#They aren't always the same people

[nyronus]

My problems and struggles are kooky, quirky, romantic, and maybe a little sexy. Your problems and struggles are gross, unpleasant, alienating, and maybe a little problematic. At no point will I consider how in my attempts to rebuild my shattered self-image that I might be romanticizing things that are genuine problems as a coping mechanism in a way that isn't entirely healthy for me or my relationships. Nor am I going to reflect and consider how my problems and struggles might help me empathize with yours. God is in their Heaven, and all is right with the world.

[of-the-eventide]

...who else could I love but you, my brave little spark...?

auraugust 2024 - myth truth

[hadesknockedupintheunderworld]

The fans: Ugh Sonic was just so preachy. I mean obviously he's supposed to be the good guy, so any uncomfortableness I feel here and any way I feel like Sonic's choices are framed as being why some other people have shitty lives is just bad writing because he is obviously supposed to be right always, but this characterization makes no sense. Isn't he right for the things he did?

Ian Flynn, using Kitsunami to say the (barely even at this point) quiet part even louder: Hey it's almost like ever since the Mr. Tinker event we've been purposely running with the critique of Sonic as being more selfish than he appears. Sonic is upholding a system of Eggman v Sonic that currently benefits him and shuts down talk of how to improve the current system because he likes his own personal enjoyment and he's attached enough to Eggman that he'd rather Eggman pretend to be a good person than be stuck in prison for life. He doesn't even quite practice what he preaches. We are trying to show that the current hero v villain system and Sonic's recklessness currently affects some people poorly and that Sonic isn't a perfect hero.

[mongeese]

Very small piece overshadowed by everything else but I full almost cried at Elgin's line here. Service to others and service to a cause you believe in as service to yourself. Not working for anyone else but dedicating yourself to your work and your community because you want to, because it matters to you. So fucking true. Anyway totally unrelated hc that definitely isn't me projecting I think Elgin's butch

[Image ID: A screenshot of The Silt Verses transcript. It reads

"PAIGE stares at her. She's genuinely touched.

PAIGE: Do you do anything for yourself, Elgin?

ELGIN: (Almost surprised by the question) All of this has been for me. You know that Paige, don't you?"

End ID]

[ancha-aus]

RealAgeAU Drabble - Mud

Hello! I am back with the baby-AU! Lmao! @spotaus

I am excited about this one :3

First Drabble Prev Drabble Next Drabble

Lets just get right into it shall we? :3

*-------------------*

Nightmare should probably be paying attention.

But the truth is it has already been a long day and he just doesn't feel like it.

Instead he just keeps holding Cross's hand as he eats his chocolate bar.

Nightmare is actually standing on the ground today, which is nice for a chance. It is mostly because he just spend the last two hours or so sitting still for some doctors and healers. For his monthly check up.

Which is new to him! Since when does he have a monthly check up?!

Nightmare huffs as he keeps eating his candy bar. It is sweet and he likes that. much like the light rain that is around them. He also likes the rain.

Cross shoots him an apologetic look "I know Nightmare. We will go home soon."

Nightmare hums and leans against Cross's side. He wants to go home already. The town is nice but busy today. Something to do with it being near halloween Crop had explained.

Nightmare looks up and sees that Killer is also very done with the conversation, even if he still has a smile on his face. Cross is better with acting interested. Gerson is talking to them so Nightmare can understand why they are still humouring this whole thing.

Nightmare finishes his snack and looks aorund, searching for a garbage can. He easily spots one and goes to let go of the hand.

Cross tightens his hold and looks down at him anxious "NIghtmare? Are you okay?" he gives Gerson an apologetic smile.

Nightmare rolls his eye lights and shows the obvious wrapper "Going to throw it away." duh.

Cross looks around and spots the same garbage can "I mean... okay... fast..." he slowly lets go of the hand as Gerson pulls him back to the conversation. Social guidelines nad rules keeping him captured.

Nightmare grins and walks over to the garbage can. He is careful to not slip on the wet and muddy ground. He is getting close when he spots a large mud pool and frowns at it. Annoying as he already starts to feel his spine acting up.

Seems like being carried and letting his spine relax a bit mad ehim less used to the pain... or is it because he is small now? Nightmare really doesn't know...

Still go carefully makes his way around the mud, he is wearing his new favourite sweater, the one Dust got him when they first got here, and he doesn't want to risk it getting dirty. He is already unhappy wiht it getting wet.

He gets to the garbage can and throws away the wrapper. Mission accomplished. Now to go back to Cross and Killer.

He turns around and bums into someone. Nightmare quickly takes a few steps back and slips only slightly before regaining his balance. He looks up and sees two boys.

Nightmare mutters "sorry..." he glances around and sees that Killer is already side eyeing him and his situation and he feels a bit calmer. He is fine. Killer is here.

One of the two boys huffs "How dare you! You dirtied my shoe!"

Nightmare blinks and feels confused. What does he mean? Nightmare bummed into him yeah but he didn't hit his shoe right? He looks down and sees that the shoes are covered with mud.

Nightmare frowns and rubs his arm "Sorry?" he isn't sure but also does not want trouble "Maybe it can be washed off?" he isn't sure. Some stuff is still hard to remember.

The boy huffs "Well that doesnt make it better!"

The other boy laughs "You know what would make it better?"

Nightmare realises soemthing is wrong right away and looks for an escape but one of them grabs his arm and the next thing he knows gravity pulls him down right into the mud he had been avoiding.

It hurts so bad.

His eye sockets sting both with tears and the mud. he looks down at himself and is absolutely covered. The other two laugh but it is already becoming a background noise.

His sweater is dirty...

He had tried to be careful with it and... and...

Two arms grab him and he is suddenly held close in a hug. "nightmare?! Are you okay? Is your spine okay? Are you hurt?" Cross speaks gently as he carefully removes some of the mud from Nightmare's face.

Nightmare can't explain. it is already hard to keep in the tears and now he is also ruining Cross's clothes and his body hurts and-

He sobs. He can't keep it in. He ruined his sweater. he ruined Cross's stuff. everything hurts. it is cold. he wants to go home.

Cross just pulls him closer and rubs his shoulders gently "Oh it is okay. Don't worry okay? We will get home and get all cleaned up and we will check your injuries."

Cross's voice helps him focus. Helps him breath and get passed the sobs and tears. his face is still all wet and muddy and he is dirty and his sweater. it had been a gift! He should know better than think he is allowed to have nice things.

Someone screeches "What do you think you are doing to my dareling boys?!"

Nightmare flinches and pushes closer to Cross. he dares to glance up and sees Killer growling and glaring at the two boys. He is holding one arm of one of the boys, the one Ngihtmare run into, behind his back and Nightmare knows that angle is painful.

Killer glances at the lady before looking back at the boy near tears "Teaching your child manners about how he shouldn't bully or harm a young child." Killer's voice is compeltely calm. Giving nothing away. Nightmare knows it means he is beyond furious.

The lady glares "It are just boys! Boys will be boys!" she huffs "What did they even do?" she notices him and huffs again "It is just mud! It is harmless!"

Killer looks at her before grinning. He lets go of the child and steps back. He moves quickly and Nightmare isn't even sure how he does it but next thing there is a wave of mud which covers all three.

Killer crosses his arms and waits.

The lady screeches again "How dare you?! This is real fur!"

Killer raies a brow "What? I thought you just told me. It. Is. Just. Mud." he stares her down "All you will have to do? Clean it. Which is much easier for you. As you have one of those handie bodies to keep it out of your system. Unlike wiht us skeletons that can cause quite a bit of different injuries. All caused by dirt getting stuck in joints. You know, like mud. And between joints, that this babybones has."

The lady shakes slightly as she looks around before looking back at Killer.

Killer stares at her "I will make this clear. YOu are going to walk away with those two brats of yours. You are not going to cause us anymore issues. understood?"

The lady nods and grabs her two boys and leaves.

Killer huffs before looking back at him. cold and emotionless look gone as he looks at him "tiny boss?"

Nightmare knows he is still crying as he pulls on his sweater a tiny bit. it sticks to his body, it rubs and hurts everything... but his sweater. He looks at Killer and isnt sure how to explain "my sweater..." he knows he is still crying "Dusty got this for me...." it was so expensive and special and Nightmare tried to be careful with it but he wanted the warm hug of the sweater at his appointment because it was Dust's relax day but now it is dirty and ruined and and and.

He can't explain adn just sobs.

Cross seems to understand as he pulls him closer "oh baby it is okay. We are going home. get you all cleaned up and clean up your sweater too. You will be wearing it again before you know it!"

Nightmare just sobs again.

Cross nuzzles him gently and that makes him feel a bit better.

"Hey tiny boss! Look!"

Nightmar eblinks and looks over at Killer. Killer sees him look and he grins widely. Before kicking his own feet out from under him and faceplanting right into the mud that Nightmare fell into.

Cross gasps "Killer!"

Killer pulls his face out and grins widely. The mud and tears mix and it is messy and he is covered in mud but it falls in almost slowmotion and-

Nightmare can't stop the giggle leaving him.

Killer grins and gets up. Each step makes a weird slurp and slosh. Nightmare snorts and laughs more.

Killer gets to them and grins at him.

Cross looks amused himself "You are a mess." he still nuzzles nightmare.

Killer grins and winks at Nightmare "Just means tiny boss and I will both need a bath." He then stands straight and shows his outfit "And look! More clothes that need washing! We will just wash our stuff together!"

Nightmare giggles and nods before starting to reach for Killer. He still pulls his hand back again. It feels... needy...

Killer grins as he sloshes over and nuzzles his face all over.

Cross sighs "Killer you are getting your goop all over him."

Killer grins at Cross "It is fine crossy! When we get home it is bathtime anyway!"

Nightmare feels himself relax a bit more as Killer rubs the tears away and Nightmare leans back against Cross. They are going home and wash up together.

He really hopes the sweater will turn out to be okay but the others probably know how to wash it out carefully.

*-------------------*

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[chittychittyyangyang]

Blake is clearly Japanese, and Yang is clearly chinese, so isn't giving them darker skin tones racist?

I'm going to answer this is good faith, and I will accept no follow up.

Blake being "clearly" Japanese, just no. Belladonna is Italian believe, and Kuo Kuana seems to have a lot more influence from the Pacific Islands. Even if she was Japanese, there are darker skinned Japanese people.

Yang isn't just Chinese. Even so, Chinese people can be darker skinned. I also find this ask suspect because a lot of people in the fandom make Blake darker skin (and people have been shitty about it since V1) . I've reblogged a lot of it. I've NEVER gotten anything like this in my inbox in my years running this blog until it's Yang too. Weird.

I have met with many fans of the show over the years, and it seems like many POC can see themselves as the characters and want that reflected in their skin too. It made a lot of sense to me that someone with textured hair could see Yang's protectiveness of hers as similar to their own experiences. RW/BY sure lacks protagonists with darker skin, and it's not racist to make fan art of them darker (what is this take from anyway, 2003???)

I believe it was Miles who responded to some harressment a black Blake cosplayer got years ago that Blake is Blake no matter the skin tone.

At the end of the day though, I am so very White and not the arbiter on what is or isn't racist. However, I'll always question the motives of anyone that raises a fuss over someone making cute art of characters with darker skin tones, more so in a show that lacks skin diversity.

[feroluce]

Lucid Dreamer (1/2)

part 2

Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!

But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.

He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.

And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.

…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.

Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-

Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.

Gepard goes back home. He waits.

The uneasiness doesn't leave him.

"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.

"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.

"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.

Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."

Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.

"…I'll be back in one more week."

Gepard jolts awake in his cot, mouth dry and eyes bleary.

The hell.

The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.

Gepard doesn't know if he wants to dream more, or less.

He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!

Gepard falls asleep late that night, unable to settle. He dreams again.

He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.

He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.

He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.

"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.

"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.

"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.

Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."

Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.

Something is wrong, something is really really wrong.

Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-

"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."

Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.

"Wake up."

Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.

He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.

And he waits and he waits and he waits.

No one he recognizes appears.

[ratatatastic]

"Local kid makes good. Matthew Tkachuk, Stanley Cup Champion. So how does that sound? Stanley Cup Champion?" "I think it sounds better and better each time I'm hearin' it. It's been—I think—almost 2 months, I don't even know? Time has been flyin' but it just—each day is more and more incredible thinkin' about it." "So you're here to throw out the first pitch with Jayson Tatum, you're both Chaminade proud, like, you knew each other back then, you were friends in high school, and you're still friends—tell me about that relationship." "Yeah, it's been really incredible watching him—I think we both started out in the league very similar years. I might've been a year before when he was at College but it's been absolutely incredible to follow along his journey, and his career. I still keep in touch every now and then. I know we've played Boston the last few playoffs and he's been to a few of the playoff games for me. I went to one of his playoff games last year when we were in Boston. So really, really cool just to watch him, it was really cool to see him play in person. I'm excited to see him, and throw out that pitch with him today."

los angeles dodgers @ st louis cardinals pregame | 8.18.24 (x)

"When you guys were younger—both obviously stand-out athletes—did you ever imagine you would be a Stanley Cup Champion one day? And he would win a NBA Championship with the Celtics? Did that ever cross your minds?" "No, I mean, he was way better at his sport than I was at my sport when we were that young... I think I had a pretty good idea that he was gonna be a star basketball player. I guess you don't really think about Championships at that time of your life. You always dream about it but do you really think its gonna happen? And for us to do it, you know, within a week or however long apart from each other, it just—what a great time for all of our friends and family, and people that are just supporting us in St. Louis. I feel like St. Louis with not having teams to—you know, in their city to root for, I feel like they really kind-of hopped on and rooted for us and the Celtics. That made us, especially being from here, made us feel really special." "City was behind ya, one hundred percent! Let's talk about the final. You guys were up three-zip, it goes to a Game 7. What's that like?" "It's not supposed to be easy! I feel like it wouldn't have made sense or worked if it, you know—wasn't that scenario. It was always gonna be a long series. For us to win the first 3 and then lose the next 3—I mean, that wasn't ideal but at the end of the day we were comin' back to our incredible fans in Florida for a Game 7 Stanley Cup Final. What an incredible environment! That is a dream game! You always talk about the Game 7s when you're younger, and those are the moments you dream of, and I got to live out a dream this year." "What was it like sharing it with your pop? You know in the postgame coverage, I see your dad all over the place, your brother, your sister, your mom—what was it like sharing it with them?" "It was amazin'! Just handin' the Cup to my dad on the ice afterwards was super special there—the moment where he was actually in the locker room after the game when, you know, friends and family were startin' to come down, and I got to hand it to him, we got to beer-shower him, he got to lift it up in front of all my teammates, they were all goin' nuts for him too! Because they know that he played such a long time, and unfortunately wasn't able to win one in his playing career but I think he would've, you know, traded that all and done it exactly the way it happened for one of his boys to win it. It was such a family—It was such an incredible time for our whole family and I'm so lucky to have such great support from them." "Fun to watch too! Last thing before we let you go. You look good in the Cardinals red, Cardinals cap—there was a time where your dad, Big Walt, liked the Red Sox... please tell me you're a Cardinal fan..." "I am a Cardinal fan! Yeah, that time is—I was a big David Ortiz fan so when he was on the team like he was...him and Albert [Pujols] were my two favourites so it's actually pretty cool I got to hang out with Albert over summer in a golf tournament—the ACC tournament out in Lake Tahoe. He was one of my sports heroes! Yeah, I've been a Cardinals fan ever since I can remember with Albert." "Congratulations on getting the Cup, thanks for the chat!" "Yep, thank you!"

[uncanny-tranny]

It's okay to just be binary you know

It's also okay to let trans people do whatever they want forever. Hope this helps.

[covington-shenanigans]

christ alive I love my parents and I'm glad I got to see them but they are just. so fucking exhausting

[lulu-the-bugaboo]

Having Ace as a fav is weird because the takes I see on him are either the type I've always wanted on my favs, digging into his character despite the low screentime and sharing fascinating views or the most brain dead, disappointing, shallow takes known to man

There is no in-between

[softandsleepyboy]

To anyone who needs to hear this:

There is no shame in being childish or naive

There's no shame in liking media that is meant for kids

There is no shame in using things that people say you are "too old for"

There is no shame in playing with toys or games

There is no shame in needing help from the people who love you

There is no shame in falling apart, no shame in crying and needing comfort

There is no shame in regressing!

I know it's hard when people are judgmental, but you don't deserve the shame you feel. As long as you aren't harming yourself or the people around you, then what you do for enjoyment or comfort is nothing to be ashamed of and honestly, no one else's business. Life is often hard and sad, and if you've found something that makes it even a little easier, then that's wonderful! Don't let others shame you into misery.

[thawthebeez]

i love reading haikyuu tiktok shipping discourse comment sections. it's so entertaining seeing so many people with such bad taste.

[jin-zixun]

i think it's actually very brave to fight for yourself when no one else will, to insist upon your own self worth, if only in your own actions and self-preservation, when everyone around considers you worthless or unworthy.

If no one else cares about you, you will care, if no one else loves you, you will try to show yourself love to the best of your ability, even if you don't know it, if no one else will protect you then you will fight for yourself. Keep yourself alive. No one else will and it's you're no less worthy than who you're being told to put yourself to the side for, to die for, to admit you are nothing for.

It's trauma, it's resilience, it's survival, it's fight, it's advocacy, it's perseverance, it's natural, it's difficult, and it's brave.

[lord-squiggletits]

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

[22degreehalo]

I get why it frustrates people to not be able to afford things but it just. really gets me sometimes just HOW uncaring about worker's compensation so many leftist spaces have become

Like the same people who will encourage artists to price their commissions based on the amount of time it takes to make it (with respect paid to the many more hours of practice and training etc.) will turn around and complain that a TTRPG book with hundreds upon hundreds of hours of work put into it is overpriced at $40.

And as always this is the daycare problem: that the people who work at daycares and the people who most need childcare tend to come from the same demographic, and nobody has enough money.

But I just. Yes, indie art/fiction/games/whatever being expensive makes them unavailable to poor fans. But if you can't actually make money out of them, that makes working on them unavailable to poor creators, who need to spend time and effort on stuff that will help them stay alive. It's just very easy to complain about capitalism 'infiltrating hobbies' or 'only caring about profit' when you do have the comfort to pursue hobbies purely for your leisure. Or when you just completely dehumanise all creators, I guess.