#The age of digital work has changed

[esselte974]

The rise of teleworking and teletravel

The travel sector has been a major driver of change in recent years thanks to technology. It’s in these innovations that artificial intelligence, virtual reality and blockchain have been absolutely central to redefining travel. Platforms powered by artificial intelligence now offer personalized travel recommendations and carry out bookings while guaranteeing an exceptional experience. Thanks to…

[brntmilk]

An Ed I don't think I ever posted

[kwyoz]

the arm still bothers me sm, but i refuse to continue trying to fix this.

[expanding-our-channel-lineup]

Why RVR School of Photography is Your Gateway to a Thriving Photography Career

Introduction: Photography as a Career There is a huge market gap and in this gap the art of photography career has come up from being just a hobby to a fully fledged profession. Apart from media and advertisements, photography career  now have a significant opportunity in fashion and social media also. At the RVR school of photography, we focus on the development of such skills and taking enthusiastic photographers as our students, we convert them into professionals. Our students have already worked with TCS, Wipro, Times amongst others. This speaks volumes of our training and the changing perception of the employers towards our students.

1. The Growing Demand for Professional Photographers

It became quite apparent that there is an increased need for photographers not only for social functions or individual projects but rather for the e-commerce, media and fashion industries. As marketing experts seek to impress customers with great product photography, storytelling, and other visual elements, skilled photographers are in high demand. Demand for photographers has exploded virtually with the advent of the digital age. At the RVR school of photography, we take the students through the necessary training, which will encourage  them to built their photography career with all the needs to succeed as photographers in the current market situation.

2. Why Choose RVR School of Photography?

At RVR, we don’t only teach photography; we build photography career. This is what makes us unique:

Comprehensive Curriculum: In our courses, we start with the basics of photography and proceed to advanced editing, lighting, and image processing.

Industry Trained Faculty: Our teachers have more than just teaching as they have been active photographers themselves and know what it means to be in the profession.

Practice: Theory is not enough for us. The program has lots of practical sessions for the learners to further their skills and techniques.

Career Counselling and Job Placement: RVR pays particular attention to all students. Many of our students have received jobs in the companies that qualified them.

3. Courses Offered at RVR School of Photography

Our programs target all  photographers to buit there photography career  at all levels. That’s new photographers who want to acquire basic skills and professional ones who wish to perfect their skills.

 Beginner Photography Course: Photography course for beginners covers the fundamentals how to hold and use a camera, basic light, composition, and how to take pictures. This is an appropriate course for everyone who has never taken a photograph; hence, this course provides a good base.

Advanced Photography Course: In our Advanced Course, some students are equipped with more advanced skills in low-light techniques, portrait photography, and image retouching so that they will be able to manage more difficult work and high quality tools.

Specialized Photography Courses: We have organized specialized courses, such as Fashion Photography, Landscape Photography, and Wedding Photography that let the students develop much interest in the specific field of their choice.

Editing and Post-Production: Our courses on editing and post-production concentrate on industry-recognized tools such as Adobe Photoshop, Adobe Lightroom, and other similar programs. In this digital age, editing techniques are indispensable in content creation, and our students are well trained in those techniques.

RVR School: Paving the Way to Photography Excellence and Shaping the Future of Creative TalentBy Simran

4. Photography Career: Gain Real-World Experience and Build a Stunning Portfolio

In the same mindset, it is quite safe to say that a photographer’s portfolio is their visual CV, one of the most vital components needed to utilize their expertise and up to clients and or employers. At RVR School of Photography, we believe having an impressive portfolio is of utmost importance especially when starting a career as a photographer. 

Students of RVR have opportunities to participate in real product photoshoots, fashion editorials, etc, which are supervised by the instructors. These projects not only sharpen their practical skills but also prepare students to work in the real world where they have to please people, and complete the tasks given to them on time.

Such projects are led by instructors who are experienced practitioners in the industry and have mentored the students themselves through projects. They help the students with their feedback and how to use techniques that will help the students create an artistic identity that is uniquely theirs.

Also we encourage active learning through portfolios and conduct regular practice in fine al placement where students are given constructive feedback on their work. Feedback always highlights where the student is strong and where the student has room for growth so that the end product is always balance and professional.

5. RVR School of Photography Alumni Success Stories

Our students have to achieve great milestones by getting jobs in well-known companies such as TCS, WIPRO, TIMES, et cetera. These milestones achieved by some of our students bring glory to our school and prove that the training we provide has immense value in the field.

Some of our alumni who have been successful are:

Ravi Sharma: Worked with times as a corporate photographer and covered events of the high management.

Sneha Kapoor: Worked in the TCS marketing team and was involved in the creation of visuals for the campaigns.

Arjun Mehta: Worked as a fashion photographer in Wipro showcasing their apparel lines in the most appealing way.

These stories inspire our students and demonstrate the quality of training they receive at RVR.

6. Photography Career Skills You’ll Master at RVR School of Photography

The skills our students achieve go beyond the basics:

Mastering Composition: Composing a frame that tells a story with a thousand visual elements.

Lighting Techniques: Using natural and artificial lighting for accentuation and photography.

Editing Mastery: Students’ skills with tools such as Adobe Photoshop, Light room, and others.

Client Management: How to handle clients and their expectations and how to put them to fruition.

7. photography Career Paths After Completing a Photography Course

A degree from RVR School of Photography helps in getting various types of jobs:

Corporate Photographer: Photograph brand images, teams, events.

Fashion Photographer: Work with Brands, models, and designers.

Freelance Photographer: Own Photography business.

Media Photographer: Creative visual images for stories for newspapers, magazines.

With our guidance, students can tailor their skills to the path that suits them best.

8. How RVR School of Photography Supports Your photography Career

We don’t stop with the coursework only, it doesn’t end there. We help them to bulit their photography career:

Placements: With a reach over leading employers like TCS, Wipro and Times. We place students at the best jobs available. TCS, Wipro and Times

Networking Events: We provide events to the students where they meet potential employers and industry leaders (Photography).

Career Counseling: Counseling for photography career selection, for portfolio development, for interview skills etc.

9. Why Photography is a Lucrative Career Choice

Modern-day photography has reached unbelievable heights and most people have accepted it as an industry that encompasses numerous photography career opportunities. Photography career is self-employment, creativity and self actualization all in one package.

Consistently Develops:There is no industry today that does not have specialization in photography career. Companies reach out to professional photographers in other sectors such as marketing, advertising, content creation and social media. The same expertise is requested for events such as weddings, business meetings or product launches. It creates a continuous search for new talented professionals in detail work and creative design.

Different photography Career Opportunities:Several professional paths are available even when one has selected the field of phototgraphy. People of all skills and preferences: travel, fashion, wildlife, food, event and much more can all find their field in photography. Freelancers have freedom to select jobs, individuals focusing on photography career in occupations have a fixed salary and constant work.

Financial Stability and Growth:Would you consider photography career as an art or a business? For any professional photographer, it’s both. On the one hand, established photographers can offer a large range of services as well as find themselves to have long-term relationships with their clients. For instance, wedding photographers have good returns in each event during the busy season. On the other hand, commercial photographers working for top companies can receive good commissions on their projects as well.

Freelance Freedom:If you are one of those people that does not like having a boss, freelancing enables you to live a different lifestyle. A photographer who works on a one-off basis gets to select what project to work on, when to work, and how to sell themselves. This path of employment also means you can work with brands from a different country which means other markets always exist.

10. How to Apply to RVR School of Photography

Do you want to begin your photography career? The application to RVR is straightforward and needs no additional stress:

Look at our Site:  RVR SCHOOL OF PHOTOGRAPHY

Select the Desired Course: Review the courses we offer and select the course you want.

Utilize the Application to Apply: Complete the provided form with the required information.

Meet Our Team For An Interview: Here we evaluate your interest in pursuing photography career and your vision.

Our admissions team is here to help you through each step.

Conclusion: Start Your Photography Career with RVR School of Photography

Photography is not simply a play of light and chemistry, but rather a story, an imagination, and a moment that strikes the heart of many. A photography career is endless since it can either be an exploration of artistic vision or a stable and rewarding profession. RVR School of Photography offers world-class training that combines sound theoretical knowledge with practical experience to make sure our students are industry-ready from day one.

Our professional mentorship builds students’ technical abilities and the assurance that they can succeed in a competitive marketplace. We help them create a solid portfolio, which is the foundation of every successful Registrant photographer, and we prepare them for different photography career paths from freelancing to working with renowned companies.

Whether you aspire to be a fashion photographer, specialize in stunning landscapes, or focus on corporate and media photography, RVR School of Photography is the best starting point. Our graduates speak volumes about the quality of education we offer, as many have attained outstanding milestones in their photography career.

Keep your passion for photography as a hobby, or let it change your life. RVR School of Photography provides tailored mentoring, world-class infrastructure, and an energetic learning environment to help you make creative dreams a successful photography career.

So what are you waiting for? Take action today, and allow us to guide you in unlocking your potential and creating an enjoyable career in photography. Become a student at RVR School of Photography, and see your passion become a successful professio

[ninakaina]

i was thinking about this today so how long has YOUR JOB existed- not how long your industry has existed, but how long someone has been doing the work you do as a trade notwithstanding changes in terminology and technology. no unemployed option cuz i cant add more answers sorry... tell me about it in the tags

[sirfrogsworth]

I think in this new age of A.I. the general public is going to need to increase their photography and lighting literacy. The response to this photo has just been a shit show.

There are people pointing out perfectly normal edge lighting and misunderstanding how reflections work.

First the plane is parked at an angle. The tail is farther back than the nose. But also that is a curved surface and it tapers. It's reflecting the area to the right of the photo.

And the bottom of the plane is reflecting what is directly underneath. Which is the tarmac, not the crowd.

It should also be noted that photo was shot with a very telephoto lens and everything is super compressed. The crowd appears much closer to the airplane than they actually are.

But then someone who should have good understanding of lighting said this...

And now I'm worried for her clients. Because that's very... wrong.

Well, wrong-ish.

First, let's try to understand why this photo is setting off some alarm bells.

The crowd toward the rear is in shadow, but they are still very well exposed. But then there is also a bright light source creating a strong edge light on them. Looking at this photo with just the context of what is in it, there are some things that seem uncanny.

The information we do not have is the people in the shadow area are inside a very brightly lit airplane hangar.

So they have artificial light blasting them from the top.

But that light is still much dimmer than the sunlit areas outside so they appear in shade. But we are used to shade being much darker than areas in direct sun. So the balance seems off in our brain. We expect the people to be darker because we don't have the context of the bright hangar lights above them.

But the other issue is that the photo was post processed. It wasn't manipulated. The pixels weren't changed. But the exposure balance was altered.

If I were to guess, the original photo looked more like this...

But newer digital cameras can have 13 to 15 stops of dynamic range. And if you shoot in RAW, you can easily lift shadows and bring down highlights. You can balance the exposure so the dark parts aren't as dark and the bright parts aren't as bright. This photographer might have overdone it a bit in this case, but this is a fairly standard edit used to bring balance to photos.

And lastly, where does the edge light come from?

Edge lighting or backlighting or rim lighting (all the same) should probably be called wrap-around lighting if you want to be more accurate.

It comes from a homogenous light source that is larger than the subject being lit. So with my knife photo, I placed it on a large LED panel light.

The light source was bigger than the subject so it wrapped around the edges.

And I'm afraid the airplane is not nearly large enough to create a light source to wrap around everyone in the crowd. It isn't even reflecting direct sunlight. So I'm sorry to say that lighting designer was mostly mistaken despite the confidence.

The light source is... everything.

That entire red area I highlighted is the light source.

As well as everything above and everything to the sides.

And the biggest aspect of that light source would be the sky above. I think people always forget the sky is a light source. If you are seeing blue, you are seeing light. And I guess the plane is included in that, but that entire highlighted red area is so bright, and so filled with sunlight bouncing around, that it creates basically a giant softbox. It becomes a huge single light source for the people in the hangar.

If you look at footage taken from way inside the hangar, you can see the camera adjusting exposure for the crowd inside, but look at what happens to the sunlit area outside.

What does that look like?

A giant softbox.

A single homogenous light source blasting light inside the hangar.

The sun is so incredibly bright that even when it is not directly lighting something, the light just bouncing around outside is enough to overpower the very bright hangar lights.

So, what have we learned from this?

Perhaps people should hire me to be their lighting designer.

Though I'm sure she is actually very talented. She seems to work with stage lights and this is more physics and photography.

Phystography.

[unexpectederawhilesubmitting]

WARNING: DOCTOR WHO SPOILERS EXPLAINING REGENERATION SHENANIGANS

-------------------

okay so I was kind of not on board with the concept of bi-regeneration, mainly because of how it seemed like all of the Sad and the Trauma that the Doctor had undergone got kind of handwaved away? i'm all for ncuti's Doctor being sort of a fresh start/jumping on point for new viewers, but i didn't get how that could work if like, literally 40 minutes ago he was David Tennant being a sad wet puppy dog of a man

however, after rewatching it, i've realized what i think happened there, and it goes all the way back to something introduced with the 4th doctor's regeneration that was never explained: the Watcher

^this spooky guy

so, for those that don't know (or haven't seen every episode of a show that is over half a century old), the Fourth Doctor regenerates at the end of a story called Logopolis (he falls off a satellite dish, but that's not important right now). all throughout the episode, this weird figure, The Watcher, stands off in the distance, and even intervenes slightly by saving the Fourth Doctor's companion. there's not much given in the way of an explanation until the Fourth Doctor regenerates, saying "it's the end. but the moment has been prepared for..."

the watcher walks up, and gets absorbed in a super rad 1980's digital effect (never change doctor who), while his companion just gives us the not-super-helpful-for-lore statement "He was the Doctor all the time!"

then, in a crossfade, the Doctor goes from Four to weird-powder-man to Five

canonically, the Watcher is explained as a future version of the doctor that comes about in sort of a weird overlapping thing with the doctor's timeline, it's very wibbly-wobbly timey-wimey.

-------------------------

SO what does this have to do with biregeneration and satisfying character arcs/moving on from trauma?

Well, remember, Fifteen said this, about Time Lords doing rehab out of order:

so, here's the thing: Fifteen is the Doctor AFTER Fourteen (duh, I know?) But to be clear...Fourteen lives out an entire lifetime with Donna and family, gets to a ripe old age, and then, when his lifetime of healing is over, he gets yeeted back through his own timestream just to zoot himself out of David Tennant's chest.

Remember, his first words to Fourteen (after popping out of his chest) are "So good to see you! So good!", not the RTD classic "what?". He greets himself like he's almost expecting this, he then says "does anyone want to tell me what the hell is going on here?" which only makes sense if he's coming from a different point in his own timestream (remember, when two doctors interact, memory gets really weird, 10 and the War Doctor don't remember the events of Day of the Doctor until they live through them as 11).

SO TO BE CLEAR: Ncuti Gatwa is playing the Doctor AFTER he has spent years healing from his traumas. His Doctor is fine because Fourteen takes the time to rest and work on himself.

tl;dr: I didn't like biregeneration at first because I thought it looked like this:

In actuality, it looks more like this:

[odinsblog]

🗣️THIS IS WHAT INCLUSIVE, COMPASSIONATE DEMOCRACY LOOKS LIKE

Minnesota Dems enacted a raft of laws to make the state a trans refuge, and ensure people receiving trans care here can't be reached by far-right governments in places like Florida and Texas. (link)

Minnesota Dems ensured that everyone, including undocumented immigrants, can get drivers' licenses. (link)

They made public college free for the majority of Minnesota families. (link)

Minnesota Dems dropped a billion dollars into a bevy of affordable housing programs, including by creating a new state housing voucher program. (link)

Minnesota Dems massively increased funding for the state's perpetually-underfunded public defenders, which lets more public defenders be hired and existing public defenders get a salary increase. (link)

Dems raised Minnesota education spending by 10%, or about 2.3 billion. (link)

Minnesota Dems created an energy standard for 100% carbon-free electricity by 2040. (link)

Minnesota already has some of the strongest election infrastructure (and highest voter participation) in the country, but the legislature just made it stronger, with automatic registration, preregistration for minors, and easier access to absentee ballots. (link)

Minnesota Dems expanded the publicly subsidized health insurance program to undocumented immigrants. This one's interesting because it's the sort of things Dems often balk at. The governor opposed it! The legislature rolled over him and passed it anyway. (link)

Minnesota Dems expanded background checks and enacted red-flag laws, passing gun safety measures that the GOP has thwarted for years. (link)

Minnesota Dems gave the state AG the power to block the huge healthcare mergers that have slowly gobbled up the state's medical system. (link)

Minnesota Dems restored voting rights to convicted felons as soon as they leave prison. (link)

Minnesota Dems made prison phone calls free. (link)

Minnesota Dems passed new wage protection rules for the construction industry, against industry resistance. (link)

Minnesota Dems created a new sales tax to fund bus and train lines, an enormous victory for the sustainability and quality of public transit. Transit be more pleasant to ride, more frequent, and have better shelters, along more lines. (link)

They passed strict new regulations on PFAS ("forever chemicals"). (link)

Minnesota Dems passed the largest bonding bill in state history! Funding improvements to parks, colleges, water infrastructure, bridges, etc. etc. etc. (link)

They're going to build a passenger train from the Twin Cities to Duluth. (link)

I can't even find a news story about it but there's tens of millions in funding for new BRT lines, too. (link)

A wonky-but-important change: Minnesota Dems indexed the state gas tax to inflation, effectively increasing the gas tax. (link)

They actually indexed a bunch of stuff to inflation, including the state's education funding formula, which helps ensure that school spending doesn't decline over time. (link)

Minnesota Dems made hourly school workers (e.g., bus drivers and paraprofessionals) eligible for unemployment during summer break, when they're not working or getting paid. (link)

Minnesota Dems passed a bunch of labor protections for teachers, including requiring school districts to negotiate class sizes as part of union contracts. (Yet another @SydneyJordanMN special here. (link)

Minnesota Dems created a state board to govern labor standards at nursing homes. (link)

Minnesota Dems created a Prescription Drug Affordability Board, which would set price caps for high-cost pharmaceuticals. (link)

Minnesota Dems created new worker protections for Amazon warehouse workers and refinery workers. (link)

Minnesota Dems passed a digital fair repair law, which requires electronics manufacturers to make tools and parts available so that consumers can repair their electronics rather than purchase new items. (link)

Minnesota Dems made Juneteenth a state holiday. (link)

Minnesota Dems banned conversion therapy. (link)

They spent nearly a billion dollars on a variety of environmental programs, from heat pumps to reforestation. (link)

Minnesota Dems expanded protections for pregnant and nursing workers - already in place for larger employers - to almost everyone in the state. (link)

Minnesota Dems created a new child tax credit that will cut child poverty by about a quarter. (link)

Minnesota Democrats dropped a quick $50 million into homelessness prevention programs. (link)

And because the small stuff didn't get lost in the big stuff, they passed a law to prevent catalytic converter thefts. (link)

Minnesota Dems increased child care assistance. (link)

Minnesota Dems banned "captive audience meetings," where employers force employees to watch anti-union presentations. (link)

No news story yet, but Minnesota Dems forced signal priority changes to Twin Cities transit. Right now the trains have to wait at intersections for cars, which, I can say from experience, is terrible. Soon that will change.

Minnesota Dems provided the largest increase to nursing home funding in state history. (link)

They also bumped up salaries for home health workers, to help address the shortage of in-home nurses. (link)

Minnesota Dems legalized drug paraphernalia, which allows social service providers to conduct needle exchanges and address substance abuse with reduced fear of incurring legal action. (link)

Minnesota Dems banned white supremacists and extremists from police forces, capped probation at 5 years for most crimes, improved clemency, and mostly banned no-knock warrants. (link)

Minnesota Dems also laid the groundwork for a public health insurance option. (link)

I’m happy for the people of Minnesota, but as a Floridian living under Ron DeSantis & hateful Republicans, I’m also very envious tbh. We know that democracy can work, and this is a shining example of what government could be like in the hands of legislators who actually care about helping people in need, and not pursuing the GOP’s “culture wars” and suppressing the votes of BIPOC, and inflicting maximum harm on those who aren’t cis/het, white, wealthy, Christian males. BRAVO MINNESOTA. This is how you do it! And the Minnesota Dems did it with a one seat majority, so no excuses. Forget about the next election and focus on doing as much good as you can, while you still can. 👏🏿👏🏿👏🏿👏🏿👏🏿👏🏿👏🏿

👉🏿 https://threadreaderapp.com/thread/1660846689450688514.html

[femme-foucault]

This is actually really interesting to me (especially as someone who has used SEO data involving Google searches as pertaining to user personalization factors involving personalized data (including geographical region) versus contextualized data (trending analytics, for instance), keyword data, etc. in some of my political discourse research). I am curious as to the wider contexts of these searches because I know that as much as those of us on the left want to believe that people who vote third party ideologically for reasons such as Palestine are a more influential force than they actually are, they are a fairly small minority even in swing states. So those people are not likely to be enough of a population to radically ask "change my vote" when they expected Harris to win and be self-righteous versus Trump winning and panicking like many of them (though not all) did in 2016 and I think more than are willing to admit are doing right now. I would imagine people who abstained entirely for some of the same reasons might be reconsidering, but why use those keywords? Sure, not everyone is used to how to use keywords in the most optimal way, especially based on generation, in a way those of us who grew up with search engines often take for granted. But I am interested in the wording here and the reasons behind it.

My guess without further context -- with the caveat people's knee-jerk reactions are often wrong and that is why data and fact-checking is so important -- is that without knowing the scale of how many people are Googling "change my vote" that it is a minority because the fact is if 5 people Googled that search query on October 5th and a 100 people Googled on November 7th, that graph reads the exact same way as if 5000 people Googled on October 5th and 100,000 people Googled on November 7th so an exponential increase in queries is not that useful when tracing trends in search engine queries without accounting for scale. One possible way that to bridge the discrepancy between what I talked about in the last paragraph and the possibility the graph does reflect a large scale change in searches in a way that is not being visualized in the screenshot is the the possibility undecided voters who abstained and changed their mind (again) are using keywords liked "changed" instead of "vote late" which would give them accurate results (namely, that they can't). But yeah, without more context, I don't know and that's interesting to think about but also something that might be really hard to study.

I'm going to McFucking Lose It

[birdantlers]

A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

•

Muting notifs

[teaboot]

TOP 10 PERSONAL FAVE MOVIES TO WATCH WHEN YOU FEEL LIKE ASS

I don't like movies that stress me out because life is already stressful but I DO love catharsis comedy found family friendship fantasy and violence so here are my top 10 movies and series to have a good time watching

Numbered for convenience but not in any particular order

John Wick 1 and 2: An ordinary man grieving the loss of his wife gets dragged back into his past as a shadowy, invisible world of international killers for hire is slowly revealed to be living among us. A love note to set design, lighting, and choreography. My favourite part is fixating on the symbolism. DO NOT WATCH 3. 4 is okay. DO NOT WATCH 3. There is a dog death in 1 that will make you cry so skip that part if you have to. DO NOT WATCH 3.

The lord of the Rings, all 3, extended edition best watched if you're on the couch with the flu and expect to fall asleep OR if it's your day off and it's raining outside OR if you have like 5 people lounging around in pajamas

Six Underground: Essentially an hour and a half long car commercial music video with found family and a fresher take on acommon plot. Ryan Reynolds essentially writes and directs a Michael Bay movie where 6 independant criminals gather together to overthrow a violent foreign dictatorship. You show up for a dumb heist and walk out ready to build a guillotine. TW for violence, car crashes, chemical warfare, and genocide. A very cathartic ending. Does unfortunately do the whole "vague, impoverished middle-eastern country" thing but the citizens are actually show as human beings which is a nice change of pace and oh wow that's depressing isn't it

The Princess Diaries 1 and 2: A sort-of-a-loser teenage girl, played by a 2001 Annie Hathaway, learns that her late father was a king of a foreign nation and must become a confident and responsible leader for his people. There is a scene in the rain where you will experience emotions. Best watched with snacks. 2 features an enemies-to-lovers type deal with Chris Pine.

Ella Enchanted: A shrek-style semi-musical fantasy romance in which a young woman is cursed at birth to do everything anyone tells her to do. Features several Queen songs and dance numbers sung by Annie Hathaway and that guy who plays the sad dog guy in Hannibal.

Stardust: A huge loser travels from 1800s England (?) to a magical world in order to fetch a fallen star for the insufferable love of his life before she marries a massive douchebag. The huge loser? Charlie Cox. The star? A living person. Also a whole bunch of princes are ALSO looking for them as a race for the throne while discreetly killing each other off. And also a bunch of witches want to eat her so they can be young and sexy. 11/10. I used to watch this 10 minutes at a time on a YouTube channel that posted it in chunks filmed on a digital camera in their living room

The Last Holiday: Queen Latifah, playing someone played by Queen Latifah, has been working an underappreciated minimum wage job for years, living a safe and conservative life trying to lose weight and save money. Then she finds out she has months to live, and decides to finally quit her job and blow it all on one massive luxury holiday vacation complete with five-star dining, making friends and finding love and confidence along the way. It's definitely corny but it makes me so happy thank you Queen Latifah

Zathura: It's the plot to the original Jumanji but in space instead of the rainforest. But listen to me: There's a twist reveal at the end that you need to pretend isn't there. It is vitally important when you get to that part- and you will know what part when it happens- that you pretend it didn't. Otherwise, a fresh and enjoyable adventure for any age!

Redacted cause I haven't seen it in a long time and it may be worse than I remember, gotta rewatch

Bullet Train. You go in expecting a ham-fisted find-the-mcguffin style action comedy and are blindsided by excellent narrative symmetry and genuinely likeable characters. Fresh takes on old themes and creative action sequences. My little brother said "It's good", and he's a man who once sincerely argued that Lord of the Rings could have been better. It's fun and punchy violence with just enough smart stuff to not let your brain get bored

[esselte974]

The rise of teleworking and teletravel

The travel sector has been a major driver of change in recent years thanks to technology. It’s in these innovations that artificial intelligence, virtual reality and blockchain have been absolutely central to redefining travel. Platforms powered by artificial intelligence now offer personalized travel recommendations and carry out bookings while guaranteeing an exceptional experience. Thanks to…

[someone-will-remember-us]

A leaden silence descended upon the courtroom as the videos began to play over three screens.

There was Gisèle Pelicot, the victim in the center of a rape trial that has rocked France, lying on a bed on her side, her arms limp before her, her mouth open. The sound of her snoring filled the courtroom. She appeared to be dead asleep.

In the videos, she did not respond to the touches of the men, who engaged with her body in sex acts.

Ms. Pelicot had fought hard for these videos to be shown publicly in the courtroom because, she said, they were incontrovertible evidence. While most rape victims have only their word and memory of events, Ms. Pelicot has a library of proof in the form of videos and photographs — taken by her own husband.

Showing them publicly was essential, her lawyer Antoine Camus told the courtroom, “to look rape straight in the eyes.”

It was another astounding moment in a trial that for the past month has gripped France as if by the throat and shaken it violently. The case has raised profound questions about relations between men and women, the prevalence of rape and conceptions of consent.

More than 50 men are on trial together. Almost all are accused of aggravated rape against Ms. Pelicot, a grandmother and retired manager at a big company, while she was in an unconscious state. Her former husband of 50 years, Dominique Pelicot, has pleaded guilty to mixing drugs into her food and drink and inviting others into their home, in a village in southern France where they had retired, to join him in raping her limp body.

While Ms. Pelicot, 71, had the right to request that the trial take place behind closed doors, she decided to make it public. She said that she did it not for her, but to protect other women. Shame, she said, must change sides — from the victims to the perpetrators.

The accused men appear to be a gallery of working-class and middle-class French society: truck drivers, carpenters and trade workers, a nurse, an I.T. expert, a local journalist. They range in age from 26 to 74. Many have children and are in relationships. Over four months, their cases are coming before the court in batches of six or seven a week.

All but 15 have contested the charge. Many have argued that they were tricked into coming into her bedroom by Mr. Pelicot, who had offered them a playful trio with his wife. Many say he led them to believe she was sleeping — or pretending to sleep — as part of the couple’s sexual fantasy. Mr. Pelicot manipulated them when they were vulnerable, some of them have said, and directed them in the acts like a stage manager. They said they had blindly followed his orders.

One said this week that he thought he was also drugged, and had no memory from the moment he entered the room until he returned to his car later. Another said he was so terrified by Mr. Pelicot, whom he regarded as a “predator” and a “psychopath,” that he interacted with Ms. Pelicot’s body calmly in order to “not show weakness, so he attacks me.”

“They took a precise line of defense,” Mr. Camus, one of the lawyers for Ms. Pelicot, told the court on Friday. Ms. Pelicot has said that while the men were perhaps tricked into coming into her bedroom, once they got there, she was so unconscious that it was clear that she could not have possibly given consent.

This is where the videos come in. Mr. Pelicot filmed most of the encounters, often with two cameras, and carefully edited and titled them. Over the course of their investigation, the police found more than 20,000 videos and photographs on his electronic devices, many of them in a digital folder titled “Abuse.”

After initially ruling the videos would not be viewed because of their “indecent and shocking” nature, the judges of the criminal court in Avignon changed their minds after a heated courtroom debate on Friday. Not all the videos would be shown, announced the head judge, Roger Arata — just those videos deemed “strictly necessary” for the “manifestation of the truth.”

A dozen videos and about 10 photos were shown over the courtroom’s three flat screens on Friday afternoon and projected into the overflow room for members of the public, who have continued to line up every day to watch the proceedings and support Ms. Pelicot.

The videos’ titles alone, packed with crude words and read out by the prosecutor, made many observers flinch. Judge Arata said at one point that he didn’t have any “particular desire” to read them out loud any more.

In many, Ms. Pelicot appeared naked, but in some, she wore a garter belt, underwear and white socks. In one, she had a blindfold over her eyes. Her husband told the police he often dressed her up after she was unconscious, and then at the end of the night, he cleaned her and returned her to her nightclothes.

The accused were seen stroking her sides and intimate parts with their hands and mouths. Five were captured putting their penises in her slack mouth. The camera sometimes zoomed in for close-ups. While Ms. Pelicot could be seen moving slightly in some, in none was she seen responding to the touches. She often snored loudly.

The videos played on uncomfortably long. One defendant lowered his face. Many lawyers and journalists stopped looking at the screens.

Thierry Postat, a 61-year-old refrigeration technician who is among those on trial, told the court that he had been involved in swinging and couple sharing since he was 30. He said that in at least three other cases, he had been invited into bedrooms by husbands to have sex with their sleeping wives — only one of whom woke up.

“I trusted Mr. Pelicot,” because most of the time among swingers, Mr. Postat told the court, “it’s the man who organizes things"

But he was pressed by Ms. Pelicot’s lawyer, Mr. Camus: “You really thought you were practicing couple swapping? You see a couple there?” Mr. Camus asked Mr. Postat, referring to the video that had just been shown.

“Yes,” Mr. Postat responded. “The way I remember it.”

Another video captured Simone Mekenese penetrating Ms. Pelicot, while she was lying on her side sleeping.

“You weren’t aware she was unconscious?” asked Stéphane Babonneau, a second lawyer for Ms. Pelicot.

“No,” responded Mr. Mekenese, 43, a driver on a construction site who was a neighbor of the couple’s at the time. “I thought she would participate soon.”

An argument heard repeatedly in court this week was that while they might not have gotten direct consent from Ms. Pelicot, the accused men did not go to the Pelicots’ home with an intention to rape her.

The day before, Mr. Postat had told the court that they might be rapists because they had not received consent, “but we aren’t rapists in our souls.”

After two hours of viewing videos, the court session ended abruptly. People drifted out of the courtroom, and the overflow room, stunned.

“We are in shock,” said Anne-Marie Galvan, 58, a nursing assistant at the local hospital. Her husband, Serge Galvan, stood nearby, tears swelling in his eyes.

“I’m almost ashamed to be a man,” he said. “You could see she was sleeping. It was obvious she was unconscious.”

The couple, and the rest of the crowd, clapped thunderously when Ms. Pelicot passed by, making her way with her lawyers to the court exit. She stopped, looked at the group, and put her hand to her heart.

“We are here for her. We must not let this lady down. We must give her as much strength as possible. It’s important for women,” said Mr. Galvan.

“This,” he added, thinking back to the scenes on the screen, “has to stop.”

[joeloverture]

morning cardio | dbf!j.m. x f!reader

masterlist | updates blog pairing: dbf!neighbor!joel miller x f!reader summary: [no outbreak] your neighbor and dad's longtime buddy catches you sneaking back home after an underwhelming hook-up. you want more — he provides. warnings: (18+ mdni) dbf!neighbor!joel, age gap (23/50), reader has a bad relationship with her father, reader's father is overly strict, reader hooks up with an oc, dirty talk, soft!dom joel, degradation, praise, thigh riding, 1 spank, titty slapping, daddy kink, exhibitionism but nobody sees, almost caught, heavy petting, misogyny for sexiness that joel doesn't actually believe in since he's a sweetheart [no use of y/n] word count: 3.7k a/n: watch me almost exclusively post dbf joel. watch me. also, mind the tags, they've changed slightly since i posted the teaser. this was supposed to be a series. this is no longer the case bc i'm indecisive. sorry.

Mistake number one: your eyes are crusted shut with the mascara you’d forgotten to wipe off.

Mistake number two: the bed you wake up in is not your own.

Mistake number three: sleeping with your neighbor.

Rubbing your mascara-sealed eyes, you blink yourself into consciousness and instantly regret it. There’s a moment of stillness, time stretching as you take in the room underneath the swelling orange sunlight. The window is cracked just enough to give you a glimpse at the world outside — birds chirping, sprinklers spritzing, cars crunching gravel as they pull out of the driveway. Surrounding the narrow, rumpled bed is a graveyard of orphaned socks. A box fan whirrs in the corner. The room had felt much cleaner past midnight when it was only the yellowed street lamp outside shining through the window. Then you spot the digital clock on the cluttered bedside table reads 6:10, ten minutes later than you’d wanted to be awake for, and time returns to its regular pace.

Your heart kicks awake in your chest, veins going cold. You kick the sheets off of your sweaty body, roll out of bed, and stumble two steps before planting your feet on the carpet below. Even that isn’t enough to stir your hookup. Dylan Andrews.

It’d seemed like a good enough idea at the time. Both of you were home for spring break. Both of you had flirted at the block party with each other. He was only decent-looking and mediocre with his hands, but you needed a break from spending another night in your childhood bedroom. What better way to do it than with a dick appointment?

Again. It’d seemed like a good enough idea at the time. Sneaking out underneath the nose of your strict, tough-as-nails dad was the easy part. Sneaking back in? Less easy. And to make matters worse, you were already ten minutes behind.

Shit.

You tiptoe across the room, naked as the day you were born, and stuff your underappreciated lingerie into your backpack. Without even putting your panties or bra on, you hop into your shorts and wrestle with your hoodie. By the time you’re out of Dylan’s room, it’s 6:12.

The difference between your dad and Dylan’s mom? She doesn’t give a shit what side of town Dylan wakes up on or how much alcohol is sloshing around in his system as long as he’s safe. You’re not the first girl to do the walk of shame out of Ms. Andrews' generic McMansion house, and you’re far from the last.

She’s downstairs in front of the coffee maker, still wearing her pajamas and doing a Dollar General crossword when you slip past her kitchen unnoticed. The door clangs shut behind you, and you figure she must see you walking down the cul-de-sac.

Your dad always leaves for work at 6:45 after a freezing cold shower and a steaming cup of black coffee for balance. You can only hope his shower ran a little late and that he isn’t at the dining room table already. Cramming two steps into one, you continue with your beeline down the awakening street.

You’re followed home by the mailboxes and flower beds, the pebbles you kick with every step. You’re almost to the property line, prepared to make a mad dash to your front door when you hear the faint call of your name. You skid to a stop, and turn to face the source: the craftsman-style house next door.

And there he is – Joel Miller, sitting on one of the cushioned chairs of his front porch in nothing but his sleep shorts and a t-shirt, legs spread as wide as the chair can accommodate. There’s a smug, knowing look on his face, one that says I’ve caught you. See how you can get out of this.

It’s been a long time since you’ve been face to face with Joel — Mr. Miller. You’d think you’d see him more often, with him being your dad’s buddy and your neighbor, but it’s been since summer. You’re sure he must be having the time of his life by joining your just got laid parade.

“You’re up awful early,” he calls, beckoning you up the driveway with a come-hither movement of his fingers. Leaving your dignity at the curb, you pad up the yard to his porch, climbing one of the stairs to lean against the gutter that feeds into his shrubbery. Pollen and moss is scattered across the wooden deck, surrounding a package that he hasn’t bothered to pick up yet. His guitar is off to the side, propped up against the doorway of the house. You wonder if he’d been playing when he’d seen you walking by.

Joel’s covered for you before, briefly and sparingly. Taken the fall for the half-empty bottle of fireball in your dresser even though he’d never go within ten feet of that shit, blamed it on himself for accidentally leaving it behind after fixing a wheel that had jumped off track for you. Even though your dad had chewed him out for drinking on the job, he’d still managed to sneak it back to you with the wise words of hiding it in a sock next time. You’d been two months past your twenty-first when that had happened, and maybe Joel had pitied you after realizing how authoritarian his friend was.

You aren’t as sure if he’ll pity you now.

“Needed some fresh air,” you defend lamely, hands hanging limp by your sides.

“Needed some cock?” he corrects, and his bluntness makes you choke. He seems relaxed for the words that just came out of his mouth, fingers drumming on his impossibly large thighs, a playful smirk resting on his lips.

You sputter, “No! Jesus, what the hell–”

“I got eyes, hun. Saw you leave that Andrews kid’s place. Clearly he didn’t stick it to ya that good if you’re still walkin’ steady,” he comments. His head tilts.

“Joel,” you hiss, eyes flitting to your dad’s house next door. He seems to read your mind, his smirk widening.

“Wonder what your pops would think. Bet I have a pretty good idea. His little angel, sneakin’ around and whorin’ herself out.” He clicks his tongue at you. “A damn shame.”

Heat spools low in your stomach and down to your unsatisfied center. You wish you’d worn darker colored shorts instead of the flimsy gray things you have on. There’s no barrier of your panties to stop yourself from leaking all over them, and with the way Joel’s looking at you, eyes dark and sly, you’re wishing there was.

“Can’t even imagine what you’re gettin’ up to at that college ‘a yours. Bet you had five guys inside of ya all at once, and I sure ain’t talkin’ about burgers, hun.” He lounges back in his chair, watching you.

You feel yourself gush. Heat burns in your thighs, and they rub together on instinct, seeking to extinguish that brimming ache between your legs. You bunch your hands in the fabric of your sweatshirt and can’t stop yourself from squirming underneath his gaze. It’s not like you’ve never thought about this, this with him of all people when you’re underneath your covers and your hand finds the warm junction between your thighs. Always unattainable. Always just out of reach.

You whisper again, “Joel,” but this time, it comes out as more of a moan. Humiliation warms your cheeks and chest, forming a different kind of pit in your stomach.

“Hmmmm?” Joel hums at you with a raised brow. He’s casual, indifferent, almost. But then his eyes flicker up and down, stopping at the wet patch smeared across the front of your shorts, the way your thighs press tight, tensing before letting go. “Ah. A little slut shamin’ gets you all riled up, hun?” That tears a whimper from you. He does that stupid come hither motion again, and like a lost dog, you listen. Standing in front of him, you feel completely, utterly exposed.

He adjusts himself in his chair, and you swallow the building lump in your throat when you see his bulge hardening. It sends another zap of heat to your core, and then another, more surprised one when his hand goes up to grab at your tit. Your breath catches as he thumbs one of your hardened nipples. A triumphant noise echoes out of him. “Braless, too?” His other hand goes down to your shorts, playing with the waistband. “Prancin’ around in these short, skimpy things, too. Practically giving the whole neighborhood a free peep show.”

His hand slides lower. Lower. Pans over to the crease of your thigh and then his thumb is planting over your clit, rubbing only once before he pulls away. “Messy pussy. Bet you stained the guys sheets.”

You’re quiet, staring at him, his wicked fucking expression, those hands that look like sin itself. You bite the inside of your cheek.

“Ah. Poor baby. All this effort and you didn’t even get to come.” He just looks at you. Unmoving. Not doing a single damn thing to get you there.

“Please, Joel,” you whisper, embarrassed by the gritty need already embedded into your voice when he’s hardly even touched you.

And he’s still wearing that wolfish look, that tainted-with-intention gleam in his eyes that tells you he knows exactly what you do want when he asks, “What? What do you want?” He licks his lips, a fleeting moment.

You look over your shoulder, at the rising street. Anyone could have their windows cracked. Anyone could hear you confess on this porch. Still, you murmur, “I… I want you to make me come, Joel.” Your voice shivers a little bit along with the stroke of wind that wisps against the backs of your thighs.

His brows raise together, now. His head tips forward. “What was that? A little louder. You know, my ears really ain’t the sharpest these days…”

Fucking bastard.

“I want,” you say again, fighting to stop your voice from wavering, to keep it not too loud but not too quiet. “you to make me come.”

Joel sucks on his teeth for a second. “Ohhh. Now I don’t think that’s really fair, hun.” He gives you a mockingly sad look.

“Why?” you ask, and you know you sound as whiny as a petulant child. But he’d been correct earlier. You put in all of this effort, sneaking out for a thrilling night that had turned into something more like two sweaty bodies moving together and only one of them feeling good from it. You want to feel good. You’re tired of looking at the right and the wrong. Joel’s sitting in front of you, his thumb still smelling like your arousal; that’s what’s right.

“You’re out here breakin’ all the rules. Shouldn’t be rewarding you for that, sweetheart. Besides, it’s a little fucked up, dontcha think? Makin’ you come all over me while your pops, my buddy, is none the wiser gettin’ ready for work next door?” His vulgarity only weakens you even more, pussy clenching and begging to be filled. You’re about to protest again when he cuts in, “But that doesn’t mean I can’t help ya out.”

Your heart pedals in your chest, eager and wanting. But Joel, instead of getting up and elbowing you inside like you expect, stays right where he is. He pats one of his splayed thighs, the grin on his face only widening. Your face contorts. Joel hears your question before you ask.

“What? Never humped someone’s leg before? With how much of a bitch in heat you’re actin’ right now, I’m surprised.” You can feel the shock on your face plain as day. Joel jerks his head down to his thigh, egging you on. “Better hurry up if you want my help, sweetheart. Pretty sure your dad’s about to get goin’, and I sure don’t have all day, either.”

The rapidly shrinking part of yourself that isn’t consumed with desire tells you to take a step back. That anyone, God forbid, even the Adlers across the street could witness this. Talk about a free peep show.

You think of the alternative: sneaking back into your house with a hope and a prayer that your dad won’t find you, backpack over your shoulder and shoes on, as you climb the stairs back to your bedroom. Open up your Joel-advised dresser drawer of things your dad says you shouldn’t have and pull out your vibrator. Do the same old hassle of a routine, desperately trying to make yourself come. Reach an unfulfilling peak.

Or… take what Joel’s offering you. Risks and all.

You take a tentative step forward, glaring at Joel when he chuckles because of your hesitance, and plop yourself down on his thigh. The pressure against your clit immediately pulls a whimper from you. His big hands fix themselves on your hips, holding tight, but not too tight as to hold you captive against him. There’s still the faint existence of the Joel you’ve always known, considerate and sweet and all southern gentleman, that exists behind the guise of his dominance. 

You nestle your head into the crook of his neck, breathing heavy against him as you get a slow start to grinding your hips on his thigh. Although your movements are tentative, uncertain in nature, your head is already going fuzzy.

“Bet you’re only this wet cause that boy already put a new load in your dishwasher.” You scoff at him in disbelief — both at how much more wet it gets you, and how foul his words are. He chooses then to jerk you forward by the hips. You cry out as your pussy drags along the thick expanse of his thigh, clit catching on the bunched up fabric of your rumpled shorts.

“Zip it, you fuckin’ hussy. Ain’t a damn soul in this neighborhood that wants to wake up to you sobbin’ while gettin’ off on this thigh.” One of his hands drifts back to squeeze at the flesh of your ass. You hear the spank before you feel it, a sting that echoes and sticks right between your legs. He’s effortlessly strung a barbed wire of humiliation around your body. The lack of power makes your thighs clamp down around his, and you can’t tell if you crave more of it or despise it.

Unable to decide which, you loudly, exaggeratedly moan into his ear, still rocking down on his lap. It resounds through the neighborhood, the springboard roofs ricocheting you coquettish noises down the street and through the flowerbeds. A spooked crow lifts off of the power lines behind you, and you hear it squawk as its wings beat and carry it away.

Joel cocks his head at you, brow raised. “So it’s not just your legs that have a problem stayin’ shut. It’s your nasty mouth, too.” His hands migrate up your sides to your tits, which jostle with every flighty movement across his thigh. Before you know what he’s doing, he tweezes at your nipples in a way that makes you melt into him, forehead falling flat against his neck. And then he lands a hard smack across your chest, pleasure with a bite. Your hips jolt. “Behave for daddy before I make you walk next door draggin’ a snail trail behind ya.”

You know he doesn’t mean your real dad. A new rush of heat settles in your stomach, tightening your cunt from an ache to an insatiable thrumming that only Joel can solve. “Fuck,” you almost shout, but end up muffling into his skin with an open-mouthed kiss. He sighs, adjusting under you. The change in angle on your clit makes you whimper, especially when you feel his hardened length smushed against the outside of your thigh.

Your hand goes down to grip it, to participate in the push and pull, the cat and mouse, but he shakes his head, pulling it out of the way. He holds you by the small of your back, urging you to keep rubbing on him. “You’re lucky I’m even givin’ you my thigh,” he spits. “Ain’t gonna let you play chutes and ladders tryna make me come when I know damn well where that hand was last night.”

“Daddy,” you pout at him, lower lip jutting out.

He only shakes his head. “Don’t start.”

Whining in agitation, you manage to school yourself into behaving like he’d told you to. Every grind of your hips welcomes pleasure, beckons it, activates the porch light inside of you that invites it inside. You go limp against Joel as he guides you back and forth, and even limper when he tightens the muscle underneath your soaking core. Your hands anchor themselves on his broad shoulders, nails carving into his skin through the flimsy material of his shirt. He hisses underneath you, a break in his seemingly titanium resolve. You feel yourself getting closer, heat wreathing around your stomach, cunt clenching.

In your house, the foyer light flickers on.

Your hips stall over Joel’s as you see your dad’s backlit silhouette moving around in the foyer. Likely sliding on his shoes, patting his pockets for his wallet and his work phone…. You have two minutes at best.

Joel’s eyes follow your distracted line of vision. His amused chuckle warms the back of your neck. “Oughta hurry up if you don’t wanna get caught. Your old man would be in for a rude awakening, headin’ to work and finding his precious little girl fuckin’ my leg like a whore,” he murmurs.

He bounces his leg underneath you, and you bite back the needy cry that threatens to slip out. It feels so good, too good for you to think about anything other than the haze of arousal and pleasure that hovers over your head like a perpetual fog. You return to grinding down on him, hips pumping with a greater, renewed speed. “Attagirl,” Joel croons at you, and the hand at the small of your back presses harder, pushing you up and down his thigh.

Short, strained breaths of yours meet the morning air, eyes pinned on the rectangular window. It’s a golden-washed reminder of how wrong this is. Your dad would blow a gasket, see red, breathe fire at you if he knew exactly what was happening just a few feet away from his front yard.

But you forget all about that when Joel’s calloused fingers cup your chin, nudging you to look at him. His eyes are all pupil, darkened with something like starvation, something like want. “Don’t look at him. Look at me,” he coaxes, and he bounces his thigh again.

You’re close, you can feel it. He can feel it, too, in the way that your thighs fasten around his, your cunt rocking on him as your fervor makes the whole front porch shake and shudder. Tossing your hips back and forth, you wanted it, but now? Now you need it. Your stomach tightens, your legs shivering below you as your cunt gushes all over both of your shorts. “That’s it, baby, come on me like you were beggin’ to. ‘S alright, nice and easy for daddy, mhm?” He tenses his thigh one final time, and you lurch over that edge. “Gooood girl,” he hums as your cunt flutters against his leg. “You’re a daredevil, aren’t you?” he asks, jerking his head toward your house.

You figure you must be, after what you just did.

You’d planned on staying there, riding it out and trembling against his warm chest. But the garage cranks open. You jolt off of Joel’s lap, damn near teleporting across the porch with how fast you move. Joel smirks at you, crossing his unfucked leg over his freshly fucked one, where you’d rubbed your cum all over his skin until it’d glistened. The sight warms your stomach all over again, but it doesn’t last – nerves spasm in your ribcage as your dad ducks out into the driveway.

You fumble with your shorts, pulling them down and crossing your hands in front of the obvious stain on the gray fabric. Your dad squints across the yard, cupping a hand over his eyes. “Miller?” He calls your name shortly after, and you straighten. “You’re up early, kiddo.”

You open your mouth, on the precipice of a lie that you know won’t be good. It’ll come out unsteady, dishonest, and uneven. 

Joel points at the package at the foot of his doorstep. “My toolbox got sent to yours,” he explains. “Damn postal. ‘Bout as good as the Boston Post Road these days. But your kid’s got me covered. Raised her right.”

For the second time, Joel Miller covers for you. You have no idea where this leaves you, standing under your dad’s scrutinizing gaze. With your cum cooling and sticking to your folds the same way it’s cooling and sticking to his leg, Joel knows your secret. And he’s keeping it.

Your dad only gives a shallow nod, looking between the two of you. “Well,” he hooks a hand back at his truck. “I gotta head off to work.” He shifts on his feet, this time pointing to you. “And you head back inside, kiddo. Too early for you to be up and movin’.” Of course it is.

You stare at the ground, the pollen and stray leaves below your feet. Finally, you settle on a nod. Shallow and halfhearted, much like his. Your dad, satisfied, retreats back into the garage. You hear the truck engine come to life.

“You heard the man,” Joel says. You tighten your fists, moving to step away, but the way Joel’s eyes glimmer has you loitering. He lowers his voice. “See you soon, daredevil.”

That damned nickname. “How do you know I’ll be back?” you retort under your breath.

He shrugs. “I’m sure there’ll be more… ‘packages’.”

You blame the heat in your body on the rising sun, sweat clinging to the back of your neck as you plod off through the front yard. There’s only one thought in your head as your dad pulls out and you close the garage. Mr. Miller can’t happen again.

Mistake number four: thinking you’re telling the truth.

[notjustjavierpena]

Gush

Series Masterpost | Main Masterpost | Support a disabled creator

A/N: Just pure filth.

Summary: Joel, your dad’s best friend, teaches you how to come with your clit untouched.

Pairing: Joel Miller x f!reader/you (no y/n)

Tags: +18 Smut (MDNI!), dad’s best friend, daddy kink (yeah it was bound to happen), pet names, innocence kink, age gap, dirty talk, fingering, squirting, only very brief piv sex, unprotected sex

Word count: 1k

Link to this work on AO3: https://archiveofourown.org/works/48494866

Gush

You let out a frustrated groan as you look up at the ceiling, arms crossed over your chest and with the prettiest pout that Joel has ever seen displayed on anyone’s face. He sits on his knees in front of your naked body, cock heavy between his legs but with no intention of using it on you and thus making you even more bitter about the situation.

“It’s not going to happen, daddy,” you say as you avoid Joel’s soft eyes. He rubs a hand over your naked belly, skimming it across the sensitive skin below your belly button. He isn’t going to give up. 

“Well, no, not if ya don’t relax,” he says with a smug chuckle. You try to cross your legs to get him to go away, but he catches you by your ankles and places each of your feet flat on the bed again, “Stay, sweetheart. We’ll keep going until we get it right.”

You’ve been at it for what feels like hours now, but Joel hasn’t made you come yet with your clit untouched but oh, you have been on the brink so many times that your cunt is throbbing and a steadily growing pool of arousal is forming on his bedsheets. It’s beginning to feel ridiculous, especially when he bats your hand away when you try to take matters into your own hands. 

“Daddy knows exactly how you touch yourself, I don’t needa see it again,” he had told you after your third attempt to sneak a hand down to your clit. 

Now, you’ve given up coming anytime soon, but Joel is still determined as ever. He runs his thick fingers through your folds once more to slick up his fingers, then twists his wrist and inserts two fingers into your already stretched pussy. 

“You know,” you say after a soft moan, deciding to look down once again to see his digits stretch you open, “I have to be home for dinner in an hour. Dad’s lighting up the barbecue.” 

“He told me he was getting it out for the first time this summer,” he small talks back at you, curling his fingers inside of you and finding your eyes with his own, “There, yeah?”

He rubs once and you nod, moaning as he starts up a rhythm of his fingers slowly fucking against your g-spot. You shift a little, relax a bit further into the mattress and let your knees fall out to the sides. 

“Don’t think of anything from now on, just of this,” he says quietly, pumping his digits in and out of you. 

It starts out completely the same, and it’s enough to make you want to cuss at him. You know better than that though, and let out a whine, “It’s not going to work. Just rub my clit, daddy, please. It hurts now.” 

“Shut up, I got something I want to try,” he coaxes your orgasm a little further. It’s the same build-up; something pooling in the pits of your stomach and tugging from inside your womb, but God, you need that little extra thing to tip you over the edge. 

Or do you? Something changes then, and you realize that Joel’s other hand is resting just above your pubic bone. He pushes down gently and gradually speeding up his fingers, creating more pressure and friction inside of you. 

“What’re…?” You let out a gasp that even surprises yourself, your toes starting to curl and your clit starting to pulse as if begging to be paid attention to, “Touch my clit. Please, oh— f— Joel, daddy. Touch it. Keep going, no, touch it.”

“No,” he says, beckoning your orgasm closer with his fingers. He makes a come-hither motion over and over again, keeping his other hand still on your belly until he can feel his fingers moving inside your cunt, “Wanna see that cute fucking clit pulse just for me, ain’t gonna be able to see it if my fingers are on it, baby girl.”

You panic a little when a new sensation starts coming from inside of you. It’s a form of pressure that you’re familiar with but not during sex, and you start thrashing a little to get him off, “Joel! Joel, I swear, I— I’m gonna pee. If you don’t stop, I’ll… oh my God, Joel, I’m fucking serious. You’re gonna make me— make me…”

You come with a high-pitched moan as all the tension in your body snaps. Every nerve-ending in your clit is on fire with sweet contractions of pleasure, and suddenly your whole heartbeat goes straight to between your thighs as your cunt spasms from clit to slit. It wants something more though, because your legs won’t stop violently shaking, and Joel seems to know exactly what that is. 

Without saying a thing, he removes his fingers from you and you fear that you might actually have pissed his bed because, without warning, a wet gush has stained the sheets between him and you. 

His fingers enter you once more, and you’re ready to cry as he causes another gush of clear liquid to squirt onto the mattress. It feels so fucking good despite how embarrassing it feels, climax slowly fading as he repeats the move a few more times. 

You collapse completely when he finally lets go of you with both his hands. You’re panting softly into the bedroom, and he gets the shirt he had worn earlier off the floor to cover the stained sheets. 

“Holy shit, the princess squirts,” Joel laughs as he crawls on top of you, but it’s a laugh filled with wonder and excitement. He looks younger like this, you think.

He hovers above you, reaches down to guide his hard cock inside of your still sensitive cunt. Both of you gasp in unison, but you’ve never heard his voice so cocky, “You, young lady, are the sexiest fucking thing I’ve ever seen when you come like that.” 

It’s enough to make any sense of embarrassment go away, and you can’t wait to ask him to do it again. 

.

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[graha-stan-account]

Things I learned from Encyclopedia Eorzea III

Do with this what you will, ffxiv fandom.

G'raha and the tower appeared about 15 years after the Flood of Light. Ardbert and team were all already dead. "Our" Minfilia had already dissipated.

At the time, he looked like his normal self. He is described as a Mystel dressed as a mage, so we can assume people knew he was a "Mystel" at the time, vs. later when his appearance is only speculative.

A bunch of refugees clamored to the Crystal Tower when it appeared. He said yeah you can hang out here, the tower defenses will keep you safe.

And then fucked off for 4 years to survey the damage of the Flood of Light.

When he got back he knew shit was really fucked and ASAP started trying to figure out how the hell to get the WoL over for pizza

At some point he figures out he needed to address the WoL verbally for some reason for the summoning to work properly???

It doesn't.

He decides this shit is gonna take 5ever and I'm already having a quarter life crisis. I'm going to bind my aether to the tower. It's the one secret anti-aging trick that has doctors PISSED

It'll be great, like, he'll almost never age.

Downside, his body slowly becomes necrotic with crystal.

More time lost because he has to use aether to discretely animate his crystallized limbs and digits to keep their use.

At some point, early Crystarium dwellers get tired of asking him for his name (he won't give it) and him rejecting the crown they offer him so they start calling him the Crystal Exarch.

Exarch says OK and wheels out some Allagan nodes to help build what would become the Crystarium. Go ham, guys.

Since no one really recalls what the Exarch looks like in present day, G'raha likely began wearing a cowl after returning from traveling Norvrandt, or when his body begins to change. Those who remember are likely dead (age or sineaters) or sworn to secrecy.

The developing crystal, which he did his best to hide, prevented him from truly connecting with the others.

Sometime after this, an infant Lyna falls into his care.

Well technically the Settlement Council (because he was like hey let's have a representative government [not because I grew up in one or anything!]! I'll just be over here.)

But he was very involved in her upbringing.

Probably because he was close friends with her parents.

Who die tragically while serving in the Crystarium guard (Meaning that the guard is at least 30 years old, likely more, as her parents were known to have served in the guard since inception basically and Lyna is 33 in SHB)

G'raha was probably in his mid-eighties at this point, judging by Lyna's age in SHB (33) and that we know G'raha had the Crystal Exarch title for 9 decades + the 24 years he had lived before he entered the tower. (He is likely slightly older due to the intervening time between being awakened in the Bad Timeline and heading to the First.)

He FINALLY gets summoning to work something like 90 years later!!!!! Except it still doesn't! Five years before he could nab the WoL, he nabbed Thancred instead (oops). It took another 2 years for it to successfully transport a soul again.