#The New Barbarians

[fitsofgloom]

Lookin' Pretty Sharp At The End of The World: Anna Kanakis and Fred Williamson sporting the hottest Spaghetti Apocalypse fashions in 1983's "Warriors of The Apocalypse."

[cimmerian-war-shrine]

[sciencefictiongallery]

E. Sciotti, The New Barbarians.

[madamshogunassassin]

The New Barbarians / I nuovi barbari (1983) Directed by Enzo G. Castellari

[lisamarie-vee]

[bluesrocknrollingstones]

The New Barbarians tour , 1979 photos by Janet Macoska

[k-i-l-l-e-r-b-e-e-6-9]

𝔗𝔥𝔢 𝔑𝔢𝔴 𝔅𝔞𝔯𝔟𝔞𝔯𝔦𝔞𝔫𝔰 𝔭𝔬𝔰𝔱𝔢𝔯 յգՑՅ, 𝔞𝔯𝔱 𝔟𝔶 𝔈𝔫𝔷𝔬 𝔖𝔠𝔦𝔬𝔱𝔱𝔦

[rolloroberson]

Happiest of birthdays to a great guitarist who’s been a seminal part of rock history…Ronnie Wood. Ronnie’s career has gone from the Roosters, Jeff Beck Group, Small Faces, the Faces, The Rolling Stones and his own solo efforts. Happy 76th!!

[classicrockmoodboard]

Please do a moodboard for Ronnie Wood?🎸❤️

Classic rock guitarist moodboard:

Ronnie Wood

A little Ronnie for you, enjoy :) 🧡

[waugh-bao]

[watching-pictures-move]

Movie Review | The New Barbarians (Castellari, 1983)

Spoilers for the ending, sorta.

I feel like a lot of my enjoyment of post-apocalyptic movies is for aesthetic reasons, and I'm afraid I found the aesthetic here really lame. The bad guys are all shiny, the hero's car has a stupid looking dome on top that makes it look like a knockoff Batmobile, and instead of bullets, the guns fire lasers. That last touch is the most fatal. Instead of the tactility we normally get with gunplay, we have to listen to bunch of pew pew pews as characters zap each other, without even chintzy Nightbeast style optical effects to liven things up. I realize a lot of people will consider these things in the movie's favour, but I'm a man of taste. (Just ignore the rest of my viewing history.)

This actually feels like a Star Wars ripoff set on Tatooine that they decided to turn into a Mad Max ripoff at the last minute. Especially with the whizkid sidekick with a slingshot and played by Giovanni Frezza AKA Bob from House by the Cemetery (don't worry, he's dubbed by somebody else here), this feels like something geared towards kids, characters zipping around in shiny dune buggies and zapping each other to their hearts' content, except when it's interrupted by the bad guys graphically exploding anytime Fred Williamson shoots them with an explosive arrow, as well as one scene that can be described as George Eastman lightshow rape, scored to Italo disco. This might be one of the most baffling things I've ever seen in a movie.

***SPOILERS FOR THE ENDING***

Although I suppose there's some poetic justice in his demise, as the hero penetrates him from the rear in a different sense.

***END OF SPOILERS***

Anyway, I was not a fan of this, although I did appreciate all the bad guys getting blown up, as well as the cinematography by Fausto Zuccoli, the sweet Claudio Simonetti music and all the vehicular stuntwork. And Williamson looks like he's having a blast, so I enjoyed his presence too.

[cimmerian-war-shrine]

[chaoticcomposition]

like a house on fire 🔥

[words-writ-in-starlight]

listen I expected literally Nothing from the D&D movie okay, like I can't make it clear enough that I expected the most soulless money grab with a good cgi budget imaginable, I went in having already gone through every stage of grief and landed on acceptance and LISTEN

I fucking CRIED during this dumb RPG movie. it wasn't just "not terrible" it was objectively good with a clever plot and compelling characters and sincere emotional beats. this movie loves D&D so fucking much and it NAILS the "a bunch of goobers try to be cool and accidentally discover The Power Of Friendship And Also Great Violence" classic D&D party vibe. their barbarian's last name is fucking Kilgore and my entire family cried in the theater.

I hope they make twelve of these motherfuckers.

[lisamarie-vee]