#They're trying to make up for it. REALLY hard.

[summertimesadnessirl]

You just impaled yourself on the point. And then opened the mouth of your undead head and came to the wrong conclusion.

The Republican party is the controlled opposition party to the democratic party. For most of your lifetime, it's worked like this

The Republican party proposes something way, way over the top.

It's usually something that makes it easy to fire up the radical religious segment of their base somewhat, but as long as it isn't directly in opposition to capital or to the personal agendas of maybe a dozen specific very wealthy and powerful people in the US, it doesn't matter what. They can literally promise a bunch of horny lonely guys on the internet that they're going to make anime real. But the religious right in the USA has been carefully kind of crossbred with the interests of big businesses for a few hundred years and that's been the basis for tons and tons of media that has been produced in the United States since before everyone currently alive was born, so typically they have tons of stuff that is easier to promise them. Often the messaging is double speak in some way that is designed to create a specific type of lifestyle for most people, but while making it seem like an accidental side effect of something else that they want to do.

A lot of time and energy is spent trying to stop the thing from happening. The democrats then raise a ton of money and campaign primarily on stopping their opponents from doing the thing. They get paid. Billions of dollars. They get elected a decent amount of the time. But stopping their opponents from doing the thing is a full time job, and it requires a bunch of political sacrifice. It means sometimes they have to compromise and make a smaller cut to a popular service that the Republicans want to get rid of, or roll back just a few rights from a minority group the Republicans hate. And this is spun as being justified because otherwise they couldn't remain in power. The democrats claim that the hard line religious faction in the country represents half of all voters, when actually many of the policies that the religious right support are not favored by the majority of voters and most of the policies the religious faction are against or are trying to weaken or overturn are popular with the majority of voters in polls. They then conveniently exhaust all their funding and resources in a constant battle with the controlled opposition and never have resources left to accomplish anything that the majority of voters would be in favor of or that would help people but be against the interests of powerful, wealthy donors.

They've been doing it all my life.

It's literally just good cop, bad cop.

Sure, people want to split the left. There are definitely activists out there doing that. Encouraging factions to develop along different ideological and identity lines in order to get people to fight so they don't come together.

But in the case of this specific instance, it works as a tactic because it's TRUE.

Things are not going to change or improve unless we manage to get rid of political parties completely. We can do ranked choice voting and it would help, the same way changing the electoral college could help, but if we keep the current system of allowing large groups that exist solely to raise funds for various candidates year round, it's not ever really going to get better.

I was a student at UC Berkeley during the 2000 presidential election. The propaganda at that time was that Al Gore and George W. Bush were exactly the same candidate wearing different ties. There was no difference between them, so you should vote for Ralph Nader.

In 2016 the propaganda was Bernie Bros—and going both ways ("Hillary is an establishment candidate! You're not a real liberal if you don't vote for Bernie!" and also "Bernie will never win! If you EVER supported Bernie you're not a real liberal!").

This time the propaganda was Gaza. "How can you vote for a candidate that is a part of an administration responsible for GENOCIDE?!"

The thing with propaganda is it's always true—kind of. You can go right down the list and see the truth in all of these things:

Both Al Gore and George W. Bush were establishment candidates. Al Gore was the sitting vice president and a career politician and George W. Bush was the son of former president and vice president George Bush, who himself was vice president to Ronald Reagan.

HIllary Clinton was an establishment politican, the wife of a former president, and the sitting secretary of state. Bernie Sanders didn't have the party support to become the Democratic Party candidate on account of his history of independence.

Biden and Harris were in office during the Hamas attack on October 7th, 2023, and the US government has offered continued support to Israel in its couteroffensive.

Those things are true. But the true things were being used to distract the distractible from other arguably more important true things, e.g. that Al Gore's actual policies were more liberal than George W. Bush's; Hillary Clinton's policies were more liberal than Donald Trump's; and a Kamala Harris-led government was going to be better for Palestine than a Donald Trump-led government.

The goal with the propaganda each time was exaclty the same. It wasn't to get votes for a third party candidate or change policy or help Gaza.

The goal was to get liberals not to vote.

And it worked. Every time.

It'll work again, too, if we don't teach voters how to recognize this. It's pretty obvious though. If it's near an election and it's a wedge issue between liberal voters and ultra-liberal voters, that's the propaganda.

And it is 100% active and alive here on Tumblr.

[mintmatcha]

You fling yourself around the corner, catching the door frame with your hand to stay upright. Shinso doesn't jump; he heard you stomping from all the way down the hall.

"I'm late."

He doesn't look up from his duffle bag. He's arranging the clothes carefully, placing each rolled sock in a row. "How late?"

"No, like-" You roll your hands in the air expectantly. "Period late."

Shinso glances at your feet and watches how you bounce on your toes with excitement. With a sigh. he looks up at you, expression set.

"How late are you?"

You stop bouncing. "It was supposed to come last night."

Shinso groans as he stands, pushing off of his knee for support.

"But, it's different this time!" you insist before he can say anything. "I feel different."

He sucks on one side of his cheek, pulling a dimple into his skin. He's still boyish in his features, even after all these years. Carefully, he measures his words, saying your name ever so gently.

"I just don't want you to get your hopes up again just for it to be negative." He taps his house slipper against his bag. "Because you'll end up testing again the next day, then the next day, just make sure it's really negative-"

"Hitoshi-"

"I just don't want you to break your heart again."

This song and dance must be getting old for him. Every month, you get excited, only to see that little line once again. Hitoshi's right: it always breaks your heart.

You think, maybe, he mourns it too. Silently. Privately. It's hard to tell. He's not like you. He's not expressive or outspoken, but je's always there to hold your hand and try again.

"Let's just wait a couple days." Hitoshi, as if he knows what you're thinking, reaching up and takes your hand. "If you're still late, I'll buy you as many tests as you want."

You swallow down your disappointment.

"How many days?"

"When I come back from this mission." He counts on his fingers. "Three days?"

"Three days? I'm supposed to not know if I'm pregnant for three days?"

Hitoshi shrugs and kneels back down, tending to his things. "Some people don't know they're pregnant the whole pregnancy."

"That's different and you know it."

[sanguineterrain]

Idk if you know that scene from friends where Rachel kisses Ross while they're in the laundromat and Ross hits his head on the washer door afterward 😭🩷 it makes me giggle sm. Anyway thinking about that kind of kiss with Spencer. Genius left speechless!

very cute prompt thank u! gn!reader. your kiss surprises spencer—his kiss back knocks the wind out of you.

****

This is an impossible case.

You throw down your files in frustration and rub your temples. "I'm gonna quit and join the circus. I suck at this."

"Hm?" Spencer looks up from his computer. It's just the two of you staying late. The cleaning people have already come and gone. You're both working on a case that's stumped the team for three days.

You're here because you're new and, yes, you need to prove yourself. Spencer's here because... well, you're not actually quite sure why he's here late. He doesn't usually stay. But he'd offered when you said you were going to. His company is certainly welcome.

"This is fucking impossible. I've gone over these lists three times. There's no pattern, no commonalities, nothing! I'm such an idiot."

"You're not an idiot," Spencer says, getting up and joining you at your desk. He pushes some papers aside and sits on the corner. "Can I see?"

His long fingers brush yours as you pass him the lists. Gloomily, you scratch at your notepad with your pencil.

"Why are you trying so hard on this case?" he asks, fingers tracing the paper as he reads.

"Because I know you guys don't really need me here and I wanna prove that I'm valuable."

Spencer stops reading. "You are valuable."

"You're sweet, Spence."

"No, you are. You're smart. More brains are always better when it comes to this job."

"I think you've got enough brains for all of us," you say, half-smiling.

"Everyone provides skills that I don't. That's why we're a team."

You hum, pushing your pencil around. "Yeah, sure."

"We can figure this out," he says. "Let's think. Okay, no connections with the names or the ages. Gender and race is random. Did you check the locations of their deaths?"

You nod. "Did. No shapes, no nothing. Garcia ran every algorithm she has."

"There's sixty-three names on here. When did these murders start?"

"About nine weeks ago. But not everyone on this list was murdered. Some of them have been long dead. That's what's so confusing," you say. "The police think the killer will round back and kill the rest, but I don't think so."

"I don't either. Which people were killed?"

You circle them in red. Spencer stares at them.

"That's every sixth name. Maybe groups of seven are the key." He points at the second name on the list. "He's a reverend, right?"

You nod. "Yeah, more than one name on here is."

Spencer drums his fingers. "Circle those."

You do. Suddenly, you're struck by something.

"What is it?" Spencer asks as your fingers fly across the keyboard.

"Solomon Grundy."

Spencer leaps off the desk, immediately understanding and just as excited as you. He kneels beside your desk chair and starts highlighting and circling names in different colored pens. Heat emanates from his body, he's so close. You swallow and try not to think about it.

"Reverends Christened on a Tuesday," he says.

"Every third person was married on a Wednesday," you say. "The unsub is following the rhyme!"

You turn to him, mirroring his joy. "We did it!"

"I told you you'd figure it out," Spencer says triumphantly.

"Are you kidding? You brought up the numerical patterns."

Spencer grins at you. "I wasn't even thinking Solomon Grundy! You're the genius, not me."

You roll your eyes. "Aren't you past modesty, Doc?"

"Aren't you?" he shoots back, raising his eyebrows meaningfully. "You're brilliant."

And something about the rush of solving the puzzle, and the way Spencer's smiling at you, open and happy and proud, it makes you impulsive. You see his round, dark eyes, his fluffy curls, and the way his cheek crinkles from his smile, and you do it. You lean in.

Your hands go to his face for a moment, just enough to steady him as you kiss him. You kiss for two seconds, your touch like a breath on his skin. Spencer tastes like the cherry Chapstick you bought him last week.

He shoots up and away, lips parted, eyes wide. You panic.

"I'm so sorry, I don't know why I did that—" you begin.

"You, um, you just—okay—"

He turns the wrong way and bumps bodily into the side of your desk. You wince as his thigh crashes into the wood.

"Spencer! Jesus, are you okay?" you ask, beginning to stand.

"Uh-hm," he squeaks out, voice strained. "Yeah, fine." He rubs his thigh in a way that suggests he's very much not fine.

You hover, unsure if you should touch him. You know Spencer doesn't love to be touched without warning.

He leans against your desk. He's not running away screaming, which is a good sign, although he's somewhat incapacitated so maybe he wants to but can't.

You go to your desk drawer and get an instant ice pack, shaking and crushing it.

"No, I'm fine, really—" Spencer insists, but you make him take it anyway. He obediently presses it to his leg.

"I know you bruise easily," you say, chewing your lip. "God, I'm so sorry, Spencer."

"This wasn't your fault. I'm clumsy," he says.

You shake your head, lump in your throat. "You don't have to spare my feelings. I know I shouldn't have kissed you. It was stupid of me."

Spencer presses his lips together and looks down, shuffling the ice pack around. "Oh. I-I mean, we can forget about it, of course. I won't bring it up to anyone. No one will know we kissed."

"No, if you want to tell Hotch and, y'know, have my desk moved or something, I'd understand," you say, more glum than when you couldn't crack the case.

"Wait, what? If I told Hotch?"

You shrug self-consciously. "It was unprofessional, to say the least. I made you uncomfortable."

"No, you didn't."

You look at Spencer. He's looking right back at you, pinning you with those bottomless eyes.

"Did you kiss me because we solved the case?" he asks.

You shake your head. "No. I... I've wanted to kiss you for a long time. I'm sorry."

"Don't be sorry," he says softly, and then you're getting kissed back by Spencer Reid.

He kisses like he wants to devour you, and it startles you how voraciously Spencer kisses, like you're a well-loved book whose pages he pores over every time he reads.

You're caught off-guard too by his confidence, those big, chilly hands completely cradling your face. The ice pack tumbles to the floor. Spencer takes the air right out of you, sends lightning up your spine.

"Thought you thought you'd made a mistake," he says against your mouth, in between kisses.

You shake your head. "Didn't." And that's all you both need.

You think you'll stay late more often. You suspect that Spencer will, too. It's incredibly productive.

[maxarchive]

How are the emotions on this Saturday evening in Las Vegas? Is it an overriding relief? Is that the main thing?

An immense relief, but also a little bit more emotional than I was expecting, actually. Both from Max on the radio and I let Christian give him, well, let's say carry out all the complimentaries on the radio, because I choked up a little bit as well, and I think it just comes down to that relief at the end of what has been actually quite an intense year. Not quite as intense as 2021, but it at times ran it close.

Why is this one so special?

They're all special, don't get me wrong. Last year was special for very different reasons, but this one's special because of the effort and commitment that not only Max, but the whole team has had to put in to make it happen. Ok, the first half looked like it was a bit of a cruise, but actually we entered quite a difficult period, as everybody knows. But we had to work day and night to really try to understand the source of the problems and I think we've started to come out the other side, which is great news for the team, but it's also meant that our performances on track have improved and we saw the combination of that in Brazil as well.

Tell us a little bit more about the job that Max Verstappen has done this year. Would you say it's his best season so far?

The worrying thing for the grid is that Max is improving every year, which is frightening really because he's at an incredible level as it is, but in all areas he's working hard with the team, his racecraft on track, his qualifying laps, his consistency and also his ability to give up when you need to give up, and we saw that today, you know, he raced for what matter today rather than the final place on the podium.

In all of those areas you've just described, where has he made the most progress this year?

I think ultimately it just comes down to maturity and experience. Having been there three times before, I guess 2021 laid the foundations and now he's just becoming a very, very, very complete driver.

Since Miami, McLaren have been running you close. They've quite often been faster than you. Has there ever been a moment this year where you've doubted that you were going to win this championship?

I wouldn't say doubted, but certainly you don't take anything for granted. And as I said earlier, we took one race at a time, there was bit of a trend towards the middle of the year where things weren't going our way and we could see that other teams, not only McLaren, but other teams were making progress on us, relatively speaking and we had to do something. We had to make some changes and the team has come through on that. So kudos to them.

And how is your bond with Max evolved this year because it feels like this is the first time since you've been winning championships that you've been under a lot of strain together. And we did hear a few flare ups along the way, didn't we? Has it always been all sweetness and light or have there been-

Hungary springs to mind. We had actually a very quiet week after, I don't think there was a word spoken in the 3/4 days after the Hungary race, but we had a really good meeting in Spa together with Christian and Pierre just clearing the air. Not that there was ever any animosity, but I think sometimes when adrenaline is running that high, it's best just to leave things alone. Max and I are very similar in that respect. We're not one to bow down and give in very easily. So, yes, definitely that portion of the year springs to mind. But for the rest, again, it's a relationship that's grown over nine seasons. So we know each other very well. We work together very well. So long may that continue.

Well, let's throw it forward to 2025. It looks on paper like it might be incredibly close. Does that actually help someone like Max Verstappen because he makes no mistakes?

I think it helps him knowing that he has the ability to pull off results that perhaps aren't always there. And I think at the same time that maybe hurts or dents some of his competitors psychologically, not all of them, but perhaps some of them. But, you know, 2025 is a few months away. Now, I think more importantly, we need to finish the year on a high to keep morale in the team up over the winter because again it's been a really hard, hard year. And I think this was a bit of a unique, as everybody knows, it was a bit of a unique event with the temperatures and the tyres behavior, et cetera. So I don't think it's a true reflection of the car performance out there today. We'll do our best to finish Qatar and Abu Dhabi on a high and hopefully grab another win or, or two. And then, yeah, next year is next year.

[mystybelle]

Adding on because I find it relevant-

Knowing which style of world building, or type of storytelling you're doing really, requires knowing what parts of your story are actually important for the purpose of communicating your story the best. Because Art, is communication through aesthetic. And in order to do communicate well, you have to understand what your message is AND what parts of your message are most important before you can decide how to convey them.

The Hard magic vs Soft magic spectrum is a measure of how important the utility of your magic is for solving problems that exist in the narrative. E.g. ATLA's magic is harder than Tolkien's or Lewis' because the characters in ATLA solve a majority of their problems with the power of kung fu magic, and their interpersonal struggles mostly help them learn how to either use martial arts magic better or new ways to employ it. But the fantastic foot-up-your-ass magic is the most important tool. Meanwhile Frodo is a weak hobbit, and his struggle is about whether or not he'll be able to maintain the emotional bandwith to make a horrific trek into the heart of darkness; the rest of the events we see in the book/movie are largely to impress upon us just how much is riding on the mental health of one little guy. Lewis' is slightly harder (barely) because Narnia is ultimately a very christian(colonial) fairy tale, and the wonder of the new and foreign world is the most important part of the story. Even the characters are pretty "soft" in Narnia, because the point is the vibe of the fairytale world, and you're not supposed to care about Snow White's intense psychological anguish at her step mom trying to have her killed because she can't handle being a milf. You're supposed to care about the vibe of the dwarves she's staying with and the overall plot.

Likewise with the worldbuilding-

Narnia gives you a middling amount of detail for it's fantasy world, but it paints in very broad strokes. Because the vibe of the world, the feeling of wonder and awe that unfamiliarity with it provides, is more than the details of Cameroon's culture or borders in contrast with Narnia's.

ATLA's setting is much harder by contrast, because you're explicitly not meant to be a gawking tourist to this world, the viewer is meant to see it through the cast's eyes. A deeply affected member of the world, who is trying to familiarize themselves with it's complexities. The kung fu magic is a part of the complexities of that world in a very fundamental way, so those two things get a lot of details. The show even beats you over the head with the idea by constantly telling you that the Avatar must be connected to the world, verbatim in a few episodes in fact.

LOTR sits somewhere between the two because it's world is... Frankly more fleshed out than it probably needed to be for the sake of it's story. Tolkien wrote his story to make you care about his world, not the other way around. So it's actually probably an awkward example here, but even still! Through the narrative, we're given information about the world within the context that the characters would experience them in order to impress upon us the complexity of the problems they're facing. The world itself provides the challenges, and the solutions come from the mettle of the characters. So we spend more time with the characters and learning about the routes they'll take, the challenges on them, and the sociopolitical structures of the various nations they pass through, than we do learning about the magic.

In order build stories like this, like OP said- you have to do it on purpose, and in order to do it on purpose, you have to know why you take each step that you do.

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[lastoneout]

it's one of those things where like, I don't think suffering is good for you or anything, but when you're gnc or butch I think you have to at some point look in the mirror and face the realization that you are simply never going to be able to look the way society wants you to look, either because you just can't or because forcing yourself to will kill you, and so it's time to stop trying and instead focus on figuring out what will make you happy

and once you've done that it kinda becomes hard to...I don't wanna say sympathize but yeah it gets a little hard to talk to people who haven't had to do that, especially when they're trapped in their "I have to look like a Kardashian oh god I'm "fat" and hairy and have wrinkles no one will ever love me" spirals because you really just wish that person would also have the moment you had where you were forced to give up on being beautiful and then had to keep living anyway

[persphonesorchid]

Echoes Of Nebula - MYG

Summary: Some people say that soulmates are made of the same star, a part of each other, one and the same. Stars don’t live forever, Yoongi found, but they do burn forever.  

Genre: Exes to lovers, angst, fluff

Word Count: 5.5k

Warning(s): I don't think there's any, but let me know if I've missed! Any mistakes are my own, I proofread this one (1) time 😭

Masterlist

Notes: Eep, hello! Here's this lil thing I've been working on! Also, Yoongi and Mc didn't end on bad terms, their separation was somewhat mutual and they're all good :)). Feedback is always appreciated and encouraged! Enjoy!

“Make sure to eat, okay?” 

Snow swirls along the train tracks, following a gust as a train pulls into the station.  There’s the bustle of people getting on and some getting off, bundled up warmly against the winter air. Some are going to see their families, some are taking a break from theirs. Some of them are stepping onto the train to never step foot in this town again. Some of them are just starting the first day of their adult lives. 

Min Yoongi? He’s moving to Seoul.  

Your hands tuck the ends of his scarf securely into his sweater, staring at him like you’re trying to memorize his face. Your tears make tracks against your cheeks and dry quickly in the cold.  

Min Yoongi is breaking up with his girlfriend.  

“Eat on time. And I don’t mean ramyeon because you’re too lazy to cook.” You sniffle, and Yoongi wipes under your eyes with his thumbs. His glove has a hole in it. Not that it matters much right now, he’s trying to get you to stop crying. “Sleep on time, not when the sun’s coming up.”  

Min Yoongi is trying not to cry.  

“Okay.” He holds you still because he’s trying to memorize your face. He’s got pictures, even the silly ones that he took and promised to delete, but they won’t compare. “I’m sorry.” 

He must’ve apologised for the millionth time. He doesn’t know what else to say.  

You nod, smile — sadly, tears on your waterline — and, “I understand.” for the millionth time.  

He’s moving to Seoul, a long way away from Daegu.  

A mixtape he made for shits and giggles took off and pulled him with it, and he has no choice but to follow. Your life is in this little town like a ship in a bottle and like a captain you’ll go down with it. You can’t follow.  

You both talked about it for days, compromising, bargaining, but in the end, your lives are going separate ways.  

Stars either explode or implode when they die, and Yoongi feel like the star you’re both made of has finally reached its end. It’s imploding, folding in on itself and pulling everything with it.  

He has five minutes left to take you in, how the tears shine in your eyes despite his efforts, the string of the necklace he won you at a fair peeking from behind your scarf. The way you smile and your eyes squint, the way he could feel the chill of your hands through his gloves.  

He wants to stay right here in this moment and never leave if it meant he could take you in for five minutes till eternity.  

“Remember to...” His throat feels raw, but it’s because of the cold and definitely not because he’s crying. The lump in his throat makes it hard to swallow. He looks somewhere above your head to give himself a second, things like these are always hard for him. “Remember to dress for the weather.”  

He squeezes your hands, takes a breath that he almost chokes on, and looks back at you. “Don’t skip meals. Get warm when you feel cold. Always carry an umbrella in July.”  

Sometime later, Yoongi will wonder if the things he reminded you to do made much sense, if they mattered at all. Wonders if you’d actually remember. The umbrella one is really important; you always forget.  

He sat where he could see you when his five minutes were up and eternity never came. Waving from behind a glass and missing the warmth of you and the sound of your voice. He watches you wipe your tears and smile big and you walk alongside the train when it pulls off and then you run, and then, Yoongi could no longer see you.  

Min Yoongi broke up with his girlfriend and left her in the middle of winter chasing a train.  

July is always rainy. 

And every time it rains, Min Yoongi remembers the love he left in winter. He wonders if you remember to carry an umbrella. It’s been five years; he wonders if you remember him at all. 

He watches the rain splash into puddles and listens to the patter against his umbrella. Seoul bustles on, indifferent to the weather, its crowds meandering through the mid-summer downpour. Despite the season’s warmth, a stray breeze slips past his collar and reminds him of colder days. He’s grateful his gloves no longer have holes. 

He walks along the sidewalk, carried by the crowd’s flow without much thought.  

There’s not much that he wishes for anymore, not much he can wish for when he’s got everything. He lives in a high rise, works at the top music production company. Sometimes it’s a bit hard being the most sought-after producer in Seoul. Life has been good; he can’t complain. That mixtape opened doors he thought he’d be knocking on forever, and he’s worked hard to keep them open. 

Min Yoongi doesn’t need much of anything else. 

But on days like this, when the wind is just a little chilly and the sky’s opened up and crying, he misses you. 

Sometimes he looks back on that day and feel guilt. He knows it was just as hard for you as it was for him, the pain in your eyes that you smiled through. 

For a while, he’d call you every night and update you, made sure that you were doing well. For a while, he’d keep up with you and made sure that you’re doing well. For a while, he’d call you every now and then, see if you’re doing well.  

For a while, it had been a while and life, and then five years slinked on by.  

Yoongi sighs, and there’s guilt in it. He got busy, as one gets being a producer in Seoul with a shit ton of expectations. He’s changed phones over the years, lost your contact, and he got busy. 

Of course, he’s dated — mostly blind dates his friends set him up on — and he’s tried his best to push forward. There’s no point living in the past, he’s sure you’ve moved on and on by now. Sometimes he’s fine, and sometimes he’s back on that train station platform, wishing he’d begged you to come with him. 

It would’ve been the selfish thing. It wouldn’t have been fair to you had he done that. When he got to Seoul, he’d buried himself so deep into his work he barely found himself. He would’ve dragged you out here, made you give up everything just to sit on the side-lines.  

He misses you sometimes, anyways. He’s forgotten the sound of your laugh, but he still remembers the way your nose scrunches when you do. He’s forgotten the scent of your favourite perfume, but he remembers the way you lit up when he saved up and bought you a bottle forever ago. 

Min Yoongi wonders if you remember him at all. 

As Yoongi turns the corner, his umbrella catches a gust of wind and flips inside out. He fights with it for a moment before giving up, letting the rain soak his hair and the front of his jacket and jeans. He can’t help but laugh at the irony, standing there drenched, remembering the countless times he reminded you to carry an umbrella. 

In the distance, he spots a small café and decides to seek shelter. The bell above the door jingles as he enters, and the warm, cozy atmosphere wraps around him like a comforting hug. He shakes off his umbrella – finally pulling it back down – and steps up to the counter, ordering a hot coffee to chase away the chill. 

As he waits, his eyes wander around the café, taking in the rustic décor and the soft hum of conversation. A bulletin board on the wall catches his attention, filled with flyers and photos. His gaze lands on a familiar face, and his heart skips a beat. 

It’s you. Your photo, smiling brightly, pinned among various advertisements and announcements. You’re standing next to a large canvas, looking proud. He steps closer, reading the caption beneath your picture: “Local Artist Exhibition - Featuring Works by ________.” 

Yoongi’s mind races as he takes in the information. You’re here in Seoul, and you’ve been showcasing your art. A mix of emotions floods through him—relief, excitement, and a twinge of nervousness. He jots down the address of the gallery from the flyer without much thought and leaves without his coffee. 

As Yoongi steps out into the rain, a million thoughts swirl through his mind, each one more turbulent than the last. He wonders why you never sought him out. Seoul is vast, but you’d known he was here, making waves in the music scene. Did you ever think about him? Did you ever miss him? 

The realization hits him hard: he never knew you were doing art before he left. In all your conversations, all your late-night talks and shared dreams, you never mentioned a passion for painting. He feels a pang of guilt. Had he been so wrapped up in his own ambitions that he failed to notice yours? The thought stings, and he can't shake the feeling that he should have been there for your journey, supporting you the way you always supported him. 

The gallery isn’t far, and soon he’s standing in front of it, his heart pounding in his chest. He takes a deep breath and pushes the door open, the sound of soft music and hushed voices greeting him. There’s quite a bit of people mingling about in quiet discussion, taking photos of the art mounted on the walls under ambient lighting. 

Inside the gallery, he feels out of place. The walls, adorned with your art, are a testament to a part of your life he knows nothing about. Each piece is beautiful, but they also serve as a painful reminder of how much he’s missed. He wonders how many late nights you spent creating these, how many times you might have needed someone to share your successes and frustrations with. 

Yoongi wanders through the gallery, the sound of soft music and hushed voices creating a backdrop to his thoughts. The rain outside has left him feeling introspective, and as he takes in the various pieces of art, he feels a strange mix of pride and sadness seeing how far you’ve come. 

Each painting tells a story, each one a glimpse into your life over the past five years, a life he wasn’t a part of. 

His gaze is drawn to a large canvas on the far wall. The colours are bold and dramatic, the brushstrokes chaotic and full of emotion. As he steps closer, he realizes with a jolt that the scene depicted is achingly familiar: a train station, snow swirling in the air, and two figures standing close together, wrapped in scarves and winter coats. 

His breath catches in his throat as he takes in the details. The style is unmistakably expressionist, the exaggerated forms and vibrant colours capturing the raw emotion of that day. The figures are abstract, but he knows them instantly: one is you, and the other is him. 

He remembers the way you tucked his scarf into his sweater, the tears that made tracks down your cheeks, and the way you both tried to memorize each other in those final moments. The painting captures all of it, the pain and the love, the sorrow and the hope. 

Yoongi feels a lump in his throat as he stares at the piece. It’s a testament to your skill as an artist. He wonders how long you carried the weight of that moment, how many times you revisited it in your mind to create this masterpiece. He’s overwhelmed by a wave of emotions: regret, longing, and a deep, unspoken connection. 

The title of the painting, written on a small plaque beside it, reads “Departure.” It’s fitting, he thinks, for the moment it captures, but also for the way it marks the beginning of your separate journeys. 

As he stands there, lost in thought, he hears your voice nearby, and for a moment, he simply stands there. Your words meld together and he isn’t hearing much of what you’re saying, just the sound.  His heart pounds against his ribs as your laugh — it sparks a memory and adds sound to the ones that were muted — bounces off the walls and around in his head.  

He turns and sees you, in a corner, your back to him talking to a taller man, discussing a point of space where you’re standing. The sight of you, so vibrant and alive, sends a mixture of relief and nervousness fluttering around in Yoongi’s tummy.   

Gathering his courage, he takes a step forward, then another, until he’s standing just a few feet away. You turn and startle, staring at him like he’s a ghost. There’s a brief moment of surprise — he gets it — and then you blink. 

“Yoongi,” you breathe, and turning to the man next to you, you smile gently. “Taehyung...Can you give us a moment?”  

The guy looks between you both for a second with a raised brow before he’s gone, walking off to some other part of the gallery. Yoongi’s mind is too occupied taking in the sight of you to wonder what that man’s presence may mean. 

“Hi,” he replies, his voice soft and filled with all the words he’s wanted to say for years. Despite this, he doesn’t actually know what to say, he didn’t actually think this far ahead. He glances back at the painting of the train station platform, then back at you. “I saw your painting.” 

You follow his gaze and nod, your smile tinged with a hint of sadness. “It was a significant moment for me. For both of us, I think.” 

It’s a lot awkward, with him just standing there, not sure what to do with himself. You look the same, though now your hair is styled professionally and not the frizzy, wind swept mess it was when he last saw you.  

There’s so much he wants to say but he feel like he doesn’t have enough words, or the right ones, so he takes it easy. “I saw a flyer...in a café. Um... It’s amazing...your work.”  

“Thank you,” you say, your eyes reflecting a mixture of pride, nostalgia and a certain sadness. “I didn’t know you’d be here. It’s... good to see you.” 

The conversation goes slowly, awkwardly. There are long pauses and nervous laughter, each of you trying to bridge the gap of five years with small talk about your art and his music. 

“You’ve done well,” he says, gesturing to the paintings around you both. “I didn’t even know you were into art.” 

You smile, the same just barely there sad smile from earlier. “It was something I started after you left. It helped me cope.” 

“Oh...” His heart aches at the thought of you turning to art just to fill the void he left behind. “I’m sorry I wasn’t there,” he says, his voice barely above a whisper. 

You shake your head and shrug. “We both had our paths to follow. It’s just... life.” 

He nods, but the guilt lingers. Life had taken you both in different directions, but he can’t help but wonder what might have been different if he had stayed, or if he had at least tried to stay in touch better. 

Min Yoongi is an idiot and he’s always told himself so. He’s an idiot and he sucks at this sort of thing. 

As the gallery starts to empty out, Yoongi looks at you, the rain pattering gently against the windows. There’s a part of him that wants to apologize, to make up for all the lost time, but he knows it’s not that simple. 

“Do you have time for a coffee?” he asks, hope and uncertainty mingling in his eyes. 

Your smile is a little hesitant, but you nod, “Sure.” 

You excuse yourself to grab your jacket and an umbrella — you remembered, he smiles privately —, and then you talk to the man from earlier for a minute before Yoongi follows you out of the gallery and onto the wet street.  

The walk is quiet, filled with the awkwardness of five years’ worth of missed everything’s, and Yoongi holds tight to the handle of his umbrella. There’s a confidence to your step as you weave your way through the crowd, head straight forward and not looking down at your feet like he remembers. 

You’re not the girl he left on that platform five years ago just as he’s not the guy that left you there.  

You walk back to the cafe he’d come from, and he realises that you’re probably a regular here. The barista behind the counter greets you with a smile and asks if you’re having your usual. You order a coffee and Yoongi asks the girl behind the counter to reheat the one he bought earlier, and the barista’s eyes dart between you both. 

You lead him to a cozy corner table after the order was called, and as you settle in, the conversation starts up slowly again. 

“How long have you been in Seoul?” Yoongi asks first, his voice a little hesitant, not sure if he’s allowed to ask.  

“Almost three years now,” you reply, looking down at your coffee cup, the tiniest furrow between your brows. “It took a while, but I got settled.” 

Yoongi takes a moment to observe you, trying to reconcile the person in front of him with the memories he’s held onto for the past five years. You don’t look much different, your hair’s in an up-do, your cheeks are a little fuller, but that’s as much as he notices.  

The silence that rings between you both is louder than the other customers in the cafe. Yoongi can only imagine what this scene looks like to others; two people who are barely looking at each other, like awkward strangers forced to share a space.  

His coffee is still hot, and it burns his tongue when he sips at it, but at least it’s given him a distraction. He steals glances at you, watching the way your eyes comb the cafe and avoid his gaze.  

Unfortunately, Yoongi is naught but a man, and there’s a nagging sound at the back of his brain. It grows louder until he fidgets, the nerves of his free hand feel like they’re dancing and he takes a breath. He looks down at his coffee cup, glances at you and then back to the cup. Then, he asks a question that made him want to crawl out of his skin.  

“So...that guy back at your gallery seemed nice...”  

He knows it’s been five years, and a lot can change in that time.  As toxic as it may sound, the thought of you moving on with someone else stirs a mix of emotions in him. 

He knows he has no right to be upset if you’ve found happiness with someone else. It’s not his business anymore, not after all this time.   

Still, the fear is there. He doesn’t want to admit how much it hurts to think of you with someone else. He can’t deny the pang of jealousy at the thought, but he tries his best to ignore it. He has no claim over you. You deserve to be happy, and if you’ve found that with someone, then he’s happy.  

He sighs inwardly, pushing the thoughts aside. He wants to focus on the present, on the fact that you’re sitting in front of him right now. Whatever happens, he’s happy to be here, he hopes he can be a part of your life again of you let him, even if it’s only as a friend. He doesn’t want to ruin this, whatever it turns out to be. 

You stare at him for a moment and Yoongi can’t tell what you’re thinking, “He is...he’s got an eye for art.”  

Yoongi nods slowly, his fingers tracing the rim of his coffee cup. He hums softly, and now it’s his turn to pretend you’re not looking; he finds interest in the light fixtures above.   

His next question sits on his tongue trying to pry past his teeth. He feels like a kid trying to find the right moment to ask his parents if he could go play outside. There’s a nervous churning in his tummy that isn’t at all pleasant. How does one ask their ex of five years if they’re seeing someone?  

Yoongi imagines they’d just ask, out of curiosity, and get it out of the way. He could play it well. Maybe lean back into his seat and appear more casual before he says the stupid words. Maybe he could stop staring at the lights like a damn moth, and act like a being with a fully developed frontal lobe.  

“Are you two...close? Or...you know...” He waves a hand and then lays it on the table. The sound of his ring knocking against it is kind of jarring, but it gives Yoongi an opportunity to look away again. 

You make a quiet sound, and Yoongi finally meets your gaze. There’s amusement in your eyes, it’s obvious you’ve figured him out already — he wasn’t exactly being subtle. Which is unfortunate, because now Yoongi could feel embarrassment tapping on his shoulder. 

You say nothing of it, even though he knows you want to. He could feel it.  

“As close as business partners can be, I suppose.” You say, and Yoongi can see the beginning of a smile as you lift your coffee to hide it.  

“Right...Sorry.” Yoongi says sheepishly, though, a weight lifts off his chest. As he looks at you, he notices something that makes his heart skip a beat.  

You’re still wearing the necklace he got you all those years ago, the one he won for you at the fair. The twine that the little pendant hangs on looks worn, fraying a bit at some points, but you’re wearing it.  

You kept it. 

He clears his throat, the words he’s been holding back spilling out. “I’m sorry I lost touch. I got so busy, and then it felt like too much time had passed to reconnect. I lost your contact, and… I didn’t know how to find you again.” 

You nod, your fingers brushing over the necklace like you sensed his gaze on it. “It’s okay. Life happened, for both of us.” 

“But why didn’t you seek me out when you got to Seoul?” Yoongi asks, his voice soft, devoid of accusation; genuinely curious. 

“I thought it would be for the best,” you say, equally as soft, staring into your coffee as though it would give you the words you’re looking for. “So much time had passed, and I didn’t want to disrupt your life. You were doing well.”  

You look so sad when you say it that it almost breaks Yoongi’s heart.  

“You know I wouldn’t have...” He wouldn’t have turned you away.  

“I know, I just...” You sigh, your eyes dart somewhere to his left, and then back at him, “...I really missed you.”  

Yoongi wants to reach out and take your hand so he does. Your fingers are warm from the coffee, squeezing his own, and tears beads at your waterline.  

“I missed you too.” His gaze is soft and he knows it, but he doesn’t care because its you. You’re still you and he’s still him, and he misses you and the girl he left on that platform.  

You’re both still made of the same star. It’s imploded but still glowing, and your necklace pendant catches the above head light.  

His finger brushes over your knuckles, he stares at them, the shape and colour and all the little things about them that makes them a part of you. All that with his heart in his throat because he wants to ask something.  

“Do you think…” His voice is barely a whisper, as if he’s afraid the wrong volume might shatter whatever delicate thread holds this moment together. “Do you think there’s a chance… that we could try again?” 

You stare at him, your eyes wide, and he feels the subtle pressure of your fingers in his. He knows it’s a lot to ask,  but the longing, the sense that maybe something beautiful can still be salvaged from the pieces, presses him to keep going. 

Hope catches on the glint of your necklace pendant, and he clings to it. 

“I don’t expect anything to happen right away. I just… I want to be in your life again, even if we start slow. No pressure, just… what feels right.” 

You’re quiet for a moment, and then a soft smile curves your lips, almost as if you’ve been waiting for him to say something like this.  

“We could try,” you murmur, the words tentative but filled with the same cautious hope Yoongi feels. 

And from there, the pace is unhurried. You both ease into each other’s lives like rivers that find their way back to the same stream.  

Some days Yoongi feels like he’s been whacked on the head with a giant stick. Anyone could tell by looking at him, when he’s got that stupid look on his face. Like he’s seen a goddess and she spared him a glance. He feels like he’s dreaming, and the last five years without you seem to blur.  

He starts small, a text here and there; good morning and good night. Even if he’s busy he’d keep up with you, except when his work demands his focus. There are some days when you’d disappear, and Yoongi understands when you explain you’ve been in your studio for hours.  

Your gallery isn’t far from his work, and as much as he could he’d go see you. He finds himself drawn to small gestures—bringing you lunch or a cup of coffee, or sometimes a sweet he thinks you might like. Each time he steps into the gallery with something for you, he feels a warmth settle in his chest. 

It’s an excuse, he knows, to see you smile, to watch you light up at the thoughtfulness of it. And each time you look at him with that gentle, appreciative gaze, he feels his hope grow a little stronger. 

You’d tell him all about your creative process, how you’d spin and weave what’s in your head onto a canvas. He’d listen attentively because he’s interested and he owes it to you. All those nights spent burning the midnight oil, steeping in his frustrations; you were there. You’d listen to him rant and cry when things weren’t working out the way he wanted. 

He owed you much more than that.  

He feels like he has to learn you all over again, which, in a sense, he does. Even if the bases of you are the same, there’s new facets. Little shards that fit into the mirror that reflects you, some pieces are a little dusty and worn with time and others are new and shiny. Yoongi has to take his time cleaning the old ones to see them again, and get used to the new ones that twinkle his eyes.  

He invites you to his place for dinner, something simple and easy, and the conversation flows a lot better than it had a month before.  

There’s no awkward sentences that cut off somewhere in the middle. Yoongi knows what to do with his hands and he has a better time looking you in the eye now. He feels a lot like he did back then, like a school boy taking his crush to meet his parents. His hands are a little sweaty, but the food is good and your eyes sparkle like they did back then, too.  

You seem so sure, like you’re not worried one bit. Like you knew you’d meet him again and you’d be here in this moment; sipping on white wine – something new he’s learned – and chucking over stories set in the past.  

The day he let a pet name slip was the day Yoongi wished a chasm would open up and swallow him. He had his excuse ready; the clock’s pushing one in the morning; he’s tired. The truth? It’s so easy to slip back into old ways, like nothing changed at all.  

Like a smouldering fire in a hearth. It’s not quite out yet, and if you throw some sticks in there, they’ll catch.  

After a while, on some sunny evening, Yoongi invited you to his studio. 

“This is where I spend most of my time.” And he means that, letting you into his studio. There’s a blanket tossed haphazardly on the black couch that lines the wall near the door.  

There’s day old take away coffee cups that never made it to the bin, cluttered in a designated spot. The bin he meant to empty is overflowing with scraps of paper and crushed takeout containers. That’s as far as the clutter goes. Though, Yoongi’s embarrassed now – he prides himself on keeping tidy. He wasn’t thinking when he asked you over, didn’t expect you to agree either.  

So now he’s clearing up his desk and tying a knot on the waste bag. You make yourself comfortable on his couch like you’ve been there before, throwing the blanket over your lap as your eyes dart about to take everything in.  

You’re impressed, he could tell by the gleam in your eyes and your little down turned smile. He’s come a long way from his old computer and MIDI.  

“Its nice, cosy. Beats camping out in your bedroom.” You smile and Yoongi chuckles, nodding.  

“Damn right.” He agrees, but he wouldn’t trade in those days for anything. Truthfully, he’s been here for three days, only going home to shower. Inspiration on an all time high and he’s just been riding the wave, you’ve been his muse for the past month. It isn’t the first time, at moments over the years gone you’d float into his mind like a mirage, and he’d get stuck on you.  

He’s grateful for the break, though, there’s nothing much to do and he doesn’t want to bore you with rambling about what he’s working on. So he orders something, and lets a movie play on his laptop.  

The clock ticks softly in the corner, its sound nearly drowned out by the hum of the desk lamp — he should really get that replaced. You’re still curled up on his couch despite the hour, the blanket pooled around your legs, your eyes scanning a painting on the wall he doesn’t remember hanging. 

“It’s peaceful here,” you say, your voice quiet but steady, like you’re speaking directly to the heart of the room—and to him. 

Yoongi glances up from the cluttered desk he’d been half-heartedly straightening; resorting his things because he can’t sit still. He watches the way you seem to belong in his space, your presence settling into the corners he never realized were empty. The faintest smile tugs at the corner of his mouth. 

“You think so?” he asks, moving to lean against the edge of the desk. He crosses his arms, the soft light from the lamp catching on the fine lines of his face. “I always thought it was too chaotic.” 

You turn your head, your gaze locking onto his. “Chaos can be beautiful. It just takes the right eyes to see it.” 

The words settle between you, their weight both gentle and profound. Yoongi feels something inside him shift—a small piece of armour finally cracking and falling away. 

He takes a step toward you, his hands slipping into his pockets, his expression tentative. “There’s something I’ve been meaning to ask you.” 

You sit up a little straighter, tilting your head. “What is it?” 

“Would you…” He hesitates, his fingers brushing against the edge of a USB drive in his pocket—the same drive that holds the tracks he’s been working on for weeks. “Would you let me write something for you? About you?” 

Your surprise shows in the slight widening of your eyes, followed quickly by a soft, warm smile. “You already do that, don’t you?” 

Yoongi chuckles under his breath, his gaze dropping to the floor for a moment. “Maybe,” he admits, with a small smile that meant more than he could say. “But this time, I want you to know it’s for you. No hiding it in metaphors or beats no one else understands. Just…you.” 

You rise from the couch, the blanket slipping to the side as you close the small distance between you. Standing so close, Yoongi count all the things that make you you.  

“Okay,” you say softly, your fingers brushing against his. “But only if you let me paint something for you, too.” 

Yoongi takes your hand because he wants to, and his fingers make home in the spaces between yours. It feels like déjà vu and an epiphany all at once: five years ago you were this close and he was saying goodbye. His gloves had holes. Today...he’s saying hello again, and it feels like no time had gone by. And he kisses you now because he didn’t kiss you then, and you sigh into it like you’ve been waiting a lifetime.  

Some people say that soulmates are made of the same star, apart of each other, one in the same. Stars don’t live forever, Yoongi found, but they do burn forever.  

Tagging: @hoseoksluna @xpeachesncream @amon-rei @allhobbitstoisengard @euphoricfilter @madbutgloriouspond

[kingdomaddiction]

I've been thinking in a Cumplane friendship idea.--

You see, everyone seems to believe SQQ and SQH can't stand each other. Quite the opposite, really. When it's only the two of them they don't feel the need to keep up the pretence. It's so easy to relax, to put the mask aside.

They aren't peak lords nor cultivators. They're just two dudes in their mid tweenties trying to survive in this forsaken world.

SY knows he might not be the kindest nor the most loving of friends, (he spent so many years alone in a cold, hospital room, he's not good at socializing) but he does care for Airplane. A lot. He will never say it out loud because it's embarrasing but that stupid author is his best friend.

So, that's why when the news of Qinghua's disappearance finally reach him (two weeks, it took two full weeks before someone decided to tell him--- )they absolutely destroys him.

He seems calm at fisrt. Not truly procesing the news. LBG makes a few comments about something Mobei told him (you fucking knew and didn't tell me, how dare you, husband?! )

Gone, SQH? No, that's dumb. He couldn't be gone. He's a peak lord, he has responsabilities, a bunch of little ones to teach. He even takes care of the north. And most importantly why would he leave Mobei? It makes no sense, not fucking sense.

SQH wouldn't leave like that. He... he wouldn't leave SY behind.

He can feel sob building up in his throat. That... stupid, idiot--HACK AUTHOR!

His crying fit is so strong and sudden that sends LBG and his whole demon staff into a panic.

"Shizun?!" He says looking for visible injuries-

"Don't touch me!" He screams and LBG looks at him with hurt.

"Husband? Have... have this disciple done something wrong?"

SQQ just turns and walks to his chambers ordering LBG not to follow him. His husband is left feeling distressed and cries for very different reasons.

Later that night they talk. SQQ feeling tired and sad finally calls for his husband to comfort him. He explains to him why he is angry at him and LBG apologizes.

"This one thought you hated Shang-shibo and that Shizun wouldn't care about his dissapereance." He says in a small, careful voice. "Mobei jun came to the palace days ago to beg for help in his search... "

"You turned him away... " SY says, sounding very tired.

"Yes. But this husband will make it right, Shizun. I will find your friend for you, promise."

SY sighs and hugs his husband, hiding his face in his chest.

..

Idk 'm all over the place but the idea is that the system is glitching and took SQH and is kind of keeping him hostage? Like, in between worlds. Not the mordern universe, not PIDW.

I imagine LBG having a very hard time accepting his shizun worries and loves others and not just him (??? why??? I'm more than enough you need NO ONE else shizun). He's too possesive and would like very much just to lock his shizun away, but that would break him and he never wants to see him cry like that ever again. Even if that means he has to share his attention.

MBJ is very broken in this one fiding himself lost without SQH. they had just finally stablished their relationship so he's between angry and scared. Also his trust and loyalty to LBG has taken a blown since he refused to help him find his lover. Didn't he help LBG when everyone turned his back on him as he clinged to his dead shizun's body?

While they work together (before they can even figure out where sqh is) LBG slowly realizes he might have fucked up a bit and ??? misses Mobei ??? are they friends???!!

SY tries his fucking best to keep it together. Really, he loves Binghe but that man can be so dense.

They find where SQH is being kept. The place is like a limbo. Cold, and vast where no time passes. In order to get him back LBG, MBJ and SQQ work together to reforge Xin Mo and travel there. There's a cool fighting montage, tears, hugs and everyone is happy at the end

Yeah that's all i got so far. I'll be going back to work now--

[lokiina]

Lucanis x Rook x Spite

Okay hear me out tho

Throuples? Not usually my jam. Unless things like, genuinely make sense and it feels like it actually works. But I guess it's just cuz that's how I view most ships in general. But basically I've never made a throuple just for the sake of having a throuple. That's just not for me.

BUT.

lemme just.....

(I'm putting this behind a cut cuz it's a lot of rambling most people probs don't care about. There are spoilers not like HEAVY spoilers but def stuff mentioned from like end game time frame.)

I do think Spite actually appreciates Rook from the get go, at least in my play it felt like that cuz I never reacted to Spite related convos in a perceived negative way. And all Spite really wants to do is talk to Rook from the start, Lucanis is the one stubborn about that not happening for a while. The main time he properly can, he literally asks Rook for help. Like genuinely asks for help for both him and Lucanis. "Help us" he says.

So I think his fondness for Rook grows like Lucanis' does. Naturally over time. Now is it because they're tied together? Who knows. I'm not sure it's clear that their feelings influence each others, I don't think that's addressed, the two still feel pretty separate in that regard...? (I'm in the middle of replaying so maybe there's shit I missed the first time I dunno)

Now the wings situation there's a voice line where Lucanis openly admits to Harding he has 0 control over the wings. The wings are 100% Spite. So spite does it to help. So them fighting is just team up, rather than one using the other. So if there's ever a situation Spite might be mad at Lucanis, he's probs gonna get no help. No wings. sdjhfgdjfhg

BUT THIS MEANS in the Romance scene when those wings pop... Spite's consciously involved. He's made the decision to not sit this one out. My guy created a threesome without warning. 😂 Either he is just like super rooting for them and ships them too and is being the worlds best wingman (pun intended) by lending aid or he's getting in on that action cuz he's also developed some sort of feels as well. Tbh it could go either way... The point is, he got involved.

But there's also evidence later in a possible party banter with Solas where Spite accuses Solas of trying to hurt Rook and is like ready to go to war for Rook against Solas. kdfjghdfkjgh

So... We have no idea what Spite and Lucanis chat about when Rook isn't around so who knows. But the vibes are there where this would in fact be a situation where this kind of ship makes sense.

Either way those three really need to talk about this... 😂

[eerna]

jesus. yeah thank god for preaching the truth about arcane season two. i mean it had its moments - really, REALLY good moments, and by hell it looked AMAZING - but holy FUCK. what a terrible time to be a fan of ekko. or mel. or jinx. or vi. or viktor. or ambessa. or sevika. and probably more i'm missing (ISHA!!!).

i completely agree with everything about the zaun vs. piltover situation ... just not happening this season? first with shimmer - listen i am not the biggest fan of the chembarons lol they look nice but their characters are. Fine. but if you're going to hype them up in the second episode make them WORTH something, right? and then if you're going to hype up the new jinxers, make THAT worth something too!! would it have been so hard to have a bunch of zaunites fly into piltover following jinx? i mean, that's what everyone THOUGHT that scene would be? you had sevika LEAVE the council meeting. why don't you have jinx convincing her to help. and ekko's with jinx. why wasn't he reunited with the firelights? you're telling the fucking firelights would leave zaun? no but it's just them i guess. and sevika and other zaunites enter the fray at essentially the same time so you would have to change nothing but whaaaatever who gives a fuck.

SPEAKING. OF. EKKO. WHAT THE HELL? his FINAL scene in this show is him mourning jinx and being completely alone. we can have that scene, OBVIOUSLY (given that jinx dies - or fake-dies - which i have my own problems with) but... can bro get a seat on the council? please? can we have like a scene with him and sevika walking in and he nods at sevika or something. i know people were complaining about it being mostly pilties and just sevika at the council meeting but i LOVE that. genuinely. shows us that progress is going to be slow (wow crazy. arcane having realistic class issues in their show about class issues), but can it not be just sevika? and can ekko get some fucking credit for SAVING PILTOVER? sure sure sure it was jayce and viktor but WHO THREW. THE GODDAMN ZDRIVE. AT VIKTOR'S HEAD? EKKO. jesus sorry i'm just crazy upset about that.

i wish they also didn't just have the council in piltover? if we're being given an independent zaun (ARE WE BEING GIVEN AN INDEPENDENT ZAUN??????????????) can we maybe have meetings in zaun too? one of those cute little transitions behind sevika's head where they're meeting in piltover's council room and then we go to the meeting room in zaun? like fucking what? or maybe zaun isn't fucking independent what were we watching this show for. if you're going to keep zaun as part of piltover and leave that part open can you maybe elaborate more than sevika like... sitting down. im a bitch for subtext but at some point it's not subtext it's being lazy??

and meljay. not sure what else to say here tbh like i don't even love them and i thought they were handled so poorly. at least they had chemistry in season one? the fuck was their reunion in act 3? negative chemistry. jayce is imagining viktor. why does he have more chemistry with viktor. big jayvik fan btw im a big fucking jayvik fan but can it NOT come at the expense of an established ship? porque no los dos? like hello? does meljayvik mean nothing to the writers? if you're going to have shippers putting the JayVik Agenda (which admittedly i think is very real of them) into the show can you COMPROMISE ABOUT IT. like considering mel's lonely ass ending and ekko's lonely ass ending there might be a goddamn pattern here.

wow. speaking of lonely ass endings. JINX. MY GIRL???????? breaking down her "death": we have jinx, safe, on a ledge. and we have vi and warwick about to fucking die. vi is faced with two options: try and save warwick (bring back vander) or go to jinx. vi isn't AWARE that trying to save warwick is going to come at the expense at jinx, but WE do, and the WRITERS do. the option of saving warwick or going to jinx is the SAME FUCKING OPTION as the jinx vs. powder question at the end of season one. does vi try and bring back a dead man (one who is GONE, who represents jinx and vi's past coming back to haunt them) or does vi try and accept her trauma and forge a new future with jinx?

...she chooses vander. like ok. yes. that makes sense given the amount of time vi has had to process that vander is alive. and a wolf. and then dead. and then back. and still a wolf. and then fighting them. and then not fighting them. im not expecting her in that situation to take jinx's hand and move on. but if that's the case can the arcane writers then.. give her time to process? because this isn't GOOD. this isn't good for vi. this isn't good for jinx. also do you know what also isn't good for vi OH MY GOD CAITLIN. CAITLIN ISN'T WHY DID THEY HAVE SEX AFTER JINX WAS LIKE "SORRY SIS GOING TO KILL MYSELF" LIKE HELLO VI YOU HAVE OTHER PRIORITIES THIS IS JUST LIKE WHEN YOU LEFT EKKO ON THE BRIDGE WHAT. HELLO. WHAT. WHAT. WHAT.

"im the dirt under your nails" no vi caitlin is the blood under yours.

sorry ok this isn't all my problems with arcane season two but i just realized i've been ranting in your inbox for what's probably over 100 words so maybe i should stop now. sorry bro i may or may not make my own post now mb

NO PROB it's big feelings and opinions time here on eerna dot tumblr~ It's just a terrible time to be a fan of the show methinks. I don't think a single character emerged on the other side of this season by having been done right.

I hated the way the Zaunites refusing to help Piltover was treated like some kind of a dramatic "Well, I guess THEY aren't joining US" scene. Usually we get to see both sides so you don't feel like either side is the main character, but that was such a horrible "You, the viewer, are a Piltie now, and the way Zaunites act will from now on be used as plot twists only" POV. Sevika showed up that way, Jinx and Ekko showed up that way - not as main characters, but as supports to Vi and Cait and Mel and Jayce, the Good Pilties.

"im the dirt under your nails" no vi caitlin is the blood under yours. is such a badass quote, bro!!! I have nothing to add, you've said it all, thanks for sharing~

[couldnt-think-of-a-funny-name]

okay disjointed thoughts about the wicked movie 1 day after watching it lets go

-first of all, my movie theater put speakers outside and was just blasting the entire soundtrack on repeat. we could hear it down the street as we were driving up. that's just simply insane

-the opening establishing shots of the land were great but honestly. the very clearly animated dorothy and gang really annoyed me lmfao like I'm sorry it cannot have possibly been too hard to get a few extras to stand in front of a screen for point 5 seconds lol. it was so fast that I Know I'm being dramatic about it but they looked more cartoon than the flying monkey's did

-baby elphie and baby nessa are the cutest things I've ever seen in my life...

-I kinda...like the more human/animal hybrids that the stage show and the original movie had. sorry. like I Get they were only like that bc you can't make a real life goat sing and dance but they're just more interesting to look at than normal-looking animals who happen to talk!

-jeff goldblum's face being hidden every time he had a dance number...I have a sneaking suspicion that he wasn't really dancing lmfao

-whoever decided to bleach ariana's eyebrows deserves jail time

-when jonathan bailey first showed up on screen my mother leaned over to me and whispered 'he's HANDSOME...'

-when cynthia finished the 'wizard and I' I had to actually stop myself from applauding. it felt so weird and rude for there to be dead silence after that performance my GOD.

-also omg the part where she's singing about the wizard de-green-ifying her and the colors in the suncatchers were canceling out the green so she looked normal....inspired!

-madame morrible had these HUGE crystal ball looking rings and I just want them so much lmao

-glinda's friends were really funny the bit were she was like 'I need to lie down' and they immediately picked her up like a plank of wood and carried her off while the one was screaming 'WE NEED A PASTRY!!! IT'S AN EMERGENCY WE NEED A PASTRY!!!' had me cackling

-I wish there was more time between them moving in and 'what is this feeling' starting? like I wanted more time to see them bickering and then also more time seeing them getting along after the ball??

-'dancing through life' was BEAUTIFUL however two complaints 1) why would they cut the line 'what's the most swankified place around?' I Quote That Often and 2) at the end when glinda and elphie dance together like...it's beautiful and everything but from what I remember after their solo moment fieryo joins them?? and they have a cute three way dance moment??? and I'm very pro "they're all in love with each other" so I missed that lol

-also just in general would of liked to see more of fieryo with the girls! like it felt like ball->lion cub->emerald city, in the course of a couple days, and idk I just feel like they could have slowed it down a bit?? especially since they broke it into two movies?? like I don't think that Actually all happened in the span of a week, but they didn't do a good enough job establishing how much time was passing so it Felt like it. which is dumb bc then it just doesn't seem realistic that elphie and glinda are THAT attached to each other by defying gravity like it feels like not enough time has passed for them to really know each other

-boq felt very mild tbh I know ethan can be more unhinged than that

-would've liked to see glinda in magic class!!

-I was a little underwhelmed by elphaba's costumes? like there were clearly patterns on the material but it was all the same shade of black so you couldn't make anything out. it felt a bit flat. and I love the idea behind the freckles I agree with freckles I am pro freckles HOWEVER her's looked very obviously drawn on. like, I have seen way more realistic fake freckles before. so that was a bit annoying

-other than the lunchmeat dress glinda's costumes were good! especially loved the flower shaped one she wore to the ball

-the whole trying to escape in the hot air ballon scene was cool as hell but as the flaming remains of it fell to the ground I couldn't help but be like wow...she really just killed all those guards huh!

-also lmfao the bit in the woods with the lion club and fieryo has like a scratch on his temple. genuinely thought to myself 'is that his lobotomy scar' lmfao

-still trying to get over the part in dancing through life where people were dancing on the spinning gears in the clock tower...bitch

-the flying monkeys were correctly horrifying

-when I saw the broomstick I was like 'won't that be really uncomfortable between your legs' but then she just held it next to her like they do in the stage show and I was like....okay I guess you win that one? lmfao like I don't mind it for when she's hovering but when they had her like supersonic zooming on the broom it was weird that she wasn't actually riding it

-overall I just don't understand how it's an adaptation of act 1 but it's the length of the entire stage show?? lmao like I wish they took advantage of the split and added so much more but really really it was still just such a solid great movie. 5 stars. I can't keep talking about it right now I'm gonna start screaming.

[striped-carpet]

M. List

Boothill Crush/Relationship Headcanons

A/N: Again!!! Sorry for disappearing, school has been beating me up. I'm hoping this is good since it's definitely been a while since I've written anything like this!!

Boothill With A Crush:

I cannot see this man as the shy type as hard as I may try, but that doesn't mean he doesn't have his moments

When Boothill has a crush on someone, I don't think he'd come right out and say it

Not at first, at least

Seeing as he's a Galaxy Ranger and all, he'd probably be a little hesitant to actually act on his feelings

He would probably want to make sure you're aware of the fact that he's a wanted man, as well as the kind of lifestyle he leads

That being said, after he's sure of his feelings and that you would be willing to possibly be with him, he'd probably confess to you

I think he'd be the type of person who tries to subtly joke around with you in an attempt at flirting

As far as the confession goes, I can see him as the type to do it over a few drinks just to keep the atmosphere more relaxed and casual

Probably wouldn't make a big fuss out of it. If you say no, you say no. But if you say yes, there's no doubt that he'll be happy about it

------------------------------------------------------------------------------

Actual Relationship Headcanons:

At the beginning of your relationship with Boothill, it would probably be spent getting to know each other a little better, even if you two were already kind of close before

Mainly stuff like what your favorite foods are, if you have any hobbies, what you two have in common, etc.

He's more likely than not a respectful guy, especially when it comes to you

I can definitely see him as being one of the more protective types as well

Even if he is a wanted criminal, he would try to take you out on dates when he can, whether they're big or small

All that really matters to him is getting to spend time with you

He's also very loyal, which is always a good thing

He tries his best not to upset you, and feels really bad if he ever does

If you're a human or something along those lines, I can see him being the type to really enjoy holding you

He just enjoys how soft you are compared to his mostly metal body, since I believe he misses his human body even if it's just a little bit

He also really likes to stare into your eyes

The color of them doesn't matter to him

They're yours, of course he's going to love them

Outside of that, he'd probably try to learn how to make your favorite foods, drinks, etc.

Like you don't really even have to ask him to, he just does it on his own

I personally believe that one of his main love-languages would be acts of service, since that's what I think fits him best

When it comes to things like marriage, I think he would ideally want to get married, but is hesitant about it given the whole wanted criminal thing

He just doesn't want to risk putting you in danger for something like that

However, if you're okay with taking that risk and can manage to convince him, he'd propose as soon as he could

Overall I think he'd make an amazing boyfriend, everything aside, and would definitely love you to no end

[sobriety-circle]

It's coming up to a season full of family and friends gatherings. If you are hosting one of these gatherings, here are some ways to support the sober people in your life (even if they haven't told you yet)

1. Don't give alcohol as a present. To anyone. You don't know where someone may be, even if you know them really well, so just don't force that onto anyone.

2. Serve lots of NA options. If you can go completely NA, that would be insanely cool on your part, but if you can't, then provide as many alternatives as you can. Make it a goal to offer the same amount, if not more, NA drinks.

3. Have a private room/area that you can turn into a "quiet time" room. If you notice someone who is just not having a good time, or isn't being themselves, tell them where the space is, and that they are allowed to use it if they need it. This isn't even just for people struggling with substance use, the holidays can be hard for a lot of people, and sometimes a quiet space is nice. (Bonus points if you put some puzzle books etc in there).

4. Don't ask why someone isn't drinking. It's none of your business. Maybe they're working on something, maybe they have health issues, maybe they're pregnant, maybe they're just punk enough to realize drinking sucks. Even if they do answer, it might change the atmosphere of the gathering. If someone else is pestering the sober guests, deal with it. Keep them safe.

4.5. If someone DOES tell you their reason without being asked, support them 100%.

5. AS A SUGGESTION, as the host, set an example and don't drink. If you can't do this, that's fine, but it definitely helps others feel comfortable if at least one other person is in the same booze free boat.

6. Be safe. Whether or not you're getting clean this winter, be careful, be smart, get help if you need, advocate for yourself or others.

6.5. Even if you haven't hit rock bottom, or aren't an addict, please consider sobriety. Just try it. Start on New Year's if you need to. You will inspire others who need it.

Add on if you have anything else 💜

[certifiedsexed]

hi so i was hoping for like a gut check on this because maybe it's weird and if it is i want to stop.

so im trans and autistic, and because of that im a little behind on understanding masturbation and my body. ive been trying to read up on it and im trying to learn how to masturbate. one of my friends and i were talking about it, and he asked to see some of the webpages i was looking at (shoutout to you and planned parenthood). but we were looking through them and one of the links went to scarleteen.

and he said it was weird and kind of perverted because im an adult (24) and thats for teenagers. i said that i thought it was okay because its not like im interacting with teenagers and theyre pretty good for teaching me i thought because i like the clear writing and the easier words and also its just a webpage. but the more i think about it the more freaked out i get. like scarleteens one of them and also teen vogue and some other ones because those are just what come up a lot of the time for learning more.

so what do you think? is it bad? because my friend and i ended up not sure. but if its bad i'll stop i dont want to hurt anyone.

Hello! Let me see if I can help.

So, there's nothing wrong with using resources designed for children when you're an adult, for the most part.

You're not taking resources from children or even interacting with children [though that's not even necessarily an immediate issue, depending on the situation], you're just using an accessible website with a lot of information on things you might've missed.

It can be very hard to find websites with accessible language, especially when you're new to a subject and there should be no shame in using something designed for people younger than you if it's helpful and its not hurting anyone.

I don't quite understand where your friend is coming from, to be honest. Using "perverted" and "weird", both harsh terms for something harmless, to describe this doesn't really make sense to me.

But I understand that it's upset you, understandably! So let me be clear:

No, there's nothing wrong with what you're doing. Using Scarleteen and websites like Teen Vogue are both perfectly fine, regardless of your age. They're targeted towards children, but children aren't the only ones who can use them.

It absolutely hurts no one for you to read their articles and learn. In fact, it's a good thing you're learning from these websites and showing them to other people you know. That only helps websites like that.

It's not bad in the least, Anon. I'd encourage you to keep using them, especially if they're helping you learn easily. That's literally awesome! [I'm honored to be among those you're learning from! <3]

Hope this helps! Let me know if you have any other questions. <3

[tillinghastcorporatemedia]

Well shit im about to ruin everyones dash with this one time for OC parade with some familiar and unfamiliar faces

You got Adelheida, tech wizard extraordinaire and synth-hash smoking Romulan that'll keep shit running longer than expected

We got Artemis, The secondary character in some of our short stories and one of the most popular models (only second to Katerina) in Palikata. Loving, sweet, and looking for adventure Artemis knows where to party and where to play and she goes for it everytime

We got Delilah, Current vocalist and guitarist for Era of Hubris, loves pink, animals, and Drum and Bass.

We got Draynor, Aka Daxkel, the stankpop media darling musician. Will give you a beer to get a beer in return

We got Elellin, faster than most and one of Palikata's favorite athletes, Elellin always draws a crowd to any event she's participating in

We got Elisha, Current bassist and backup vocals in Era of Hubris. She's quiet, romulan, and ready to party

We got Elizabeth, one of the upcoming amateur models that's fighting for her seat at the table. Her and Nina are often competing for jobs.

We got Faison, aka General Grump, aka Mistress Melancholic, Faison loves complaining, her friends, and finding good food.

We got Genevieve, master space station technician and occasional synth hash enjoyer

We got Halston, Genevieve's lackey on the space station. They're trying to get a new position but it's not going well

We got Hugo, parkour enthusiast, mannaferment sommelier, best friend to Terrance, Orrum, and always has a tendency to point out flaws.

We got Katerina, Palikata's favorite media darling, model, and lover of open relationships. Basically you will see her in most if not all clothing advertisements.

We got Letitia V, brilliant, one of the few people who know some form of defense art, bunqua drinker, and all around mellow babe.

We got Lydia, lover of femmes, smart, and absolutely cannot see Artemis without the two of them arguing (they've broken up a few times)

We got Maya V., Architect, scientist, and best friend to Rhys

We got Nadja, skateboarder, graphic designer, and all around team player. They're working on getting the very first extended length skate video together.

We got Nina, Palikata's amateur model that's really making waves in the scene right now. She's toxic, she's kinda mean, but she sells pretty much anything that has her face on it. (including her own beauty line)

We got Peter, squimpp salesman and fisherman, obsessed with Paris even though they've been dating for a bit. Works hard and loves harder

We got P'iquloth, it professional and lover of chaos. They'll help you with anything

We got Pruitt, aka the genius behind Opulent Proxima Ruin, Dating Byron, and one of many musicians in Palikata

We got Rhys, writer for the paper Palikata Times, Rhys hands out with Elizabeth, Maya, and Vincent. Often travels far to get a story

We got Sariyah, Lover, drinker, all around competive person. They'll drink you under the table and want to go play kickball

We got Terrance, the main character of Romulan Nights, bike courier for contract disputes, bit of a dumbass, but will stand up for his friends

We got Tiarra, Faisons right hand, thinks Terrance is so hot, and is willing to make a fool of herself to get a laugh. One of the main stars of Romulan Nights

We got Ulyana, Terrance's current girlfriend, one of the fewer Or'otl that have gone through engendering. Ulyana will break you down but in an attempt to build you up stronger. Lovely, often seen in leisure wear.

We got Valery, the mind behind eccLesio, musician, artist, and sometimes the local menace.

We got Vincent, Rhys' best friend. Often seen with new partners as he can be a bit of a buzzkill

We got Xendelne, If you need someone to get you something, you go to Xendelne. Artemis' party guide and overly networked artist, if Xendelne doesn't know where the parties at they will shortly

just for extra ocs, no descriptions just names

We got Mitzi

Irina

and apparently ive hit the post limit on photos.

OC PROPAGANDA!!! I WANT OC PROPAGANDA RIGHT NOW! Everyone show me the oc blorbo!!! I gotta know everyone's OCS tell me why you're spinning them around in your head!!! I want propaganda!!!

Please and thank you 🙏

[aceingonthecake]

Very Personal Take on Good Omens

I've always related more to Crowley. It has always been easier for me to understand them than Aziraphale, especially in s1. Don't get me wrong, I've adored Aziraphale since day one too, I just think that, personality wise, we have less traits in common.

However, since the end of s2, I've been able to really feel for Aziraphale and immediately found myself defending them and their final decision. I won't lie and tell you that, at the beginning, I didn't feel angry and even a little betrayed at all, but once I cooled down and thought about it with a clear mind I got it. And, later, I also got the reason why I was feeling so defensive about Aziraphale.

Last year I broke up with my partner, with whom I also had a lot of mutual friends. I was the one to call it off and I did it because there were some dynamics I couldn't tolerate anymore, but I still loved them and I suffered a lot (still do sometimes). Still, I knew it was the right thing to do for the both of us and I never regretted it.

The thing is, the friends we had in common never really bothered to check up on me: I was the one to call it off and I was the one who'd always appeared emotionally stronger, so why would I be suffering? However, they comforted my ex multiple times, sometimes right after I'd gone home, because they just burst into tears in front of everyone. Obviously, I was very sad and cried a lot too, I just avoided doing it in front of our mutual friends to avoid creating sides (when we broke up we promised this to each other).

Connecting all of this to Good Omens, I believe that something like that is happening in the fandom too. A lot of people are hyper focusing on Crowley's pain because it's more obvious and understandable to them, while they're painting Aziraphale as the "bad one" who broke their heart and doesn't care about them just because they were the one who made the difficult decision. And, while I understand it's easier to see it that way, I also think it's not actually that hard to dig a little deeper.

Just because someone's pain is more evident doesn't mean they were the only one to get hurt and didn't hurt back too. Crowley hurt Aziraphale too, even if we might not see it immediately or as clearly as the other way around. They're both suffering, there is no right and wrong side, they both made mistakes and, nonetheless, it's no doubt they love each other and deserve a happy ending.

I hope this makes sense. It's a very emotionally charged analysis so, even if you don't agree, be polite about it please. I know I didn't get too much into what happened in the final 15, but I've already made (and I'll make) other specific posts about it. This one was more of an emotional take.

I'd also like to underline that none of this is a contest about who's hurting more. It's an invitation not to take for granted other people's feelings but actually try and understand both sides of a situation, even if we naturally relate to or understand one more than the other. (Of course, this doesn't apply to toxic relationships).