbs on the steering wheel, does a little jig in his seat, tries not to smile so wide that he scares the driver next to him as he coasts to a stop at a red light.
"Are the berries on the menu?"
"The stick shift too, if you're lucky."
"This metaphor is getting a little murky."
"If you wanted to stop for shitty burgers I wouldn't mind," Tommy admits, voice softening, and Buck is already trying to plot out the best route to In-N-Out from here to Tommy's. "If you think of a way to make an Animal Style innuendo you are not getting into my pants tonight."
"I'll stick with the hot meat puns, then."
Tommy laughs, bright and loud, goofy like he can't quite control it, and Buck settles into his seat, flipping his blinker to get into the turn lane so he can double back a few blocks.
"You far enough away I can hop in the shower without telling you where I keep my hide-a-key?"
"Yeah, but maybe you should tell me anyway."
Tommy hums, and something settles under Buck's skin when Tommy gives him a frankly ridiculous set of instructions that no first responder is ever gonna follow in an emergency when they could just kick the door in, dispatch instructions be damned.
It's far too early in this, but Buck's pretty sure he's deep enough in this that it wouldn't weird him out if Tommy told him to keep the spare. He doesn't, and Buck doesn't mind, but it's there, in the back of his mind, that feeling like they're both in this for the long haul.
"Hey, I told my mom you're coming as my plus one," Buck says into the comfortable silence that drifts over the line. Tommy knows the bare minimum about his family, really, but he knows that's significant all the same.
"How did that...go?" And Buck keeps forgetting that Tommy wasn't always confidently out, that he's experienced the coming out conversation with a lot worse results than Buck's experienced, so far.
"She was mostly weirded out that you made George move to table seven," Buck jokes, because he's not sure he's fully unpacked how he feels about it yet, and Tommy - Tommy gets that.
"If I'm stepping on toes, I don't mind sitting with all the weird singles and estranged aunts, Evan," Tommy assures, for the twentieth time.
"You're sitting with the people I want you to be sitting with," Buck reminds him, and hopes he understands the part of that that Buck doesn't know how to say out loud yet.
"Noted," he says, that same tone as when he met Buck for coffee, a few weeks ago now, the weight of understanding the things between the lines.
"Go shower," Buck tells him, and tries not to let his imagination run too wild at the thought. "I'll see you in a bit."
Tommy doesn't immediately respond, and Buck can imagine him on the other side of the call, debating whether or not to make the dumb joke about detailing his gear stick himself. He clearly has better impulse control than Buck. "See you soon," he says after a beat, and hangs up before Buck can draw him back in.
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cyclesprefectpress · 1 year ago
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[image description: photos of The Disco Elysium Tarot, printed letterpress in an edition of one from handset lead type and linoleum blocks. It is a complete 78-card tarot deck printed primarily with white text and illustrations on medium grey cardstock, in a custom dark grey hardcase box with a hand-marbled orange and yellow endsheet. The backs of the deck are decorated with an illustration of a sprig of may bells, and a quote from Smallest Church in Saint-Saëns: "None of this matters at all." The interpretive meaning of each card is expressed on its face with a small excerpt of the game's text. The Minor Arcana are divided into four suits of Harry's Attributes—Motorics, Psyche, Physique, Intellect—and each card in that suit is a quote from a skill under that Attribute. The Major Arcana are assigned quotes from other sources like NPC dialogue or Thought Cabinet problems & solutions. Pips for the Minors are counted with diamonds like the game's skill points; each actor or title is printed with their in-game color, but made shiny & metallic with bronzing powder.
each piece of text was set in handset lead type, assembled from individual pieces for each letter and space, and printed relief on a chandler & price clamshell press. end description.]
🎊🎊 Desert Bus for Hope starts for 2023 on nov. 11th and i have made an item this year for the craftalong that will be up for giveaway between 6am-12pm on Monday the 13th! 🎊🎊 It is a full tarot deck based on Disco Elysium and it has several pieces of my heart & soul in it but NOT my blood because i put a bandaid right on that :) donations for this and any other auctions & giveaways for Desert Bus go to Child's Play Charity.
notes: i did not make a whole new interpretive model for this deck, apologies, that was outside of my scope. it's generally compatible with a Rider-Waite model, with Motorics for Wands, Psyche for Cups, Physique for Swords, and Intellect for Disks. (full distribution of text listed by card, linked below. any spelling or transcription errors you find there, i promise i fixed them in print—that's copied from my digital mockup which was copied hastily from screenshots.)
i also do not track hours on these kinds of projects because that way lies madness, but i will say: i knew how much time it would take to print it. it was a lot but i was not worried about it, i know how to print. i was very worried about how much time it would take to absorb the sheer amount of text, and distribute it across the cards, and really get an array i believe in. i was right to worry, and i have absolutely had a few anxious nightmares about discovering the Perfect excerpt that should've gone in and i missed it, and the suit of Intellect made me want to lay on the floor a few times, but still! i believe there's many versions of a deck you could make from this game and this one is a good one.
i think the Minors fit really well with the double-edged sword of Harry's skills, their advice, their priorities. the circular way the Fool-World assignment works out makes me smile every time. The colors on The Star came out so nice. i think Justice fulfills some of my favorite things about Kim's character & purpose in the story. i worried sometimes that editing to such short clips would lose too much of the politics of the game, but of course you can't really take them out and they're especially present in the Majors—the Devil and the Hierophant, The Star and The Sun. i've wanted to design a tarot deck for years and i love this game deeply and i let this idea percolate for a few months and it never stopped making me laugh so here it is, & given a beautiful purpose :)
i also literally could not have done this without xyrilin's Disco Reader and the FAYDE On-Air Playback Experiment to navigate the dialogue and skill checks. Really couldn’t have tied the whole concept & colophon in its final bow without the Disco Reader :)) thank thank thank, they're so fun to investigate that it was honestly very difficult to focus on my task instead of veering off and exploring every branch in an extremely disorganized way.
actual printing went well honestly, very few problems! i think that means i'm getting pretty good at planning one of these monstrosities, although perhaps it also means i'm not challenging myself enough. hmm. no that's silly there's 78 ding dang cards in this thing. anyway the drop & replace formes worked well, no registration issues. mum convinced me to overprint another half a deck's worth of cards when I was printing backs & borders and of course she was right :/ there were a handful of cards that actually had better line breaks and fewer lines total in true type than in the digital mockup, so i needed all the spares I had to put those new short quotes into the appropriate border breakage. next time i will not question her.
handset in Garamond, Eden Bold, and secret Neuland.
WIP : full text card assignments
bonus photo of the kind of trash notes i always take to plan things like how many borders were printed with space for short excerpts vs long excerpts, and how many of those are majors vs. minors, because they have a slightly different frame at the bottom edge, etc.
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[image description: they are truly garbage notes, i tell you. half of it is written at angles to the other half, many numbers in the math problems are not labeled, mistakes are scribbled over. it gets me there but it doesn't look pretty. end description.]
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