#This has happened with multiple of the things I get fascinated with

[yourresidentstanlover]

a dumb chart i made ft. my oc kennedy (note he goes by both mandy and ken, and uses any pronouns :3)

Some silly stuff i wrote underneath the cut ^^

i think mandy would try to figure out how to deal with an extra finger. And realize that their eyesight is terrible cause things are waaay clearer when he's in ford's body while looking through his glasses. When he's back in his own body, she schedules an appointment with an optometrist.

ford would learn that fiddleford is way stronger than he looks (cause of farm stuff lol), and realize that bein tall is cool or somethin lol. he also struggles to adjust to walking with long lanky limbs. he trips over his feet multiple times. Also he dislikes fiddleford's tiny fuckin glasses, and wishes that he had bigger frames.

fidds ends constantly bumping into things, since mandy has a much wider build. lots of jabbing his hip into the edge of stuff lol. Also gets to experience period cramps :3 he does not like it. And he has to deal with mandy's not-so-great eyesight, which is another factor in him bumping into things.

As for how they all got switched around, ford and fidds were planning to do it, and mandy happened to get swapped with them on accident (idk maybe she tripped and fell on the carpet somehow. i didn't think too far ahead lol). After bitching about it, he agrees to stay like this and take notes on what it's like to be in someone else's body.

some silly stuff i think they'd say:

Amanda: can read something without squinting "wait a minute. is this how you're supposed to see?? Oh boy, it looks like i did need glasses after all."

Stanford: "How peculiar, despite your physical appearance, you seem to be quite strong, Fiddleford! How fascinating! I must test--" trips "ah, it seems i must adjust to your height, as well."

Fiddleford: "Oh good lord, kenny, how do ya see?? And why does my abdomen hurt- OH GREAT HEAVENS! How on earth do you function like this????"

also mandy has the gene that makes cilantro taste like soap, so she gets to taste it while in ford's body, and fiddleford tastes it and realizes that Mandy wasn't lying when he said that cilantro tasted disgusting lol

[fictionadventurer]

It sounds like Joe and Ken focused on telling stories, stories that being stories focused on the world and characters they knew. While Pete's were more focused on delivering a message with story flavored wrapping.

This is very much the case, but the difference seems to go even deeper than that, to a fundamental difference in worldviews that affect how they approach story.

Episodes written by Joe Fallon and Ken Scarborough respect children as people. Children have been shaped by their experiences and have unique personalities. Children are curious and have brains--they are driven to explore new things and can draw conclusions from what they see and do. Children are already people who deserve respect, and like all of us, they're growing into different people as they learn new things and have more experiences. The child characters can thus be the drivers of their own stories and come to learn lessons for themselves. The child audience can relate to those characters, be drawn into the story, and learn what it's trying to teach without having every detail explicitly spelled out.

Episodes written by Peter Hirsch seem to approach children as people-in-training. They might have one or two personality traits, but instead of coming from and interacting with other elements of their background, they're just pasted on, like a sticker you can put on your Generic Child Prototype. These blank-slate children need to have knowledge poured into them so they can become Properly Educated Adults. So in his episodes, these child characters will go through their story with a question, and the adults--the real people--will tell them the information in great detail so these characters--and the watching audience--can go off into the world knowing what the writer has decided they need to know.

In Joe and Ken's episodes, flaws are funny, and can create funny conflicts that will teach the children better ways to approach problems. In Pete's episodes, flaws are horrible things that need to be pointed out, labeled, and sanded away, so these children can grow up into the perfect model of what a Good Adult should be. The first approach is engaging, and celebrates diversity of personality in a community, while the other becomes bland in the interests of shaping all the members of a community into the desired mold.

Comparing the two approaches provides a shockingly thorough lesson in how one should and should not approach writing and education. Story and character and message are all intertwined. Trying to force the message onto the story and characters makes for something bland and generic and unrealistic. Letting the characters shape the story and letting the story bring out the message makes for something much more unique, organic, engaging, and real. And yes, maybe I've come to this conclusion by spending far too much time thinking way too deeply about a bunch of shows for elementary-aged chlidren, but that doesn't mean it's not fascinating to see how, even within the same show, an writer's personality and approach to the audience can make such a vast difference in the quality of a story.

[zombolouge]

The thing is, it's not about the Therapy Speak. It's not that everyone who disliked DAV hates healthy communication as a dynamic in fiction. It's not even about only being allowed to be a good guy, really, because most of us did do that anyways (though the option not being there is a loss I grieve even if I never chose it myself, but that's another rant for another day).

It's that DAV does all that stuff at the expense of being believable. At the expense of characters being permitted to have personalities. At the expense of emotions behaving the way emotions actually work for people. At the expense of letting the plot build tension through the stakes we're forced to grapple with.

Half the fics out there take the conflicts between the characters in the previous games and resolve them. I do it myself ALL THE TIME because I like to find a path to resolution through just about any conflict, that's what fascinates me about telling these stories. But the higher the stakes, the harder a conflict is to resolve. You CAN resolve any conflict, you CAN communicate healthily through any emotion, but you can't skip the time it takes to process it all to even be able to communicate it. As someone whose got CPTSD and recovered from many Traumas, I can tell you that the TIME it takes to work through it is not something you can fast track, and the ups and downs of your emotions on that journey can't be skipped. It doesn't matter if you know exactly how to do it, exactly how it's going to feel, or exactly what the end state will be, you CAN'T speedrun it.

DAV has stakes that are astronomical, but nobody treats them that way. Nobody experiences denial - a common psychological reaction to being presented with information that shatters your worldview. Nobody expresses any distrust in the establishments handing out this information - something common among cultures that have at times been at war, even if those wars are "resolved" in the present. Nobody really ever breaks down - something that any person is capable of under extreme circumstances, especially when facing multiple crises of faith that challenge everything they thought they knew about themselves. Nobody blows their lid because they've been repressing the hell out of everything. Nobody grieves for southern Thedas, the entire thing dying off screen and giving you, the player, NO way to engage with it in any way.

Not to mention there are barely any inter-party conflicts, when there should be a lot more. Why is everyone (except Spite) fine with it if Emmrich sacrifices Manfred to become a lich? Why is everyone fine with Illario potentially being set free if he was working with the venatori and Elgar'nan, two sources that have actively attacked everyone in the party? Why doesn't Neve resent Lucanis if Treviso is picked? Why doesn't Harding get pissed off at Nevarra for having a secret society of liches that never helped during the Inquisition's war against the breach and corypheus? Why doesn't Harding feel ANYTHING about Ferelden and the rest of the south? Shouldn't Harding resent the fact that she's stuck in the north while her home dies?

All of these conflicts ARE resolvable, but not easily. And it's not believable that they're never brought up. It's not believable that these characters skip through everything that happens with like, barely a frowny face most of the time. In DAO, Alistair leaves if you don't treat his conflicts with respect. In DA2, your party members try to kill each other if you don't pay attention to their conflicts/emotional needs. In DAI, people can leave or betray you, Cassandra throws a chair at Varric and tries to body him out a window. ALL of these can be resolved but it takes effort, and the characters get to SHOW that they're bothered by them and struggling the way a person would when faced with those emotions.

The problem isn't the therapy speak, or that everyone is loyal and won't leave, or that they aren't mean to each other enough. It's that it's toxic positivity. It's toxic as fuck to imply that anger or grief should be smiled over or else you're giving up, and it's damaging to people to avoid engaging with their own negative emotional responses to extremely negative stimuli. It's pasting optimism over very real, very weighty issues, sweeping it all under the rug, and you keep waiting for the lid to blow off the pressure cooker that creates, but it never does. It never becomes anything that emulates real emotions, which is why the whole damn thing feels hollow. Everything's dying and nobody cares, not even about themselves, and that's NOT healthy communication.

It's bullshit, half-assed storytelling that didn't tell us the actual story, just the vague idea of what it could have been.

[midday-clouds]

Yandere Batfamily x Neglected & "Immortal" Reader 》 IV

Part I Part II Part III

Wow, can't believe this was just a concept idea and this is part IV XD Part V may be the end but I'm not entirely sure. Don't get your hopes up for a part VI

Also, some of y'all wanted a tag list soo (Did my best but I couldn't @ some of you-)

Tag: @redkarmakai @erikasurfer @szapizzapanda @kore-of-the-underworld @imhere2dosomething @pastel-mouse @cooki3dough @naina326 @peptox @ladylupuscrow @confused-they @megasweetbones @1-800-crazy @lillian-morningstar @butterflycardigann

CW: Mention of past kidnapping, bar fight, blood, "death" and lab testing. Self-harm (Reader testing their ability). Gun shot and injury.

After you finally get Richard Grayson off your windowsill, you can sit down and eat

What makes him think that he can just walk into your life?! And with him being a vigilante, he most definitely could have saved you all that time ago! 

To clear your head, you try to remember what happened before you found yourself in your “brother’s” apartment. 

You and your friends wanted to go to a bar before college started…….a fight happened….How are your friends?! Did classes start already?! 

Opening your group chat with your friends, there are some messages about the bar fight, Red Hood, and how they’d visit you in the hospital

When making your message for the chat, you lie about being discharged from the hospital and ask if classes have already started

Your friends are so kind and update you on everything that has happened since you were in the hospital

The fall semester has begun but you should have an excuse because you were in the hospital

With some help, you were able to email all your professors about your absence and just hope they don’t drop you from the classes

Also hope they don’t ask for any documents from the hospital to confirm that you were there.

After a bit of rambling, you and your friends log off the group chat for the night. You never told them about what actually happened to you or what you found out about Nightwing, Red Hood, etc.

The information is difficult for you to process. Your whole family are famous vigilantes and no one came to save you when you were kidnapped. 

And Nightwing, he really was your first friend in Bludhaven and it always hurts to lose someone close

But he doesn’t deserve it. He doesn’t deserve your attention and time when he abandoned you just like the rest of the family.

You would have been dead if it wasn't for this weird thing that keeps your heart beating!

Maybe it would be a good idea to test this “power” of yours. You’ve died twice now and it seems that it takes a couple of days to heal and regain consciousness

Just for a small test, you make a small cut on your finger and watch it heal right before your eyes. You were hesitant to do these tests at first but this is also fascinating

Another cut is but a little bigger and it takes a little longer to heal. 

This continues a few times before you can have an idea of how long it takes for your body to heal itself. 

Once you’re done, you decide to go to sleep again and wait until it’s morning

Back at the manor, Tim has been hard at work. Making multiple plans that will end with you coming back home

Some are more intense than others but it can't be helped if you decide to be difficult 

Tim has also spent a lot of time researching your “powers”

Back when Dick saved you from that thief, Tim took the knife with your blood on it for research

Some interesting findings can be helpful if all else fails

It’s around noon when you wake up and your professors responded to your emails

They say that you’re allowed to keep your classes but there is a lot of classwork to catch up on

After eating some lunch, you sit down and look over all the work you’ve got to do. That is a lot….

You spend all day struggling and planning how you’ll get help

The next day, you decide to go to class. You go a little early because you knew you’d likely be lost

Luck seems to be on your side because you’re able to find your classroom! 

Walking inside, you talk to the professor and they tell you about a project for pairs

Thankfully, you’ve already been assigned a pair so you won’t be alone. You do feel bad about not being here to help though 

The professor points you in the direction of your partner and you introduce yourself. The moment your pair looks at you, your mood immediately takes a 180

Why is Tim Drake in your class? Doesn’t he go to a college in Gotham or something?

You pretend to be polite until the professor walks away and you glare at your partner while he just smiles at you

When you sit next to Tim, you try to sit as far away from him but he just moves closer

Before you can argue with him, the professor starts talking about the assignment for the day

You try to do the assignment alone but immediately get lost and you reluctantly accept Tim’s offers to help

Tim’s explanations were quite helpful and you both finished quite quickly. The room is filled with chatter so you take this moment to interrogate your “brother”

He gives vague answers to your questions but is sure to mention that he didn't want to leave his “sibling” by themself

Before you can respond, Tim cuts you off by saying he has something for you

You watch him carefully as he shows you a familiar item

Your phone

You instinctively reach for it but Tim stops you by grabbing your wrist

Glaring at Tim and his smiling face, he says he’ll give your phone back if you’d go back to the manor for at least one night

Tim repositions his hand on your wrist to be your hands intertwined 

You try to remove your hand but Tim persists. It isn't until you decline his offer does he put your hand down

You’ve lived a couple of weeks now without your phone so there is no need for it. Plus, you plan to buy a new one later

Tim doesn’t mention the family for the rest of the class

When class is over, you immediately go to the library (Almost got lost) to finish more work 

You settle at an empty table near a window and take out your laptop. Of course, it doesn't take long for you to struggle with the assignment and begin feeling annoyed

(Un)Luckly, Tim has found you and offered to help

With his help, you’re able to complete a few assignments before you have another class to go to

Tim invites you to the manor again but you still decline him

You only have two classes today so you hope to get home as soon as possible before running into Tim again

This repeats for a couple of more days

Everyday, you always have Tim in one of your classes

Tim attempts to bribe you to go to the manor with him, with your phone, playing games together, some other stuff you didn’t pay attention to

At least he never bribed you with his help on your classwork. Even after you catch up on old assignments, there are just so many concepts to understand

It’s annoying but Tim has successfully squeezed himself into your life by constantly being around

Something seems to have changed though because you notice Tim has started to leave you alone more

You don’t know why but would rather not question it. He’s a vigilante, right? He probably has some work to defeat a villain or something, you can literally care less about what Tim does

One day, you’re with your friends to participate in an event on campus. There are supposed to be games and free food so why not

Before the event began, there was a speech from the sponsor of the event

The sponsor is a lab group of some kind, promoting the study of life and encouraging new findings. You don’t know what it is but something about them sends a shiver down your spine

When the speech ends, you and your friends play a few games when a person from the sponsor stopped by

You all talk a bit and answer some minor questions before the person goes to a different group of people

At the end of the event, your friends offer to drop you off at home but you decline. You don’t live that far away and you also have pepper spray to keep yourself safe

While walking a person blocks your path. It’s that same sponsor person from the event

They go into more detail about the lab group they’re in, researching life and all

You do your best to remain calm, not showing your disturbance by their sudden presence

That is until they point out how there was a bar fight in the area and a victim went missing

A victim that looks exactly like you, covered in bruises and cuts, bleeding so much that the hospital wouldn’t be able to save them

Yet here you are, in perfect condition

This is when they finally reveal their intentions, wanting to figure out how you escape death

Offering a place in the lab group as a researcher and totally not a test subject

You pretend to consider their offer while carefully taking your pepper spray out of your pocket

It seems the person planned for this because they quickly take out and shoot at your hand holding the pepper spray

Terrified, you immediately make a run for it

You’re filled with so much adrenaline that you can't hear the person shout and the other gunshots that nearly miss you 

Running through multiple alleyways, something suddenly grabs you and pulls you into an almost pitch-black area

Things move quickly as an arm wrap around your waist, a whirling sound is suddenly hear above you, your feet leave the ground, and now you’re on a rooftop

You almost collapse once this new random person releases you from their hold

No longer in a dark alley, you can finally see who this new person is

Red Robin 

He gives you some time to catch your breath and calm down, putting his grappling gun back on his utility belt

Once your heart rate slows to a normal pace, you’re quick to show your annoyance at seeing the vigilante

Red Robin just seems to smile at you, not showing how your words affect him in any way

When you finally give Red Robin a chance to speak, he goes straight to the point

He admits to leaking some information to that lab group, just wanting you to see how you can live on your own

Even if Red Robin didn’t tell the lab group about your ability, they would have found out eventually 

That’s what happened to your mother after all

The vigilante then gives you two options

You can go with the research team and be tested on for the rest of your life or you can have a life back at the manor

Hell, there is a chance that your family of vigilantes can find and save your mother. Allowing you to reunite

As long as you returned home

With your two options, you find yourself back at Dick’s apartment

Dick bandaging up your hand, Jason carrying a box with stuff from your apartment, and Tim contacting Bruce

[mustangbby]

GIRL DAD OR BOY DAD? - sunday, boothill x reader

- or more clearly, to what gender would they want to have more, and general headcannons of them as papas ☺️

- brainrot brainrot brainrot BRAINROT AHHH... i love these guys and i can do a part 2 for others later but godd theres absolutely not enough dad stuff for these men (especially sunday... if there is its all yandere) so never fear novas here! ahem anyways enjoy

- warnings none! pure fluff!!! wc 711

Sunday is so a girl and boy dad.

Reason why I say this is because he likely needs an heir to take over his position when he gets too old to do so, but he also wants a baby girl he can spoil as well.

Don’t worry! He loves both of his kids the same! They’re the greatest things that have probably ever happened to him and he cherishes them with his whole life. He thanks the stars above every single day for the opportunity he received to be a father to multiple beautiful children, and thanks you for granting him the chance. 

Dunno, but I could see this man wanting a handful of kids. He wants at least one girl and at least one boy, but I could see him shooting for 3-4. Will he be around to care for them? Not all the time, but he tries his hardest (and he definitely has the resources to care for that many).

Considering they’re half halovian and half human, they look pretty much just like their father! Some have your eyes, but they all have his hair. His hair and his gorgeous wings. They have your features though, such as your face, body type, etc.

His favorite part of the day is when he gets to collapse on your shared bed, his kiddos following behind him to cuddle their dad, and most of the time you all fall asleep together. Normally, you wake up just you and him because he’s good about putting them in their own bed once they fall asleep.

Once his kids get older, he’ll teach his son(s) combat and good form. He wants them to protect, and wants to raise them to be strong and independent. With his daughter(s), if they ask to be taught combat, then he won’t see much of an issue with it. He also wants to teach them independence, but in a more subtle form. 

Just expect that his children as teenagers are going to be the prettiest kids around holy shit. They’re obviously enrolled in a private school due to their fathers high status but they always come home and list the compliments they’ve received that day. Thankfully you two have raised them well enough for them to realize that it’ll be bad if all of these get to their head and stroke their ego too hard…

Supportive father asf! All I’ve gotta say here

Don’t play Boothill is SO a girl dad hello have you met the man

He’s so excited when his little girl is born ahh he’s always dreamed of being a father to a girl and his dream has officially come true!!

Obviously, if you had a boy, he’d love him the same. He just wants children of his own tbh lol

His daughter knows western culture fresh out of the womb my friend. It’s like she was born for little cowboy boots and the cutest little cowboy hat. She’s even got a western name, he brought it up and you liked it, so the name you two settled on was Cassidy.

She has his hair! It’s absolutely gorgeous once it starts coming in- a pearly white color with little black streaks stemming from the roots. She has your eyes and your face, and his slimmer body type (before he was turned into a cyborg. This isn’t canon I actually have no clue what he looked like pre cyborgification lmao).

Oh lord, your daughter is so spoiled. On every mission he goes on he’s always bringing something back for her. It could be a super fancy necklace or even just a little trinket he picked up from a street vendor, but she has a whole shelf full of the things her daddy gives her.

She thinks it’s so cool he has a metal body. She asks about it alot but she’s really fascinated with it tbh. She likes to call it “daddy’s special feature!” and he always melts to that sentence gosh

He probably teaches his daughter how to use a gun when she gets older. He, similar to Sunday, wants his daughter to learn self defense tactics and learn how to fend for herself when necessary.

She totally has his accent. Change my mind period.

[elventhespian]

So like... it's a Thing in all fandoms where fans sort of latch onto fanon versions of characters and their dynamics with each other that are actually completely off-base, right? I don't know if this phenomenon has an official name, but I've seen it so many times and it's fascinated me every time. Especially when a character's popular fanon selves don't end up just diluted from their source material, but straight up OPPOSITE their canon portrayal.

So one of my "favorite" variations on this was how the early PotC fandom used to get Will EXTREMELY wrong, especially in comparison to Jack, and it made finding in-character fics SO. DAMN. DIFFICULT.

I've talked about this MULTIPLE times before, as have several other fans. It's a dead horse being beaten. But basically certain prevalent takes on fanon!Will have in the past leaned towards a personality that was very patient and grounded and even demure to contrast against Jack's off-beat personality and Elizabeth's fiery rebelliousness. Because Elizabeth has the drive to push back against social norms, Will became the foil who fell back to his pre-pirate version, reluctant to break rules unless she pulled him into it, even in post-CotBP timelines. Likewise, Jack was the one with the WTF decision making, while Will was more rooted in reasonable decisions.

And by their appearances, archetypes, and certain elements of their world views, you'd THINK that's how it works. When we meet Will in the governor's foyer, Will is so lovestruck and doe-eyed and subservient to the governor, I think that people thought that's just Who He Is. Especially because he often acts as Jack's straight-man foil in the comedic elements. Straight-laced. Rigid. Even boring or timid.

But if you actually pay attention to the movies, it's very much the opposite. In canon, Jack's USUALLY the level-headed one who just happens to have chaos follow him, because of the way he can wield it. He thinks in long run, tries to solve problems with words and as little fighting as possible as often as he can. Ideal situations for Jack are more like a thief--he wants to be in and out of the job as silently and slick as possible. The scenarios he's in are insane, because the way he throws other people around with those scenarios is kind of insane, but he himself remains largely cool and collected.

That's Jack.

THIS is Will:

Canon!Will starts out literally so impulsive and rash, Jack has to physically manhandle him at certain points to keep him from blowing up his plans--and then still gets taken out because he underestimates his listening skills and impatience. Will corners Jack into what is functionally a cage match to the death by sanely locking the door with his sword and very nearly wins. He is constantly at 11, constantly demanding things be done faster, more directly, and at the same time quietly scheming behind Jack's back almost from the get-go. He does flashy jumps and flips off of things because using the stairs is too slow or whatever. He shows up in DMC yelling at Jack to give him his compass at the point of the sword, and insisting he'll get Davy Jones' key by just "cutting down everyone in his path."

Even when Will mellows out significantly in AWE, there are remnants of this contrast still there. Jack's plan for leading Beckett to Shipwreck Cove seems to have been a very reasonable and underhanded effort to deliberately make sure Elizabeth is inside the Cove while Will is on Beckett's ship, in command of the Compass. Meanwhile Will's plan was to leave a breadcrumb trail of vulture-sea gulls feasting on dead soldiers' corpses.

What I'm getting at is, yeah, Jack's a charismatic "rogue" and Will's a "romantic hero" TECHNICALLY. Jack makes quippy jokes, and Will glares and scowls and WTFs back. But not only are they are both more alike than people give them credit for, they are also totally opposite their roles' traditional personalities in ways that the fandom tends to overlook.

TLDR; Jack's crazy, Will's a sweetheart. But Will is also a manic gremlin, and Jack doesn't always know what to do with him about it, so they often end up something like this:

And more fans need to play with this fact, the end.

[sleepy-writes-stuff]

DP X DC PROMPT #25

(#) = Notes at the end of post

(*) = Just me building off of other ideas.

✦

Family Reunion

Clockwork sends an adult Danny, newly appointed Ancient of Space, on a mission through time again. Except this time, it isn't located on Earth, but a distant planet he's never even heard of before. Clockwork didn't tell him any specifics on what he was supposed to do or when he was supposed to return to his own time, just to blend in and have an experience. He would know when it was time to return.

Needless to say, he has a blast! His core is bursting with happiness at getting the chance to explore this unknown corner of the universe with a sky full of constellations he's never seen and fascinating locals. Considering he might be here a while, he buckles down and learns all about their culture and their traditions and even eventually learns their language without having to use the two-way translator Clockwork gave him.

He spends decades there, not even having to worry about how he never appears to age, the people here being incredibly long-lived. However, he eventually meets someone. Someone he falls head over heels for. He gets married. He has kids. He watches them slowly grow into adults as well. It isn't until one of his sons informs him that he's expecting his own child(1) that Danny feels a tug at his core.

He ignores it, but over the course of a few weeks, it's gone from the occasional pull to a full-on yank at his entire being, along with a sense of dread that something was going to happen to this wonderful little planet. To his family.

He becomes restless and loses so much sleep, it's a miracle he can even stand. His family are worried for him, but he assures them that he's just feeling a little under the weather. One night, he's sat up in bed, unable to sleep again. His gaze is fixed lovingly on his spouse, but nonetheless sad.

He doesn't miss when all the soft sounds of the night stop and a green glow appears behind him.

"It's time to leave, isn't it?"

"Yes."

"There isn't any way I could stay? I can't bring them with me?"

"I'm afraid not. There are some things that can't be changed or stopped, even when they fall into your domain. I'm sorry."

"Why send me here just to make me abandon them like this? What was the point?"

Clockwork is silent, but when Danny turns to look at the ghost, he's gone.

Danny takes a few more precious days to spend time with his family. Kiss his spouse. Hug his kids. Feel the strong kicks of his grandchild he won't be there to witness the birth of.

The night he leaves, he places a letter on his spouse's nightstand, gently kisses their forehead, and disappears in a flash of green, never to be seen again.

Years later is when Danny gets the news. That the planet Krypton is no more and that his family is gone. He searched the Ghost Zone for them, but he never knew the location of Krypton in the cosmos. Their afterlife is beyond his reach, in a place that isn't even on the Infamap.

He nearly drowns himself in grief when he finds a sliver of reprieve in the form of a news broadcast. An extraordinary man in blue and red with the kryptonian symbol for such emblazoned on his chest is shown fighting off multiple enemies at once. He is the spitting image of his father and Danny as well.

He had a grandson. His grandson was alive.

✦

(1) This was Kara, not Clark. Danny left before he even found out about Kal-El being in the oven, so there will be a misunderstanding at first. Then Kara pops up later, and Danny just bawls his eyes out that he had two surviving grandchildren without even knowing it this whole time. How he first meets either of them is up to you!

(*) What this means power-wise for Clark is yours to decide. As well as what Clark already knows about his grandfather from the stored information his father left him. What his father thought of Danny disappearing without a word is also up for you to decide.

[hisonlykiwi]

"With that kind of power at your disposal, the possibilities are endless."

synopsis: azriel, who's never bothered to acknowledge your existence seeks you out for help.

wc: 1.3k

warnings: mentions of gore memories and trauma.

a/n: hey guys, i'm thinking of making this a small series with multiple parts. please let me know what you think <3

part two

____________________________________________

I pinch the bridge of my nose in frustration, looking over the report Rhysand had given me a few days back. I look at the clock ticking away on the wall beside me; It’s been exactly 5 hours and 27 minutes since I came down to the library. 5 hours and 27 minutes of studying the reports of the numerous attacks on Velaris and I’ve got no lead or clear motive.

I let out a sigh, shifting my gaze over to the shelves around me brimming with books that are probably older than me. I wonder how Rhysand keeps such good care of this place, it’s truly a sight for sore eyes. Since a child, I’ve loved nothing more than hiding away in the library and stuffing my face with any book I could- I freeze.

The air around me shifting slightly. I felt a shudder dance down my spine, the air thick and heavy. I move my hand down to my thigh where I keep my dagger. I feel something, no, I feel someone’s eyes watching me. My eyes fix on a darkened corner of the library, instantly seeing a familiar figure. Our gazes instantly lock, and I stir slightly in my seat. An uneasy feeling pooling in my stomach, how long had Azriel been standing there, watching me? I didn’t dare break eye contact until I gasped at the feeling of a cool breeze on my ankle, I looked down to see a tendril of black smoke, very similar to the ones I’ve seen around Azriel. It must’ve felt me staring at it because it hurried back to the unlit corner where Azriel stood.

 I awkwardly clear my throat and release the tight grip I had on the dagger, “Can I ask why you’re lurking in the shadows and watching me?” I say to him, monitoring his every movement. I felt odd asking him a question seeing as we’ve never talked before. I see him all the time but always at a distance, he never talks and always has a stoic expression. The only thing I know of him is he is the spymaster shadowsinger who has been Rhysand’s best friend since childhood and just so happens to be, one of the most powerful Illyrians in Prythian history.

“Just gathering information.” He says, stepping out of the corner, the soft light accentuating his strong features. I tracked his every movement; It was no secret that Azriel was devastatingly handsome. I felt a nervous pang in my chest watching him approach me. “You’re quite fascinating to observe.” He continued, I raised an eyebrow at his statement, “And what exactly is fascinating?” I could feel his eyes scan over my figure, "Your movements, your expression, your presence... It's all quite intriguing." He said in a low deep voice.

I felt a small heat rise to my cheeks, I ran a hand through my hair, unsure of what to do or say. Oddly enough, I felt anxious, but I refuse to let it show. “Is there something I can help you with?” I ask him in a stern voice. I’m confused as to why he is speaking to me in the first place. I watch him take a sit on the chair in front of me, suddenly this table felt quite small.

He watches me, gaze still piercing. "Help me? Well... There is one thing I was curious about..." He said in a suggestive tone. I leaned back in my chair and crossed my arms over my chest, “About?” I stared back at him. I watched as he mirrored my position, also crossing his arms over his chest and leaning back.

There was curiosity etched in his features, “Two words; reality altering.” I made no movement; the air so tense I could slice it with my dagger. I only stared back at him, expressionless. There is no possible way he knows about my powers, the only two people who know are Rhysand and Amarantha, who’s head I personally saw get impaled to a wall, so safe to say it wasn’t her. And Rhysand wouldn’t be careless enough to give away this vital information, even if the man in front of me was his best friend. “Yeah, I’ve read about it.” I say to him, trying to sound bored.

My comment caused for a smirk to break out on his beautiful face, “A little mouse told me you have a powerful gift. A gift so powerful that people would go to war over it.” I chuckled, “Is that so? When you find that powerful gift, please let me know, I would love to have such power.” I finished with a smile. Azriel's expression remained unflinching as he kept his eyes locked with mine, his intense gaze not wavering.  “Is that what you told Bodhi before you made him brutally murder his entire family?” I felt my breath hitch in my throat, I shut my eyes, memories of Bodhi’s face and his family’s mutilated bodies flooded my mind. The painful memories serving as a reminder of why I will never know peace nor deserve peace. It’s haunted me every single night, their horrific screams replaying over and over in my nightmares.

"Ah, so now it's confirmed." He said, a slight smirk playing at the corner of his lips. "I knew there was something special about you.” I deeply sigh, trying to push away the thoughts of what Amarantha forced me to do nearly 50 years ago to the back of my mind, like always I’m rendered unsuccessful. I open my eyes to meet his golden eyes once again. “What’s it to you, Azriel?” I spit out at him, his name tasting like venom in my mouth. He leaned over the table, his voice dropping dangerously low. "With that kind of power at your disposal, the possibilities are endless... You could control armies, change the course of history... Or you could use it for more hedonistic pursuits."

Now it’s my turn to mirror his movements, I put my elbows on the table and lean over the table, our faces less than a foot apart. “So, I ask again, what’s it to you?” He replied, his voice low and cold, "It's simple, really. I want to know exactly what that power of yours can do." After a few moments, “No.” I plainly say, I tear my gaze from his and start collecting the report from the table so I can make my way out. "Running away already, are you?", his deep voice said, carrying authority. I ignore him and continue to get my bag, when I felt his hand on my wrist, stopping me from standing up.

“I need your help.” I pause and look back at him, a pleading look on his face. “Why? You’ve never spoken to me, let alone acknowledged my existence. Then you barge in here, provoking me and suddenly you want my help? I have to laugh.” I pull my wrist away, but he grips tighter, “Please.” He says, and I tug my wrist away again, but he doesn’t budge.

 “Let. Me. Go.” I say, unable to withhold my anger. I blink and suddenly, I’m standing in the middle of the woods with Azriel still holding my wrist. He fucking winnowed us to the middle of nowhere. “Azriel, what the fuck are you doing?!” I give him a hard shove, but he doesn’t budge, of course, he doesn’t, he’s a 6’5 man made of pure muscle, ugh! He holds me close to his chest, “I have strong suspicions the inner circle is in grave danger and your abilities would be able to prove if I’m correct.” He quickly says, I stop moving, processing what he just said. He notices, slowly lets me go and moves away a bit but stays close. I peer up at him, confusion and concern laced in my features. “What do you mean, exactly?”

I furrow my eyebrows, still processing. Danger? How could they possibly be in danger? Is that why he brought us out to the middle of the woods, so no one would hear him? I hear Azriel take in a deep breath, “I think Elain is working with Hybern.”

[gafurtle]

Amena, Murderbot, and Violence

Thinking today about Amena and violence in The Murderbot Diaries.

Like, Amena is from Preservation, a planet whose murder rate is barely above that of an uninhabited planet, where finding an unexpected dead body is so shocking that they close the entire space station IMMEDIATELY. And the other characters from Preservation tend to...let's say look askance at Murderbot's murdering. There's Gurathin challenging whether Murderbot has the right to kill Mensah's captors or Thiago being really upset at the thought that Murderbot might have killed the raiders who were trying to kidnap and/or murder the survey crew. There's also the moment that Murderbot thinks about how it's never killed anyone directly in front of Ratthi, and how it wants to keep it that way, so that Ratthi will keep thinking the best of it.

And Amena was raised on this planet, and so far as I know hadn't really left up until the survey assignment in Network Effect, who suddenly finds herself kidnapped along with Murderbot. And Murderbot is losing it because it thinks ART is dead, and ends up ripping one of the Target's lungs out in front of Amena while messily murdering it.

And Amena's response is...shockingly chill? Like, I guess she's also in shock and scared and Murderbot is the only person on her side at the moment, but it's still an incredibly violent killing done right in front of her and she never really seems to blink at it. Later, the very second that Ras shoots Murderbot, Amena jumps onto his back and tries to choke him out. Like, that's her first and immediate reaction--and this is like 30 minutes after the "Murderbot rips someone's lungs out" thing.

And there is something touching about how "ride or die" Amena is with Murderbot even though she thinks it doesn't like her. And about how willing Amena is to deal with whatever is happening. How at the end of that day, when they've been in a space battle and kidnapped and Murderbot did some murdering and Ras died and Eletra was almost fried and Murderbot was having multiple emotional breakdowns...Amena is worried that Murderbot is mad because she didn't defend it enough when Ras & Eletra were being verbally mean. Like, THAT'S what she thinks might affect their relationship.

I don't know what I'm getting at, exactly, except that I think Amena is a fascinating character.

Things Amena gets upset about:

Murderbot interrupting her date with a predator

Murderbot forgetting to talk in stressful situations

Casual racism (bot-ism?) from Ras & Eletra

Murderbot & ART not talking

Things Amena does NOT get upset about

Murderbot doing the killing

[buckets-and-trees]

Red, White & True: DC, Tampa, Athens [5/?]

Characters/Pairings: Steve Rogers x curvy Millennial Female!Reader, Peter Parker, Sam Wilson, Bucky Barnes Word Count: 6.1k Summary: Late September means things are only accelerating as election day grows closer. Steve is picking up momentum in the polls, and things heat up on multiple fronts before you hit a bump that may shake up the progress between you and your husband.

Content/Warnings: marriage of political convenience, slow burn

Notes: You get another West Wing cameo in this chapter (but totally unnecessary to have ever watched the show). This takes place in a post-Endgame scenario where Steve stays and generally most of TFATWS happened.

Previous Chapter | Series ↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

[SEPTEMBER 26 - WASHINGTON, DC]

The late September sun streams through the floor-to-ceiling windows of the campaign's official DC headquarters, casting long shadows across the bustling office space. You're leaning against a desk, watching with amusement as Peter Parker, the youth outreach coordinator who's also become the campaign's unofficial creative director of the TikTok segment of the social media team, attempts to explain the concept for the video to Steve.

"Okay, Cap," Peter says, his enthusiasm palpable as he holds up his phone. "We're going to do a quick transition video. It's super easy, I promise!"

Steve stands in the middle of the room, looking slightly uncomfortable but determined. He's dressed casually in jeans and a plain white t-shirt, a stark contrast to his usual campaign attire. The goal is to remind the voters that Steve is relatable to the everyday American at the end of the day.

Steve nods, a mixture of bemusement and determination on his face. "Alright, Peter. Walk me through it."

Peter's face lights up. "Okay, so you're going to start in your casual clothes, then you'll spin around. As you spin, we'll cut and you'll change into your suit. When you finish the spin, you'll be in full Captain America mode, then we’ll have you spin and change one more time, and we’ll end the video with you in your presidential get up."

"And this will... resonate with young voters?" Steve asks, raising an eyebrow.

You can't help but chuckle. "It's about showing your versatility, Steve. From everyday guy to national hero to the next president in the blink of an eye."

Steve shoots you a playful glare. "Easy for you to say. You're not the one spinning like a top."

Peter positions Steve in front of the camera. "Okay, Cap. Just spin naturally, and we'll take care of the angles and editing.”

As Steve prepares for his first take, Bucky saunters into the room, a smirk playing on his lips. He sidles up next to you, crossing his arms as he watches his best friend awkwardly position himself in front of the camera.

"I'm sure Steve must be loving this," Bucky murmurs, his voice low enough that only you can hear.

You nod, suppressing a chuckle. "It's written all over his face."

Indeed, Steve's expression is a fascinating mix of determination and mild discomfort, his brow is furrowed in concentration.

The rapport that’s been developing with Bucky over the last few weeks has also been nice. It’s its own brand of friendship, and it’s not rock solid yet, but it’s growing.

"Alright, Cap," Peter calls out, phone at the ready. "On three. One... two... three!"

Steve begins to spin, his movements a bit stiff in the first take.

Peter's enthusiastic voice cuts through the air. "That was great, Cap! Let's try again,” he encourages, not leaving a beat for Steve to feel awkward or like he’s done it wrong. You can tell his approach will make all the difference with Steve.

As Steve prepares for another take, you can't help but admire his willingness to step out of his comfort zone. It's one of the things that's made him such an effective candidate - his ability to adapt and connect with people across generations.

"Okay, this time, try to relax a bit more," Peter suggests. "Just have fun with it!"

Steve spares a glance at you and Bucky, then takes a deep breath, shaking out his arms. "Right. Fun. I can do fun."

Bucky snorts beside you. "This ought to be good."

As Peter counts down again, Steve starts his spin. This time, his movements are smoother, more natural.

"Perfect!" Peter exclaims. "That's the one. Now, let's get you into your tac suit for the next part."

Steve nods, heading towards the makeshift changing area set up in the corner of the room. As he disappears behind the partition, Bucky leans in closer to you.

"You know, I never thought I'd see the day when Steve would be doing social media stunts," he says, his voice a mix of amusement and pride. "He's come a long way from the kid who could barely talk to girls in Brooklyn."

You smile, picturing a young Steve Rogers, all skinny limbs and earnest determination. "I bet he was endearing," you say.

Bucky chuckles. "Oh, he was. A real charmer. Couldn't string two words together around a pretty dame, but he had a heart of gold." He pauses, his expression growing more serious. "It's good to see him like this, you know? Engaged with the world, trying new things and connecting with people again. For a while after the Blip, I worried he’d ride off into the sunset forever before the sunset was even really here. We’re out of the century we were supposed to live in, but we’re still here, y’know? Didn’t think it would be this, but it’s not all bad. Pepper wasn’t wrong in choosing him for who he is inside.”

You nod, understanding. “When I met with her about the campaign, she’d sent me the policy materials, the plans, the opposition research detailing his strengths and weaknesses as a candidate, and I was on board to take any position she offered me on the campaign team. I never imagined working on a presidential run, but her vision, her approach? I knew I wanted to be part of it.”

Bucky arches an eyebrow. “I thought… wait…” he’s mulling over what you said. “So, when you came in, you didn’t know she wanted you to marry Steve?”

You laugh and shake your head, “Oh, no! Because that would have been crazy! Who would agree to that?”

Bucky's eyes widen slightly at your revelation. "But you just... agreed on the spot when she proposed it?"

You pause, considering how to respond. The truth is, it had been a whirlwind decision, one that you sometimes still can't believe you made. "Not exactly on the spot," you say carefully. "But...pretty quickly, yeah. It was a lot to take in, but something about it just felt right, you know?"

Bucky nods slowly, a thoughtful expression on his face. "I get it. Steve has that effect on people. Makes you want to follow him into any fight, even if it's not your own."

Before you can respond, Sam walks in, eyebrows raised at the scene before him. "How’re things going here? I hear we’re starting a dance troupe?"

Bucky chuckles. "Social media campaign. Apparently, the kids these days like watching people spin around and change clothes."

Sam shakes his head, a grin on his face. “Glad I’m not going to miss it.”

“I’m suggesting you go in as back up dancer.”

“Don’t threaten me with a good time, Barnes! You know I’d do it!”

You laugh at the easy banter between Steve’s two best friends, but then the man himself emerges from behind the partition, now clad in his tactical suit. The sight of him in the red, white, and blue outfit isn’t new, but as it’s the first time you’ve ever seen him dressed as Captain America in person, it unexpectedly takes your breath away a little.

Steve takes his position again, looking more at ease now in his familiar uniform. "How's this, Peter?" Steve calls out, adjusting the shield on his arm.

Peter gives him a thumbs up and starts the countdown. This time, Steve's spin is confident and fluid, ending with a slight smirk that's pure Captain America.

"Nailed it!" Peter cheers. "Okay, one more outfit change and we're done."

“Hang on!” Sam calls out. His eyes light up as he looks between you and Steve, a grin spreading across his face. "We've got a golden opportunity here."

You raise an eyebrow, curiosity piqued. "What do you mean?"

Sam rubs his hands together. "Picture this: Captain America, in full uniform, getting a kiss from his lovely wife. It's the perfect Instagram moment!"

Steve's eyes widen slightly, a faint blush creeping up his neck. "Sam, I don't think-"

"No, no, hear me out," Sam interrupts, warming to his theme. "We've been pushing the whole 'relatable Steve' angle, right? Well, what's more relatable than a guy getting a kiss from his wife? Plus, it ties in the Cap persona.”

Peter's face lights up at the suggestion. "Oh man, that's genius! The engagement would be off the charts!"

Steve looks slightly uncomfortable, shifting his weight from one foot to the other, and you don’t know how to feel about it either. "I don't know, guys. Isn't that a bit... much?"

Bucky chimes in, a smirk playing on his lips. "Come on, give the people what they want."

“Et tu, Brute?” you direct this to Bucky, not at all surprised at the enthusiasm from Sam and Peter, but genuinely shocked he’s jumping on board as well.

Sam turns to you, his expression a mix of excitement and mischief. "What do you say? Want to break the internet with a kiss from Captain America?"

You hesitate, feeling a mix of emotions. On one hand, the idea of kissing Steve - even for a staged photo - sends a flutter through your stomach. On the other, you're acutely aware of the artificiality of the situation and the potential implications for the campaign.

You glance at Steve. His expression is unreadable, but you can see a hint of uncertainty in his eyes.

Sam, sensing your hesitation, softens his approach. "Look, I know it might seem a bit much, but think about it. We've been working so hard to show Steve as both the hero and the everyday man. This could be a perfect blend of both."

Peter nods enthusiastically. "I think a good candid shot would be a great way to humanize the campaign. Show that even Captain America has a soft side."

You look back at Steve, and he gives a small nod. You see a mix of emotions in his eyes - uncertainty, but also a hint of something else. Trust, perhaps. "If you're okay with it, I am."

"I’m good," you agree, your heart rate picking up slightly.

Sam claps his hands together. "Great! Peter, get ready with that camera."

As Peter positions himself, you step closer to Steve. He reaches out, gently placing his hands on your waist. The tactical suit feels cool under your fingertips as you place a hand on his chest. You can feel the slight tension in his muscles.

"Ready?" Steve murmurs, his voice low enough that only you can hear.

You nod, managing a small smile. "Let’s do this," you reply once more because this is its own ‘public appearance’, and so the customary exchange only seems fitting.

Steve’s hands move from your waist around to your back, and he takes a deep breath, looking into your eyes.

You stop breathing for a moment, suspended there in his arms.

“Kiss her, punk!” Bucky shouts, and the electric moment is broken, but you both laugh, and then Steve dips you dramatically and kisses you soundly as you clutch his shoulders. The three men cheer enthusiastically and cat call you when the kiss goes on just another moment or two.

As Steve stands you back up, you both burst into laughter, the tension of the moment dissolving into genuine mirth and camaraderie. His arm is still around your waist, steadying you as you regain your balance. The warmth of his body radiates through the tactical suit, and you find yourself leaning into him slightly, your soft, round body pressing into his hard muscles.

"So, Peter," Steve calls out, his voice still tinged with amusement, "did we nail that shot, or do you need us to try again?" There's a playful glint in his eye as he says this, and you can't help but grin up at him.

Peter, looking slightly flustered but undeniably excited, nods enthusiastically. "Oh yeah, Cap! That was perfect! The internet is going to go crazy over this!"

You start to step away, ready to return to your spot by the desk, but Steve surprises you by gently pulling you back, his arm wrapping around your waist once more. The room seems to fall away as he gazes into your eyes, a softness in his expression that you've rarely seen before. Time slows as he leans in, his free hand coming up to cup your cheek.

His touch is feather-light, his calloused thumb brushing across your cheekbone with a tenderness that makes your breath catch. The scent of him envelops you - a mixture of leather from the suit, a hint of aftershave, and something uniquely Steve.

Your heart races as Steve leans in, his breath warm against your lips. For a moment, you forget about the cameras, the campaign, everything except the man in front of you.

Steve's lips brush yours, soft and tentative at first. It's different from the performative kiss moments ago - this feels real, intimate. You respond instinctively, your hands sliding up his chest to rest on his shoulders. The kiss deepens, and you feel a warmth spreading through your body.

Suddenly, you're jolted back to reality by the sound of a throat clearing loudly.

You and Steve break apart, both slightly breathless. The room crashes back into focus, and you're acutely aware of the others watching. Sam has a knowing smirk on his face. Peter looks like he might explode from excitement.

"Well," Sam says, breaking the silence. "I think we've got more than enough material for social media now."

You step back from Steve, feeling the heat creep up your neck. Steve clears his throat, looking slightly flustered himself.

"Right," he says, his voice a bit rough. "I should, uh, go change for the final spin shot."

As Steve disappears behind the partition again, you catch Bucky's eye. He gives you a subtle nod, his expression unreadable. You're not sure what to make of it, but there's no time to dwell on it as Peter starts setting up for the final shot.

You return to your spot by the desk and try compose yourself. Your lips still tingle from the kiss, and you can't shake the memory of Steve's touch.

Bucky sidles up next to you, his voice low as Sam and Peter talk next to you. "That was quite a show," he murmurs, a hint of amusement in his tone.

You glance at him, unsure how to respond. "It's all part of the job, right?" you say, aiming for nonchalance but not quite hitting the mark.

Bucky gives you a long look, then nods slowly. "Right. The job."

Before you can say anything else, Steve emerges from behind the partition, now dressed in one of his presidential suits - a sharp navy number that accentuates his broad shoulders. You can't help but admire how he carries himself. He exudes a quiet confidence, as ever, a perfect blend of the everyday man and the leader of the free world.

"Alright, Cap," Peter calls out, "let's nail this final spin!"

Steve takes his position, and as he begins to turn, you find yourself holding your breath. The transformation is mesmerizing - from casual Rogers to Captain America to Presidential Candidate, but all of them undeniably Steve.

[SEPTEMBER 27 - TAMPA, FLORIDA]

The campaign has rented out an entire floor of a hotel for debate prep, transforming the spacious suites into makeshift war rooms as Tampa provides some key and convenient access to key southern cities by plane. Maps, charts, and policy briefings cover every available surface, and the air hums with the energy of a team on a mission.

Jake Sullivan, Steve's chief strategist, has pulled out all the stops for this crucial phase of debate preparation. He's brought in Amy Gardner, a seasoned political operative known for her sharp wit and take-no-prisoners approach. Her presence adds an extra edge to the already intense atmosphere. You watch as Amy commands the room, even though she sits rather casually in an armchair ten feet from Steve, who stands behind a makeshift podium.

Her presence adds an extra edge to the already intense atmosphere. You watch as Amy paces the room, firing off rapid-fire questions at Steve, who stands behind a makeshift podium.

"What's your plan for addressing climate change?" Jake asks, his voice stern.

Steve responds confidently, "We need to transition to clean energy sources while also supporting workers in traditional energy sectors. My plan includes..."

Amy cuts him off, her tone brusque. "Too long. You've got 60 seconds max. Hit the key points and move on."

Steve nods, taking a deep breath. "Right. Clean energy transition. Support for affected workers. Immediate action on emissions reduction."

“Too succinct,” she says.

Steve frowns, clearly trying to find the right balance. Squaring his shoulders, he goes again. "Our climate plan has three key components: First, an aggressive transition to clean energy sources like wind and solar. Second, robust support and retraining for workers in affected industries. And third, immediate action to reduce emissions across all sectors. This isn't just about saving the planet - it's about creating jobs and securing America's energy independence for generations to come."

Amy nods approvingly. "Better. Now, pivot to how this contrasts with your opponent's stance."

Steve's brow furrows in concentration. "Unlike my Republican opponent, who continues to deny the reality of climate change, my plan acknowledges the crisis we face while also prioritizing American workers and innovation. We can't afford to stick our heads in the sand any longer."

"Decent," Amy says, her tone softening slightly.

“Only decent?”

“You didn’t address the Democrats’ policy. Your battle is to convince enough voters in America to break with over two hundred years of choosing between red or blue.”

You can see Steve is fighting back a sigh of frustration.

"Mr. Rogers, your opponent claims your lack of formal political experience makes you unqualified for the presidency. How do you respond?"

Steve takes a moment, his brow furrowed in concentration. "My experience may not be traditional, but it's been forged in the crucible of protecting this nation and its values. I've led teams through impossible situations, made tough decisions with global consequences, and always put the American people first. That's the kind of leadership experience that truly matters."

Amy nods, but doesn't let up. "Good, but tighten it up. You need to hit harder on your unique qualifications. How do you respond to critics who say your experience is outdated?"

"I'd say that my unique perspective allows me to see both where we've been and where we need to go," Steve begins, his voice steady. "I've seen this country at its best and its worst. I understand the challenges we face because I've lived through similar ones before. But I also understand the incredible potential of our future because I've seen how far we've come."

You can’t help but feel inspired by that answer, but Amy's eyes narrow, her expression sharpening. "Not bad, but you're still playing it too safe. Your opponents will come at you hard. Let's ramp this up."

She stands and begins pacing in front of Steve like a shark. "Mr. Rogers, your critics say you're nothing more than a science experiment gone right. How can you claim to represent the average American when you're literally superhuman?"

Steve's jaw tightens, a flicker of frustration crossing his face. "I may have enhanced abilities, but my values and my heart are as human as anyone's. I grew up in Brooklyn during the Great Depression. I know what it's like to struggle, to feel powerless. The serum didn't change that part of me."

Your heart swells, but again Any interjects again.

"Weak," she says, her voice cutting. "You're not connecting. Try again."

Your mouth drops open slightly. That was powerful. You know it was.

Steve takes a deep breath, his knuckles whitening as he grips the podium. “I’m not a monkey on a unicycle.”

“Well, what a great start. No one wants a monkey in the White House,” she deadpans.

“I don’t need this. We did just fine in the first debate without you,” Steve nearly growls.

“Oh, I didn’t know we were aiming for just fine, I thought you wanted to win.”

Steve's eyes flash with a mixture of anger and frustration. The tension in the room is palpable, like a rubber band stretched to its breaking point. You can see the muscles in his jaw working as he grinds his teeth, trying to maintain his composure.

"I'm not here to play games or put on a show," Steve says, his voice low and controlled, but with an undercurrent of steel. "I'm here because I believe in this country and what it can be. I've fought for it, bled for it, and yes, even died for it. So don't tell me I'm not connecting."

Amy opens her mouth to retort, but Steve cuts her off.

"I've seen this nation at its best and its worst," Steve goes again, his voice growing louder, more impassioned as he speaks. "I've watched it rise from the ashes of the Great Depression, triumph over fascism, and push the boundaries of human achievement. But I've also seen it torn apart by fear, prejudice, and greed."

His eyes blaze with an intensity that seems to electrify the air around him. The room falls silent, everyone transfixed by the raw emotion in his words.

"I may have been enhanced by science, but my heart, my values - they come from growing up as a scrawny kid in Brooklyn who couldn't stand by and watch bullies win. They come from the men and women I fought alongside, who gave their lives for the ideals this country stands for."

Steve's fist comes down on the podium with a resounding thud, causing several people to jump.

"I'm running for president not because I think I'm better than anyone else, but because I believe in the promise of America - a promise that's been broken too many times for too many people. I've seen what this country can do when we come together, when we fight for what's right. And I'm here to tell you, we can do it again."

Steve's voice rings out, filled with passion and conviction. The room is dead silent, everyone hanging on his every word.

"So no, I'm not a traditional politician. I don't have decades of experience playing political games or making backroom deals. What I have is a lifetime of standing up for what's right, of putting others before myself, of believing that we can always be better. I'm running because I believe in the power of ordinary people to do extraordinary things when given the chance."

He pauses, his chest heaving slightly as he looks around the room. The silence is deafening, everyone ensnared by the raw power of his words.

"That's what this campaign is about," he says, his voice softening but losing none of its intensity. "It's about reminding every American that they have the power to shape this nation's future. That their voice matters, their dreams matter, this country over politicians and political agendas. It’s not a show to me.”

Steve strides away from the podium and walks out, and no one stops him. No one even moves until the weighted door to the suite swings closed again. Jake and Elsa begin conferring. Amy seems unconcerned. You’re sitting with Bucky and Sam, who exchange a look, and Bucky moves to stand, but you’re quicker.

“Let me go after him,” you find yourself saying, surprised at how fast you were to seize this situation, almost like a natural instinct.

You hurry out of the room, scanning the hallway for any sign of Steve. You catch a glimpse of his broad shoulders disappearing around a corner and quicken your pace to catch up.

"Steve!" you call out, your voice echoing slightly in the empty corridor.

He stops, his back still to you, shoulders tense. As you approach, he turns slowly to face you. The fire in his eyes has dimmed, replaced by a weariness that tugs at your heart.

"Hey," you say softly, closing the distance between you. "That was... intense back there."

Steve runs a hand through his hair, letting out a long breath. "I shouldn't have lost my temper like that. It's just..." He trails off, shaking his head.

You reach out, placing a hand on his arm. "It's okay. Amy was pushing hard. Maybe too hard."

He looks down at your hand, then up to your face. “I’m fine.”

“I think you’ve told everyone you’re fine every day of your life, Steve Rogers, and no one needs to exist like that.”

Steve cocks his chin slightly. “But the President of the United States should have it together, shouldn’t they? People want a leader they can trust.”

You smile, but it’s not a happy smile, and his expression matches yours.

“Can I ask…?” you venture cautiously.

He nods. “Wife privileges. You can ask whatever you want. Wife duties, probably, to ask me questions I don’t want to hear.”

Wife. A flutter flares in your stomach, but you force yourself to concentrate on the moment, furiously tamping down your reaction.

He resumes walking down the hallway, but more slowly this time, and you fall into step with him as you pursue your curiosity. “A monkey on a unicycle is an oddly specific and highly uncommon comparison to bring up. Is that some reference from your time?”

Steve huffs and his eyes fill with a mix of nostalgia and resentment as he begins to speak. His voice is heavy with emotion as he remembers his past. “I used to sketch a lot when I was young. We didn't have much during the depression, but my ma always managed to scrimp and save enough to buy me a notebook for Christmas or my birthday. It stuck with me up through joining the Army.”

His expression turns somber as he continues, "And after the serum changed my body but I was put on tour to encourage people to buy bonds, it just felt...underwhelming. Discouraging. I knew I could be doing more, making a real difference. But I did what I could - I knew raising money still helped.”

You reach the end of the hallway and stand next to each other, looking out the window.

“When they sent us out to Europe to entertain the troops, it only got worse. The last day I performed, for the 107th regiment, I was heckled and booed off stage."

Steve's hands clench into fists at his sides, "I drew a silly picture of a monkey riding a unicycle; it felt like that's all I was worth to them - just another pawn in their production."

You want to reach for his hand, but it doesn’t seem like the moment. So you simply continue to listen.

“That ended up being the last day I performed a show. I found out part of the company had been captured, stuck behind enemy lines. I disobeyed direct orders, found the men, saved Bucky. After that, everything finally changed, and we got to go to work, doing good, fighting Nazis and Hydra.”

A slight smile tugs at Steve's lips as he finishes his story, "I never wanted to feel like that monkey again. But the closer we get to election day, the more this feels like just a production.”

You stay silent for a moment, mulling over the pieces of his past and the feelings he’s just shared. This isn’t an easy conversation, and it’s not the conversation you thought you would have coming out here, but you’re grateful the two of you are having it together.

You aren’t by any means a seasoned politician either, but you had seen and had to at some points play at politics in your own work. “It’s all a show, there’s no denying that. But you’re not the monkey unless you sit back and let that be the reality.”

“How do you figure that?”

You take a deep breath, gathering your thoughts before responding. "Steve, you knew from the beginning that this campaign would be a production. You agreed to it - all of it. Including," you gesture between the two of you, your voice softening, "this arrangement. Marrying a woman you'd never even met before."

Steve's eyes meet yours, a flicker of recognition passing through them. You continue, your voice gentle but firm.

"You didn't do all this just to be a figurehead or a puppet. You did it because you want to be president. You want to be the one steering the strategy, calling the shots, making real change." You pause, making sure he's really listening. "This campaign isn't just about winning an election. It's preparation for the presidency itself."

You turn to face him fully, your eyes never leaving his. "This campaign, as frustrating and exhausting as it can be, is its own kind of preparation for the presidency. Think about it - you're dealing with conflicting advice, responding to the platforms from the candidates and how they overlap and differ from your own, connecting directly with the people across the country, making tough calls on what is and is not a priority.”

Steve listens intently, his brow furrowed in concentration as he considers your words. You can see the wheels turning in his mind, processing this perspective.

"You're right," he says finally, his voice quiet but firm. "I did agree to all of this." He runs a hand through his hair, a habit you've noticed he has when he's deep in thought. "I just want it to mean something. To be more than just sound bites and photo ops."

You nod, understanding his frustration. "It does mean something, Steve. Every interaction you have, every speech you give, every policy you propose - it all matters. You're not just going through the motions. You're shaping the conversation, influencing people's thoughts and beliefs about what this country can be."

Steve's eyes meet yours, a mix of gratitude and something deeper there.

"She’s right, Rogers,” a voice behind you makes you both jump and turn.

“This isn't just about winning,” Amy emphasizes. “It's about learning how to navigate the complexities of leading a nation, finding your presence as the leader of the free world, as commander in chief, winning the trust of the American people.

“The debates, the press conferences, the tough decisions you'll have to make as president - they won't always be fair or comfortable. That’s why I pushed you. You won’t answer every debate question like that, but I needed to know you could go there. That’s the kind of president America wants, but they don’t know it until they see it. If you can shake them to their bones, you’ll change hearts and minds.”

Steve smiles at her half in kindness, half in disbelief. “You say all of that pretty casually.”

Amy shrugs and returns the smile. “Because it’s true. I’m done beating you up now that I know you can go the rounds. If you want me to leave, I will, but I’m game to stay if you’re game for slightly less intense verbal sparring.”

“Oh, I can do this all day.”

[SEPTEMBER 28 - ATHENS, GEORGIA]

The campaign plane hums with activity in the minutes before take off. This cabin is filled with members of the press corps, their laptops open and fingers poised over keyboards, eager for any morsel of information they can turn into their next headlines.

Steve looks almost relaxed. His tie is loosened and sleeves are rolled up to his elbows. The energy from the successful event you just wrapped up at the University of Georgia still lingers in the air. This was the fourth event of its kind - a town hall format called College Q&A limited to students and granting them access to dialogue with Steve. You can't help but feel a sense of pride as you recall how he connected with the students, his earnest answers and quick wit seeming to win over even the most skeptical audience members.

It’s become routine that Steve always takes questions from the press corps when he boards the plane before heading to the campaign team cabin, and he’s truly at ease with them in this interaction.

“We’ll take one more,” the campaign spokesperson announces to let both Steve and the reporters know it’s almost time for take off.

“Andy,” Steve calls on one of the familiar faces - the reporter from The Washington Post.

“Yes, Captain, do you have any response to Jeff Connor’s comments about your relationship with Mrs. Rogers?”

Steve's whole demeanor immediately turns serious, his jaw clenching. "I haven't heard Connor's specific comments, so I can't respond directly. My relationship with my wife is personal, and it's not up for debate or speculation."

He pauses, his eyes scanning the cabin before continuing. "What I will say is that she has been an incredible partner, both personally and for this campaign. Her intelligence, compassion, and dedication inspire me every day to be a better person and a better leader."

Steve's gaze softens a fraction as he glances in your direction. "I'm grateful she agreed to take this journey with me."

The press corps erupts with follow-up questions, but Jake holds up a hand. "That's all for now, folks, you know they won’t take off until we’re all seated and we don’t want to miss our take-off window. Thank you."

You, Steve, and the rest of your staff head into the first campaign cabin, and as soon as the door is shut, the atmosphere shifts. The professional masks slip away, replaced by a mix of concern, curiosity, and irritation. Jake immediately pulls out his phone, you assume to get the quote in question.

Elsa, your communications director, is already pulling out her laptop as she settles into a seat across from Steve. "That was the perfect response back there. Quick and heartfelt. It'll play well, especially given the context of Connor's comments."

Your personal aide Sophia is already handing you a tablet to read the quote. "Here, ma’am. It came out during the Q&A, and everyone got wind of it as we were boarding the plane."

You take the tablet, your eyes quickly scanning the headline: "Jeff Connor Speaks Out: 'I Hope They're Happy Together'" The article features a quote from Connor: "I wish them both the best. Marriage isn't easy, especially in the public eye. I just hope they've found happiness together."

You pass it over to Steve and then chew on your lip, pulling out your own phone.

It only takes him a moment to read as well. "Thanks,” Steve's brow furrows as he loosens his tie further and passes the tablet back to Sophia. “This seems fine, unless I’m missing something. But who is this guy, and why would we care what he thinks of our marriage more than anyone else?"

A beat of silence falls over the cabin. You can feel the weight of several pairs of eyes on you, a mixture of surprise and shock in their gazes.

“Okay, I’m clearly the only one who doesn’t know,” Steve concedes, a shade of irritation bleeding through his tone, “Anyone care to enlighten me?”

You take a steadying breath, then look up at Steve and say, “Jeff Connor is my former husband.”

next part: ATHENS TO MIAMI

I'll just say that I've been waiting for this chapter in the story almost from the beginning. 😌

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[ashes-goin-down]

Can we talk about Cartman's tendency to pet Kyle? And the way Kyle lets him do it?

It's such an under-discussed part of their dynamic. Cartman does this all the time. He does it to tease Kyle. He does it to comfort him. He does it to express gratitude. He even does it to pictures of Kyle when Kyle's not there.

And you could say that's just Cartman, he's just touchy, that's just how he expresses himself . . . except that it's really not. All this petting and stroking isn't something you see him do with Stan and Kenny. (Friends he has said multiple times he loves.) It's not something he does with his actual pet, Mr Kitty. It's not something he does with his mom. It's not even something he does with Heidi or Yentl. There's a lot of hand-holding and kissing in those relationships, but Cartman appears to consider this expected romantic partner behavior, and to be imitating that accordingly. What you don't see with them is the clingy, almost unconscious need to touch he demonstrates with Kyle. Kyle has to be stroked, patted, petted, hugged, poked, pulled on . . . it seems to be a comfort thing for Cartman, and that is just so fascinating to me.

It's also endlessly fascinating to me that Kyle - who has no problem putting Cartman in his place about anything else - allows this nearly every time. Maybe there's some token complaining, but he never actually tries to stop it. It's not "ew, Cartman is hugging me" it's always "why is Cartman hugging me?" and that's a subtle difference I think gets overlooked. People like to claim Kyle's response to Cartman having a crush on him would be disgust, and that Kyman could only ever be one-sided for this reason. But Kyle's response to Cartman being affectionate with him is actually pretty much always confusion, not disgust. I get the impression Kyle doesn't know how he feels about it.

I'm not sure what I'm trying to say here, but it's just so interesting to me, the relationship they both have to touch. Cartman uses Kyle to fulfil his need for touch and connection - and Kyle doesn't often reciprocate this touch, but he pretty consistently makes the concession of allowing it. They're feeling each other out, trying to work out "who are you to me and what do I feel for you?" It's one of the elements of Kyman that makes the ship so endearing, I think. There's this sweetness to it that absolutely should not exist between these characters, but does anyway.

Definitely! You’re right, Cartman does seem to seek out physical contact with Kyle considerably more than with anyone else he isn’t directly romantically involved with and my favourite instances of this is when he does so under the guise of antagonizing him. Two examples of this are the whole ‘Jennifer Lopez’-thing in “Fat Butt and Pancake Head” and Cartman promoting Kyle to the Germans in “Funnybot”. In both cases he uses an instance of disrespecting Kyle as a front to compliment him, with the ‘Jennifer Lopez’-persona constantly being gushing over him, telling him how much she likes him, calling him ‘handsome’ and of course ‘kissing’ him by Cartman pressing his hand against Kyle’s mouth. This is especially interesting considering the fact that later in the episode it is very heavily implied (and then pretty much outright confirmed in “200”) that Cartman really doesn’t have full control over the character. In “Funnybot” Cartman calls Kyle either ‘gentle/soft’ or ‘juicy’ (lol), ‘pretty’, and ‘very beautiful’ in extremely mangled German (which I guess is just regular German in-universe since the native speakers talk just like that) and while the context of the scene is obviously very dark for the viewer, who can infer what’s going on, Kyle doesn’t actually seem to realise what is happening. He doesn’t appear to understand what is being said at all and as such Cartman doesn’t even really have the excuse that he’s teasing him.

This scene fits the reaction you described that Kyle tends to have when Cartman engages him in physical contact very well: Kyle reacts to Cartman excessively touching him with confusion but simply lets it happen. He has every reason to be wary of Cartman’s intentions and yet he makes no effort to stop him from what he’s doing. In “ManBearPig” Kyle wakes up to find Cartman leaning over him and while he doesn’t actually touch him, he does get extremely close to him, giving us the famous image of their faces mere inches apart. Kyle’s reaction to this is incredibly understated: He appears at most slightly irritated and attempts neither to push Cartman off nor to move away from him. Once again, he mostly just seems confused by Cartman’s behaviour but, as far as we can see, makes no further attempts to investigate the reasons behind it. This understated reaction is an indication of an (imo) often overlooked aspect of their relationship, which is that while Kyle is well aware of what Cartman is theoretically capable of, he doesn’t actually seem worried that he’d ever seriously harm him. Personally, if I found myself trapped in a cave with a person who constantly professes his hatred for me and whom I know has no qualms about killing people, and then woke up to find said person looming over me in my sleep I’d be much more worried than Kyle appears to be. In fact, considering everything that has happened over the course of their relationship and how many despicable things Cartman has done, Kyle seems Weirdly Comfortable And Safe With His Evil, Ill-Intentioned Friend. Because that’s what they are: They’re friends. To call it a complicated friendship might be an understatement but when it comes down to it the simple fact of the matter is that these two do like each other. While in earlier seasons a point could be made that they only spend time together out of necessity (with the main four being somewhat isolated from the other kids, as Craig points out in “Pandemic 2”, and Cartman originally being an incidental part of the group as ‘the friend no one likes’), they’ve both long since expanded their social circles to a point where they are no longer ‘forced’ to spend time together for lack of better options. Kyle would be more than justified in cutting Cartman off completely and yet he doesn’t and I can honestly see no real reason for this other than the fact that he simply cares about him as a person.

So I agree that Kyle probably wouldn’t react with disgust to the hypothetical reveal that Cartman harbours romantic feelings towards him. I’m not claiming that he would necessarily be elated but I’m pretty sure ‘disgust’ would not be his first reaction and I think many people who think that it would be might at least partially hold that opinion due to projection: Because while we, as viewers, are frequently meant to find Cartman repulsive both physically and emotionally (his embodiment of the 'fat bastard' trope is a key part of his character, after all), Kyle doesn’t actually appear to overtly feel that way about him – which is to say he does kinda but not exclusively and it’s all just a bit more complicated than that. Kyle being thoroughly confused does seem like the most likely reaction to me. Regarding the physical aspect: Of course Kyle frequently makes derogatory remarks about Cartman’s appearance, specifically regarding his weight (to the point where it’s been a main focus of their dynamic for almost thirty years) but we see several times that his critique actually seems to stem from a place of worry and that he feels bad when he thinks that these comments have actually managed to hurt his feelings (e.g. “Raising the Bar”). Of course, what exactly Kyle’s feelings towards Cartman are is, with good reason, a source of much discussion and I’d claim that Kyle himself isn’t very sure of this. His sentiment towards Cartman definitely seems very erratic, with Kyle going from actively attempting to get him killed in “Fatbeard” to being concerned for his emotional well-being just a season later (“201”, “Poor and Stupid”). This concern Kyle has for a person he supposedly can’t stand has been a pretty consistent part of his character in later seasons and it’s especially striking when compared to the way he disregards his best friend’s feelings when he’s in genuine need of emotional support (“Raisins”, “You’re Getting Old”). This discrepancy is not only an indicator of the complicated relationship Kyle has with Cartman but imho also hints at at least one reason for it. In a (painfully long-winded😅) comment on AO3 I just touched on the similarities between Kyle and Cartman how interesting I find the very different ways in which they deal with their shared character traits. I believe this is something that draws them towards each other, though I’m certain that neither is actually consciously aware of this. You put it so beautifully in your last sentence: "There's this sweetness to it that absolutely should not exist between these characters, but does anyway." There really is an unexpectedly soft underbelly to their relationship that is a lot of fun to explore. While I wont deny the toxic aspects of this ship (in fact, they’re a major part of what I find interesting about it), there is also the surprising potential for a real emotional connection between these characters.

[zarla-s]

I just read your TF2 bot post and I’m fascinated. It has left me with a few questions though. Why/how were bots a problem for so long? What was the main incentive for botting (is it botting or boting??) Was it just to be an asshole? What’s your favorite baked good? Have a lovely day and don’t worry about answering my questions if you’re not in the mood :]

The bots were a problem for so long because Valve just didn't care, sorry to say. They just let it happen. I'm not sure when they started coming in in force, maybe after the Jungle Inferno update like six years ago? But they just kept pouring in and Valve just ignored it. It's really shameful how bad they let it get, honestly. They just kept putting out community updates like nothing was wrong.

Eventually after a lot of community pressure a year ago (#savetf2) they tweeted saying they were aware of the problem and then nothing happened. Then there was ANOTHER community movement this June (#fixtf2), and THEN at the end of June they ACTUALLY did something, which is why everyone was so shocked and skeptical at the time. Like the bots got so bad, it's hard to get across just how bad it got if you weren't playing at the time. It was bad. To suddenly go from that to totally bot-free was unbelievable. Frankly I'm still shocked they're gone! No one knows why Valve's acting now or how they're doing it (personally, I think they must have been working on these anti-bot measures for a while... maybe even since their initial tweet, but no one knows), but I hope they keep it up. I can finally teach people how to play in peace!

As for why they'd do this, yeah, it's just to be jerks. They just want to make people miserable. They have websites on Neocities you can find under the tf2 tag (I was looking through it for sites to link to my tf2 site) and they state themselves that they just like making people mad. I don't think they actually hate TF2 so much as they love the power rush from destroying something so famous that so many people love. Kind of a power-trip/control thing, with a dose of being desperate for attention. A lot of the more notorious bot hosters had twitters or youtube accounts where they invited people to rage at them uselessly, they loved it. They've also formed communities around botting and trolling people, so they have kind of a social investment in it (although they were quick to turn on each other when they suspected someone was a mole). Some of them sell their bot software or "bot immunity" for money but I think that was just pocket change, I don't think that was a real motivator.

After having free reign for so long, they reacted violently to the community movement in June. They were positive that nothing would happen to them, so they kept doing more and more outrageous things to prove it. They DDoS'd and DMCA'd the site for the petition multiple times, they doxxed and swatted one of the main bot fighters, they impersonated figureheads and posted illegal links to things, like they were really stepping over the line and gloating about it. They were extremely confident and to be fair, who could blame them? Valve's negligence let them get away with it for years. To suddenly have that power taken away from them without warning made them absolutely furious. They're still seething about it right now and plotting ways to get back in, but they haven't found one yet. It's a matter of pride for them at this point I think, that and a childish tantrum about not being able to ruin other people's fun anymore. Them targeting a baby game version of TF2 (TC2) also points to it being a power trip. If they can't ruin TF2 anymore then by god they've got to ruin SOMEthing!

Even now I'm not sure Valve can hold the line and I keep checking TF2 Casual every now and then to look for bots, haha. It's just hard to believe! I greatly enjoy hearing about bot hosters raging about it and suffering though, they deserve nothing less. Die mad about it!!!

In terms of baked goods though I like all kinds, although right now I'm thinking about brownies so I'll say that. |D

[dailyadventureprompts]

I've got a new d&d group and they're almost all new players, with some of them having played with me before in oneshots/ gotten a couple sessions into campaigns that fizzled.

There's the usual learning pains: No one's quite got a handle on the rules yet and is relying on me for which dice to roll ( it's a D20 friends, it's always going to be a D20 unless it's damage I don't know how many times I have to say that). Person A is nervous and over-talkative , person B is nervous and withdraws from conversation, Person C is always running a little late...

But what really surprises me is the difference between them and the group I've had going for 2 years now:

Newgroup THEORIZES in a way that I don't think I've ever seen despite playing this game for two decades. I'll ask them what they're doing and they'll have a multi-minute chat weighing the value of different options. They don't turn to ME, or ask me if things are possible ( which is what new players tend to do), they turn to eachother and ask if they think it's a good idea that they do X or Y and then what could happen from there. I'm trying to be a good DM and let them learn the ropes but it's FASCINATING response. For example; the barbarian says "I'll use my shield to pin the monster in place so we can question them about the villain" and before I can even get into my response another player will say "but what if I used my rope instead to tie them up?", meanwhile none of them have confirmed if the monster is in any way related to the villain or is capable of speech (it wasn't, it was a mimic fyi)

Newgroup is LASER targeted on their goal, which was a surprise as someone who was DMing for a party that purposefully jumped ship on the A plot ASAP and is actively resentful of anything resembling a main quest. Newgroup passes through a mining village that's been deserted after a recent attack by monsters which drove people up into the hills, a Classic rescue mission with a bit of a dungeon delve on top, intended to give the party some XP and magic items before they leave the early game and I stop pulling my punches. Newgroup stays just long enough to confirm that the monsters have nothing to do with the A plot and unanimously decide to leave the village post haste. Meanwhile I have to be careful about what information I drop to oldgroup, as if they catch a single whiff of villanious wrongdoing they'll drop what they're doing and divert their attention to wiping that threat off the map. I've now had to have multiple villains make peace treaties in all but name with this party because of their habit of knocking out rivals/threats/governments.

Because oldgroup know the game really well they're less experimental with what they want to accomplish. They know that things can be solved through class features/dice rolls/damage, and so those are their default solutions to most problems. Meanwhile newgroup has no IDEA what the limits of the game system are so they're trying clever stuff left and right. " Can I hit it in the eye with my arrow? Can I use this spell to find out if _____, Can we use the flying boots to _____?" They're asking genuinely good questions so often that it's made me want to play around with the d20 resolution system to get something more closed to the " drawback/mixed success" sorts of results you get in apocalypse world style games. ( I think I found a neat fix, more on that to come)

[ponderingmoonlight]

Nanami losing it completely when (y/n) gets severely injured at Shibuya

Shibuya Arc scenarios that live in my head rent-free pt.lll

Part l with Gojo and Geto here Part ll with Toji here

Pairing: Nanami Kento x reader

Word Count: 2,3k

Synopsis: After receiving a message with your location, Nanami rushes to your side, showing no mercy with the man who laid his hands on you.

Warnings: I literally shed a tear while writing this so be prepared, sooo much hurt, comfort at the end, you wanted this and I wanted it too this is one of my favorite fics I have ever written

His gaze is empty as he stares down at the bloody shell of his friend. Severely injured by multiple blade slashes, completely covered in his own blood, his life hanging on a thin thread.

“You have some nerves…”, he mutters.

Nanami clenches his hands into fists. Whoever did this will pay for it with his own life, he will make sure of that. But right now he has to get his friend out of here, provide him with better medical treatment, check on the other assistants, make sure that they are alright, eliminate whatever is responsible for Ijichi’s condition. What if that thing hurt the others too? Fuck, how the hell did all of this happen? And where the hell are you?

“(y/n)”, he breathes out.

His heart sinks when reality starts to hit him.

You.

You were also stationed here. After all, you aren’t a jujutsu sorcerer but a skilled combat fighter with impressive powers. You were right here, right here with Ijichi.

“Don’t worry about me, I’ll be alright!”

Fuck, fuck, fuck. His strong arms lift Ijichi’s numb body up with ease, thoughts racing. If something happened to you, if these fuckers harm a single hair on you…

He runs as fast as he can, fueled by nothing but thick fear and all the emotions that wash over him like a wave. He might lose it all. His friend, everyone else, you. The love of his life, the only woman who truly fascinates him, his best friend. And he hasn’t even told you all that. No, Nanami never shared his feelings with you, not when his fear of losing you is so great. But right now, with the death of his friend in front of his blank eyes, it dawns on him.

After this night, he might lose you forever.  

“Please be alright, I’m coming for you (y/n).”

-(y/n)'s POV-

Your whole body burns like a thousand fires, blood soaking your black suit. Everything aches, you feel like fainting, your sword lifelessly lays on the crimson floor. Is this really how your life comes to an end? Through the hands of someone like him?

“You fucker”, you spit out along with some blood, fists still ready to hit him again.

“Huh, why so rude? I’m just playing a little”, he replies sweetly before beating you in your guts again, his blade narrowly missing you.

It can’t go on like this, you can’t take any other hit. Your puny figure lands on the floor harshly, body desperately screaming at you with every fiber.

But you can’t stop now. After all, Nitta and all the other assistants are relying on you. Right now, you have to be your own hero.

“Standing up again? I’m starting to get bored to be honest. Why can’t you just die already?”

One moment of inattention. One second of giving in to your pain is enough for him to stab his blade through your shoulder, slicing your flesh open with ease. You see stars, the overwhelming pain that starts to radiate through your entire body simply takes your breath away. All you can do is stare at him with wide eyes while a silent scream escapes your lips.

You’ve had so much planned. Damn, you wanted to finally confess your feelings to him. Nanami Kento, the man you admire more than anyone else on this planet, the man that showed you there’s still class, who gets on his knees when talking to you, who makes sure you feel save whenever he’s around. God, how much you love him.

Your face hardens in determination. No, you can’t die without at least telling him once about your true feelings towards him.

With a swift motion you steady yourself again before kicking him with so much force that he crushes into the wall backwards, laughing hysterically.

“Finally you show me what you’ve got!”, he screams out in please while you pant hard.

It’s obvious that you don’t have much left, hanging on a thin string. The amount of blood you’ve lost due to your countless wounds is critical, you don’t need Shoko to know that. If help doesn’t arrive soon, you’ll die right here.

You could call him. Nanami’s number is just one swipe of your finger away. You could call him and tell him where you are, that you’re in big trouble and that you need him just like he told you.

“(y/n), if anything goes wrong, don’t hesitate and call me. I can’t afford to lose you. Promise me to look after yourself.”

He stared so intensely at you back then, his words made your heart skip a beat. But you can’t call him. After all, Nanami is on a much more important mission with countless life relying on his broad shoulders. It would be selfish to expect him to save you while so many people are dying.

“I’m sorry, Kento”, you mumble to yourself, voice nothing more but a fade away whisper.

No, don’t cry right now, don’t let the enemy see that you suffer. Nanami wouldn’t want you so feel this way. Stand your ground one last time, fight back as hard as you can.

One last distress signal. One last way to warn and protect the rest of the team.

“I’ve told everyone where you are, moron”, you shout at him, a maniac grin plastered on your face.

“Ow, how nice of you! Then I’ll hang your body up uhm…right there so they can see you when they come here!”, he remarks with sparkling eyes.

“I’d love to see you try”, you bark back.

-Nanami's POV-

“It’s (y/n)’s location”, Nitta huffs while Nanami bandages Ijichi up and Nobara is busy contacting help.

His heart stops for a second. This means you’re still alive and able to use your phone. But why would you send your location?

“She must have found something…”, Nanami ponders out loud.

“Do you think she needs help?”

Nitta’s voice echoes through his mind. To be honest, he doesn’t care about why you shared your location. All he wants to do right now is find and save you.

“You both stay here with Ijichi. I’ll go looking after (y/n).”

“Can I-“

“No”, Nanami immediately interrupts Nobara’s request.

“You stay here and wait for aid.”

And with that, he’s gone again, following your location blinking on his phone. Please be safe, please smile at him like you always do when you see him, eyes lighting up and making his heart melt. God, just be save.

His feet carry him to your location with ease but let him stop abruptly at the trail of blood in front of the building you are positioned in. Nanami feels like throwing up, the worst scenarios flooding his mind while he stares at the crimson colored floor. He should have accompanied you. No, he shouldn’t have allowed you to come to Shibuya in the first place.

With his head still spinning, he storms into the building and his world stops.

There you lay, in a puddle of your own blood, completely covered in bruises while a man raises his blade against you, just about to sink it into your precious body.

“I wouldn’t do that if I was you.”

That voice. That all too familiar voice that brings tears to your eyes. Is he really here? Did he get the notification? A single droplet rolls down your cheek while your hazy gaze meets his. He looks so different, absolutely threatening.

Nanami rolls up his sleeves and walks towards both of you. Fuck, you’ve never seen him like this, his aura almost suffocates you. It is clear that he’s absolutely furious.

“I’ll tell you one last time. Back off.”

“Or what?”, the man above you challenges.

“Or I’ll make you regret that you were born.”

His voice makes your blood freeze. As if in slow motion, Nanami loosens his tie and wraps it around his hand.

“Huh, you’re not wearing a black suit, but I guess I’m still allowed to ki-“

He isn’t able to finish his sentence. Nanami’s fist rushes forward in god-like speed, slamming the man off you, through the window, into the next building.

“I’ll be right back. Hold on, sweetheart”, he mutters.

With one last glance at you, he steps out into the cold night, only inches away from losing his temper completely. Who does this man think he is to lay is hands on you and his friends? This is unacceptable, this is unforgivable. Nanami will make him pay for every minor wound conflicted on your striking body, he will make him regret his whole life before ending it.

“What’s the number and locations of your allies?”

It isn’t enough to only kill him. No, every single one of these fuckers will pay for what they did today. For killing countless assistants, for almost ending the life of his friend.

But most importantly, for hurting the love of his life.

“I don’t know!”, the man hollers at him, trying to slice him open unsuccessfully.

Nanami stares at him with dead calm eyes while he tries to hit him another time, his patience slowly starting to fail him.

“What’s the number and locations of your allies?!”

His hands are clenches into tight fists. One more word. One more word of nonsense coming out of his mouth and he’ll kill him.

“I don’t k-“

Enough. One punch is enough to send that fucker through the next window.

You can’t help but admire the way Nanami walks up to him, his forearms flexed in a way you have never seen before while his broad shoulders seem to crush you with his confidence. He looks absolutely threatening, like a menace.

The blond-haired man tries to escape, but in the matter of seconds, Nanami grabs his ponytail and lifts him up.

“What’s the number and locations of your allies?”

You hold your breath, eyes wide open by the sound of his voice. This isn’t the Nanami Kento you know, the tender man with cool temper that never loses it. But oh, at the moment you feel like he’s possessed with the way his muscles flex underneath his shirt, the look on his face so furious that you have to swallow.

“I told you, I don’t kn-“

Another hit and the blonde lands on the ground, a dumb smile plastered on his face. You know that look all too well, he has planned something…Where is his blade?

There it is, on its way to slash Nanami open. You don’t hesitate. Despite the way your shoulder screams at you and begs you to stop, you grab your sword and throw it, deflecting his blade deftly just before it reaches Nanami while crying out in pain.

“You little bitch, stay out!”, he screams at you.

Nanami snaps. He grabs his throat roughly, chocking him without any mercy.

“You have some nerves, calling her a bitch when I’m standing in front of you. How dare you to even talk to her, to lay your hands on her body? On my way here, I found several of our assistant supervisors dead. That was you, wasn’t it? And now you dare to raise your voice against my girl?”

“I-I’m sorry”, the blonde stutters.

It happens faster than your tired eyes can follow. One last blow of Nanami’s fist sends the man out of the building, out of sight. This killed him without any doubt. Your eyes begin to water uncontrollably when a wave of relief washes over you. Despite all the blood you’ve lost, you’re alive. Nanami is here, he saved you.

“Don’t stand up, (y/n). You’re losing a severe amount of blood”, Nanami’s calm voice instructs before he kneels down in front of you.

“Kento”, you whisper his name like a prayer, tears rolling down your cheeks as the pain becomes unbearable.

“I know, sweetheart. You did really well, I’m so proud of you. Without your selfless efforts, he would probably have claimed even more victims. I still don’t call it good that you didn’t inform me about this situation.”

His hand caresses your bruised cheek gently, making you lose it completely.

“I didn’t want other people to get killed because you were busy with me”, you cough out.

“(y/n), no matter how critical the situation is, I will always look after you. You are the greatest treasure of my life and I…”

“I love you!”, you cry out, pressing your head against his head.

All these countless nights of dreaming about him holding you, all the stolen glances, the pondering. You just can’t take it anymore. Maybe it’s the blood loss or the immense pain that seems to speak out of you, but you’ve had enough. Fuck getting rejected or losing him because of your dumb feelings, you need him to know.

“I love you too, sweetheart. When I saw you laying here in your own blood I felt like dying myself.”

All you can do is stare at him through glossy eyes. Did this words really just leave his mouth? Of all the possible answers you imagined for this moment, “I love you too”, definitely wasn’t one of them.

“Let’s talk about this later, shall we? I need to get you out of here, you need medical attention”, he continues.

“I will pick you up now, okay?”

His hands glide under your knees and back, lifting your aching body up with ease and pressing your frame against his chest.

You groan out, hand cramping around his shirt.

“Thank you for saving me. And for loving me.”

His heart skips a beat, the lovely look on your distressed face almost making him forget how to breathe. How is it possible that a perfect human being like you loves someone like him? His arms wrap themselves tighter around your body.

“Don’t thank me for that, sweetheart.”

He will never let you go again. Not at Shibuya, not anywhere else.

[mswyrr]

They spent the entire season showing the collapse of everything Alicent had invested meaning in and earning her final choice.

Things that came apart over the season:

-her father's role in all this; his approval (and fear of his disapproval) has driven her for her entire life! (bad move on multiple fronts, Aegon)

-her belief that she could do what this patriarchy promises and "influence" her sons toward a good direction (Aegon dismisses her but Aemond really drove the nail in with flagrantly slaughtering smallfolk and making his intent to force his sister to do it too clear)

-her belief that she had any allies and her skills in leadership and her track record of hard work actually meant anything to *anyone* (this was a cooperative effort by Aemond, Larys, and Criston - good work, fellas!)

-her belief that she could, if nothing else, at least protect her daughter (huge emotional pillar for her)

And if we look at her prior actions putting Aegon on the throne and protecting him with her life - both fit within those structures she had mentally and emotionally which this season ripped down.

I think the final one was the thing that took it over the edge, though -- the prospect of Helaena being used and hurt and destroyed as a person -- kind of like how degrading Aemond and his connection to his long-term sex worker was his final straw that made him want to kill and supplant his brother Aegon.

People keep pushing each other too far this season. Taking out the last thing that stands between them and a radical change. Pushing people until they're willing to lose things just to break the current dynamic.

Dae/mon pushes Rhaenyra too far, then the entire war does and she "breaks bad" in 2x07 (see my meta linked below for more on my pov on that); Aegon pushes Aemond too far; and the entire group of "green men" systematically pushes Alicent too far.

All the while, she had that offer from earlier in the season, when Rhaenyra risked everything to come speak to Alicent in her mind. She was mulling over it and thinking of what she could have said, should have said. At the same time, however, Rhaenyra was moving away from being that person [my meta argument on that here]. So the person she finally comes to make peace with isn't the same as she was in the Sept. And once again they tragically can't get on the same page. It does all fit together, even with issues in the writing.

And writing on Alicent's arc simply isn't as uneven as people are saying - the theme of people pushing each other too far and how they showed the pillars of Alicent's support crumbling were both clearly done.

And, yes - Alicent still has feelings for Rhaenyra and as all of this has been happening she's been having a midlife crisis and wishing she had just run away with her first love when they were girls. But that isn't her sole motivation!! It's just what comes spilling out of her because of the state she's in. It creates an appealing alternative to the hell she's living in at the Red Keep. But it wasn't THE single motivating factor.

On a show where fathers have behaved truly monstrously--up to and including their selfishness setting this civil war in motion to begin with--it's fascinating that people refuse to believe a mother can be pushed too far. That kinslaying and slaughtering whole cities and rejecting and humiliating her and threatening to mentally torture her daughter until she breaks wouldn't change her mind about her priorities.

The "green" side becomes owned by Aemond, a wilful (as far as she knows; I'm speaking of her pov here) kinslayer moral reprobate who is violent to his sister and wants to force her to do things that will break her mind. Alicent cannot expect that Aegon will be able to stop him. That's what the side is now, as far as she knows. And she thinks he's a monster who must be stopped, at any cost. That's why she told Rhaenyra "we both know what he is" about Aemond in the Sept. WHAT not who. Things like kinslaying and slaughtering smallfolk mean something to her. And her daughter is everything to her.

Team Green overall took her for granted and thought she'd always be their doormat, and Helaena too. And Alicent finally had enough. Again, given how monstrously the fathers on this show behave, I think they "showed their work" on her radical change of heart well. It's just some people believe nothing can ever justify a mother betraying her sons and I think that makes total sense, given everything.

Honestly, once Helaena was on the chopping block, it would have been out of character for Alicent *not* to do everything--destroy anything--to protect her daughter. She feels like protecting Helaena is the only good thing she's ever done in her life.

People can dislike the ending. It's always valid to dislike something in a story, it's fine. But disliking it doesn't mean it wasn't built up solidly, narratively speaking. The writers put a lot of work and narrative space into it, actually--this was one of the most developed parts of s2!--and weaving it into the season's larger theme of characters pushing each other to the breaking point.

[deedeeznoots]

You’re? Correction! I’m Yours 

➺ Characters: Ryomen Sukuna, GN!Reader 

➺ Word Count: 900+ 

➺ Genre: Fluff

➺ Content: Non-Curse!AU, Nerd!Sukuna, Established Relationship (with some pre-relationship sprinkled in), Swearing

➺ A/N: Shout out to my wonderful mutual @heian-era-housewife for this post about Heian Era Sukuna doing poetry. If she’s reading this: I hope you don’t mind the tag but your post seriously inspired a huge chunk of these headcanons 🥹

➺ Synopsis: Headcanons of all the nerdy things Sukuna does because deep down inside that’s all he is and all he wishes to be ❤️

➺ At first glance he doesn’t read as someone who would be super nerdy or all that interested in learning. 

➺ I mean, can you blame anyone? No one really expects the dude constantly looking for a fight to pull up with some textbooks during his free time.

➺ Once you get to know him though, you realize that on the inside he is in fact a giant nerd about basically everything.

➺ It starts off subtly: at first you’d ask him questions and he’d be able to easily come up with answers without even giving it a second thought.

➺It could be a question about anything, regardless of the subject or perceived difficulty, and Sukuna would be able to explain it to you. Not only that, but he’d be able to explain it to you in a way that made it sound like the simplest thing in the world. 

➺ At one point you basically just started playing trivia and just started asking him stuff normal people didn’t know the answers for and he’d answer with ease, albeit he’d get really annoyed with your constant random questions.

➺ Sometimes if he’s really excited about a subject his explanations would turn into full lectures that’d put most college professors to shame.

➺ Although it was shocking at first, it started to make sense when you realized that the main reason why he takes time to learn about stuff is because he’s constantly bored and looking for new things to entertain him.

➺ He’s good at basically everything so long as it piques his curiosity, but his one and only love will forever be literature, mostly because of how infinite the possibilities are with the medium.

➺ He’s well versed in literature of all genres and different cultures, but he is the most drawn toward Japanese works (and let’s be honest, his favorites would probably come from the Heian Period).

➺ Ever since getting with you, he’s been leaning more toward the romance genre. Just in case he needs any inspiration on how to spice up your relationship, you know? 

➺ He’s taught himself multiple languages just for fun and to see how far he could go.

➺ He LOVES poetry, he both writes and reads it a lot and it’s his favorite hobby besides eating.

➺ Other than literature, he also has a huge fascination with art.

➺ He designed his own tattoos because he wanted to play with the idea of turning his body into a canvas. It also just so happened to make him look intimidating as hell which was a plus in his book.

➺ He also has a little journal that he carries around and he sketches a lot whenever he’s bored or sees something interesting.

➺ As for styles, he’s a really big fan of Sumi-e painting because he’s allergic to color but he basically just uses and does whatever he feels like at the moment. 

➺ He’s the type of person who draws what he sees, but he would especially enjoy drawing nature. 

➺ He would go out on hikes whenever he felt the need to draw and would walk until he found something interesting. 

➺ He’s really into meditation while he draws and he uses sketching as a way to keep himself level headed during particularly annoying days.

➺ He isn’t too fond of drawing people, but you’d be the exception. 

➺ He would 1000% draw you while you sleep. It’s the perfect time since you’d be still for most of it. 

➺ Sukuna is able to write really good cursive and also does calligraphy because he got bored one time (shocker) and so decided to see if he was able to do it well and to no one’s surprise, he was eventually able to.

➺ The reason why he leans towards the humanities so much is because they’re both subjects no one can really “master”. With both art and literature, there isn’t a point where someone knows absolutely everything about either subject. Since Sukuna loves a challenge, he wants to be the first person to go “Fuck you, I DO know everything about this”.

➺ One of the little things he does every day includes writing you short little romantic poems on a post it note and leaving them in out random spots for you to find. 

➺ Sometimes they would be in your pocket or other times on the bathroom mirror, wherever it is they would make you smile. 

➺ Though, sometimes he would stick them onto such odd spots that you’d wonder just how he did it?

➺ He has TONS of pride in his writing (to be fair, he’s prideful about basically anything he does) and he always appreciates it when you mention his little notes and complement the work he put into writing them.

➺ Sometimes when the both of you are talking together he’d say some of the most poetic sentences that you’ve ever heard like it’s nothing. 

➺ When you gasp he just goes “What? Why are you staring at me like that?” as if he didn’t randomly drop lines that sounded like they came from straight out of a novel.

➺ He’s a dick when it comes to spelling and grammar, especially during petty arguments.

➺ “How many times do I have to tell you, if your going to the restroom put the damn seat down afterwards” ➺ “It’s YOU’RE*, actually” ➺ “Fine, YOU'RE** a piece of shit Ryomen!”

➺ Don’t fret though, because while Ryomen Sukuna wants to know anything and everything there is to know about the world, he knows deep down inside that the best thing the world could have ever offered him was you.

-

➺ Edit: Okay I made this story quite a while ago but I HAVE ANOTHER HEADCANON TO ADD! I think his observation skills are super on point which is how he’s able to understand things so easily

A/N: Everyone list what you think Sukuna’s favorite book(s) would be 🗣️

A/N: If you enjoyed my thoughts on Sukuna, you’d love this story I also wrote paired with some headcanons!