#Think I’m gonna take a short break from digital art after that one though lol

[libr-0-cubicularist]

Saw my two favorite little guys in the LU coloring book pages and was immediately possessed by the need to color them. Thank you @sraksha for the gorgeous line art <33

different version under the cut

[lazarustrashpit]

Hey if you want to be an artist, I want to be artist but on the side since I am worried about the financial situation and I have to get a career and stay in school that’s what my parents say do you think I can become an artist still or? Or how do you manage? I’m not sure o becoming an artist since I’m not that good at digital, colors but I would like to be but in a more financially stable future.

Hi anon,

They don’t call us starving artists for no reason.

I’m not sure I’m the best person suited to answer this, as this is something I personally struggle with in becoming a full-time illustrator. However, I’m going to give you as honest of an answer as I can based on my own experiences. Please note, that I do not speak on the behalf of other artists. 

I’ve been a graphic designer for over 10 years, and an art director for a production company for half of that. What you see me doing on social media is something out of pure hobby. Fan art doesn’t pay my bills.

Short answer: Yes, it’s possible to become a full time artist and be financially stable. Is it easy? DEFINITELY NOT. Like with literally anything, it takes a lot of work and dedication to be successful. I’ve had the pleasure of conversing and working with several different types of artists. We’ve all struggled and continue to struggle, but the pay off is incredibly rewarding, if you can get your foot in the right door... but you gotta find the right door to begin with. What kind of artist are you interested in becoming? 

Artist is a vary vague term. There’s so many different career paths for each specialty. Comics: Pencilers, inkers, colorists, letterers; Concept artists: props, vehicles, costumes, backgrounds, fauna, aliens, buildings; Animation: 3d modeling, flash animation, compositing, rigging, storyboards, 2d hand drawn animation, 3d computer animation, stop motion animation. There’s a lot of positions out there. Saying you want to be an artist is like saying I want to be a doctor. Okay, but what type? Podiatrist? Veterinarian? Neurologist? Pediatrician? Psychiatrist?

Long scary answer below the cut.

Disclaimer: I’m not speaking on behalf of other artists, just my own opinion from my own experiences. Also, I am in no way trying to discourage you because a lot of what is written below is negative. The last thing I’d want is to deprive the world of another artist, but I also don’t want to provide some sort of false hope.

Being a full time artist is not easy. It’s extremely competitive regardless of what industry you want to dive into. It’s a lot of work and sleepless nights overcoming deadlines, your own self-esteem, and the biggest hurdle of all, finances.

Choosing any career is a big deal. As stated above, you have to do your research to really understand what you’re going to get yourself into. What’s the job market like for where you currently live? If there are not enough opportunities, are you willing to move for work? Yes, a lot of jobs can be done remotely, but if we’re talking about being financially stable, your best bet is to get yourself in with a studio full-time or on a long contract project. Freelance artistry is difficult—you set and negotiate your own rates for projects, and you’re responsible for marketing yourself to keep getting jobs, not to mention you are more susceptible to getting scammed and taken advantage of. And with social media being a driving force for a lot of marketing, you’re constantly fighting with the algorithm to get your work seen. Not to mention, there’s a lot of pressure because you get paid per project and if you can’t land a project, then you’re not getting paid. Whereas if you can work for a studio, the work is brought to you on a consistent basis, provided you can keep up with the demands and perform to the task at hand. A lot of the work may be repetitive and time sensitive, but it will be steady. Working for a studio/business gets you benefits like retirement options, health benefits, vacation/sick pay, tuition reimbursement, etc. 

There’s also the other side of being a freelance artist that no one ever really talks about. Everyone thinks that we spend every day just pumping out art, which is somewhat true, but we don’t often talk about the missing the endless emails with clients, the constant marketing, searching on artstation, fiverr, etc for gigs, querying literary agents, changing your portfolio(this is another thing I can talk about for days so hit me up in DMS if you want to discuss) constantly to reflect your very best work, keeping up on all your social media platforms to engage your audience, honestly, finding an audience in general is another conversation, dealing with carpel tunnel and other muscle related injuries... it goes on and on.

I moved 3000 miles across the United States from my hometown to California for better work opportunities. Are you prepared to work another job(s) to make ends meet? I worked in retail and a handful of odd jobs for several years before I fell into an actual full-time art job. 

Ultimately, it really depends on how passionate you are about this, and how much you’re willing to struggle to get to do what you want. For me, I fall into a very depressive state if I can’t flex my creative muscles for even one day. I worked as an event coordinator for several years, and was never worried about money. However, despite being financially well-off, I was so incredibly miserable every single day because I just didn’t have the energy to draw when I got home. It was nearly impossible for me to get out of bed every morning. Then, I landed a job as a graphic designer, I made less, but I was so much happier, but it still wasn’t enough. I would work a full day and still come home and draw something after having dinner, even though I had already spent 8 hours being creative beforehand. It’s literally something I just need to do to be happy. It helps me relax and de-stress. So, what I’m saying is, if you’re not passionate about it, don’t make it your main focus. Why open a restaurant if you’re not ready to wake up at 3 am to bake bread or go to the fish market for fresh ingredients? 

In the end, I’d rather be dirt poor and drawing, than be wealthy and miserable. But that’s not for everyone. It really, really, really, just depends on who you are.

A lot of artists have day jobs and do art on the side for supplemental income. If you have the drive to keep that up, because it will be taxing on your physical and mental health (please take proper breaks), then please pursue it. I would NEVER want to discourage anyone from pursuing art as a career or hobby. I just want to be real about the struggle. The beautiful thing about art is that it’s never too late to fall into. It just takes time and dedication to the craft. I’ve spoken with dozens of animators that didn’t fall into it until they were in their 30s and now work full-time for Disney. Anything is possible if you have the talent and the drive for improvement. 

Again, I’m not speaking on any other artists’ behalf. I’m sure we all have differing opinions and experiences on the topic. Feel free to DM me if you want to talk about this further. As you can see, I can ramble about this for days, so I’m just gonna shut up now lol

[inboldmagazine]

INBOLD MEETS: Nwaobiala, the artist healing the hidden traumas of the African Diaspora

Nwaobiala poses with paintings created by BAKHITA. Photo taken by BAKHITA. Interview and Text by Nandi Ndoro. 

Nwaobiala (they/them/their) is the mixed-media artist the African Diaspora never knew it needed. Hailing from Nigeria and Prince George's County, Maryland, Nwaobiala is a 21-year-old creative using short films, photography, personal essays, mixed-media collages, and other mediums of art to promote self-care and self-expression.

Since starting university as a pre-med major to appease their traditional parents, Nwaobiala has been shifting into full-time artistry. Addressing everything from their first time having an STI to intergenerational abuse amongst African mothers, Nwaobiala's art is powerful, especially to black people who have never been able to have these conversations. There is no doubt that as they continue to explore their artistic capabilities, they are creating a movement of young black people who seek to explore, expose, and heal the hidden traumas of communities in the African Diaspora.

Nwaobiala’s most recent project, “we are more than bodies,” explores the effects of cultural homophobia in Queer Nigerian Americans via photography and digital collaging.

Nwaobiala sat down with Inbold in July to talk about their upbringing and what it has been like being honest in communities that often promote secrecy.  

How did you get into art?

I've been writing stories ever since I was in 2nd grade. I showed them to my teachers but never to my parents. They used to say, "You have to be a doctor. You have to go to medical school." They still say that. Then from seventh grade to the middle of 10th grade, I went to school in Nigeria. When I came back to the States, I ended up in this English class taught by this really dope, black woman. When we got to the Poetry unit, I didn't know how to write poetry but I ended up writing a piece about women empowerment. I performed it in front of the class and I got a standing ovation. I was like, "Wow, I'm actually kind of good at this." Then, during my senior year of high school, I took a TV production class and that was the first time I ever held a camera. I thought it was cool how some people used visuals to tell their stories. I had started working around that time so I decided to buy myself a camera. I had also just come out of a terrible breakup so it was perfect timing. I was still using that camera when I got to college.

When did you start doing slam poetry?

After that poetry performance about women empowerment, I found a lot of spoken word videos on YouTube which I became obsessed with. Then, during my freshman year of college, I joined CUPSI, the College Unions Poetry Slam Invitational, so I was competing in poetry slam events across the country. I did that for two years and it was really cool. That was really when I started to express myself more. I just met so many cool people doing their thing: being queer as hell and gay as shit. It was everything I needed. I'm taking a break this year though because I'm not really into slam poetry anymore.

Why is that?

At the time I was doing slam poetry, it was bringing up a lot of trauma in my life. I didn't have therapy and I couldn't deal with it. I feel like people want you to tell them about your traumatic experiences during performances but that's re-traumatizing for me. I needed to take a break. Looking back now, I don't think I'm going to go back to it. I also don't like when my writing is in that "slam poetry format". I realized that when I took poet Ariana Brown's workshop and I was like, "Wow, I hate the way my writing is structured." Once I left that format, I liked my writing a lot more.

How did you get into collages?  

Last year, I was at home for Christmas, and I was really bored. My parents are really strict so when I go home, I don't leave the house that much. So I was like, "Okay, let's make art." I couldn't take pictures though because it was cold, plus I needed models and transportation. I had been seeing people make digital collages so I started making them and they were a really big hit.

“we are more than bodies” by Nwaobiala

Are you still making them?

Definitely. I think digital collages are really cool because you get to put different parts together to create a whole new message. I have one about intergenerational trauma via mothers that's inspired by Safia Elhillo. She has literally some of the best diaspora poems that I've ever read, specifically from her book The January Children. The college is about how cultures that only see women as objects for breeding children, not as a people to be loved, impact our mothers. I think my mother is very much affected by that culture. She's not happy in her marriage but she'll still go around telling people, "At least I kept my man." I'm like, "Who cares?". That nigga stresses her out so why is she happy about that? I think a lot of women are unhappy in their marriages, especially in Nigeria. It makes me so sad. Even more, when I watched the Nina Simone documentary, it reminded me of this intergenerational trauma. Nina Simone was abused by her husband and went on to abuse her daughter. You can see the cycle of trauma within that situation. Now that I think about it, we all remember Nina Simone differently than how she really lived. Exploring that type of trauma and how we interact with our mothers is an example of what my collages are about. Outside of that, I'm also trying to get into music.

I was gonna ask you about that… music is the one thing you haven't conquered yet!

Yeah, I'm trying to get into DJing because I think it's so sexy.

Honestly, it is.

Yeah, but the equipment is a barrier. Same thing with photography. Honestly, all this art shit is extremely expensive. Photography is really expensive. The one lens that I have only cost me $30, so that's good. It's nice but it's not versatile. I've been applying to a million, trillion grants and they’re hard to get so I have to wait until I win some before getting more photography equipment. My laptop is also running out of storage every day because of my YouTube channel. Lol, it's just been a lot.

I love your videos!

Thank you! I actually make my videos via my external hard drive because I can't have them on my laptop. Oh, man. It's a mess. Art is expensive and tedious.

But it's something that you have to continue?

Oh, yeah. Art is the only thing that feels right to me. I'm not drawn to anything else. I don't see myself looking up YouTube videos about engineering, for example. I don't feel any type of drive to do anything but art. I'm interested in a variety of subjects but I like the medium of art. I like how it gets to people and I like making it.

“we are more than bodies” by Nwaobiala

What has your relationship with your parents been like since you started spending more time creating art?

My parents don’t really know about the art thing. See what had happened was, I had told my dad that I was going to go to university as a Bioengineering major to eventually get into medical school, I’m still on an engineering scholarship, but my first semester was so stressful. It was really anxiety-inducing and I was stressed about my GPA all the time. I couldn’t live like that. So I changed my major to Industrial engineering, which even though it’s still STEM, my dad doesn’t approve.

But being a full-time artist is the goal?

Yes. I’m building my brand now with my website and social media. I’m mostly financially independent so even if my parents tell me I can’t do it, I’m just gonna do it.

When did you start identifying with the Diaspora as opposed to just Africans in general?

The Diaspora is home for me. Even though I grew up in Nigeria partly, I can't fully identify with Nigerians because I do have that "Americanness" in me. Whenever I have a dissenting opinion about our culture, they often attribute it to me being "spoiled" or "damaged" by western culture.

Yeah, that "Americanness" will separate you so fast from an African community.

Facts. It's just hard for a lot of people to understand or see any other point of view that's different from theirs. But recently, I've been connecting with a lot of people that I went to boarding school within Nigeria. Some of them are roaring feminists now and that's hella cool. I know two who are queer so I would really like to interview them. In Nigeria, the ignorance about queer identity is real. Actually, I don't even have to go back there to feel the ignorance. I can just go to a family reunion or talk to my Dad. It's really hard to deal with, honestly. It makes me so mad that I need to calm myself down.

Who are some of your influences?

Oh man, this question is so hard! I need to pull out my Instagram. One of the first people that comes to mind is Yagazie Emezi. She's a Nigerian photographer and she's a trailblazer. I like everything that her work revolves around. I also like her personality: she's the type of person to say that the photography industry is really white and male and that they all want you to be a certain type of way. They want you to be quiet and aloof. You're just an artist so you can't have a presence to you. But she's like "Fuck all of that! I'm going to be whoever I want and you should just take it or leave it." She also doesn't let people dangle money in front of her and she's very successful. Who else? Oh, Koffee, the musician! She's just herself and I love it.

What has your networking been like with other artists?

A lot of my friends are artists. I have one friend who I went to school with in Nigeria and in the States as well. Her name is Crystal Anokam and she's an amazing photographer. She's really been my support system because she's also a Nigerian American so she knows what's up. In general, I surround myself with a lot of people from the African Diaspora. If you're Diaspora: I want to value your work, I want to pay for your work, I want to see your work. I care about the stories that you're telling. That's the art I want to see. I hate going to museums sometimes because there's so much white art! If I wanted to see white art, I'd go to church. For example, the MFA in Boston is hella white. I was there one time and this teacher was taking a group of students through the African art section. The teacher said to the students, "Oh yeah, this is the African art. We haven't really talked about Africa this year..." and he just kept speeding past all the work. I was like, "Bruh, this is your chance to talk to your students about our continent!" It's sad because there were black kids in that group too. But yeah, I like to surround myself with people who have that background because they know where I'm coming from. Even if our parents don't support our art, we know that the art that we create matters. It's so important for us to talk about heavy subjects and these stories because no one is specifically scouting for African artists. You have to push yourself into the spotlight. You also need to be able to connect with other people. Ever since I started my YouTube channel, I've had so many people message me and tell me "Damn, I'm going through the exact same thing!" It's nice to hear people say that and to be able to have these difficult conversations. Sometimes I feel like I'm just kind of here by myself. This shit can get rough so that's nice.

You can find more of Nwaobiala’s work at www.nwaobiala.com, on Instagram @nwaobiala, or on YouTube: nwaobiala. 

[diviinedogs]

❣️hoi, what was art school like? I'm planning to go myself (and my family is pretty passively aggressively turning me down), but I just want to know what skills do you learn? What is the experience? Thank u for your time! Ur blog and art are amazing btw

hI I think it really depends on the school but I can give like the idea of two of them since I went to another school for precollege to see if it was something I’d be interested in majoring in! C./C/A and I went to Ri/.ngli./.ng and my parents are actually letting me go back to school now so hopefully I’ll be back there in Fall c’: also thank you for liking my stuff!

this ask is gonna long because I know I’m gonna ramble so I’m gonna call the schools C and R so I don’t have to do the slashes all the time! C’s experience was a specific  1-2 month course so it’s nothing like actual college at R so feel free to skip down to it, I just thought it was important to add since it was my first experience at an art school

and after I talk about the schools I’ll say what stuff’s good to include in your portfolio, of course this is based on my experience but for the most part it helps in what you should try strengthening 

I did animation at C, which was 2D in the morning and 3D in the afternoon. I did precollege the summer before my senior year cuz it’s like the college experience before college so you do get the feel of how it is being on your own, and I wanted to see if I was good enough to pursue something art related. At this point, my parents were on the fence about the idea, so it would help them too. And C’s in California, so I had a bunch of relatives who could show me around and who I could stay with during the weekends

experience wise, the teachers and TAs I had were really nice, so in 2D it was stuff like learning Principles of Animation and the first thing we did was a flipbook animation I think? and then it went to looking at scenes from movies for inbetweens and character sheets and we all worked together reanimating a quick scene from a movie. In the end, we all chose a really short scene from an animated movie to study and reanimate for our final

while in 3D, it was just learning around Maya and doing animation exercises each day with it, eventually working your way up to a mini film (nothing’s completely rendered though! just models), other than that it was pretty much the same as 2D

so basically, I learned the basics and they were really helpful, but to be honest I felt a bit lost with how free it was, you basically had to learn everything on your own with the teachers just checking your work. I was really good at 3D but it... wasn’t fun for me lol so I decided that after this I’d want to stay in the 2D realm of things

now for R! My parents were worried about the starving artist myth and all that, so they would absolutely not let me do Illustration even though that’s what I really wanted, so I chose Game Design and I was like hey I’ll deal with it or like maybe I’ll like it. If not, I could always try convincing my parents to let me switch my major. 

the way things work at R is that all the majors are put into categories, so Computer Animation, Game Art, and Illustration are all the Media Arts majors. All Freshman take basically the same type of classes and things start breaking off around the second semester of freshman year. Eventually you like see no one outside your major lol

and lET ME TELL YOU........ R HAS A VERY HEAVY WORK LOAD, so you gotta be prepared for that. I think just about all art schools are like this, but R’s very strict on it.  Manage your time wisely, there’s a lot of times I’ve seen people pull all nighters just to finish all their assignments. I was really bad at managing my time too, so when I go back I need to be more strict on myself. It’s better to do things early and relax than relax until last minute and have anxiety hell. Not many of the teachers are about how much homework you have in other classes. Also, it’s good to not do things last minute because then you can relax earlier and scanners and place you go to take photos aren’t crowded.

and trust me, your teachers will know if you did something last minute, and they can tell whether effort was put into something or not. 

Now for classes, I’ll talk about just freshman year since that’s probably what’s most helpful to you right now and since I was made to drop out by my parents I’ll probably be repeating like the second semester of that rip.... anywAY

so, R starts you with foundation, so figures classes, 2D design, drawing (this one’s perspective! so important but rip everyone forgets everything after that semester so I should probably start studying perspective again)

the figure classes at R are sO GOOD............ you improve a lot with those, a few weeks into it I was thinking about the figures I had in my portfolio and was just like...... fuck these are so shitty how the hell did the school accept me.... of course the experience depends on the teacher, but I loved my figure drawing teacher he was really cool and good. He did demos at some point every class to where we would all just hover over his shoulder and watch him draw while he explained what he was doing. You i

2D design I hated because like...... abstract... it’s supposed to help you work with compositions and such but I really don’t understand abstract and execute it properly so that was a really difficult class for me 

drawing class is just doing still life and perspective exercises, you don’t really get to the fun part till second semester, I forget the other exercises but I remember that towards the end there was one where you designed a car (like a fun spin on it like.... I think mine was a firefly styled car? yeAH)

other classes were Film & Narrative (so studying films, it was cool) and Writing Studio, which is just like a writing class, they don’t really apply to skills/experience in art so I’ll skip over those

second semester, you still have Figure Drawing, but there’s more of a focus on stuff and you get to draw animals too (sadly no, no real animals come into the classroom. You work off of projections and then there’s a field trip to a big cat sanctuary)

drawing II gets fun because you finally get to use photoshop for your still life and assignments, the assignments get more fun like the Tro/./.ja./n Ho//rs/e assignment. Like you could either do the actual one or draw a similar scenario, I’m totally blanking out on what I did but one of the examples was like a giant wooden mouse with cheese and in the back were cats watching the actual mice. Anyway, it had even more of a focus on compositions and colors. 

Another assignment was designing a character’s room. It could be any character, but you couldn’t have anything that gave away their name. People had to be able to guess who the room belonged to just by looking at it. Sounds hard, but fun. If the character you chose had like a specific style from the concept art of where they’re from you’re free to use that too! I did Kida from Atlantis and one of my friends did Greg Universe’s room, so she got to imitate SU’s background style which was cool to see!

3/D desi/gn was............. super difficult to me, I almost failed that class >w>;;;; because it was woodshop type stuff and polymer clay depending on what you wanted. However, every assignment you did would lead up to the grunt assignment, which was like, you had three designs of things that would be possible grunt level monsters, and you essentially pitch a game idea to the class and they pick the best. SO again, modeling especially with actual clay is hard for me but it was a great experience when it came to designing and stuff. There’s more but I don’t want to get into all the assignments

3/.D design differs based on what major you’re in, and you only get it if you’re doing one of the Media Arts majors, but I’m pretty sure for the most part they’re the same?

if you major in Game Art or Animation, then you also take traditional animation, which was really fun but tbh...... I only knew how to do animation because of me being at precollege at C and then like learning stuff on my own, you were really left alone a lot, which is the same for some of the other classes. They’ll help you if you ask, but if you don’t then you can’t really get helpful feedback. Again, it depends on the teacher. The one I had was really nice and I frequently went to her for help.

so despite how some assignments/classes were hard for me, I really loved R and I’m excited at my parents giving me the option to go back, I just need to do a portfolio again >w>;;;; R’s a really good school with a lot of great resources. All of my issues came from problems with people (not teachers just other students) there and I’m not gonna get into those cuz personal lol

OKAY SO for portfolio tips

still life

figURES

ANIMALS, it makes you have a better understanding of anatomy and stuff

try to have a mix of media in there, like I mainly do digital but still have some traditional stuff to show that you know how to use those

I would keep figures realistic and not stylized so they can see that you have an understanding of them

depends on the school I think, but R strictly says in their guidelines to not do fantasy stuff like unicorns and dragons

NO FAN ART.......  you can have it but you need to be really, really vague? if that makes sense, like people shouldn’t be able to tell it’s fan art

have what you’re applying for in your portfolio, so like depending on what you want I’d add concept art stylized stuff or character designs 

you gotta have your best work in there, like some people like having okay/bad work to show how much they improved but that’s a bad idea, if you don’t think something’s good don’t put it in for colleges to see 

[godslush]

Oh, and because apparently nobody wanted to know anything from that artist ask post, here’s all the answers anyway:

   Do you prefer traditional drawing, or digital? I actually feel a lot more comfortable with sketching and lines in traditional, but I've been spoiled by digital tools for coloring and refining. I'd say digital for now since I don't have a good means to do traditional lines and then transfer them to PC for coloring; no room for a scanner and too lazy to clean up a photo.    How long have you been drawing? Technically since pre-school, but I started drawing seriously with intent to improve in 6th grade, which was 1997-1998, so about 20 years. :>    How many classes have you taken? I took technically four years in high school, but the teacher didn't so much teach drawing techniques as she did nurture students' existing abilities and provide challenges, usually in the form of prompts and different mediums. I also took one summer in college that was an introductory course that didn't really teach me anything I didn't already know, I just had to take it as compulsory 'diversification' (since I was majoring in biology). It probably helped a lot, though, in the sense that it forced a lot of still life drawing, something that's of great value to all artists that I tend to shun because it's 'boring' and such, which is a very bad mentality to have, haha.    Do you have a DeviantArt, personal website, or art blog? I have a DevArt (Daimera) but it's defunct and I will never update it again. It's a good way to see how I've grown, though, since it goes back pretty far and I haven't deleted much, only hidden a bunch of my original character art due to annoying children and art thieves. My dedicated art blog now is artslush here on Tumblr.    What’s your favorite thing to draw? Whatever I'm having fun with at the time! Usually monsters, but not always!    What’s your least favorite thing to draw? Realistic people. Realistic anything. Seriously, just take a photo.    How often do you use references? Much less than I probably should.    Do you draw professionally, or just for fun? Just for fun. Not sure if I'd enjoy drawing professionally; if it becomes my job I fear I may grow to resent one of my only forms of enjoyment.    How much time do you spend drawing on an average day? Not nearly long enough.    Are you confident about your art? I'm sort of see-sawing. I'm happy with my art from my own perspectives and relative to where I'd like to be, but I know I'm nowhere near good compared to actual professionals. I just try not to let it bother me.    How many art-related blogs do you follow? Considering I came to Tumblr because of art blogs (or blogs of people who do art on occasion even if it's not their main theme), do you really want me to go and manually count them? ... Really...? Ugh, okay... ... ... ...62. ...What? I like to keep a clean dashboard!    Is it okay for people to ask you about your process? It is but you're not gonna get a particularly great answer! I have some videos up on YouTube, mostly long streams though.    Do you prefer to keep your art personal, or do you like drawing things for other people? Mostly personal now. I used to draw way more for others in the past, but when I started attracting the attention of a younger and more entitled crowd (not gonna say who but if you've been there you know), I've become more and more reclusive out of the desire to just not have to deal with the drama of kids trying to guilt me into doing free art for them. "I love your work! See, I've complimented you! You owe me now! You've done free art for others, so why not meee???! Wow, you're such a horrible person! I'm going to treat you like garbage and tell everyone what an awful person you are for not giving me free stuff or reciprocating my 'kindness' to you!!" Maybe I'm overreacting or projecting, but it's something I just want to avoid, even if it's not likely to happen. I just can't deal with that kind of trash.    Do you ever collaborate with others? I think I've only done a small handful of collabs, and even then, it was more "someone did a black and white pic for me for reason A or B and I decided to color it", or someone seeing lineart I’ve done and going “Hey, that’ s awesome! Can I color it? :D”  I don’t think I’ve ever been in on a project that was a collab from the get-go.    How long does an average piece take you to complete? Depends on the complexity, I'm fairly impatient so I prefer to take as little time as possible, preferably in one sitting split up by short breaks. I'd say 3-6 hours? I get VERY disheartened if I spend a lot of time on something only for it to not get attention proportionate to the effort I'd put in.    Do you draw more today than you did in the past, or do you draw less? Less, unfortunately. I was a lot more confident and dedicated back in the day until art students I'd surrounded myself with destroyed my drive with their self-destructive attitudes. I felt very "Well, they're way better than I will ever be and they think their work is garbage, what hope do I have of ever being anything more than what amounts to worse than garbage?"  I don't feel that way now, but I was never able to pick my momentum back up fully after hitting that wall.    Do you think you’re justified in giving other people art advice? No, but I often find myself being asked for it anyway, haha.    What are you currently trying to improve on? Nothing specifically, though I'm trying to make single character pieces slightly more dynamic than "character standing there in default idle pose." I'm not fully successful, but baby steps.    What is the most difficult thing for you to draw? Backgrounds and sensible lightsourcing.    What is the easiest thing for you to draw? Nonsensical eldritch monsters.    Do you like to challenge yourself? Not really. I'm very much a comfort zone person.    Are you confident that you’re improving steadily? Yep! It's a very slow steadily though, haha.    Do you draw more fanart, or more original art? Lately it's been more fanart; it gets more attention more quickly, and I find it more satisfying to draw something when I know more people like it. It's a double-edged sword, though; if people are clearly liking the content simply for being that content rather than for being my art of that content, I start feeling bitter. See: me any time half-assed Pokemon fanart of mine that I don't even think is all that good gets stupidly popular.    Do you feel jealous when you see other people’s art, or inspired? (Be honest!) I used to, and on occasion I will on certain very specific kinds of designs (usually mechanical and cybernetic), but for the most part it's counter-productive to hold a bar high with the work of others and expect to achieve that. All it does is lead to despair.    Do you like to draw in silence, or with music? MUSIC. I have a lot of playlists, and they're usually game-based.    For digital artists: what program(s) do you use? I used to use OpenCanvas predominantly, but now I use Manga Studio. I'll occasionally touch up in an ancient copy of Photoshop 7. I occasionally dabble in Krita, especially if I want live symmetry. For sprites, I usually use Photoshop for the initial, and ImageReady to animate, but lately I've been trying to switch over to PyxelEdit. If I want to do animating that's not pixels, I use Pencil2D, but you'll almost never get to see my failures there, hahaha.    For digital artists: how many layers does a typical piece require? Back when I was using OpenCanvas, which only had 'transparent' layer styles (Add, Multiply, Subtract), I'd usually have very few, and a lot of those habits held. Often times my layer flow looks like: - Lines - Highlight details - Broad highlight - Shadows - Color - Sketch And sometimes I'll just add one or two additional glowy or shadow detail layers to that. This is usually per-character, so multi-character pics will double what's there for the most part. If there's a background, though, expect like five thousand layers, lol.    What inspires you to not just make art, but to be a better artist? My head is filled with a lot of crap, and I just want other people to kind of share in that. Since I'm not great with words on a descriptive level, drawing the things I see in my mind is the next best thing to magically gaining the ability to transmit my thoughts and mental images to others, lol. The better I am, the better I can get those ideas across.

[literarilymanga]

Hi, guys! This blog lives! In an effort to breathe new life into Literarily Manga, I’m gonna be posting new content on at least a weekly basis. To kick things off, I’m gonna start with an interview with webcomic creator J.M. Henry. Read the entire interview after the cut! 

Me: Would you share a little bit about yourself as a creator? 

J.M.: Sure! As a start, I'm the author of the webcomic The Lostland, a webcomic about supernatural psychics in Post-Apocalyptia! I've been working on Lostland for a little more than 5 years now, and it's been both my baby and a massive testing ground for a lot of art/comicing experiments. I've been drawing since I was a kid, around 6-8 or so, and even back then I had hoped to go into comicing as a serious endeavor. These days, I've made it my goal to increase my skills to the point where I can make a decent living doing what I love most! ...But, I'm still pretty far from that! Haha!

Me: Could you give a short summary of The Lostland?

J.M.: The Lostland is an action/adventure webcomic about four characters braving the dangers of the wild wastes--all while one madman plots to cause chaos in an already chaotic Lostland. Lots of bizarre supernatural action and fun adventures ahead!

Me: Could you introduce the readers to your characters? 

J.M.: Gladly!  Our Story starts with:

J.M: Volken: A young Shaper (our post-apoc. psychics) who used to spend most of his time secluded in the old city ruins known as The Divide. That is, until another Shaper hunts our protag. down for unknown reasons, forcing him out into the one place he wanted to avoid, The Lostland. 

J.M. :Meri: Our mischievous Lostland adventurer. She starts out working as an assistant medic in a small town alongside her sister figure, Fiona, but her eagerness to find out who she is(and her hopeless attraction to danger) leads her out into the Lostland on the search for Old World technology. 

J.M. : Rosso: The Lostland's most infamous wanted man, also known as "The 10 Million Chip Man," or "Mr. 10 Million". Normally doesn't care much about what goes on around the Lostland, but the strange death of his long time rival in the "New Arum Incident" catches his interest, and he decides to find out just what kind of trouble his old rival got himself into. 

J.M.: Nero: His story begins after finding out that a tip about a man he's been after turns out to be false. Tracing back that info leads to him being framed for the New Arum Incident. Nero is now known around the Lostland as "The Man in Black".

Me: Who is your favorite character—and why? 

J.M.: I like all of them for plenty of reasons, but I gotta say Volken. I think to most readers, even though they don't say it, Volken is probably the most underwhelming character of the bunch, especially compared to Meri and Rosso. He's weak, even with special powers, spends most of his chapters either getting beat up or getting tripped up by his own luck, but I personally like those things about him, because I know he'll eventually overcome those quirks and become a really cool character by the end of his arc. I won't spoil much from there. 

Me: Who is your least favorite character—and why?

J.M.: Ah... Nero, to be honest. Could've been written a bit better. He's not really seen as a protagonist in the beginning, so it was also pretty tough to make him a likable character. It made him the toughest one to write.

Me: You’ve been updating since 2014. Can you offer insight into how you’ve developed your story and your creative process over the years? 

J.M.: I've actually been working on the comic since 2011. No worries though! I switched site hosts since then. On the writing side, I started with just the concept, the setting, and characters that would fit the concept and setting. After that I spent a lot of time fleshing out who the characters were and how they'd react to their surroundings. It makes writing them into the story I plan a lot easier and their actions feel less like they're serving the plot. At least in some places.  On the writing side, there isn't really a whole lot of it, to be honest, and helps get the art done faster. I map out the major arcs of the story, and then break those down into smaller arcs, and in those arcs, I finally get to writing chapters. On chapters, I usually do very short, single paragraph summaries of them, each scene summed up to one or two sentences. Dialogue and everything else gets worked out in my thumbnails.

J.M.: Honestly, once the summaries are done, I rarely ever need to look at them again, since the volume is usually fully memorized by then.

Me: What is your favorite part of the creative process? The least favorite part? 

J.M.: My favorite part of the process is definitely the conceptualization/ brainstorming part. Sometimes, I just come up with some really fun stories while I'm working on something else. I've already got a few that I'd like to try out in the future! Not not sure if it's actually part of the creative process, but trying to get tour stuff up and out to the public is always a pain for me. Sometimes you wind up putting out some of the best work you've ever done, and the ‘net kinda just responds with "eh." Advertising's always been a bit of a bane for me, but again, probably not part of the process.

Me: As you mentioned before, The Lostland is a post-apocalyptic story. What drew you to the genre? 

J.M.: Not much drew me to it except to experiment a bit with an idea: How would characters with special abilities get by in a world where people are mainly struggling to survive? Would they help out? Would they take over and run the place because they have the most power? How would normal people receive them in those circumstances? 

J.M.: I play around with those questions as I write. Haha!

Me: Several of your characters are Shapers, individuals with psychic powers. Do you find it harder or easier to develop characters with supernatural abilities as opposed those that have no special abilities? 

J.M.: I think it's easy to do both fairly well! It would be great to see one normal character reacting to all of this though. I may make it a short story. As for the main characters, the fact that they all have these special abilities works with my experiment a bit, since each views and uses their own powers differently. For example, because of where Volken used to live, a place that was highly paranoid of Shapers, he starts out as being to afraid to use it outside of basic survival. Nero, however, a character used to using his abilities to fight, will usually treat it as his first resort most of the time. Meri and Rosso also have their own reasons affected by the sort of life they've lived, too.

J.M: I also experiment with this outside of main characters, but later into the story!

Me: How have readers reacted to your characters and story thus far? Are there any challenges that you’ve had to overcome when working on The Lostland?

J.M.: I'd say The Lostland's done fairly well, personally. It's not exactly exploding, but it's attracted a crowd of readers who really love what comes out of it. And that feeling of making something that people can enjoy always does a heart good!  As for challenges, I had quite a bit of trouble keeping the message clear in the early parts of the story, but thankfully, that was when I was still new. My biggest challenge right now is trying to get both the art and story to a point I can be satisfied with. There's still all lot I have to improve on my way there!

Me: What do you want readers to take away from your story?

J.M: Hmm... I don't really have any big messages to convey with The Lostland... Maybe "Pencil fights can be fun with a little imagination?" LOL! But seriously, if most people start reading the comic and leave it enjoying the experience, the story, the characters, the world, then I think The Lostland's done its job well!

Me: Who is your “intended” audience? 

J.M.: I was thinking about doing a motion comic in the future, and I'm already working on a game for the comic, but we won't see that for a while... Printing the comic has always been a major goal for me too!

Me: What drew you to the webcomic genre? What made you say, “This is how I want to share my story?”

J.M.: I've always wanted to work on comics since I was a kid, I even tried submitting some of my old work to Tokyopop, back when they were alive [in print]. So when I heard it was not only very possible to self publish comics online, but there were sites that made it easy to do (I started at SmackJeeves way back). I hopped on board! A lack if editors molding your original idea also helped the case for webcomics. LOL.

Me:  Do you have any advice you want to share with other artists and writers?

J.M.: Just two. One: Don't wait too long to start. Sure, take time to plan and improve, but you'll learn faster while you're actually comicing. From personal experience. Two: Don't be afraid to fail a few times or make mistakes. It's all part of the learning process. As a friend of mine once put it, "Don't be afraid to draw it while it still sucks". You won't regret it!

Me: What are your tools of the trade? Any special software? 

J.M.: Mechanical pencil, sketchbook(for thumbnails), Deleter B5 paper. On the digital side, there's my cintiq, Clip Studio Paint, and sometimes GIMP.

Me: Will you be attending any upcoming cons? 

J.M.: I tend to go to Anime Boston almost every year, but not as a seller yet. Feel free to say hey if you see me!

Me: Anything else you want to share? Shout outs? 

J.M: Check out @ComicBookHour if you're a comic creator! Lot of great conversations there!

And that’s it!  You can read The Lostland here on Tumblr or over on Tapastic. Currently, the comic updates every Saturday at 8:00am, but may go back to being updated twice a week in the future. You can follow J.M. Henry’s comic progress on Twitter or Facebook. 

This interview was originally conducted over Twitter. If you or someone you know would like to be interviewed about your comic or comic related venue, please don’t hesitate to leave a comment on this entry or send a message or ask. I’ll get back to you ASAP! 

Don’t forget to check out my previous interview with the Head Librarian at Carolina Manga Library. 

Thanks again for reading! 

[resbang-bookclub]

AMA Transcript: Spun by the Moon

This weekend, @silly-twin-stars​ and @aquabella888​ stopped in to chat about their 2016 Resbang, Spun by the Moon! Here’s some of what went down:

Q: What inspired this idea?

Silly: Well, I actually thought of this idea during my last summer working at a camp, about three years ago. I was literally out on the lake, in the speedboat, and was like "wait, I could write a thing!" So this had been cooking up in my brain for about three years before I actually signed up for Resbang. I wrote a couple of random scenes during Camp Nano (appropriate) back in 2014 before I was like "okay, I NEED to get this written!" and then Resbang [eventually] popped up. So yeah, everything just kind of came together at the right time.

Q: Did you write this to any music? Or have a playlist?

Silly: So I don't have an official playlist but there were a few songs I listened to a LOT that inspired particular scenes - The Academy Is...'s Fast Times album was on repeat for TON of this story (especially the scene where B* is a lil shit and backflips off the boat), and Imogen Heap's Tidal was my Canoedling Anthem. ;D Nourish me in early 2000s pop punk.

Q: Was the scene where they went across the lake to that outlook inspired by a real place?

Silly: Slightly, yes!! There's no place that you can actually get to by boat that overlooks my camp, but there's a mountain near camp we take the kids to that actually overlooks the lake, so I drew pretty heavily from that! There IS actually an island in real life that people can kayak to and I considered doing some kind of corny picnic scene with that idea for a long time but ultimately went with the overlook instead. 

Aquabella888: That scene really gave me so many feelings.

Q for Bella: What was your favorite piece to art?

Aquabella888: Ooohhhhh. I'd have to say the piece where they're under the dock. The background was a little rushed but Soul's shorts and the water underneath the dock just made me love it so much. I'm really proud of that piece, BUT I LOVE THEM ALL. 

Silly: THE SHORTS. 

Aquabella888: YES THE SHORTS. XD 

Silly: That was the last piece you finished, wasn't it? It made me SO HAPPY. 

Aquabella888: YES it was! I wasn't going to have access to my tablet around posting time so I was like, aw fudge I gotta get this done! BUT IT WAS WORTHHH IT. 

Silly: Bella was so full of little things like that. She was the one who inspired B*'s muscle shirt. 

Aquabella888: B*S MUSCLES WILL NOT BE CONTAINED BY A POLO. XD

Q: Does that say "Fetus B*"?

Silly: It SURE DOES.

Q: How do you feel, having completed your first Resbang?

Silly: Oh my gosh. I feel amazing. What an incredible experience?! I felt so spoiled. I had an amazing partner who was so open and supportive and communicative, and a group of betas that supported me and gave me honest feedback and now I'm a part of this amazing community, like what?! I am the luckiest. 

Aquabella888: Aww same... Silly being my partner made it such a wonderful experience. AND BETA SQUAD IS BEST SQUAD.

Q: Who was the hardest character to write?

Silly: That's really hard! My first thought was probably Medusa. Kind of like WhiteLightning mentioned earlier today, I was trying to toe the line between her being legitimately evil and the sheer ridiculousness of her trying to invade a summer camp with cell phone towers. Like, who let me get away with that ridiculous premise? But I think she turned out all right!

Q: What are you most proud of in your writing, after going through Resbang?

Silly: I'm quite proud of the pacing in this story! I struggle with it sometimes, and I think in this particular story I paid a lot of attention to making sure things were progressing at the right speed. I still have a lot to work on, but that felt like a stronger part of my Resbang this year.

Q: Where did inspo for canoe-dling come from and did that idea evolve at all?

Silly: I literally have no idea where the original inspo for canoedling came from. I know I thought of it before I actually signed up for Resbang, because when Madi offered to beta for me, my explanation of my story was like "there's gonna be lots of fun camp stuff oh and also canoe sex" and she was like EXCUSE ME YES and it all just kind of snowballed from there. It ABSOLUTELY evolved and I kind of made fun of it in the story - initially I wanted the funtimes to happen IN the canoe but with copious research I began to realise that that was gonna be pretty physically impossible. So I was like "hey they're gonna fall out, because fucking obviously." And then I was able to work the real word canoodling into the story and I was the happiest person alive.

Q: Was there a character you connected with most?

Silly: I definitely had a chance to identify with Maka lots in this story since I was writing from her perspective. My only other longfic is written from Soul's perspective, so it was really refreshing to be able to step into her shoes for kind of the first time? I hardcore channeled myself during the scene with Tsu and Liz's interrogation, I felt for Maka so hard there hahaha. Actually, anytime anyone is super embarrassed in this story, I tended to identify with them: Soul at the campfire, Maka under the dock etc. hahah. 

Aquabella888: Maka is precious and needs to be protected.

Q: WHERE DID THE SOLES COME FROM?!? Like, the inspiration for them?

Silly: So I intially thought of doing 99 soles when I was thinking about the three tasks. I pinned down Link in the Chain and Witch Hunter pretty early and was like "ugh I want to do something with 99 souls!" iI thought the pun would actually be too silly, so I went with them collecting 99 bowls (lmfao) and when Madi read my outline she was like "hmmmm, have you considered soles, like shoe soles?" And through SOLE RESONANCE we knew it had to happen!!! 

Aquabella888: IT WAS AMAZING.

Q: Has anyone asked Bella how she feels she's grown this Resbang yet?

Aquabella888: Ummm, so initially, I was planning on working with traditional mediums like markers and such so I started working with those... but at one point I took a break and did some digital work and really enjoyed that! So I think this project really allowed me to develop my skills as a digital artist. I'm way more confident in my abilities now! But having an amazing partner and such a supportive mod squad really encouraged me to seek out opinions and feedback which was always really helpful! It was a really positive experience overall. 

Silly: Your style gives me life. <3

Q: Your camp is in NH, right?

Silly: Maine! Just on the border of NH, though.

Q: So I could... find it... is what you're saying.

Silly: You... yes, you could. ;P Although there are tons of summer camps in Maine - way more than people realize! 

Aquabella888: Here we go with le extra concept art:

Q: I FORGOT ABOUT MAKA DECKING SOUL.

Silly: Maka decking Soul was not in the original plan and I'm SO GLAD it happened hahaha. I was writing that chapter and remember thinking to myself "man I'm so bored, what can i do to spice things up OH I KNOW." 

Aquabella888: Yes, Maka decking Soul was majestic. 

Aquabella888:

Silly: That sign ugh. It was literally exactly how I pictured it in my head.

Q: How did the fic change as you wrote it? Bc I know Resbangs tend to Evolve.

Silly: Totally! So the original plan with the three tasks stayed pretty similar throughout, but a lot of the stuff in between the tasks was super organic. The campfire scene got progressively more ridiculous, and I thought of Stein's pyromaniacy literally as I was writing the scene where he's first playing with the torches. But overall it just got sweeter and sweeter as it went. Sweeter than I originally intended and better than I could've hoped, to be honest. OH, AND THE CANOE JOKE. BLESS.

Q: Oh my gosh I forgot about Stein! Where on earth did you come up with that?

Silly: Hahahaha, I thought to myself... okay, they're not supposed to have fire at camp, who loves pushing the boundaries literally always? STEIN. Oh, and he gets to play with fire? Seems legit!

Q: Any ideas for what you're gonna work on next?

Silly: I do. I already have next Resbang outlined. I am very excited. I think you guys will enjoy it lol. And I'm doing Reverb! And working forever on my longfic. Also, I might write some more smut, sometime. I have nowhere to go but up in that department. ;D

Q for Bella: What was your favorite scene?

Aquabella888: I've gotta say... even though the end of this scene frustrated me to no end, I think the piano scene is my favourite. IT WAS JUST SO EMOTIONALLY INTENSE AND UGHHH IT KILLED ME SILLY. BUT THE CANOE SHENANIGANS IS A VERY v.e.r.y. close second. Maka getting angry at Soul after the canoe flip like 'lifejackets soul, this is why we wear them'... BEAUTIFUL. 

Silly: I loved that because like, Maka, this was your idea. Nerd. 

Aquabella888: Best nerd.

---

Stay tuned for more transcripts!! <3

[enderoftheend]

5 Things Thing

Tagged by the one and only @five-foot-a-b1tch​! (I’m stealing your number symbols, they look fancy.)

5 things I keep in my bag ① Laptop: Windows 10 Acer laptop in prime breaking down condition! This thing is a few years old. I hope it lasts until I get a new one, lol. I���m a bit attached to it, though... I have fond memories of me playing games in class when I’m supposed to be working. (I’m a high school student, okay? It’s what we all do.) ② 3DS XL: Okay, not ALL the time, but... I do bring it a lot. I take my Pokemon very seriously. All I need to do to have caught ‘em all is to finish the Alolan Dex and then gotten a Diancie. One day, I’ll be a real Pokemon master... ③  Sketchbook: I try not to think about the fact that it has my sister’s ex boyfriend’s name on it. I’m pretty sure it was his when he was in year 9 art, but... he left it here, so yoink. ④ Books: Lots of books. My bag is heavy... ⑤ Laptop charger: The battery on my laptop is warped, so the charger is like a lifeline for it. Well, it has crappy battery life, basically.

5 things I keep in my room ① Birb statues: My dad bought them for me. One of them is a macaw that’s drilled into my wall. The other is a bald eagle that’s sat on my shelf... my bird sits on the eagle, sometimes. He has no fear. ② Plush animals: Most of them are different types of birds... I have an elephant, cheetah and Fennekin one as well though. I also have a really old robotic cat toy, which has been out of battery since forever. It’s furry, though... and again, my bird likes to sit on it. I’m still a kid, so I have a bald eagle plush that I still sleep with. I love bald eagles, y’know? They’re my favourite animal. ③ Assassin’s Creed Special Edition boxes: More specifically, the Notre Dame edition of Unity and the Buccaneer edition of Black Flag. I used to be obsessed with Assassin’s Creed, but now my love for it is more nostalgia for how much I used to enjoy it. I still stand by my opinion that Connor’s the best character, though. ④ Merchandise: Of the Attack on Titan and Undertale variety. I have a Survey Corps uniform, and though... poorly made, I still very much so enjoy it, because I’m a freakin’ nerd. The Undertale merch I got a few days ago from Fangamer. It came with two shirts, one of which is too big for me, but that’s not gonna stop me from wearing it. ⑤ Feather box: I collect feathers. Most of the feathers I have in there are from my bird, since he’s... usually the bird at closest proximity to me in most hours of the day.

5 things I’ve always wanted to do with my life (oh god) ① Concept Art: Getting the obvious stuff out of the way. I enjoy digital painting moreso than doing lined art. It’s just fun to work with colours and lighting and shapes more freely. ② Animate: Probably not gonna happen... especially compared to my art skills, my animation skills are subpar (I know because I tried, I have a YouTube channel with crappy WMM animations in it), and I’m not patient enough to spend days upon days animating a 5-minute video. I have immense respect for animators. Not to mention, every good animation program costs like $500??? What the hell???? ③ YouTube personality: Again, probably never gonna happen, but I want to feel important to a wide range of people. ④ Make a game: It’s not just Undertale that makes me like Toby... Everything he says and does inspires me in some way. He’s my biggest role model at the moment, and I’ve had an idea for an original story for quite a bit. What made me sure that I wanted to do this eventually was a quote he had on his (inactive) Tumblr, when Undertale had its first Birthday. ⑤ Cosplay: Yes. 5 things I’m into  ① Attack on Titan: AoT AoT AoT AoT AoT (it’s always been my most favourite thing ever. I have a place in my heart specially dedicated to it.) ② Undertale: Coming second only to Attack on Titan. I love this game so, so much. I joined the fandom a little late but was immediately charmed by the game the moment I met Flowey. It didn’t take me long to start obsessing over it... by the time I stepped out of the Ruins, I already lost myself to this world. Look at me now. Haha. Ha. ③ osu!: osu! is an Australian-made rhythm game where you click the circles... to the beat. (No, it’s not Japanese, like I initially thought it was. It was actually made by some guy in Perth.) I’ve only been playing for about 9 months and I’m ranked 46k globally out of over 9 million players. Something about seeing you grow out your skill in such a short amount of time is so rewarding. It’s great for improving stamina in my arms (which I’ve always had trouble with, thanks to a certain disability that I was born with) and perhaps the greatest thing about this game is the culture surrounding it. There’s kind of a poetic balance between beauty and elegance, intenseness and frustration, and just... utter weirdness. I love it. ④ Touhou Project: I only recently got into it, but boy, did I get sucked into it. It’s just so damn difficult that it’s impossible not to play it over and over. And, I’ve watched Memories of Phantasm, the fanmade anime... the only good thing about it is the animation quality. And that’s not just me complaining like a hipster... it actually sucks so badly it’s funny. My favourite character is Cirno, in case anyone’s curious. ⑤ Warriors: The one and only book series that I actively follow. The writing’s horrendous in some books, but I love the ideas in it anyway. Plus, Jayfeather is to live for. My favourite book would be either Bluestar’s Prophecy, which was the first book I’ve ever read, Tallstar’s Revenge, which made me shed a manly tear at the end, or Path of Stars, which ACTUALLY made me cry, because that death scene was so emotional. I loved Gray Wing, man...

5 things on my to-do list ① Improve my art: ok. ② Get on top of my schedule: I swear I love my comics... ③ Catch ‘em all: You don’t get it... I take my Pokemon VERY seriously. ④ Actually beat Touhou 6: IT’S. HARD. ⑤ Become a 4-digit player on osu!: Because the community gives 5-digit players like me enough smack for being mediocre... 5 things you may not know about me ① Well, I guess you know NOW, but I was born with a disability. Low muscle tone, AKA Hypotonia. It’s not actually that bad, I think... it does get in the way, but it’s liveable with. ② My earliest memories involved me being a selective mute. This was when I was 4 years old. I only felt comfortable talking at home, and even then I didn’t do it much. I also had OCD, apparently, which I think I can remember a little bit of at the back of my mind. Not too sure, though. ③ I like flowers. For symbolism, partly. But picking flowers has a sort of childish innocence that appeals to me, as well. I don’t think I have a favourite flower. ④ I interacted with Markiplier before I knew who he was... Everyone else on the server at the time knew, though. I was one of the few people on who was very confused. My exact thoughts were, “Who the Hell is this loser?” I was like... 12 or 13, maybe? It was back when he still played Minecraft. And I’m preetty damn sure it wasn’t a fake, seeming as I recall him typing in the chat with words that correlated exactly to what he recorded on his first episode of Drunk Minecraft. I didn’t say anything until after he finished recording and hung out for a bit because I practically just got on the server. ⑤ I’m half Italian. Have you ever been to an Italian Christmas family reunion at midnight? Because I have. It’s loud.