#The original is.....too creepy to post lol

[larunart]

When in doubt, draw a lot of spirals

[businesstiramisu]

the ancient ones were also invented in the 1800s or later

[ckret2]

How did you come up with your human Bill design?

I described my goal in the first post I made about his design:

After seeing dozens of tall dapper skinny white twinky anime boy Bills, I wanted a design that matches none of those words. My other two goals were to use the show’s art style; and to lightly pay homage to Alex Hirsch’s “canon” human Bill with the triangle body… except not deliberately hideous.

My unspoken final goal was "and I'm gonna make him damn good looking."

All the colors were sampled from Bill & Bipper, except his skin (which I sampled off a background character and tweaked until it looked good with the yellows) and his gold tooth (which I sampled off of Ergman Bratsman's).

On top of the fact that I was tired of specifically white dude Bills, brown skin tone was chosen because of the emphasis on Bill's interactions with ancient Egypt; I wasn't sure at the time how much of an influence I was gonna headcanon he had on the region, and it woulda felt weird depicting Egyptians bowing down to a white dude. (And then I decided to deemphasize his influence on Egypt almost completely lol.) It woulda been more accurate to go darker, but I was worried it would start to tilt his design into Nyarlathotep-esque Creepy Pitch-Skinned Mysterious Demonic Threat From The Orient racist territory, especially when he's already got demon eyes.

The triangular torso is the most important part of his design, I usually draw an equilateral triangle in the sketch layer and then pad it out.

If I were a better artist a year ago, I would have given him a double chin so his head+torso together would be triangular. But when I tried, I couldn't figure out a way to draw it that looked appealing instead of like a mean fat joke. So I took the coward's way out and gave him a skinny neck with a vaguely triangular chin, and now write him complaining about having a neck every few chapters.

I think the skinny neck, thinner face, noodle limbs, and typical baggy hoodie fooled people into assuming he's skinny. I figured out a way to draw a rounder face with less neck that looks more appealing to me than the original face, so I do that now. Can't do anything about the noodle limbs tho, those were chosen to match Bill's canon noodle limbs.

I went for a hoodie instead of the typical suits you see on human Bills for two reasons.

One: several years ago I had an OC I'd conceived of as a dumb kid who'd given Bill permanent standing permission to use her as a puppet, and when letting Bill take over she'd hide her human features by wearing a hooded poncho and tying a blindfold with an eye on it over the hood, and that idea stuck with me.

And two: for the story I came up with this design for, the premise is that Bill's been recently unhappily stuffed in a human body and dumped on his enemies' doorstep. So, he doesn't have the freedom or money to get fancier clothes; he's too depressed over being stuck in a human body to care much about his human appearance; and he's most comfortable in something that obscures his human anatomy and reminds him of his real form. If he was rich, free, and able to ditch the body any time he wanted, he'd be wearing suits.

[smuthospital]

⭐️Degrees of lewdly: Eden⭐️

Premise: You're a spooky place youtube explorer, and you get lost in a big scary forest! Eden voorhees lol. Reader is fem. Enjoy!

Art by Minagami

Re-upload because tumblr took it down last time.

Content Warning: Non-con, kidnapping, tummy bulge, blood, Eden is Jason, Voorhees

Miners DNI

You've never really gone hiking before and it's proven itself to be a lot more difficult than you originally thought it would be. You like to explore places you've never been, spooky places. more for the thrill. you started filming it and posting your videos on youtube. You usually take some friends along, but all of your friends decided to be little babies this time since the place you're exploring is extra creepy this time. It's a large forest 20 miles away from your city. You borrowed your mom's car to get here. you always tell them you're at a friend's house because they'd kill you if they ever found out you're putting yourself in possibly harmful situations. This forest is known for creepy sightings, disappearances, ghosts, and lots of other things your viewers would love to watch. You've been to abandoned hospitals, cemeteries, tunnels, all that good stuff. You don't think you'll actually see anything, but you brought a can of pepper spray just in case.

The wind howls, making the trees dance above you. The shapes that were once branches in the day have turned into long gangly fingers that desperately reach for you and the bushes now house entities with red eyes and fangs that you imagine want to tear you to pieces! "Wow, guys. This might just be the scariest one yet, haha. There's probably some sort of scp in here with me haha!" You try to keep yourself company by talking to your soon-to-be viewers when you post this, but it's really just to keep you calm.

"I'm a bit lost. The trail kinda disappeared somewhere around here, I think. there's just so much long grass and it's more of a footpath than an actual trail." you complain as you try to spot any familiar landmarks. It's almost impossible. It might be easier in the day for sure, but the night masks everything. You step over decayed logs and large roots, feeling worry set in. What if you're really lost!? Your thoughts come to an abrupt stop when you hear a strange sound not too far from where you're standing. Your blood freezes as you feel a cold sweat coming on. Maybe...maybe it's a person? And maybe they can help you?..or..a monster!? No, (Y/n), this is no time to be silly! That could be a person willing to help you before you get yourself completely lost!

Little did you know you were already a mile deep, walking in the wrong direction.

“I heard a sound. It could be someone who could help me get back on track.” You whisper. You turn off your video camera's flash light and carefully make your way to where you heard the sound, being careful not to step on anything that could alert whatever it is of your presence. You don’t want to startle it, just in case it's an animal willing to protect its territory from invaders like yourself. The sound came from below you. There's a rocky slope leading down to a river. You get down on your knees and peer between the long grass. You can't make out much in the dim moonlight... until you spot a giant of a man dragging a sack through the shallow water. His size alone sends shivers down your spine. Even from where you're crouching, you could tell he would dwarf you the way a cat would to a mouse. You examine him a bit more.The sack is stained in a dark colour that is seeping through the fabric and into the water. You don't dare move a muscle or even breathe. You can't believe your eyes. This can't be real. Are you in a horror movie?

You make sure he disappears behind the tree line with the mysterious sack before letting out a breath. You didn't want to accidentally alert him of your presence in any shape or form. He was probably just a hunter. Yeah, he could have helped you, but he also could have added you to the wet sack and you were not risking that.

You stand up and turn around, ready to get as far away from here as possible, only to bump your nose into a tree. The collision causes you to drop your camera. That's strange. You don't remember walking around a tree to look over the cliff. You rub your nose in annoyance. Wait a minute... This tree didn't have rough bark like the rest of them...Your brain blanks out. You've been in denial this entire time, your brain working extra hard to rationalize what's happening. Before you is a large torso. You can't even see their shoulders from how close you're standing, just a wide, firm chest. You crane your neck up and it takes you a good three seconds before your brain registers that you're looking at the man from before..and he's wearing a mask!

He looks down at you with a focused gaze. You let out a short scream and try to run away, but being within arm's reach of the giant makes it too easy for him to simply reach out and grab the back of your top. He lifts you off your feet with one arm and brings you to his eye level. He cocks his head to the side, observing you slowly. He looks down at the camera you dropped and places his large boot on it, pressing down and crushing it. You start to hyperventilate. He's gonna chop you up and wear your skin, he's gonna keep you in a dark hole and shout "It rubs the lotion on its skin or else it gets the hose again!" You thrash in his iron grip, pushing at his large hand and sobbing untellable pleas for mercy, but your begging falls on deaf ears. "I-I'm sorry. I-I'll leave, I promise! Please let me go! I-I didn't mean to bother you, I'm sorry!" You cry. Your little struggle seems to have made your shirt ride up a bit, showcasing your supple flesh to his thirsty eyes. His eyes laser focus on your bare skin.

To your confusion, his hand reaches to caress your skin, feeling the smooth texture before slowly moving up. You wiggle more, scared of where this is going. His hand soon finds your breast and cups it before giving it a squeeze. He shudders. His breathing becomes heavier as he continues to mess with your body, his thumb rolling over your nipple. All you can do is whimper and wiggle in his hold. his hand begins sliding down and you scream. You suddenly remember you brought a can of pepper spray, whipping it out of your back pocket and pointing it at his face. Then as you were about to press down and unleash the fire juice, it was gone. In his hand that was previously molesting you lies the remains of your poor pepper spray, crushed and bubbling pathetically. He was so fast you hadn't even realized he snatched it. You just stare at him in horror. To your surprise, he's not even mad, too preoccupied with the need to explore your privates. You hold his wrist and look into his eyes. He looks back into yours as if telling you to stop. You hesitantly let go, and he nods as if to tell you that you've made the right decision. His hand cups your pussy through your jeans, pressing in a bit at the entrance. He seems eager.

He lifts you higher and uncomfortably sets you on his shoulder, his hand on your ass to keep you in place. You don't even bother struggling. You'll wait for an opportunity. If this man wanted you dead, you'd be dead. You don't want to provoke him. From your spot on his shoulder, You notice that he's got a hunting rifle strapped to his back along with a machete. He has an assortment of things attached to his hips among them being a hunting knife and bullet pocket. You shiver. One more off-putting thing that's just about forcing bile up your throat is that he's also covered in a dark wet liquid. You haven't noticed till now, but you haven't been breathing so his smell has now come to your attention. He smells strongly of iron. To that, you're not very surprised.

He starts marching down the hill you were previously watching him from. You have no idea how you saw him disappear through the treeline and he still managed to sneak up on you. He picks up the large stained sack where he left it in favor of locating his little spying mouse. It smells awful, the meaty smell assaulting your senses every second. It's been 15 minutes and an opportunity to escape has not shown itself. This is it. This is how you die. Your body will never be found. Maybe in a few years in a shallow grave by some hiker if you're lucky. This inhuman mass of muscle is going to cut you up and eat you. Maybe even skip cutting you up. He could probably eat you whole as pre-workout. He lifts his leg to step over a large log, his grip on your ass slightly loosening just enough for you to catch him off guard and slip off his shoulder. You grunt as you fall into the dirt and leaves behind him. You scramble up before the giant can scoop you up. You run in a random direction. You just needed to get away from him, getting out of the forest was a problem for later. You didn't even think about how fast he'd be. How could someone be so big and fast!? He took off after you and suddenly, he was on your ass. You've never felt such a primal fear as he chased you like a hungry animal.

A large hand grabs your shoulder and rips you backwards. You fall on your back and stare up at the man now on his knees in front of you, his body completely casting a shadow before yours. He gets down on his hands, caging you too the ground, his body inches above yours. You stare into the holes of his mask and into his rabid eyes. He leans in by your neck. You stop breathing once again, you think your heart stopped. You feel something large and hard pressing roughly into your crotch. You hear him take a deep breath and smell you..."Smells nice." His voice is deep and rough, but it sounds like he rarely uses it. You scream and begin to cry again, not being able to take it anymore. You fight him with all your might. He grabs your wrists with one hand. You hear him chuckle a bit before his hand comes up to cup your check. He suddenly squeezes it and twists your face around to get a better look at your features. He grinds his hips against yours, teasing you of what's to come. He roughly releases your face, before standing to his full height and dragging you up with him. He tosses you back over his shoulder, this time with an almost bone-crushing grip. “Name.” His tone is commanding. When you fail to answer right away, his fingers press into the area on your crotch. Threatening to rip right through. “(Y/n)! My name is (Y/n)!” He hums in response.

Hot tears run down your cheeks as he walks back over to where he left his murder mystery sack. He navigates through the forest as he knows it like the back of his hand until he comes upon a clearing where his home stands. A lonely wooden cabin. He drops the gooey meat bag on the ground. You cringe at the wet sound it makes on impact. You peer over at the sack to see a human hand flop out. Before you could react, he slams his hand over your mouth painfully. "Shut up." He waits for you to nod before removing his hand. He opens his front door and steps inside. It smells musty, like old wood and man smell. Not bad, but not amazing either. He walks up his stairs and sets you on a very large bed. You take a deep breath in, your stomach sore from being jabbed by his shoulder for the entirety of the long walk.

He doesn't let you get comfortable though. His hands are on you in an instant, grabbing your clothes and ripping them to shreds like tissue paper, you're naked before you could even hold any of your clothes together. Hungry eyes leer over you through his mask. You feel his hot breath fan you through the bottom of his mask. "S-stop it, please! Don't hurt me!" You beg. As if to mock your plea, his rough hand grips your plush thigh a little too close to your cunt and squeezes it tightly before shoving it against your chest, making room for himself between them.

He releases you for a moment, only to unzip his uncomfortably tight pants. You shut your eyes and look away, only to feel the soul-crushing weight of his cock slam against your lower stomach. You writhe underneath him, small sobs and hiccups coming from your mouth every few seconds. He pauses for a moment but ultimately decides to continue. You peer up between your wet palms and see him rubbing the tree trunk between his thighs while looking down at your pathetic form.

"W-wait! I-I'm not rea-" He grabs your thighs and forces you closer to him and lines his cock up with your entrance, he slides it up and down your folds, causing you to shudder. He doesn't care if you're ready or not. You shut your eyes as he presses forth. You scream in pain. It won't go in. You're too tight, he's too big and you're dry. The tip can't even get through. You whimper in pain. It burns. You need moisture. He lifts his mask a bit and you get a peek of his jaw. It's noticeably sharp and covered in stubble. You feel his saliva plap against your poor dry cunt before he puts his mask back into place. He tries to enter you again. You yelp. He gets a bit through before he can't anymore. He sighs. He was trying to be gentle. He didn't want to break you so quickly...

He grips your thighs tightly. You feel his nails dig in. You barely have time to register the pain before you feel like you're being ripped in two. He's forcing his way in. You immediately let out a scream and begin spazzing. He just continues until he reaches his base, more than snug against your insides. Drool leaks past the corner of your lip as you stare off into space. He breathes heavily and stares at the bulge he created in your lower stomach. He brushes his hand over it and watches as you whimper and twitch. He pulls his hips back and watches it disappear before ramming himself in again and seeing it jab through your insides. He chuckles.

You lay there, unable to do anything but feel what he's doing to you. You lift your arm and place it on his lower stomach, hoping to stop him that way. You feel his rock-hard abs through his shirt and push. "You're...adorable...fuck.. you're tight." He groans before he slams himself deep inside and you clench around him. He hisses and struggles to pull out halfway, your insides trying to pull him back in. He slams in again and presses himself as deeply as he can, firmly hugging your cervix with his cock. Your eyes cross as he thrusts in and out, keeping a proper pace. Moans spill from your lips along with jumbled-up words he can't make out, all of which sound like music to his ears.

He leans over you, forcing himself snugly against you again, his mask right next to your cheek. He groans as he feels you twitch around him. "Feel..so good... was worried you'd rip... you're only bleeding a little." You can hear the smug grin in his tone.

It feels so good. You're so ashamed, feeling good when you're being raped by a maniac. You clench your tear-filled eyes as he pounds into your aching cunt. The knot in your lower stomach bursts as you cum. He moans as you tighten around him. He stills for a second, just enjoying how you feel before he pounds into you like a feral beast. You're surprised your pelvis is holding up. He grips your waist tight and grunts as he empties his balls deep inside you. You can almost feel yourself getting pregnant. You feel too full. Your stomach bloats with cum. You feel hot and fuzzy. Your pussy is so very sore and your legs are numb. He pants above you. "I've been thinking of getting myself a little wife like you." He says as he slowly pulls his still throbbing cock out with a wet 'pop'. "You're a pretty little thing and you take my cock well. Be grateful I'm letting you live as my cock sleeve." He stands up, towering over your crumpled body once again. "My name is Eden. Your duties from now on are cooking, cleaning, mending my clothes and taking my seed. Do not make me repeat these orders. Object and I won't hesitate to remind you of your place. I was gentle this time." His giant cock is still dripping your juices. You can't stop looking at it. Ge takes notice and climbs over you before grabbing your head and forcing you close to his groin. "I see you love cock. Lick it clean then like a good wife. go on."

You look up at him and hesitate a bit too long. You see anger flash in his eyes and you quickly envelop his tip in your mouth. He groans as you lick your mixed juices off, going as deep as you can without choking. He moans and grabs the back of your head. He stares down at you with such intensity that you can feel him burning holes into you. You suddenly feel your throat being invaded and your nose pressing into his pubic hair, nose pressing into his crotch. He moves you back and forth, face fucking you. You struggle to breathe properly through your nose. You let out muffled whimpers and cries, sending vibrations through his cock. He grunts in pleasure before you feel a load of hot thick liquid being shot into your mouth and down your throat. You're so tired. He slowly pulls his cock back and laughs at your exhausted state. Your head flops back onto the bed, your jaw and lips so incredibly sore and raw feeling. "Good girl." He says before your sight fades to black. You explored a bit too much.

[bathtubbbbbbbbb]

Some predictions/speculations of varying grounds about Arcane season 2 that have been rattling around in my head for a while — I thought I’d share them just for fun & as sorta a bingo card cus at least some of ‘em surely will end up true in some way, shape, or form.

Sky or the Hexcore that absorbed Sky becomes Blitzcrank.

The Last Drop becomes a base of operations for the enforcers — Caitlyn will parallel Silco & Vi will parallel Jinx.

Caitlyn starts smoking.

We get a scene that parallels Mel’s flashback in season 1 where in Jinx takes the place of the Princess Ambessa kills, except Jinx is spared & there’s consequences.

Sevika & Viktor team up post Sevika teaming up with Jinx.

A scene with Viktor that parallels the “you don’t wanna threaten the guy that pours the drinks” scene, except “pours the drinks” is replaced with “fixes everyone’s mechanical & cybernetic augments” or something along those lines anyway — Huck makes a reappearance, Mel & Jayce play the roles of the 2 traders that didn’t honor their word.

Jayce & Viktor strangling scene parallel.

Some Little red Riding Hood vibes with Vi & Warwick — Jinx is going to be the Huntsman.

Some big parallels between Viktor & Caitlyn, & Silco.

Jayce is a lonely sad sack & his & Vi’s arks are going to parallel each other — I feel they’re gonna be ops at the start of the season but by the end of it be reluctant besties.

Caitlyn’s going to find Vi’s archived incident reports from Stillwater & see a photo of the guys face Vi caved in & really rethinks her “despite it all good heart”, I feel Jayce may be involved with this, maybe he’s the one that initially finds the files or goes looking for them then shows Cait — anyway angst will ensue.

The animation for Ekko’s time travel stuff is is gonna be absolutely awesome.

Ekko is gonna get kicked outta the firelights for simping over Jinx.

Heimerdinger in a Scooby Doo-esc way is revealed to be the narrative villain all along. Yippe!

Jinx’s punts Heimerdinger.

I guess Singed will probably be there being creepy — maybe his daughter is that robo ballerina chick from fnaf who knows.

Aaannd, that’s where I’m gonna end it.

{Edit cus I forgot a couple}

Vi is going to get a spinal injury & will get a back/torso brace similar to that of Viktor’s, reminiscent of the corset she wears in her league design.

After Vi is done being an emo pit fighter she’s gonna bleach her hair to get all the black dye out of it — if you look at her original concept design for LoL it looks like she has partially bleached hair.

Jinx & Vi’s mom is going to be revealed to have been a brothel worker.

Mel & Jinx are going to have opposite parallel arks — Jinx gains influence & power while Mel loses it, it’s revealed to the audience how actually naive & out of her depth Mel actually is while it’s concreted that Jinx is a genius & only bounces back stronger under pressure.

In act 1 a temporary trio is formed between Vi, Viktor & the big shield enforcer guy we see in the trailer that’s likely from the under-city — I feel visually they’re such a strong parallel to Vi, Mylo, & Claggor, & like personality wise too — I can see Vik having a secret lock picking skill, & shield dude gives gentle giant vibes (from like that 1 clip we see of him looking sympathetic over Caitlyn’s shoulder while she’s obviously going through some emotional turmoil).

[twopoppies]

Are the any new fics (within the last couple months) that are good? I’m in a reading drought and I feel like I’ve read every Larry fic there is :( I got so desperate I even thought about looking into f/m fics..

NOOOOO NOT THE HET FICS. DON’T DO IT. 😆

I think I’m just going to use your ask to post my year-end favorite fics. Hope you don’t mind.

It’s been a tough year for me, and I haven’t gotten to read a ton, but these are all excellent.

Secrets, Santa? By @indiaalphawhiskey (E, 19K) disaster gay Harry in all his bumbling, endearing glory still manages to make his incredibly hot boss (Louis) fall for him. This one has snappy dialogue, great internal monologue, and scorching smut. I’d expect nothing less from this author.

your lips in the low light by etherealbliss / @givesuethemoon (E, 21K) It’s been a long time since I read a Larry Uni AU, and this one checked all the boxes. This author managed to really capture the immaturity and obsessive emotions of university age lovers arguing and breaking up, and making each other jealous, and fucking and fighting some more, and ultimately making up. Harry is bratty and sensitive and Louis is dense and long-suffering and they’re perfect for each other.

Scorpions et Madragores by Stria / @nooradeservedbetter (E, 23K) Read the tags and author’s note on this one because there are some themes that could be triggering. This is a dark fic and Harry is a pretty creepy vampire, but the story is very well told and there’s a happy ending.

2 a.m. texts by everysingleday / @sun-lt (T, 30K) This was very sweet and very funny and had just enough sexiness (although I wouldn’t have minded more. LOL!) Link is to a download.

The Doppel Effect by yeah_alright / @uhoh-but-yeah-alright (T, 6K) the concept for this fic was so original and a really compelling read, I can’t help but hope the author gets inspired to continue this ‘verse.

Danger I Can’t Hide by CelticSky (E, 227K) This one’s got all the tension and drama you’d expect of a World War II story—life and death high stakes, friends and lovers unexpectedly torn apart, battles and heroism, plus the added stakes of classism and homophobia—then add a slow burn, high risk, scorching love affair spanning years. If you want a story that’s complex and fantastically researched, plus lovers to root for, read it. It’s long. But I couldn’t put it down. When I finally did, I picked it right back up and read it twice more. It’s that good.

one conversation by fondleeds (NR, 1K) This really is just a couple of scenes, and the story is open-ended, but, if for no other reason, read it for the beautiful way the sentences flow. My notes on every fic of theirs begin with: “I wish I could write like this.”

Night Shift by banaanipoika (E, 9K) This was incredibly sexy and beautifully written. I loved that there was such a unique setting with so much descriptive language making me feel like I could smell and feel everything in that hospital room.

On The Pull by @homosociallyyours (E, 4K) Short, but really sexy and just the right amount of bittersweet and hopeful. Loved the characterizations and the smooth writing. So few people write canon Larry these days so this was a nice change of pace.

Devil in my brain, whispering my name by @lunarheslwt (E, 9K) i i thought this author struck a great balance between the dirtiness of a demon defiling an angel and the way the angel gave in to his desire to be defiled. Super sexy.

pull you closer (kiss me harder) by @sunshineandthemoonlight (E, 6K) This was absolutely beautiful — just the perfect amount of tension and wistfulness to make me tear up. But then it was sexy and full of hope at the end. I loved how Louis supported Harry and gave him exactly what he needed (and really, H gave Louis what he needed, too).

[super-paper]

I feel like Toga and All for One have many similarities, but I am unable to articulate as to why I feel this way.

I think it's safe to say that AFO is an intentional foil to Himiko, Tenko, and Touya at this point! I've discussed how he shares body motifs with all three of them before, but his backstory more or less cemented that he's supposed to be read as "the worst possible extreme and the worst possible conclusion" to each of the trio's respective origins and overall stories.

As for how Himiko and AFO foil each other, specifically:

Cannibalism as a metaphor for Not cannibalism

Let's get the obvious point outta the way first, lol.

AFO and Himiko are both established as children that society wasn't prepared or willing to care for-- AFO was born during the advent of quirks where "paranormal" children like him were treated as diseased and shunned (or worse) by the rest of society, while Himiko was born during an "era of peace" where civilians are expected to maintain said peace through endlessly conformity and complacency-- outside of pro-heroism, civilians are essentially expected to role-play as though they've returned to "normalcy" (i.e. pre-quirk society) and the fear of being labeled as "abnormal" (despite living in a post-paranormal society) drives them to shun those who can't easily conform.

Both AFO and Himiko's "first sin" involves the "consumption of their fellow humans," which they both commit when they are too young to fully understand what they're doing-- and both acts of consumption were initially tied to their attempts to fulfill a basic human "need" that wasn't being provided for. Himiko drank the blood of a friend whose smile she envied after years of having her own smile called "creepy," AFO was a starving newborn whose mother couldn't provide him milk or protection and whose cries were ultimately ignored by everyone else. When Himiko takes someone's blood and "becomes someone else", she finally feels good "about herself". When AFO takes his mom's quirk and uses it to drink her blood, he no longer feels hungry and no longer has any reason to cry out for help/attention. Thus, AFO & Himiko ultimately learn and internalize that in order to fulfill their own neglected needs, they need to take from others.

Something something re: "the catharsis that comes with finally """"embracing your true nature'"""" so you can finally become what your family always feared you'd be (POV: you are 14 years old and utterly doomed by the narrative) (and so is the main object of your ""affection"") (puberty is a bitch ain't it!)" something something

To Himiko, the consumption of others becomes a way to "become somebody else"-- someone the world will treat more kindly than they treat "Toga Himiko." She feels the urge to completely drain the blood of anyone who has the life and relationships that she desperately wants for herself. Before that, drinking blood was simply her way of expressing admiration/affection and fell under the banner of MHA's definition of "pure love" (i.e. love as imitation). Himiko showed no inclination towards completely draining the blood of those she loves until her psychotic break with Saito, and she is notably able to restrain her supposed "urges" around the LOV despite loving them deeply. The "urge to drain those she loves completely" isn't actually tied to her quirk, but to her desire to "become someone else."

To AFO, the consumption of others became yet another way to rob them of their autonomy-- by taking away "a part of them" and forcibly turning it into a part himself in the most base, unsettling, and crude way possible. Before that, his consumption of others was simply driven by his instinct to survive. AFO's "urge to take" is tied to the preconception that no one will provide for him or look at him UNLESS he is taking something from them-- like Himiko, his quirk merely makes it easier for him to act on urges that don't actually stem from the quirk itself. AFO's warped perception of other people balloons wildly out of control by the time he reaches his teens, and finally cumulates in him ""eating"" the glowing baby out of jealousy:

*Kills someone over their follower count* Man, AFO is nvr gonna beat the "was a tiktok e-girl in his previous life" allegations

AFO and Himiko both "consume" other people out of jealousy and a desire to make up for what they feel they lack as individuals-- but an important distinction between the two of them, I feel, is that Himiko's consumption of others is ultimately driven by her desire to connect with other people while AFO's consumption is instead based on fear + mistrust of others. It's the difference between "Consumption as wanting to become a part of someone and become a part of the world they live in (+ consumption as a way to become a part of the world by living vicariously through someone else)" and "consumption as forcibly making someone a part of you and forcibly taking away their connection to the world."

Speaking of "consuming someone who has traits you envy in an attempt to make those traits your own" *pointedly looks at AFO's dynamic with Tomura* ...........yearp.

It's only after Himiko's human needs are finally addressed by Ochako, that Himiko learns the desire to "give" rather than take. I feel that this is probably one of the core take aways of the series while more or less being the "end goal" of the OFAFO plot-- "endless giving without ever taking" (All Might becoming the number one hero at the steep price of himself and Izuku almost destroying himself in the process of trying to emulate All Might) and "endless taking without ever giving" (AFO full stop, as well as society itself towards both the heroes and villains) are both extremes that only cause more people to get hurt. There has to be reciprocity. It has to be "One for All -AND- All for One." Give -AND- Take.

Side note: Himiko's favorite food being pomegranates also strikes me as ironic when you remember that Hori is gigantic mythology nerd-- In both art and mythology, it's not uncommon for pomegranates to be used as a visual for "flesh" and for their consumption to be used as a stand in for cannibalism. In greek mythology, pomegranates are known as the "fruit of the dead", and are believed to have originated from the blood of Adonis. There is also the legend of Persephone, who was cursed to remain within the underworld for six months each year as the price for consuming six pomegranate seeds while in hell.

The Buddhist legend of Hairiti/Kishimojin also stands out for framing pomegranates as a "cure" for cannibalism, by offering them to man-eating demons in lieu of flesh:

As for AFO-- it's been pointed out by several different people that he shares several parallels with the greek titan, Cronus, who is most famous for having devoured his own children whole.

With that in mind, I feel like the act of consuming blood has an almost mythological edge to it for these two (outside the obvious reality-based social stigma of it lol)-- the act of "eating" others, regardless of intent, is what condemned both AFO and Himiko to hell. But Himiko is offered a way out of that hell and ultimately finds salvation in allowing herself to be "consumed" in turn, while AFO just doubles down on eating every rando beefcake he can get his hands on while giggling like a school girl (and yet, when the chance to eat Toshi finally presents itself, he totally fails to capitalize on it. mfer can't even "cannibalism as a metaphor freaky gay sex with your dramaturgical foil" right smh 😤).

As an aside, when I say "people generally read into MHA too literally and expect entirely too literal conclusions for what is largely a fantastical story about abuse/trauma/coping mechanisms," how MHA depicts ""cannibalism"" through Himiko is actually one of the examples that comes to mind lol. So many people think that death or jail is the only appropriate conclusion for Himiko's character because it's the "only realistic conclusion" like they aren't reading a story where people have tape dispensers for arms lmfao.

OMNOMNOM-- (On Mouths)

:D

Not much to elaborate on here, mouths (and smiles) are AFO and Himiko's shared body motif in MHA's narrative. AFO's mouth is his only distinguishable facial feature during Parts 1 & 2, Himiko's smile/mouth is her defining feature and how others perceive it is a source of trauma for her. Her villain outfit is notable in how it covers her mouth/hides her smile while also resembling AFO's act 1 mask:

*squish*

During the final war, Himiko puts her mask on and hides her mouth immediately after being rejected by Izuku. This is symbolic of a lot of different things, but mostly, it drives home how she is no longer interested in talking things out and has "fully embraced being a villain." Ochako understands what's at stake and spends the rest of the fight trying to "take the mask back off"-- she understands there is something behind Himiko's villain mask that she needs to save.

Meanwhile, Toshi smashes past AFO's mask during Kamino and finds there is simply nothing underneath it-- reinforcing the idea that AFO has made "being a villain" his entire identity and that there is nothing worth saving behind his mask. However, Toshi was also the one who "smashed" AFO's facial features away in the first place. AFO definitely deserved getting his head popped, but in the context of MHA as a whole, I feel like AFO and Toshi's dynamic only highlights the overall tragedy of the hero/villain system and why it's a good thing that the new generation is starting to challenge it.

It is worth mentioning that mouths are frequently used to mask and dehumanize within the context of MHA's narrative, but this isn't something exclusive to AFO and Himiko ('sup Toshi) (''sup Tomura).

(I don't actually have anything else to add here lol)

Demon Child, Demon Lord

AFO and Himiko also stand out in how they're both framed as having been "born bad"-- Himiko by her parents, AFO by himself and the narration. Discerning readers already know that this is a crock of shit.

Child for One sees the Demon Lord being surrounded by people who provide for him out of fear while he's stuck living in isolation and squalor with Yoichi, and decides the only appropriate reaction to this is to make a children's comic book his entire personality (he's just like me fr)-- He embraces the idea of becoming a demon and shedding off his humanity, and immediately starts self-styling himself off a generic biz-caz corporate shmuck (lmfao).

Unlike AFO, Himiko resists the label of "demon" as much as she can-- she styles herself as "a cute high school girl" despite being a middle school drop out because she realizes the world will treat her a little more kindly this way (but only a little). Himiko longs to be seen as human, but is made to feel like a monster instead.

What I find interesting is that AFO himself outright admits that he lacked the ego/awareness necessary to "consciously" take Yoichi's quirk when they were children-- yet, both he and the narration continuously frame the siphoning of his mother's life, quirk, and Yoichi's nutrients as though they were intentional, malicious acts. AFO leans into this framing and builds his whole identity around it until that framing is finally pulled away from him literal seconds before his death.

Being "human" to Himiko means going back to a time where she was loved and accepted unconditionally. Being "human" to AFO means going back to being that screaming infant who no one would look at.

Like it or not, everyone is human in the end little dude.

Other Miscellaneous Similarities:

This one doesn't require much explanation-- through prioritizing their own needs above all else, AFO and Himiko both dehumanize other people the same way other people dehumanize them. Himiko is still a child, however-- and she is ultimately saved by her desire to be accepted and form genuine connections with others. Her final fight with Ochako is as much about getting Himiko to see Ochako as "human" as it is Ochako acknowledging Himiko's humanity. Once again, it's all about reciprocity/give-and-take.

""join our family and let me raise you! :D *hard cut to a burning orphanage*" AFO being genuinely puzzled that ppl aren't jumping at the chance to raised by him is my favorite running gag in mha.

Both AFO and Himiko also have a habit of being.... inappropriately intimate with other people, often to the point where whatever "relationship" they have with others exists almost entirely in their own head. Himiko calls Tsuyu by her first name and gets told to cut it out because this is a privilege Tsuyu reserves for her friends, and Himiko immediately interprets this as Tsuyu offering to be friends. AFO calls his worshippers his "friends" and his cult "his family" and asks that his young victims call him "uncle" like he's a kindly family friend and not the dude who is blackmailing them into betraying all their friends.

Also, neva 4get.....

To think AFO could have also had fun yuri times if he had just stopped being a dickhead for five seconds. Tragic. 😔

(/j)

[xenosagaepisodeone]

For the last 2 weeks I've been transfixed on a strain of lost media I've come to call "bad memory induced media", where the supposed media in question does not (or at least more than likely does not) exist, but there are swaths of people convinced that they have definitely seen it at some point. There is rarely anything more to go off of for the hunt than a vague summary outlined in a post on some forum, but the lack of specificity allows people to fill in the blanks with similar types of media that they've seen, giving them the impression that they've already experienced it. I've found that this is extremely common for alleged lost shock media in particular, which isn't surprising. I talked a little about this on my LOL SUPERMAN post, and I get the impression that a similar strain of logic applies on a smaller scale.

Anyway, 2 major cases I have been looking at for a while are Saki Sanobashi/Go For A Punch and Evil Farm Game. Saki Sanobashi in particular fascinates me because an urban legend like this should have crumbled to the wayside by like 2018 at the latest, since that's when anime more or less became demystified to normal people. The basic premise is that it is an 80s/90s horror anime about anywhere from 4-8 girls trapped in a bathroom. The girls talk about their lives, hopes, dreams and philosophies before slowly going insane and dying one by one. If you like horror stuff you probably are already getting the vague impression that it sounds familiar- which could be influenced by any swath of media artifacts from Saw to the Russian Sleep Experiment creepypasta to the Ikea SCP to ClockUp's Euphoria to snippets of Battle Royale to that one Grisaia no Kajitsu arc. OP insisted he found it fully subbed on the deep web (omegalul) and hasn't found a trace of it since, implying some kind of murky origin or legal status (the OVA is not pornographic btw). As you can probably tell, I think this is silly. Like, so much goes into anime production that it would be difficult to hide any traces of this thing's existence. Someone had to voice act those girls. Someone had to sit hunched over a desk and draw that settei. OVAs were such a new thing in the 80s and 90s that both sfw and nsfw series were advertised in magazines. The only way that this could be so lost that not even a MAL entry remains is if it had been a student/indie production or something made for a single comiket event...but even at that....you're telling me that someone still managed to rip this from a vhs and subtitle it? And then chose to upload it to the deep web instead of youtube? even the title sounds like something google translated but didnt format correctly ("Saki Sanobashi" being gibberish while "Saki-san no Bashi" translates to "Saki-san's Bridge").

And yet there are people who will say "I definitely saw this at some point" because they saw a reaction image similar to the alleged scene where the protagonist smashes someone's head into a mirror. "The neck scratching death sounds familiar...." because you watched a higurashi amv! And OP did too, and thought it was so creepy that he involved it in his fake story. It's almost grating how much you have to suspend your disbelief to embrace that something like this exists in the exact way that stories like this insist. While many people have accepted that the series is likely not real in the last 4 or so years, there still persists a cohort of people hunting for Saki Sanobashi, likely because they are kids who are now too old to believe in Squidward's Suicide.

Evil Farm Game gives me a chuckle because it goes like this: a redditor posts to r/tipofmytongue about an old flash game where you play as a farmer who kills his wife and then has to hide her body while going about his farm tasks. The setup is completely fine and actually kind of reminiscent of a few story driven flash games I played on newgrounds as a kid. Many people came forward insisting that they had played this as well, one person even producing a link to a file from their hard drive that they couldn't open, but strongly believed that the game was there. A subreddit was even created to support the search. The twist is that it was a misremembered joke from a vinesauce stream.

Everyone knows that memory is an extremely fallable thing; people can be coaxed into believing that they did or saw things that they didn't with the correct prompts. What gets me is that a lot of people on the hunt for "bad memory induced media" seem to largely be hyping themselves up. They want to believe there is something that exists against all reason no matter what. It's chuuni in nature. Do not get me wrong- the interest in finding a cool, mysterious, haunting piece of media isn't lost on me, but dog, the dopamine hit of finding a previously lost 1985 commercial for almonds in a box of vhs tapes you got from eBay is the same.

[pineappleciders]

SPOILERS FOR OMORI MANGA CHAPTER ONE (it's the same plot p much as the game but go read it first if you haven't cuz the art is so cool!!!)

chapter 1 is already available in english and ohh my god. i took so many screenshots i couldn't fit them all so i might make multiple posts LOL

spoilers VV

already off the bat kel looking like a cutie pie, i just know my pfp is gonna be changing

the family photo😭😭😭

i lovee that we're getting more creepy mari

i LOVE how rhe artist gives sunny sm emotion,,, also suntan content om nom nom

they hold hands☹️☹️☹️😞😞

SUNNY POKING TO COMMUNICATE

i love how they look terrified seeing each other after 4 years, when in-game they barely even acknowledge each other

the photos of mari falling out of aubrey's pockets. ok im sobbinf

i like how they changed it to omori being the one to notice aubrey getting stuck and helping her out, when in game i think it was kel(?) that helped her out

ok i have so many screenshots but i can't post them all so i'm gonna give all my thoughts now ab chapter 1!!!

i really love the artists style and how they interpret the interactions in the game. they gave sunny a lot more emotion which is fun to see, i think it's SO cool that we basically get two different POVs from the game and the manga!!! like maybe sunny in the game expresses those emotions too, but he doesn't in his mind. like to stay more similar to omori

i also love the details of how mari looks more creepy, it makes her existence feel more mysterious. but i also love sweet caring mari so i hope we get more of that too!!! i already love seeing different people's perspectives on omori and how they portray the characters, so i'm super hyped to see all of the interactions fleshed out by a new artist!!

i'm SO excited for the next chapter, also super excited for it to be in shelves and i hope i can find it online without it being a bajillion dollars :,) also it's funny how omori was originally gonna be a manga but then it was a game and now it's a manga again, and the new manga looks nothing like the og aaggh it's so cool

[quasi-normalcy]

I know I say that modern Star Trek hasn't really introduced very many original villains, but that's not quite fair., So...

Comprehensive list of new villains offered by modern Star Trek (post 2017)

BA'UL

Why They're villains: They oppressed the Kelpiens on Kaminar for thousands of years and lied about their origins. Pros: Notably creepy design, and notably creepy technology Cons: They can't really be used as recurring villains because the Kelpiens overthrew them at the end of the episode; 900 years later, they'd become allies.

CONTROL(technically borrowed from the novels, but whatever):

Why They're Villains: Did that standard basic bitch evil computer move where they tried to wipe out all organic life in the galaxy. Pros: Um...at least the writers got it out of the way so that they couldn't make that particular aspect of the novelverse canon.

Cons:

CONTROL sucks.

Seriously, at their best, they're just like...Diet Borg. Fuck CONTROL.

Can't come back because Emperor Georgiou murdered it up but good, yum yum. Not that you would want it to.

HIGHER SYNTHETICS:

Why They're Villains: "Just ring us up and we'll come kill all organic life in your galaxy", lol.

Pros:

Tentacular

Introduces some cosmic horror to the Star Trek universe.

Cons:

Kind of a generic doomsday villain.

Too powerful to really use them again.

GELRAKIANS:

Why They're Villains: Turn hostile if you show them wood.

Pros: Umm...

Cons:

Completely obsessed with crystals

Not really prime "recurring villain" material

DROOKMANI:

Why They're Villains: Extremely territorial about their salvage.

Pros: So far, they're the first villains on this list who have actually been recurring

Cons: They don't really seem like a threat to any ship more powerful than California class.

BADGEY:

Pros: "I will burn! Your heart! In a fiiiiiiiire!"

Why He's a Villain: Daddy issues.

Cons:

Kind of a one-note joke.

Ascended to a higher plane of existence so he can't be come back.

AGIMUS & PEANUT HAMPER:

Why They're Villains: He's a tyrannical supercomputer! She's just kind of a bitchy robot! Together they're...legitimately just making each other into better people?

Pros: They're kind of adorable?

Cons:

They're not really villains anymore

Peanut Hamper shouldn't even be on this list since Exocomps were from TNG.

SPECIES 10-C:

Why They're Villains: Gravitationally dredging the Milky Way for dark matter.

Pros:

Kind of a cool concept

Not a type of alien that Star Trek has really done before.

Cons:

Not really villains.

Extremely unlikely to recur.

TRANSWARP CONDUIT ALIENS:

Cons:

Why They're Villains: They, uh, opened up a big-ass transwarp conduit in the middle of Federation space for some reason.

Pros: Umm. They gave Agnes something to do in the finale.

Blatantly just created at the last minute to justify the presence of the Borg at the beginning of the season.

By the writers' own admission, they never had any actual intent to follow up on them, even though they really ought to.

They're a complete blank slate; even more so than the Higher Synthetics. Who are they? Dunno. What do they want? Dunno.

Honestly I don't even care about them, I just want to see more Jurati-Borg

VAU N'AKAT

Why They're Villains: They blame the Federation for destroying their planet in the future.

Pros:

It's nice to actually have an original alien species as arc villains for a change

I like the aesthetics of their technology

John Noble and Jameela Jamil both have really pleasant voices; like, I could listen to them all day

Space Goths

Drednok

Cons:

There's only, like, a hundred of them who came back from the future so it's not clear how much of a threat they can be without their living construct jiggerypokery.

I'm sure that this will get fleshed out in season 2, but they seem kind of underdeveloped as a culture at this point.

I assume that they'll probably make friends by the end of the series, so they probably can't be recurring antagonists elsewhere.

SHEPHERDS:

Why They're Villains: Ancient fundamentalists amorally protecting a holy comet on its path.

Pros: It was a good episode.

Cons: Unless you run into that one specific comet, they'll probably just leave you alone.

MAJALANS:

Why They're Villains: You know The Ones Who Walk Away from Omelas? That.

Pros: It was a good short story.

Cons: Aside from ritualistically torturing a child to death every few years, they're kind of upstanding citizens of a the galactic community. Not really villain material.

HYSPERIANS:

Why They're Villains: Their evil queen keeps trying to trick her asexual son into losing his virginity.

Pros:

Their ship is really pretty.

The concept of Ren Faire larpers getting together to make a real kingdom is kind of hilarious.

Cons:

They're just another type of human

They seem to mind their own business when they're not trying to interfere in the sex life of one specific Starfleet engineer.

KROMSAPIODS:

Why They're Villains: They have a undeniable biological need to hunt

Pros: Kind of terrifying design

Cons: Catch-and-release hunters aren't really threatening.

MOOPSY:

Why It's a Villain: The Moopsy DRINKS YOUR BONES!!!

Pros: Moopsy!

Cons: Moopsy!

[deliriumzer0]

Gen Loss' shooting location

I'm super into dead/dying malls so I knew what mall it was as soon as I saw the ending of Ep 2, but I didn't wanna post anything about it until after Ranboo had left NY just in case. I'm not about to facilitate any creepy behavior, you know?

So GenLoss was filmed at the now-closed Galleria at White Plains, which -- fun fact! -- is the same mall used for interior mall shots in the movie Eighth Grade (so everyone who enjoys Ranboo/Bo Burnham connections, there's a fun one!). It opened in 1980 and positioned itself as the mall for "normal" people, in contrast to the more upscale Westchester mall nearby. Sadly, that other mall is still alive & kicking, while this one was closed at the end of March 2023. There are apparently redevelopment plans in the works to turn it into mixed-use (retail + residential) space.

I was too curious about what some of the stores used in the shoot used to be, and how much of what I saw in GL was set design and how much was already in place, so I looked up old directories & photos of the mall to see if I could sleuth some of it out. In case anyone else was curious about the set designers' work, or is into retail history, I figured I would share my findings!

The central elevator area of the mall in GenLoss, and how it appeared in 2019. (Screenshot from the 2019 video linked below)

Apologies for the multiple different angles on this one, but this is all the same area, first in GenLoss (right after Ranboo starts walking away from the panel where Hetch is appearing), then from the Fleabitten Adventures 2023 video, then from the Raw & Real Retail video from 2019. (Couldn't resist screenshotting the drone ad on that last one, lol)

In the GenLoss screenshot, at the far right edge of the Sears entryway, you can see a bit of the painting left behind, so my guess is the GL set decorators got rid of that artwork for the shoot.

The screen where Ranboo first speaks to Hetch in ep 3. The empty store behind them was an American Eagle Outfitters at one point, but it was already closed by February 2023. (screeenshot from Fleabitten Adventures 2023 video)

Here's a before & after of this directory panel. (Screenshot from the Fleabitten Adventures 2023 video)

The store full of "props". In the original store photo (Google's only photo of this shop), you can see how the existing shelves were repurposed for GL. Also way at the far end of the store there's a black & white photo of someone with a basketball that was left hanging up.

I had a hard time finding a closer angle of this Victoria's Secret, but in case you were curious, here's one from the Raw & Real Retail video lol.

Where Ranboo almost left but Hetch stopped them: a Kay Jewelers.

The streamers are sitting in the following establishments: My Kitchen, Bourbon Street Cafe, Sarku Japan, Dunkin' Donuts, and of course Charley's. The last empty storefront was a Burger King before it emptied out. (Photo from Foursquare, cropped by me)

The Dental & Foot Care storefront is unchanged except for the seating out in the open area. It was a rounded wooden bench set as of Feb 2023 (screenshot from the Fleabitten Adventures video), but for GL it was the standard metal benches found throughout the mall. Not sure why.

Going far back enough, this was a Radio Shack. Couldn't find ANY photos of this particular location though, so here's the only photo I could find of what it was in the interim: a dress shop called Gloria's. (Photo from Yelp)

This one is my favorite part. :) As of February 2023 (screenshots are from the Fleabitten Adventures video), the "Heart of the Facility" is this weirdly sparse artsy furniture store called Home Splash. But before this, what the shop's facade was designed for, was...

A Charlotte Russe location. Ranboo died in a fucking Charlotte Russe. When I learned this, I could not stop laughing.

More/Sources:

https://www.reddit.com/r/deadmalls/comments/zupwhw/the_galleria_at_white_plains_ny_in_late_afternoon/

A great youtube video from Fleabitten Adventures walking through the whole mall in February 2023

Raw & Real Retail walkthrough video (from 2019)

A shorter walthrough video from HELLOTHISIS4U

Photos from FourSquare

I didn't cover everything I learned here, just the stuff I thought was coolest (and that I had images of), so please feel free to flood my ask box with questions about what certain things used to be!

[radiantidiot]

I wanna see some of your headcannons tbh. Either game works.

(Pls, if thats not to hard. If you don't mind)

Ok so I answered a similar question here, but I'll expand on some stuff and say new things here.

D'arce is a lesbian, Le'garde is her comphet. She was originally gonna be lesbian, and there was a piece of concept art you've probably seen of her with the ghost women, in my heart she never stopped being lesbian.

Le'garde knows this, and finds it useful. In my heart he's gay, this is partly due to the fact that he's based off of one of the gayest possible people, but I think one of the reasons he keeps her around is she deflects suspicion. He can't be gay, look at this child of Alll-mer he is likely together with.

I might have said this before but d'arce and Samarie are the same person to me. Not really a headcanon, more just like vibes. Two lesbians who feel such a profound emptiness, but have found someone who fills that emptiness. And upon finding someone who makes the emptiness go away, they're willing to do terrible, terrible things to keep them in their life. Samarie out of love, but D'arce out of like religious devotion (insert three paragraph rant sky Le'garde Alll-mer symbolism, I've ranted about it before tho so I'll spare you the repeat) but she interprets this devotion as love as well.

(This one is fully stolen from modern man traditional medicine, one of my favorite fics ever) Daan has a hard time being close to people. I think his childhood plus the creepy ass arrangement with the baron have kinda made it impossible to be like intimate with anyone in any way that doesn't feel like a performance. I think he kinda sees sex and intimacy as like a favor or a transaction, cause that's all it's ever been to him. The background option that teaches loving whispers is also implied to be like prostitution so like......

Abella would have loved factorio. This is like 100% projection cause I love factorio and I love abella, but I really feel like she would have liked it.

Uh cahara uh beautiful pretty man uh I forgot what I was gonna put here

Karin is homophobic. There's a very real chance this was on the last post too but I don't remember lol. This one's kinda Canon, based on what she says at the train if you're playing as daan, but it's especially funny cause in my heart she's bi.

Enki is ace. He crashes the game if you try and make a marriage with him. He could just refuse, but in my brain he accepts and then exerts what little control over the game he has to hurt the real human playing the game by making them lose their save. This one's got the stamp of approval from my ace best friend.

I would love to hear your head canons as well! This is mainly directed at herta, but random passerbys are also encouraged to give me your head canons!

[astarionposting]

tell us more about ren she’s so pretty i need lore

Hello anon!! I am so flattered u want to know more about her! Ren is an alternate universe version of my usual Tav. I’m much better at storytelling visually, so I’ll explain some of my visual choices I’ve made for her character, which contains a bit of the lore I have created thus far. (also thank u for the excuse to just create a character dump post for her lol - i spent way too much time on this)

content warnings: mentions of dissection, scarring one's own face, unhealthy obsessions, stalking, religious trauma... just general fucked up Bhaalist things. + spoilers for BG3

EYES

A keypoint in her design are her eyes; Ren has the same eyes as The Dark Urge's Fiend butler, Sceleritas Fel, reflecting her origin as a creation of Bhaal Himself. Similar to other creations like her and Sceleritas, she was made with the purpose of serving and assisting Bhaal's Chosen.

SCARS

The right side of her face is deliberate scarring of her own doing during her priestess "training". Her body scars, however, are the result of the experimentation performed on her in her early training days. These experiments are often done with the purpose of making unnatural "improvements".

HANDS

I really love how Scarlet Witch's fingertips will stain black as a result of her use of the Darkhold's chaos magic spells, so I took that inspiration and headcannon that Ren's hands/arms do something similar from her "training" as a priestess of Bhaal and her use of necromancy/shadow magic and rituals.

For her general aesthetic, I was mainly inspired by the concept art for Bhaal for BG3 and this art of a priestess of Bhaal. She often wears a large dusty cloak over her usual gown. Placed on the top of her cloak, she will also sometimes wear a crown of thorns, mimicking the "spiky" style of common Bhaalist attire. During their time in the temple, before the events of BG3, she often adorned her face with a broken piece of a human skull. Since her coat is quite heavy, she walks a little hunched over… kind of like a creepy gremlin. Additionally, she will wear a small Bhaalist charm at the collar of her cloak.

Underneath, she wears her typical black gown; the top half resembles Orin’s carapace and blends into her skirt, with leg slits for better mobility, of course! When she isn’t wearing her cloak, her hair is loosely tied back and styled into a collection of braids, accessorized with Bhaalist jewelry.

*Keep in mind I am not a lore expert in terms of D&D deities or Bhaalist lore in general. I took some stuff from the forgotten realms wiki but also just made some stuff up lol, so this NOT D&D or BG3 lore accurate.

Also, again, warnings for unhealthy relationships/obsessions, as well as brief mentions of torture but not in detail.

THEY ARE BHAALISTS THEY HAVE ISSUES!!!!

Similarly to Sceleritas Fel, Ren has a lot of "care" for The Dark Urge. She favours him over Orin, and often clashed heads with her... but of course I have to have some doomed yuri content too!!!!!! so maybe they kissed once or twice >:) (but waaay before the events of BG3) Her "training" as a priestess of Bhaal consisted of torture, religious indoctrination, and extreme mental corruption/manipulation, especially by Orin. As implied before, she faced experiments in order to "improve" her usefulness to Bhaal and His Chosen. As a result, she is not the most stable person you'll meet. She is mainly chaotic evil aligned, however, her final loyalties will always lie with The Dark Urge, and she is accepting of his resistance/redemption path, as well as his acceptance/murder hobo path. She is essentially a certified Real One (also doesn't rlly vibe with Bhaal after he kills her evil Dragon boyfriend yk). The tadpole in someway also helped "release" her mind of Bhaal's influence, and while she is still an obsessive and violent girlie, she can be persuaded to not be a total murder hobo and sometimes even decides on her own to go against Bhaal's wishes (she still cool with murder though). As I previously mentioned, Ren was created by Bhaal to assist His Chosen in his duties and leading the temple, as most priestesses/priests of Bhaal do. She is more of a companion and advisor to The Dark Urge, rather than a servant like Sceleritas Fel. She is deeply (obsessed) "in-love" with The Dark Urge, and supports him over Orin. A while before the whole tadpoles, absolute, blah blah blah stuff, her and Orin had a brief history, but it was moreso Orin's jealousy of what Durge had. Her in-game class is a Bhaalist class mod! It is very fun so far, and she just levelled up to level 3 and can now has the ability Verminous Metamorphosis, so she can turn into a… RAAAAT!! 🐀 sorry, Astarion :( However, I see her as a combo of this and a death cleric of Bhaal. In terms of how her story is going in the BG3 campaign, i still haven't fully fleshed anything out yet! I would assume she would have a large impact on Durge's memory loss. Maybe she will have her own gaps in memory, but knows they have a reason to go to Baldur's Gate. As for other durge events, I believe she would be proud of The Dark Urge for such a "beautiful display of gore!" after Alfira night lol. I'm still undecided if I want to do redemption or murder hobo durge... I don't want to kill Isobel so I'm probably going to headcannon that Bhaal tasks The Dark Urge with killing her, as a way to test if he is "losing his way", or if he cares more about the life of a "mere servant of Bhaal" than his own "birthright" as Bhaal's Chosen.

For now I am just going with the flow of the game and doing some fun photo and gif series of Ren and Durge's adventure in my Durgetav playthrough!

Face preset | hair | scar | eyes | makeup + bloody lips | body tattoo & autopsy scar Orin top, arms + legs | dress + accessories | cloak | hood + crown/mask | lingerie

♡ PLAYLIST

dividers made by me with canva; graphics by @/brand314195326 and @/dhtgip. screenshots by me ♡

[dangerliesbeforeyou]

ok so i just watched the wicker man (the original one ofc not that awful nicholas cage remake with the bees lol) and rather than making a post about it i ofc am gonna talk about mr king, aka the in9 episode that people kept saying was super similar to the film lol because if i cant relate everything to my hyperfixation then what is the POINT lol?!

first thing i will say is i absolutely LOVED the film!! i often find classic horror films either to be hit or miss (halloween sucked but the exorcist was amazing lol) and this was definitely a hit imo!

and it's super interesting thinking back to mr king and the things they chose to pay homage to from the original! creepy kids, masks and rituals, emphasis on sexuality and the harvest, even the outsider acting as a 'well-meaning coloniser' trying to 'educate' the natives lol

but i think it's in the changes that make mr king super interesting to me (and why it kinda bugs me that people keep just saying it's a remake of the wicker man... like it bugged me BEFORE i watched the film and even more now because they are v different lol something being inspired by a thing doesn't mean it's copying it smh have y'all never heard of a homage!?!?... anyway)

changing the setting to wales was SUCH a good choice imo, a place that is only really recently beginning to properly reclaim some of it's old culture after literally centuries of english colonisation (if you weren't aware, there have been recent pushes for various welsh landmarks and places to be referred to by the welsh name and not the english, which i wholeheartedly support tbh! you can't pronounce yr wyddfa? skill issue lol), and moving the focus from religion to environmental factors also made so much more sense for something set this century!

i also found it interesting the way both deal with the weaponisation of sex and sexuality... in the film it's when the landlord's daughter (willow) tries to seduce the sergeant in order to expose his hypocrisy (and ironically in not giving into it, he sealed his own fate in the end lol), and in the show it's the young girl who lies about alan being sexual towards her (in turn leading towards the whole photograph scene and, ultimately, his own grizzly end lol)... both in a way are responding to the culture of their respective times (the film commentating on the 60s/70s free love culture, mr king responding to the wider #me too movement of the last 10 or so years)

and continuing on from this, part of the horror in both speaks specifically to the audience's discomfort with open discussions and displays of sexuality, and the power that that discomfort holds over us still... and ofc in the film this manifests itself with the idea of christianity vs paganism, highlighting how both are a lot more similar than either side would like to admit to lol...

mr king is a little more murkier, since the emphasis is on environmentalism. in a way it deals a lot more with the concept of rationality (as in, science and the like) vs irrationality (as in, paganism and mysticism) than the original! though in the end the message is the same: that regardless of what or who you believe in, it ain't gonna stop you from being murdered lol! it also positions that in the mr king universe, the sacrifices aren't just the town trying to come back from a bad harvest, but instead a super important yearly ritual that, presumably, is actually working lol?? so what we may perceive as 'irrational' is actually the other way around lol...

one of the big changes from the film is the mystery element. in the film sergeant howie's whole deal is that he's gone to the island to find a young girl... in fact the town's people specifically use the fact they know he will stop at nothing to save her (even by the most degrading and invasive ways possible) as a way to trap him. alan is completely different in this regard, in that he has come to rural wales in order to escape his old life... he's not trying to save anyone, effectively he's running away! and even the mystery of the previous 'mr king' is only really something he looks into to save his own skin... both characters are selfish in the reasons why they end up in their positions, and naive to think that their positions as men in positions of authority would save them!

idkk i just think there's a lot of super fascinating stuff in this episode and how it plays with the aesthetics and themes of the film it was inspired by that i've just kind seen brushed aside just cos the 'twist' at the end was super similar to it lol??

[aangarchy]

Things about the Netflix Live Action that I personally loved

I know i've been pretty negative about Natla in general, so to make up for that: here's a post about everything that i loved!

Dallas Liu and Gordon Cormier's casting. Those two were really good, and while Gordon definitely had some "kid actor" moments, he only has room for growth and i truly believe he'll continue to be the perfect Aang (in looks and general energy, not writing lol)

The scene where the watertribe is staring over an unconscious Aang going "is he dead? What's the mark on his head?" it rlly made me giggle

A bunch of Ian Ousley's jokes were funny. Not all, but a bunch.

Maria Zhang, she also truly was a perfect Suki, i loved her performance and she's just so beautiful in general

Cabbage merchant

The costumes generally stayed true to the original, and while some looked a bit clunky or too clean they were overall really nice

Zuko and Aang's chat after the blue spirit story, it was a very good addition and Dallas and Gordon have great chemistry

Zuko's crew on the ship being the 41st division, aka the soldiers he saved from getting sacrificed by speaking out

Cabbage. Merchant.

June. I have no notes on her and i wished they utilized her more. I know she's coming back in s3 (i hope... *narrows eyes at netflix*) but i still feel like we didn't get enough of her yet

The change in June flirting with Iroh instead of Iroh being a little creepy towards her. You can shout double standards but this definitely felt less uncomfortable

The music

The set design when they weren't using greenscreen was genuinely very good

Casting for the mechanist and Teo was immaculate

Oma and Shu being lesbians

The whole blue spirit sequence

Cabbage Merchant

Yue's character in this version of the story (not her hair though god forbid)

The leaves from the vines motif in the flashback for Lu Ten's funeral, and the song returning when Iroh goes with Zuko on the boat. Got me crying on a saturday afternoon

Lizzy Yu. I know there was rlly no reason for Azula's character to be there yet but i liked Lizzy's performance even though her writing was OOC

The design for the physical weapons like Sokka's club and boomerang, Suki's fans and Jet's hook swords was really nice

The makeup for the Kyoshi warriors was fantastic

Daddy Dae Kim

THE CABBAGE MERCHANT.

[devotion-disorder]

Hi!! I don't know if anyone has asked this before, but-- How did you go about posting your yan OCs for the first time? I absolutely LOVE yours and would love to share mine like how you post about yours, but It's soooo nerve wracking to start it... Lol, sorry if this is weird! ^^;;;;; Do you have any advice or anything?

Hihi!!!! I understand it is kind of nervewracking like oohhhh these are my silly Original Blorbos if any of you guys care. but the world could always use more yanderes!!!!!! so we do in fact care !!!!!!!!!!1

I will say that a while ago my blog was mainly DoL-centric with the exception of the occasional yan post reblog- but i honestly wish I branched out into that more early on, for some reason i was really fixated on keeping my blog centered around one thing only. At some point I just realised that. it's my blog. i should just do whatever I want lmao. and I think that's a good mindset to have tbh - its your house your rules babey

I don't know if there's anything in particular with how I did it that's remarkable in any sense, but I suppose I just tried to make sure i was presenting my oc's in a way that leaves a strong impression and is easy to digest: so a list of facts about them, some are just basic info, some are lore-motivated and some are just things i think would be funny LOL. and yanderes at their best are when they are being their most creepy irredeemable selves so I drew something extra for that too (in fact it was kind of a last-minute addition lol). but anywho i was just hoping to establish a strong impression of their characters ig.

but yes! the only real advice I stand behind is to do whatever you wanna do and have fun with it. that is easier said than done, but I think that my enjoyment of drawing and posting has really took off ever since i just stopped caring what others might think. Good luck to you and your oc's, im sure many people will be very excited about more yanderes in this world!!!!!!!!!