#Then it's a lot more understandable that the writer puts a lot of effort into developing that villain and his son/little brother

[eowynstwin]

I know a good majority of c.ai users (who actually know how the platform generates its content) genuinely do not give a shit, but in the spirit of assuming the best of people—

If you have a favorite writer, and you also use c.ai, please consider how it might make that writer feel to find out that the hard work they put into making something for your enjoyment ultimately has no value to you. That hours spent coming up with interesting narratives and prose specifically to entertain you just flat out does not matter to you.

Like, I know it seems like writing is an easy thing to get into, but think about a book you really liked, that you thought was really really good, vs a book you absolutely hated because it was horrible. Or a show. Or a video game. Any piece of art you’ve engaged with. The differential between those two pieces is a function of labor, not inherent skill. Time and effort and study goes into making any competent creative work.

Writers put forth that effort because the reward is getting to watch an audience enjoy it. It really is a pleasure to be able to see someone appreciate our work, because then we get to experience our own work all over again, in a new way, from a different angle. I don’t know if readers (or consumers of any creative media) understand that—we only get to write something once, but through you, we get to enjoy it a whole lot longer than the hours we spent writing it.

It’s personally validating. You may not think it should be—you may think writers should just write for the sake of it—but that’s just not how it works, and never has been. Making art has always been about that reciprocity. We make, you enjoy, we enjoy you enjoying what we made, and then we make more for you to enjoy. On and on. Symbiosis.

Which is why it is absolutely soul-sucking to reckon with the fact that there is now a machine that you’re using, essentially, to replace us. The effort we make to reach out to you is completely unimportant, because you don’t care about us, you care about what you get out of us. And what’s more, you settle for far worse quality, because you get it faster.

So our effort doesn’t matter, because you just don’t care. We present you a five course meal, and you’re still just as satisfied with slop. And while you may retort with some sort of claim that it means we shouldn’t try so hard to write well, we should just focus on getting shit out faster—we like this hard work. We enjoy it. We take pride in making something good.

You just don’t care about that. All you’re concerned with is your own insatiable appetite.

Like, a lot has been said about the ethics of AI, the environmental impact, and the labor impact, so I won’t reiterate it, but I just want you to think about this. It’s a real person making real effort that you’re turning your nose up at in favor of easy gratification.

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 5. rest of post under a cut due to length and spoilers. [Post One, Post Two, Post Three, Post Four]

Sylvia Feketekuty: "I agree, the Necropolis IS gorgeous, I was blessed with wonderful level artists, lighting artists, and a fantastic LD who poured their hearts into making it it." [source]

Sylvia: ""But what does Manfred think about Spite?" Good question. Manfred is curious, as always, and can probably sense Spite's on his own plane of existence (in other words, another spirit.) But Manfred also doesn't have a greatly evolved sense of danger, he might not understand Spite's "moodier" moments. I also think Manfred isn't as sophisticated a spirit as Spite at the start of the game. (Though don't let Emmrich catch you saying that!)" [source, two]

Sylvia on Emmrich: "He was a team effort, and I have to especially thank the writers and editors for their early feedback that helped shape him. Emmrich wouldn't have worked as well otherwise." [source]

Sylvia: "it's a huge honour to work on a character who's someone's favorite anything, let alone romance. (Huge props to Allegra, her actor, who just got Josie right away.)" [source]

Sylvia: ""With Cassandra being our only POV into Nevarra" Poor Cassandra. (Emmrich has such respect for her uncle's books!) "There's a lot of deep respect and empathy for all the ways people relate with death and I appreciate it"" Thanks, that was something I'd so hoped would come through." [source]

Sylvia: "It really was a team that brought Emmrich, the Necropolis, and the rest of its guardians to life, I know everyone would be thrilled to know you enjoyed it so much." [source]

User: "Emmrich's fear of mortality really hit hard. Some of those lines are etched into my heart now. Thanks to everyone who helped put that deeply relatable and human experience into the game" // Sylvia: "It was kind of the core of Emmrich, writing the part where he opens up about his fears, so thank you for sharing that, it means a lot." [source]

Sylvia: "I loved writing the MW branches and letting people be a nerdier flavour of Rook with Emmrich." [source]

User: "Nevarra, Mourn Watch and in particular Emmrich's personal missions were amazing! The whimsical and the grotesque in perfect balance. When I replay next year I'll be looking forward to those missions the most!" // Sylvia: "Especial praise goes to the level designers for tackling a bunch of complex stuff in those missions as we planned them out." [source]

Sylvia: "I think we can all agree Emmrich might be a touch eccentric, but I really wanted his interests and compassionate outlook to be heartfelt, so this is lovely to hear." [source]

User: "I was so nervous about the whole Necropolis gang as I have PTSD and a major fear of death. So when Emmrich confided in Rook about his own fear, I was struck with such an unexpected comfort. I've never heard someone describe my own fears and how they make me feel so perfectly." // Sylvia: "Thank you, Bibi. It's a very familiar fear for me as well, and I find sometimes talking about it can ease things. So I'm very glad to hear Emmrich's thoughts on it were helpful for you." [source]

Sylvia: "I like a good sinister necromancer, but really wanted to try something different with the Mourn Watch, something more akin to a sacred duty." [source]

Sylvia on the Necropolis: "The concept, lighting, and level artists, and the level designer, did so much cool stuff there IMO. Seeing it with the final art and lighting in for the first time was a thrill for me too." [source]

User: "special thanks for the Terry Pratchett references in the form and speech of Vorgoth. I don't know exactly whose idea it was, but it was great!" // Sylvia: "Aw thank you so much! Re: Terry Pratchett: oh man, I read nearly every Discworld book multiple times, absolute favorites growing up." [source]

User: "I kinda of assumed that Emmrich just calculates age in academia terms, so no matter how many physical years old your Rook is, you're just a tiny baby who hasn't completed a necromancy phd. "When I was your age" = "When I was a TA."" // Sylvia: "Yes, yes that math checks out." [source]

User on Emmrich: "how refreshing it was to have an argument with a LI that’s specific to their relationship. It gives the characters such texture and dimension!" // Sylvia: "Aw thank you! I liked the tone range we ended up having between everyone, it was more rewarding to do." [source]

User: "Would you guys ever expand more on Nevarra and its culture? I loved seeing the Necropolis, and hope we revisit it. But I'll be honest when I say it made me curious what life in Nevarra is like, and how infused Nevarra's Mortalitasi are with average Nevarran life." // Sylvia: "Since I've left the company, that's not really in my hands, so there's not much I can say. But I get what you mean, because the Mourn Watch are a subbranch of the Mortalitasi with a very special field of study and service. We don't really get much about everyday Nevarra. So whoever tackles that in the future, if they ever do: I think that could be neat. Lots of room to explore different dynamics and customs!" [source, two]

User: "I adore Emmrich, he's so sweet & so thoughtful! I especially adore his love for flowers, and I personally interpreted that as a hint from the writers (you!) that choosing to embrace his fleeting mortality, like the fleeting beauty of flowers, was his "good" path - is that correct? What's your take?" // Sylvia: "I tried really hard to make either choice feel like it could be the right one for him, because I wanted it to be more about a player's own interpretation-and their relationship with him-than author fiat hinting at which one is correct. Also thank you for the kind words! I really liked writing Emmrich enthusing about flowers." [source, two] // User: "He's such a charming character, the vibes of him and Josephine are among some of my favorites in the series, thank you for helping to shape them and for being kind enough to answer my question! Do you, personally, have a preference for which choice Emmrich makes? It's a tough call to make in game!" // Sylvia: "I'm afraid, like a coward, I've not stated a preference because I don't want to accidentally influence people into thinking one was right or not. I'm also in a weird place where as the person writing him, my thoughts are far less subjective in weird recursive ways. If that makes sense." [source]

User: "do you have a favorite flower? It was such a lovely detail in Emmrich's character and it warms my heart to know writing that was enjoyable for you" // Sylvia: "It kind of changes depending on what's growing during the season, but while it's very common, you can't beat the scent of a rose. (Fond of lilacs too)" [source]

User: "Did you have any role in Manfred's wisp being lilac when/if you bring him back? That detail made me bawl 😭 Manfred was so shaped by "living" with Emmrich that his essence became Em's favorite color?! The only wisp we see to do so?" // Sylvia: "I wish! I actually don't know who did that. I'd assume that colour was chosen by one of our animators, or maybe the LD, so perhaps they added in that detail, which is adorable. (Carly, Derek Wilks, was this either of you?)" [source] // Derek Wilks: "I think that was someone in VFX actually!" [source]

Sylvia: "Glad you enjoyed the graveyard date, our animators and music director did wonders there." [source]

User: "Can you give us any hints on when Dorian spent some time at the necropolis? I need to know their circumstances for science (how old was Dorian back then? I could imagine he had a crush on the professor lol)" // Sylvia: "I'm going to chicken out and not pin that down (sorry.) Since I've left BW, my answer would be even more non-canonical than usual, because that would've been something I'd have wanted to talk over with the other writers. But by that same token, nothing I've said invalidates what you want to imagine." [source]

Sylvia on Emmrich: "I am flattered to hear he has become a favorite romance, the team went all out on him." [source] // Sylvia: "So many people worked on those scenes: animation, art, audio, the editors, and huge kudos to his actor Nick Borraine." [source]

Sylvia: "I THINK Emmrich is 6'2 or 6'3, but you'd need a character artist to confirm." [source]

User: "Do the necromancers of the Grand Necropolis have their own sort of culture? Like perhaps their own rituals for marriage, courting, etc.?" // Sylvia: "Hrm. Good question. I'm sure they have some individual quirks and traditions, like any long-running institution. But they probably don't deviate unrecognizably from the mortalitasi norm." [source]

Sylvia: ""i also played a trans rook, and some of emmrich's content for a romanced trans rook made for probably some of the best romance content of all time for me." That's so nice to hear, and I must give credit to some trans people who kindly took the time to give me feedback that made those lines better." [source]

User: "1) are Tevinter exchange students like Dorian common? 2) what are some of the other fraternities of the Mortalitasi? 3) do members of the Mourn Watch often attend social events with the Nevarran elite like other Mortalitasi?" // Sylvia: "1) Yeah, I think they're not uncommon. I took my inspiration from The Grand Tour, and thought it would make sense if Tevinter sent out some of the wealthier scions to see the world a little, pick up a few new spells. [link] 2) I'm afraid I've deliberately left this one blank, for future people to fill in if/when the need arises. Emmrich complains about the palace necromancers, so we do know there's a special cadre of mortalitasi running the show over there. 3. Absolutely. The MW are pretty prestigious in Nevarra with their running the Grand Necropolis. Much as Emmrich dislikes politics himself, there's probably a lot going on at the top." [source, two, three]

User: "Do you think Lich Emmrich would eventually be told by the Lich Lords to sever his mortal ties and return with them to the depths of the Necropolis? It seems like he’s willing to break all their rules to keep Rook with him" // Sylvia: "I'm afraid defining Emmrich's duties/responsibilities/required conduct as a lich would very much be something I'd leave up to the future (even if I were still at BW.) Kind of too big a topic for me to want to speculate here." [source]

User: "did you have a hand in designing how emmrich looks?" // Sylvia: "Yep, I gave feedback as his design progressed. Our concept artists really got him very early on, though, so it was smaller stuff." [source] // User: "was he at all inspired by Peter Cushing & his hammer film characters? He really gives off van Helsing vibes to me" // Sylvia: "Time permitting I want to do a post on influences, but you got it in one exactly. It was specifically the Hammer films I was thinking about!" [source] // User: "would Rudolph van Richten from Curse of Strahd be on his list of influences?" // Sylvia: "I'm afraid, to my shame, I never read much of the core Ravenloft books, so that one's a no." [source]

User: "I needed you to know that Emmerich's conversation in the Memorial Gardens about his thanaphobia really got me. I could never put the words together of what thanaphobia feels like, and his description is perfect." // Sylvia: "It's a familiar feeling to me as well, and I'm glad it rang true." [source]

User: "I've got a really severe death phobia that's been flaring recently, and emmrich's conversation about it captured the feeling perfectly and helped lessen the weight for me" // Sylvia: "I find at least discussing it can ease it, sometimes, so I'm very glad to hear getting to know Emmrich helped in that way." [source]

Sylvia: "Hezenkoss was a blast to write so I'm glad she clicked for you. "preposterous is what you wore to a bog, Orlesian" Oh wow, Skywatcher! It's been an age, so glad that line stuck with you. That takes me back!" [source]

Sylvia: ""And yet I ask the question - what attracts Emmerich to the Hand? Yes, the answer is “perseverance”, but I think this is not fully explored." Do you mean the Hand of Glory specifically? He's intrigued and disturbed by the magic around it, which is why he hones on it, even before he knows its origin" [source]

Sylvia: ""I was wondering if you could tell us about his & Manfred's first meeting or notable moments in their friendship?" This feels like something I'd probably want to leave more to the imagination. And because I'm not a BW anymore, answers would be even more non-canonical than normal. All that said, for some reason, I always pictured Emmrich being alone in the Necropolis the first time Manfred's wisp floated up to him to peer at what he was doing. It just seems a little more poignant that way." [source, two]

Sylvia: "All credit to the team, especially the writers and editors who gave feedback that made [Emmrich] so much better during those early days and beyond." [source]

User: "me + a handful of people were wondering about non-mage mourn watchers! id love to hear your notes/thoughts about them! b/c i didnt remember hearing how they become MW or if reaper uses death magic!" // Sylvia: "Sure! Not much to say, though, I think the MW is likely a mage majority fraternity that accepts a few non-mages who have exceptional skills and temperaments sympathetic to the Necropolis. A warrior of great renown, a rogue of exceptional stealth and quiet, a baby found down there in a grave, and so forth. They'd certainly undergo the same kind of oaths and bindings every Watcher goes through. I always pictured them being provided with the best enchanted gear the MW has to offer too." [source, two]

User: "Hi! About Emmerich being a professor—does he teach at a Circle, or is he specifically a professor to other MWers and Mortalitasi? It seems like the MW has some sort of official schooling for its members since he regularly takes on students each year, could you comment on that at all?" // Sylvia: ""It seems like the MW has some sort of official schooling for its members since he regularly takes on students each year, could you comment on that at all? " Sure, but I think you have it, the MW seems to want to raise well-rounded students with a classical education on top of magecraft. In my mind, it was because they saw every MW as representing the Grand Necropolis, so of course they wanted its members to have training in etiquette and history and generally be able to move in polite society." [source, two]

User: "If I remember correctly, we only really see Emmrich use necromantic magic in-game. Are there other types of magic (elemental, healing/spirit, etc) that you think he would gravitate toward?" // Sylvia: "Hrm. He does have a bit of healing magic, mechanically in combat. It coudl work, but somehow I don't think Emmrich would ever be a high-level healer. He could maybe get the basics but it's not his great gift. Something about the gravic magic of the force mage specialty feels appropriate though." [source]

Sylvia: ""would it be possible for a (romanced) MW Rook join Emmrich in linchdom, eventually?" Yes: Rook can try, bc it's not forbidden to seek the knowledge out. (Emmrich makes it clear Hezenkoss pieced some of it together herself, so we've also seen another mage get it almost-right) It is very hard and probably takes decades to accomplish (and of course, there's no guarantee Rook would survive.) But everything written in game points to there being a chance." [source, two]

User: "I’ve been thinking a little about it and I know it’s mentioned in the game he would be interested in visiting - but how would Emmrich feel about visiting the Avvar in the south? They are one of the few groups that show respect for spirits in a similar way and I imagine he’d have a lot of questions." // Sylvia: "He'd probably love it. He'd be fascinated by their relationship with spirits, in the ways it mirrors and deviates from the Mourn Watchers' own practices. (I imagine there is also like a 15% chance he gets into a heated argument with one of them over a fine point of how spirits work exactly.)" [source]

User: "congratulations on another achievement, Emmrich took the silver trophy" // Sylvia: "I was so excited to see we'd gotten the silver trophy! I hope everyone who worked on him sees that." [source]

User: "Is there anywhere we can follow your future work after this account gets shut down ?" // Sylvia: "TBH I'll probably just reopen it it there's any cool news to share since I don't have a website or anything. (I THINK I can just reactivate it?)" [source]

User: "Thank you for Lady Josephine Cherette Montilyet, emmrich, Liara and Leigon!!!!" // Sylvia: "Thank you! (I should mention I was only a part of Legion in ME3 - specifically the N7 mission into the Geth Consensus. Great fun to work on that level though.)" [source]

Sylvia: "I'm lucky to have had the chance to bring Emmrich and Josephine to you all with the rest of the team." [source]

Sylvia: ""I still remember when you introduced yourself on old BSN when Lair of the Shadow Broker came out." Wow, you're right I did! That is a blast from the past. Thank you for the kind words!" [source]

User: "Just wanted to say thank you for all the amazing characters you helped bring to life in DA and ME. I really enjoyed Emmrich and Hezenkoss in DAV. The dynamic between them really made me laugh" // Sylvia: "Thanks! That was one of my favorite pairs to write, the history between them meant everything was always a little more personal, which is always fun." [source]

Sylvia: "Thanks Janette, loved writing Hollix." [source]

User: "Elements of Emmerich's costume resemble the Cerberus logo from ME. Is this just a reference or is there something more to it?" // Sylvia: "Gee, I can't say for sure because I didn't make it, but I'd assume that one's just a coincidence (since the Mourn Watch and Necropolis use hexagonal shapes as their primary shape language)" [source]

User: "I can just tell how well Emmrich is written along his fear. I lost my fear of death and dying as I began to honor the dead." // Sylvia: "I do think talking and thinking about these things more than we normally do helps eases the fear." [source]

Sylvia: "Thank you for these lovely thoughts. I did read some books about different customs around death, and I know a little about pagan/occult/magic practices (in a very basic and generalist sense.) So it doesn't surprise me per se, but I am very glad to hear getting to know Emmrich was a positive thing. And I'm also very glad to hear he's someone you feel you can take into the future with you as a helpful friend." [source, two]

Sylvia: ""Does Emmrich have any guilty pleasures?" Huh. Excellent question. I should really be more decisive about my own character, but while I think that could be fun, I'm not sure what it would be. "Oh one other question , is there a part of thedas you wish you could of explored but wasn't able to be in game?" I've always been interested in the sinister sounding Sea of Ash. What goes on over there???" [source, two]

User: "i have a silly little question bc i also love emmrich. was his scene revealing lichdom to everyone meant to parallel a trans coming out or was that accidental? because i felt on an existential level the thrill of revealing who you are, but also fearing people would be afraid or treat you differently. (and then there's strife discussions, and putting up a glamour some places but not others, and the blooming but gentle self-confidence... he is very transgender to me)" // Sylvia: "Not a silly question at all! After writing the scene I wondered if people would see similarities because of those overlapping themes you pointed out: the dignity of bodily self-determination, revealing your true self to those you love, fear of rejection, hope for acceptance. But during the writing, I mostly approached becoming undead as its own thing, because I wanted to ground it in the MW's particular philosophy. I think there's parallels because of the way the human personal is universal, if that makes sense. That said, if this does feel very transgender to you or anyone else (or not), I'm not against varied interpretations. That's one of the cool things about seeing people actually get their hands on your work." [source, two, three]

User: "I'm not sure what Emmrich's hairstyle is, slickback?" // Sylvia: "Good question. Afraid I don't know what it'd be called either. Googling it, slickback LOOKS correct?" [source]

User: "Emmrich has definitely developed a special bond with Bellara and Lucanis, and yet, both of them don't comment on his relationship with Rook! What would you say their reaction was? Their banter was so good I'm sure we'd all love to know what Emmrich had to say!" // Sylvia: "Ah, that one I'm afraid I can't answer since I'm not their writer, and that would've been something I would've discussed with the narrative team together. Sorry!" [source]

Sylvia: "Nick was indeed brilliant!" [source]

User: "Ive got quite bad thanatophobia and Emmerich's writing is one of the only times I've seen that dealt with actually respectfully." // Sylvia: "Thanks very much! I've experienced that fear, and I suspect it's way more common than we think, and I'm glad to hear it felt that way to you." [source]

User: "My HOF was a spirit healer, very kind & very curious, & for years I've considered how that special connection to spirits might lend itself to an interest in Thedan necromancy & puzzling out where spirits & souls begin & end. Emmrich, Manfred/Curiosity and the wisps gave me so much to think about!" // Sylvia: "that's interesting about your HOF. They may've found some kindred spirits if they ever ventured further north." [source]

User: [was] "Dorian was taken over by a nominated writer for veilguard or if his legacy was more of a team effort ?" // Sylvia: "Dorian was in the capable hands of Writer Chee" [source]

User: "I’m also dying to know what Emmrich did during Rook's stint in the prison-my thought is he not only did the majority of the work on finding Rook, but in leading the team, prob finishing touches on the dagger clone, keeping the team together in Rook’s absence while barely holding himself together at times" // Sylvia: "I think he was indeed having some very sleepless, guilt-wracked nights, working himself too hard, and trying his best on that dagger." [source]

User: "I just wanted to tell you that I love Emmrich's part of the lighthouse the books the fact that it's right next to rook's room and that johanna is in it later and that you can talk to her" // Sylvia: "Thank you! I love what the level artist there did, it's such a cozy den of a place. And I'm glad you liked meeting Hezenkoss afterwards, all praise to the level and tech designers who got her in there." [source]

User: "Are the Watchers overall vegetarian, or was it a personal preference Emmrich developed?" // Sylvia: "I think it's a thing among some Watchers, but not all. Because they think a lot about life and death and the cycle of life, and their place in it, and what constitutes a death they feel comfortable with or not. My actual, original inspiration for it was from an old Call of Cthulhu TRPG book about Miskatonic University, set in the 1920s. There was a great little detail about the campus having a cafeteria that serves vegetarians. And when I read it, I got a little jolt because I was so used to vegetarianism in North America being portrayed as a relatively modern movement. But of COURSE there's always exceptions and cultural enclaves and so on. Just one of those moments you feel your understanding of what we were up to in the past shift a little, even if it felt obvious in retrospect." [source, two, three, four]

Sylvia re: writing Manfred: "Yep, Manfred was my guy too." [source]

Sylvia: "I'm glad you enjoyed meeting our gentleman necromancer. (Full credit to the great feedback I got from the other writers and editors early on, he wouldn't be as good without them.)" [source]

User: "I was curious I know none of emmrich's serious relationships ended up panning out But like did any of them get to the point that him and his partner at the time shared a living space I'm wondering if emmrich has ever lived with anyone besides manfred" // Sylvia: "That's an interesting question. Like a coward I will hedge my bets, but I could MAYBE see a few. Not many though." [source]

[childrenofthesun77]

There is something about mahiru and touma hating each others guts while also being father and son that is extremely funny to me and I can't really explain why.

Like, re-reading the C3 arc with the knowledge that they are related and that touma knows that mahiru is his son makes me laugh at this moment

because touma is literally his dad, nobody knows that he's mahiru's dad and in perfect absent father fashion the spell turns him invisible.

[imaginethathaikyuu]

because im curious

[lit-in-thy-heart]

people leaving not glowing reviews in ao3 bookmarks my unbeloved

[edwin-paynes-bowtie]

Do you think there is a way to ethically watch Sandman and Good Omens? What about Dead Boy Detectives?

Andddd this was why I originally turned off anons. I knew this was coming eventually, but I guess I'll respond just this once so everyone knows where I stand.

I don't love that I feel the need to disclose this, but I have personally experienced grooming and sexual assault in the past. So this post is coming from someone who has Been There and understands the importance of supporting victims. I also love all of the efforts NG-related fandoms have been putting into raising money for sexual assault charities. It's wonderful to see people rallying behind the survivors and supporting them so vocally.

- DEAD BOY DETECTIVES: NOT A GAIMAN WORK

I do not think that there is a world where Dead Boy Detectives would be unethical to stream. It has virtually nothing to do with Neil Gaiman, by his own admission, and is the brain-child of Steve Yockey.

Besides the first chapter where Charles and Edwin were introduced (with no development), he didn't even write the comics! Several artists did, including Toby Litt and Mark Buckingham - whose run the show is based on and who the sprites are named after.

Yockey was the sole person to pitch DBDA to Warner Brothers. Gaiman did not do that.

Streaming Dead Boy Detectives primarily supports its writers, cast, and crew - Gaiman, who only wrote 2 scenes, is getting essentially nothing in terms of royalties.

Someone on Twitter did a really good job of unpacking why Dead Boy Detectives shouldn't be lumped in with Gaiman stuff - I'll link it here.

But this leads me to the next section.

- HANDLING GOOD OMENS AND SANDMAN

I think that there are a lot of valid reactions to the way people handle the consumption of Gaiman's shows after what he has done.

Some people are going to be unable to stomach anything he has written, and that is okay. Others whose lives have been massively impacted by his work aren't going to be able to let go since - and I know people like to deny this, but it's true - the art you love more than love itself is going to have a serious material impact on your personality.

Both of these approaches are alright! The only incorrect approach is to harass those who disagree with your personal choices.

It also is, in my opinion, Bad to give Gaiman money. Purchasing his books and buying Good Omens official merch puts cash in his pocket.

Streaming the shows, though, is a little more nuanced to me.

I'm going to use Good Omens as an example here. I personally will not be continuing with Good Omens. It gives me a Yucky Feeling. I may one day change my mind and stream a pirated version, but I don't think so.

However, I don't think Sheen and Tenant's fans are wrong to stream it in support of the actors who have brought their favourite characters to life.

But this leads me into my next point, and the point that will probably get me Canceled.

- THE IMPACT OF SHOWS ON PEOPLE

The way that people handle their favourite shows post-allegations is going to depend on the impact that the show had on their life.

I like Good Omens. It's a fun show. I enjoyed it while watching it, and think (see: thought) positively of it. But it had no real deep impact on my life - it's not part of me. When I look at Good Omens now, I see Gaiman's work above the finished product. It puts a sour taste in my mouth.

But in a hypothetical world, if Dead Boy Detectives were a Gaiman production? I have the self-awareness to know that I probably would still stream it to support the cast and crew. I am attached enough to it that I think I would divorce it entirely from Gaiman (if he were the creator, which he is not.) My point is that other people who are still streaming Sandman and GO probably don't look at it and see Gaiman. They see something that they have absorbed into themselves.

The part that's going to get me canceled is that if George cameos in Sandman, I will stream that one (1) episode to support George Rexstrew (Edwin Payne's actor). This is because Edwin has had a material impact on my life (hilariously, because I am a sexual violence survivor who did not get justice, and Edwin did not get justice for his murder and fights for that.) I feel that Edwin is part of me and my life, because Edwin (and George's work as Edwin) has made me feel less alone.

A lot of people feel that way about Crowley and Aziraphale.

I think that asking people to ditch a show, characters, and performers that have had a deep impact on their lives is unfair to them. Like, yes, Neil Gaiman is a bag of shit! Anyone who defends him is also a bag of shit! But I don't think that it's fair to stop people from supporting works that have had big material impacts on their own lives.

- HOW TO PROCEED

TL;DR

My personal ideal outcome here would be:

Wrap up Good Omens with the 90-minute movie and nothing else.

Wrap up Sandman with season 2, and do not renew.

Revive Dead Boy Detectives WITH THE CAVEAT that Gaiman gets his name removed from it, even if he currently isn't making much money off it. Take the Sandman characters and references from DBDA and let it become its own standalone thing.

Cancel all future Gaiman productions and never hire him to work on television or anything else again.

Let Gaiman's career die entirely and let him fade into obscurity.

Arrest Gaiman, which will never happen but it should.

I think people should:

Stop giving Neil Gaiman money through books or merch.

Make their own decisions about whether or not to officially stream the shows in support of the actors and crew members who have worked hard on it.

Not harass anyone for either their decision to stream the show, not stream the show, or stream a pirated version of the show.

Engage as much as they want with fandom and fanworks, as they are divorced from the source material's creator.

Vocally speak up against Neil Gaiman. Amplify the voices of the survivors, and don't let fear for the future of your show get in the way of that. At the end of the day, real women were put through the most traumatic and horrifying experience of their lives, and that's what matters most.

[drusill-a]

[WWDitS finale spoilers]

Aside from the obvious – the gross shipbaiting and mocking naive viewers who dared to believe an m/m dynamic could be treated as anything other than the butt of the joke – my biggest issue with the WWDitS finale is that it’s an ending that could have made sense… but at most after s2. Back then, we were still watching a story about characters who didn’t share any particular bonds (except for Nadja/Laszlo) and who were entirely static, unaffected by the things they experienced.

The thing is, the creators themselves realized you can’t build a long-running story on that formula – eventually, the characters had to evolve at least a little, and their relationships had to deepen so viewers would have any reason to root for them. And so Guillermo’s position in the group began to change – first, he earned their minimal respect, then a very solid place, until finally, in season 5, all the other characters had reached a point where they didn’t even hide that they genuinely cared about him a lot. The same happened with Colin, who at first was completely left out by the other housemates but gradually earned an equal spot in the group and developed that stupid yet sweet bond with Laszlo (erasing those memories was, imo, one of the writers’ biggest mistakes). Laszlo showed himself capable of empathy, which he proved again in s5 by helping Guillermo, and even Nadja, who used to completely disregard everyone’s feelings, had several moments in later seasons where she openly cared – at least in her own way –  about the others.

And of course, that’s how we got the romantic subtext between Guillermo and Nandor. Over all those seasons – from s3 up until s6 – I was certain it was a classic will they, won’t they dynamic that would end with them getting together. I just couldn’t believe the writers would spend the last 4 seasons making their relationship more equal and showing Nandor’s journey to realizing Guillermo genuinely mattered to him, only to do nothing with it – or worse, regress them back by three seasons. But the late s6 Nandor’s “no homo” attitude has very little in common with the Nandor from seasons 4 and 5, who was openly pining and lusting after Guillermo.

From Guillermo’s perspective, this ending is an absolute tragedy – even the end of the previous episode gave him much more hope. Maybe he’d lost his lifelong dream and still hadn’t found a new purpose, but he had found a family and a place in the world, with a potential chance to build something meaningful with Nandor in the future. I don’t understand why this episode had to undo all of that – to show us that none of his friends really listen to him, that the power dynamic with Nandor will always be uneven, and that ultimately he wasted 16 years, and no one would really care that much if he left. Considering how great Guillermo’s development was, especially in gaining confidence from s4 onward, this ending feels so unfair and insulting to his character.

I feel like the writers’ biggest mistakes have been forcing a return to the status quo after every season. After the breakup in s3, the characters should have stayed apart for at least an episode or two. Colin should have remembered that Laszlo raised him, and they should’ve kept their funny, fucked-up father-son relationship until the end of the show. Guillermo should’ve been a real vampire for at least a full season—or, in my opinion, permanently—because, as it turns out, the writers had absolutely no idea what to do with his character once he lost that goal. Relationships that had evolved shouldn’t be randomly reset by a couple of seasons just because the writers couldn’t be bothered to put in the effort to write anything new for them.

You can’t have your cake and eat it too – if the writers were so dead-set on giving us an  ending that says “nothing in these characters’ lives matters, and nothing will ever change,” they should have made the show half as long and spared viewers the trouble of getting invested in character and relationship arcs that ultimately went nowhere.

This is a comedy show that was supposed to make people feel better. After this finale, I feel mocked by the creators for believing that the queer ship they sold me for 4 seasons had a chance of being treated equally to an m/f ship. I’m also sad because the characters were regressed and left stuck in eternal limbo, and generally I feel ridiculed because the writers openly made fun of us for getting emotionally invested in the story they wrote for us.

And maybe the biggest crime of these last few episodes was that they weren’t even remotely funny—so you can’t even say they prioritized comedy over character development, because it failed on that front too.

[thesweetestsupervillains]

Avoid The Roleplayer Yips!

So here's something that I've dealt with, and talking with friends, they've dealt with, and from what it seems like, it's something that's not really talked about in the wider community.

Now, 'The Yips' is often talked about in terms of sports. It's a mental wall that keeps you from performing at your best; maybe the pressure to perform has gotten to you, maybe you just got back from injury and you're too preoccupied with not getting injured, but whatever it is you're incapable of performing at the level that you were before.

This happens with creative people too. Maybe you're a musician and you can't seem to play the same way you used to. Maybe you're a writer who can't bring yourself to sit down and write like you think you should. Maybe you're an artist and everything you put out looks, to you, like garbage. You're always chasing this feeling, this idea, this thing that you think needs to be true to be great.

And in roleplaying, this happens all the time. You think that you need to put in a lot of effort into your replies, because you want to meet expectations of your partners. You take their replies and you put them in your drafts, and you say 'I'll get to them.' But you don't. Instead they sit there, piling up, like a giant boulder growing heavier by the second. You can't bring yourself to deal with them, because it feels like such a huge ordeal.

And then one of two things happens. You either quit roleplaying entirely, because it's not fun. It's a chore. It's work. Or, you just delete all of them, start fresh, but don't change your behavior and the process starts again. Maybe you decide you need to start fresh on a new blog, and you move from account to account, never finding anything changing.

Look, you don't realize it, but you've already got The Yips. You've fallen into the pit. But don't worry, because there is a way out. But first you need to grasp how it happened.

When everyone starts roleplaying, no one thinks about things like quality or how much they 'need' to write or things like trying to meet other people's expectations. You're having fun. You want to have fun. You're writing, and they're writing, and that's all there is.

But then you start to actually gain understanding; you realize that some people are good writers. You realize that people seem to be putting in effort. You've gained understanding, and in so doing, you've suddenly realized that you might not be as good as others. But, and this is the important part, the only one who cares about this is you. After all, no one was complaining before; the one who has changed is you.

In other words, you're so concerned with meeting ideas of 'quality' and 'living up to expectations' that you end up doing nothing because you're being crushed under the weight of your own expectations.

So, now we know what it is. How do we deal with it?

Well, for one, you need to teach yourself how to get back to basics. Chances are, at no point have any of your partners actually complained about any of the supposedly awful parts of your writing. Thus, we need to see this as a skill, one you're going to work on. It's a habit that you're going to form for yourself.

First, I don't think about roleplaying as writing. Yes, it involves writing. But for me, writing implies a lot of things; writing a novel or a story is work, it requires effort, it's tiring, it's something that contains expectations. Writing is what you do in school, a thing that gets a grade at the end. It's stressful and has pressure associated with it.

But roleplaying is different. I've separated these two things in my mind. I don't go 'I'm going to write today' I go 'I'm going to roleplay.' Roleplaying is a game, it's fun, it's something I do that's entirely separate from writing.

But let's take this a step further.

When I write a response, I don't use drafts. I don't think about it. I just go with my gut. A response for me takes no more than around 5 minutes, maybe 10 if it's really long. And the way I do this is that I read my partner's response, and I just respond, and then I post it.

Now, some people will go but how could you not go back over it and make sure it's perfect and not bad and- No. Stop.

This is the skill you're going to learn. This is the thing you're going to develop. No more overthinking, no more trying to be perfect.

By just going with your gut, by not thinking but feeling your muse, you're training yourself to just respond. It's not work. It's not conscious. It's just something you know how to do. It's not stressful. It's just something that you do.

And this will make your writing easier. You'll stop struggling to 'have muse' because you'll just write. You won't have to think about how to respond, you'll just respond. And more importantly, you'll remove the stress from replying.

Look, it's not going to be easy at first. But the point is that you, the mun, need to form the habits that let roleplaying be fun again. Instead of feeling stressed or anxious, you'll be able to just write and enjoy yourself. It's a skill, one you can develop.

And it begins by taking a step back and changing how you approach your roleplaying. Roleplaying isn't a job. It's not a test. It's not something with serious consequences. So don't approach it the way you approach those things. Retrain yourself to do more roleplaying and less worrying.

[drtanner]

You know, I think I'm starting to understand why the sharing culture on this site is such dogshit now.

As I mentioned earlier in the week, I spent several solid hours going through my art and writing tags as far back as 2012 and manually deleting everything I found, including all of my own reblogs, because I don't expect my opt out from having my blogs' data scraped to be honoured, and seeing the difference in the way people interacted with my work back then and the way they interact with it now (or the way they don't interact with it at all, more specifically) was deeply and tragically enlightening.

tl;dr, despite having had a fraction of the followers back then that I have now, as well as being an objectively better artist and writer than I used to be 10+ years ago, my work travelled further and people engaged with it more, and they also sent me asks with drabble prompts and questions about my OCs all the time, whereas none of that happens at all anymore. This place was a lot more communal back in that pre-2016 era and generally a lot more rewarding and fun.

There's been plenty of posts going around over the last few years begging people to reblog because that's how this site works, but every one of those posts always winds up lousy with people saying they just click "Like" on things because they like them but not enough to put them on their own blog, or because they don't want to clutter their blog, or because tagging things is too much effort or whatever, and I'm noticing a pattern. There's something that all of these common responses have in common:

All of these people are wholly concerned with themselves and the way their blog looks, or what their blog is supposed to be for, or some other similarly entirely self-centred point of focus.

Listen. Other people have already tried to explain to you that that's not what this place is about or what this place is for or that you can make as many sideblogs as you want if you're trying to curate something specific, and they've had little success in emparting understanding to you, so I'm going to try a different approach.

Here are ten (10) benefits of reblogging that will make this site more fun and engaging for you, personally! ( b ._.)b

You get to keep the thing for yourself, but you also get to pass it along for other people to play with, too! Best of all worlds. How often do you get to keep a thing and share it?

Look in your Activity after you reblog something you enjoy to find other people who like the same things that you do! This is a terrific way to find new people to follow.

Sometimes you'll make a comment when you reblog something and later find that an awful lot of strangers are reblogging it from you directly for some reason. This is usually because someone else later down the line made a much stupider and worse comment and those strangers are now all clicking on your reblog so that they can reblog the post without that other person's stupider and worse comment on it. I like it a lot when this happens. You can get a lot of new followers this way, too!

Even if you don't have the time or spoons to play with jpegs like dolls yourself, your reblog can put the post in front of those folks who do. Playing with jpegs like dolls is half of what makes this site function; give it a bit of time, and the jpegs will cross your dash again with new additions. As it is with anything you love, set it free, and the love will come back to you one hundredfold. 💜

Look in your Activity after reblogging some art or writing to see people going nuts in the tags. You can also go nuts in the tags if you want; everyone loves seeing this when it happens, especially the artist or writer themselves.

Commenting with your reblog is like raising your hand to share your opinion with the whole room, whereas reblogging with your comment in the tags is more like whispering to the person next to you and keeping it between yourselves. Contrary to what you might have been told by others, both are perfectly fine and good and they each have their place. You can do both on the same reblog, even! Take part in the conversation!

If you're too shy to talk, reblogging without commentary is a lot like parallel play. You're all enjoying the same thing quietly together!

When you reblog things a lot, you'll start to see the same people popping up in your Activity feed all the time. These people are your friends whether you actually talk to them or not.

Stuck for something to say? Point out something you liked about the post! It can be something small! Acknowledging things that make you happy out loud is good for your mental health and also your soul.

Reblogging also invites other people who are doing all of these things to find and follow you!

There's so much to do on here beyond checking your dash and occasionally looking at the For You tab. You can discover all kinds of people and things by making a bit of an effort and having a poke around in your Activity feed and on the blogs of people who interact with the posts you're seeing and passing along! I promise you don't need an algorithm to do this for you; the action of exploring the landscape around you on this website is fun in its own right!

Get out there and see who your neighbours are. 💜

[ao3-shenanigans]

Ao3shenanigans I request some advice if you can spare a moment. I am a fanfic writer and my m/f , m/m, and gender neutral fits do very well. But I'm a lesbian and I find myself so much happier writing f/f content. However only a small small amount of people support my f/f content. Many people comment on my f/f fics requesting an m/m couple to cameo rather thsn anything supportive. Even my reading and kudos count is higher on works that took me an hour than on the big f/f project i spent MONTHS on. I'm so discouraged and starting to feel invisible. Any advice? I've started no longer publishing the fics I want to write and just keeping them to myself because I feel so invisible.

Oh hey Anon, that sounds really disheartening, I’m so sorry that’s been happening

I would hate for you to stop a hobby that sounds like it’s brought you a lot of joy, but I definitely understand wanting folks to engage with your work — especially one you’ve put so much love and effort into.

In regard to the commenters asking for m/m ship cameos on your fic, I’d suggest saying something in your author’s note politely asking them to stop. While there’s a chance they don’t mean any ill will or have light hearted intentions, it’s still upsetting to you and as the author, you totally are in the right to request they don’t make comments of that nature.

I’ve noticed it’s an unfortunate trend where f/f ships get somewhat regularly overlooked and bypassed for m/m ships, there’s probably a whole easy to be written about that somewhere

While it’s ultimately up to you in what you decide to do, I hope that you give it one more shot; your writing is a gift to the community and even if fewer people are reading it, for those who are, I guarantee it means something to them

Best of luck <3

[theotherbuckley]

Im in love with this fic and i need more

🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵🦵

You're an amazing writer btw 🩷🪱

Thank you! I'm glad people are liking this fic 🥰

Here's 900 more words just for you <3

🦵 - Buck and Tommy meet at physio after the truck bombing

Tommy isn’t there at his next physio appointment — now only seeing his physiotherapist once every two weeks, unlike Buck who still has to see her every week. The session feels slower than normal; it always does when he’s alone. Bobby promised him that next time he would be able to come with, but today, there’s no one, not even Tommy, to chat with afterwards. 

Dr Mistry seems to sense his subdued mood and has taken to being far more cheerful than he can ever recall.

“Why are you so happy?” he asks, slumping down into his chair after she had given his leg a deep and rather unpleasant massage. 

Dr Mistry turns to him, shooting him a look which he doesn’t care to decipher. “You are quiet. It’s unsettling.”

Buck opens his mouth, closes it, and opens it again, staring at his doctor. “Hey, I don’t talk that much.”

“You haven’t even complained one time.”

And okay, that’s fair, but still. 

“I’m just tired,” Buck tells her. It’s not even a lie. He is tired. He’s always tired. He’s just a little spacey today. He’s been feeling quite defeated lately. Sometimes, it feels like all of his hard work is for nothing. His leg still aches like bitch whenever the weather changes, and he only just managed to complete the full length of the bar unaided last session, far behind where he should have been at this point. He’s trying so hard to get better, to work again, but it doesn’t matter how much effort he puts in, it’s never enough. He’s never enough. 

And when there’s nobody with him to tell his brain to shut up, he gets stuck inside his head, and he doesn’t quite know how to get out of it. 

It’s exhausting. 

So he’s tired. He really, really is. 

It’s just a type of tiredness that he doesn’t think he can recover from. Not until his leg is recovered, at least. 

Dr Mistry looks at him for a moment, her eyes scanning over his face, hyperanalysing his expressions as though she can see right down into his soul, see all of those helpless thoughts running around in his head. “There’s doctors for that,” she says, and Buck doesn’t have to ask what she means. 

“I don’t need therapy,” Buck says back, a little too defensively. He’s probably lying, but he doesn’t want to see anyone. He’s fine. He will be. It just takes time, isn’t that what everyone keeps saying?

“It’s not healthy to keep everything stuck inside. Sometimes it is good to let it all out,” she continues, ignoring his slight outburst. 

“I have people. It’s just— It’s hard when they’re not around.”

She nods in understanding but hands him a card anyway. “Just think about it.”

He takes the card begrudgingly and sticks it in his wallet, where he knows he’s not going to touch it again. He doesn’t need help. He just needs to be able to walk— to work. He’ll be fine after that. 

As soon as he gets home, he takes the card out of his wallet and stares at it. 

And then he texts Tommy. 

Buck: Have you ever seen a therapist?

Tommy: Hi Tommy how are you

I’m great thank you for asking

Buck: Yeah yeah

Answer the question

Tommy: I have

Buck: And? 

My doctor wants me to see one

But I don’t want to

Especially not after last time

I’m not that guy anymore

Tommy: Not what guy?

Buck: Not the guy who sleeps with his therapist

Tommy: I’m not sure if I should ask

Buck: Probably best

So..?

Tommy: Therapy helped me

I wasn’t a great guy before

Buck almost scoffs at his phone. Tommy the guy who drove him home and helped him up multiple flights of stairs, whilst injured, on their first meeting, wasn’t a good guy?

Buck: You? Be honest

Tommy: I wasn’t

Turns out repressing my sexuality and listening to what my father taught me is not a good combination

Hurt a lot of people because of it

But therapy helped

I’m comfortable being myself now

Buck has to pause at that. It’s not like there’s anything wrong with it, he just didn’t really expect it. Maybe that’s not a good thing to say. He’s an ally, actually. The rainbow flag in his bio every June proves that. 

Buck: Wait

You’re gay?

Tommy: I am, yeah. Is that a problem?

Buck: No of course not! Men are hot.

Tommy: Mmhmm  

Buck: So you think I should do it?

Tommy: Do what?

Buck: See a therapist

Tommy: I don’t know, Evan

That’s up to you

But if your doctor suggested it, maybe you should listen

Buck: And I don’t need to sleep with them?

Tommy: You definitely do not.

Even after the conversation, Buck can’t bring himself to dial the number on the card. His stomach rumbles after a while, and Buck looks at his watch, mildly surprised to find it past 3 pm. He drops the card on the coffee table, and hobbles to the kitchen with his cane to make himself some food. 

When he sits back down, his mind is focused on queer history, and he finds himself googling pride and forgetting all about therapy. It wasn’t like he needed it anyway.

[raven-at-the-writing-desk]

Hi! I'm trying to get into writing twst fanfiction, but I'm having some trouble with keeping the boys in-character. What do you think are their base traits? Like, what's the foundation of their personalities?

Hello! I spent a long time debating about whether to respond to this ask or not. Ultimately, a lot of the thoughts I would include in my response are the same as what I have already expressed here. However, I've noticed that this has become sort of a recurring issue, so I'd like to address this more seriously.

I've recently been getting a lot of people requesting that I basically tell them how to write the Twst characters. Tens and tens of them, in fact (too many to include all in one post). Sometimes it's an ask like, "please list out strengths/weaknesses or a summary of their character traits", and sometimes it's more specific like, "here is a prompt I am working on; how do you think [character] would act in this situation?" I'm NOT comfortable with either type of ask and refuse to answer asks of this nature.

I want to be clear: this is NOT the same as asking for general writing advice; this is literally just asking to be spoon-fed the answers. There is a difference between seeking advice on how to overcome writer's block or asking what are techniques to show, don't tell (which is general writing advice) versus asking someone to specifically instruct them on how to write Leona Kingscholar from the hit Disney mobile game Twisted Wonderland. The former is okay with me, while the latter is not.

While I am flattered that people care about my opinion and hold it in high regard, I am not here to be a cheat sheet, and nor are my opinions the "most correct". There is no single "correct" way to write a character, and even if there was, it's certainly not mine. Only the Twst devs themselves are the "most correct", as whatever they produce is what ends up as canon.

As I have said in my previous post on this topic, having someone else tell you how to write does little to help you. Writing is a skill, and skills are not inherent. They are something you train in, practice, and learn. Looking at a bunch of adjectives will not help you write or understand the characters any better than you currently do. If anything, it just means you don’t develop or practice your critical analysis skills. In a worse-case scenario, it devalues what a writer does, as it places the burden on them to condense what they know into a laundry list of characterization--as if it doesn't take us tons of time to hone those writing skills. The only real way to get the results you want is to do your own research, develop your own interpretations, and practice, practice, practice. There is no magic pill or shortcut or streamlining or easy way to do it and come out with a quality result. You have to be willing to put in the time and the effort to learn a skill, and that extends to writing, be it for this fandom, another fandom, or even for non-fandom writing. Think about it like this: when you're writing a good research paper, do you go and ask a single other source to gather all your data and summarize it for you? Of course not. You have to go out and manually collect the resources, do the reading, take notes, and gain an understanding of those resources. Then you use your newfound knowledge to summarize and to synthesize your own conclusions in your research paper. The same logic applies for writing in fandom.

I'm not sure why there is this sudden interest in shortcuts. Is it social media shortening our attention spans? Is it the rise of A.I. like ChatGPT making people more reliant on and more comfortable with summaries? Is it that people are concerned with nailing characterization or instant success the first time around? Is it that the internet's so much crueler with comments + feedback that we want to avoid OOC-ness as much as possible? Is it that I just so happen to like talking about character analysis so people think I must know everything? It could be any of these reasons or a combination of them--but whatever the reasoning is, it still leaves a bad taste in my mouth. It's concerning to me that it seems like people are becoming less and less interested in thinking for themselves and instead are increasingly reliant on others telling them how to create. You NEED to fail and get stuff wrong. You NEED to be able to have the courage to try things on your own. Don't be afraid of failure--failure isn't inherently a bad thing, it is how we learn, grow, and shape our own styles and ways of thinking! I definitely was not perfect when I first started out. I had to fail and stumble and struggle to get my craft to where it is today. So did every single one of your favorite creators. Artists had stick figures, writers had their first words. No artist or writer started off making masterpieces. Arguably, they still don't. Every creator is continuously learning and trying to improve their craft. It's not as though they hit perfection one day and decided to stay stagnant. I feel that it devalues what we make when we try to boil down all the skill we've developed into easy "answer keys" for others to digest. Again, you can ask all you want and seek out as many shortcuts as you like, but that's not going to be properly absorbed into your brain unless you walk the walk for yourself. You can't assume that learning these things will be as easy as reading a summary, memorizing a tutorial, figuring out what brush someone uses, etc.--it wasn't for the people you're asking for this advice from either. Failing is normal and expected. You will also never be able to create something that pleases everyone or something that everyone agrees with--so instead of trying to appeal to an unseen audience, please focus on creating what makes you happy. You have your own creative journeys ahead of you, so don't be scared to walk that road! It can be tough and you'll hit roadblocks and challenges--but overcome them, and you'll become even stronger and more skilled than you were before.

Best of luck!

[nobodyfamousposts]

I remember reading a post by @critical-thinking-is-mandatory a while back about how Lila would realistically be disliked by people because of how self centered she is even if they don't think she's lying.

With this logic, Adrien's public friendship with Chloe (a school wide bully) should have a lot of people side eyeing him, if not outright avoiding him all together.

What do you think?

That's a valid point, and one that I and I think a number of others have considered.

Origins played with it but not nearly enough. By all counts, when a bully comes in with their "celebrity best friend" and parade him around the way Chloe does, there would be a mix of people being put off by him being her friend as much as there would be people impressed by Chloe being his friend.

Honestly, it would have been a more interesting setup and added extra layers to the love square dynamics if they started off going from enemies to friends to lovers. Or at least slow down and not dive headfirst right into over the top crushing.

But in that case, it would likely work better as a reverse love square. Ladybug loves Chat who is Adrien who loves Marinette who is Ladybug. Have Marinette be someon who gives Adrien a chance which builds a friendship and starts up his crushing on her.

Otherwise it would just lead us back into cringe with Marinette crushing on Adrien despite having valid reason to not trust him for being Chloe's friend or potential boyfriend.

I'm fairly certain I pointed this out in another essay/critique/salt post that they completely missed out on a potential character arc for Adrien in having him actually ADJUSTING to public school. Having him struggling to make friends with his stigma both as a celebrity and as "Chloe's friend". The effects would be two-fold.

First, it would help the Adrien salters better sympathize with him. Yes, I know there's his horrible HORRIBLE father, but storywise, the "Gabriel sucks" angle doesn't really matter if Adrien isn't having to be the one to face that. In addition, he seems to have no trouble with acclimating to a public school and making friends. Heck, he's not making friends, people are jumping over themselves to make friends with HIM. Part of what makes people sympathize with characters is seeing them try and fail and just generally make an EFFORT for what they want. Turn that around. In the hands of competent writers, this would be a setup that would do that more for Adrien. We see that in some aspects with the manga where it has Nathaniel mistake Adrien as a snob who looks down on comics and him as an artist. It would have been great to see more like that with Adrien getting to know his classmates or being the focus through which we get to learn about the classmates since he is supposed to be the new boy.

Second, it would be a stepping stone/building block to the eventual confrontation with Gabriel—which yes, should happen. Building relationships and forming HEALTHY bonds really helps to understand when other ones you have are not. (COUGHCOUGHScarletLadyCOUGHCOUGH) They can help you gain strength and courage and build a new identity for yourself. They also give you support in dealing with major conflicts. They can help him form attachments that make him NOT so willing to jump in to join his father's craziness. And they can help him become a better hero in his own right.

I'm not saying make Adrien suffer and be friendless. Far from it!

I'm saying to USE this as a plot point to develop Adrien and give him focus and room to grow. Or at least a point that ISN'T just him being half of the endgame pairing and desired by everyone in the city.

Show Adrien try to interact with each of the classmates. Show how Adrien becomes friends with others. Show how he comes to care about people who aren't there just to give him what he wants or tie him to the plot.

And yes, this would inevitably also lead in to some changes for Chloe as well...for good or bad.

[billythesimp]

hello wonderful writer! may i humbly request a fem reader who's very independent and strong-willed cow!thiren with lycaon? she works with the victorian housekeeping crew, and generally takes combat related jobs.

I'm so sorry if I butchered this. I could not for the life of me figure out how to write this. But Cow thirens sounded so cute wahhhh!

Watch the Horns, Master

⋘ 𝑙𝑜𝑎𝑑𝑖𝑛𝑔 𝑑𝑎𝑡𝑎…

I love thiren's they are all so cool. I think my favorites from the game are these two office ladies who you can find in the afternoon in front of the flower shop in Lumina square. They are like sister's kinda and are just full cats. I think they are cats at least.

Lycaon x Cow-Thiren-fem!reader

𝑃𝑙𝑒𝑎𝑠𝑒 𝑤𝑎𝑖𝑡…⋙

tw: none

✦ Being a cow thiren, people consider her to be very cute and very fragile, just one glance of her and people don’t assume anything other than a sweet, little maid who only wants to please their master. When in reality, the horns on your head are nothing more but a part of your deadly weapon, turning cold and stern once her true purpose is revealed. Her whole personality is what draws Lycaon in. 

✦ Lycaon adores how efficient and committed she is with her commissions. No matter the mission, the client, or the hollow, they never back down and hold themselves on a higher pedestal that nothing can hurt them. Just because they are smaller and more vulnerable, they aren’t a being to look down on. No upset guest who threatens their work or filthy ethereal who hungers for her life will stop her as she is an impenetrable force. So Lycaon puts many expectations on her, having them take up the more complicated tasks at her own request. 

✦As a reward for her well done jobs, he often treats her to her favorite snacks and obviously a well-off paycheck. He’s taken time to get a better understanding for his employees, but with her he takes the time to make her feel welcome and included. Despite her denial of having no interest in joining the crew in their daily interactions and activities, he can tell that she does long to be included and join in the fun, drowning herself in work and managing Corwin and Ellen as a supportive older sister figure. 

✦ In combat, she makes an effort to ensure everything goes to plan. Keeping a close eye on her team while providing a shield of sorts that will protect the girls and man from any danger. She’s very much a more physical fighter as once again, benign a cow thiren makes her a lot tougher than most so she’s worked out to gain that sleeper build. A routine that she’s sometimes worked with alongside Von in the gym or their own private sparring sessions. So every battle, she gives it her all, fighting hoof and nail to take out any imposing figure in her path, in a graceful manner if you will to upkeep the image of what a maid from Victorian Housekeeping is really all about.

[love-is-a-pearl]

What , you like About ash and Dawn .?

What I like about them? Honestly everything :v

Ash and Dawn are my favorite characters of the anime by themselves. Dawn embodies "ray of sunshine that hides how insecure they are behind a smile" trope in the most perfect way and I love her for that. Ash is just the blueprint of "dork with a heart of gold golden retriever" that I also adore. But their relationship makes it all even more interesting.

They are best friends! They support eachother in their dreams and while that's normal for any of Ash's friends, is extra special with Dawn since he trained with her constantly; techniques created by her were often used by him and vice versa. There's no "Ash" or "Dawn" battle style, its "theirs" and that makes me insane! Specially because Dawn is the only character with that honour. Ash would train with other characters later/before her but to the point of adapting her style into his? never again. And it honestly pisses me off sometimes arent his other friends important too?

They have a lot in common! Usually the anime has the very shitty "boys stick with boys, girls stick with girls" mentality (that is the most egregious in SM), where they never allow boys and girls to spend ANY time together, but in DP Arceus blessed the writers for once to let Ash and Dawn actually spend time with one another. They both love pokemon a lot, even the start of their journeys was similar. They have goals that are too big and hard to achieve and they understand how important that is for the other. And they like talking about that to eachother! Every episode, even if it's not focused on them, there's some moment where they talk about something. It's very clear they like eachother's company!

Their chemistry is so cute. There's so many moments where we just see Ash and Dawn talking about random stuff. Having fun! Taunting and provoking and playing with one another! Just to showcase how close they are.

But the most special of it is when they talk about personal stuff, about how often they both feel comfortable being honest about insecurities and struggles to one another. How often they will just talk their issues out instead of fighting or being avoidant about it.

Moments like those are small but scattered all around the anime and ughhh they are so cute.

And I think the biggest diferential to other Ash's relationships is that Ash cares about Dawn. A lot. I'm not saying he doesn't care for other friends, but there was a special care put into the writing of him in DP. Perhaps even to parallel with Chimchar's arc and all. A more caring Ash in general. But like, the way he felt empathetic to all her losses, the way he ran to her when she lost the contest in DP146, the way he knows how she feels even without her saying it. THEIR GOODBYE AND HOW HE SCREAMS HER CATCHPHRASE AT HER TO MAKE HER HAPPY!!

Is just.. he is written much more denser in other seasons and makes it so hard for me to believe Dawn is not his favorite person because of that LMAO

He traded pokemon with her! Ash "i rather die than trade pokemon" Ketchum! And speaking of their pokemon, I love how close they all are. Because they often trained together, there was plenty of moments to have Ash interact with Dawn's pokemon and vice-versa in such a spontaneous way that is lacking for other companions. Dawn is just as invested in Gliscor and Gible's training as Ash; when Mamoswine was disobeying Dawn, Ash (and Brock) were there with it watching her contests and trying to convince it of giving her more credit. Piplup so often tags along with Ash's more out of pocket trainings and is so so cute. Pikachu has an unique pika-name for Dawn!! They are so close that even their pokemon get tangled into their relationship and I love that so so much.

Dawn and Ash are equals. The anime made such an effort to make that very clear! She is not just the girl he traveled with in Sinnoh, she is the girl that he learned a lot from. That he learned the most from. His best friend. His team mate. His partner!

[redsrooftopprincess]

SOBBINF I LOVE YOUR DISABILITY HEADCANONS SO MUCH,, MIKEY'S IS A STRAIGHT PUNCH TO THE GUT <33

May I possibly request reader x Mikey where they find out how he copes and helps make him feel more comfortable? Maybe they find him stoned and snuggles are just exactly what he needs at the moment? Possibly even attempting to help him through his unhealthier coping mechanisms? Bonus points if reader has depression as well!

Of course, no rush and you totally don't gotta do this if you don't want!! Headcanons or one-shot would be rad either way, if you are interested in this req!

Your writing is just so real and I love it so much oml. You are doing AMAZING (in general- as a fanfic writer as well I understand the effort that goes into this stuff and maintaining a regular life ontop of it) and thank you for all your hard work!!

I hope this is okay! 😅

Crushed

Warnings: Drugs/Alcohol, Inebriation

"That's what this is, isn't it? A drive by?" he says, standing, and putting his clothes back on. 

You're on the couch in the club's green room, after the best sex of your life. The party ended hours ago, and in your E induced haze, you'd taken his hand and dragged him down here. 

"What? No! Why would you-?" You swing your legs over the side of the couch and walk over to him a little unsteadily, "Mike, no..." He doesn't look up at you. "I mean... is that what you want it to be?" You ask, hesitantly.

"That's what it is," he says simply.

You swallow and inhale, tears threatening.

He finishes putting on his belt and looks up at you, he tries to ignore the tears in your eyes. Regret, that's all it is, that you ever let him touch you. It didn't matter, it was almost sunrise, "That's what it is," he repeats, "That's always what it is."

You hear it, the bitterness, the acceptance in his voice. He just doesn't have it in him to hide it tonight. It breaks your heart. "Michaelangelo, please..." 

"Look, it's almost morning. I gotta get back underground. I'll see you Wednesday," he said, not really sounding like he was looking forward to the next party. He leaves before you can protest further. 

He knows what you're going to say. He's a great guy, but he's not exactly normal, you know? He's not exactly someone you can bring home to meet the folks. And he really doesn't need to hear it. He gets it. He does. And he feels like shit would be a lot easier if he didn't. If he didn't know *exactly* how unwanted he is. Only good for a good trip, and a decent fuck, if you're feeling adventurous. He snatches a bottle off the empty bar as he makes his way out into the alley. 

It had to be you tonight. He already hadn't been in the best place when the party started, so there was no resistance when you took his hand. On a good day, you could lead him into hell, and he'd follow with a smile on his face. On a night like tonight, he'd thank you. You're friends, but in these circles the line between friend and lover blurs easily. You've slept together a number of times and he always leaves right after. You mean everything to him, so he'd let you do anything to him. Use him however you like. As long as he doesn't have to hear you let him down easy.

You dress quickly. You know what's happening. It keeps happening. He's shutting down. Shutting you out. He assumes you got what you wanted, end of transaction, and honestly the sex was great, it's *always* great, but what you want is him. Not sex. And your not letting him run away. Not this time.

You follow him down into the sewers, and find him sitting against the wall of one of the tunnels, knees curled up to his chest and tears staining the fabric beneath his eyes. You startle him and he tries to get up to face whatever might be attacking him, but stumbles, drunk. 

He sits back down once he realizes it's you. Now everything is so much worse. He never wanted you to see him like this. He didn't need you to feel bad for him. You ask him what's wrong and he doesn't want to talk about it. You say that's okay, and move the bottle out of reach, sitting next to him. 

You sit together in silence for a few minutes. You're terrified that saying the wrong thing will send him running from you faster. 

"Mike-" 

"I don't wanna talk about it, okay?" He gets up to leave, taking the bottle with him, and has to catch himself on the wall when he sways. 

You sigh and stand, but don't move to follow him, "Why not?"

"Because there's no point." 

"Why not?"

"Because you..." He looks at you and his heart clenches, he sighs, "forget it." He stumbles a few steps away and stops with a heavy sigh, "I can pretend all I want, and so can the rest of you, like I'm normal... I'm not," he turns around to look at you, his face a mask of escalating pain and injustice as his fists clench tight, "I'm not. I'm not normal. I'll never be normal..." he shakes his head with a sickening smirk, "It's just a game. Everyone gets dressed up to be freaks for a night and we dance and drink and trip and fuck, and at the end of the night, everyone else gets to stop playing and go home because they can. But I can't take the costume off," he says, grabbing his plastron where it meets his chest, "This isn't fucking make up. I can't even walk around in the FUCKING DAYLIGHT!!!" He roars, hurling the bottle he's holding against the wall of the tunnel, a shard of glass ricochets back and cuts his cheek. "I'm not a person. I'm the fucking party mascot." He spits, venomously,

You take a step forward, "Mike, you know that's not true." 

Bitter laughter echoes in the enclosed space. "Funny. That's... That's funny. Really. Because I've been coming to these parties, meeting people, for seven years now. I've watched *seventeen* people end up just like Sarah and Ben." Your friends had been celebrating their engagement tonight, Michaelangelo had introduced them at a party three years ago. 

"I don't get to have that... I'll *never* get to have that," he chokes, "even as a joke. Honestly, at this point I'd take a joke. I'm already pretending to be a person, wouldn't be that hard of a jump to pretend to be loved, too. I'd just have to find someone willing to lie to me..."

He trails off and the silence that hangs in the air once the echoes of his voice fades is heavy and oppressive. 

"Like I said, there's no fucking point..." He turns around and starts walking down the tunnel towards home, one hand on the wall for support. "Don't worry, I'll be back to all smiles by Wednesday. We can pretend like this never happened. This doesn't have to be a thing and you don't have to pretend whether or not it matters if I'm okay." He hears you take a step toward him, "Go home, Y/N," he calls back without turning around. 

Fine. If he's going to leave anyway, you have nothing to lose. "No." 

"Okay, fine," he sighs continuing down the tunnel, "do whatever you want." 

"Okay," you say, simply, as you begin to follow him. 

He stops, shoulders tight, face toward the ceiling, and sighs heavily, "What are you doing?"

"Whatever I want?" you reply, closing the distance. 

He turns to face you, tired and hurting. If you want to go another round, he isn't exactly in a place where he can say no. At the very least, he could use the dopamine. He used to imagine it would be different with you. He should have known better. Jaw tight, he sighs before reaching for his belt.

Your eyes widen as you realize what he thinks you're implying, your heart shattering all over again. You bring your hand up to rest gently on his, stilling his movements. His eyes meet yours. Hesitant. Guarded. Unsure of what you're playing at. Your hand tightens gently around his as you step forward, and he tenses as if he might run. 

You reach up, and pull him down into your arms. He stiffens for a moment, he's already hanging on by a thread, but he can't help it, it's you. Instinct takes over, wrapping his arms around you and buying his face in your hair. 

You feel his grip tighten as the dam breaks, and despite his best efforts at keeping his shit under control, a ragged sob rips through him. 

You hold him as he cries, moving the two of you back to sitting against the tunnel wall. Eventually, the tears dry up, and he pulls himself away. He quiet for a long time, and looks down at his hands in his lap. He can't even look at you, ashamed and embarrassed. You didn't deserve that. To feel obligated to take care of him. You have better shit to do than this.

You reach up and twist one of the tails off his mask around your fingers, tugging once, gently. It draws his attention, and he meets your eyes, begrudgingly. You reach up and wipe the blood from his cheek, meeting his eyes again. "I'm sorry," he whispers, "I'm sorry, I..."

You hush him gently and sit up on your knees. Taking his face in your hands, you bring him down to you, kissing his forehead. 

He doesn't get it. Why are you being so nice to him. You got what you wanted, why did you follow him? Why are you comforting him? Why do you even care? He looks at you in bewilderment. 

"Tell you what," you say, "I'm not super comfortable with the idea of leaving you alone right now, and it's going to rain, and I don't want to get flooded out down here, so... What do you say we head back to my place. I can order us a pizza, and we can watch a movie, and you can head home once you're feeling a bit more sober stable..." You smile, you hope persuasively. 

"Yeah... Okay..." He says, as you help him to his feet. You aren't wrong. It is going to rain, and as fucked up as he is, traversing this set of tunnels in particular will be a little iffy if the storm drains start to flood. 

You bring him home. You do exactly as you say. Pizza. Movie. Ice cream for good measure. He's not sure what to do. He's usually the one doing the entertaining, and now here you are making sure he was happy and comfortable. 

It takes time, but by the end of the movie, Mikey's mostly sobered up, both physically and emotionally. You even get a genuine smile out of him as sunrise looms and he begins to make his way out. 

"So... thanks... for this," he says, looking at you softly. It was probably the nicest thing anyone had ever done for him.

You smile, walking him to the window. "Anytime," you say, taking his hand and turning to face him as you come to the window, "and I mean that. Next time you get into that headspace will you do me a favor and try to reach for a phone instead of a bottle?" 

He smirks, nodding, "no promises, but I'll try."

"Thank you," you say as he reaches for the window. You touch his arm, gently "hey, one last thing," he steps back from the window to face you, and you stand up on your tiptoes and kiss him softly. It's simple, sweet, honest, "there's no reason you can't have what Sarah and Ben have," you whisper, before pulling away. 

He freezes. He's misunderstood. There's no way you're saying what it sounds like your saying, because it's what he wants you to be saying, so there's no *way* it could actually be what you're saying... Right?

You watch the torrent of emotions play out in his eyes, and you reach up to tug n on his mask. "Sunrise, Sunshine." You say. 

"Sunrise..." He repeats before he blinks, shaking his head, "Right. Yeah. Sunrise. I, uh, I'll see you -

"Wednesday."

"Tomorrow."

You say at the same time, before you laugh nervously under his gaze, "If, you know, you're not busy." You don't want to have to wait until Wednesday.

Hope flickers in his eyes. It's tiny and buried under so much hurt and insecurity, but it's definitely there, "I, uh, yeah... I mean, I gotta work, but I'll be wrapping up around two... so, if you're still up..."

"I'll be up," you say quickly, and he can't help but smile as both of your faces grow warm and you laugh gently. 

"Okay... I guess I'll see you tomorrow, then," he says quietly, almost in disbelief. Is this... What? What is this? He doesn't know, but it feels... better. Warm. Comforting. The things you said, the things you did for him tonight, this... He wants more of this. He'll do whatever he has to to have more of this. 

You can't help the grin that brightens your face. "Until tomorrow, then," you say, and kiss him one last time before he slips out into the desaturated predawn light, and is gone. 

.....

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