#The way I’ve been processing so many things on tumblr for YEARS like the only through line this blog has actually

[idontmindifuforgetme]

My therapist rly went “you talk a lot during our therapy sessions bc it’s the only place where you’re actually processing ur emotions and things” ummm she does not know ab my Tumblr blog .

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[thewriteadviceforwriters]

Why Writing Is So Lonely | Rin T.

Hello writers, and anyone else who uses Tumblr on a daily basis like me. (Although I’ve been inactive off and on.) It’s me, Rin, and I wanted to talk about something that I think a lot of us struggle with. Or at least anyone, and everyone who considers themselves writers.

The loneliness that can come with the writing life and being a writer. We spend so much of our time alone. It doesn’t matter if you're using your laptop or scribbling in notebooks. Or pacing around in your living room and muttering dialogue to yourself (which I'm completely guilty of.)

Writing is really a solitary passion, and it hasn't just recently been like that. I'm sure Jane Austen and Edgar Allen Poe dealt with similar feelings. And sometimes that isolation can take a real toll that many of us choose to ignore, both on our creativity, our passion, which I assume is writing in this case, and our mental health.

I’ve been writing for about 4 years now, mostly working on my own little passion projects that I plan on publishing and side hustles, not only for my writing project but also my blog (TheWrite AdviceForWriters). I’m currently knee-deep in 4 different novel drafts that I’m absolutely in love with. However, let me tell you. It can get Very lonely a lot of times. There are days when I feel like I’m the only person in the world who cares about these made-up characters and their fictional problems. The characters I create in my mind are so vivid that they seem like the only individuals who actually care about my passion. (They technically are, considering they are basically my passion.)

It’s so easy to start wondering whether anyone will ever want to read the stories I'm pouring my heart into. The self-doubt I get has been a big part of my writing journey, and sometimes it breaks my heart knowing that I may not please everyone who reads my stories. That I possibly could get the worst reviews out there on my book. If it's not perfect for society. For example, I have been reading and receiving news on Alex Aster and the amount of bad reviews she received for her LightLark novel, and she has had a few times where she’s stated she poured her heart into it. And it's not just Aster who deals with these as a published author; there are many others, and it sometimes scares me.

But you know what? I've come to realize that this loneliness is just part of the writer’s journey. And that it truly is going to be the process of every writer’s journey and career. It’s going to be one of the prominent challenges we have to face if we want to do this crazy, wonderful, painful thing we call writing. And I think it's important we talk about it, especially since I'm a blogger who owns a blog specifically for writers. The biggest reason I chose to create this blog was for this reason and the many other challenges of being a writer. 

I definitely will consider this blog post to be a discussion, and if anyone wants to reblog or reply to this blog post and start a conversation, please do so, just so we can support each other and figure out healthy ways to cope.

So, why is writing such a lonely pursit? Well, there are quite a few reasons, especially reasons for each individual writer; however, here are a few key reasons:

The Act Itself is Solitary.

At the end of the day, writing is something we have to do on our own. Sure, we can brainstorm with other writers and friends who write or get feedback from beta readers. Or even develop  and edit your manuscript with a professional book editor. But the actual act of putting words on the page is a solo endeavor. We’re the ones doing the typing, the (physical) writing, and the constant racking of our brains to find the perfect word or phrase to put down on paper or the blank page on a screen.

Even when we’re writing collaboratively, there’s still a certain level of isolation involved. I mean, after all, our individual writing process and creative visions have to align for the collaboration to work.

And let’s be real—aligning those things isn't always easy.

I’ve reached out to book editors, more so of developmental editors, which is an editor who guides the writer/author on the actual plot and outline of the novel itself. And they have mentioned the difficulties of needing to align with the creativity of the topic or novel. It isn't easy at all.

I know that for me, my most productive writing sessions happen when I'm alone. And I know for a fact I'm not alone on that.

Having no distractions when it's just me, my thoughts, and the blinking cursor on the screen with a Spotify playlist playing in the background. And while that can be deeply fulfilling and very productive, I will admit it can be incredibly lonely.

It's an Emotionally Draining Process.

Writing isn't just about stringing words together. It's about pouring our hearts and souls onto the page. Were digging into our deepest emotions, our biggest fear, our wildest dreams, our thoughts, our philosophy, I can go on. And that kind of vulnerability can be utterly exhausting.

When I'm in the process of drafting a new novel or the many current projects I'm working on. I often find myself emotionally drained at the end of the day. I've been living and breathing these characters, feeling their joys and pains as my own. describing the actions, words, and emotions these characters do and feel. And then after that, I have to close my laptop, put my pen and notebook away, and try to reenter the “real world"—a world that doesn’t always understand the weight I've been carrying. 

It can be so isolating, feeling like the only person who understands the emotional journey of your writing. Knowing what it feels like to create characters and their stories and emotions and personalities just as if they were real humans. Our non-writer friends and family members try their best to be supportive, but unless they experience it firsthand, they cannot fully grasp the depth of what we go through. I can tell when I explain my projects to others who aren't writers, it can sometimes feel like they don't care about what I'm saying to them. Or it can also feel like, my stories are just a synopsis for an underrated movie no one’s ever watched.

It's a Profession of Rejection

I think we all know, writing is a tough gig. It's a tough career and job. Even the most successful authors have had to face their fair share of rejection. The rejections can be received from agents, publishers, readers, or critics. (like I mentioned earlier), and that constant stream of “no’s” can really chip away at our confidence and sense of self-worth. And especially if you're an aspiring author and have not yet published your work. Knowing that rejection is a big part of the career of writing is frightening. Really.

I remember when one of my best friends, who is a writer, who is currently in the process of publishing her book, would send query after query only to receive endless rejections. She told me it felt like the entire world was telling her, “Your writing isn't good enough,” and that can be a pretty lonely and demoralizing place to be. It has made me anxious about getting to the querying phase, as I still haven't begun to query yet.

Even when we start to find some success, the fear of rejection never really goes away. Will readers love our next book as much as the last one? Will readers even like my debut novel? Will the critics tear it apart? I know when I first started writing my first novel project. I rewrote the first chapter. 13 times!! And that’s because of all the questions and doubts I had in mind. It’s enough to make any writer want to crawl into a hole and never come out.

And the thing is, as writers, we often don't have the same support system that people in other professions might have. We don't have coworkers to commiserate with or a boss to reassure us; it’s just us. Our doubts and the eerie silence of an empty inbox. For example, Ana Neu, one of my all-time favorite Author-Tuber's, has dealt with similar struggles. She’s mentioned several times how lonely she feels and how her family doesn't fully understand her love and passion for writing. And I completely agree with her. If you want to listen to more of her, please listen to her podcast and watch her videos on YouTube here.

So, now that I went over the key reasons as to why writing is so lonely, I didn't want to end this post on negativity, that’s why I wanted to list the main strategies that have helped me:

Build a Writer’s Community

One of the best ways to combat the isolation of writing is to surround yourself with other writers. That’s why I found social media to be a gift, not just for the other obvious reasons, but because we get to find writers around the world who enjoy the same things we like. Having that sense of community can be a game changer.

When I first started my Tumblr blog, TheWriteAdviceForWriters, I was really hoping to create that kind of supportive space for writers. I wanted to create a space where anyone who enjoys writing—not just fiction writers, but anyone who finds writing to be a passion of theirs—can share their dreams and struggles with. It's been amazing to connect with so many incredible people who just “get” the unique challenges we face. Being able to share our achievements and share our compassions. It's been vital for my own mental health as a writer, and I hope that it can also be vital for all of you.

And of course, the community is not about venting or seeking validation from others; its about providing feedback, encouragement, and just being able to make friends. Having that makes the lonely parts of the writing process and journey feel a little less lonely.

Prioritize Self-care

It's so easy to get caught up in the work and neglect our well-being. There have been multiple times where I wouldn't take a break from my writing sessions and simply not eat and drink. I wouldn't give myself time to process everything I wrote, and I immediately after would criticize it.

However, I find that self-care is the most important part of combating the isolation that comes with being a writer. For me, that looks like making sure I get enough sleep. You can't process, learn, and remember anything when you don't have enough sleep. During my personal self-care, when I do 45-to 1-hour writing sessions, I usually take a short nap after. Eating nourishing meals and snacks is important, as is making time for the hobbies and activities that bring me joy. I usually like reading books, spending quality time with my family members, and very feisty (and sometimes scary) cat.

3. Cultivate Gratitude

When loneliness starts to creep in, it can be really helpful to shift our mindset and focus on what we are grateful for; this can be really productive and rewarding. Being a writer is a gift; we get to spend our days doing what we love, bringing our creative visions to life and sharing them with people who love literature. Readers are such a big part of being a writer, and they're huge motivations to me.

So, if you can, just take a moment to appreciate the joys of writing. For example, if you have any writing quirks, I personally have to wear bracelets on both of my wrists in order to produce some type of creativity when I write. I'm not sure why it's just something I noticed. I also really love writing my manuscripts physically. I tend to do this when I'm suffering from writer's block, and for some reason my writing style is a lot better.

And don't forget the many other joys of writing, like drafting, and the excitement of sharing your work with others. Having a new idea come to mind that fits perfectly in your plot. Or even a reader or beta reader sharing a comment on your work and giving you encouragement.

Also, please celebrate your wins; it makes writing all too fun, and it's a great way to integrate writing into the real world.

End Note

I wanted to write this post because I know a lot of us deal with feeling lonely; I’ve been feeling that way for quite some time, and I wanted to share it with Tumblr. I feel like each and every one of you all feel the same way. And that’s why I created my Tumblr community; that's the reason I created this blog, and that's the reason I strive to build this into an entire brand.

I want to bring more awareness to writers, we are the people behind the stories, movies, and media that we consume today, and we barely get any credit for our work. I want to make a brand where others who never thought writing to be their passion could actually for once consider “Is writing for me?”

I feel like it's such an underrated yet overrated passion. Yet it's not acknowledged as much. 

I hope this post can make you understand that writing is 90% lonely and you are not crazy for thinking so. But, we can use the resources we have today, like social media, to change that and make writing better for the present and the future. 

Thank you all for reading. And please, if you are considering joining a community if you haven't already, please join The Write Right Society. We recently met 100 members, and the community is continuing to grow.

[thecircularsystem]

Something that’s made me particularly uncomfortable in the system community recently (moreso on tumblr than any syscord I’m in) has been the mentality around recovery.

I’ve never felt more isolated from other systems since I’ve started a recovery process. I don’t consider myself “recovered” in any sense of the term, but I’m doing particularly well with my systemhood. I can communicate with my parts, I don’t experience as much amnesia anymore, and stress doesn’t lead to full meltdowns… most of the time.

But in this community, it seems like people around me are constantly demonizing recovery while simultaneously putting it on some sort of pedestal? And meanwhile, I’m sitting here in the, “This is a very mundane part of my life, Minecraft is genuinely more interesting” stage, feeling… really awkward and alone.

By one token: there’s all the recent posting about fakers, and even posts about resenting those who have “reached recovery.” They call out all sort of things they hate about other systems, often labeling it as a sign of faking, such as:

They can tell you everything about new splits

They have perfect communication

They celebrate splitting

They talk about exotrauma/source trauma

They talk about all being people

They treat their DID like an identity instead of a diagnosis

They don’t have visible dissociation/aren’t dissociative enough

They focus on the alters instead of the disorder

They have a constant certainty of who they are, no blurriness

They’ve got a vivid innerworld with shenanigans happening

And they speak in such a negative way about “those” systems, like:

“I definitely don’t have the fun alter DID like those systems do.”

“Why do you get the helpful DID and I get suicidal DID?”

“I wish I had the perfect version of this instead of the miserable version”

And by the other token, there’s when people do talk about recovery, and they talk about it like it’s a cure. Like my DID will go away.

“Oh if you catch it younger, kids with DID can go through a full recovery and fully fuse so much sooner.”

“I hope everyone fully fuses.”

“I wish I could just get rid of my parts. #recovery.”

Is no one else feeling uncomfortable?

The list of things that show fakers, and the constant misery and hatred of systems, followed by the constant flow of “can’t wait to no longer deal with this misery, can’t wait for final fusion” is…

Its isolating. I’m a diagnosed system who experiences every single thing on that list of “signs of faking,” and even while many of them were on that list before recovery, they only got more pronounced as I worked on integration. I feel so alone in the system community when everyone says that being me (a system in recovery) means I don’t have DID.

It’s distressing. Seeing these posts constantly makes that little worm of self doubt I’ve spent years quelling start to wiggle again. “They’re right, you need to show how miserable you really are.” “You should trauma dump, that’ll really show them.” (The first draft of this post was entirely just my life story, showing my recovery process, until I realized the brain worm won that day)

It’s misinformation. Final fusion doesn’t cure DID. DID is a lifelong disorder. It doesn’t mean you’re no longer a system of parts; you’ll always have parts. But recovery makes that look different for everyone. Recovery is different for everyone.

It’s posts like those I’ve seen lately that remind me of when I was 19 or 20 or so and first seeing system spaces. Fusion was death, because everything I saw about fusion was that it would “make you a singlet, not a system.” Everything I saw was that fusion was the cure.

Now I know better. I really hope others realize soon that recovery can only come if you work hard, and stop hating a major aspect of who you are.

It might feel a bit less lonely.

[taekooktimeline]

Hello 👋🏽

I’ve completed uploading episodes 1-4 of “are you sure” 🥳It goes without saying, but this is a Taekook focused blog so all of these posts, just like all my other posts, highlight Taekook and their bond (or in some instances, my posts archive important pieces of information so others can’t distort facts).

I wanted to upload episode 3 as one post, and episode 4 as one post, but Tumblr wouldn’t let that happen due to their sizes. When I shrank photos to make each episode one post, text and images became blurred and my OCD couldn’t stand it. I hate that they each have 2 posts, but I preferred it to the alternative of unreadable pieces.

I’m not sure if I’ve ever gone in depth about the uploading process? It’s quite an undertaking for long pieces. I first draft the posts in Google docs. This can take days as I rewatch things, chat with friends and gather what people have noticed from my timeline. One episode can take 3-4 hours to watch, as I draft as I go and then go back through and fill in further, then tighten it all up.

After this, I upload the draft into Word Press. It’s not straightforward anymore. When I copy and paste the draft into WP, only the text follows. I have to then go back to Google docs and copy / paste the pictures one by one, and then add the timestamps and hyperlinks under these pictures.

Once that’s done, I convert the post into HTML code. I can’t simply hit “select all.” I have to drag my finger down the entire post and carefully hit copy, or else I erase the whole post (which has happened). I then copy / paste the HTML code into my email and email it to myself.

From there, I copy / paste the code and upload it into Tumblr. Tumblr won’t let me post more than 30 photos a post now, sadly, which means splitting posts up. I have to read the HTML code and decide where to break things up.

I upload the post, then reblog it to its respective year, so you can read the post in the “main” timeline, but also in chronological order in the year it happened. When it’s reblogged to its year of occurrence, I have to scroll to events that happened around that date to determine what backdate to make that piece, so it lands in the correct spot of the timeline.

Uploading these posts took me all morning. Factoring in drafting, I spent at least 2-2.5 days on these episodes.

I’m not sure why I felt like sharing that today, except that I wanted to really take a moment and sincerely thank anyone who stops by to read my blog and let you know it’s so appreciated. Even if no one read this blog, I archive Taekook’s moments as one way of supporting them. I really enjoy preserving their moments - we have so many! - and looking back fondly.

So I’d do it no matter if no one read this, but knowing people do read this blog and treasure it as much as I do means so much to me. I’m thankful for the friendships formed, the people I’ve been able to talk to and some I’ve been fortunate to meet in real life, and it’s all thanks to this blog.

Not only that, my anxiety gets the best of me. I greatly admire those who tweet on Twitter, or post on Instagram, without giving much thought. I can’t do it. I wish I could. I will sit on posts, get anxious, bail out of posting, or post then mute because I’m so tense. I’m not sure why that is. Sometimes I wish my accounts were smaller so I could maybe feel more comfortable freely speaking my mind. But I also think I’d be anxious no matter what because social media is so toxic and dark and my energy can’t stand it. It doesn’t help I’m still trying to figure out my medical mysteries, and that’s been such a drain on my energy. I can’t find it in me to do much more than lurk on Twitter and IG right now.

Here on tumblr, I feel like I’m in my little safe space. It’s quiet here, I post my pieces and show my support, and my support is measured in a more meaningful way for who I am as a person (in addition to streaming, buying their merch etc). I really am so grateful for this space. We all support in our ways and though I wish I was bolder on TW and IG, I appreciate those who are and I also appreciate that we are all here to equally love and support Tae and Jk. That’s what matters.

So if you’re reading this, I want to thank you from the bottom of my heart for being here and reading this blog💜💚

[bcacstuff]

So what is going on with Sam and Graham? What is the discord about? I’ve seen bits and pieces of information but having a hard time putting it all together. And how is Steven Cree involved? Thanks new tumblr member!

Of course I can only guess what has gone on behind closed doors, and that's what i already did about a year ago, when Graham started to launch his booze.

All when Graham launched his booze and at the same time the Clanlands book NZ version would be released, and book events would take place in Edinburgh and London.

While before Sam always liked Graham's posts and often there would be some banter, I noticed how he stopped doing so and not tagged Graham in his posts about the Clanlands book posts. Which led to some more discussion here and here (please read those posts, as I don't see any reason to rehash it all)

Also noticeable was that they didn't record the audible together (while for both previous books they did and there was always a post or even a video about it), and even signing the books was not done together but a day apart at the same location. Their posts and promo for the book events looks like they both did it on their own way without any cooperation. Graham still liked Sam's post and commented on it, but Sam never did answer or acknowledged Graham's post. He never breathe a word about Grahams booze while I'm sure Graham would have sent him some, as Sam did in the past to Graham who did post about Sam's booze back then.

So, to me it all looks like it has a lot to do with Graham launching his booze, and perhaps (but I can only speculate) about that, the way Graham sort of combined it with the launch of the books. Graham did some events on his own as well in Edinburgh around the book events. They did the events together, but people started noticing that something was off between them. Curiously no mention about any of their booze. (while in the past Sam's whisky was always mentioned)

Another thing I noticed was how Graham started to collaborate with the Bourbon with Friends podcast guys. They are the ones that maintain the IG account and marketing (in a more professional way than Sam's marketing imo). In the past these guys had an interview with Sam about his whisky, and tried hard to get involved in his business, which Sam never agreed to. Since they are involved with Graham's brand, Sam unfollowed them (already before he started to unfollow many accounts recently)

What Cree has to do with it, I don't know. I was a bit surprised myself how he 'dished' Graham last weekend to be honest. Cree has always been Sam's friend, so much I know. And for sure they talk about things. But I can't tell you if it had anything to do with Sam's 'distance' from Graham

His 'rant' was about a project Graham asked financial support for and received much from the OL fandom. The project never saw the light and the money was never returned to the ones that donated. It still is there:

You can read the comments of which the last ones aren't that mild on the link

[forecast0ctopus]

Okay I have a lot to say here, but I’m gonna try to make it brief (which is really hard for me, sorry)

WOAH DAWG. Your art has inspired me more than I can even express. My hardcore Star Trek phase started right around this time last year. Like, obviously I knew what Star Trek was, but I’d never seen it, so I started with TOS, and after the first three episodes, I was like, yeah, okay, Spock and Kirk are super gay, but their boyfriend Bones is obviously their boyfriend, too. 

So I looked up the fated “McSpirk”, and your art popped up. Boom. Life changed. 

To make a long story short, I practiced and practiced, and slowly (kind of) learned how to draw them (totally based off of your style, yeah, I’m sorry bro there’s like a lot of plagiarised versions of your drawings in old sketchbooks. 😬Don’t worry though, they’re really bad, so no one would mistake them for the original)

And ALSO like a good chunk of my fanfiction has been inspired by your art. So… thank you!

Now, I think, I’ve developed a style of drawing them that’s just far enough from yours that maybe it’s not too obvious that I learned how to draw McSpirk from meticulously studying your art? Probably not, though. But the point is basically: your art is fantastic and so soo edible. 

Ps. I ACTUALLy am a liar, because I’d seen your reanimator fanart before your Star Trek stuff! I was waaayy into reanimator a while ago (still am, just more fixated on other things), and your art was all over my pinterest. And you draw American Werewolf in London, and Merlin, and Psychonauts, and Twin Peaks?? Holy cow dude, you’re the whole damn package. 

Okay, so that was more of a five-paragraph essay than an “ask”. Sorry, not great at tumblr. 

In summary: you’re iconic. There is no McSpirk fandom without you bro. Please never stop drawing, because the day you do is the day I eat the sun like an evil pagan god. 💪💪💪

WOW :0 firstly, thanks so much!! i really appreciate all of this and im glad to know you like my stuff so much :D anyways longish answer for a longish message under the cut..

now i just wanna say – absolutely no issues with copying other people's work to learn, its not like trying to pass things off as your own and its just part of the learning process.. even less of an issue with art styles, you kinda just look at things and go hey i like the way that looks im gonna figure out how to draw [whatever specific element] like that now.. and eventually you frankenstein so many techniques together that you get your own thing out of it lmao. for example i learned how to draw hands from danny phantom and im afraid im stuck with that for life dgfhj anyways i think it rules that youve been drawing them and im kind of honored that you like my stuff enough to use it to learn... and if you've got any links to the art and fics youve mentioned, id love to see 👀 also ive gotten the comment abt finding my stuff on pinterest a bit and IVE LOOKED idk how you guys find them fgdjh i think ive found on there a couple merlin things ive done and thats it... dont mean to sound conceited or anything but i just think its fun when i see my art places i dont post..... incredible when it pops up in edits occasionally love it when people have the same array of interests as me since they all kind of feel entirely unrelated to one another in genre and subject matter so i never expect it.. ESPECIALLY psychonauts augh ive been trying to convince people to play that game for 11 years and ive only gotten through to like maybe three people fsbhjk anyways guess weve both got great taste in media 🤝🤝🤝 thanks again for such a kind message, i appreciate it more than i can articulate!! <333

[minrathian]

escapism thy name is tashur (or viperquin, or what have you)-- fanwork recs

Hey listen. It was a shit week and I am about as optimistic as Tarquin about the year ahead. So, as I head into the weekend, I am protecting my peace by metaphorically pulling the covers over my head and building a blanket fort out of fanworks About Them. If you also hate it here and want to go to secret gardens in your mind, here in no particular order is my annotated list of the Tarquin x Ashur/Tashur/Viperquin fanworks that are getting me out of my head, lately.

Obligatory disclaimers: YMMV, there are so many good works in this fandom and this list is not exhaustive/will be updated periodically, mind the ratings, enjoy responsibly, &c.  And, thanks to everyone who's creating things for this pairing and folks who are reading/reblogging stuff about them, too. I'm way out of practice at fandom and mostly lurk, but it's a really lovely little creative community to be a part of even in a low-key way.

Kiss me when you’re done (series– explicit), thismission I haven’t had a single thought in my head any of the approximately 20 times I have read this modern AU series. It feels like your own personal bodyguard has taken you by the hand and is leading you around at a party: your brain is turned off and you are just trusting the process. It’s hot and it’s also such a deeply interesting character exploration of what these people might be like here and now, but without making me actually think many thoughts about the here and now really at all. And, bonus, it really captures the  “get the fuck out of here with these feelings I’m not thinking about” Tarquin vibe and the “oh my god he’s so hot I’m immediately obsessed with him” Ashur vibe, which *I* am personally devoted to for this ship. Anyway I’m obsessed with this.

Most Holy, magemance This is my phone lockscreen and wallpaper and the day I made that decision was not only a good day, but also marks the day I noticed my phone battery was draining faster for some reason? Looking at this never fails to make me smile and so I stare at this and make chinhands and kick my little feet for hours out of a day.  I’m sure that’s no connection to the phone battery issue. Probably. 

Oh No! I’ve Been Hit By Evil Cultist Blood Magic! (explicit), knight0fcups This is immersive, there’s so many little details from Ashur’s POV that it’s just really easy to fall into and live there for a bit. This is sex pollen/fuck-or-die done SO well– I don’t seek out those tropes most of the time but I’m so glad this exists because it is fucking delightful from start to finish, snappy and clever and funny as fuck. There is a line that Tarquin says in this fic that made me laugh so loudly,  I startled my dog. I won’t tell you what it is because you deserve to discover it for yourself. It is perfect, 15/10 no notes. Well, some notes. These notes, that I wrote. You get it.

moments we stole from the blight, rookfeathers One of the first pieces of Tashur art that lured me back to tumblr/fandom, this one has a special place in my heart for that alone, but– WALL KISSES. THE HANDS. THE DESPERATION IS PALPABLE but in a GOOD way.

Won’t you stay with me, my darling, (when my walls start burning down),(explicit), decant This is just. It’s just!!! So good! This hurts in such a particularly good way. It’s the “I’ve escaped to a MORE tragic timeline” kind of escapism. The level of despair is just…pervasive and perfect for blighted Minrathous, and Tarquin dealing with blighted Minrathous and the certainty of losing Ashur. AND YET. There’s just enough of something not-quite-hopeful filtering through the whole thing to really round it out. I don’t necessarily want to escape to blighted Minrathous (a lateral fuckin move in these times TBH) but I do love briefly visiting via this story.

Midnight rendezvous, J0ypatron (joy-jpg) Ahhhh I take one look at this and I am immediately blasting “Come to my window” by Melissa Etheridge. Just, immediately. That, and thinking of the balcony scene from Romeo & Juliet, only with a grumpy wet cat of a man yelling “Fuck off,” but like, in a loving way, at his boyfriend, who also happens to be the Imperial Divine.  

Courting Traditions of the Oblivious Soporatus, (teen and up), bendingwind Look, I am super biased about this one because I have so many thoughts about courting traditions in Tevinter, and Z wrote this incredibly rich story that somehow made all my Soporati courting tradition dreams come true??? Miracles happen. It’s SO DELIGHTFUL. Screaming, crying, clutching my face with joy. Also: the strawberries??? Pls.

tarquin sees ashur’s face for the first time, fadesense I love everything about this. The name of the dog. The way Tarquin’s hair looks. Tarquin’s face and general disposition. Ashur knowing it was Tarquin. Ashur petting the dog. I am transported to a world where everything is beautiful and nothing hurts. 

Holy matrimony, hesketh This is so fucking fun and also so sweet and those are two things that instantly send me to another planet in the best way. The pace is great and the banter is top tier 110/10 no notes and it also has bonus!Dorian being a delightful, handsome menace, as he is wont to be. Perfection.

Ashur and Tarquin fighting together, archfey-edda Like the artist, I ALSO just wanted to see them kicking ass together in the game, and this is SO COOL. Love love love a little glimpse of Ashur being a badass mage and the thought! Of him fighting back to back with Tarquin! I have ascended.  The movement and the light in this is also just stunning, I could stare at it for hours.

Gnosis, asyouwes You wouldn’t think a story that makes me reflect on my own fraught relationship with organized religion would be on an escapism list but here we are– sometimes it’s easier to engage with those feelings at arm’s length, through someone else’s eyes. And, I’m a big fan of stories that capture a very particular mood or feeling and this one really does that well. 

i have shed my skin, look at me now, (mature) frigid Nothing gets you out of your own head quite like a good werewolf/vampire AU. Really loving the overlay of cryptid stuff with the Shadow Dragons and everything going on in Tevinter.

Quick tashur doodle, loustica-lucia The LEANING. The FOREHEAD TOUCHING. The way Tarquin’s exhale LOOKS LIKE A LITTLE HEART. I live here now. Forward my mail here. You will not be hearing from me, but you can forward my mail here anyway.

Like sweet dreams, (explicit), greygerbil  The absolute best morning-after-we-hooked-up kind of story, where they’re both kinda nervous but then it’s all fine because of course these feelings are reciprocated. Reading this is like one long exhale: my shoulders aren’t pressed up against my ears, that pesky knot of tension in every single one of my muscles has momentarily vanished, everything is fine and lovely. 

Constant Like Cicadas in the Summertime, goldenringboy A little bit of wine drunk, a lot of grade A++++ pining, lovely visuals. Did I mention the pining??? The pining.

Two Heads are Better than One (explicit), thismission Clonefucking. That's it, that's the summary. I-- just read it, ok?

Flirt, bendingwind Fake dating because Ashur gazes at Tarquin too much and all the Shadows assume they're together...until they are? Please. I am WEAK.

Servus Servorum Creatoris (explicit), Anon Religious imagery in PWP??? It's more likely than you might think. And just as delicious.

digital paintings of the Viper and Tarquin, goldenringboy THEM BUT CLASSICAL PAINTING STYLE. GO GAZE AT THEM. GO DREAM OF HANGING THESE PORTRAITS ON YOUR WALL IN RIDICULOUSLY ORNATE FRAMES AND PRETENDING YOU LIVE IN A TASHUR ART MUSEUM. (I am a normal person with normal hobbies that I am so normal about.) The texture and the light is just. so good!!!

Bonus (it’s not art of both of them but it’s a delight to me): Modern Tarquin in a t-shirt being ineffably, perfectly Tarquin, rookfeathers. 

[safetyhaven]

Felt really emotional so I decided to vent out my feelings about this comic.

TW//Grooming, Incest, Selfharm

I feel like I’m obligated to say my experiences with this comic even though I’m screaming into a void of nothingness. My fixation came around in 2020 during the V2 hiatus that lasted almost 6-7 months, that was around the time I decided to read up and got very very invested in the characters, more specifically Jay.

Around 2021-2022 that interest went out without a whimper, simply put I just wasn’t interested in the comic and I had so many other things going on to be busy with it. But all of that changed around 2023 when out of nowhere, the rug was pulled under me and the only thing I really HAD was Sparklecare. That was my comfort haven, my life, my dream for the longest time. That’s around the time my kinship for Hem began to blossom and I decided to start my tumblr account. I met so many nice people, some of which I ended up being friends with today, but I feel like if there’s one thing that people know me for… it’s Hemeruni.

Hemeruni was a smash hit for me in my terms, I’ve gotten so many interactions that I’ve decided to rebrand outright to be the ship, it was the THE thing I drew for the longest time, the thing people knew and appreciated me for, I was a beacon for some people. And that was all a mess that built up to my issues in identity. I didn’t really know what I wanted to be because I know this wouldn’t last, but the fame is what fueled me to get going even through the toughest of times.

I was known for that title, getting reblog after reblog from the official account that at some point, the ship was considered "canon" and grew its own little community. The ship I started as a little idea from a Roleplay that me and my friends had around that time. When the age restriction was eventually added? I was invited into a server by a bunch of crits who were, at the time, fans of my work! Which was very, very nice to hear, especially in person. But that difficult battle of identity kept. Clawing away at me. I joined a few servers at the time, one of which I met and dated my ex in. That ex would mold me in a way that made me a husk of what I once was. They groomed me into their image, fucking my thought process up and feeding into my addictions of pleasure that I shouldn’t have been having at 16 years old. It was a horrific time that I had support to back me up with, but that was short lived, as when things seemed to have finally settled, my loud mouth decided to make a scene that would spiral out of my own control. But, before I could do any of that, I would go on to meet someone that would be close to my hip and by my side no matter what. My partner. He was there through the thick and thin, a story that felt like fantasy and still does to this day, knowing I’m in love with someone so nice and caring as him. While this comic has caused me a lot of pain, I wouldn’t have met him without it, let alone everyone else I befriended over time. That’s when everything was flipped on its head.

Everything up to now was something at least a little positive I could talk about, but everything else was the result of my own volition and what I did. Just like that I was pushed out of the community that saw me as someone to trust. There were people who trusted me, that trust was ripped to pieces the more and more this whole situation continued on. I was trapped in a never ending cycle of content and anger that I never got the opportunity to stand back and heal. My environment was the exact opposite of the one I used to be in in every way, and was comparable to when I was groomed by my ex. Everything about those few months still haunt me, horrify me, even. But I can’t change fate, especially now. I’ve made amends with the people involved after a long journey of trying to get some sort of healing at the end of this long, long tunnel.

If you could take one thing out of this, is that throughout these events of hardship, I always had one thing to fall back on, and that was Sparklecare. But as of recently I can’t bring myself to do that anymore.

I was leaked a lot of stuff before the doc was made, a lot of stuff that even stemmed from the original situation I was still feeling the effects of. The incest, the proshipping, the blatant behavior behind the scenes that was covered up for this comic scared me, it shook me to my core. Despite how shitty it got, I always found some comfort in the characters and the previous volumes, but knowing the comic I was using to heal from these thoughts and traumas was romanticizing it in the background? That fucking hurts man. It hurts so. So much.

Seeing a piece of media like this that has been in your life for so long be this horrific piece of degeneracy, and looking back on it and seeing the signs that feel as clear as day now but was just shrugged off years prior, it’s very very disappointing.

Never has the community of a fandom make me feel as many emotions, but nothing will ever amount to what I felt seeing all of this.

Fuck You Kittycorn, I truly looked up to you. I hope you get the help you need, but please. Don’t try doing something like this again.

-Haven.

[yoonia]

— Hello and welcome, 2025!!

I’ve already written my reflection and recap from 2024 on my 2024 Tumblr Wrapped post so I won’t say a lot more about the past year except to say, “Thank f*ck it’s over,” and, “I’m glad I survived...for now.” 

I’ve also shared my main goals for 2025 on the same post, but overall, I’m really looking forward to be able to get as many WIPs out as possible this year and finish a ton of series that have been on hiatus for a long time. I also have some new ideas that are begging for me to write and release, and I’m really looking forward to it. I hope you’ll stay tuned for my future plans as well. 

How to follow/keep up with my updates

On Tumblr — you can follow my updates and posting schedule through my “Schedules & Progress” post. I also share monthly psa posts to share what fics I’ll be working that month and sneak peeks of my WIPs 

On Patreon — I post monthly writing journal which details my overall WIP plans, progress tracker, and my daily writing progress (with daily written word count and details of what I’m working on that day). This is also where I would usually rant while I write, whether it’s about my writing process or my day to day life, so you can get a closer insight of how I work and write and keep up with my daily progress and maybe get a glimpse of what's happening in my life to know why I'm not around lol. I also share teasers of my WIPs that I don’t share on Tumblr. I might start doing this on Ko-fi as well this year as I’m prepping to open my Ko-fi shop

On social media — I post sneak peeks and links to my updated fics on X which you can use to keep up with my writing, either those updated on Tumblr or other platforms (AO3, Wattpad, Inkitt). I’ve also created an account on Bluesky to specifically share my writing progress. I might also use this account to share sneak peeks of my original stories instead of X

How you can support me and my writing

Like, kudos, comment, reblog — pretty much any of these basic ways you can do to support a writer on Tumblr will be much appreciated. Seeing you in my notifs and reading your comments and feedbacks have been extremely helpful to give me the motivation (and oftentimes, the inspiration) to continue writing. Please don’t stop. And I’m not just talking about me. Please support other writers the best way you know you can

Say hi — it's so easy. My ask box is always open. Just talk to me from time to time and let me know there's someone there and that I'm not (always) talking to a void lol. I know that, due to timezone differences and my hectic life outside Tumblr, I might get back to your message rather late. But I'll be there to answer and say hi back

Patreon subscription — your monthly subscription on my Patreon account will help me A LOT. In return, I always share exclusive contents that you can only find here. You’ll find spoilers, deleted scenes, explicit scenes, fic teasers, a glimpse of my storyboards and inspiration boards. This year, you will also get access to my Writing Class (with downloadable practice sheets) and a first look at my original stories

Ko-fi donations and commissions — I have been limiting my commissions due to the fact that I still have a couple commissions need to be done, but I’ll be opening it up again this year. I might not open as many slots as I usually do with the amount of work I have in line and many writing plans scheduled, so feel free to contact me if you’re interested. Or, you can simply drop by and send me donations through my Ko-fi account here

What I’ll be working on this year

This is normally where I show you some teasers of my WIPs. But I have so many WIPs to catch up on and I’ve also learned that I don’t always get to keep up with my own plans and I don’t want to leave you hoping and hanging while I’m suddenly inspired to work on other things. If you haven’t caught on with the WIPs hinted on the banner above, here are some visuals to show you what will be my main focus in 2025.

Note: they will not be released in chronological order and some may take time to finish. Let’s see if you can guess which fics these visuals represent and if there’s any of the fics you’re excited to see listed in this.

[steddieunderdogfics]

Today is all about @sparklefartstheunicorn! In today’s Mod Spotlight, we’re highlighting Jesse and all that they do for this space!

Jesse has taken over Fic Fridays for us! They help curate our mod recs and assist in other ways around the space to bring this blog to life. From brainstorming challenge ideas to helping find fics to fill gaps for our schedule, Jesse is always willing to support the team one way or the other!

Jesse (any pronouns) is a fandom elder. They've been writing fanfic since before the internet but haven't published anything in a few years. They've been in many fandoms, and modded back in the days of message boards. They were forced out of fandom retirement when Eddie Munson leapt onto a table and into their heart. They do fanbinding, cosplay, and are currently writing fanfic again.

Jesse is a delight to have on our team! They bring such a positive light to our behind the scenes processes, especially with their kindness and eagerness to learn more. It's been so fun getting to know them and learning more about their early fandom days. I'm so glad they decided to join us! -- @oh-stars

As a part of our mod spotlight, Jesse's answered some questions from you all and our team! You can read them below.

Be sure to stay tuned for more recs and future mod spotlights in the future!

What are your favorite tropes to read?

I think my favorite has got to be “there was only one bed.” In Steddie specifically, I especially like when Steve speed runs the bi-crisis because Eddie does something super hot, and I will never turn down a good sex pollen fic.

What is your preferred way to read and find fics?

I am a bit chaotic with fic finding. I follow all the rec blogs I can find on Tumblr, and I usually start there. On AO3, I usually scan the fics that are new since I was last there. I also haunt the bookmarks of authors that I like.

What’s your guilty pleasure trope?

“First time” Doesn’t really matter what form it takes… Virgin Eddie, Steve’s first time with a guy, Eddie’s never been on a real date, Steve discovers what Eddie’s hanky means and realizes he’s into that. I love them all.

What makes a fic an instant yes for you to read?

The phrase “Author is Ace” or “English isn’t my first language” I know the fic is going to wreck me in the best ways. Lol. Seriously though, I’m a voracious reader. If a fic fits my tastes, I’m going to read it.

What is your favorite thing about modding this page?

I love fic fridays the most, getting to share all the treasures I find with all of you. I also like getting to work with the other mods. Having a little group to hang out with in the fandom is always nice, and the SteddieUnderdog folks are pretty awesome.

What drew you to Steddie?

I’ve loved Steve since the moment he picked up a nail bat, but I wasn’t really into other pairings I’ve seen him in. And of course, our darling Eddie was love at first sight. Their on-screen chemistry was perfect, and I felt like Eddie was a great counterpart for Steve. And while I totally see the chemistry that launched Hellcheer, I just really enjoy Steve and Eddie together. Though I also enjoy the occasional hellcheer+steve. :p

ANONYMOUS – Is there any older or lesser-known Steddie event from the past few years that you particularly love (if ongoing or recurring) or loved? Did you participate in any?

I haven’t participated in any yet, but I did enjoy the works that came out of Steddie Big Bang, Steddie Reverse Big Bang, Sub Eddie Week, and Corroded Coffin Fest.

@sidekick-hero – What makes a fanfic stand out for you?

I love when a fic evokes emotion in me, if it makes me think or makes me laugh, when it makes me love the characters more than I already did. Those are the ones that I remember, and return to time and time again.

@worldswcollide– What advice would you give to someone who is interested in becoming a mod in the future?

Search until you find something you can be passionate about. Follow creators in your fandom and interact, especially those doing the types of things you’re interested in modding. I sent in a lot of recs to SteddieUnderdogfics (frequently anon, which is okay, though going off anon lets them get to know you better), and answered every poll I ran across. I loved the way they did things, and felt compatible with their style. I knew I wanted to mod for them months before they posted a call for applications. There are a lot of things to learn, and modding is a big commitment. It really helps if you are working on projects you believe in.

ANONYMOUS – If you make fanworks and/or daydream about Steddie, what inspires you?

Maladaptive daydreaming is what fuels my writing. I often just stare into space and put them in situations in my mind. The things that spark an idea are all over the place. An image, a song, a tumblr post, a single line in another fic. For fanbinding, it’s usually the fics themselves. Sometimes, I’ll just be reading and ideas for a fanbind come fully formed in my brain and I have to pause to go start a bind folder. One I’m currently working on was inspired by a vintage dnd coloring book I found. Inspiration is everywhere.

ANONYMOUS – Do you participate in any other fannish activities, like making playlists, gif edits, fanart, podcasts, Pinterest boards, etc?

I do make playlists and pinterest boards, but they’re exclusively in service of writing and fanbinding.

@sidekick-hero – What motivates you to mod for steddieunderdogfics?

I really believe in the work they’re doing for the fandom. We have lots of great steddie authors (yay us), but that means stuff can sometimes go unseen. I often notice fics that don’t seem to be getting the attention they deserve. You have to give sugar to the authors, so they can make you more Steddie pie!

@worldswcollide – Are there skills you’ve learned as a mod that have helped you in your everyday life?

The thing about being a mod is that you never know what challenges it’s going to throw you. My first gig taught me conflict resolution and how to make decisions under pressure. Another taught me the ins and outs of discord, which has helped me every day of my life. I modded a server that gave me the space to try out switching up my pronouns for the first time. My fellow mods from that server still talk regularly. The steddieunderdog mods have taught me that you’re never too old to learn new software, and that making mistakes doesn’t make you less valuable. My time modding has brought me so many wonderful people who share their knowledge and passions with me. Those people influence the person I’ll become next.

ANONYMOUS – Outside of Steddie, who is your favorite character in Stranger Things?

Robin for sure. I too grew up gay (and autistic) in Indiana in the 80’s, so I just have a kinship with her. I love her dynamic with all the other characters, especially Steve.

ANONYMOUS – Have you had a particular favorite Challenge Monday or weekend theme so far (maybe because of the theme, the recs, or the engagement, or for some other reason)?

Ooh, that’s a tough one. Fantasy theme weekend, because it was one that I submitted before becoming a mod. I got to rec one of my favorite fics and it helped me find several more that I treasure.

@sidekick-hero – What do you like best about fandom?

I’ve always said there’s a difference between being a fan of something and being in the fandom. Fandom is by its very nature, a means of creation. Even if you’re just sharing headcanons in the comment section, you are helping create the fandom. Here we are, united by our love for the characters and the untapped potential we saw in them. We inspire each other through fandom generations. I can see little sprinkles of Spock/Kirk (my first fandom) in the Steddie fics I read today. It’s just so beautiful to me.

@worldswcollide – If you absolutely HAD to choose—enemies to lovers or friends to lovers? (At least when it comes to Steddie)

Ugh, I can’t believe you’re making me choose, but if I must, it’s gotta be friends to lovers. But only if you let me include when Eddie thinks they’re enemies but Steve actually liked him the whole time.

ANONYMOUS – For fun: What do you like to do on a rainy day?

Read. It’s my favorite thing in the world. I also do arts and crafts. Like, all the arts and crafts. Pottery, stained glass, miniatures, crochet, cosplay, bookbinding, jewelry making…you get the idea.

ANONYMOUS – What inspired you to join the mod team?

I read an insane amount of fanfic, and Steddie has been my main ship since Eddie Munson walked on screen. I really wanted somewhere to share the fics I was reading and scream about Steddie with like minded folks. I thought many times about starting my own rec blog, but every time I’d dream what that might look like, my mind kept going back to SteddieUnderdogs. It’s so well organized, and creatively designed. It was so compatible with the way my brain works. They were my favorite. So, I fangirled too close to the sun. The moment I saw they were accepting apps for mods, I sent mine in.

ANONYMOUS – How different is modding this space versus others you’ve modded?

Most of my previous mod experience involved wrangling people, and this one is just wrangling fics. It’s way less stressful. It’s also really nice to join a team that is already running smoothly. I cannot stress enough how great my fellow mods are. The system they have developed is intuitive to use, and meets the needs of our daily operations so well. Any time one of us needs help, or an extra fic to rec, there’s someone right there with just what we need.

ANONYMOUS – When you’re rec’ing a fic, is there something specific you’re looking for?

While I am very flexible with the things I read, I am particular about the fics I rec. I only rec something that I have bookmarked to read again. A fic doesn’t have to be perfect, but it has to flow in a way that doesn’t take me out of the story. I like fics with natural feeling dialogue, and characterizations that feel authentic. I’m looking for a fic that stands out, and that can be because it’s exceptionally written, or just because it has especially delicious smut. I can’t explain the math, but I take rec’ing extremely seriously.

ANONYMOUS – You’ve been in a fandoms before Stranger Things, what makes this fandom special to you?

It might just be my little corner of the fandom, but I haven’t seen competing ships over here. I don’t see Steddie hating on Hellcheer or Harringgrove, we just seem to ship and let ship. In fact, a lot of Steddie authors seem to write for at least one of the others. That’s highly unusual. I was also really proud of us when the normies were being mean to the Eddie cosplayers. I saw a lot of brave folks who stood up on their lunchroom tables, threw devil horns, and just loved him louder. And so many of you showed up in their comments to rally around them.

Today, all of our recs are from @sparklefartstheunicorn specifically! You can always see her recs on our Fic Fridays by checking our #mod jesse rec tag.

[noturlesson]

Sal Fisher x Popular!Reader

So it’s currently 1 am on a school night rn lol and I’ve been seeing so many of these so I decided to write my own. This is like…. My first ever tumblr post and I have absolutely no idea how to use this app so pls be kind!!!

GnAfab!Reader

You didn’t necessarily consider yourself popular, despite what the gang told you. You just thought you were… well known.

Yea that was definitely the best way to describe it

Your unique style and flashy clothing made you stand out amongst your peers, and you garnered a lot of attention for it.

When you first started freshman year, the attention wasn’t really positive, and you were talked about by almost everyone. Rumors flew around at such a rapid pace that it made your head spin.

You had heard it all. From “they a hoe” to “they sacrifice people and worship the devil”. But with Larry and the gang, you managed to make it through that hell and by sophomore year, everyone loved you and the negative opinions of you melted into ones of admiration.

Despite this, you were still sort of unaware of just how many eyes were on you, though. So much so, that you couldn’t even tell that your best friend, Sally Face, was looking at you with more than just platonic admiration.

The way you found out was so odd, though, and everything sort of clicked in your head when you processed it.

You were walking with Sal to your shared Physics class when someone approached you and complimented your outfit and makeup. You gave them a smile and thanked them and when they walked away, Sal made agreed with them.

Surprised you because he never really compliments you unless it’s a special occasion like your birthday or something.

When u guys DO start dating, almost everyone knows about it despite you only telling Ash & Larry

Relentless teasing from your friends, them saying how it was so obvious that you and Sal had googly eyes for each other. It’s sweet, really.

Occasionally, you would see posts about it on the school’s drama page where people would try and start up rumors again, but it never really stuck.

For at least a month, your relationship is the talk of the town. You get a lot more stares whenever you’re with him, but Sal will continue to hold your hand, effectively distracting you from the paparazzi-like gaze.

Sal doesn’t mind all the attention too much as he’s grown accustomed to it from his old school. It can get a bit overwhelming for him though when you constantly have people approaching you in the halls, asking you guys questions or just trying to converse with you both in general

It does kind of catch him off guard though since he’s used to all the eyes being on you rather than himself. You’re always there to stand up for him if need be.

“Omg, I see you in the halls all the time and I just wanted to say I love your style so much! Your outfit and makeup is so cute today!” Another student stopped you and gushed as you were walking to class with Sal. It was sudden, and the compliment made your heart skip a beat. You flashed them a bright smile before you replied.

“Thank you bookie, I really appreciate it.” The person smiled back at you and nodded, waving at you before walking off down the hall.

“You do look really pretty today.” Sal spoke from beside you. You immediately could feel your face heating up and you turned to face him, trying your best to hide the fact that he made your heart skip a beat. Sal never really commented on your looks, so to say you were surprised was an understatement.

A cheeky smile played at your lips. “If I look so good then why don’t you come and kiss me?” You giggled as you watched his ears and neck turn bright pink at your sudden flirtatious comment. Another thing about you is that you were a huge flirt. None of your friends were safe, and Sal was no exception. He quickly turned his face away from you, his blue pigtails following the movement of his head.

“Pssht, whatever.” He mumbled, speeding up to walk in front of you. Another giggle escaped you as he passed you. “Maybe I should.”

It was almost a whisper, you barely caught it through the noise of the halls, but you did. It made your heart flutter as you stared at him with a wide-eyed expression. You hurried behind him, grabbing onto the hem of his black sweatshirt to not lose him in the huge crowd of people blocking up the halls.

Then came your response to him. You leaned down (you’re taller than him in this, sorry not sorry to all my short readers), speaking quietly next to his ear. “I think you totally should.” A giggle followed, and then you dashed into the classroom, quickly seating yourself before he got the chance to reply.

Later, when you’re at home, you get a text from him.

Sally 💙

>did u rlly mean what u said b4 class? Abt the kiss?

You

>Possibly, y? Does Sally Face want to kiss me?

Sally 💙

>No… tf (maybe)

You

>lol ur so silly, ofc I meant it

Sally 💙

>Great omw rn

You

>doors open stinka

When he comes over, he’s a stuttering mess, fumbling over his words and cracking jokes to divert his awkward energy, which only makes you fall in love with him even more. You stop his babbling by pressing a gently kiss to the cheek of his prosthetic, your hands resting on his shoulders. His brain totally fries and all he can do is look at you with wide eyes. You smile, and give him another kiss, this time telling him that you’ve always wanted to do that. He confesses after, and next thing you know, you’re in a giggling fit wrapped up in his arms on your couch with the new title of Sal Fisher’s significant other.

[fereldanwench]

A Personal, and Final, Reflection on A Certain Fandom

Having spent the past week and a half away from the Tumblr side of the C*b*rp*nk community after a resurgence of old wank (not hashing out the details–IYKYK), I heavily weighed the pros and cons of saying anything else. Ultimately, I decided for my own peace of mind and ability to fully move forward, I do want to say a few things (or a lot of things, given how long this is). This blog is my personal archive first and foremost, and I think writing a “final chapter” will help me find closure. I’m also choosing to publish this because, at the risk of sounding presumptuous, I think my mistakes and subsequent revelations might be good learning experiences for others, too. 

Like many of us, just by the nature of when this game was released, I entered this fandom during a very fragile, tumultuous time in my life–Well, sort of, let me back it up a little: I actually initially entered it during a great time in my life. It was July 2021, I had just enjoyed about 6 weeks off from work after quitting a demanding job that had sucked the life out of me for almost 10 years, and I had started a promising new job. I even bought the game with the first paycheck from said new job!

Unfortunately, while I had been told that this position was temp-to-hire, not only was it not a path to a permanent role, but because I completed all the work in my contract over a month sooner than they anticipated (early September vs late October), I was being let go early because they had nothing else for me to work on. I was literally told over the phone, “You did amazing work, you got us caught up through November, but we don’t have anything else for you.”

Cue about 6 months of recruiters ghosting me, exhausting interview processes, demoralizing rejections, and scam upon scam upon scam, all culminating in me returning to the job I had been so happy to leave a year earlier. And while my old coworkers were ecstatic to have me back, I couldn’t help but feel like a complete failure. I took what I thought was a calculated risk, I thought I could do something better for myself, and I couldn’t. It’s something I’m still struggling with today, honestly.

On top of this, I also experienced a debilitating physical health episode in January 2022 which led to me being effectively bedridden for about 3 weeks. [CW: Menstruation, sexual health] I’m not sure of the exact cause–maybe a bad reaction to emergency contraception, maybe unsafe menstrual underwear, but it resulted in menorrhagia so severe I fainted from blood loss. My insurance had literally just ended, another wave of COVID was hitting, and I didn’t want to risk getting infected sitting in an ER for hours only to rack up a few thousand in debt to get a blood transfusion. So rest, iron supplements, and lots of meat and spinach and orange juice was the best I could do.

All of this led to my world becoming very small. I wasn’t working, I could barely do my hobbies or see my local friends, and simple everyday tasks like showering drained me of all my energy. When I was stuck in bed and could barely keep my eyes open for more than a few hours at a time, gossip was a welcome, low-effort distraction from the physical pain and fear that I might either have to put myself in thousands of dollars of medical debt or risk lifelong damage (or worse) from the blood loss.

I also found myself having groups of friends in a way I’ve never experienced before. I’m extremely introverted (even online, though less so than IRL), I have social anxiety, and the handful of times I have been “in” a group I was never really in it. I was always on the outskirts and usually just close to one or two people, max.

Regretfully, this set the stage for me to get caught up in the culture of rumors and speculation that permeates this fandom more than I think it has any other fandom I’ve been a part of.

Academically, I know about things like groupthink and tribalism, and I could see how those influenced the groups developing in the fandom, but I had no direct, personal experience with those phenomena. I think in conjunction with the other struggles I was dealing with, I ended up being incredibly susceptible to an us-versus-them mentality, which led me to feel justified in being unkind to people I knew had been unkind to my friends, even if deep down I knew what I was doing was antithetical to who I strive to be. 

I don’t share any of this for sympathy points or to smear anyone else or to avoid accountability–I still chose to act like an ass on a couple of occasions, and regardless of what I was going through, that was still inappropriate. I’m still responsible for my own behavior no matter what’s going on. 

But I do want to contextualize my fuck-ups for two reasons:

The first reason is ego-driven, full-stop. Not even gonna gloss it over. I can’t defend being an asshole nor do I want to, but I think it’s normal and healthy to look back on your mistakes and go, damn, why the hell was I acting like this? 

Even on my best days, I can be very stubborn and self-important and pedantic and judgemental, and I certainly can’t say that I’ve never inadvertently offended someone–Sometimes a joke might not land as I hoped. Sometimes I get tangled up in my own thoughts, burdened by an excess of nuance and details, and I express things poorly while I try to account for all sides of things. Sometimes I can get a little too opinionated about blorbo stuff. Sometimes there might just be a full communication breakdown or an insurmountable personality clash–But I can also confidently say that I have acted with good intentions in this fandom far, far more than I have with spite or because of petty rivalries.

And when I did get caught up in the drama and gossip and the wank? I was literally at the lowest point I’d been in a very, very long time. 

Again, because I feel like I can’t say this enough, that doesn’t make acting like a dick in a Discord server any more excusable, that doesn’t mean I didn’t hurt anyone, and that doesn’t mean that someone I hurt during that time has to forgive me or stick around for me to grow. Hurting someone because you’re hurting is still not okay. But I’m pretty sure every single one of us has had a bad day (or two or three or 365 or–) and made an isolated bad decision (or two or three or–) because of it–None of us deserve to be wholly defined by those moments or denied a chance to learn from those mistakes and be better.

And I think the most important takeaway for me personally is that I have learned from these mistakes and I have not repeated them. Some of these mistakes even helped me realize that I needed professional support for my mental health, and they played a role in my seeking medication and therapy last year. I still have a lot of work to do, but the silver lining to all of this is that I am in a much better place today than I was 2 years ago (even if this year also fucking sucks for non-fandom reasons and I would still very much like a goddamn break.)

The other reason I wanted to share my journey of navel-gazing and healing a wounded ego ~*self-discovery*~ is I think there’s a very good chance my story might sound familiar to others in the fandom. Maybe someone else can learn from my hardships and mistakes, too. Maybe you too were dealing with chronic fatigue or mental health issues or financial stress or isolation or all of the above and then some, and it led you to fixate on things that were harmful to you, to form unhealthy relationships with equally hurt people, and to act in a way that you know doesn't reflect who you are. The past several years have been so hard on so many of us, and I think we’ve all brought a lot of pain and misery into the community even if we weren’t trying to.

A somewhat shameful realization I had last year was I could recognize that kind of behavior in other people, but I completely missed it in myself. I could see how people were making this fandom their whole world and how it was so damaging to them, but I was doing the exact same thing and I just let it go completely unchecked because I thought I knew better. It was a brutal lesson in the pitfalls of pride. 

--------

So I was initially thinking at this point, I would take the time to address a few specific lies, rumors, and insinuations that have been said about me over the past couple of years. Because while I was a jerk in a couple of situations, most of the things said about me are exaggerations, if not outright fabrications.

And I did start writing a lot of that out, but as I was doing it, I was just overcome with a huge feeling of OH MY GOD I just don’t fucking care anymore. As one of my dear, long-time fandom friends has pointed out, there’s a great line about just this kind of thing from one of my favorite characters in one of my favorite games: “Why should it [bother me]? They don’t know me. I know me.”

I also really don’t want to run the risk of pulling anyone back into the fray (especially if they’re not even in the fandom anymore or if we’ve talked privately about certain issues) by even alluding to shit that happened years ago.

Instead, I would like to offer three of my big takeaways from the experience of being falsely accused of awful things:

You do not know nearly as much as you think you know about people’s fandom relationships. The one semi-specific thing I will mention is that I had been explicitly named a few times as being in cahoots with people I don’t think I ever even spoke to or that I had already drifted away from–Just because you saw two people existing in the same public space doesn’t mean they’re besties, bestie. Also, friends don’t always have to agree with each other, nor should we be expected to participate in a public spectacle of shaming if we do have a disagreement. People are allowed to resolve their differences privately.  

Not all conflicts/disagreements are inherently abusive or toxic. When you are hurting or dealing with unresolved trauma or starting to confront uncomfortable truths about yourself, the slightest disagreement can feel like a personal attack, but that doesn’t mean it is. Sometimes differences might be irreconcilable, but sometimes they might not be if you don’t automatically assume the worst of someone with a different perspective than you. Sometimes we just need to give the other person a little grace and the benefit of the doubt that they’re doing their best. And sometimes we might need to consider that it’s actually our own behavior driving the conflict and not the other person.

Even in situations when someone has clearly been unfairly targeted/victimized, that doesn’t mean they can’t also be a perpetrator of harassment/abuse to someone else. Victim and abuser are not mutually exclusive roles. I would wager a lot of us are familiar with the cyclical nature of abuse, and to quote a line from one of my favorite movies (admittedly a bit of a flippant line in the context of the film, but it still rings true): hurt people hurt people. Accountability for shitty behavior is never conditional, regardless of the pain we’re experiencing. 

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I titled this my final reflection, and I want to clarify what that means:

First of all, I’m not leaving this fandom (don’t everyone clap at once ha ha ha). I’ve been in various online fandoms since the early 00s, and while this has been one of the more challenging communities for me to navigate, it’s not enough to make me give up something I love this much. My blorbos are my perpetual muses, and I feel like virtual photography is the creative outlet I’ve been searching for my entire life. I love this game and hobby too much to stop creating and sharing.

I’m also not leaving Tumblr. While I’ve had this specific account since 2016, I’ve been here since 2010–Tumblr is not just this fandom for me. I have many friends (some I’ve known since my original account in 2010!) from other fandoms, and I’m not losing the best place to hang out with other people who are special to me just because one fandom got a little unpleasant. (I mean, look, I weathered the DA fandom here circa 2012-2015–This ain’t my first rodeo.) I also have a lot of hope for the Tumblr Communities feature, and I’m really hoping the VP community we’ve set up can continue to grow and flourish.

But I am no longer addressing any of this wank. If you have a problem with something I’ve done or said to you and you want to address it with me directly (preferably in a private space just so we don’t keep putting this shit on people’s dashboards), I am open to conversation and apologizing where needed.

Otherwise, this is the last time I’m talking about it anywhere. Tumblr, Twitter, Discord, publicly, privately–I’m done. I’m washing my hands of it. I don’t want to hear anything else about what other people have done or who they’re friends with or who they’re following or what they’re saying about me or my friends or any of it. This bullshit has taken up too much of my time and energy, and I have very important smutty shots to take. 

And I am probably going to continue to be less active in the fandom on Tumblr, at least for a while. You probably won’t see me here much until September at the earliest. This time away has been really good for me, and I think I need to continue with limited Tumblring and making the time I am here more structured. Plus, with some of my other fave video game series returning this fall, my blog will probably shift back to a more well-balanced multi-fandom space. 

I’m also going to need to diversify my dash a little bit more, which means I will likely end up unfollowing some mutuals, particularly if we don’t interact often, if you don’t tag, or if I see any mention of fandom drama–It’s nothing personal, but I know breaking mutualship can hurt a little, so if following me after that makes you uncomfortable in any way, please don’t feel like you have to stick around. I totally get it. Similarly, if it would make you uncomfortable for me to continue to interact with your posts after unfollowing (because I probably will if you post in certain tags), please feel free to block me. 

Okay. Christ, that was long. Shut the fuck up already, right? This is why I can't do social media with character limits. ghdfjgjhkfdgkfdg

Seriously, though, that's it. People are welcome to comment on this post if they want, but I really have nothing else to say about any of this so please don’t be offended if I don’t reply. I’m not ignoring you, I’m just… Well, done.

[sutaagaaru]

STAR BOY— BONUS #1: SHADES OF WINTER

౨ৎ synopsis: torugu guse is an author who has become a client under the Kaisen Literature Company, for their compilation of poems and short stories. it’s gojo satoru’s job to read it and come up with a design.

౨ৎ summary: gojo satoru reads the first poem in shades of winter.

author’s note: hi! so if you’ve been reading along with STAR BOY, i have created these short bonus chapters that break away from the actual story and are set in the past. it’s a prequel of sorts. you don’t have to read these to understand the main story, but it’s definitely a little insight into satoru’s life, and does tie into the main storyline from chapter 4 onwards. these bonus chapters will be every now and then, not regularly updated with STAR BOY. the reader from the main story is also not featured. it’s literally just about gojo. (and some others…) mwah, enjoy!

“our latest project needs to be read by everyone, by the end of the week. please relay this message to your staff, so we can begin the process of getting it out there next monday. thank you.” one of the board directors spoke, excusing himself from the room.

“what a drag. that whole meeting could have been summed up with an email. don’t you think, nanamin?” gojo satoru complained, as he usually did, to the stoic blond beside him.

“practically anything can be summed up into an email, gojo. but who wants to receive so many emails from their superior, especially if it’s out of work hours?” nanami kento mumbled dispassionately.

“whatever. what is this shades of winter, anyway?” i didn’t know poetry was trending these days.” satoru picked up one of the transcripts left in a pile on the boardroom table, quickly flicking through the pages.

“from what i’ve read, the author published one of their poems on a social media app and it picked up a lot of traction. jumbler, i think it was called.” nanami too picked up a copy of the transcript, immediately placing it in his briefcase.

“hah, you mean tumblr? keep up with the times nanamin. either way, i’m glad they’re all short. it makes them easier to read with my staff.”

“i’ve never understood why you read our projects that way. surely it’s much better and impactful to read it in the comforts of your home, alone.” nanami furrowed his brows.

“that’s only because you like being in your home alone. it’s boring doing it that way, that’s why we all read it together. besides, since these are all lame poems i can read them out loud, that way no one will fall asleep.” satoru took no notice of nanami’s incredulous expression.

“you may be surprised, they certainly aren’t ’lame.’ i managed to find one of torugu’s older works and they are truly beautiful. in any case, i suggest you head to your department. we all have work to do.” nanami exited the meeting room, while gojo stared at the transcript.

as if some stupid poems could surprise him.

shades of winter

ten years.

ten winters, all of different shades and full of pale faces.

i see a bed of snow,

and the twinkle of your eye,

and the shades and faces melt into the winter sky, ten years ago.

nine summers.

countless summer days, when the snow has long left the floor.

i see a burning sun,

and the warmth felt from your touch,

and then, i find, the cold emptiness has only just begun.

ten birthdays.

ten christmases.

ten rotations around the earth.

i feel myself slipping through the void, the endless, unlimited void, which has risen from your absence.

or my absence, i suppose.

when i close my sunken eyes,

i see a bluish hue,

it sort of looks like you.

ten years.

ten winters, all of vastly different shades.

the shades of winter, oh so intricate, yet dull.

duller than the summer days, than the void in my mind.

duller than that you-shaped hue flickering behind my sunken eyes.

will there be ten more years?

will i even remember the details of your face?

it’s too much to think. but the only thing i’m sure of

is i’ll see a bed of snow,

and i’ll begin to cry,

and i don’t know why

when it was a winter, ten years ago.

—torugu guse.

“the rhyme scheme is all over the place! is this really the project we’re working on this week? i mean, what does any of this even mean?” a member of the design staff commented.

“i think that’s kind of the point. the speaker is going through a heavy loss, and spiralling because of it, so they can’t even make sense of their words. that’s what i got from it.” another chimed into the debate.

“i agree, it’s like the speaker is stuck on this person, and even though it’s not clear if they died or just left, you can tell they’re still thinking about the day that person disappeared. what do you think, gojo-san?” someone asked.

but satoru could not speak. his eyes were glued to the page, bouncing back between the words.

“i think… i think we should read these in our own time.” satoru finally looked up, his voice uncharacteristically soft and solemn.

“what? we’ve never done that before, you always said it’s more fun to read together!”

“this is… nothing like i’ve ever read before. i- i’ll be right back, you guys can have a break. i’m just gonna- i’ll be back.” the man disappeared from the office, running to the bathroom.

satoru stared at his reflection in the mirror, his wide eyes and panicked expression looking unfamiliar to himself. that poem, for some reason, spoke to him in a way he couldn’t seem to accept. it was like a poignant reminder of the ache in his heart, a reminder of his worst days.

it was almost as if someone had scribbled down the inner workings of his brain, weaving in the hidden emotions that he kept locked away for his own good.

if the rest of the stories were like that… satoru was terrified to turn the page.

with urgency, satoru turned the water on and splashed his face.

who the fuck is torugu guse?

౨ৎ…!

author’s note: i feel like this could be really obvious or extremely confusing. either way, i hope this made some sense to you, and i sincerely hope you will enjoy this little bonus backstory while i continue to write STAR BOY.

by the way, yes i did write that poem myself… i am not claiming to be a poet but i kinda like how it turned out.

thanks for reading!

© SUTAAGAARU 2024. do not repost, translate, or duplicate any of my works here or any other websites.

taglist: @higurumapet @opheliaas-stuff @diogodxlot @socialanxietyvictim @delirious-donna @zombriesworld @aomi04 @topiatwinss @doyouevenshipit @levin4nami @miguellover6969 @pennameyoruichiii

[writingsoftarnishedsilver]

Let me preface this by saying I mean this in a genuine way because I know it could be taken differently but how are you able to write and post so much in a given week? What is your process? Do you have a lot of WIPs going at the same time? Or just a lot of free time? I feel lucky if I manage 1,000 a week 😥 is there a method to it?

Hello! Thank you for your question. I appreciate the genuine interest instead of being like this person and discrediting my work.

There are a few different aspects that go into my writing process and how I'm able to write so much and so often! I answered a similar question before, but I'm happy to elaborate and try to get into more specifics!

Before I do though, I do want to point out that the speed you write has nothing to do with how good you are as an author! Some of the most well renowned authors are FAMOUSLY slow (i.e. think George R.R. Martin), whereas Nora Roberts, for example, has written multiple full length novels in a single year.

The main things I think it comes down to are:

Experience

Genre

Who you are as a person

Personally, I tend to find that writing is sort of like... like a reflex? Or maybe like working out a muscle? It can be a bit foreign at first and take time to find your style, but when you've done enough of it, it becomes a bit like second nature, especially when you write the same genre over and over, and do a lot of reading in that genre.

I have been reading novels since I was young. I've also been reading/writing fan fiction since I was 12 or 13, so over a decade ago now, and I've always done romance. Which is to say, I've been writing a long time with the same themes! But if you asked me to write a mystery novel or true crime or something, it'd probably take me an actual eternity.

My general process for writing starts with just a loose outline/skeleton of what the story will be. So, really just basic paragraphs of what I want to happen and what the general mood or setting is. For example, I've been working on Chapter 14 for my fic Playing for Keeps, and these are the first two paragraphs of my outline/plan:

Sebastian and Chouette wake up to find that their Prefect’s Bathroom post has gone viral overnight. As they make their way to breakfast in the Great Hall, eyes follow them, and other students are whispering, giggling, and outright staring at them. The attention is something Sebastian thrives on. He leans into it as he overhears students speculating about what exactly happened that night.

Chouette, on the other hand, feels a little overwhelmed. She’s never been the center of attention like this before, not for anything good, anyway. But now, people are looking at her and seeing her as Sebastian Sallow’s girlfriend. Meanwhile, she doesn’t even know if they are official because they haven’t talked about it. But Sebastian seems to be rolling with it, which only makes her nerves tangle even more.

Second, I have a work from home tech job, so I am literally at my computer all the time. I don't have to wait for free time after work or whatever, I can write on my lunch break or whenever I have down time because the tab is literally just... open.

I also just... don't have that many hobbies. Like besides reading and writing, I... play video games or spend time with my boyfriend. I don't really watch TV or movies, nor am I very extroverted so I don't make plans with friends super often. My point is, I guess I'm just kinda lame and this is just what I do with my spare time.

And then, thirdly, yes, I have soooo maaaany WIPs. I like to write a bunch of stuff in parallel so if I get writer's block on one thing, I can just move onto another. Right now I have over 10 drafts on Tumblr alone of unfinished fics at various stages of completeness, and that doesn’t even scrape the surface of the numerous half-baked stories just sitting on my computer.

Another thing to consider is that lately I’ve been doing a lot of writing for asks which I personally find a lot easier because the plot is already given to me! Like for me one of the hardest parts of writing is coming up with the storyline, so when that’s already done for me it’s like a weight lifted from my shoulders. I also find one-shots infinitely easier than weaving together a full length novel.

Recently, like very recently, I've also had the absolute pleasure of chatting more with other writers in the fandom like @newdreamlove95 and this has also been WONDERFUL for helping with planning/revising/and writing in general.

Anyway... I hope this helps and/or answers your question Anon. Feel free to send more questions if you have them.

[hexagon-club]

I’ve been thinking about your reblog where you stated that “there's something about the way gendies argue where I can't help but get the feeling that they don't even comprehend opposing views” and especially the line “they understand so little of how other people think that they don't even understand that they don't understand how others think.” 

I remember arguing with a TRA and explaining to her that I wholly supported womens (ie., females) right to be as masculine and gender-non-conforming as they wanted. Somehow we started arguing about this TIM who has a full-on beard and basically makes no effort to convey that he wishes to be perceived as a woman. I said that I wouldn’t want someone like that in women’s spaces, and the TRA I was arguing with said, “It’s funny how you talk about her beard, and then parade around like you don’t care if women are masculine.” Like, she really thought my issue was that the TIM we were arguing about was masculine, not that he was male. She couldn’t even conceptualize the idea that I did not view him as a woman. 

I think TRAs are such a unique category of people with delusional beliefs, because every other group of people with delusional beliefs at least has the language and vocabulary to articulate what they think (religious people, conspiracy theorists, etc). They can at least demonstrate a degree of reasoning behind their thoughts, no matter how flawed that reasoning may be. TRAs don’t even have that—they don’t even pretend to. It’s just circular definitions and the assertion that their internal feelings change material reality. I’m so dismayed that this ideology which is not grounded in linguistics, science, reason, material reality, or anything else has gained the popularity that it has.

I wanted to ask you what you think will become of the trans movement in the next five to ten years? Do you think we will continue to descend more and more into unreason? Do you think radfems will become more appealing in the process? I would love to know your thoughts. 

I think you're on to something. Other belief systems, even ones that are considered to be absurd by the general public, have a consistent internal vocabulary based on words that have a very clear meaning among the group members. Often they will use words in a way that is different to the way people outside the group would use them, cults love jargon after all, but they can generally communicate quite clearly with each other. If not with outsiders.

One of the many things that makes arguing with TRAs difficult is that they are not even on the same page as each other, there's the trutrans/transtrender divide, but even among the "transtrenders" which have become the mainstream of the trans movement their beliefs seem weirdly inconsistent. One of them will try to make a point, I'll debunk it, and then another will accuse me of attacking a strawman and insist that no trans person believes the thing I just debunked. They can't even clearly communicate their beliefs to each other, so they're not on the same page. But in a weird sort of way this is a strength not a weakness, because it means we're constantly trying to hit a moving target, can't really debunk an ideology if the ideology is so inconsistent no one can agree on what it even is.

On that note I just realised something, so I don't know how aware you are of this, I only learned about this after the fact, but there was something of a war on tumblr in the early 2010s between the two wings of the trans movement. The trutrans/transmedicalists represent what was essentially the mainstream of the transgender movement in the 2000s, their philosophy is essentially that being trans is something akin to a chronic illness. One that can be treated through transition, but not cured. This is in contrast to the more modern wave of TRAs who think of "gender" something more like a form of self expression. The trutrans were actually some of the earliest critics of tumblr identities and mogai stuff, because they saw that as making light of (what they believed to be) their legitimate medical disorder.

Anyway, my point is that I don't think the current mainstream of the trans community even have a word for themselves. The trutrans people call them tucutes and transtrenders. But they don't seem to have a word that refers exclusively to themselves, but not to the trutrans. That's weird, they don't even have the language to acknowledge that they are a subfaction of a larger ideology.

As to your last paragraph, I really don't know where we go from here, it's amazing that the trans movement has gotten as far as it has given how ideologically incoherent it is. But it is incredibly profitable, gender affirming care is big business, and plastic surgeons and drug companies aren't going to want to leave money on the table by letting it become less accessible. Incidentally I think this is one of the reasons why other trans identities (transrace, transage, transabled, otherkin) are never going to catch on, they are much harder to monetise, so there's no point marketing them.

The left seems to have decided this is the hill they want to die on. They seem to view gender as a sort of individual freedom. And think that people not acknowledging it is the same thing as trying to force people into rigidly defined gender roles. Like, in their minds, if they hear me say something like "non-binary is nonsense" they equate that to me saying "all women need to become stay at home housewives who wear high heels and dresses." Because they equate the word "woman" to the feminine gender role, and don't even really understand the concept of it as a purely biological classification. Even though that's what they basically all believed 15 years ago.

If the current trans position becomes untenable I think there will probably be a retreat to the "trutrans" identity. People like Blair White, Marcus Dibbs, and Buck Angel are hated by a lot of the mainstream trans community, but they are actually helping them out by preparing a fallback position for when mainstream society gets sick of their shit. I think people will mostly tolerate that, not that I think "trutrans" makes any more sense than the current position, but it's less evangelical and overall less annoying than what they currently preach. Also, quite frankly I think there are a lot of men (left wing and right wing) who are sick of TRA nonsense, but are also deeply antifeminist, and who will want to keep transgender ideology alive because they can use it against feminists.

I'm thinking of this meme I got from Sargon of Akkad's twitter account:

So there's a group of men who know that transgender ideology is nonsense, but still get a certain sadistic pleasure at seeing it get used against women.

I'm not really sure if things are going to get more irrational from here. Both the left and the right seem to be getting more and more unhinged, the left has chosen transgender/queer ideology as its cult of choice, whereas the right has QAnon and it's weird offshoots. It does seem like we are entering an era of unreality where people are giving up on the concept of a shared objective truth and are retreating into fantasy.

That's a depressing note to end on, sorry if I rambled a bit.