#The Underground World
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chernobog13 · 1 year ago
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Superman scrappin’ with Hawkman’s gang!
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im-totally-not-an-alien-2 · 2 years ago
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Clockwork sees how stressed Danny is from trying to be the goodest boy and never do anything remotely bad that could turn him evil and thinks he may have overdone it. At this rate his panic over never doing anything evil is going to force him to emotionally burn out and stop caring. Then he'll turn evil anyway.
So Clocky does something that sounds completely ridiculous in theory. He scoops Danny up and drops him into a universe full of superheros and villains and tells him to "Do whatever you want. There will be no consequences for you." Then he leaves.
And just like that, Danny goes apeshit. He decides to do the one thing he always wanted to do but was too afraid to because he didn't want to be judged, or worse, forced to join his parents.
He becomes a supervillian. Not as Phantom, no. But as Fenton! He goes full super genius mad scientist and terrorizes whatever city he's in. The local superhero is being driven insane as Danny builds death rays, shrink rays, his own modified version of the GAV, ect.
The best part if that the local heros can never catch him for long and when he is caught he always escapes before he is transported to whatever facility they wanted him in. He always ends up back in his home dimension where he goes back to acting normal and no one from either human dimension or the Infinite Realms knows what he's up to (except the stop watch of course)
After a particularly fun day in which Danny highjacks all broadcasting services to teach everyone in the world how to make insulin at home so you didn't have to pay a ridiculous amount for necessary medication, the Justice League was now on his tail.
Danny just laughs, thinking there's no way they'd ever be able to arrest him. Little does he know some guy calling himself Batman is leading the mission and he has no intention of arresting him. Danny, much to his horror, becomes far to familiar with adoption papers. As in he keeps having to set them on fire.
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nestedneons · 8 months ago
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By jilt with stablediffusion
Cyberpunk art commissions
Ko-Fi
My free workflows
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cursio-neptune · 15 days ago
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Ringmaster Eclipse. Also known as Cooking With Sun Eclipse in HD.
I was inspired by @pollux-starsz beautiful Eclipse artwork here to make an Eclipse art of my own ^-^
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glitchys-blog · 23 days ago
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Check out Glitchy You Tube channel for loads of shorts. It's really lots of shorts, music, and hopefully some comedy gold thrown in for good measure all in the name of fun. Please subscribe, guys. I lost my account before (v.v.v..v.annoying) 1 4 1 4k.
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bromcommie · 8 months ago
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tbh I still think Brock Rumlow was an interesting character and upon further examination way more unsettling a villain than most to me because like. Let’s be real, the second you lay eyes on Robert Redford as Pierce monologuing in his pristine suit and glass office high up in the sky he just screams Evil Politician! at you. You can see it coming a mile away. Meanwhile Rumlow is….Just Some Guy. On the surface, he’s just some side dude. He’s not enhanced, he’s not in some major position of power, he’s just someone who’s really good at what he does and seems dedicated enough to the work and functions well with his team. He respects Steve, might admire him even, but not so much that he gets starry eyed like everybody else. He’s lighthearted but focused, he’s no nonsense, he’s the everyman Steve can relate to way more than spooks like Natasha or Fury.
And okay, maybe what Rumlow does for a living is beat intimidate and kill people, but it’s not like that’s the primary objective, right, because SHIELD are the good guys and this is what Steve does now, too, anyway; except that Steve doesn’t really use any weapons other than the shield, he holds back, he doesn’t carry a gun anymore which is usually fine since he’s dangerous enough without it. But when that leaves him vulnerable, he’s covered: Rumlow’s got his six, and he does it well, and he earns some of his trust. This is familiar to Steve.
And maybe Rumlow’s a little too good, fine, maybe he shoots a guy in the head within the first fifteen minutes of the movie when he doesn’t necessarily have to and then cracks jokes immediately after but that’s alright too, because that guy had Steve at gunpoint and that guy was Bad whereas Rumlow is One of the Good Guys just doing his job, right. Rumlow’s joking around because he’s used to the violence, they’re all used to it, and this is just how it works. They’re just soldiers doing the grunt work and following orders, and this is familiar, too.
Except that they’re not soldiers and this isn’t a war, except that the work is for an intelligence agency whose job it is to hoard and steal information and monitor civilians and orchestrate and sabotage and meddle in internal and external state affairs. Except that the Good Guys, in reality, are extremely grey at best. Except that many of the Good Guys turn out to be Nazis on top of everything else, and it’s not that far of a stretch.
But when it’s all starting to unravel, you’re still thinking well maybe some of these guys didn’t know. Maybe they didn’t do it out of individual belief, and if faced with the right choice, they can be redeemed.
That is until you realize that Rumlow maybe didn’t respect Steve and what he did so much as what Steve could do if only Steve weren’t “weak” in other ways, if Steve had chosen the right side. That it not being personal is less a cop out and more a taunt the same way just following orders has always been, for Rumlow and many many men that came before him and will continue to come after. Until the vault when, by the most charitable of interpretations, Rumlow looks at the Winter Soldier letting himself be smacked around and crying and getting shocked like he’s maybe a little unnerved (if not just downright fascinated) by the whole thing, but not enough that it really changes anything for him, because the end justifies the means and it’s not really his problem, anyway.
Until Sam shows up and Rumlow looks at him like a bird of prey and says This is gonna hurt with a fucking smile on his face, and then you think: shit, man, obviously. How was it not clear from the start.
To me, what makes someone like Rumlow a good villain, even a side one, is not that he’s straight up Insane & Evil™️ or suffering from Tragic Backstory Syndrome or all hopped up on magic superstrength juice or whatever, but precisely the fact that he’s Just Some Guy with a cockroach survival mentality who operates well within the established system and just so happens to be really good at his job - a job that he might’ve even joined thinking it was for a good cause, or because he had something to prove, or simply because it gave him one hell of an excuse to be a bully. Because he either wholeheartedly believes in HYDRA or he just doesn’t give much of a shit either way so long as he gets his due in the end, and both are just as bad.
Because when you strip away all the grand scale superhero theatrics, you’ve seen this before. You’ve seen Rumlows in your school and in your neighborhood and in the military and the cop car patrolling your street. They’re the ones who sometimes say or do somewhat offputting shit but you figure it’s fine because they’re otherwise real nice or charismatic or normal looking, or maybe they work a job that’s framed as helpful or protective or inherently good despite the power dynamics at play, or they share your background and interests and you chat about the weather being crap this time of year.
And every time one of them turns out to be a violent, hateful piece of shit, you’re still somehow surprised then, too, when you really shouldn’t be.
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decarbry · 9 months ago
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grimm-the-tiger · 1 year ago
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I feel like we need a better name for the “Victorian London has been relocated to a slightly more miserable place than normal and now you gotta resource manage” genre of game. 
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greenarrow-core · 5 days ago
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Sanctuary, One of the Best Green Arrow stories ever
Sanctuary(Detective Comics #551-552)
Just coming of a disappointment that Billie Jean wouldn't show up again, a banger story came. And it just gets better as you go on.
So Dinah and Ollie were hanging out in a diner. Then:
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Ollie doesn't give a shit, punches the fucking cop.
I'll mention something here, that will turn out to be irrelevant later on. Ollie only stood up to protect the legal immigrant here. Just because it's something that would get slightly in people's heads, the idea of the hero limiting themselves to the law, but this is Green Arrow, wait for it.
The illegal ones were arrested. The kid that Ollie protected, Guillermo, tells him how although he's legal, his brother is illegal.
Ollie then goes out to visit Guillermo's brother, Francisco who's hiding in a church with other illegal immigrants, to help him somehow.
The INS barges in the church and arrests everyone, the immigrants, Ollie and the priest. All of them are taken to the detention center.
The warden(I guess) says a bunch of nonsense and Ollie shows his disdain for the law.
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Dinah shows up in the detention center as Ollie's lawyer. (Is this just a cover or does she really have a degree?)
She brings some stuff so Ollie can break out of the prison.
He breaks out with Francisco and his family.
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Love Ollie calling it underground railroad
And then...
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Yeah, Let's fucking free everyone.
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Continuing talking about the underground railroad.
And he does all that very charmingly and chaotic. A silly goose.
So, let's review what he did, he punched the INS cop standing up for an immigrant and standing up against racism.
Broke out every immigrant held in an INS prison. He also just left free and didn't get any formal release. He just broke out.
And if you haven't grasped, this isn't even a "these INS are corrupt INS guys". They are just the INS. There's no corruption or anything. This is one of Ollie's biggest middle fingers to the law.
For other story involving Ollie standing up for illegal immigrants, check World's Finest #275, the full story is 274-*278.
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meta-squash · 16 days ago
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I think two of the most important things about Jack Harkness, two things that inform almost everything he does and the choices he makes, are this: that he is a soldier NOT a leader, and that his entire life since childhood has been awash in survivor's guilt (and his whole existence after becoming immortal is an even more extreme version of survivor's guilt).
Jack is not a natural leader. He can think on the fly and he's good at getting people to listen to him, but he's not good at control, or at being objective. He's a natural second in command, he's a soldier. He was brought up to do what other people told him to, and to improvise if he had to (Time Agency, etc). But I really don't think he wants to be the leader of Torchwood. Unfortunately, everything about him means that he has to be. He knows from experience that others having control over him is dangerous, others knowing about his immortality while he's a subordinate to them is dangerous, and he also knows that his own immortality gives him an advantage as a leader. But I don't think he's good at leading. He tries to be. But he's fumbling along, in a time period he's not native to and a planet he's not native to and an unfathomable lifespan, and as charming as he is I think he's often not good with people. He's detached where he should be personal and emotional where he should be detached (or at least more level-headed). He's often too extreme or not harsh enough when it comes to things like discipline or dealing with the problems/traumas/mistakes of his employees or even civilians. He can't handle his employees seeing him uncertain/vulnerable and it makes for huge problems over and over again.
But all of this does make sense because I think in the back of Jack's mind there's always this wheel spinning, these gears turning and turning and calculating the impact and trauma each of his actions or decisions or the events around him are going to have on his own emotions for far longer than normal humans tend to consider. Because the catalyst for any part of the life we see him leading is survivor's guilt. He lost his father and his brother on the same day, joined the military and lost his best friend, joined the Time Agency and lost his memories (and maybe thinks he did something terrible). Then he died, and when Rose brought him back, he was all alone on the satellite with nothing but the corpses of the people who had fought beside him and zero explanation as to why he survived, and he had lost Rose and the Doctor besides. And then all his life on earth since, he has lost coworkers and lovers and civilians he tried and failed to save and probably also aliens he tried and failed to save. And I think by the time he becomes reluctant leader of Torchwood, every action is, whether conscious or subconscious, taken with the intent of minimizing that kind of trauma and the impact of loss.
Except that I think that the survivor's guilt has another layer to it, which is that feeling of needing to sacrifice or absolve himself in some way. No one else is willing to make the difficult decisions, no one else will move forward with the painful and unpleasant actions, even if there's no other way, even though they will someday perish and no longer see the ripples of their actions. But Jack - who cannot die, who must live with the guilt or the pain or the trauma of those actions and decisions for the rest of his very very very long life - is the one who realizes that he must take on those painful responsibilities and must do certain things even though they're terrible, because it ends up being the sacrifice of one over the whole world. And every single time, he's guilty about it, and that makes him want even more to sacrifice his own hurt for the grief and loss of others.
So it's this strange cycle of wanting to protect himself from hurt and from loss and from the survivor's guilt, but being driven by guilt towards painful and/or self-sacrificing actions. Which then makes him fear being seen as vulnerable or uncertain, and he struggles to do things on a smaller scale or in a more level-headed way, because he's not supposed to be leading like this, it's not something that comes naturally, and if he makes emotional connections by being a leader, he'll end up trapped in survivor's guilt yet again each time one of his employees or friends or lovers dies.
It's just a terrible cycle and he's trapped in it for the rest of his existence. Although if he really is the Face Of Boe, then I imagine at some point he eventually finds peace with it all or something, but I think so long as he has a human-form he's stuck with this cycle of leadership and loss and sacrifice and mistakes.
I think it's really important that Jack is not good at his job as a leader. He makes a ton of mistakes, he fucks up so much and his employees or even civilians end up collateral damage, whether physically or just emotionally. He wants to be a good leader, I think, and he's trying, but he's fallible, and he's a stranger in literally every sense, and I think a really big part of his character is that he constantly is forced to live in this bizarre dichotomy where he has to be both very distant and cold and detached, and also very emotional and intense and personal. And any other person would collapse under the stress of repeating that over and over and over again for decades, but he has to figure out how to navigate this weight as an infinite existence that can't ever collapse or let it burn him up and kill him.
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kachowblueninja · 7 months ago
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I love RGB siblings, or PGB too ig :))
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nestedneons · 1 year ago
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By skiegraphicstudio
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maybebitterxox · 12 days ago
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The pitch for Buffy The Vampire Slayer was probably just “What if there was a girl who could kill vampires. And she can Never Catch A Fucking Break”
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beatrice1979a · 2 months ago
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You make me feel like it's Halloween
Because it's their holiday.
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Happy anniversary, Paris Special. It's been an amazing year!
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plateboundary · 3 months ago
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little bit of phantom's world that it lives in
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mags2theythem · 8 months ago
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I drew my version of the kfc group with @akanemnon versions
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