#The Weight of the World

[bocadelinfierno]

[azenzeph]

Ko-fi request doodle!

@rarebunburrow 's OC in The weight of the world album cover draw over. Thank you for the support~

[young-and-rackless]

how do I get home when I don’t know where to go?

[morgana-the-perpetual]

"When you walk in the desert, child, do you hear your own footsteps? We wonder what it tastes like to be so close to the moon and the sun. Are you holy, child? What does it remind you of to know you are something bigger? Your name is called out across the stars for a bigger cause. One more worthy than this. Does it get lonely by yourself? You are years away from the rest of the world. Child, tell me this. Broken child, shattered boy. Boy of glass. Did you know you were a prophet? I imagine the Psalms taste sour on your tongue. Like stories itching to get out. Like every time you failed your people. Are you guilty, child? We know power is born from pain"

This phrase reminded me of the Fan Comic Avatar Genji and the weight of being the Avatar in the situation he finds himself in his story.

[bangers2]

Weekly Music Roundup 5/7/24 :D

Hey! I hope y'all had a great week. I've been super busy as of late since I'm packing and preparing for a long trip, but I still managed to squeeze some listening into my miserable daily Walmart visits. I didn't keep with the daily schedule, but I have many albums to get through on the 12-hour drive that I will probably be on when this is posted. Good times!

This week, I listened to:

underscores - Wallsocket (Director's cut)

Everyone Asked About You - Everyone Asked About You - EP

Tinashe - 333

English Teacher - This Could Be Texas

Syzy - The weight of the world

underscores - Wallsocket (Director's cut) (2024)

I started my Friday out by listening to the new Wallsocket deluxe “Director’s cut” tracks. Holy shit holy shit holy shit holy shit. These new tracks, albeit mostly familiar to me ("My guy (Corporate shuffle)" and "Northwest zombie girl" can both be found on Wallsocket ARG websites, and April teased "Stupid (Can't run from the urge)" on Tiktok), are absolutely breathtaking. "My guy (Corporate Shuffle)" is a wonderful throwback pop song that has a simple shuffling beat, but by the end of the song it goes absolutely insane. "Northwest zombie girl" is super fun as well, but not my favourite upon first listen. I think i need a little more time with "CCTV" to really get it - these are my initial thoughts and not full reviews, and I still need to deep dive into this one's lyrics. However, the standout has GOT to be "Stupid (Can't run from the urge)." "Stupid" is a cute glitch-pop track with the punchiest percussion I've ever heard in a song. This might sound kind of weird, but each time I hear the kick I feel a kick in my chest. It's epic. The melodies are incredibly earwormy and I haven't been able to get the song out of my head. Overall, this new "Director's cut" builds upon an already incredible record (SERIOUSLY. Listen to Wallsocket if you haven't already. It's insane) with even more well-produced, well-written, well-sung, bangers. I wish anyone listening to Wallsocket for the first time "Good Luck!"

Everyone Asked About You - Everyone Asked About You - EP (1997)

We love a 4-track EP moment. I saw one of my AOTY mutuals give this a 100 so I listened to it because I had a free moment, and 4-track EPs are, like, my favourite thing ever. This is a cute set of twee / emo love songs with sugary melodies and adorable lyrics. It’s wholesome and loving and absolutely gorgeous throughout!

Tinashe - 333 (2021)

I can't recall a time I've ever been this excited about an artist as I have since I heard my first Tinashe song. Her artistry is unmatched and I seriously admire her refusal to adhere to basic cookie-cutter r&b, instead embracing a really unique and eclectic style. She’s been so consistently making some of the most innovative music in the industry, so it’s no surprise that 333 is as excellent as it is. This is a really solid addition to her discography, and while I think BB/ANG3L is a stronger record, 333 still shines. There's so many moments on this album that set it apart from other albums from similar artists. She explores so many different sounds and vibes on here - everything from breakbeats on "Shy Guy" to dance-pop on "The Chase." I'm so happy Nashe is getting more recognition these days; she really deserves all her flowers!!

English Teacher - This Could Be Texas (2024)

I first discovered English Teacher in August or September of last year, when their song "The World's Biggest Paving Slab" appeared on my Youtube recommended. I had that song on LOOP for months after that - it was just so damn good. I didn't really keep up with ET as a band in the months between "Paving Slab" and This Could Be Texas, their debut record. I saw it on AOTY when it first came out and was strangely, really scared to give it a listen. So I put it off way more than I should've. I guess a part of me was afraid that this album wouldn't live up to my expectations only hearing "Paving Slab.' But god damn did they deliver. Suffice to say this very much DOES live up to my expectations. There are so many diverse sounds and themes being explored here, all while going incredibly hard. The vocals are excellent, and the melodies are all so memorable. It's an ambitious album and it's clear that they've mastered their craft already, one album in. Ughhh it's so good. There's more exciting moments like the aforementioned "The World's Biggest Paving Slab" and "R&B," slower and gentler cuts like "Sideboob" (my FAV!!), and really fun synthy cuts like "Not Everybody Gets to Go to Space," which while being my least favourite, still sticks out to me! If that's the lowest point on your album, you have a damn good album. I'm so glad I mustered up the courage to finally listen to this, and I will eagerly await what other lessons my English Teachers will teach on their next record.

Syzy - The weight of the world (2024)

I want to start this blurb out by saying that riddim is NOT my forté. I am totally unfamiliar with the conventions of the genre and how this holds up compared to Syzy's contemporaries. That being said, this shit is heavy as fuck. I went into TWOTW totally blind, with no prior knowledge of what kind of music Syzy makes. All I knew was that there was a kmoe feature.

Each track is so intricately put together, with really delicate nuances and details hidden beneath the layers. This is an album that demands every ounce of your attention. I tried listening to this while reading a book (usually goes well, even with really loud shit) and I could not focus on the book at all. There is no way to tune this out. That being said, you won't want to tune this out. You will sit down and listen to TWOTW and you WILL enjoy it. There's something to like about this record for everyone - not just those who normally jive with this type of music. The melodies are incredible and the buildups and drops are immaculate. The production is so detailed, with flourishes here and there that keep you engaged. Not to mention the kmoe feature is phenomenal.

"HEART123" features a gorgeous, euphoric melody, and great vocals from Kale. The first drop took my breath away (as many moments on this project did...I need an inhaler), and the energy was infectious. Same goes for "Take my energy!", an obvious standout and definitely one of the best tracks I've heard this year. What the fuck? I'm headbanging so damn hard. The outro is one of the gentler passages on the record, giving you some breathing room before you're thrown back into the fun with "Caught up (in circles)" - a track that sounds like exactly that: spinning rapidly in a circle. That's my favourite 3-track run on the record, but I could go on and on about the track continuity like this. TWOTW manages to find a wonderful balance between soft, ambient sections and visceral yet euphoric drops. There's buildup and release. Inhales and exhales. Ups and downs.

This is starting to exceed my usual "short review" length and I'd really rather not make this a wall of text. I'll probably write a longer review for this record because HOLY SHIT??!?!??!!? But all in all, I think The weight of the world sees Syzy making some of the best electronic music out there. It's explosive and euphoric, with passages that both take your breath away and breathe life back into you. It's an insane effort and I'm definitely going to delve into more of their discography in the future. Wow, I love dubstep.

Okay! And that concludes my weekly first listens. I may or may not post next week - I'm going to be really busy and might not have time to write these. Nonetheless I'll try my best. See you soon and I hope you all have a great week :]

[brokenangelwings22]

A preview for The Weight of the World chapter 16

Claire sat down on the bed, wincing at the soreness of her lower body. She stretched her legs out, noting the swelling of her calves and ankles. Her attention was drawn to Leon as he stripped off the grimy clothing from his body, dropping it in disgust. The redhead held in a gasp as she saw the physical proof of the torture he had endured.

Bruises littered his skin in varying sizes and colors. His complexion was pale, and his cheeks were gaunt. The rest of him looked whittled down. The strong muscles and confidence he normally displayed were absent. Lack of sustenance and degradation of his psyche left him a slip of his former self. He must have felt her eyes on him because he met her sorrowful gaze easily.

“I guess I look like absolute shit, huh?”

Claire felt her heart crack.

“Yeah,” she agreed, refusing to console him with falsities. “You have been through hell, Leon.”

“That’s an understatement,” he chuckled mirthlessly. “Come on, let’s shower.”

She bit her bottom lip with a feeling of unease.

“Okay,” she whispered. “I’ll need your help.”

A shadow flickered across his face. It was quick, but she caught it.

“Who hurt you?” He frowned, a darkness in his gaze that Claire had never seen. Sadness splintered behind her sternum.

“I don’t know who did this,” she sighed, trying to pull off the zip-down hoodie with great difficulty. She gave up, feeling flustered and annoyed. The twins kicked and Claire gasped at their strength. She relaxed when she felt Leon’s hands on her belly.

“Hey, kiddos,” he whispered. “Easy on your momma, okay? We’ll get some food and sleep soon.”

Claire watched Leon as he comforted the babies, a gentleness lighting his eyes that left her breathless. She felt heavy, hot tears dripping down her face. His gaze was on hers the moment a whimper left her lips.

[beautifulbookishdisaster]

... it isn't just anxiety that I see in Lark. It looks like loss. Like surrender. Like she's trying to wrap herself in tight armor, when all she really wants, all she really needs, is a deep breath of cool air.

Brynne Weaver, Leather & Lark (The Ruinous Love Trilogy #2)

[bestepisode]

Vote on more episodes here!

See the full list of round 2 polls here.

The Weight of the World: When Buffy lapses into a catatonic state, Willow uses magic to find out why; a tug-of-war erupts between Glory and Ben over Dawn's ultimate fate. All the Way: Dawn discovers her crush has a deadly secret. Xander announces his engagement to Anya, and Tara worries about Willow's reliance on magic.

[shadow-bringer-ao3]

The Weight of the World

Haruno is stubborn, he’ll give her that. Even with his sensing, she’s incredible hard to avoid. She brings up valid points, he knows, but he simply has no time to deal with her. She has terrified just about every shinobi he interacts with with any sort of frequency into helping her so Tobirama has started using the Hiraishin more than he ever expected to. The drain on his chakra is such that his brother has begun to notice and that’s another entire battle to fight.

He curses when Haruno’s distinctive chakra whirls into the same hallway he’s currently in. She’s not a sensor, he’s checked, but her ability to track him down is nothing to scoff at, either. She a powerhouse of a kunoichi and Tobirama knows that, when she’s not terrorizing him, she’s generally at the hospital. She’s pretty much taken it over, as far as he can tell.

He reaches instinctively for a Hiraishin marker, swearing again when the wards (which he had set up, damnit) snap his chakra back like a rubber band. Haruno’s chakra stops for a moment next to an Inuzuka’s. Tobirama risks a glance at the pink-haired girl. She crouched down, absolutely spoiling the Inuzuka’s dog. They’re talking too quietly for Tobirama to hear, not surprising at this distance, and he breathes a sigh of relief. Too soon, apparently, because he hasn’t even turned to go yet when Haruno’s attention snaps to him. He meets her green eyes, a mistake for sure, and whirls to stalk off.

"Ah, Senju-sama!" She calls after him and Tobirama isn’t sure if he’s imagining that note of amusement or not. He hesitates, halfway up the stairs, when he realizes going to his office will simply back him into a corner. He can’t go back to the entrance to escape via Hiraishin, Haruno is-

Oh. That’s... an idea.

He sees a flicker of pink behind him and takes that as a sign to get moving again. He’s adjusted his course but it shouldn’t be enough for the girl to pick up on. He keeps his pace slow enough for Haruno to keep up easily enough, heading for a familiar chakra signature. He catches sight of fluffy black hair, held up by some elder. From the Shimura clan, he thinks. They’re a political monster. They need to be dealt with carefully, to say the least. It’s unsurprising that they always go for Madara out of all the founders, but that’s a mistake. For all his flailing and yelling he’s not a horrible leader...

...which is precisely why he doesn’t feel bad about throwing Haruno at him and snagging the Shimura.

"Ah, Madara-sama," Haruno says, surprised, in time with Shimura-san’s, "Senju-sama."

"You want to ask about you clan’s compound, correct, Shimura-san?" He asks politely, picking the most likely reason the elder is bothering Madara.

"Senju-sama!" Haruno calls when she’s thoroughly trapped Madara into helping her, Tobirama and the Shimura already partly down the hall. He turns slight to the girl, much to the Shimura’s consternation. "Thank you." She says honestly with a bright smile. Madara looks thoroughly confused at everything that’s happened next to her. Tobirama nods and turns his attention back to the man. This is a problem he can deal with.

He can’t help but hope Haruno succeeds in convincing Madara. He would have helped her, if he could, but what she wants is outside his sphere of influence.

"Now, about the location of my clan’s compound-"

Part 3 | Part 5

[aefward]

Rich people are much thinner than poor women but rich men are as fat as poor men.

The Weight of the World from The Economist December 24th 2022 to January 6th 2023.

[bagmanunlucky]

people laughing when you say you love it and laughing with them for 0.2 seconds until

The thing about BBC Merlin is that it's really not very good but somehow at the same time...yes it is

[beaft]

it is legit bizarre to me how hard video game creators and film directors and showrunners try to pretend that fat people don't exist. can you think of the last time you saw a fat person in a lead role? god forbid a fat woman? i can walk down the street or go into a shop or restaurant and see fat people everywhere but then i switch on the tv and suddenly it's like a glimpse into an alternate universe where no one has a bmi over 24. insidious and weird

[sniperct]

[nyx-lyris]

wait… these aren’t fanart????

Left: New York State Of Mind (detail) by Brent Lynch, right: The Weight Of The World by Jack Vettriano

When art looks like Person Of Interest…

[brokenangelwings22]

To my beloved readers—

I’ll be going over Gravity’s Ascension and The Weight of the World soon for edits. There are some inconsistencies in the chapters, so I’m going to fix them. Apologies for not updating regularly. Lots of family stuff and chronic pain affecting my mental health. Those two stories are top priority right now and I’d like to have at least GA done before IchiHime week.

Thank you to everyone that reads, reblogs, kudos and comments!

[onlyhurtforaminute]

METAL CHURCH-WEIGHT OF THE WORLD