#This is a special kind of hell.

[clodcakes]

Had something planned for Halloween but the sickness took me instead so, more pieces of a bigger project 🤲

[quinn-of-aebradore]

Something that really makes me feel insane about Ashton is the way a solid chunk of their arguments have always been that they’re Just A Guy. They’re nobody. They’re nothing. The gods never paid any attention to me, I don’t matter. I’m not special. And sure, with the information that was available early in the campaign, that was a reasonable conclusion for them to have drawn.

But now? When they know the powers that live inside them, powers that never have been combined before and likely never will be again? When several people have all independently pointed out how unprecedented their existence is? That basis for their argument loses all credibility. How many people on Exandria are walking around day to day with a fragment of a titan and a piece of the Luxon inside them? One. Ashton is a singularly unique being. “I’m nobody, I don’t matter,” bitch you’re the main character in a YA novel, calm down.

[lovelyrotter]

ill probably delete this in a minute but ive just been fuckin boggled by what ive seen across tumblr in the last few days in particular. its why i havent really been around. like holy fucking shit, its really like some of yall just dont want a chunk of the trans community to exist. like some of yall are thisclose to saying it verbatum. way too many already have. 'shut up sit down be quiet and smile for us' type shit, gee where have i heard that before. oh yeah my entire life cause i was forcefully gendered as someones daughter. shock horror i know. you might be surprised to remember and/or learn that very few trans folks know theyre trans before we're 5, or even 10, and that that gendered experience stays with all of us in both/either small or large ways. either bc we literally dont have a solid identity yet (bc we're very small children), dont have the words, we're repressing it out of fear from how others will treat us, we're actually enjoying or enjoyed being another gender in our childhood, or we just genuinely didnt fuckin know until shit lined up later in life. weird isnt it that transmascs dont pop out as 6'1 brick shithouse cis men when we're born so yall know for certain that we're confused lost girls/women oops i mean big dangerous scary men. its almost like we're transgender too. none of yall actually know what intersectionality is or means

[babacontainsmultitudes]

So it was established in the last episode that Taylor still believes in Santa (tbh I wouldn't be surprised if it's come up prior to this ep too but anyways-) so... Do you think (saint) Nicky been has portalling in every year since the betrayal to sneak in a gift for his son amongst the pile? That Cassandra doesn't even notice because it's just one among the many many presents she herself has bought and wrapped? But every year without fail... Taylor gets one gift that simply says "from: Nick" and well, obviously that has to mean it's from Santa (a conclusion which Nicky expects him to come to, and why he can sign his name at all, though he misses when he could just write "dad"). And one year when he's still quite young, a sleepy little Taylor actually catches Nicky in the act, and Nicky wishes more than anything that he could just *stay*, but instead he only softly tells Taylor to go back to bed, and Taylor thinks that Santa is a lot younger and a bit sadder than he expected, but what's he gonna do- not listen to Santa Claus? So he smiles meekly at the man he does not know to be his father, and hurriedly heads back to his room.

Also yes of course Nicky eats the fucking cookies left out of course he's not gonna pass up on free cookies (which are home-baked to top it off) come on that's a given.

[ccbatman]

what if i said hal's mom called him "hally" specifically as a play on halley's comet, huh. what if i said she did that because she knew no matter how far he went, he'd always come back to her, hm. what then.

[parasitoidism]

Magmapilled landmaxxers

[housederiva]

If I wrote short little fics about my Rook pre-veilguard that were a collection of contracts she had from the perspective of the ones she killed, would anyone be interested in reading them?

[squidsquadlove]

What Chaos!, 11/7/2023, Bedard & Korchinski

[whenthewallfell]

Finally found time to do some drawing, so here's a birb

(original photo by Earl Reinink)

[lale-txt]

i'm making soft launch moodboards (finally) (i should be asleep) and i'm afraid it's making me even more insane about them than i already am no one warned me about this

[ultimate-marysue]

I have this massive AU for the Batfam (and DC in general) that spawned from a very sleep deprived "You can't just gender swap Batman, there are implications" and honest to God, it's the one thing keeping me sane.

[lienwyn]

I’m apparently incapable of drawing a banner for my fics and NOT turn it into a separate art piece. Because I’m an overachiever like that.

But yeah. Everyone’s favourite Murder Dentist, Seo Moon Jo.

And if he looks a little more dead than usual, that’s intentional. He is, in fact, incredibly dead. Because for some reason I decided to write a Zombie AU. So yeah. Enjoy? x’D

THE FIC | MY WRITING TUMBLR

[longagoitwastuesday]

I keep thinking that this Gojo is just like Sukuna. I truly don't see much of a difference between them beyond the human/curse point of view

[overleftdown]

saltburn and privilege; an investigative tangent

god, where to begin.

i've seen a lot of people discussing this moving and specifically using the word "privilege," along with power, dominance, desire, control, greed, etc. me included. these are all very essential aspects of this movie. what i want to focus on is emerald fennell's nuanced portrayal of how different types of privilege interact. which one trumps the other? which types of privilege are more visible, while others are more subtle? what differentiates different levels and layers of privilege?

when emerald fennell describes the core of this movie, her inspiration for this script, she talks about desire versus untouchability. she chose the most absurd type of wealth to represent untouchability: the british aristocracy. old wealth, generational wealth, so far removed from the majority of their ancestors' sins that they can arguably ignore that the money they're standing on is dirty. and they live in fucking castles. this is one of the most unbelievable, gaudy, visible types of privilege you can imagine. everyone is entirely aware and feels entirely justified to call attention to this type of privilege.

oliver, being the main character, might be considered the least privileged within this movie. i'd like to take a critical look at this. this movie is not a straightforward class commentary; there is no traditional "the poor eat the rich" dynamic. because although some people perceive oliver as the least privileged character in this movie, he is incredibly privileged. oliver comes from a comfortable upper-middle-class home in the suburbs. oliver has two loving parents and two sisters. oliver is white. oliver is a man. interestingly, from oliver's perspective, he's not privileged at all. he hates the cattons because they are more wealthy, more comfortable, more untouchable. this extends to venetia and farleigh, even though oliver has applicable layers of privilege stacked above even them. he knows he has a certain type of power over them... yet he still hates them because they have one type of power he doesn't have.

that brings me to my next point. the existence of one type of privilege does not negate the effects of another, entirely different, type of privilege (or marginalization) [quote]. this is what venetia and farleigh's characters draw attention to. venetia experiences some of the same struggles as many women; she is ignored in her own household, perpetually existing within her brother's shadow (rosamund pike once lovingly pointed out that venetia does not have a single conversation with elspeth in this movie). she's insecure about her body and her worth, so she takes what little opportunity she has to use felix's friends as a form of self-fulfillment. farleigh is not only half black, but he's also queer, non-immediate family, and unaccustomed to english culture (specifically this type of english culture). farleigh is, in some ways, more financially unstable than oliver's family because his mom was too sheltered to understand money and his dad is, apparently, "a lunatic." (that's not to say farleigh isn't economically privileged because oh boy, he absolutely is).

this movie doesn't intend to incite pity from the viewers for any of these characters, and it generally doesn't. oliver is pathetically greedy, ungrateful, and desperate for a chance to lick the boots (or bathtubs) of those above him. venetia is pathetically bored of the privilege she does have yet is still so entrenched in emotional turmoil due to other areas in which she is marginalized. farleigh is pathetically attached to uninterrupted comfort and arbitrary white-centric expectations, constantly running from or attacking any threat of struggle. none of these people understand, comparatively, what the less fortunate experience. they are so ignorant to the bubble they exist in and just how grateful they should be for what monumental privileges they do have. but... felix.

felix is the epitome of privilege. oliver is specifically obsessed with felix. just like oliver, felix is a white man. but felix is more wealthy, more comfortable, more untouchable than oliver. oliver isn't as infatuated with farleigh and venetia because he's fully aware of the privilege they lack. he's fully aware of the privilege he holds above them, and he enthusiastically uses this power he has against them. to be in the position of oliver is to be consumed by jealousy and greed so bottomless that you will assert your dominance over any group that you're able to. felix doesn't need to do this. he's been handed every privilege under the sun and therefor welcomes the less fortunate with childlike interest and an equally childlike attention span. there's an aspect of farleigh and venetia's marginalization that is so invisible, so quiet and unassuming, that felix doesn't even notice it. he can't possibly be confronted by it. to be in the position of oliver is to understand what power you hold over others, because there is always more power to have.

racism, sexism, wealth, power, control, desire. there are so many facets of this movie that come into play. it may seem overwhelming, but this is... how things work. commentary on wealth is, and should be, equally a commentary on other areas of privilege. to be black and wealthy means different things than to be white and wealthy. to be a wealthy woman means different things than to be a wealthy man. to be rich to some also means you're much less rich than others, unless you're the richest person in the world. and, as this movie so beautifully portrays, to be richer than most doesn't make you less messy. the catton family is an ugly one, but also a complexly human one. each catton (or start) is jealous of someone else for another reason. each catton is emotionally damaged or incompetent for another reason. each catton has a different layer of privilege over the other. and each catton loves everyone in saltburn, because this is still a family, albeit a terrible one.

[jichanxo]

i can't do this again.

[avaetin]

Adoption status (of free PJO keychains) as of Sept. 2: Low: 0-2 slots taken Moderate: 3 slots taken High: 4 or more slots taken You can find the following forms below:

SOLO CHIBI FORM: CLICK HERE DUO CHIBI FORM: CLICK HERE

Please help to adopt our "1st option: Low; w/ 2nd option: Low" baby girls & boys. By adopting them, you're giving these babies the chance to be in a warm and loving household (lol but fr do adopt them x'D).

-----

SOLO

Alabaster C Torrington

1st option: High w/ 2nd option: High

Nico di Angelo

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Aeon

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Percy Jackson

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Jason Grace

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Hazel Levesque

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Reyna

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Erebus

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Ananke

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Luke Castellan

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Ethan Nakamura

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PAIRS

Nico di Angelo & Alabaster Torrington

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Nico di Angelo & Aeon

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Nico di Angelo & Percy Jackson

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