#The way it depicts the story...
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tapakah0 · 2 years ago
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I really love it when different AUs spend time with Mikey. He is like a ray of light in the apocalypse. Mikey from Jacob's ladder au by @tapakah0 stole my heart, absolutely love part 8, I still cry every time I reread it
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wanna squish him. /aff
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sparrowlucero · 3 months ago
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Reading comprehension site. As far as I understand it, your point is moreso that often stories set in a world without homophobia, transportation, etc. Are treated as morally better. Meanwhile stories which are parallel to real world queerness, identity, and oppression are often viewed negatively. Mostly because there's a standing idea of "you could have made it better by simply not including the homophobia and transphobia".
In my mind, both are morally equivalent, and both are examining themes which may be interesting in the context of queer experiences and liberation.
yeah that's exactly what I'm talking about... I'm basically just arguing against that more extreme mindset you sometimes see around queernorm stuff and pointing out that maybe it's not great to implicitly lump stuff like, say, steven universe, queer as folk, and i saw the tv glow together as the 'lesser' or "more harmful" type of work we should seek to avoid because they focus on queer struggles, or otherwise downplaying the value of themes that aren't like, escapist enough in some way.
Honestly I think at some point the discussion around depictions of homophobia- specifically, criticism aimed at the thought that (often quite fetishistic) homophobia (or sexism, racism, etc) needed to exist in fantasy for the sake of "historical realism", and of bury your gays-type stuff - sort of got telephone game'd into "it's weird to depict bigotry or gay characters suffering/dying when you could just not do that; no one wants to see that" and then in turn "the best, most valuable and desired way to depict queerness (race, disability, gender, etc) is to make it normal and as downplayed as possible" and i think it's worth pointing out that that's often not great advice/a good metric for judging queer fiction overall.
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glitter-stained · 3 months ago
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"why does fanon love making Jason care about his goons when he kills them in canon" I'm sorry to tell you that Jason's Robin run is a significant work for his characterization. And that Willis Todd was in fact a goon. Like, that's a significant thing that happened.
(jaybin fans exist not every Jason fan is a hardcore UTH fan who thinks everything about Winick's writing is pure and just and the right way)
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dykedvonte · 9 months ago
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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my-name-is-apollo · 8 months ago
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Having a "I've connected the dots" moment on why Zeus is so affectionate with Apollo, and I don't know why I'd never considered it before that Apollo's youth could be a reason.
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Iamblichus, The Life Of Pythagoras (trans. Guthrie)
So there was this sentiment that young boys are the dearest to the gods, and the gods are especially attentive towards their requests. And since Apollo is a perpetual young boy himself, with Zeus being the one to grant him this gift in one version, it makes sense that Zeus has granted so many of Apollo's wishes. He spared Prometheus and Periphas upon Apollo's request even though he was personally offended by them. He agreed to suppress Gaia and Athena upon Apollo's request when it came to the oracular business. He even revived Asclepius to console Apollo despite Apollo's frankly disrespectful reaction to Asclepius' death.
Apollo might be fearsome, powerful, and even reckless at times but when he kneels down in supplication, all Zeus sees is his little boy that he loves so much, and he can't help but give in to his requests (well, most of his requests at least). And as far as the text is concerned, and if I'm interpreting this correcltly, Apollo's youth is interestingly tied to his helpful nature because besides using his own powers to help the humans, Apollo can also help them by supplicating to Zeus on their behalf, as Zeus is more likely to grant a request when it's coming from him.
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shorthaltsjester · 7 months ago
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me when the campaign with characters i’ve praised for being essentially pawns/npcs in the greater world is ending by underserving the main characters by [checks notes] highlighting the role those characters have played as quasi-npcs who are nonetheless still the narrators of their destinies within the limits of a world beyond their control
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spicyboelives · 1 month ago
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Haven’t had the opportunity to work on a fully rendered background in a second! This was super fun! I watched some Data fan edits midway through, and might pick up TNG again :)
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fennelwasp · 8 months ago
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P1 clara route oh my god
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rowanthestrange · 1 year ago
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A thing I think should be included with Ruby’s abandonment/attachment issues when we’re writing her, is that she was a foster sibling to a lot of kids. Like a lot of kids. She has effectively lost so many siblings and playmates and even babies/very young children she’s essentially had a hand in raising. Her entire life has been loving and losing. And for foster kids getting adopted or reunited with their parents under better circumstances, she will basically have been unable to grieve that properly because it’s a good thing they’re gone and they’re supposed to celebrate it. She’s clearly very loving and caring even after a whole life of that, even though each time they leave a piece of her goes with them.
No shit she’s going to end up with some attachment issues. Especially if she considers herself the lucky one, survivor’s guilt, Carla adopted her and none of the others, who have probably expressed that sentiment to her directly and asked why, in the hopes they could stay forever too, or just jealousy - what made you so special?
Foster children/youths in the UK also have to choose themselves to stay in-touch. Foster carers cannot directly contact the child once they have left their care. A “clean slate” approach is preferred. So if the child doesn’t request to get into contact — and sometimes aren’t told they would have to or are discouraged from doing so — that means losing contact immediately and for good. Does that remind you of anything? Sometimes it also happens very quickly - it is far from unheard of for a foster sibling to go to school in the morning and find out the child they’ve been living with for months has gone when they come back in the evening. Even with warning it could still often be only days. I think you could argue 73 Yards has more to do with Ruby’s experience as a foster sibling than being an adoptee.
And of course the continuous loss of loved ones mirrors the Doctor’s experience with their companions fairly often. Another thing that quietly binds them that most other people couldn’t understand.
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urfavcrime · 10 months ago
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dsmp is still SO insane to me. still not completely convinced it wasn't a social experiment. it is something that can never be replicated again due to the really specific circumstances that attributed to it's creation and popularity
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h0ll0wt0wn · 6 days ago
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sapphikatara · 2 months ago
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i love you adaptations of little red riding hood. i love you neverafter, hoodwinked, ever after high, into the woods, and the land of stories.
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kacievvbbbb · 12 days ago
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Sometimes I hear people criticize Pixar films and it's like did they actually stop being good or maybe did you just stop being a child?
because I know that we love to say how Pixar can be enjoyed by all ages and speak to even adults but we remember that these movies are first and foremost for kids.........right?
I don't know man it feels like people have grown up and attached these lofty ideals and themes (which they definitely do have) to Pixar movies and they've kind of become a parody of itself. Like every movie is about The Theme.
Like I think Elio beats you over the head with the theme as much as Soul and Inside Out 2 do but Elio's really the only one about a child and their experiences. People want Pixar movies to feel like they did when they were a kid and that is literally impossible.
Any if you know any kids take them to see Elio it's good and it honestly does not desrve what ever weird campaign is being run against it
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wishmemellon · 2 months ago
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I need to share this thought on tumblr as well.
This statue of Hyacinthus has the same build as a baby horse.
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conscydraws · 1 year ago
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It's finished. My 111 hours long lovesong dedicated to Jusant ~💕
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nothinggold13 · 12 days ago
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"So I just went h o m e . . . " Love Him I Don't // Maisie Peters
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