#The Sound Of Mu(Sic)

[derbybeardo]

new arrival… “1987 What The Fuck’s Going On” by The Justified Ancients of Mu Mu (1987 UK release) and merch insert

[islandtarochips]

Wrong Lyrics

*Graves was just singing way with his guitar before looking at Jennie with a small smile* Graves: She's a COUNT- Kanoa/Tiala: *pointed their guns at him thinking he said the C*NT word* Graves: 😳 -TRY Mu-sic fan. 😅 Kanoa: ...*slowly put his gun away* Tiala: *still pointing her gun at him* Jennie: *snickered* Graves: *looking back at Jennie* She loves DIX- *Kanoa and Tiala pointed their guns again at Graves thinking he's saying the word D*CKS* Graves: !!! -IE CUP! Filled up with BEER! 😰 *the siblings slowly put their guns down and kept glaring at him* Jennie: *couldn't help but LAUGHED*

Arthur's Note: Graves could've at least made the lyrics that doesn't sounded like the dirty words...

Characters (Left -> Right)

Jennie Hong -> @caelums-fate

Tiala "Shark" Toa -> Me

Kanoa Toa -> Me

Inspo Vid:

[mystycl-official]

since ive been sharing more and more about my trollsona i think its time i openly share a short story explaining some of their backstory!! more will make sense once i finally finish their profile and share it

Morbidly Online, But Not For The Reasons You Think

a few sweeps ago, but not many...

dialectScholar, gokkou aritun, a goldblooded troll with a passion for linguistics and an intermediate-level in technological skill, discovered an interesting type of softwares on the web a few days ago...

"Mu-sic is con-si-dered its own lan-gu-age?? Since when??" they scoffed at what they were hearing from the net. they immediately began using the voice synthesizers to assist them in learning the pronunciations and even writing systems of languages.

but music being its own language? how ridiculous.

gokkou couldn't get the thought out of their head, continuing to research it obsessively so. however, over time they were growing convinced.

"I can't be-lieve I said that... how fool-ish of me... be-cause mu-sic tru-ly is its own lan-gu-age!!" just within a few days of toying with the voice synthesizers, the truth had been revealed to gokkou. they also grew embarrassed about their troubles with learning code. as they now understood music is its own language... the same applies with code. why did they have so much trouble understanding it, though?!?!

but, if music is another language, well... it certainly would gain gokkou's interest.

if gokkou was to fool around with the synthesizers, they would need music to go along! so now it was time for them to find their taste in music.

it only took them a few hours before coming across their new favorites: hard rock, metal, and electronic. however, what absolutely had them in awe was the sound of an instrument called the bass.

"The bass... which one is that??" gokkou searched for the instrument solo, immediately falling in love, "Oh my Gog... I want it for my-self..." they mumbled alone in their hive to their grubtop screen.

gokkou's fingers quickly went to work, roaming the net for the code off a captchalogue card.

them, knowing their way around the web, quickly found one, pride flaming inside of them, "Ea-sy pea-sy..." and thus within a few minutes, a new bass guitar plopped into the palms of their hands.

they were in awe, "It's e-ven bet-ter in front of me..."

as if gokkou wasn't already morbidly attached to their grubtop, now they really were, studying harder and harder than ever before, watching videos off the web to learn music and mimicking them as closely as possible.

"They don't call me The I-mi-ta-tor for no rea-son..." they experimented with their bass in interesting ways, using their psionics to strum, hold the strings down, or even just simply hold the instrument.

"...I think I'm go-ing to en-joy this a lot..."

[meeeepmeep]

chiiiiiiiiiinese mu-sic always 🪭 sets 🏮 me 🧧 free 📐📏 angular baaaaaanjooos 🪕🪕sound goooood to meeee🎵🎶 (🎹🎹🎹🎹🎹🎹🎹)

[theneomerchant]

✦ Music/sound neopronouns:

(Typed out 2 different ways, some find the first way I list them as hard to read to read so I list them in a different way. The second way is easier to read but much longer)

Bam/wow/pow/pop/fizz/bang/wham/bonk/bop/clang/clash/clank/zip/zap/whirr/flink/fsst/fwoosh/honk/clak/nyoom/wow/smooch/tap/thud/thunk/whirr/whomp/hum/do/re/mi/fa/so/la/ti/do/(badum/tiss)/baa/bang/buzz/pluck/strum

Alto/bass/bari/tone/beat/rhythm/synth/wave/carol/(dub/step)/MP3/chord/lyric/tune/note/strum/vocode/(wave/table)/tempo/(melo/maniac)/melody/soul/music/(con/certo)/acoustic/treble/strum/forte/mezzo/morendo/(mor/endo)/timbre/pitch/clef/coda/(contin/uo)/(contra/alto)/contralto/(cou/rante)/dirge/duet/duo/fugue/(en/core)/(ga/votte)/hymn/jam/key/(metro/nome)/(min/uet)/muse/(noc/turne)/note/ode/(ora/torio)/(oue/vre)/(over/ture)/paean/operetta/play/(re/prise)/reprise/requiem/(so/nata)/rococo/(ro/co)/quartet/(sere/nade)/rondo/solo/soprano/(symph/phony)/symphony/tenor/tempo/trio/trill/waltz/(voi/voice)/radio/(sing/song)/play/listen/string/brass/(wood/wing)/mic/percussion

Text based:

♩/♪/♫/♬/♭/♮/♯/ 𝄞 / 𝄡 / 𝄢 / 𝄫 / 🎶 / 🎼 / 𓏢 / 🎧 / ��

Alternate viewing (very long):

Sound based:

Bam

wow

pow

pop

fizz

bang

wham

bonk

bop

clang

clash

clank

zip/zap

Whizz/whirr

Woosh

flink

fsst

fwoosh

honk

clak

nyoom

wow

smooch

tap

thud

thunk

whirr

whomp

hum

do/re/mi/fa/so/la/ti/do

badum/tiss

baa

bang

buzz

pluck

strum

Music based:

Alto

bass

bari/tone

tone

beat

rhythm

synth

wave

carol

dub/step

MP3

chord

lyric

tune

note

strum

vo/code or vo/coder/co

wave/table

tempo

melo/maniac (maniac is specific to those who experience mania)

melody

soul

music or mu/sic

con/certo

acoustic

treble

strum

forte

mezzo

morendo or mor/en/do

timbre

pitch

clef

coda

contin/uo

contra/alto or contralto

cou/rante

dirge

duet

duo

fugue

en/core or encore

ga/votte

hymn or he/hymn

jam

key

metro/nome or met/ro/nome

min/uet

muse or mu/muse

noc/turne or noc/turne/nocturne

note/ode

ora/torio

oue/vre

over/ture

paean

operetta

play

re/prise or reprise

requiem

so/nata

rococo

ro/co

quartet

sere/nade

rondo

solo

soprano

symph/phony or symphony

tenor or ten/nor/tenor

tempo

trio

trill

waltz

voi/voice

radio

sing/song

play

listen

string

brass

wood/wind

mic

percussion or cuss/per/percussion (like she/her)

[dr-ralph]

The hills are alive~~!🎶

with the sound of mu~sic...

[deliasamed]

What is Six Syllable Types?

6 Syllable Types 

    Syllables are the building blocks of spoken language and can be categorized into different types based on their structure.   Here are six different types of syllables:   Closed Syllables:  A closed syllable ends with one or more consonant sound and typically has a short vowel sound. When a closed syllable is followed by another syllable that begins with a consonant, the two consonant letters will come between the two syllables ( sum-mer,  let-ter). In closed syllables short vowel can be followed two or more consonant letters (dill, jazz, mutt, bill, spell, floss, rattle, paddle, kiss). In closed syllables with short vowels, when a short vowel is followed by two or more consonant letters, those consonant letters often work together to create a single sound. This is known as a consonant cluster or consonant blend.   For example:   doll - The double l creates a single l sound after the short vowel o. rattle - The tt creates a single t sound after the short vowel a. paddle - The dd creates a single d sound after the short vowel a. kiss - The ss creates a single s sound after the short vowel i. This pattern helps maintain the closed syllable structure and assists in maintaining the short vowel sound within the syllable. The presence of a consonant cluster in a closed syllable can provide some protection for the vowel sound from the influence of suffixes. When a word has a closed syllable with a consonant cluster, the vowel sound is more likely to remain short and retain its original pronunciation even when suffixes are added.   For example:   hop (closed syllable with a short o sound) + -ing = hopping stop (closed syllable with a short o sound) + -ed = stopped chat (closed syllable with a short a sound) + -er = chatter swim (closed syllable with a short i sound) + -ing = swimming              Open Syllables: An open syllable ends with a vowel sound and is spelled with a vowel letter. In open syllables, there is no consonant to close or protect the vowel sound, so the vowel typically remains long or pronounced as its natural sound.   Examples of open syllables in words:   so-lar - The first syllable so is open and ends with a vowel sound. mu-sic - The first syllable mu is open and ends with a vowel sound. mo-ney - The first syllable mo is open and ends with a vowel sound. vo-wel - The first syllable vo is open and ends with a vowel sound. And yes, one-syllable words like me, do, and be are also open syllables because they end with a vowel sound and are spelled with a vowel letter. In open syllables, the vowel sound is not protected by a following consonant, so it tends to be pronounced as a long vowel sound or its natural sound.               Vowel-Consonant-E Syllables (VCe): Vowel-Consonant-e (VCe) syllables are often referred to as magic e syllable patterns or silent e syllable patterns. These syllables are characterized by a specific spelling pattern where a single vowel letter is followed by a consonant and then the letter e (hire, ware, mute, yoke) The magic e at the end of the syllable doesn't make its usual sound but instead influences the preceding vowel to be pronounced with a long sound. This changes the pronunciation and meaning of the word.             Vowel Team syllables: Vowel teams, also known as vowel digraphs, are combinations of two vowels that work together to represent a single vowel sound. The most common vowel teams include:   ee (as in meet) ea (as in heat) ai (as in rain) oa (as in boat) ou (as in out) Vowel teams are used to represent long vowel sounds, but they consist of two vowels, not a combination of long and short vowels. Digraphs are pairs of letters representing a single sound (consonant or vowel), and they can certainly be used in vowel teams. For example, ea is a vowel team, but it's also a digraph because the e and a together represent the sound /iː/.   Anglo-Saxon Words and Vowel Teams: Anglo-Saxon words are Old English words that were used in the early history of the English language. While vowel teams are present in English words, their usage is not strictly limited to Anglo-Saxon words. Vowel teams can be found in words from various origins.   Consonant Letters in Vowel Teams: oy, ey, ay, and ew, are indeed vowel teams, but they often involve a vowel combined with another vowel or consonant. For example: oy (as in boy) ey (as in key) ay (as in day) ew (as in new)   Ough, augh, and igh are also examples of vowel teams, although they can have varying pronunciations based on the word.   In summary, vowel teams consist of two vowels working together to represent a single sound, typically a long vowel sound. While some vowel teams can include consonant letters like y or w, the primary idea is that they involve two vowels. These patterns are not exclusive to Anglo-Saxon words; they can be found in words from different linguistic origins.             Vowel -r syllables: Vowel-R syllables, also known as r-controlled syllables, are an important phonics concept for students to master. In these syllables, a vowel is followed by the letter r, and the r influences the way the vowel is pronounced. The r sound changes the way the vowel is produced, creating a unique sound that is distinct from both short and long vowel sounds.   Examples of r-controlled syllables: In the words: herd, cart, germ, turtle, and shirt - The er, ar, ur, ir combinations create unique sounds different from regular short e, a u, i or long e, a, u, i sounds.   Mastery of r-controlled syllables is important because understanding these patterns helps students accurately decode and spell words. The r sound influence on the vowel can make these words challenging for early readers and spellers. By recognizing and practicing these patterns, students can improve their reading, writing, and overall phonics skills.             Consonant C-le syllables: Consonant-C-le syllables, also known as stable final syllables, are a specific syllable pattern that occurs at the end of words. In these syllables, the combination -cle is common, and it creates a specific sound pattern.   When the Consonant-C-le syllable is combined with an open syllable, the final consonant is not doubled. Examples:   cable - The cle combination creates a unique sound, and there's no doubling of the consonant. bugle - The cle combination also creates a unique sound, without doubling.   However, when the Consonant-C-le syllable is combined with a closed syllable, the final consonant is usually doubled before the -le ending. Examples:   dabble - The ble follows a closed syllable dab, and the b is doubled before the -le. little - The tle follows a closed syllable lit, and the t is doubled before the -le. topple - The ple follows a closed syllable top, and the p is doubled before the -le. Mastery of these patterns can help learners better understand the pronunciation and spelling of words with Consonant-C-le syllables. It's a helpful tool for decoding and encoding words accurately.   The given consonants are found in Cle syllables:   fle: raffle, shuffle, waffle stle: castle, bristle, wrestle gle: giggle, struggle, juggle kle: ankle, sparkle, crinkle zle: dazzle, puzzle, drizzle ble: table, marble, nimble tle: little, bottle, battle cle: circle, bicycle, icicle   These examples demonstrate how various consonants are combined with -cle to create Consonant-C-le syllables in different words.                 What is Six Syllable Types? The Sound of Murmur Diphthong : AR, OR, ER, UR, IR, and YR The Spelling patterns for the letter “y” The Spelling patterns for the letter “o” The Spelling patterns for the letter “u” The Spelling patterns for the letter “a” The Spelling patterns for the letter “i” The Spelling patterns for the letter “e” The Phonics rules for reading and spelling Read the full article

[queengenamedicietherton]

ALPHA-BET Is Medici Etherton Code,  Code-X Leonardo da' Vinci. Alpha-bet/Bet: B-Bergerud,  E-Etherton,  T-time. Alpha-bet 8 letters, Medici numbers 5,8,13.

'MEDICI ETHERTON CODE' Leonardo da' Vinci gave us 7 Codes/Clues for Medici Etherton Code: L, V, S, M, Co, de, X. (Co-de-X) Leonardo da' Vinci invented the Alpha-bet he gave each letter a Code and invented the English language.

Medici Etherton Code:

A-Princess Angela de' Medici is Mona Lisa (America,) B-Bergerud (B-ible, B-oeing, B-itcoin, bet, book, bank, brick, bike, ) (k) C-King Cosimo de' Medici, D-Prince Leonardo da' Vinci de' Medici (day, date) E-Etherton (Evergreen, ) F- Prince Franc de'Medici (farm, Fir, fish, food, ) G-Queen gena de' Medici Etherton (Geneva Bible, Ge-or-ge, Ge-or-gia, green, Pu-ge-t Sound, ) H-horn, I-Italian,  J-Juan Etherton (Jesus,)  K-King Cosimo de' Medici, L-Prince Leonardo da' Vinci de' Medici ( Lake, LoVe) M-Medici (The M in 'The Last Supper', 'The Mayflower',  Mu-seum,  Medici-ne, M-ovie, Mu-sic, Medi-na, Medi-a) N-Prince Lorenzo de' Medici (number, ) O-Opera  (Prince Lorenzo de' Medici,) oran-ge, P-Protect us  (God,)  q-Queen gena de' Medici Etherton ( IRAQ, Nasda-Q ) R-ruby ( IRAQ, Queen gena de' Medici Etherton, GEM S-ton-e, ) s-Superior (Jesus, Lake Superior,)  t-TIME (God,) u-under, V-Prince Leonardo da' Vinci de' Medici, w-Washington, x-Prince Leonardo da' Vinci de' Medici (Code-X) y-Etherton (Yos-emit-e is time backwards) Z-Prince Lorenzo de' Medici (zoo, zero) (de) M-ed-ici backwards and De' ember. de: (R-ed, L-ed Zeppelin, gar-de-n, De-mocrat, de-mocracy, Unit-ed, F-ede-ral, In-de-pen-de-nce, De-laware, De-nver, De-t-ro-it, R-ed-mond, de-sert, R-ed-dit, vi-de-o, Ed-it-or, Mic-ro-soft Ed-ge.) Co-King Co-simo de' Medici: Co-untry, Co-unty, co-mputer,  Co-de,  Co-de-X,  co-mpass, Co-lumbia, Co-ffee, co-caine, cho-co-late, co-lor, ee-Princess Etherton's (Coffee, green) ll-Bell Pi-(God) Pi, Pie, Pi-nterest,  Pi-ano, Pi-ke,  Pi-zza, Pi-ne, Pi-pe, Pi-nk, Pi-llow, H-ip-pi-e, Mississ-ip-pi. El-Etherton El-evation, El-ectric, El-ephant,  oo-Orchestra (school, zoo, zoom). Peacefully,  Queen gena de' Medici Etherton I am also a Bergerud.

#god #jesus  #america #europe   #instagram #facebook   #wallstreetjournal #cnn #reuters #npr #nytimes   #msnbc  #senate  #lasvegas #smithsonian #foxnews #seattletimes #nbcnews #apnews #abcnews #themet  #presidentbiden #washingtonpost  #potus #peoplemagazine #seattle #fox13 #washingtondc #komo4 #cnbc

[humans-are-space-orcs-1004]

Human Jon Episode 6 I think: lÙŃ;si

Jon sat down in a chair in their ship. They had just come back from Earth and the whole crew was ready to get back to work. They were assigned patrol duty of the Solar and Lomu Systems, so as their ship entered hyperspeed, Jon put in his AirPods 185+ Pro Max Ultra™️ to listen to his favorite songs. (!! I just came back from Sicilly (vacation) and holy hell in these ten days i must have spent like at least 14 hours in total with airpods on because we were traveling so fucking much!!)

B'ksa, walking in on Jon: Jon! I did not know you had bad hearing!

J: What? Oh you mean my AirPods? Oh no they're nor hearing aids, they're for music.

B': Mu...sic? What's that?

J: This is gonna sound really crazy to you but...

Jon opens his phone to look at cute cat pictures as Alice walks in.

J: ...hear me out.

A: What the fuck Jon? That's the wrong type of pussy you're supposed to be attracted to!

Jon is stunned by Alice's clothes and is flustered briefly.

J: I- uhh fuck I- fuck no that's not what I meant. I was explaining the concept of music to B'ksa.

A: Oh shit I wanna hear this one.

J: Ok B'ksa, sit down.

B'ksa sits down (Fuck did you expect, bitch?)

J: So, like thousands and thousands of years ago, humans realized if they made specific tools correctly, those tools would vibrate in a certain way which would make strange sounds.

And we really liked these sounds, so we spent more and more time developing tools to make more of these sounds and if we arranged multiple sounds together, it created a song. That is music. We invented devices to record and share this music that we love so much and sometimes people even move their bodies to music. That's called dancing.

B': That just sounds like what happened to Hö\ans with the concept of IÙŃ;si...

A: Of course you know what music is but not what a fucking fan does.

btw this one is a bit short because I really wanna play some brawl stars its been 10 days but I might expand it tmr bye bye now

Humans can’t possibly be the only intelligent life that makes music, that sings, dances and builds instruments to do it even better. If even our birds and whales sing then how could anyone deny that so could aliens. Who’s to say they don’t delight in it the same way we do, who’s to say music didn’t change their world the same way it’s changed ours again and again.

All this to ask, what would happen if aliens and humans shared their music with eachother? What new genres would be created? How many (forgive the pun) alien sounds would be created? Would there be alien and human choirs? a chorus of voices hailing from dozens of different systems brought together by the same driving force. What about alien human rock bands dazzling stages across every planet in the milky way and beyond?

[derbybeardo]

now encoding: “1987 What The Fuck’s Going On” by The Justified Ancients of Mu Mu (1987 UK release)

[chwedout]

andrew garfield saying that mamma mia 2 is better than 1,,, a man after my own heart <3

[neopronounsmybelovaed]

i am unsure if my request went thru or if i did it anonymously, but could i have sound pronouns like buzz/buzz’s or hum/hums? thankq!

- ☢️

You can have SO many, apparently.

purr/purrs

honk/honk

buzz/buzz

pop/bop

pop/pop

static/static

zi/zip

bell/bell

wisp/wisp

whis/per

whisp/whisper

chat/chatter

chir/chirp

chirp/chirps

click/click

clink/clink

crackle/crackles

ech/echo

giggle/giggle

hi/hiss

murmur/murmur

mur/mur

pitter/patter

song/song

stat/static

tic/tic

tick/tock

chord/chord

crun/crunch

ec/echo

echo/echos

hiss/hiss

hum/hums

hum/drum

mu/sic

oct/octave

rasp/rasp

rattle/rattles

scre/scream

sing/sing

sta/static

thun/der

[a-z0-9-i-n-gram-completionist]

1:    a b c d e f g h i k l m n o p r s t u v w x y    23/36    (23/26)

2:    ac ai al an ap ar as at au av be bl bo bu by ca cc ce ch ci ck co ct de do ds dy ea eb ed ee el en ep er et ex fe fo fr fu ge gg gh gi gu ha he hi ho hr ht hu hy ic ig il im in io is it ix ki kn ks la lb le li ll lo ls lt ma me mi mm mo mu my nd ng no nt ny od of og ol om on oo op or os ot ou ow pa po pp pt pu py rd re ri ro se si so st su te th ti to ts tt tw uc ul um un us ut uy ve wh wi wn wo xa xf ym yo ys    138/1296    (138/676)

3:    acc act ain alb all ano any app aun ave bee blo bod bum but cal can cci cco cis cki cks cou ded don eav ebl ebo een eli els elt epo ept ere ett exa fel fol for fro fuc ged get gge gho ght gim gul guy hap has hat hau hav her hic his hos hri hun icc ice ich igh ill imm ing int ion ith ixf kin kno lar lbu lea lic lix llo log low lse man meb mic mmi mor mou mus nde nds ngu not now nte nts nym ody ogg oll ome ony opu ord ore ost oth oun ous own pai pon pos ppy pti pus reb ric rig rom sep sic sin som sou sts suc ted tha the thi thr tin tio too tti twi uck ula und unt use usi uys whi who why wic wil wit wor xac xfe ymo you    156/46656    (156/17576)

4:    acco aint albu anot appy aunt been blog body call ccis ccou ckin coun eave eblo ebod elic elix else epon epti etti exac feli felt foll from fuck gett gged ghos gimm gula guys happ haun have here hich host hric hunt icci ight immi ingu inte ixfe king know lbum leav licc lixf llow logg many mebo mmic more mous musi nded ngul noth nted nymo ogge ollo omeb onym opus osts othe ound ount pain pony post ptio rebl rice righ sept sing some soun suck that ther this thri ting tion ttin twic ucki ucks ular unde unds unte unts usic whic wice will with word xact xfel ymou    113/1679616    (113/456976)

5:    accou ainte album anoth aunte blogg ccoun cking count eblog ebody elicc elixf epony eptio ettin exact felic felix follo fucki getti ghost gimmi gular happy haunt hosts hrice hunte iccis immic ingul inted ixfel leave licci lixfe logge mebod music ngula nothe nymou ogged ollow omebo onymo other ounde ounds ounts paint ponym ption reblo right septi singu someb sound sucks there thric tting twice uckin unded unted which xfeli ymous    72/60466176    (72/11881376)

6:    accoun ainted anothe aunted blogge ccount counts eblogg elicci elixfe eponym eption etting felicc felixf follow fuckin gettin ghosts gimmic haunte hunted ingula ixfeli liccis lixfel logged mebody ngular nother nymous omebod onymou ounded painte ponymo reblog septio singul somebo sounde sounds thrice ucking xfelic    45/2176782336    (45/308915776)

7:    account another blogged ccounts eblogge eliccis elixfel eponymo felicci felixfe fucking getting haunted ingular ixfelic lixfeli omebody onymous painted ponymou reblogg seption singula somebod sounded xfelicc    26/78364164096    (26/8031810176)

8:    accounts eblogged elixfeli eponymou feliccis felixfel ixfelicc lixfelic ponymous reblogge singular somebody xfelicci    13/2821109907456    (13/208827064576)

9:    elixfelic eponymous felixfeli ixfelicci lixfelicc reblogged xfeliccis    7/101559956668416    (7/5429503678976)

10:    elixfelicc felixfelic ixfeliccis lixfelicci    4/3656158440062976    (4/141167095653376)

11:    elixfelicci felixfelicc lixfeliccis    3/131621703842267136    (3/3670344486987776)

12:    elixfeliccis felixfelicci    2/4738381338321616896    (2/95428956661682176)

13:    felixfeliccis    1/170581728179578208256    (1/2481152873203736576)

My post is getting reblogged by gimmic accounts this fucking sucks

[syven-siren]

The night is going so well. The drinks are strong and the company has been enjoyable. It always is when that company includes Sam and Bucky. It’s perfect...

“Hey! Can I buy a pretty thing like you a drink?” A husky voice cat-calls you. The man is obviously more than one too many drinks over his limit.

Better to ignore the belligerent individual then allow him any time to pester you further. You continue your trek back to your spot at the bar. Unfortunately, that plan goes to shit when a grubby hand latches onto your forearm, halting your movements.

“I was talking to you. Maybe you didn’t hear ‘cause of the mu..sic.” The man hiccups out a sound which is as irritating as it is disgusting. The smell of alcohol wafts off him, nearly choking you. You wonder just how much he’s had to drink and are even more puzzled at how he can still be standing upright. Obviously unbalanced but upright nonetheless.

“Thanks for the offer but I already have someone buying me a drink. Now let go of my arm.” You try to remain polite but firm in your response. Not wanting to cause a scene that will further inconvenience you.

“Oh come on! I know you don’t have anyone over there. I’ve been watching you all night.”

Scowling at him, you wrench your arm from his grasp. “Fucking creep,” you mumble lowly, not expecting him to hear.

“You don’t have to be a bitch about it. It’s one drink. And maybe one more after that.” His voice grows louder with each word. You stumble back, nearly falling, as the stranger attempts to capture you again. A strong and familiar arm stops you from spilling to the floor.

“Back off. She said she wasn’t interested.” The words come out as a growl, rumbling deep in Bucky’s chest as he shifts you in between himself and Sam.

“One of you her boyfriend or something? You coming to protect her?”

“No,” Sam breathes out through clenched teeth. “Actually, we’re here to protect you from her. If you want to leave this bar on your own two feet, I suggest you back off now.”

The man laughs, thinking the two are joking. Taking a step towards you, he hiccups out a few mostly unintelligible profanity-laced lines.

“We warned you.” Bucky and Sam step aside, setting you free. As expected, the man reaches for you again but this time he receives a knee to the groin followed by a lovely elbow to the nose. Crumpling to the floor, he moans out in pain and begins apologizing profusely.

“Next time we’ll stay in,” Bucky suggests.

“Yeah but you still have to buy the beer.”

“What?! Why?!”

“Because you should’ve let me hit him thirty seconds sooner. All that time wasted and now my drink is warm.”

Sam bellows out a laugh at his friend’s misfortune and calls for another round on Bucky’s tab.

Tagging: @dark-night-sky-99 @quickpiet @misplacedorphan I hope you don’t mind that I tagged you.😊 Thought you’d like this while you wait for part 2 of the other imagine. I really like the trio as well. I might write imagines more often for them. If you have suggestions on the scenarios for these 3 that you’d like to see, let me know.

[everypronoun]

hey i was wondering if you have any prouns realated to sound and noises cus i havent found any of them other then the ones i made

i have a whole bunch, so here's a big post of pronouns related to sound!

sound/noise in general:

baa/baas/baaself

bam/bang/bangself

be/ber/bre/bres/brrself

blub/blubs/blubself

bu/buz/buzzself

caw/caws/cawself

chir/chirs/chirpself

chirp/chirps/chirpself

cluck/clucks/cluckself

coo/coo/cooself

ech/echo/echo(e)s/echocho/echoself

gi/grr/grrs/grrself

glub/glubs/glubself

hiss/hiss/hisself

hush/hush/hushs/hushs/hushself (intended for those who are mute, nonverbal, and/or experience delusions only)

meow/mews/meowself

mew/meow/rowr/rowrs/meowself

mew/mews/mewself

neigh/neighs/neighself

roar/roars/roarself

splash/splish/splosh/splish/splishself

squeak/squeaks/squeakself

twe/(twes/tweets)/tweetself

tweet/tweets/tweetself

whomp/whizz/whirr/whizelf

zi/zip/zips/zipself or zipperself

stimming/stimmy sounds:

che/chew/chews/chewself

cli/click/clicks/clicks/clickself

ta/tap/taps/tapself (as in tapping)

songs & music:

al/alt/ato/alto/altoself

ar/aria/rias/rias/ariaself

ba/bass/bass/basses/basself

ball/ballad/lads/lads/balladself

bari/tone/bar/baris/bariself or baritoneself

bea/beat/beats/beatself/beatself

blues/blues/blueself

ca/car/caro/carol/carolself

ca/dence/dence/dences/cadenceself

ca/denza/denz/denz/denzaself or cadenzaself

ca/non/nons/nons/canonself

canta/bile/biles/biles/cantaself or cantabileself

canta/ta/tas/tas/cantaself or cantataself

canti/cle/cles/cles/cantiself or canticleself

cava/tina/cavas/cavas/cavaself or cavatinaself

cha/chant/chants/chants/chantself

chime/chimes/chimeself

cho/choir/chi/choi/choirself

chor/rale/chor/chors/choraleself

chord/chords/chordself

cle/clef/clefs/clefs/clefself

clef/clefs/clefself

co/coda/cos/cos/coself or codaself

con/certo/cers/cers/certoself or concertoself

conti/nuo/nuos/nuos/contiself or continuoself

contra/alto/altos/altos/contraself or contraltoself

cour/ante/cour/cours/ranteself or couranteself

di/dirge/dir/dirs/dirgeself

do/dos/doself

du/duet/de/det/duetself

du/oud/do/duo/duoself

dy/score/dynself

e/tude/tudes/tudes/etudeself

ele/gy/gys/gys/eleself, gyself, or elegyself

en/core/cores/cores/coreself or encoreself

fa/fahs/fahsself

fu/gue/gues/gues/fugueself

ga/votte/vottes/vottes/gavotteself

hu/hum/hums/hums/humself

hum/hums/humself

hy/hymn/hymns/hymns/hymnself

im/prov/provs/provs/provself or improvself

jam/jam/jams/jams/jamself

ke/key/kes/keys/keyself

la/lahs/lahsself

lulla/by/lulls/lulls/lullself, lullaself, lullabyself

lulla/bye/lulls/lulls/lullself, lullaself, or lullabyeself

ly/lyr/lyri/lyric/lyricself or lyriself

lyr/lyra/lyras/lyrself

lyra/lyr/lyrs/lyraself

mar/march/mars/mars/marchself

mea/meane/meas/meas/meaneself

med/ley/leys/leys/leyself or medleyself

melo/dy/dys/dys/meloself, dyself, or melodyself

metro/nome/nomes/nomes/metronomeself

mezz/mezzo/mezz/mezzes/mezzoself

mi/mir/mirself

min/nuet/mins/mins/minuetself

mu(s)/music/musics/musics/musicself

mu(s)/sic/sics/sics/musicself

mus/sic/mus/muses/musicself

muse/ette/ettes/ettes/etteself or musetteself

noc/turne/nocs/nocs/turneself, nocself, or nocturneself

note/note/noteself

o/pus/os/os/opuself or opusself

o/pera/per/peras/operaself

ode/ode/odes/odes/odeself

oprett/pretta/pretts/pretts/oprettaself

ora/torio/tor/tors/torio or oratorioself

oue/vre/vres/vres/vreself or ouevreself

over/ture/ture/tures/overtureself

pae/an/ans/ans/paeanself

par/ody/par/pars/parself or parodyself

per/form/per/pers/performself

pit/pitch/pits/pitc/pitchself

pla/play/plays/plays/playself

qua/quar/quet/quartet/quarself

qui/quin/quint/quintet/quin(t)self

re/prise/prise/prises/repriseself

re/quiem/ems/ems/requiemself

rei/reis/reiself

rhy/rhythm/rhyth/rhyth/rhythmself

rigau/don/dons/dons/donself, rigauself, or rigaudonself

ro/coco/rocs/rocs/rocself or rococoself

ron/do/rons/rons/rondoself

rou/round/rous/rous/roundself

scher/zo/scher/(schers/scherz)/scherzself or scherzoself

sere/nade/ser/sers/sereself or serenadeself

sing/sing/sings/sings/singself

so/nata/nas/nas/sonaself or sonataself

so/sohs/sohsself

so/sol/solo/solo/soloself or self

so/sop/sopra/sopran/sopranoself

sona/tina/sonas/sonas/sonaself or sonatinaself

song/songs/songself

sui/suite/suites/suites/suiteself

sym/symph/phons/phons/symphself, phonself, or symphonyself

te/ten/tenor/tenors/tenorself

te/ten/teo/teno/tenorself

temp/tempo/temps/temps/tempoself

theme/theme/themes/themes/themeself

ti/tir/tri/trio/trioself

ti/tis/tisself

timb/bre/bres/bres/timbreself

tre/treble/tres/tres/trebleself

trill/trills/trillself

tu/tti/tus/tus/tuself or tuttiself

tu/tune/tunes/tunes/tuneself

voi/voice/voice/voices/voiself or voiceself

wal/waltz/altz/altz/waltzself

ce/cel/cels/celself

ce/cell/celloself

cel/cels/celself

cla/clar/clars/clarself

drum/drum/drums/drumself

fi/fid/del/idel/fiddleself

fu/flu/flur/fluself

flu/flur/fluself

gi/gu/guir/guirself

ha/har/har/harmoself

har/harmos/harmoself

harp/harp/harps/harpself

ke/keb/keor/kebor/keyboardself

pi/pia/pair/pairself

tro/trom/troms/trombself

tru/trum/trums/trumself

tu/tuba/tubas/tubself

vi/vio/vios/viorself

vi/viol/viols/viols/violself (viola)

[castielgeralt]

An Introduction to Iambic Pentameter

How Shakespeare Uses Meter to Create Rhythm and Emotion

When we speak of the meter of a poem, we are referring to its overall rhythm, or, more specifically, the syllables and words used to create that rhythm. One of the most interesting in literature is iambic pentameter, which Shakespeare nearly always used when writing in verse. Most of his plays were also written in iambic pentameter, except for lower-class characters, who speak in prose.

Iamb What Iamb

In order to understand iambic pentameter, we must first understand what an iamb is. Simply, put an iamb (or iambus) is a unit of stressed and unstressed syllables that are used in a line of poetry. Sometimes called an iambic foot, this unit can be a single word of two syllables or two words of one syllable each. For instance, the word "airplane" is one unit, with "air" as the stressed syllable and "plane" as the unstressed. Likewise, the phrase "the dog" is one unit, with "the" as the unstressed syllable and "dog" as the stressed.

Putting the Feet Together

Iambic pentameter refers to the number of total syllables in a line of poetry—in this case, 10, composed of five pairs of alternating unstressed and stressed syllables. So the rhythm ends up sounding like this:

ba-BUM / ba-BUM / ba-BUM / ba-BUM / ba-BUM

Most of Shakespeare’s famous lines fit into this rhythm. For example:

If mu- / -sic be / the food / of love, / play on ("Twelfth Night")

But, soft! / What light / through yon- / -der win- / -dow breaks? ("Romeo and Juliet")

Rhythmic Variations

In his plays, Shakespeare didn’t always stick to ten syllables. He often played around with iambic meter to give color and feeling to his character’s speeches. This is the key to understanding Shakespeare's language. For instance, he sometimes added an extra unstressed beat at the end of a line to emphasize a character's mood. This variation is called a feminine ending, and this famous question is the perfect example:

To be, / or not / to be: / that is / the ques- / -tion ("Hamlet")

Inversion

Shakespeare also reverses the order of the stresses in some iambi to help emphasize certain words or ideas. If you look closely at the fourth iambus in the quote from "Hamlet" above, you can see how he has placed an emphasis on the word “that” by inverting the stresses.

Occasionally, Shakespeare will completely break the rules and place two stressed syllables in the same iambus, as the following quotation demonstrates:

Now is / the win- / -ter of / our dis- / con tent ("Richard III")

In this example, the fourth iambus emphasizes that it is “our discontent,” and the first iambus emphasizes that we are feeling this “now.”

Why Is Iambic Pentameter Important?

Shakespeare will always feature prominently in any discussion of iambic pentameter because he used the form with great dexterity, especially in his sonnets, but he did not invent it. Rather, it is a standard literary convention that has been used by many writers before and after Shakespeare.

Historians are not sure how the speeches were read aloud—whether delivered naturally or with an emphasis on the stressed words. This is unimportant. What really matters is that the study of iambic pentameter gives us a glimpse into the inner workings of Shakespeare’s writing process, and marks him as a master of rhythm to evoke specific emotions, from dramatic to humorous.