#The Prophecy [Oh

[deadbaguette]

Dear children of Priam, were you doomed all along?

[lgbtlunaverse]

"How did Shuro think he could marry Falin when he hated her brother?" you have to understand. Toshiro is from a whole different country. In his head he and Falin would move back to the Eastern Archipelago and they'd see Laios twice a year tops. You can pretend to get along with in-laws you don't like for a few days a year, people do that all the time.

The actual flaw in his plan– which shows he doesn't really understand either of the Touden siblings– is the fact that if the plot hadn't happened and Falin had for some reason said yes to his proposal, Laios would have packed his bags and moved away with them instantly.

[o3o-lapd-o3o]

how i imagine poseidon (who i believe can feel when people invoke not only his name but the ocean as well) reacted to hearing antinous plotting to kill telemachus and dump his body (parts) in the ocean

*up on olympus in apollo's infirmary*

poseidon: *recovering and enjoying peace after athena had left a day ago*

poseidon: *to himself* ahh finally some peac-

poseidon: *feels someone invoking the ocean*

poseidon: *focusing on who's saying it* who on gaia is...is that coming from ithaca...

poseidon: wait- ITHACA?!?

poseidon: *fully focuses now*

antinous: *in the ithacan palace*

antinous: cut him down into tiny pieces...

poseidon: *listening in full now* cut wh-

antinous: ...when the crown wonders where the prince is-

poseidon: the prince? yoU MEAN ODYSSEUS' SON?

antinous: only the ocean and i will know!

poseidon: *in full panic mode* OCEAN?!

poseidon: *now attempting to get out of bed in panic* HADES NO, I AM NOT INVOLVED WITH THIS I-

apollo: *coming to check on his uncle after hearing him shout*

apollo: uncle wh- *sees poseidon attempting to get out of bed*

apollo: *hurrying over to get him back in bed*

apollo: uncle calm down! you're gonna rip your stitches!

[afeastfortuna]

No one talks enough about the fact Annabeth first heard the Great Prophecy when she was twelve. It scared her so much she had nightmares about it.

She knew (or at least believed) from the moment Percy was claimed he wouldn't make it past his 16th birthday.

Imagine Annabeth telling herself he's a bit of an idiot anyway, and a son of Poseidon, you can't really like him?

Imagine Annabeth finally accepting he's a friend, only to have nightmares of Thalia's death... except when she looks down it's Percy on the ground.

Imagine Annabeth hating that spark of hope she felt when Thalia came back, older, but not old enough, because she's going to lose one of her best friends and she's just got Thalia back.

Imagine Annabeth finally accepting that if she's going to lose Percy she shouldn't waste time, and asking him to the cinema, only to see him with another girl and realising she was too late.

Imagine Annabeth speaking at his funeral, looking across the crowd and seeing him standing there, and realising that it means she'll have to do this all over again.

Imagine Annabeth, who wants to become an architect so she can build something permanent, knowing that whatever she has with Percy can only end all too soon.

[ilions-end]

dying at the moment in the achilleid when thetis begs poseidon to sink the ship with paris and helen on it to prevent the war that will kill achilles, and he's like "sorry i can't, it's fated. but hey! if it's storms you want, in a few decades you can come help me torment some odysseus guy?" HE'S TRYING TO CHEER HER UP

[zainclaw]

arrest her.

[opens-up-4-nobody]

Something something Merlin is Arthur's bane.

[golswia]

like a month ago I decided to FINALLY give a name to my reverse au here are some juicy explorations

and i decided to go with Bad Prophecies 🧡🕺💃

i like how contrasting it is to "good omens" and that little nudge to Agnes and her prophecies and also uh, Bad Prophecies cuz plot

[auxxrat]

so sick and tired of the “jedi are an evil and abusive cult that steals children” as if half the reason they weren’t protecting these children is bc sith were out killing them or TURNING THEM INTO SITH. they weren’t even STEALING children to begin with I thought we all knew that was Palpatine’s game not Yoda’s.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[sunkissedhyaciinth]

Soldier , Poet , King .

[mrkeatingsblazer]

The Prophecy [Oh, Was It Punishment] Part Two

Apollo x Child of Hermes! Reader

Part One Part Two Part Three

It has been six months and seven days. Six months and seven days since the war against Gaia. Six months and seven days since Rachel has made a prophecy. Six months and seven days since Lord Apollo has been missing. Not even his children have heard a whisper from the God, not even a glimpse in a dream and while Demi-Gods are used to being ignored by their parents, it is never to this extent; it is never with this God.

You’ve found yourself with the three Apollo campers a lot, trying to comfort them during such a peculiar and unknown time. No child should have to worry for their parent. Will Solace especially has taken the blunt of the hardship. Being so young and taking care of both the wounded from the war and his cabin since the Battle of Manhattan has taken a toll on the kid. You find yourself relating to the younger boy immensely. When Luke left and you were finally claimed, Chiron made you the head of the Hermes cabin. Though unlike you, who has been out of camp more often than not and was allowed to appointed the Stolls the title of Co-heads, Will has been burdened with being alone with his responsibilities since he was 13. You watch him now, folding and unfolding bandages repeatedly out of a nervous habit. The frown on his face was subtle but still there. He could have been finished up with inventory an hour ago but chose not to.

“I think we’re done Solace,” you say from atop the infirmary counter, letting your feet swing back and forth.

“You can head to dinner, I’m fine here. Thanks for the help,” his tired voice mumbles in response.

“Kid, you’ve rewrapped that one bandage like 8 times now, I think it's been wrapped enough,” you say quirking your brow.

Will sighs, placing the bandage down before turning to you, “will you stop it with the kid thing, you’re only 2 years older than me.”

“2 and a half,” you point at him with a scalpel that was lying beside you and smirk, “and I’ll have you know I’m a legal adult William.” He looks you up and down and snorts. His expression quickly converts back downtrodden, as if that momentary joy was a mistake. Along with the fact that his father is gone M.I.A, camp has been more depressing than usual. Kids were going missing, and no one understood why; one of these kids being your little brother and Will’s best friend, Cecil. You watch as he shuffles around like a stray kitten, you’d never pity him not when you can relate. Hopping from the counter, you walk over to him and seize his arm, yanking him towards the door. It was a comical sight, with Will being almost 2 heads over you.

“[reader]- Hey!” he gently tries to get out of your grasp but fighting two wars made your grip nothing less than steel. You continue to push the boy towards the door

“Don’t even Solace,” you scold as he tries again to get away from you, “we will be going to dinner and after that we will be going to the campfire whether you like it or not.” you yank open the infirmary door and shove him out, “and hey, maybe a certain son of Hades will be there,” you smirk as the blonde turns bright red. He grumbles, rubbing his arm but compiling and following you to the dining pavilion. It was adorable to see the kid with his crush, especially due to who it was on. You’ve known Nico since he was an annoying but excitable little 10-year-old and Will even longer, neither of them have had a good childhood, most demi-gods never do. In a way, you were living vicariously through them. You did that a lot. With Annabeth who got with Percy, your old crush, Piper and Jason, Hazel and Frank. You couldn’t help but wish you had what they had or in the case of the former, who they had.

You remember your days on the Argo. When there were no battles or group meetings, you were subjected to sit and watch the love emulating around you. For a while you thought the countless couples around you meant something, that because they were all members of the crew and got together, that for sure meant you were to get with the last single member, Leo. He thought so too. After his little thing with Hazel, that even now you don’t try to understand, you felt as though something was forming between the two of you. At one stage you found yourself hanging off him more than you were around Percy and Annabeth. You couldn’t help but be attracted to his mind, his creativity, his light. Your two best friends encouraged the blooming relationship between the two of you, even with Percy not liking Leo a whole lot, and so did the rest of the crew.

Everything changed after he came back from Ogygia. He came to you first after he returned, making you feel special in a sort of pitiful way. Expecting a grand reunion, you were instead greeted by his starry eyes as he spoke about another girl- no not a girl, a Goddess, who had him returned to you utterly smitten. Your heart broke as he told you he was planning to find her again. When you were given the truth by Eros, it made sense in the end. Leo being sent to Calypso was the Fates way of ensuring you remained loveless and killing him was just a way for them to remain cruel.

You sat through dinner at the Hermes table, which was smaller than it ever has been in years. Connor was beside you flinging peas at Clovis who would jolt at the impact before dozing off once more. Nico Di Angelo was sitting at the Apollo table, next to a blushing and, surprisingly, flirting Will Solace. You sighed looking around at all the missing campers, be it they left for college, died during the wars or as of late, were lost to Gods knows where. Even the rising moon seems dimmer than it should have been. You wonder if that was on purpose, was it Lady Artemis’ way of showing her sadness for her twin brother? Was she also in the dark as much as all of us?

By the time the campfire rolled around, you just wanted to retire to your cabin, but chose not to, for the sake of your sibling, Will Solace and yourself. As Austin was doing his cover of ‘My Sweet Lord’ by George Harrison, you heard rustling coming from the forest behind you. At first you passed it off as nothing more than a noisy nymph. It was when you heard a yell did you twist your ring, transforming it into your sword. The object was gifted to you before you even knew of your parentage, by an original member of the Argonauts, Atalanta. You recall the words of the swift footed women, who aided you during your mission to save both Lady Artemis and Annabeth; “never let a man take you unless he can keep up,” she winked before racing off. Many other campers joined you in seizing their weapons, Nico and Clarisse come to either side of you, swords ready. Two figures stumbled out of the forest, neither were recognizable. The taller seemed to be giggling and relying on the smaller to carry their weight. As they came closer you could make them out. A small Asian girl with black coke bottle glasses was cursing the taller brunette boy. He was gangly and average; you deemed him instantly not a threat.

“Hold! Who goes there?” Chiron boomed.

The boy gave a wobbly grin along with a shaky wave and replied, “oh, hi! I’m Apollo!” before collapsing to the ground

next part--

[allimili]

Tied up

I had a vision I had to do it

[shummthechumm]

assorted (rewrite) designs that i never posted here? das crazyyy

[fist-of-vengeance]

so what do we think fiddleford saw when he looked into the gremloblin's eyes? dude was so traumatised that stanford "oblivious to my assistant's emotional turmoil" pines took notice. it's what motivated him to INVENT THE MEMORY GUN IN THE FIRST PLACE. I'm honestly surprised i haven't seen more speculation about this

[fuckmeyer]

if smeyer wasn't a coward vamp!Bella would have immediately eaten her daughter Rensesmem whole-hog like Saturn Devouring His Son