#The idea came to me as I was working on stuff

[randombush3]

the winner takes it all

alexia putellas x reader

summary: an unexpected invitation throws your world off-kilter

words: 6276

content warnings: it's a bit unfaithful

notes: in this universe real madrid is a proper opponent and rival to barcelona, in the sense that funding and history is relatively equal (so it's basically more like the men's rivalry)

idk where this came from tbh

Amb gran alegria, 

Alexia i Olga

T’invitem a celebrar la nostra unió matrimonial. 

10 d’agost de 2025

Gran Hotel Mas d’en Bruno

You haven’t read Catalan in years. You squint at the details. 

You wish you had forgotten it. 

Only Alexia would do this to you, twisting the knife as though it’s a favour, a compliment. Make it seem psychotic for not wanting to go, make it seem like it’s not a big deal. 

The invitation isn’t personalised. You are not special in her eyes. You have been allowed onto the guest list, you have no mark in her life. Surely Olga would have objected if she’d known, if she’d been told. Maybe Alexia doesn’t talk about it. Maybe she has heard your name on match reports and team sheets, announcements for captaincy, interviews with Las 16 who called you traidora then and call you traidora now. 

As if she knew it was coming, your phone begins to light up with messages from Alba. Apologies, perhaps, in her own Alba way. Stuff like ‘are you coming’ and ‘you don’t have to’ and then more buzzing, vibrating the shitstorm into a phone call. 

You don’t speak often. Why would you? But you answer it, listless, really, and unsure what the correct approach to this even is. 

“Hola, traidorita,” she says with a nervous giggle, reclaiming your nickname in Barcelona but reminding you of how you are perceived nevertheless. “I don’t know why you are on the guest list.” 

Alba is like this: straight to the point, unafraid of her sister and unafraid to tell you what she thinks. They are very different, which is why she is the only one who has your current number in her contacts. 

“You told her where I live,” you respond. Your shock makes no room for manners. “Because no one there has my Madrid address, Albi.” 

“No one here has it, yeah. But she asked around. Well, Olga did.” She laughs again. Her nervousness is high-pitched and easily detected. “Told Ale that she has to have her childhood best friend at her wedding.” 

“Childhood best friend?” 

“Estranged childhood best friend?” she tries, and you can hear the smile and the teasing fucking smugness in it. You wonder if anyone else knows you have been invited. Alba because your address was squeezed out of her, sure, but… “And my mother thought it was a good idea too, before you try to murder a woman you have never met.” 

“I’ve met Olga before,” you say without thinking, because that’s far easier to focus on than the idea of Eli getting involved in this completely undesired reunion that is about two centuries too early. “When I was going out with, eh, I don’t remember her name. A model. You know what they’re like. Olga’s the one who works for… thingie.” 

There’s a sigh from the other end. “So many models yet not one name has been retained. Do you even ask them?” 

“We’re not usually doing much talking.” 

“Zorra.”

“Coming from you…” You smirk at the thought of all the little secrets Alba’s had you keep, a tradition that started young and became increasingly frequent when you removed yourself from everyone else’s lives. It’s like a journal, only you judge her. “You’re doing a good job of distracting me until I agree to go.” 

She hesitates, then. You’re not an idiot and you know why she called. Alba is supportive but she has her own agenda most of the time, and no one else knows the exact time you get back from training aside from your fellow teammates. Even then, most are too intimidated to contact you in general, let alone to ask about being invited to Alexia Putellas’ fucking wedding. 

Alba is also very manipulative, a professional puppeteer. And she knows exactly what to say. “It’s been fifteen years. Are you going to let her win?” It’s an infuriating provocation but it hits its target with ease. 

…

The first step of preparing for this wedding takes place in the form of the Euros: you’re going to win it and be happy enough to ignore the impending doom hanging over your off-season plans. Going into the competition with heavy medals round your necks makes cockiness the slippiest of slopes, and it is safe to say that most of your teammates are prepared to cruise through at least the group stages. 

An unexpected injury rips Jenni’s opportunity to play from her grasp (an echo of her ex-girlfriend, you briefly think), and she is flying back to Mexico before the tournament begins. Montse is a captain down – of course only this kind of disaster could happen to her – and before Patri can even open her mouth to volunteer for the role, you are dragged into a leadership meeting.

You’ve worn the armband before, though it seared and burned and blistered until you threw it in Jorge’s face and demanded someone else absorb the hatred it brought. He went ballistic as you’d said it, you remember, his face going red in the soft glow of your hotel room the night before the World Cup final. He’d leaned forwards, fist clenched, knuckles white and wanting to choke the life out of you.

“You have no respect!” he’d roared, voice splitting like thunder against the thin walls of your hotel room. “Not for me, not for your country, not for anything!” His breath was coming out in sharp ragged gasps. He spat. You’d wiped it off your body. “I thought you had scraped all the Catalan out of you, but here it is!” he’d screamed, loud enough to be heard but so comfortable in his power that it did not seem to frighten him. “Selfish and arrogant. You should have made it Seventeen.” 

He’d left in his rage, slamming his door. 

You regretted smiling in pictures with him, shaking his hand, kissing his cheek. You regretted the press conferences and interviews, the shaky defence you had constructed, the words of faith and trust you had professed and tried to believe. It had changed you, just a little bit, that incident. Made you think about who you are, where you come from. Made you remember someone you’d tried to forget. 

But Irene and Alexia, staring at you with both contempt and confusion as you take a seat at the conference table, don’t know any of this. Why would they? To them, this is the traidora. 

“Y/n is going to take Jenni’s place as third captain,” says Montse firmly, if she even knows how to do that. Irene and Alexia share a glance. Their roles have been restored for this competition and they are not prepared for an intruder to take that from them, although Irene will later remind Alexia that it is not your fault Jenni got injured. “I trust you three will come up with a suitable management plan. If you need me, you know where to find me.” 

None of you really do know where she lurks, but she is walking off before you can clarify. 

“We already have a strategy.” And she says it in Catalan, looking falsely apologetic when she is kicked underneath the table. 

“Good job, Alexia,” you tell her, so nauseatingly saccharine that you almost think of the nearest route to a toilet. She’s surprised you’ve granted her a reply though, which is satisfying enough. About to spit out another remark to divide yourselves further, you shift in your chair, stretching out your legs underneath the table. 

It is then that her ring catches your eye.

It’s delicate, shiny. A neatly cut diamond set in platinum with slight details that tell you someone thought about Alexia when they had this made and got it all wrong. Or maybe this is what she likes now. It’s not what you’d have given her.

She sees your eyes fall to her fingers, watching carefully as your gaze heats the metal and makes it almost too hot for her to keep on. You don’t really want her to know that you’ve seen it but you��ve made it bleeding obvious and so the predicament spirals and Irene wants, desperately, to leave you two alone – she knows shouldn’t, she’s aware of the health and safety risk. 

There is something about the way Alexia clenches her jaw, posture stiffening as she allows herself one flicker from your face to the ring, that tells you she is bracing herself for a bullet. She always did have an uncanny ability to read you, however unwanted it was. 

You lean back in your chair, aware of how the bystander is holding her breath, and decide to swallow the words burning on your tongue. You’ve accepted her invitation, and bitter manners are still manners. “Congratulations,” you say, words clipped and brittle, each syllable more venomous than the last. 

The chair makes a screeching sound as you stand. Irene flinches but Alexia does not move. She refuses to watch as you walk out of the room. 

…

Three hours later, Alexia is off the phone with Olga and knocking on Irene’s door with an embarrassed suppression of urgency. Shoulders hunched and lips downturned, the sight is enough for her to be ushered inside with only the quiet flap of Irene’s arms to beckon her forwards. With this part of the training camp being not quite tunnel-vision yet, Irene’s room is littered with toys and toddler stuff. Usually Alexia would be looking at them in quiet excitement. Right now, she is not so sure. 

“Second thoughts?” Irene asks, and Alexia half-jumps backwards in shock, about to furiously shake her head and profess her love for Olga– “I think the plan is good. I don’t think we need to worry about Y/n in the centre, seeing how she’s been playing there this season.” 

It slowly dawns on Alexia that Irene has assumed this is pre-tournament nerves, and that she is being shown such a vulnerable side of her co-captain because, well, who else can be? No one wants to see their commander gulp at the sight of the battlefield. 

“She still favours her left,” Alexia gets out. “She might drift, leaving a big gap for you to cover.” 

“She’s got offers from PSG, Chelsea, and Washington Spirit. It’s in her interest not to drift.” 

“She’s good at drifting.” 

Irene doesn’t respond to that. 

“Since when did you wear your ring to training?” is what she chooses to say instead, asking the question with a healthy fear of getting her head bitten off, taking a small step backwards to put her at a safer distance. 

Alexia doesn’t reply immediately, her fingers grazing the ring as she thinks. The weight of it seems heavier now, almost suffocating in the sterile air of the hotel room, as though this is everything she’s been trying to avoid. Her heart thuds against her ribcage. It feels like everyone is starting to notice. 

“I didn’t think it was an issue.” Her voice is tight, defensive, but with a subtle, betraying crack. She pulls her hand back from the air, letting it fall to her side. “We hardly did much more than pass the ball today so I kept it on.” 

It’s a poor excuse. It comes off for the cameras, not the contact of the game. Irene knows that. But, to her credit, she doesn’t push. She just watches Alexia, eyes narrowed slightly in an unreadable expression. “I just thought you guys were keeping it a bit more… private.” 

Alexia turns her gaze to the floor, staring at the scattered toys and items around the room. The simplicity of it all, the domestic innocence, makes her feel even more tangled. She feels an urge to lie, to say that Olga asked her to, worried that you’d misinterpret its absence, but Olga doesn’t even know she has reason to lose sleep. She hasn’t found the courage to explain. She hasn’t felt the need to. 

And, really, the truth is right here, echoing between them. Irene would have pieced together the story, as many of Alexia’s teammates have, hearing drunken retellings on nights out from whoever has known the two of you the longest that time. Maybe Alba has spoken to her, revealing everything after a round of tequila shots, as she tends to do. There are a few suggestions the older woman could make to her teammate, wounds she could open and then nurse, but she doesn’t and so she waits. 

Until, finally, Alexia admits, “it’s complicated. She has caught me off-guard.” It could mean many things, but it is either your captaincy or the acceptance of her wedding invitation that has done Alexia in. She wonders whether this feeling of dread and uncertainty is the game – or the life waiting for her after she comes back from Switzerland. “Look,” she says abruptly, “I’m not here for advice, Irene.”

“Then why are you in my room?” She doesn’t have an answer for that. Irene sweeps her outside, gently but firmly. “I’m not going to tell you what to do,” she treads lightly, “but when was the last time you had a conversation with her?” 

…

The training pitch in Switzerland is unseasonably hot, the kind of heat that clings to the air and makes tempers run shorter than usual. It’s almost a cure to homesickness but then the team look at each other and are back to hating every minute of this. There’s an undeniable divide. Montse either does not care or has not caught on. 

It’s about your twentieth rondo this session, the ball zipping across the wilting grass as it touches Barça foot to Barça foot, the girls obviously enjoying this. You’re only holding back because too much investment will lead to another injury, and you are getting somewhat tired of being called a traitor. The players surround you with a ruthless efficiency that is starting to fray your nerves, and you make a note to talk to your coach about training, knowing that it will be easy to manipulate her into following something akin to what the girls at Madrid are more accustomed to. 

Alexia is one of your taunters. Of course she is. 

“Just three more interceptions,” she calls out, false strain, false support, false encouragement. 

You bite back a retort, instead standing still as Aitana rolls a ball right past you. You wipe the sweat from your brow, feigning exhaustion, but the pretense is only that in name. Everyone knows you are one of the best defenders, the Barça girls especially, with their insane pride for La Masia. 

“Lazy,” Alexia mutters. 

You don’t respond, focusing instead on the fire in your chest as you forcibly break the circle and march towards Montse. She looks up from her clipboard as you approach. 

“We should split training.” She pauses and then nods. “Attack and defence, at least. And don’t let the press hear this, but, my god, Montse, I do not like how they’re all back.” 

“We’re a stronger team,” she says, but she’s smiling and you are definitely her favourite. Another deep breath and she is calling a water break. 

The girls retreat to the sidelines for ice and hydration, and you reunite with the people you like. Your club teammates prefer you at national camp, because there is something less reclusive about you. It’s as though you’re trying to prove that you get on. 

Olga hands you a water bottle, the contents of which you guzzle down in one go. She begins to comment on the absurdity of Alexia’s mandated rondos (“why do they have to keep reminding themselves how to pass a ball?”) and while you agree, your attention is diverted. Alexia is standing a few meters away with Mariona Caldentey. She’s listening to something the forward is telling her, face focused, finger twisting her ring around in circles. 

That fucking ring. 

You look away before you are caught in such a compromising position, wiping your forehead with your damp training shirt. 

“Oye,” Misa’s voice pulls you back, “are you paying attention?” You’re not even sure when she joined the conversation. Your relationship with the goalkeeper has always been overly complicated. You work very closely, what with you commanding the backline and her… also commanding the backline. But she’s friends with people who must have at least once wished you dead, so it’s hard to tell where you stand. “Are you okay?” 

“Yeah,” you lie, screwing the cap back onto the water bottle and placing it in Olga’s held-out palm. 

“You’re never this spacey. You’ve been off since the meeting,” she presses, her voice gentle but insistent. “If this is about the captaincy–” 

“It’s not,” you snap, harsher than what was meant. Her eyes widen slightly and you sigh, pinching the bridge of your nose. “Sorry. It’s not about that. I’m fine.” 

Misa doesn’t look convinced but she nods, letting it drop. Gratitude relaxes your shoulders but the uneasy silence that follows is punishing enough for you to be eager for training to resume. 

Now that the rondos have been left behind until tomorrow, you divide into teams for a scrimmage. The squad is split into four and you throw yourself into the exercise. Every touch, every pass, every run is perfect, and you are unrecognisable from your lackadaisical lull only ten minutes ago. You’re pushing your body and it flicks onto autopilot, driven by muscle memory and determination. 

Your head’s not in it. You can’t outrun her shadow. You can’t think when your teams are against each other. 

The ring must have come off now, and she is getting stuck in. She’s relentless and irritating, evading your teammates’ tackles and drawing you into her. It’s almost transportative: back you go to gardens after school or being barefoot on the beach, forced out of your relaxation and into an endless game of ‘tackle me like you mean it’. She has that same glint in her eye, that same goading gleam. You consider it, but crutches at a wedding is a low blow. 

And so you lay off. Just on her, and only just enough so that she knows you are not trying. You do not care for petty squabbles. You are not willing to go back to those memories, to that time. 

Or at least, that’s the message you hope she gets. 

The games slowly wind down, prompted by Montse’s whistle to signal the end of the session. You stay on the pitch longer than anyone else, taking you time to collect the stray balls scattered across the grass. It’s partly an excuse to delay walking into the locker room, where the tension will be thick (you were not the right choice for third captain in the eyes of your teammates), and partly because you need a moment to breathe. 

The others slowly disperse, peeling off to the showers or collapsing onto benches. Alexia lingers longer than most, wiping away her sweat with her shirt, abs exposed and tensed. She watches you as you move across the pitch, and though her gaze is subtle, you can feel it blazing hotter than the sun lashing down on you. But, despite her staring, she too is eventually coaxed away. You’re unsure whether she is thankful for the interruption. 

When you finally make your way to the changing rooms, most of your teammates are in the showers, and the sound of running water mingled with laughter echoes. You take a seat at the locker you were assigned and let out a slow breath, peeling off sweat-soaked socks with mild disgust. You turn to fling them into your laundry bag, but their flight path is blocked by a blonde who has clearly delayed her own shower to talk to you. 

She’s looking oddly pensive. You don’t like it. 

“We need to talk.” It’s uncomfortable for Alexia to say and it’s worse for you to hear. You’re not sure you’re okay with her decision to become reasonable and mature. It’s quite the compliment to always be the cause for stoic, rational Alexia Putellas going absolutely batshit crazy. 

Driving her up the wall is fun. 

“I’ll send you an invitation. No need to tell me which room is yours.” You give her a smile. And, like you always do, you walk away. 

…

There’s a charge to the air that is choking you by dinner time. The upgrade to captain allowed for your own room, and it is easy to blow off teammates who want to have plans with you with the simple excuse of needing to talk to your agent. You technically do, since you are going to leave Madrid during the transfer window, but you have no intention of dialling his number until he confirms the best and furthest team wants you. 

You’ve spent the evening avoiding the majority of the players, which Montse took advantage of, encouraging you to spend dinner discussing tactics with her and her staff. You feel like the teacher’s pet. You know how angry it is making Alexia.

Collapsing on the bed when you back into your room, you let out a loud groan, sinking into the mattress. Your phone buzzes on the bedside table and for a moment, you think it might be Alba, allowing you no peace and quiet despite her distance. Instead, it’s a message on the team group chat from the strength and conditioning coach about tomorrow’s gym session. A wave of relief washes over you; anything but her. 

Still, as you scroll, you catch yourself lingering on the names in the group chat, your thumb hovering near Alexia’s. Your stomach tightens and the memory of her tone, her expression, pulls at you like a tether. 

She’s not going to drop this. 

It’s no longer a matter of avoidance in the camp. You’ve said you will be present. She must want to ensure you will not make a scene. 

A knock at the door, so quiet you are almost convinced it was imagined, breaks you out of your brooding. Your eyes watch the wood as though it will be splintered in a moment, but when you make no move to get up, a more insistent knock sounds. You sigh as you pull yourself off your bed, dragging your feet towards the door. Opening it, you find Alexia standing there, arms crossed and wearing an expression you can’t quite decipher. It lacks her usual burning hatred. She looks exhausted. 

You struggle to feel any sympathy. 

“What?” you snap. It’s a bit harsher than intended but you don’t let on that that’s the case. 

“Can I come in?” You guess that she didn’t pick up the hint when you gave her no invitation. You do not want to talk. You don’t do that to people much anymore. 

She expects the door to slam in her face – and you consider it – but it’s your hesitation that tells her she can, and so she slowly moves inside, shoulder brushing yours because you refuse to move out of the way. And then she raises a deliberate hand towards the door, pushing it shut. You ignore the ring. 

You lean against the door once it’s shut, arms folded as she wanders further into your room. She looks out of place somewhere so personal to you, standing awkwardly in the centre and trying not to look at the explosion of clothes and books that has been detonated on the floor. 

She reads the titles of a few – classics that look dense and boring. Something hungry inside her dulls a bit, because you have not changed in this respect. 

“You’re quiet for someone who wants to talk,” you prompt, mostly because the silence is unbearable. 

She doesn’t respond immediately. Her arms drop to her sides, fingers twitching as if unsure what to do with themselves. She tries to meet your eyes, but falters when she sees the cold indifference staring back. You’re looking at her like she’s a stranger. It stings more than it should.

“I didn’t invite you to the wedding,” she says finally. “Olga doesn’t know about us.” 

“There’s no ‘us’,” you snap, sharper this time.

Her jaw tightens and for a second, she looks as though she’s been struck. “Don’t lie.” 

“There is no ‘us’,” you repeat, your tone icy now. “That disappeared the minute I–” 

“Left,” comes her interruption, her voice trembling just enough for you to notice. She steps closer, her shadow crossing yours, and her eyes narrow. “Which was your decision, not mine.”

You scoff, a bitter laugh escaping you. “Don’t act like you didn’t have a say in it.” 

“I didn’t!” she fires back, her voice rising. There is something raw beneath it – something fractured. “You didn’t give me one. You walked out, and you shut me out like I was nothing. Like we were nothing.” 

Her words hang in the air and for a moment, you don’t know whether to shoot or turn away. But her gaze pins you in place, fierce and unrelenting, as though daring you to deny it. 

You hold her stare, your throat tightening. “And you didn’t try to stop me.” 

The silence that follows feels deafening. Neither of you moves. Neither of you blinks. You’re both standing on landmines and have nowhere to go. 

Her jaw clenches, her hands balling into fists at her sides. Her voice, though low, crackles with the heat of restrained anger. 

“You didn’t give me a chance to stop you.” And she steps closer, ready to bite. The door presses against your back as you instinctively move away. “You made up your mind before I even knew what was happening.” 

“Don’t pretend you didn’t see it coming.” You shake your head. “I didn’t just wake up one day and decide to leave, Alexia.”

Her expression darkens, something in her eyes flickering dangerously. “That’s not the point. You didn’t just leave the club. You didn’t just leave me. You left everything. Our family. Our life. Do you have any idea what that felt like? Watching you walk away as if none of it mattered?” 

Your chest tightens but you refuse to let her words land. “You don’t get to make me the villain here.” 

“I don’t have to,” she snaps, her voice rising now, accent thickening with her anger. “You were part of my family, part of me. You were at every Christmas, every birthday. My mother adored you. Alba still loves you like you are her own sister! And you just disappeared like none of it meant anything. Like we didn’t mean anything.”

You flinch at the weight of her words but force yourself into steadiness. “I didn’t belong there. It wasn’t mine, it was yours.” 

Her face twists in disbelief, voice trembling as it rises again. “That’s bullshit and you know it! You were my family. My first everything. My first kiss. My first…” She pauses, her voice cracking. You swallow hard – you don’t want the fucking itemised list. “My first time. You think I just gave that to anyone? You think that it was just fun and games?” 

Your stomach churns as she stokes a fire you’ve tried to smother for years. “It wasn’t nothing,” you agree, although it sounds like you are contradicting her in a way that causes her to falter on her drive forwards. “It was everything. That’s why I left. Because I couldn’t be what was needed anymore. Because I knew if I stayed, I’d only–” 

“Only what?” 

You gulp. 

She’s back in your face, voice laced with venom. “Hurt me? Ruin me? Let us all done? Guess what, you did that anyway. Leaving made it easier? Made it hurt less?” 

“I didn’t know what else to do!” you shout, voice splitting. 

“You stay!” It echoes and it bruises your skin. Her eyes are blazing now, tears threatening to spill but held back by sheer force of will. “You stay, because that is what you do when you love someone. When you love a family. You don’t just walk away from them. You fight.” 

You open your mouth to respond, but the words stick in your throat, caught somewhere between guilt and pride. She sees it and it only seems to enrage her further. 

Her voice drops, anger so torrid she has to purposely cool her tone. “You know, I thought that my world was ending then. I thought you’d done your worst. But I was wrong. Because your betrayal wasn’t just personal, it was… political. To not see someone you love except for when they are sitting at the feet of this. Corruption’s pet. Pandering to an organisation you hated, while the rest of us fought for scraps.” 

Heat rises in your chest. How dare she– “I don’t pander to anyone.” 

“Don’t lie to me,” she spits. She’s too close. She’s too inescapable. And her anger is no longer fiery but icy, piercing through your skin. “I’ve seen the way you act around them, bowing your head and playing the loyal soldier while they tear us apart. You think I didn’t notice how he favoured you? Or how Montse magically replaces an irreplaceable member of–” 

“It’s not like that,” you counter, but the words feel hollow even to you.

“Then what is it?” she demands. “What is it that makes you stand there and let them walk all over us? Let them divide us? And don’t you dare say it is for the good of the team. The team hates you for it. We all do. You’ve earned every bit of it, traidora.” 

The word hits you like a whip, lacerating and making you bleed. Your hands curl into fists so tightly your nails dig into your palms, the sting barely enough to contain the fury surging through you. “Don’t you dare call me that!” The sentence tears out of your throat, rough and jagged. You take a step forwards, the air between you crackling with tension, your voice breaking as you spit, “you don’t get to say that to me. Not you.”

“Why not?” she challenges. “It’s what you are. You left, you betrayed everything we stood for, and then you came back just to make things worse. You made your choices.”

For a moment, all you can do is stare at her, the anger and heartbreak in her eyes, eviscerating and leaving you hollow. But then, something shifts in the air between you, and you find your voice again, souring from before.

“Is that why you’re here, Alexia? To throw all of this in my face? To let out fifteen years of harboured emotion? Or is it something else?” 

Her brow furrows in confusion. Surprise. And then her expression twists into anger. “What the fuck are you talking about?” 

You take a step forward now, and she is forced to retreat. “Do you not want to marry Olga, Alexia? Is that it? Is that why you’re here? Because you think you can come into my room, dredge all of this up, and make me the reason you’re unhappy?” 

Her face pales as she takes a deep breath, hands trembling at her sides. “Don’t,” she warns, firmly enough to signal you need to push.

So you do. 

“You came here because you’re scared.” She shakes her head but it’s rigid and forced. “Because you’re not sure you can go through with it and you want me to give you a reason to back out. Well, I’m not going to do that for you. This isn’t my mess. It’s yours.”

She says nothing and you feel sick. Her chest rises and falls with each gasping breath. She opens her mouth but again, you are left with silence, and the expression in her eyes flickers between defiance, confusion, and vulnerability. For a long moment, it feels like everything that could be said has been. 

The air between you is charged, but neither of you know which way it will go. 

You stare at her watching her waver. And it hits you: she doesn’t know what to do. 

All of this, all the anger and the pain, all the accusations and betrayals, has led her here, to this moment. She thought she had an answer, she thought she would be able to end this, but now? Now, Alexia is lost. There is too much here, too much to lose. And for the first time in a long while, you are feeling the same thing. You are both no longer sure if you want to fight. 

She takes a hesitant step closer and you freeze. But then, just as quickly, her hand moves – not to strike, not to harm, but to touch you. Her fingers brush lightly over the fabric of your sleeve, almost tenderly, before they fall away, and you don’t know if the motion was meant for comfort or something else.

Her breath is ragged, coming in slow, uneven gasps. Her eyes never leave yours. You don’t want them to. 

“I don’t know what to do with all of this,” she murmurs, the rawness in her tone shattering any remaining wall between you. “I don’t know what to do with you.”

How do you respond to that? You want her to leave but the thought is unbearable. You want space but she is not close enough. Something inside you stirs, something you can’t fight; a need to understand her and make her understand you. To make her see how tangled this, how impossible it has always been. 

Before you can form the word, before you can even think, she moves in closer, and there is no longer distance. She doesn’t ask for permission. She doesn’t hesitate. And then, without warning, her lips are on yours. 

It’s soft, tentative at first, as though testing the waters of something neither of you is sure of anymore. But then it shifts. Her body leans into yours, and the kiss deepens, more urgent now, as if this is everything that has not been said and has been at the same time. Your heart races, a million conflicting emotions crashing through you. Anger, betrayal, love – it is all here, you can taste it on her lips. It’s fierce, desperate, and it feels like an endless cycle of need and regret, pulling you both back to something raw, something irretrievable. 

Her hands find your waist, gripping tightly as though anchoring herself to something that could pull her under. You instinctively respond, pulling her closer, drawing in the heat of her touch, the scent of her skin, the pressure of her body against yours. For a fleeting second, everything else fades away. There’s no past, no future, only here and now. 

And then the fog clears. 

You pull back, breathless and worse off. You’ve fucked up again. Alexia is crying. 

“I’m not the person you think I am anymore,” you say, but it’s hard to meet her gaze. “I can’t be that person for you.”

Her eyes search yours desperately for lies, for deceit. She wants it to be wrong. She doesn’t know why. And she replies, “I don’t care what you think you’ve become,” because she doesn’t. It doesn’t matter to her.

You stare at her, heart pounding, and you want to feel like this will be worth it, but nothing comes except cold emptiness. You force yourself to stay upright. “I think the wedding will be good.” She swallows. “You’ll be happy with Olga. I’m sure of it.” 

It’s a death sentence. 

This time, it is Alexia who leaves. 

…

The wedding is beautiful. Blissful sunlight makes the venue seem to glow and it is hard not to be impressed with how they have set this up. 

The model at your side is also beautiful, but you remind yourself it is not a competition. You focus on the whispers of anticipation from the guests, the rustle of the dresses as people pass in merry groups, clinking their glasses and finishing their champagne as they take their seats. Everything looks perfect, plucked from magazines and tasteful brochures. This must be what Alexia wanted. 

Your date is occupying herself in conversation with the man seated next to you, who might be hitting on her, though you don’t care. She slides a hand over your thigh anyway. 

The ceremony begins, although you’re not really concentrating on it. You try to focus, listening as the officiant speaks, but the words have become a dull hum. It’s all so rehearsed, so expected, and it’s boring. You won’t be getting married anytime soon, that’s for sure. 

You know the flow of these things: the vows, the promises, the kiss, and the crowd’s applause. It’s a performance, though it’s not quite a farce. 

And then, it comes. The moment. The one that feels like a trap. 

The officiant pauses, glancing out over the gathering. “Si algú s'hi oposa, que parli ara o calli per sempre.”

For a heartbeat, time slows. The air thickens. Every muscle in your body tenses and the world around you goes still. You catch yourself holding your breath, gaze instinctively shifting to the woman standing at the front of the altar. 

Alexia. 

Her eyes flicker briefly in your direction – just a flicker, but it’s there, unmistakable. It’s her moment of hesitation, well masked but clear as day to you. But before you can make sense of it, she’s looking away, eyes fixed back onto Olga. Her expression hardens, more composed now, and you know that you are not going to break this silence. 

The officiant, oblivious to the storm passing between you both, waits for a beat longer before continuing, his voice echoing in the silence. 

And she’s married. 

You breathe out a sigh of relief. It’s over now. You’ve let her win. 

[mmso-notlikethat]

fic prompt! Since I just landed on a flight home, how about Buck and Tommy fly somewhere and this is the time that Buck gets to really see Tommy being a nerd about flying, even if he's not flying the plane himself. If it sparks joy. 😊

Sarah i know i'm so late, but I've been thinking about this since you sent it.. finally, an idea came by lol (hope you like it 🥰)

Buck was mid-ramble about the aerodynamics of commercial planes—something he'd picked up during a late-night internet deep dive before their trip—when he paused, noticing Tommy sitting rigidly beside him.

Tommy’s hand gripped the armrest tightly, his fingers tapping an uneven rhythm as though he couldn’t quite keep them still. His jaw was set, lips pressed into a thin line, and his gaze flickered back and forth between the window and the seat in front of him.

“You okay?” Buck asked, tilting his head toward him.

“Yeah, fine,” Tommy replied quickly, his voice clipped. His eyes didn’t meet Buck’s, and his grip on the armrest tightened slightly as the plane jolted, turning onto the main runway.

Buck didn’t press him. Instead, he shifted in his seat, leaning just a little closer.

As the plane accelerated for takeoff, Tommy exhaled sharply, his foot bouncing lightly against the floor. His fingers tapped the armrest before curling tightly, knuckles pale. His breathing was shallow—measured, as if keeping himself in check. Buck noticed without a word, his gaze flicking briefly to Tommy’s hand before sliding his own over it. His thumb brushed lightly against Tommy’s wrist, a quiet reassurance.

Tommy didn’t react at first, but then Buck shifted his hand, gently coaxing Tommy’s fingers to relax. Tommy hesitated, glancing at Buck out of the corner of his eye, but the tension in his grip eased. Slowly, almost shyly, his fingers relaxing enough for Buck to intertwine them with his own.

Buck didn’t say anything, didn’t even glance at him, just kept talking about the mechanics of lift-off as though nothing was out of the ordinary. His voice was steady and warm, grounding in a way that pulled Tommy’s focus from the roaring engines and the tilt of the plane as it left the ground.

Tommy’s grip tightened briefly around Buck’s hand, but this time it wasn’t out of nervousness—it was something quieter, steadier. Buck’s faint smile grew as he felt the shift, his thumb brushing lightly along the side of Tommy’s hand.

By the time the plane leveled out, Tommy had regained his composure. His usual confidence returned, and Buck could see it in the way he subtly shifted in his seat, reclaiming his space.

And their fingers stayed intertwined, neither of them letting go.

“Sorry about that,” Tommy muttered, finally looking at Buck. “Guess I do not like flying unless I’m the one in control.”

Buck shrugged, giving him an easy grin. “Makes sense. You’re used to being the guy behind the stick. Kind of weird to trust someone else to do the job.”

Tommy let out a soft laugh, nodding. “Exactly.”

Buck leaned closer, his eyes lighting up. “But you’ve got to admit, it’s kind of amazing to just sit back and think about how all this works. I mean, did you know that commercial planes—”

“—can fly even if one engine goes out?” Tommy interrupted; his tone slightly smug. He gave Buck a sidelong glance, his lips twitching into a grin. “Come on, Evan. I’ve been flying helicopters long enough to know a thing or two about rotors and wings—definitely more than you.”

Buck feigned offense, his hand still resting lightly in Tommy’s. “First of all, rude. Second of all, helicopters are completely different from planes. And third, this is my thing. You don’t get to outdo me in rambling about cool stuff.”

Tommy chuckled, leaning his head back against the seat. “Fine. You get this one. But only because I already know all the facts.”

“Oh, do you?” Buck shot back, leaning forward in challenge.

Tommy’s face lit up in a way Buck rarely saw. “Okay, look, I’ll give you this,” Tommy began, his tone shifting into the cadence of someone who truly loved what they were talking about. “Planes are efficient and all, but helicopters? They’re the real magic. Think about it—rotor blades generate lift, but they’re also responsible for propulsion. You’re balancing pitch, yaw, and roll all at the same time. It’s like juggling while standing on a tightrope during a windstorm.”

Tommy kept going, now diving into the mechanics of different flight systems and the nuances between military and civilian helicopters. “And then there’s autorotation recovery—people think it’s impossible, but if you’ve got the skill and focus—”

He suddenly trailed off, catching Buck’s gaze. Buck was staring at him, eyes twinkling and a soft smile curling his lips.

Tommy froze, blinking. “What?”

“What what?” Buck asked, his smile widening innocently.

Tommy’s cheeks turned pink. “Why are you looking at me like that?”

Buck chuckled. “Nothing, I’m just listening.”

“Oh…” Tommy hesitated, his blush deepening. “Uh, yeah. Sorry.”

“Sorry? No, I like it. Come on, tell me more!” Buck urged, grinning. “But also, don’t be so biased about helicopters. I also need to know more about planes in general!”

Tommy’s lips twitched into a bashful smile before he nodded, launching back into his explanation with renewed enthusiasm. He gestured with his hands as he spoke, describing the differences in flight dynamics between fixed-wing and rotary-wing aircraft, his voice growing more animated with each passing second.

Buck watched him, mesmerized by the way Tommy’s eyes lit up, the way his hands moved as though he could hardly contain his excitement. Finally, Buck raised a hand, halting Tommy mid-sentence.

“Wait a minute,” Buck said, leaning in. Before Tommy could ask why, Buck kissed him—a brief, warm press of lips that left Tommy blinking in surprise.

Buck pulled back just enough to grin at him. “I might be starting to understand why you never stop me when I ramble.”

Tommy’s smile grew, wide and unrestrained, and before Buck could say another word, Tommy leaned in and kissed him again—a quick, joyful press of lips that made Buck’s heart flip.

When Tommy pulled back, his voice was soft and full of warmth. “I love you.”

Buck blinked, his grin spreading even wider. And he said in a mock-surprise “You do?”

Tommy rolled his eyes, but the corner of his mouth tugged upward despite himself.

“Just making sure,” Buck teased, his tone light, as if he wasn’t already beaming. “Because I love you too.”

Tommy let out a laugh and without thinking, he brought their intertwined hands up, pressing a quick kiss to the back of Buck’s hand. The small gesture made Buck’s heart skip, but before he could say anything, Tommy leaned back, his grin turning playful. “Okay, so… does this mean I get to win the argument about helicopters being better?”

“Absolutely not,” Buck said, laughing as he bumped his shoulder against Tommy’s. “But I’ll let you try and convince me.”

He glanced at Buck, hesitant for a beat, then took a breath and continued where he left off. “Okay, fine. But since you’re so determined to make this a debate, let me explain why helicopters still have the edge—”

Buck interrupted with a mock groan, throwing his head back. “Oh, here we go again.”

Tommy just laughed, a bright, happy sound that filled the small space between them, and Buck couldn’t help but think that this—this—was his favorite sound in the world.

[bugslaststraw]

See it's funny because in the games, and in any other assorted media before the movies came out, everyone low-key just hates Robotnik. And not even in the fun dedicated way like they all seem to think he's a bit of a failure. Which sounds weird if you don't know anything about Sonic (and certainly sounded weird to me three weeks ago when I was one of those people) but it really is just genuinely the case. I think?

Obviously his family all hate him. Movie-only fans will have an idea about this one; we've got good old Geralt Robotnik who didn't give a rats ass about him in favour of his long-dead cousin Maria, whom he wants revenge for. Geralt manipulated him and used him and said "oh Ivo you're no Maria" even though Ivo probably doesn't even know who the fuck Maria is in the movie universe and so on, et cetera. Geralt sucks just as much in the games and did approximately the same thing there.

What you may or may not know is that in one of the games, Eggman runs into a descendant of his from generations into the future. That guy's name is Eggman Nega, and he absolutely hates his ancestor. He thinks he's cramping his style? He's trying to go back in time and kill him to restore his reputation as far as I remember. Not to mention he has other family and cousins, none of whom give a flying fuck what happens to him. I distinctly remember someone who's name was Collin but who's nickname was Snively and who also worked with Eggman at some point, but hated him, and then later betrayed him. I can't remember a single family member of Eggman's that actually seemed to like or even tolerate him.

He's had a lot of henchpeople too. Most of them were robots. A lot of them, like Omega, and Alpha, and Sage to an extent (although she was more like a robot daughter he built for himself) betrayed him and joined the good guys too (Sage is another outlier, she isn't exactly switching over but she definitely isn't loyal either so.??) I mean, Eggman isn't even surprised by the fourth time. Smaller minions like Orbot and Cubot and their predecessors weren't able to betray Eggman, but definitely would've if they could've because they all disliked him because he's allegedly a shit boss. (Who says he isn't. He's evil after all.)

He "contracts" a lot of spies and stuff too. Animal characters. They all hate him as well, but he tends to hate them in return, so at least those are entirely fair game.

Not to mention all the villains he's conveniently happened to need the same thing as at the start of the game, but become inconvenient to towards the end, so they betray him as quickly as possible to get ready for their final boss fight with Sonic towards the conclusion of the story. There's more of those than I can count or care to remember. He meets his alternative universe self once and they hate each other. There's even a moment in I think the comics where Eggman loses all his memories and temporarily becomes nice, and hangs out in a village and builds things for the furry people who live there. He makes a wooden puppet style robot that also becomes like a daughter to him. She's good at engineering, just like him. Of course when he gets his memories back and becomes evil again she leaves as quickly as possible and later helps Sonic & co. She's very resentful about it all, I've heard.

None of that is surprising, of course. Eggman is an evil villain to the heroes and a loser to the villains. It's funny! It's a joke. They need to introduce scarier villains in the games to ramp up tension but they can't exactly just drop Sonic's nemesis down a hole somewhere, being as iconic as he is... So he sticks around. But as a joke, rather than an actual threat. And it's a little sad, yeah. But he deserves it! He's trying to create some sort of totalitarian egg-state and he bullies Sonic for having friends, for Christ's sake. Why should anyone want to stay loyal to a guy like that- and why should anyone do it at all? Joining the heroes is the cool thing to do! Shadow does it, Knuckles does it, Omega kinda sorta does it, Sage is toeing the damn line from what I've heard, it's...

Okay, it's kind of a lot? I mean I understand having nobody that's a good guy like the villain, but like... Not even his damn henchpeople robots? In a lot of the animated shows and comics he keeps building robot wives for himself that are explicitly created just to like him, by him. That or he's into someone who's into one of the animals, or similar. I mean, it's that bad. And it's like... Nobody? Not even once in like thirty years did anyone come up with the idea to give Eggman?? This behemoth among famous pop culture characters? A loyal henchman?

And- well, okay, nowadays this isn't true anymore. I'm sure we all know why. And that's kind of fun; in 2020, Doctor Robotnik gained his first and only loyal henchperson. Great! But...

Jeff Fowler is a Sonic fan, isn't he. Would he know..?

Would anyone involved in making the movies know that Eggman famously... Doesn't have any friends? That nobody seems to like him? That he's apparently infinitely betrayable? Do they know? Do they know? Is that why the third movie is written like that? Is it not just a character complex pulled out of someone's- I mean, when movie Eggman says that there's only ever been one person who actually liked him and one person who actually cared about him... He's quite literally right, isn't he. As in... Since 1991... Like 34 years since conception as a handful of red pixels in the hottest new platformer game there's actually, literally only been one character..? ooh I think I need to lie down for a bit

[takes1]

newest drop was fire bro🙌🔥🔥🔥

oikawa crushing on quiet!reader

ts made me smile. much appreciated ❤️ no smut this time; i'm getting smut fatigue. needed a short palette cleanser. thinking about doing some short form stuff while i work through the pre-january requests.

warnings. none, sfw

details. fem!reader / fluffy, feel-good fic / quiet!reader / oikawa crushing / 'weird'!reader / nerd x popular trope / oikawa is obsessed with you / based off of the 'hi wayne/bye wayne' audio / whipped!oikawa / iwa being a good person / 800 words

links. my masterlist. more haikyuu. my ao3.

"Hi, Tohru," You said, just as you did every day, to turn in your homework to the teacher's desk.

Oikawa was leaning forward, engaged in finishing a hushed story with Iwazumi. But your light, airy tone -void of any old, tired motive- took precedence with no further thought.

"-And then he was-- Hi, (Y/n)."

He perked up in many ways, just in time for you to walk by his desk again. Eyes wider, an uncontrollable smile brightening his former, serious expression- his brow softer, as he twisted to watch you return to your seat.

It was unclear why you felt comfortable enough to be on a first-name basis. Oikawa didn't mind. It distinguished you, like many things did, from the girls who only spoke to him because they were after something.

"The fuck was that?" Iwa searched his expression, finding some kind of emotion, or thought pattern at the very least, that he had never seen on his friend before.

Oikawa turned back around, confused, but not defensive.

"What?"

"That," Iwa asserted, shortly before he was called to face forward. He muttered, under his breath, "-That look on your face."

Oikawa was left to figure it out, a hint of effort on his brow, for the remainder of class.

Lunch eventually came around. He was still feeling different, and wasn't sure if it was what Iwa pointed out, or not.

In the process of standing to grab his lunch from his bag, and go eat outside like he usually did with his friend, he caught a quick glimpse of you. You were folding another addition to the row of tiny, paper cranes on your desk.

"C'mon," Iwa shouldered his bag.

Oikawa took a step, but lingered a moment longer.

You were sitting alone, but you didn't look sad about it. The seat in front of you was empty.

He filled it, despite Iwa's quiet protests, and sat backwards to watch you. The bench they usually chose to sit at sucked, because it was regularly bombarded with people he didn't know, all trying to talk to him. He usually never got to eat his lunch.

"Hi Tohru," You smiled, choosing not to look at him, in order to focus on your craft.

His reply was a fond sigh, "Hi, (Y/n)."

From here, he had the privilege of finally getting a good look at your face.

There was a sort of mild, unbothered, pleasantness to you. You weren't worried about anything else. You didn't give a damn that he was here, much less that he couldn't take his eyes off of you.

Iwa flicked him, hard, in the back of the head. It was after he shot back upright, rubbing the sore spot, that he realized he had been leaning slowly forward.

"Don't be a dick," Iwa muttered.

The assumption was such a leap in logic that Oikawa had no idea what he meant. You added another crane, that tiny, permanent smile on your pretty face.

He ignored him. Instead, he opted to try talking to you for the first time, "Um- are you going to eat your lunch?"

Still not looking at him, you were tearing off another page-- "I forgot it."

Again, you didn't seem like you minded such a dismal thing. Without much further thought, he grabbed his and set it in your workspace.

This was the only time you would look up at him.

A shudder wracked down his spine, rendering his voice a bit weak, "Yo-u can have mine."

There was some consideration in your eyes, before you pushed it back towards him, and refocused on your paper, "No. You need to eat. Aren't you playing a big match, soon?"

The way you asked made it seem like you weren't looking for an answer.

"Uh-," He did you the liberty of freeing up your desk space again, lunch box in his clammy hands, "Yeah- yeah, we are."

Iwa was getting tired of standing- you heard him shift his weight and sigh. He was still under the assumption that Oikawa was trying to flirt for some useless, and cruel joke.

"You can sit there," You motioned to the desk next to Oikawa.

His inflection was stilted, and his cadence was slow as he, hesitantly, took a seat.

"Thanks..."

It was quiet for a while, aside from the other students chatting from further back in the classroom. Iwa watched his friend face forward and eat slowly, slouched at the shoulders. It was an unusual sight.

Gradually, it dawned on him that this superficial pretty boy -in a rare, natural phenomenon- held a deeply genuine and innocent crush.

When they got up at the ring of the next bell, you were about 20 cranes deep. Oikawa left you, with another wistful stare, to head back to his seat. Though he loved how you didn't need to fill the silence, he wished he could make more conversation with you.

The classroom began filling up again, getting louder, and crowded for the next subject.

He was flitting his pencil between his sluggish fingers, a frown deep and heavy against his knuckles, when you came into view once more.

Another precious moment of hopeful, heart-pounding glee.

You placed a crane on his desk, then straightened it up, "Bye, Tohru."

This time, you waited long enough for him to properly respond, dawning that uncontrollable grin again, "Bye, (Y/n)."

☆VIP☆

@integers @paradoxicalwritings @yuchacco

my masterlist. more haikyuu

[genshingorlsrevengeance]

Could I request Himeko and Springfield whose S/O likes making them coffee?

(H:SR/GFL) Himeko and Springfield's S/O making them Coffee

Himeko was under no illusion that most people thought her coffee was...unpalatable, putting it kindly.

And that is to say nothing of her cooking ability.

With all that being said, she is genuinely touched everytime her S/O makes her morning coffee in exactly the way she likes.

Bitter is better after all, and she's glad someone else besides Dan Heng has something nice to say about that style!

(S/O) "Another cup, dear?"

(Himeko) "Please, and thank you.~"

Himeko puts the mug near S/O as they pour more in, with March 7th's and Caelus's gazes trying to avoid meeting either of them, lest they get offered some vile "refreshments".

(S/O) "Sure you guys don't want any? This is a lot for just Himeko and I to dri-"

(Caelus) "I-I drank a lot of juice already, if I have any more, I'd need to go pee."

His response came very quickly at the prospect of trying any of the killer coffee couples' drink.

(March 7th) "...Second that."

(Himeko) "Hm, should I brew it then? You usually seem to drink mine everytime I offer."

(S/O) "Maybe I should make mine more bitter to match yours?"

(March 7th & Caelus's thoughts) Is that even possible?!

Springfield always appreciates another helping hand in the café, especially a human touch to it!

Usually she would brew the coffee to match whoever their customer is, and that varies all the time.

However, it touches her core that S/O would always keep a pot aside, special for her alone.

As soon as she steps in for the day, Springfield can see S/O pouring her a cup, alongside a muffin on a plate.

(S/O) "Morning."

(Springfield) "Did you get something for yourself as well?"

(S/O) "Doing that now."

Springfield smiled at that, waiting to dig into breakfast until S/O sat right beside her, the two enjoying a little bit of quiet before opening up.

Some of the other T-Dolls working in the café would occasionally tease Springfield, being jealous that she had her own spouse already.

Even though they weren't married, the idea made Springfield blush all the same, with a bright smile accompanying her too.

(Springfield) "Thank you as always, S/O. Do you want me to start making coffee for you too?"

(S/O) "No, it's fine! You already make me plenty of muffins, no need to add to it."

(Springfield) "Oh, are you sure?"

S/O chuckled, leaning against her shoulder in the seat.

(S/O) "Considering that I'm running out of space in my fridge to put them in, last thing I need is even more stuff to put up!"

(Springfield) "D-Do I really bake that much?"

(S/O) "...Yeah, it's honestly kind of scary how fast you can crank them out."

(G36's Voice) "I'm astonished we have the supplies to bake them everyday considering how many we sell. And that isn't counting the ones you give away for free."

[candykenma]

Hi, can I pls request Haikyuu pretty setter squad when their s/o is struggling from writer's block or artist's block please?? Thank you =D

I LOVE THIS. PLEASE MARRY ME???

Oikawa

• Honest to god oikawa couldn't careless not in a mean way but hes missed his s/o all week now.

•He literally drags his s/o from the desk and just cuddled them despite the complaints and protest

•when he realizes it's actually getting to his s/o he'll buy they're favorite ice cream. Probally door dash it along with dinner bc if he lets his s/o go it'll be right bk to work for them.

• has his s/o shower with him and face care stuff to distract them.

Sugawara

•HE SIMPLY GIVES YOU IDEAS.

• This man will read what u got and be like "hey do you wanna like have sex at a carnival?" Or whatever random thoughts come to mind after reading and his s/o will go "THATS A GREAT IDEA"

• not referring to doing but instead writing a detailed chapter Abt whatever random thoughts came out of his mouth

• if that doesn't he work he'll sit u down on the couch and make u watch movies with him trying to secretly help u get ideas

•hell show u random stuff on Pinterest or tell u stories that his kids at school told him just to try and give u something to right about

•🥰

Akaashi

• this man right there frustrated wit u

•yall both got deadlines , both got writers block , both starving bc y'all forgot to eat.

• Akaashi probally stops for ant 10 minutes to cuddle with u and rub his fingers through your hair then straight BK to work

• they're was this 1 in incident where you were complaining Abt how cringe everything you wrote sound and he looked dead at you and said "why r u making it cuddly and innocent? You aren't either of those things" 😭

Kenma 😋my baby

•once again he doesn't gaf

• if u ask him for help he'll probably tell u the BK story of a character from one of his games he likes, or just tells u to put it down and he can't help u bc he doesn't read books unless he has too😭

• The definition of no fucking help. He tried and it's cute but baby no....

• if he sees it's affecting your health he'll butt in putting u to bed or taking u put to eat reluctantly,

•he'll offer to run you a bath as well but that's Abt as much as u get

Atsumu

• just as unhelpful and ANNOYING Abt it

• it's not that I have writers block it's that u can't write or think with him in you guys room. Your actually spazzing out so much so u send him to the store with a list of things you need and want jus to write

• he doesn't mean to and u never tell him that but he definitely makes your job harder.

• though u realize u can't write when he's not around either, his crazy stories and random thoughts he blurts out are the material and foundation for ur writing

•He comes BK home and you shower him with cuddles

Kageyama

• Also not very helpful

• I imagine most of the books you write would be smut related, you'd probably be letting out all that untapped pent up energy

•he probally read one of your books once and was like "u wrote this....?" And u jus were like yeah not think Abt the fact all your books are porn on paper with some good plot here and there

• He probally started doing things a bit different like playing into the books uve read in order to give you more content. He'd take you on more extravagant but intimate dates to help the creativity 🤷

I TRIED ITS 2:45 AM.....HOPE U LIKE???

[destielaureversebb]

Coming soon for the @destielaureversebb: “Sugar” 

Author: coveryourheads Artist: @all6pistols

Rating: Mature Archive warnings: None Length:  19,000 words Tags:  Teacher AU, Mutual Pining, Castiel Is Claire's Parent, Roommates, Insecure Dean Winchester Relationships: Dean/Castiel, Sam/Jess

Summary:  Dean and Castiel have been roommates since first year of college, best friends, and now work at the same school. Dean has always had a crush on Castiel but could never tell him because he is his best friend. Oh, and he's straight. And he has a daughter.

Excerpt: 

Claire, with a little bear face emoji next to her name, had sent, ‘Can you remind my dad that he has to pick me up today? He’s not answering me or mom.’

Dean answered her, ‘Got it.’

He swiveled around, almost knocking over a few innocent students. He hustled towards Castiel’s class. He forgot to knock (they never knocked on each other’s door at home) as he entered the room and came to face a full class of stunned students. Castiel looked flustered as well, paused mid-sentence of his probably intriguing lesson on the history of taxation or whatever it was he taught this one about.

“Dean!” Castiel scolded. “I’m in the middle of—”

The bell was well-timed and all of Castiel’s students shuffled out.

“Sorry, man,” Dean tried. He meant it, but his apologies never sounded sincere, which was a trait of his that Castiel disliked. He called it the Winchester Apology. Dean never meant his and Sam’s sounded like a wounded puppy. So, Dean added, “Seriously. Sorry. You gotta check your phone. Claire texted me because you weren’t answering her.”

Castiel sighed and retrieved his phone out of his bag. It took a long time to turn it back on because he refused to upgrade it. Dean watched his friend stab at the screen until he got to the text messages, reading his daughter’s message.

“I… Yes. Thank you, Dean. I have to pick up Claire today and am supposed to have dinner with her.”

Castiel grabbed one of his sticky notes, writing with a marker meant for the whiteboard, ‘Pick up Claire from club at 4:50’ in big blocky letters. The sticky note immediately curled on itself because the school decided to cut cost on supplies and got generic ones that never stuck to any surface. Dean tore off a piece of scotch tape to press the note down on the desk. Among all the mess of books and papers and teaching aide and stuff. In the simple act of helping his friend with the simpler task of writing down the reminder and making it stick, Dean had stepped into Castiel’s space. Close enough he could smell the aftershave (they had separate bathrooms so Dean had no idea what brand) and the fabric softener used on his clothes (unlike Dean, who used the affordable, non-softening brand). Stepping into Castiel’s space was done unconsciously, but Dean kind of liked it there. Castiel had the most amazing blue eyes (which Claire inherited) and fluffy hair that never wanted to stay in place. If he were brave enough, he would have made a move fifteen years ago. 

He wasn’t, and Castiel wasn’t into dudes anyway.

Posting date:  February 18, 2025

[cha-melodius]

May I ask you about your writing??? First of all and possibly most importantly, how do you do it? How do you find inspiration and such? How do you make it happen? Because I sat down with a really juicy idea not long ago and I was excited and it was incredibly hard. I deleted it, I was embarrassed. So how do you first, come up with a great idea (which you do you write such cool stuff!) and then bring it to fruition? I’ve always been a decent writer but I was really frustrated with the fic I set out to write!!!

Hey anon! Sorry for sitting on this for a while but it came in the night before a big academic conference for me, so I've had almost no time for anything, sadly.

First off, thank you so much for the compliment on my writing! A lot of the direct answers to your questions are not very satisfying, tbh. Ideas come to me from everywhere—things I watch, read, random internet things—and how I bring it to fruition mostly involves a lot of planning. I got a lot happier with my work when I started making outlines for my fics, so I always know where I want to go with the story and how I'm getting there, versus meandering around aimlessly.

I'm guessing that there was something about your idea that was particularly challenging, since you said that you've always been a decent writer but found what you produced frustrating. Since I don't know the details I'm gonna give some advice that will hopefully cover a few different aspects. And first, a short list, and then the details under the cut because I'm a wordy bitch.

Just keep writing. It can take a while to find your voice.

Get help. Seek out 'subject experts' and people who you think are good at writing the kinds of stories you want to write.

Read a lot, and broadly, especially in the genre you want to write.

1. Just keep writing. It can take a while to find your voice.

I started writing fanfic (or, re-started, because I wrote when I was young and then took a looooong break) to get the stories out of my head, and my first fics were not great lol. They were also for a rarepair and approximately 5 people read them, so there wasn't much pressure I suppose. I was just putting them on AO3 because I figured why not? And then I just kept writing, off and on for different fandoms, until the writing bug really caught me and I started producing a lot more, about five years ago. But it probably took me ~20 fics (several of which were quite long) before I'd consider my stuff to be decent. Whether you share your early works or not is up to you, but in general I'd recommend it because there's a good chance someone will love it (even if you consider it to be substandard) and that can help you feel better about your own writing. I didn't start out good at writing action, but I wrote (and read, see below) consistently in a lot of action-heavy fandoms, so I got a lot of practice. I also feel like the more I wrote, the more ideas I got, and the more unique ideas I got.

You occasionally see someone in fandom who's like "this is my first fic!" and it gets really popular or and lots of hype or whatever, but that's not the typical experience. Most of us start out writing like crap. It's ok. It gets better.

2. Get help. Seek out 'subject experts' and people who you think are good at writing the kinds of stories you want to write.

Ok, so you wrote a first draft you were disappointed in. Ask yourself what was disappointing about it? Do you feel like the beats aren't hitting, or the action is wooden, or the language is awkward? The great thing about fandom and fanfiction is that there are so many people that are willing to help out as beta readers or even just someone to talk to. I understand that getting a beta reader can seem daunting. You don't want someone to criticize your work, or it might seem embarrassing to show someone else a work you feel bad about. But if you get someone else to read it, you'll have the chance to both hear good things about it and also get advice about things you're uncertain about. People come to fandom from all walks of life and I'm a big fan of asking for help if you're writing about something you're not super familiar with. I've never actually been to therapy, so getting help from @celeritas2997 was absolutely critical for me to feel good about my couple's therapy AU. Also you can ask people for advice if they write the kinds of fics you want to write—I've had multiple people ask me for help with their action scenes, and I'm always happy to lend an eye and give advice.

Also, related to this: it's ok if you don't like your first draft. But don't delete it! Put it aside, whether you ask someone else to look at it or not, and come back to it a while later with fresh eyes. It may not be as terrible as you thought! Or maybe there are parts you still hate, but there are other parts that you can work on and revise.

3. Read a lot, and broadly, especially in the genre you want to write.

Want to write sci-fi? Read a lot of sci-fi novels. Read a lot of sci-fi AUs. Break out of your fandom and read fics in fandoms you don't know—I used to do this a lot and it was one of the most important steps in my process of finding my own voice as well as understanding how stories are built. When you read in only one fandom, you get used to a lot of the same voices and types of stories, but there is SO MUCH out there. I've been known to scroll through the 'Enemies to Lovers' tag on occasion, but also I will go into fandoms for media I know but have no strong connection to, don't want to write in but know the characters, and read those. I spent a lot of time reading X-men, Good Omens, Witcher, even MCU juggernauts like Stucky even though I don't really ship them. I know it probably sounds crazy to tell you to go read other fandoms when (I'm assuming you're RWRB) there's so much in this one, but I do think it's valuable. This one is not only for getting exposed to a lot of writing styles, but also lots of ideas. I've definitely gotten a lot of ideas that spun off from something else I read.

I feel like none of this is particularly revolutionary advice, but I hope it at least gives you (and anyone else who manages to read this far lol) some confidence to keep going and go after those stories you want to write. Everyone—me, popular fandom writers, professional authors—started out just writing a lot, and they improved over time.

Most importantly: just keep going. You can do it!!

[rinisasaki]

💮 リニ設定 • Naruto & Naruto Shippuden Settei || Sasaki, Rini 💮

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Name: Rini Sasaki; 佐々木リニ. (Rini translates to “Little bunny,” While Sasaki roughly translates to “trees that help.” or “helpful trees”.)

Alias: Chibi Tenshi (天使ちび; “Little Angel”),

~Oiran Sasaki ( 花魁 Oiran; highest ranking courtesan)

~Hime (お姫様; “Princess”)

~Kibō no ko (希望の子, “Child of Hope”)

Gender: Female

Race: Yokai/ Divine Being

Sexuality: Bi

Age: Classic: 21-22

~Shippuden: 25

Birthdate: September 28th

Astrology Sign: Libra

Birthplace: Amegakure

Affiliations: Amegakure

~Konoha (former)

~Akatsuki

Blood type: AB

Clan: Sasaki & Uzumaki

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So as you may have guessed, Rini's appearance is the same in Naruto as Naruto Shippuden, so that's why the settei is based on the ages of 21 - 25. 🙂

I put a lot of work into this LOL, but Im SO happy with how it came out! 😭 It's been hella overdue. I love where my art style is going, because Rini is finally looking how I imagined she would in the series.

If you ever happen to draw Rini, please use this reference for her! It's got all kinds of good stuff, including her personality, jutsu, tools, and more! ❤️

🌸 Likes, Comments, Shares and Saves are greatly appreciated! 🌸

✿❀✿❀✿❀✿❀✿❀✿❀✿❀

© Rini Sasaki belongs to me.

© Sasori and Naruto the series belongs to Masashi Kishimoto

🛑 This is my artwork. I did use bases for Sasori/Hiruko. I referenced a Mitsuri fanart for Rini. ❤️ Do not repost or edit without my permission. A couple bases were used. 😄

🛑 Rini is my OC. Her story, design, composition belong to me. Please do not copy her, my work or ideas without credit or permission.

✿❀✿❀✿❀✿❀✿❀✿❀✿❀

[aihoshiino]

So I actually only just found out that OnK ended and I think I only read up to where S1 of the anime finished, so imagine my horror when I learned that not only did AquaRu happen (technically? I know there was a kiss, at least), but that Aqua dies after coming up with what's probably the stupidest plan I've ever heard of. I'm going off of this from the wiki, btw, so feel free to correct me if I'm missing anything, but I thought this story was going to be a critique on the entertainment industry mixed in with a "catch the killer" plot when I first started, yet it just looks like nobody learned anything by the end of it and the villain's defeat was underwhelming.

Good news! AquRuby did not really happen.

Bad news! AquRuby did not really happen.

Honestly, to this day, I have no idea wtf Akasaka was cooking when it came to the AquRuby stuff... my best guess is that because Oshi no Ko was influenced pretty strongly by Mengo's past works & Aka was trying to emulate some elements of it (to good effect, sometimes!) the AquRuby stuff was inserted to appeal to her and it actually playing out on page was them being like "lalala, playing with our toys" and wasn't ever something the two of them took really seriously.

By coincidence I ended up rambling about this off tumblr the other day, so I'll just grab what I said and slap it here so I'm not just repeating myself;

I'm gonna be so real, I don't think an AquRuby ending was ever something anybody on the series including Mengo ever took all that seriously as a direction the series was going to take. Despite what a lot of people will try and tell you, Ruby and her relationship with Aqua were just never really written remotely in the sort of way you would build up your endgame heroine. Prior to 123 it wasn't really something the series tabled in any meaningful way and even past 123, Ruby's apparent attraction to Aqua is largely just played as shallow brocon gag fodder. It's only when the manga talks about her love for Gorou that it takes her remotely seriously and even then that's dropped like a rock past 150 and never addressed again. The biggest red flag for me though is that the series never actually addresses the concept of incest in the context of Aqua and Ruby's relationship. It is the one big major roadblock to a hypothetical romance between them but the roadblock that is actually, textually floated by the narrative is Gorou and Sarina's past life age gap which is, as Ruby repeatedly asserts, no longer an issue. It's honestly bizarre to see a series have a whole ass subplot about a character falling in love with their blood related twin and pursuing it to the point of forcing a kiss on them and just... never ever address the concept of incest??? It ends up feeling kind of deliberate - like, Akasaka knew that the second the obstacle that is the social taboo of incest came up on-panel it would be the death knell for being able to shiptease AquRuby (and thus, get clicks and attention from hyping it up for better or worse). So we get the... whatever the hell he was cooking that happened on page.

[In response to a comment asserting that Ruby was "absolutely written as the main heroine" as refutation to the above;]

When I say that Ruby was not built up as the main/endgame heroine, I mean moreso in the sense that for over half of the manga, she and Aqua just... don't really have a relationship that is given weight and consequence in the story in comparison to their individual relationships to the other characters. Even before the story was seriously teasing the idea of a romance between them this was always a point of critique in the fandom - hell, if you go back and read comments on it from around 2022 onwards, Ruby's sidelining and the lack of meat to her and Aqua's relationship is always something people have (imo, rightfully) had issue with. And like, sure, maybe Akasaka just wanted her status as the final/true heroine to be a surprise but even if that's what he was going for, there were tons of opportunities in the first 120+ chapters of the manga to properly sow those seeds. I know this is The low hanging fruit to point at and I know we're all aware that Aka deliberately orchestrated this moment to make sure Aqua and Ruby wouldn't discover each other's past identities before he decided it wanted to happen, but it's still characterization that Aka chose to put on the page and informs Aqua's character - Akane and Ruby found a literal dead body and instead of checking in on his sister, Aqua chose to spend time with (and kiss!) Akane. It would've been extremely easy to include Ruby more prominently in moments like chapter 68 when Aqua thinks about living a normal life free of revenge, or when Gorou confronts him in 65 about his 'happy life filled with love'. Even in the anime which makes a point of emphasizing Ruby more in Aqua's 'happy memory' montage from chapter 50's material fails to do this. Or hell, maybe even have it be a point of conflict during the AquAka 'real dating' period, that he ends up prioritizing Ruby more than Akane to a degree that it causes conflict in the relationship and clearly betrays where his real feelings lie. But none of that really happens. Hell, even after 123, Aqua and Ruby still barely interact and all the newfound intensity in that relationship comes primarily from Ruby doing brocon gag bits every time they make eye contact. Even the kiss is difficult to really take seriously because it has absolutely zero impact on Aqua and Ruby both individually and as a duo. It does not affect any change in the series whatsoever to the point where I legit don't even know whether it's been retconned out of continuity or not. That just doesn't feel to me like a 'main heroine' whose feelings and relationship to the main character are being taken seriously by the author. That's why the whole "btw i was reincarnated to be ruby's attack dog them kms" resolution at the end of the series feels so jarring and would have done with or without any AquRuby ship teasing. It was the story trying to cash cheques vis-a-vis the twins' relationship it hadn't bothered to write.

[vere-flores]

Open Starter

Crouched on the sidewalk, Flora has her cardigan folded up neatly on the ground and a baby bird lay curled up on top of it. it seems to have fallen out of it's nest but hurt itself on the fall. Flora had no clue what to do. The babies nest would surely be nearby but could she just leave the bird injured like this? Would the mother even accept it back? She had no clue but what other option was there? Taking it to a nearby clinic? A worried look was on her face as she glanced around, unsure what to do at the current moment.

[riovidalharkness]

AgathaRio AU | Agatha had to go to a conference for work while Rio stayed home with their son. They video chat every day and update each other on how things are going.

[sincerely-sofie]

I got bit by a radioactive spider that likes coming up with AUs for Pokémon games. Anyhoo. Take this extremely messy sketch of a comic I made mega fast for my “Legends Arceus + Platinum/Diamond/Pearl + Time Travel + Modern + Slice of Life + Trauma Recovery + Angst with a Happy Ending + Found Family” AU I’m currently cooking.

Volo's trying to camp in the mountains after getting booted through time and space into modern day Sinnoh and promptly gets Barry-ed.

[shepscapades]

Why does Ren have 4 ears? Are they all real or is one set fake?

Hehe I’ve gotten this question a lot actually! They’re all real— I like to think hybridization isn’t always a clean balance of traits, so Ren just unfortunately ended up with two sets of ears— his Dog ears being much more receptive to sound, naturally— and sometimes when the extra intake of sound is too overwhelming, I imagine he wears earplugs in his human ears to help adjust :> it’s a bit weird, but idk! i like to make designs funky and nonconventional! I liked the idea that Ren had hearing struggles due to wonky hybridization and just kept the concept :>

[myokk]

I think I’m going to go back to the drawing table with the oneshot I’m working on😆💓 I’m keeping the little bit that I posted a while ago, but I think I want to rework what I have so far.

I just want to really work on raising the tension🤌🤌& building up a complete story without going crazy with the length or anything. A little challenge for myself & im having a lot of fun trying to figure it out🤭

I don’t want to just have this oneshot be a vehicle for smut if that makes sense…like I don’t want to just jump into it, I want to have it make sense🙂‍↕️ I want the tension & emptions to be the driving force & idc if it goes into explicit territory or not…(but I DO want to try again at nsfw since clumsy was my first attempt & it was fun & I am just a humble feral girl at the end of the day😔🙏)

[collieii]

one line in trimax that's always stuck with me is from chapter 65, right after wolfwood's death. when vash is sticking the punisher by his grave and he says "it was part of his life". that phrasing is so interesting to me. the neutrality of it is one thing that gets me, i think. it was part of his life. for better or worse, whatever it was, the punisher was wolfwood's.

It's pretty easy to think that the punisher might represent violence, the eye of michael, the role of assassin that was forced onto wolfwood, the loss of childhood. but it's not really presented that way, not overtly anyways. we never see wolfwood shun the punisher, he's not conflicted by his use of it. he never considers abandoning it for some other weapon. it's his weapon. he doesn't discard it when he eventually decides to take a more vash-like approach and actually let people live. he pretty easily accepts it as his own, a tool he can use. (to be fair, at least part of that is probably because the punisher is a very good gun.)

the punisher can still represent the harsher aspects of wolfwood's character, the violence he's committed, that he's capable of. that's an important part of his life! and the idea of it as representative of his violent adolescence, childhood that was stripped away, goes along with this - it's literally a cross to bear. but besides showing his past as a burden, i think of the punisher as being a cross of responsibility. when you have a gun you have power, agency - you have a responsibility to make a choice. that's what wolfwood tells vash in chapter 4.

the ability to take a life, the burden of it, is literally his cross to bear. that ability - and that responsibility - was given to him by the eom, literally in terms of the gun, and in terms of his skills. but the eye doesn't think twice about killing people. for them it's not really a choice, a responsibility, it's just a given. but wolfwood can't accept that. he's constantly considering the choices he makes.

so the punisher isn't only a symbol of the eye of michael, of the path that he was forced onto. it's also a way of expressing autonomy. the eye gave wolfwood the gun, but he decides how to use it and what it means. for much of the story wolfwood struggles to decide what to do, he's a very conflicted character. but eventually he resolves to use it against chapel, against knives, to help vash, and protect the orphanage. the gun gives him agency.

so the punisher was part of his life. it was the tool that he used to commit acts of violence, acts that he was forced into, but also the tool he used to break free.

it's heavy for vash, too. he's not exempt from that idea, the idea of responsibility. as wolfwood said much earlier in the story, vash has always been able to sidestep the question of "what do i choose?", because he's only ever given himself one option - everybody lives. and he's always succeeded. but as wolfwood says, "the day will come when you'll have to choose". one day, it's not going to work.

and of course the story progresses, the stakes ramp up, and vash learns more, goes through more, and is pushed to his limits. i think by this point, by wolfwood's death, and maybe because of it, vash has realized that he might have to make that difficult choice in the near future. that's one reason why he wants to "do him proud". he has a lot of reasons to say this of course - to not let wolfwood's sacrifice go to waste, for example. but if we're thinking of the cross as responsibility, then vash is saying he doesn't want to forget the lessons he learned because of wolfwood. wolfwood has always grappled with responsibility, with what the right thing to do is. and the right thing is often not easy. vash hopes that when the times comes for him to make a choice, he'll make a good one, one that does right by wolfwood's memory.