#The Last Bookshop in London

[inlovewithquotes]

Books are what have brought us together. A love of stories within, the adventures they take us on, their glorious distraction in a time of strife.

-The Last Bookshop In London

[airplanes924]

Books I've Read in 2024

Number 35

The Last Bookshop in London by Madeline Martin

[blogthefiresidechats]

Best 10 Books in.....Fiction

I’ve comprised a list of the 10 best books from the fiction genre (these books are works of fiction but they may not be classified as part of the other genre’s I’ve done so far). This list is in no particular order and this list is only my opinions based on what books I’ve read in the past. Enjoy! A historical fiction from WWII follows Grace as she goes to work at a book store in order to gain…

[octaviasdread]

(don’t repost photos)

Lincoln’s Inn Fields & Details from the John Soanes Museum, Holborn, London

[muggleriddle]

Every time my sister goes to the UK, I ask her to bring me a book and that’s how my collection of Mary Renault’s novels is coming together

[gollancz]

Guys. Christmas is coming. Consumerism is in the driver's seat and GAWD don't I know about the existential ennui of all these faceless corporations trying to schill you their wares. It's cold. Impersonal. Bleak.

So I, a fellow tumblr user, will instead try to schill you MY wares, so that when you purchase these items you can say "Hey, that person from tumblr worked on this", and feel the warmth of HUMAN CONNECTION in a way that is completely normal and not parasocial at all. We really are friends. I promise. Yes, you. Love you, bestie. Remember the boop war? Good times. Fond memories.

THIRTEEN STOREYS and FAMILY BUSINESS by Jonathan Sims

Tumblr's favourite Nightmare Factory @jonnywaistcoat has two novels out and they're phenomenal horror that also punch you in the throat with SOCIAL COMMENTARY and FEELINGS. He's so adept at tapping into the specific part of my brain that feels fear like a small child - not the adult creepy scared that I normally get around horror, but specifically the kind of fear that almost freezes your limbs and vocal chords with a terror you don't quite understand because there is so much in the world that you don't know, but you know that somehow this thing might be quick enough or smart enough or sneaky enough to get you before you can get to the safety of your parents sort of fear.

THIRTEEN STOREYS is a haunted house novel, but set in a refurbished block of flats. Each chapter follows a different resident being haunted in a different way, with a style to match the flavour of ghost. It's all tied together phenomenally and brutally.

FAMILY BUSINESS is a story about ghosts in a different way, following a woman who joins a post-mortem house cleaning service while grieving the death of her best friend. But as she removes the stains from the houses of the dead, she begins to suspect something else is removing even more.

Both of these titles are available from Gollancz worldwide!

THE LAST UNICORN, THE WAY HOME, THE INNKEEPER'S SONG and A FINE AND PRIVATE PLACE by Peter S. Beagle

Obviously Peter's work needs no introduction, and our editions aren't available in the US and Canada, but I've had a wonderful time working with Peter and his team to bring these beautiful books back to the UK. Meeting him at Worldcon this year was such a magical moment, and he was jet-lagged and I had gone through sleep deprived into hyper and was bringing an Extremely Weird Energy to every interaction I had that day, resulting in this photo:

THE LAST UNICORN and THE WAY HOME are a matched pair of wonderful fairy stories. THE WAY HOME has two novellettes in it, and the first - 'Two Hearts' - won the Hugo award. It will also destroy you.

A FINE AND PRIVATE PLACE was Peter's first ever novel, and it's wistful and romantic and so beautiful.

THE INNKEEPER'S SONG is his epic fantasy quest, it's an adventure story that reads almost lyrically. Also there's an orgy in the middle which caught me by surprise when I was reading it for the first time on the train into work.

HIGH VAULTAGE by Chris and Jen Sugden

It's possible that someone on this website doesn't know I was involved with this book but don't worry, I will HUNT THEM DOWN AND TELL THEM. This is the first book I took all the way through the editorial process from end to end and I am SO PROUD of it and Chris and Jen and their wonderful world of @victoriocity. Officially one of the seven funniest books published in the UK this year, shortlisted for the Wodehouse Prize for Comic Fiction. It's a chaotic, bonkers murder mystery set in an alternate Victorian London which is the most gleeful dystopia I have ever encountered.

Featuring:

Grumpy Sunshine besties

The Victorian Equivalent of the Chuck Norris Meme

A robot who undertook a course in People Management

An indefatigable beagle

This is another book that you can get from Gollancz all over the world, and you SHOULD because it's amazing. Go into your local bookshop and ask them to order it into stock. It's a great Christmas present. It's my firstborn book baby (like that's a completely normal thing to say when I didn't even write it). Also if you're a fan of the podcast, why not tell the Guardian how great it is, and make a nuisance of yourself until they review. (I would, but the form asks for your name and then they'd know I didn't suddenly discover Victoriocity this year. Either that or think I was a very careless editor.) If you've not listened to the podcast yet, you absolutely should. It pings all my Douglas Adams receptors in the best way. If you like HITCHHIKER'S GUIDE, if you like CABIN PRESSURE, VICTORIOCITY is the perfect addition.

HAMMAJANG LUCK by Makana Yamamoto

SLIGHTLY cheating because HAMMAJANG LUCK isn't out in North America until January (pre-orders make great Christmas presents guys), but it IS out in the UK and the rest of the world next week! This is my second big editorial project and it's a Big Gay Space Heist ft. disaster lesbians, trans characters, and a tech billionaire getting put in his place. It's joyous and energetic and crammed full of Hawaiian pidgin as a love letter to the diaspora. @makana-yama is a phenomenal writer and this is their love letter to their communities, families both born and found, while also a statement on the victims of gentrification (and how those are disproportionally BIPOC communities). PLUS:

friends to enemies to cautious allies to lovers

trans cyborgs

Suck It Space Elon

You know that One Scene in Charlie's Angels where Cameron Diaz is in the white body suit and breaking into the safe and has to stretch out to hit two buttons at once? Yeah. That's the vibe.

Being able to work with Makana is a delight, and HAMMAJANG tapped into all the feelings I got watching LEVERAGE for the first time, so I went to watch it again while I was editing. Also OCEAN'S 8.

DEEP BLACK by Miles Cameron

So, barring Branderson, Miles Cameron may be one of our most prolific authors. He writes a minimum two books a year, one SFF and one historical fiction (as Christian Cameron) and he is... An absolute phenomenon. He IS the Chuck Norris meme. I'm obsessed with him. He's former US military intelligence turned naturalised Canadian Hippy, has written over fifty novels, can turn his hand to any genre and write it fantastically, is a practical archaeologist - running large scale re-enactments from a variety of periods ranging from Bronze Age right the way up to the Victorian era, using traditional techniques to allow academics to study how the practicalities of weapons, clothes, food etc. would have worked in practice. Two years ago he won a medieval combat tournament in Verona, a clear ten years older at least than the next oldest competitor, he teaches Historical European Martial Arts, but ties it into the history of martial arts globally. He can make his own clothes, ink, leatherwork. He's a ballet dancer. I once took him for a day out and he ended it in a different shirt and shoes from the ones he'd started in. I asked him for an author photo and he sent me this:

DEEP BLACK is the sequel to his critically acclaimed SF debut ARTIFACT SPACE, where he has taken his research and experience of global historical cultures and extrapolated to create an interplanetary future where the best of all are celebrated. And then Aliens Happen. And then, in reaction, Capitalism Happens (which is covered in the short story collection BEYOND THE FRINGE).

He's such a thoughtful and erudite speaker, if you're curious about his work, I'd recommend listening to his episodes on the Friends Talking Fantasy podcast, and also his appearance on The Publishing Rodeo.

If SF isn't your bag, he's also got:

Arthurian fantasy

Bronze Age fantasy

Medieval Mages fantasy

A CURSE OF CROWS - Lauren Dedroog

I actually inherited Lauren when a colleague of mine departed for fresh pastures, which gave me the great opportunity to work on this series which is so vastly different from my usual fare. It's epic, sweeping, romantic and lush, with such detailed description and complex political machinations, while also being brutal, dark and heavy (tw: for sexual assault, torture etc, etc.). If you like Sarah J Maas and Cassandra Clare, this should hit the sweet spot. Lauren is an ICU nurse when not writing, and this was somehow created when she was putting in a million hours in hospitals during COVID. The feat boggles my mind.

A CURSE OF CROWS is out now in the UK, Australia and Europe, and it won the People's Choice for Standaard Boek's Book of the Year award in 2023, in her home country of Belgium. It will be hitting shelves in North America next September! A DANCE OF SERPENTS is where I get to pick up the editorial mantle, and that has just landed in my inbox this week so I am excited to dig in.

Featuring:

Harold, they're lesbians

Murder baby is actually a cinnamon roll

Sensitive wings are sexy

For serious, though, I'm lucky enough to work with a lot of authors I'm genuinely obsessed and astounded by. And yes, I do get to work on Joe Abercrombie, Brandon Sanderson and Andrzej Sapkowski, but they're not MY authors - they're led by the incredible Gillian and Marcus who I'm not 100% certain sleep. There are so many people on the Gollancz list who I could recommend for DAYS (and will, if you so request), but this is my stable of superstars.

[moonknightsonata]

Acts of Service

pairing: moon system x reader, marc x reader centered

summary: You learn Steven and Jake’s love languages quickly, Marc’s takes a little longer to realize but it doesn’t surprise you.

cw: not many, a brief non-explicit mention of sex, Marc getting anxious about your relationship

wc: 1199

a/n: Happy new year! This is not beta read, my first time writing for the moon boys and also my first time posting and sharing a fic in probably like 5+ years. Please let me know if I’ve missed any warnings, and let me know what you think! I tried keeping the reader as inclusive as I could, but please let me know if I slipped up with anything.

—

When you first started seeing the system, they all showed affection in similar ways. Holding hands, chaste kisses, flowers at the start of dates and walking you home at the end of them. They each had their own ways of going about it, but at the start all 3 of them were stereotypical in their affection.

Now, months later, you could easily tell each of the boy’s love languages.

Steven fluttered between quality time and words of affirmation. He was a romantic at heart, so in reality, he would do anything you asked of him, really. But you could tell he was happiest just being near you, telling you how much he loved you, and hearing the words in return.

Date night with Steven would be art galleries, museum tours, site seeing, or just walking around the markets hand in hand. Cafe’s and bookshops for rainy days, which there were plenty of in London, filled weekends with him where you could just sit in each other’s company and read besides one another.

Jake was the master of physical touch. You think it’s because he didn’t have as much time fronting as the other two, and his only physical touch with humans up until the three started getting along was when he took over the body in emergencies like in Cairo. When Jake was fronting, his hands were always on you.

Jake always had his arm on you when in public. Around your shoulder, or on your waist, he didn’t have a preference as long as he had you in his arm in some way. You liked to compare him to a livestock dog. Not like sheepdogs who herded them, but like a pyrenees that would fight a wolf off a lamb.

He was also the most handsy in the bedroom.

Marc took the longest to pinpoint his love language. Mostly due to the fact that he was the last to open up to a relationship with you.

You had met Steven first, dated Steven first, and then met Jake and Marc along the way. The relationship with Jake blossomed easily, but Marc still had walls he had built standing steady, that he wasn’t ready to break down yet. For a while even, you weren’t sure he liked you. After anxieties about it were aired out, Marc reassured you he did like you, he was “just shit at showing it” as he had put it. He hadn’t wanted to get close, mess things up with you and risk everything Steven and Jake had with you. That was the turning point for you and Marc’s relationship.

You thought it was behind you, until you noticed Marc’s odd behavior one day.

“Marc, baby, are you alright?” You asked him, leaning against the kitchen counter as he washed dishes.

“Hm?” He glanced at you from the corner of his eye, nodding as he kept his attention mostly on the pan he was scrubbing. “Yea, fine, why’d you ask?”

“Because you’ve been scrubbing that pan for about 10 minutes now. I think it’s clean.” You smiled softly, as his brow scrunched when he realized.

“Fine… yeah. I just… you know I love you?” He finished his sentence more like a question.

“Of course I know. I love you too.” You moved closer to him, putting a hand on his cheek to look him in the eyes. “What brought this about?”

“I don’t… I don’t say it enough. When we met you weren’t even sure I liked you, and now I don’t even say I love you as often as Jake or Steven do. So I just…” Marc lets out a frustrated sigh, running a hand to his hair, pushing his curls out of his face as he steps away from you. You give him his space, you know when he needs it. To work out emotions without feeling suffocated or closed in.

“Just thought maybe you weren’t sure again.”

Marc avoids looking directly at your face as you look at his. You understand him, more than you probably know, which scares Marc. Not in a bad way, but scares him in a way he can’t believe there was someone out there who could.

Which is why what you say shouldn’t surprise him, but it does anyway.

“You don’t have to say it in the same way Steven or Jake do for me to know.” You start softly. “You have a different way of showing it, than they do.”

Marc’s eyebrows furrow, even more than the wrinkled brow he usually has.

He can only describe the look on your face that you give him as adoring, as you continue.

“The days that you front, you’re always up before me. Whether you’re an early riser or you never really fell asleep that night - you know exactly how to make my coffee in the morning and I always wake up to a cup made the way I like sitting on the counter waiting for me.

“I also know that it isn’t Jake who had my car’s oil changed, or the tires rotated a couple weeks ago.”

Marc shrugs at that one, mumbles something that you think is “That’s not a big deal.”

As you tell him all this, you can’t believe it took you this long to realize that Marc’s love language was acts of service. Because of course it was. Marc, the giver. Marc, who always felt he needed to prove his worth and make up for sins of his past, by any means necessary. Your Marc, who did so much for you without expecting a ‘thank you’ because that was how he showed he cared.

You kept going with more examples.

“Last week I forgot my umbrella and my lunch in the apartment and you came all the way to my job to drop them off for me.” You wrap your arms around Marc’s waist at this, resting your head against him in a hug.

“Or, when it’s cold, you always turn my heated blanket on the bed while I’m doing my night time routine, so that the bed is nice and warm by the time I climb in. And when -“ You could keep going, listing the things you notice Marc does for you, but he stops you with flushed cheeks.

“Okay, okay, I get it. I do a lot for you.” He chuckles, rolling his eyes playfully as he wraps his arms around you to return the hug. “I like taking care of you.”

“You take care of me because you love me.”

Marc nods, kissing your forehead. “Yeah, I do. I’m just sorry I don’t say it more.”

“I don’t need you to. It’s nice to hear, but I still know it. You show me every day.” You smile, leaning in to give him a kiss, which Marc gratefully returns.

“And I’ll continue to show you every day, until you get tired of me.”

“I’d never get tired of you, baby. You, Jake and Steven are all stuck with me.”

Marc laughs. “Stuck with you? Making it sound like that’s a bad thing. Honey, I think you’re the one ‘stuck’ with the three of us.”

“And I wouldn’t have it any other way.”

[shoemakerobstetrician]

Season 3 Opening Scene Nightingale 1941 Theory

So, season 2 opened with a flashback that had us totally reevaluating Aziraphale’s and Crowley’s relationship. I think the same will be true of season 3.

I think we will return to the night in 1941, to find out that they kissed, danced, or more that night.

1 - Why are they sitting at a table in the bookshop just drinking, no food on the table? When they’re drinking they don’t use a table. I think it’s to clue us in that there is more to the scene than what we are seeing - at some point before or after they had dinner.

2 - We know that Aziraphale did the apology dance in 1941 - again an indication that there is probably more to that evening than what we have seen so far.

3 - When Crowley says ‘no nightingales’ in S2E6 we now think he’s referring to the scene at the end of S1E6 in the Ritz, but it does seem a bit of a reach. It was a very nice moment, but I don’t think a relationship defining one that would cause both of them to think of it as their song.

4 - A Nightingale Sang was released in 1940, first charting at the end of December 1940. It would have been a hit in 1941 (according to Wikipedia it got up to #2).

5 - I think they had dinner, they danced, or perhaps even kissed to Nightingale as it was playing on the radio, and it became their song in a much more significant moment in 1941.

6 - When Aziraphale says to Crowley “Perhaps one day we could…dine at the Ritz” after “You go too fast for me Crowley” he would then be directly referring to their song from 1941.

7 - When it plays at the Ritz at the end of season 1, it’s because the pianist finds themselves mysteriously compelled to perform it, like the Oxford bus driver taking them to London.

8 - And finally, when Crowley says “no nightingales” at the end of S2 it is just devastating, it’s him saying there is no us.

And another thing: in the lyrics to Nightingale: That Certain night, the night we met/There was MAGIC abroad in the air. 😁

One more thing: I can certainly see Neil gleefully being like “Psych, it WASN’T their first kiss.”, and the scene would be just as heartbreaking if not more so if it was what Crowley thought was their last kiss.

ETA I just rewatched the bookshop table scene for like the 17th time. Holy 💩 is the dialogue strange and very loaded. The “trust me” bit, and the “shades of grey”. Throughout the whole scene Aziraphale is sideways eye fucking Crowley. There is simply no way we’re not going to see more of this scene in Season 3.

I very much like this whole idea, it probably won’t happen. Maybe someone will write a fanfic at least.

[the-ineffable-dance]

So, I made a silly little post a while ago about how cute it was that Aziraphale suddenly wanted to take the Bentley after waiting 90 years to drive here. But since I wrote it, I watched the episode again, and suddenly a few things started to fall into place.

Aziraphale being so desperate to take the Bentley always struck me as kind of strange. Like, he's spent 90 years of Crowley driving around and has never asked to drive before. Why right now? Crowley seems as surprised by the request... he's not taking the train? He loves trains!

And then... it hit me. He's going to Edinburgh.

The last time he went to Edinburgh, his worst nightmare came true. Crowley got pulled down to Hell to face punishment for his acts of kindness.

And now, Aziraphale is going back there. The circumstances are completely different, of course, but I'm certain that he remembers vividly losing Crowley. He would want to make sure that Crowley is safe and out of Hell's reach while he's gone.

But with him out of London, how can he make sure that his demon is safe? The Bentley is now not only Crowley's car, but also where he's living now that he got kicked out of his apartment, so most of his time is spent there. Aziraphale is probably aware of this, but he also knows that the demons can get to Crowley in the car. Beelzebub entered the Bentley without permission, as did Hastur in season 1.

But the bookshop is safe. Only Aziraphale can give permission to enter the shop (Crowley seems to have permanent permission because he can now come at will). So, he takes the Bentley, and asks Crowley to watch over Jimbriel in the bookshop, in the one place that he will be completely safe.

Now all Crowley has to deal with is an amnesiac archangel! What could possibly go wrong?

[hirukochan]

Stood-up

A Severus Snape x fem!reader Oneshot

Part 1 | Part 2 | Part 3

Pairing: Severus Snape x former student reader

Summary: Your former professor saves you from embarrassment when your blind date doesn't show up to the fancy restaurant you were meant to meet at.

Warnings: Smut, Loss of virginity, virgin reader

Wordcount: 5007

Read on Ao3 or below the cut

You did not expect life after Hogwarts to be…this. Whatever this is. Boring. That much is certain. You finished school five years ago with good grades and that was it. You celebrated your graduation with your friends who were already gushing about their future careers and their dream jobs, and you had nothing to offer to the conversation. You didn’t know what you wanted to do after school. And five years later you still don’t know.

You wanted to move out of your parents’ house and so you went to interviews for any job you thought yourself decently qualified for. You ended up working in a depressing little second hand bookshop in Diagon Alley. The owner, some rich fuck that doesn’t even live in London, pays you well to take care of anything that needs taking care of because the shop belonged to his wife’s grandfather, and she can’t bear separating with it. 

You also get to live rent-free in the one-room flat above the store. You have a kitchen, a bed and a bathroom and no controlling boss looming over your every move. Life is…good. It’s ok, nothing groundbreaking, but how many people get that? How realistic is an action filled, thrilling life actually?

Your friends seem content with life as it is and so you try to be content as well. 

In reality you feel lost.

You have looked into universities, but you aren’t sure if you’d be good enough and the fear of failing holds you back. Besides, what would you even study? In school charms had been your favourite, but was that because of the subject or your teacher? Professor Flitwick had made each class a delight to be in.

You shove the thoughts away, focusing on finishing up closing the store. A friend has set up a blind-date for you. Some guy she works with at the Ministry. She has gushed about him endlessly and you are sure were she not in a relationship herself - she would totally try to date him. 

That is a recipe for disaster, but you want to indulge your friend or perhaps just make her shut up and so you go along.

You lock up the shop and hurry upstairs to shower, change and put on some makeup. An hour later you are standing outside the shop, mentally preparing for the apparition. You are certain you’ll never get used to it.

Pleasant, classical music floods the street as you open the door to the wizarding restaurant and bar in central London. This is already outside your comfort zone. Too fancy and too full. Are you underdressed? Are you overdressed? Shit, what if he isn’t here yet?

“Reservation for Everett.” You say to the hostess who swishes her wand and looks through the list of reservations.

“This way, madam. Your partner is not here yet.” Shit. Of course, he wouldn’t be. You are early. Way too early. Pathetic, desperate early.

The hostess shows you to your table and you smile kindly as you sit down. A waiter hurries over to you and asks for your drink order.

“Wine. Red, please.” The waiter is gone before you can finish your sentence. A glass of wine floats to your table shortly after. You let your eyes wander over the room as you take small sips. A few couples sit at the tables, some more stand at the bar, chatting with each other.

You wait.

And wait.

Three glasses later you know you got stood up. You try to fight the tears stinging in your eyes and dig through your purse for some money to pay for the drinks and scurry out of the restaurant as fast as possible. 

How pathetic! Hot shame spreads through your chest, your guts twist at the mere thought of getting up and leaving. Your feet don’t work. They simply won’t respond to your command. With all your willpower you stifle a sob in your throat. This is your last straw.

All the disappointment over life after Hogwarts, the loneliness, being lost and left behind by the golden opportunities your future had promised you - and now not even your date could bother to show up! You didn’t even want to meet him. Prick!

“Ms. (L/N)?” You flinch. That voice. You are sure that voice would give you war-like flashbacks for the rest of your life. Running through corridors at night, blood pounding in your ears, already feeling safe as the entrance to your common room approaches just to be violently stopped by those words.

You turn and meet the dark eyes of your former professor for potions. 

Severus Snape has not changed in the five years since you last saw him. The same hooked nose, same pale skin. Black greasy hair falling into his face. The long black robes hiding every inch of his skin.

“P-professor Snape.” You reply, because you have to say something. His eyes wander over you, clearly made up for a date and then twitch to the empty seat across from you. They narrow as they see the three empty glasses and the slight redness of your eyes. Without saying anything he slips into the seat across from you.

“Two glasses of whatever the lady has been drinking.” He says as he grabs a waiter by the arm. He gestures towards the glasses. “And get rid of these. What kind of service is this?” The waiter apologises profusely and hurries away quickly. 

You stare at Snape in bewilderment. He is sitting across from you. He saw you got stood up and sat down. And he ordered drinks. 

He is looking at you. Say something. Anything. Shit shit shit.

“I was supposed to meet someone.” You say, cursing how meek you sound. You look away and try to subtly wipe the corner of your eye where a stubborn little tear tries very hard to run down your cheek. You know if you allow that one to pass your lashes, there is no holding back the rest.

“I gathered.” He leans back in his chair, his eyes still roaming over you. Instantly you feel like you are back in the dungeons of Hogwarts, trying your best to brew a potion while he stares at you, waiting for the moment you fail. You swallow hard as the familiar nervousness of being around Snape takes over.

“A boyfriend?”

“N-no. A friend set it up- never met him.”

“What do you do these days?” You blush. You were afraid he might ask that.

“I-I run a little b-bookshop in Diagon Alley…sir.” The ‘sir’ slips out before you can stop it. A smirk tucks at the corners of his mouth at the sound of it but dies instantly.

“A bookshop? And you’re happy with that?” You shrug. You aren’t, but you wouldn’t tell him that. You cling to your glass. This is worse than getting stood up and humiliated. Infinitely worse. Snape leans over the table, his dark eyes glinting with something you can’t quite place.

“I am not going to bite you. Unless-” You tense. Is he flirting? Merlin’s beard- You feel heat rise to your face and stare down at the wine in your hands. “I apologise. This is inappropriate and you clearly wish to be as far away from me as possible. I’ll leave you to it.” Snape says, an edge of self-loathing sneaking into his voice. He digs through his pocket and puts down a few coins on the table.

“Stay-” You have no idea how you manage to force the word out of your constricting throat but there it is. Out in the open. 

Snape stares at you in disbelief. You take a shaky, deep breath and look up to meet his intense gaze.

“Stay.” You repeat, firmer this time. That expression flashes through his eyes again and after a moment of hesitation he settles down.

“U-unless I am keeping you from meeting someone. I-” You hadn’t considered why he might be here. Shit, is he on a date? And instead of that he took pity on you? Does Snape date? 

He chuckles. The sound as foreign to your ears as kindness or praise from him. It goes straight to your core, and you gulp as you are violently tossed back into your old crush. That is the last thing you need now! 

Imagining him doing all sorts of things to you during class was bad enough already - mainly because it really messed with your grade - but imagining them now that you are no longer his student, no longer sixteen- You blush even more as you realise that - in theory - you could do these things now. 

It has been five years since you graduated, sure it is a bit weird maybe, but entirely allowed. You have not been in contact with him since graduation. He has made no inappropriate comment to you while you were his student ever- in fact he barely ever talked to you.

You feel Snape’s hot gaze burn through your skull. It’s almost like he knows. Which is entirely impossible. Or is it? He has the uncanny ability to know when students are planning mischief behind his back and such things as reading minds isn’t at all a ridiculous idea to wizards- shit.

Snape’s lips curl as you stare at him.

“Oh, yes.” His smooth voice says in your head. “I know. I know all the little fantasies you have been coming up with for years.” The colour vanishes from your face. You take a big gulp of your wine, downing the entire thing in one go to aid your suddenly parched throat. Snape swirls the wine in his glass, never taking his eyes off you.

“A-and is that some-something you’d…you’d want?” You ask. Your heart twists and turns in your chest, your insides clench almost uncomfortably. You have no idea where you take the bravery from to say it out loud. 

His grin grows, his eyes darken, snapping down to the neckline of your dress. In one smooth movement he gets up and holds his hand out to you.

This is it.

The one opportunity you’d get.

You take his hand. 

Your skin tingles where it touches him and a giddy feeling spreads through you. 

You are going to sleep with your Potions professor. Former professor. Dark, unapproachable, cruel Snape. The man you have been fantasising about since 6th grade. The man that terrifies you as much as he intrigues you.

Together you leave the restaurant. He guides you towards an abandoned alley and lets go of your hand to snake his arm around your waist.

“Hold on tight.” He whispers in his ear. You can feel his breath on your neck and a shudder runs down your spine. You take a shaky breath and put your arms around his waist. You are swept up in his scent, musky and herbal. It clouds your mind instantly and you bite your tongue so you don’t inhale deeper just so it can flood your senses more. His magic wraps around you and you squeeze your eyes shut, waiting for the apparition to pass. You can feel the chuckle rumble through Snape’s chest before you hear it.

“Still no fan?” 

“No.” You reply breathless and separate from him. He holds onto your waist, eyeing you as though he expects you to collapse. Right- You did. During Apparition training in your 7th year, you lost consciousness after your first successful attempt. He was one of the teachers overseeing the training. 

You blush as the memory of how embarrassed you felt waking up in his arms, your whole year watching, resurfaces in your mind. You clear your throat and look around. You’re in Diagon Alley, not far away from the bookshop. You dig through your pocket and get out the key as you walk towards it. 

You are going to have sex. 

You are going to have sex with Snape. He’s walking right behind you. Nervous doesn’t even begin to cover how you feel.

“This is it.” You say and close the door behind you. Your flat looks terribly small with Snape standing in it. 

“Do you still want me to stay?”

“Yes. I’m just-”

“Yes?” He steps closer.

“You intimidate me.”

“Is that a good thing? Or a bad thing?”

“Good.” You reply breathlessly. Your mind is already foggy just from him standing so close to you. His eyes roam over your face, as though he is determined to enter all its details to his memory. Your heart beats impossibly fast in your chest, smashing against your ribcage so hard you wonder whether Snape can hear it. He leans down, inky hair falling into his face, stealing your view of the room around you. 

Your insides clench and scream for him to kiss you. Finally kiss you. You bite your bottom lip to stop its pathetic quivering. His scent floods your senses and briefly renders your mind nonexistent. 

Snape runs his fingertips over your arm, starting at your wrist and drawing goosebumps across your naked skin, all the way up to your shoulder. Your breath hitches and you barely manage to withstand the urge to hold onto him.

“You’d have to take this off first.” He says, quiet, calm. His voice sends a shiver through your body. He drags his fingers over your shoulder to your neck. He takes the zipper and slowly pulls it down, the sound resounds in your room loud like thunder. 

He barely touches your skin when he peels the straps off your shoulder and gently tugs the dress down and over your hips. It pools around your feet on the ground.

Snape takes a step back and takes in your body. You aren’t wearing a bra, you own none that would have looked good with the dress and stand in front of him only in a pair of black lace knickers.

His eyes remain as unreadable as they always are. He seems to assess your body with the same impartiality as he used to look at your potions. You shiver, cold air swirling around your heated skin, goosebumps spread across your skin and your nipples harden. Your face is burning hot though, and you barely resist the impulse of covering yourself with your arms.

Just when you begin to think this is some cruel joke, he is playing on you to embarrass you, he closes the distance between you two - too fast for your mind to catch up. He grabs your waist and smashes your body against his. His lips crash against your collarbone, his teeth graze your skin.

You gasp and sink your hands into his hair, marvelling at how soft it feels. He kisses your skin, sucks and nibbles. White hot lust seeps into your skin from the saliva he spreads across it. 

He holds your waist in his surprisingly strong arms and attacks your chest, worshipping every inch of you as though you are some ancient artefact promising prosperity and luck to loyal devotees. He groans against you, and you join with a moan of yourself, arching your back, offering your chest up to him. He accepts without hesitation, with enthusiasm even. Snape licks broad, firm strokes over your exposed breast, roughly kneading the other with his hand.

His thorough attention is dizzying. Blood pounds in your ears and waves upon waves of merciless pleasure course through you, twisting your vocal cords into the strangest of sounds you have never heard yourself make.

“Are you a virgin?” He groans against your skin.

“Y-yes-” He stops, dead in his tracks. Slowly his head tilts back, his gaze snapping in on yours.

“Yes?” Hunger flashes through his eyes and he licks his lips. “How the fuck are you still a virgin?” You blush more fiercely if that is even possible. Your shrug and drops your hands to his shoulders.

“Um- nobody was ever interested in me like that.”

“You’re what? Twenty-one?”

“Twenty-two.”

“And nobody ever touched your gorgeous fucking body?” He sounds baffled, like your words are the most ridiculous thing he has ever heard.

“Touched, yes…snogging at parties in the common room and such, but-” Your voice trails off. 

“You are telling me.” He says, his voice growing to untamed deep turmoil of unabashed desire and feral lust. “Nobody ever sucked on these dainty, splendid nipples?” As if to emphasise his words he closes his lips around one, holding it between his teeth and flicking his tongue over it. You whimper. Your legs shake under the weight of your own body, and you cling to his shoulders. His eyes never leave you, the weight of them heavy on you, buzzing on your skin. You throw your head back, moaning like you’ve never moaned before.

He chuckles, the vibration of it ripples through the tissue of your breast and sinks deep into your body, melting into your bones. He kisses his way back up to your collarbone and neck.

“Fools. Every single one of them that did not realise what they are missing out on.” He gently sucks on the sensitive skin in the crook of your neck. He steers you backwards until your calves meet the frame of your bed and you allow your body to fall back.

Snape kicks his shoes off and slips out of his cloak before he follows you, crawling over the bed, up your body like a predator about to devour his prey. A shiver rushes through you at that thought. Yes- you want him to devour you, to worship you, to ruin you and build you back up. He braces his arms against the mattress on either side of your head.

“And you still want me to stay?” The words fall into the space between your bodies, filled with heat and want, desire and fear, buzzing with anticipation. His eyes are softer somehow, less intense, but not less hungry. They tell you how much he wants you, craves you but also tell you he’d stop. You just need to say the word and he will leave. Without shaming you, without a cruel word or ounce of disappointment. 

“Yes.”

“You want to give this first experience to me? Of all people?”

“I’ve always wanted it to be you.” Snape groans and closes his eyes. His head drops, coming to rest against your shoulder, nestling to the crook of your neck.

“Do you have any idea-” He is breathing heavy, clenching his fists in your sheets, his body one large, tensed muscle. “-what you do to me?” Before you can answer he grabs one of your hands and brings it down. He presses it against his upper thigh where his cock is very hard, straining against its confines. You gasp at which Snape smirks. He rolls his hips against your hand.

“It’s big…” You whisper, more fear mixing in with your burning arousal.

“You can take it.” He leans down. His lips brush over your cheek. “I’ll make sure of it.” His breath dances over the shell of your ear, prickling. As soon as it passes your skin feels terribly cold, like it’s never going to be warm ever again just to be replaced by burning heat. Snape drags the tip of his tongue across the shell of your ear and back down to close his lips around your earlobe.

The whimper that falls from your lips at that is more of a high pitched squeak and finally, finally he kisses you. His lips are soft like silk and warm, reminding you of a mug of butterbeer in the Three Broomsticks in winter. 

You sigh and move your lips with his, threading your fingers through his hair. Despite the way he has been acting so far, he kisses you passionately, almost slow, but no less thorough. 

Severus Snape is nothing if not thorough. 

And he intends to savour you.

You part your lips for him, eager to move this along, eager to feel him and the pleasure he can bring you, but when it comes to actually deepening the kiss you hesitate. Snape senses your nervousness and takes over the decision making from you. The tip of his tongue meets yours and he slides it slowly over your own, easing you into the kiss and coaxing a small moan from you. 

You relax against him and surrender yourself to his touch once more. You have never been kissed like this. With want and need, with passion and hunger. He maps out your mouth as though he is trying to dissect a potion he has never seen into its separate components. 

His hands run over your body, your sides and stomach to your thighs. You whine at his touch and muscles twitch under your skin as if to reach out to his calloused fingers. The wool of his frock rubs against your skin when he moves. You reach out to work on the endless row of buttons but are rather abruptly interrupted by his fingers against your cunt. 

A surprised, shuddering gasp escapes you and your fingers tense against his chest. Snape chuckles into the kiss, never once stopping his assault on your mouth. Playful he circles your entrance, gathering you slick and spreading it to your clit. You cling to his shoulders and push your head back into the pillows. Pressure builds deep in your cunt, and you need him to ease it- need him to- to-

“Ahh-” You cry out and dig your nails into Snape’s shoulders. Your own fingers never felt that fucking good.

“Are we enjoying ourself?” Snape teases, watching the pleasure drunk expression on your face.

“Mhh…Snape-” You buck your hips into his hand. “Please- fuck me-”

“Patience, dear. I told you I would make sure you can take me.” He teases your entrance with a finger, coating it in your slick and then gently pushes inside you. “I will fuck you. I will fuck you so well nobody will ever compare to me, but first I’ll stretch this virgin cunt because as you so eloquently put it - It’s big.”

“There was this rumour back in school-” You murmur, blissful pleasure clouding your mind and rendering it utterly useless. “-that- that….oohhh-”

“That I’m a virgin?” He smirks. He pumps his finger inside you, curling it and pressing upwards slightly and a flash of searing pleasure explodes inside your cunt, and you squirm under him, rolling your hips into his touch to get more more more. “Does it feel like I am? Like I’ve never touched a woman?”

“Snape-”

“Dear, believe me, I know your body better than you.” You want to get offended by that statement. What a man thing to say but then Snape does something with his finger, twisting and curling at the same time or something else, interrupting your thoughts harshly with another mind-blowing ripple of pleasure. 

Snape adds a second finger, stretching you carefully and kissing you the entire time, then a third. You are hot all over. Sweat clings to you like a second layer of skin. You are shivering from unfulfilled need and the steadily building pressure deep in your cunt just outside of Snape’s reach.

It builds and builds, beyond anything you were ever able to do to yourself and you have no idea how it keeps building and where all this pressure goes because the thought of it all staying confined in you is absurd!

You whine at the loss of his touch and buck your hips in a futile attempt of stopping his fingers from leaving you. Snape looks very fucking smug, but you are to wound up and needy to even care. 

He watches you squirm, your slickness dripping off his fingers. He traces your lips with his ring finger, spreading your own arousal over them. You are too far gone to really care. Your tongue darts out and licks your lips clean, accepting his finger into your mouth. You suck his fingers clean, one after another, Snape’s dark eyes never leaving you.

“What a good girl.” He coos. His voice rolls over your skin and sinks into your body, causing your insides to clench. 

You watch Snape undo the rest of the buttons and toss the black frock away. He opens his belt, the quiet clink of the buckle echoes in your mind. You’re about to see Snape’s prick. Snape just fingered you. You’ve been kissing Snape! 

Your heart beats faster, like a hummingbird forced to forever fly on the spot in a too small cage. Anticipation takes your breath away and impossibly so, more slickness rushes to your entrance. Every second he takes to open his trousers feels like another fire being lit on your skin. 

He slides a hand in his pants and now you are sure he is doing it to see you squirm because who moves that slow?

You let out an impatient whine and squirm, bucking your hips to grind against him.

“So impatient.” He chuckles and finally, finally frees his prick. 

It’s big is a pretty accurate description, you don't know what Snape has against your eloquence. Jesus fuck, is another option but you doubt Snape would find that more eloquent.

His plush, purple cockhead is already leaking pre-cum. Snape mutters an incantation, you recognise as a contraception spell, before aligning himself with you.

“Don’t worry, dear.” He coos. “I’ll be gentle. Just relax.” You try. You really try, but Snape has your nerve endings running in circles, screaming, while on fire. Stop, drop and roll is not an option that they can think of, mainly because thinking is quite difficult when on fire. 

He pushes against you, and you tense further. Snape rubs your thigh, and you take a deep breath and try to relax your muscles. Slowly, inch after thick inch Snape enters you. Beads of sweat collect on his forehead from the strain of going slow. Inch after inch of your tight channel is mercilessly forced to yield to his girth, stretching you open with a small sting. 

Snape grunts and sinks into you to the hilt, sacking above you to give you time to adjust and also catch his breath.

You are so bloody full. How he isn’t ripping you open is a miracle to you. Your knuckles are white from holding onto his arms. The muscles in your thighs quiver. You give tentatively rolls of your hips, earning a low groan from Snape another wave of deep pleasure.

“You’re breathing really hard.” He mutters into your ear. “I like that - keep working so hard for me, dear.” Snape’s thrusts are long and controlled, massaging your inner walls and hitting just the right spots. You are reduced to a pathetic, needy moaning puddle of bliss and want. 

Snape isn’t doing too much better. His breathing is heavy and loud right next to your ear which drives you deeper and deeper into your trance-like state of ecstatic bliss. His rhythm falters more than once and his groans take on an animalistic edge. 

“So tight.” He grunts and drives back into you. “Just for me-”

“Snape!”

“That’s right. Saved yourself for me, didn’t you, dear?”

“Idiot.” You laugh against his jaw.

“No need to play shy - you can tell me.” Snape smirks and leans his forehead against yours. “I won’t tell anyone, I swear.” He snaps his hips forward, hitting that spot with more force than before and your breath gets stuck in your throat. You tense and convulse, somehow simultaneously. Snape grunts when you clench around him and your inner walls spasm.

“Keep coming- keep fucking coming for me!” He reaches between your bodies and rubs your clit. A violent wave of pleasure smacks you right in the face and you scream in pleasure. Snape whispers reverent praise and fucks you through your release, coming shortly after with a long groan inside you.

Sweaty, sticky and spent you collapse on the bed, both trying to catch your breath. Snape runs his hand over your thigh absentmindedly. His cum slowly leaks out of you. Your eyelids are heavy. A heavy blanket of bliss and contentment settles over you.

“Thank you.” You whisper into the silence of your flat.

“Whatever for?” He chuckles next to you.

“It was nice.” You shrug.

“Well, I should be thanking you for even letting me touch you.”

“Let’s thank each other.”

“Fine.” You stay there a while longer, but eventually Snape disentangles himself from you and gets up to get dressed.

Lying on your side with your sheets pulled up to cover your still shaking body you watch him.

“You know-” He says but stops himself, a frown appearing on his face. “A career isn’t the only thing to measure how accomplished or fulfilled one’s life is. Your friends might think their jobs are great now, but in ten, twenty years they’ll realise they have never lived a day in their life. This job…” He looks around the flat. “It seems pretty comfortable to me. It seems to give you the freedom to do whatever you want. Create art or music, write, research or go to university. You can do whatever you want - fuck what other people think. Not everybody dreams of labour.”

“What if I’m not good enough?” Snape fastens his cloak. He looks up. His eyes seem heavy with a burden you can’t quite understand. The corner of his mouth twitches and perhaps for the first time in the years you have known him you see him smile.

“I think you can achieve anything you put your mind to. And either way. How will you know if you never try? The day will come you’ll regret having allowed your fear to hold you back.” His cloak billows behind him when he turns to leave. His hand already on the doorknob he stops.

“I hope you find happiness.”

“I hope you find happiness too, Professor.”

“For some of us it’s too late.” And with those words he disappears into the darkness of the night.

Three weeks later Albus Dumbledore is murdered by Severus Snape.

| Part 2 |

[lunarflux]

x: Thomas Shelby found his match in an information bookie who has eluded the grasp of the Peaky Blinders long enough to crumble their power over Birmingham. But at last, he found you. The ghost he'd been chasing was finally in front of him, but you were trickier than he expected. Dangerous, cunning - and a bit too much like himself. To buy your loyalty, he would have to sell his in equal measure. Loyalty for loyalty - blood for blood - how much were either of you willing to spill before the game changed entirely?

part 1: the new board

word count: 1,412

✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒✒

"What do you want?"

"You're the one who came here, Mr. Shelby. I believe I should be the one asking that question."

It was odd, being seated across from a mirror. Whoever you were, you wouldn't budge. A cigarette dangled from two dainty fingers, wisps of smoke swirling into the air between you.

Tommy didn't know who you were. The Emerald of London to some. The Ghost of Birmingham to others. Your real name never crossed anyone's lips. You were practically a phantom - a meddlesome one at that. Some of the usual gamblers started avoiding certain days, ones that were particularly important to the Blinders, and by the third race with meager winnings, he knew.

There was a new player in the game, and until they were wiped clean from the board, the uneasy feeling that made home in the pit of his stomach would not go away. Gun deals gone awry, exchanges with people he thought would always owe him - all of it was going sour.

It took weeks of dwindling business before Tommy told Finn to find you. What he expected to see - a new information bookie operating from a damp, abandoned warehouse - was anything but. No, you were cunning. Charming, even. You had a certain allure about you. Your face held little expression aside from what could only be described as deceitfully cold, only ever showing the briefest emotion in your eyes. And when you spoke, it was intertwined with a feline-esque hum - almost like every conversation someone tried to work from you was a waste of your time. Finn only said that when he found you in the old bookshop across town that something was off, and though he couldn't articulate what made him uneasy, he knew that you would not easily be burned from the streets of Birmingham.

Tommy sat across from you, his still face hiding the mild headache your presence brought to the front of his mind, and he waited. At first, you two waited in silence.

You sighed, tapping the ash from your cigarette down to the floor. "Very well then. What business do you have here?"

"You've been selling information to the Russians."

"I have."

"What do they have on you?"

The corner of your lip twitched into a grin. "And what makes you think they have something on me?"

Tommy bore his eyes into yours, not willing to admit that this was one of a few conclusions he made about your motives. "What are they paying you then," he said plainly, less of a question and more of an anticipatory retort.

You tilted your hand out, motioning to the air to allude how silly the accusation was. "They pay whatever they think what I have to give them is worth."

"And the Irish, they pay as well."

"The Russians pay, the Irish pay... The Italians pay, the politicians pay... The Blinders can pay, too, if that's where this conversation is going."

You were woven into the system more than he thought - more than any of them thought. It was only whatever you sold that involved them that led him to believe you had a personal stake against them. It seemed now that this wasn't the case. They were just one of the last to find you.

"So, you'll resort to extortion to keep you out of our business."

"People don't pay me to stop, Mr. Shelby. They pay me to keep playing. It'd be bad for business otherwise. Take me out of the picture with the drop of some coins, and my credibility goes out the window."

Tommy hoped that his silence would push you to reveal more, but you continuously proved him wrong. He had to keep asking questions. It was what you wanted. You wanted him to pry as far as his cold composure would allow him to.

"So, where do your loyalties lie then?"

"I have no loyalties," you said, feigning confusion at the notion. "That's what makes me good at what I do."

"What is your loyalty worth then?"

"That's not how this works, Mr. Shelby. If the information someone else buys is at the expense of the Peaky Blinders, I'm afraid you'll find no sympathy from me."

Silence. Just a few more seconds, and maybe your curiosity would peak.

Again, you sighed, not attempting to hide your boredom. "Fine. Humor me. What are you offering?"

"Protection."

"I don't need protection."

"If I could find you, then there's nothing stopping the rest of them from finding you."

"On the contrary, if they wanted to kill me, I'd already be dead."

You knew you were valuable - more than Tommy cared to admit. Your awareness of the situation was your advantage, and it was a benefit not afforded easily. He had to offer you something worth considerably more, and it was not something he could give freely. However, he would not be the one to offer it up. You needed to ask for it, only then would he know what actually mattered to you.

Tommy kept his gaze on you. "Name your price then."

"I have to know what you're trying to purchase before I can tell you what it's worth." You wanted something more. Not something tangible. Money was so easily spent. "Tell me then, what is it you want from me?"

Tommy's eyes narrowed in the slightest to study your face. The cold, icy wall behind your eyes revealed so little. At the mention of payment, you were amused. At the thought of taking sides, you found humor. No, you were alone, and that's how you wanted it. So, what would be more valuable to you, something that didn't cost something physical? The answer came to him slowly, like a the sunrise peaking over the city until it blinded him completely.

"Your loyalty," he finally answered.

Your true smile - the one that only surfaced in the face of something that truly interested you - was more unsettling than he cared to admit. But he knew. Your loyalty would cost him dearly, whether it be from his pocket or something much deeper.

"You want to buy my loyalty?" You chuckled, a low and sinister tone like the monster beneath your grin was daring to reveal itself. "No, my loyalty stays with me, and I would only sell it for -"

"My loyalty."

The words slipped past his lips before he even really knew what he was saying. This had to have been what you were goading him for. An equal share of his respect. He would not have you entangling yourself with the Peaky Blinders with the assumption of your loyalty alone. You had to trust him as much as he forced himself to trust you.

You leaned forward, close enough for him to feel the icy shards trying to reach him from your leer. "And what is your loyalty worth?"

He was at a crossroads. Protection had a price, and people paid it. But loyalty - that was something else entirely. How much did he want you on their side that he was willing to give himself in equal measure? Your dealings with his enemies said enough. You had a pull over every corner of the city, and the longer you remained a black widow on the outskirts of all the chaos that followed, the closer the walls enclosed around him. He hated to admit it, but he needed you. He needed you on their side.

At least long enough to make sure you were hooked without expecting more than he was capable of giving.

You sat back and took a long drag of your cigarette, blowing the smoke out towards the ceiling. The phantom of that smile lingered at the corner of your lips, almost like you were amused - satisfied, even - that he was willing to offer up something with a value only you could determine. It was only a matter of time before you came to your own conclusions about what his loyalty was truly worth to you.

"I appreciate the consideration, Mr. Shelby." The phantom smile lowered until the cold façade reclaimed your face. "I will consider your offer."

Tommy rose slowly and placed his cap back on his head. His jaw tightened as he chose his next words carefully. "The Garrison. After close. Meet me there if we have a deal."

You lifted your chin with a nod. The conversation was far from over, but the new board has been set. Now, he just had to wait.

[inlovewithquotes]

It is through books that we can find the greatest hope.

-The Last Bookshop In London

[weirdly-specific-but-ok]

pt XVI good omens season 2 (still not traumatic) episode 3 EDINBURGH

HELLO IT'S ME IT'S THE OFFICIAL GOOD OMENS MASCOT WHY DO I STILL KEEP INTRODUCING MYSELF IDK. If you don't know who I am, thank God and Satan for their mercy and flee. Also, the day after I post this, I'll be watching the last three episodes on livestream for the first time so. You know. I'm hyped on the energy of this being my last day not enveloped in tears. Take the summary:

Before the episode starts, someone asks why Crowley said in the last episode that Aziraphale couldn't fall because look at him, all angelic when Crowley looked the same as starmaker. I reply that "Crowley thinks he deserved it, he sees Azi as something beautiful and untouched while he probably sees himself as idk marked in some way so god kicked him down."

I am told that I am learning too fast to weaponise the narrative to induce angst. So then I say oh, I go too fast for you. Tears ensue.

The episode begins! Everyone shrieks about Edinburgh, David Tennant, how it is their favourite episode, and SCOTTISH CROWLEY.

We open with lesbians being gay, and then Muriel enters as Inspector Constable! They are very sweet and very determined to do their job right, and they are adopted by Crowley and Aziraphale just like Jim.

Crowley sits on Aziraphale's chair's arm. The maggots all swoon.

Fine, I also swooned.

Aziraphale gaslight-gatekeep-girlboss-mansplain-manipulate-manwhores his way into getting Crowley to give him the Bentley keys (BOUNDARIES. BOUNDARIES.).

WHAT PLENTY OF USE DO BOTH OF YOU GET OUT OF THE BOOKSHOP?

The really ineffable plan is whatever the fuck was happening in Aziraphale's brain when he somehow went from London to Edinburgh via Loch Ness (check the map) and then proceeded to disguise himself as a detective who pretends to be a journalist.

Crowley slays in sleeve garters and a cardigan keeping house in the bookshop meanwhile, does not sell books, instead cleans with Jimbriel and periodically yeets book stacks into corners when distracted.

Aziraphale reads his old diary entries about Crowley, a (6000+) 13 year old with a crush.

MINISODE MINISODE. They are in Edinburgh during the mid 1800s. Victorian outfits, check. Scottish Crowley, check. Capitalist Karen Aziraphale, che-wait what.

Huh. Well. There's a wee bit of body snatchin' going on, to sell to doctors for medical research because there aren't enough murderers, and to make enough money to survive.

Aziraphale channels his inner capitalist judgemental Karen and ruins that plan, come on Aziraphale you have religious trauma but you're better than this, and long story short, Wee Morag dies after Aziraphale realises his error, her friend Elspeth has to sell her corpse for pennies, and is about to commit suicide with laudanum. Azi, oh god. I'm glad you underwent character development at least.

NOW CROWLEY HERE SLAYS. I KNOW THIS IS AZIRAPHALE'S PERSPECTIVE AND IS BIASED. BUT WITH THIS POV, CROWLEY SLAYS.

He calmly educates Aziraphale about how his whole "the poor have more opportunities and you shouldn't give them money or they'll lose the virtue of poverty" is absolute bullshit, and he does this understanding Aziraphale's situation and not losing his temper.

The framing. The framing of the shot when they see Wee Morag and Elspeth sitting down on a step and explaining their situation. Aziraphale stands above, bustling with righteousness, and judges them. Crowley sits down. He sits down next to them, rather than taking the high ground. He meets them where they are and empathises. It is the fact that he is fallen and damned that makes him behave really divine and sorry I wrote a whole hymn on him have it I'll stop rambling just know I love him.

I think his amusement is a facade so hell won't think he's genuinely being good. I think he's morally grey and incredibly brave and kind.

When Elspeth is bouta kill herself with the laudanum, Crowley grabs it and drinks it himself, and grows tiny and then huge, absolutely high off his head. David Tennant takes the opportunity to travel Scotland from east to west in terms of accent variety.

He gives us the good message of NO DYIN'. NO MORE DYIN'. IT'S NOT ON. And then forces Aziraphale (who doesn't want to ruin her virtuous poverty) to give the girl all the guineas he has in his pocket, and tells her to go off and start a farm or something. BUT NOT JUST PRETENDY GOOD, BE PROPERLY GOOD.

He then gets pulled into hell. To be punished for this. Aziraphale is frightened and heartbroken for him, looking around desperately, and we find out that Crowley didn't meet him for a while after. And later he wanted holy water. To protect himself? He got punished by hell. For how long? The whole month in between the incident and the diary entry? There can't be anyone better at punishment and cruelty than hell.

Sorry I'm just screaming here.

Never mind fuck I started this summary really happy and bouncy and listening to a dance playlist. Dionysus by BTS and Italian pop is still playing and now I'm crying.

Is this the natural progression. Fuck I'm crying. Sorry guys something else happens with Aziraphale politely talking to a phone and Crowley smiling really beautifully while unsuccessfully trying to manipulate two lesbians into a relationship and something about a visit I don't care everyone's being morally dubious as usual and then lovely Scottish music outro I CAN'T FUCKING ELABORATE I'M SITTING HERE CRYING OVER CROWLEY.

right summary done, time to go sob, lmao i thought i wouldn't cry today over good omens HAHAHAHA still not traumatic eh HAHAHAHAHAHAHHAHAHAHAHAHAHA

[blogthefiresidechats]

5 Books I Wish I'd Read Sooner

There are a few that I had wish I’d read sooner. Continue reading to see what I picked and let me know in the comments what you would have picked……. Harry Potter = The first one is actually the Harry Potter series. I didn’t get into the Harry Potter series when it first came out because I didn’t think a children’s series could hold my attention. But then I noticed that several of my friends and…

[fuckyeahgoodomens]

Ooh! A wonderful interview with Rich Keeble who played Mr. Arnold (the one with the Doctor Who Annual :)) in S2! :)❤

Q: In Good Omens 2 you play Mr. Arnold, who runs the music shop on Whickber Street. Were you a fan of Good Omens before joining the cast, and is it challenging to take on such an iconic story which is already loved by a huge fanbase?

A: “There’s always pressure if you’re working on something with an existing fanbase and people might have an idea already as to how you should be approaching something. To be honest I was aware of the show but I hadn’t actually seen it before I was asked to get involved. I knew it was something special though! I remember talking to Tim Downie [Mr. Brown] about how when you tape for certain things you know if something’s a “good one”. Of course by the time I was on set I’d watched Season 1 and read the book. 

I had an interesting route into the show actually: I was asked at the last minute to read the stage directions at the tableread on Zoom, and Douglas [Mackinnon] the director called me up to discuss pronunciations of the character names etc. To prepare further I quickly watched the first episode on Prime Video, and I was very quickly drawn into it. A couple of hours later I was on a Zoom call with David [Tennant], Michael [Sheen] (with his bleached hair), Neil [Gaiman], Douglas and the whole team, including Suzanne [Smith] and Glenda [Mariani] in casting. After that readthrough I asked my agent to try and see if she could shoehorn me in and she came back with a tape for Mr. Arnold saying “you play the piano don’t you…?” They wanted me to demonstrate my musical playing ability, so I rented a rehearsal studio room in Brixton for an hour and filmed myself playing piano (and drums just in case), then I did my scenes a couple of different ways and I guess it wasn’t too terrible!”

Q: During episode five you mimed to music written by series composer David Arnold alongside a real string quartet – this must have been very immersive! How did it feel to work with David, and bring the ball to life?

A: “I actually didn’t meet David Arnold sadly, but I did work with Catherine Grimes, the music supervisor who is lovely. David was at the London screening but I missed an opportunity to go and say hello to him which I kicked myself about. 

I remember before I was in Scotland there was a bit of uncertainty as to whether I would need to play anything for real or not, so I practised every day playing loads of Bach and other music I thought was era-appropriate just in case they asked me to do anything on the fly. So yes, it was very immersive as you say! They sent me three pieces of music to learn which I practised in my Edinburgh apartment on a portable folding keyboard thing I bought. They introduced me to the string quartet (John, Sarah, Alison and Stephanie) and I tried to hang out with them when I could. On the day we all had earpieces to mime to. I had to mime while listening out for a cue from Nina [Sosanya] from across the room, then deliver my dialogue and carry on playing, which was tricky! The quartet and I helped each other out actually: Douglas would say something like “let’s go from a minute into the second piece of music”, I’d look at the sheet music and whisper “where the hell is that?” and one of the quartet would say “we think that’s bar 90” or something. Here’s a little bit of trivia: the shooting overran and the string quartet couldn’t make the last day, so they found some incredible lookalikes to replace them for the scene when we get lead out of the bookshop through all the demons, although I think they also kept them deliberately off camera.” 

Q: What did you think of your music shop when you first saw the set? Did you have a favourite poster or prop?

A: “I thought it was incredible! It could’ve been an actual music shop with all the instruments hanging up with the “Arnold’s” price tags on. The attention to detail was incredible, well IS incredible as I understand it’s all still there. It’s hard to pick a favourite to be honest. I did a little video walkaround on my phone at the time so maybe I’ll post that if I won’t get in trouble. Interestingly the shop interior itself was elsewhere on the set to the shop entrance you see from the street. You walk out of Aziraphale’s shop, over the road, through the door of the music shop and… there’s nothing.” 

Q: Mr. Arnold is tempted into the ball by a Doctor Who Annual and is playing the theme in the music shop scene – are you a fan of Doctor Who in real life? And what was it like making those jokes and references in front of the Tenth Doctor David Tennant?

A: “I’ve always dipped in and out of Doctor Who over the years since Sylvestor McCoy, who was doing it when I first became aware of it when I was growing up. Even if you’re not a fan it’s one of those shows you can’t really get away from, so doing that particular scene in front of David was really fun, and of course Douglas had directed Doctor Who as well. Apart from the amusing situation of two supposed Doctor Who fans talking about Doctor Who without realising they’re in the company of a Doctor Who, I also seem to remember Michael being the one to suggest that he would deliver his “due to problems at the BBC” line directly to David.

Oh, and I think it was actually my idea to grab the annual off the harpsichord before joining the queue behind Crowley at the end of the ballroom scene (which we’d shot weeks earlier at this point). When we were blocking it out and rehearsing I knew I had to leave my position and get to the front for my “surrender the angle” line, and then later it just felt like I wouldn’t leave without the annual so I ran back through everyone to grab it. Nobody seemed to have a problem with me doing that so I just carried on doing it when we shot it! I do remember it being a fun set with Douglas and the team being very open to suggestions.”

Q: How did you balance filming both Good Omens and BBC Ghosts at the same time?

A: “Luckily both shows were a joy to work on, and everyone seems to know about both of them. We were shooting them in early 2022 and I also had a little part in an ITV drama called ‘Stonehouse’, starring Matthew Macfadyen. I usually never know when I’m working next so to have three great TV jobs at once was very unusual. There was all this date juggling and I actually almost had to turn down Ghosts due to clashes. Luckily both shows had to move some dates so it worked out. But yes, I spent two weeks up in Scotland shooting all that Good Omens ballroom stuff, then I came back down to London to do Ghosts, knowing I’d be back up to shoot my scenes in the music shop in a couple of weeks. Now, when I found out who was playing my wife in Ghosts I couldn’t believe it: Caroline Sheen – Michael Sheen’s cousin! She was amazing and that was another great set in general. I say “set”, but it’s all filmed in that house which surprised me. I’d worked with Kiell [Smith-Bynoe] and Jim [Howick] before, and Charlotte [Ritchie] was in the Good Omens radio play a few years ago and a big fan of the book. Charlotte’s very musical of course and we got talking about my folding keyboard I had for practising my Good Omens stuff, and she ended up setting it up in the house for us to have a play on!

Now, when we’d shot all our internal scenes there was this big storm forecast, and our external scenes were scheduled for the day of the storm, so that had to be moved into the next week. It meant I ended up shooting those scenes outside the house, then going straight back up to Scotland to shoot the Good Omens music shop scene the next day! When I mentioned to Michael I’d just worked with Caroline he said “ooh she’s in Ghosts is she!” and revealed that she’d texted him about me which was rather surreal. Then later after the Ghosts wrap party Kiell gave me a part in his Channel 4 Blap, so at the time I felt like I was killing it career wise, but the industry quietened a bit after that and my workload eased off over the year so I was in my overdraft by November.”

Q: What are your plans for the future – can we expect to see you in something else soon?

A: “This year, after a bit of a quiet start, I was very fortunate to work on a Disney+ show called Rivals which stars… David Tennant! I think I’m allowed to say my character is called Brian, and I shot five episodes so that was another really amazing job, and great to work with David again (I told him he must be my good luck charm, although I hope he’s not sick of me). That should be out at some point in late 2024. Other than that I’ve filmed a few other bits I presume will be out next year, one of which is called Truelove on Channel 4 which actually looks really good. That starts early January. Of course now Season 3 of Good Omens has been greenlit, I would love Neil and the gang to have me back on that… but I can only keep my fingers crossed!”

[ineffable-suffering]

The Jane Austen Ball and why it was never about Nina and Maggie

Otherwise known as (*takes a deep breath*): A completely inflated close-up look at various dialogues and events of Season 2 that prove that the Whickber Street Traders and Shopkeeper's Association Meeting Cotillion Ball was supposed to be Aziraphale's confession to Crowley

Look, the point's been made before but that's never kept me from making it myself again, still. In fact, even I made it before, at the end of one of my other metas. But I feel like it's absolutely worthy enough to get its own soppy, way-too-long post. And I do love it so very much to write ridiculously long essays on something that could easily be condensed into a short paragraph.

So, here we go! Snuggle up, get cozy, settle in and, most importantly:

(Word count: 3.177 | Reading time: ~13 minutes)

As I already said above, I laid out a similar case in my meta about why Aziraphale is somewhat of an unreliable narrator. I'll try and recycle it here briefly, so I can further make my point.

When Aziraphale arrives back in London from his Edinburgh journey, he seems oddly happy and giddy for the fact that he just had a rather odd and threatening encounter with Shax. I explain in my other meta that this is because he just spent the last hours of his drive reminiscing on the thrilling and romantic magic show adventure of 1941 and also the fact that he just found out that Crowley has been replaced by Shax and no longer works for Hell.

Ergo: We have a hopelessly lovesick Principality at our hands, who's practically swooning over his serpent who saved him, his books and his magic show all those years ago.

Ergo:

✨This✨

Realistically, Aziraphale should probably be a tad worried about the eery encounter with Shax, in which she definitely had the upper hand on him. But well, if you spend many-a hours driving across the serene countryside (Edinburgh is about an 8-hour drive from London), pondering on one of the craziest, sticky-sweet romantic adventures of your not-life life, well ... things tend to turn a little rosy around the edges. Head in the clouds and all that. Light shades of grey!

Alright, onwards: Once the angel, filled to the very brim with fond memories and butterflies, gets out of the Bentley, he's kindly met with a face full of verdant plants and a very in-character-grumpy Crowley.

Fhwack! Way to burst the rosy bubble.

Seriously, the absolute lightning speed with which Crowley storms out to vacate the bookshop the very second Aziraphale arrives makes me giggle every time.

Let's make a first small (who am I kidding) diversion into analysing the following conversation in unnecessary detail ...

... simply because I enjoy quoting dialogue as an accurate reference in my metas. I'll also highlight certain passages I want to comment on in individual colours so I can back up my thoughts with them below. Alright, their little chinwag goes as follows:

Crowley: "They you are! I was worried something might have happened to you." Aziraphale: "No, nothing happened to me. Very uneventful journey indeed. No strange things at all." Crowley: "Good. That's what we wanna hear." Aziraphale: "Um .. everything okay with- ah.." *nods to the bookshop* Crowley: "Oh, yeah, fine. He's singing to himself. I think he must have been asleep. I heard snoring coming from his bedroom–" Crowley, to the Bentley: "Did you miss me? I bet you did." Aziraphale: "... I'm sure it did." Crowley: "So, any more clues from the mystery of the missing archangel?" Aziraphale: "Not exactly. Or, if there are, I haven't yet cracked the case. But I'm certainly hot on the trail of something." Crowley: "I'm sure you are. Oh, by the way, the whole sudden rain and awning thing was a complete washout." Aziraphale: "Sorry?" Crowley: "You know, project making Nina fall in love with Maggie. I failed, it's your go." Aziraphale: "I see. Well then, Whickber Street Traders and Shopkeeper's Association Monthly Meeting, here we come!" Crowley: "You're really hosting the meeting?" Aziraphale: "Absolutely! And I can guarantee you, it will be a night to remember."

At first glance, this has little to do with the plot of this meta but actually, it folds into my point very nicely! However, it's not time for that yet, so we'll just state the facts as they are for now and then bring them back 'round later when we need them. That being said: For the love of Someone, will these two ever manage to simply tell each other the truth of what happened instead of thinking they can protect each other by lying about it all the time? Hrmpf. As a big fan of open communication myself, I'm close to developing a stomach ulcer with the amount of false truths being spewed here. (Then again – and yes, that is another, way larger meta I'm currently cooking up – it plays so very perfectly into the whole Jane-Austen-Pride-and-Prejudice tragic miscommunication theme that this entire Season has, so I understand the point of it.)

Very uneventful journey indeed, Aziraphale, except for the fact that you were ambushed by a demon who told you she was Crowley's successor, knows about the rumors of the two of you being an item as well as what went down in 1941 (that almost had both of you exposed) and also seems to have figured out where you and your demon boyfriend are hiding Gabriel, all in the span of about a minute. No strange things at all, nooo!

And Crowley's "Oh yeah, fine" is a total lie too. Again, we see him make an absolute run for it before Aziraphale can even enter the bookshop. After all, he just once again witnessed Jim have a Gabriel-flashback, speaking of the Second Coming, while Crowley was alone with him. As fumingly angry he is with the amnesiac archangel – he's also absolutely terrified of what might happen (to him and Aziraphale) should Jim regain his memories. So, no wonder he's quick to vacate the premises after witnessing Jim's rather eery memory flashback (and was, just like Aziraphale, threatened by Shax mere moments later, lol).

But no, nothing out of the ordinary happened to either of them. Tip-top. Absolutely tickety-fucking-boo.

Alright, let's get back on track with the actual topic of this meta. Certainly hot on the trail of something, hm? At first glance, it might seem like Aziraphale is talking about the fact that Gabriel was in company of someone whenever he went to the Resurrectionist Pub. (The clue!) However, I don't actually think he is talking about that. Why? Because, and this slipped my mind too at first, he never actually follows any of this information up, does he? Yes, sure, he went to Edinburgh, found the capital-c Clue and then returned to London. But what does he do with it? Nothing. He doesn't keep investigating this hot trail because that's not the important thing he realized during his journey. No, the more important clue Aziraphale found during his trip, is that Crowley no longer works for Hell and that he is also very much irrevocably in love with him and must confess this at the earliest given chance. (The latter part isn't necessarily a new discovery for Aziraphale, but it surely is fuelled by the fact that he just realized Crowley's out of a Hellish job and simply hasn't told him yet.)

This exchange just the perfect indicator for the fact that Aziraphale, at no point during his drive back, was thinking about the Maggie and Nina mission. He has no idea what Crowley is talking about once he mentions it and seems surprised, even, that he would. Even though they just talked about it on the phone when Aziraphale was still at the graveyard. Which is another important piece of evidence because it means that the last status update Aziraphale got of Mission Lovebirds, was that Crowley had sensed an opportunity to make them fall in love – and had then hung up on him. Why is this important? Because it means that until that very point of their conversation, Aziraphale did not know that Crowley's attempt had failed! There would have been just as much of a chance of Crowley's weather miracle actually working out and Maggie and Nina already having skipped into the sunset happily ever after.

So, riddle me this:

Why would Aziraphale spend the entire ride back from Edinburgh plotting "a night to remember" (because clearly, he already had the entire Ball planned out down to a T in his head since he goes into action right away after arriving) if he didn't even know yet that Crowley's attempt had failed?

To be very clear here: We're not talking about Aziraphale driving on the M1 to London, having a silly little idea for putting on some good music, miracle-ing Nina and Maggie to dance to it and watch them confess their love–

No.

He planned an entire actual Cotillion Ball with very particular location design that involves re-arranging the entire bookshop, specifically designed individual outfits for (almost) every single attendee, topped off with a live band, hors-d'œuvre, drinks and an actual choreographed group dance.

During one car ride.

Where's the party planner Aziraphale AU? I'm waiting!

Now, sure, we know that it's still quite important for Aziraphale to convince Heaven of the faux-reason they gave for their accidental ✨25-Lazarii miracle✨. But if we're all honest, this all seems to be a tad much just to make two random humans fall in love, even for that.

Glittery ball gowns and suits? Red and gold wall curtains? A modified language filter? Bloody vol-au-vents?

Talk about over the top ...

Once we start S2E5, Crowley is still surprised at the mere fact that Aziraphale is actually planning to organize the Monthly Meeting – and he doesn't even know yet that it's gonna be the most extravagant ball-boogaloo that the Whickber Street Community has ever seen! Aziraphale wanting to organize the meeting alone, is enough to render Crowley incredulous, because Aziraphale never mingles with the other shopkeepers. He usually actively avoids them and any sort of social encounters as much as he can because he doesn't care about the bloody Christmas lights, alright?

These things seem mundane and uninteresting to him, obviously, since all he really cares about is hoarding his book collection in peace like the little hedonist he is and drawing as little attention as possible to his none-business business.

Oh, right, speaking of books:

Let's take another unnecessarily detailed look at the whole Whickber Street invitation scene:

Aziraphale realizes very quickly that he's not the only one who's quite unenthusiastic about the blessed Chritsmas lights. And despite his very persuasive methods of temptation ...

... he has to take some more drastic measurements. And those are?

That's right: Giving away his books.

I'll repeat it again, slowly: Aziraphale is willingly (!) giving away or lending his books to pretty much complete strangers to, allegedly, make two other humans strangers fall in love.

Seriously, who is that angel and what has he done with our prim, fussy, hedonistic Aziraphale that protects his books with the vice grip of an eagle carrying his precious prey?

Believe in the importance of Mission Lovebirds as much as you will, but we're talking about Mr. A.Z. Fell here who, over the past millennia, has pretty much spent every day actively working out methods to stop people from purchasing as much as a single paperback from his holy shelves.

And yet: the 1965 September Dr. Who Annual? Given away. The first edition of Expert at the Card Table that was S. W. Erdnase's personal copy? Lent away to grubby human hands to fondle around with.

Let's do another coloured dialogue diversion (don't worry, it's not as extensive as the last one):

Crowley: "You just did what I think you did?" Aziraphale: "I'm not prepared to talk about it." Crowley: "You gave away a book." Aziraphale: "I had to! Maggie and Nina are depending on me. They just don't know it yet."

Crowley backs up my point: This is a huge deal. Aziraphale does not sell his books – let alone give them away for free. We're all shocked! Flabbergasted!

And the explanation Crowley and us get just ... doesn't satisfy. Something and someone sure is depending on this Ball and doesn't know it yet. But it's most definitely not Maggie and Nina, folks.

You know for whom Aziraphale would give away his books in the blink of an eye, though?

Mhm, that's right.

This pretty old serpent.

I want to take a minute to show you the reaction again that Aziraphale has upon entering the very same magic shop him and Crowley went to in 1941 to acquire the Bullet Catch:

You ... you need a minute there, angel? You're sure looking a little ... affected.

And I mean, well, no wonder. He reminisced about that very memory four hours last night. To him, this shop is where the most turbulent, ecstatic, adrenaline-fuelled and romantic night of his life began. And it shows.

I've made my point in my other meta series about how Aziraphale is an incredibly nostalgic character. He romanticizes so many things in his memories – especially the parts that feature Crowley. So, it doesn't surprise me in the slightest that he's once again willing to loosen the tight grip he has on his book collection to get the successor of Will Goldstone's Magic Shop, the shop that started it all for him, to come to his fancy Ball.

As we watch Aziraphale and his little lap dog demon pat around Soho, I'd like to take another second to point out that he goes to seven or more establishments before he even invites Nina.

... and he only does so because she starts talking to them on the street. Almost like he'd forgotten about it. Why not ask her at the very beginning? To establish whether or not he'd have to book-blackmail her too?

"Perfectly ordinary invitation with no hidden agenda of any kind", except that he's using you and Maggie as a pretence to resolve his own clusterfuck of a relationship-miscommunication Jane-Austen-style so that he can then hopefully confess his undying love to his demon not-boyfriend boyfriend.

Marvellous!

You'll forgive me another short diversion but my God, the whole exchange at the Marguerite's restaurant with Crowley literally cat-call-whistling Aziraphale over to him (and Aziraphale checking if he meant someone else first, I–)? I am weak. So, so weak and

However, this is also when we get a snippet of Crowley finally revealing the truth in place of his "Oh, he's fine"-lie earlier and telling Aziraphale that he's actually pretty scared Jim might turn back into Gabriel and smite him altogether. And Aziraphale's response is, in a cosmic sense, (remember the pink paragraph now) so hilarious:

"Have you thought of just talking to him?"

Yeah, have you? Have any of the two of you? Just thought about talking? To each other? About anything?

'pparently not. But hey, it's all good because remember what the ultimate remedy for star-crossed lovers simply misunderstanding each other is?

Bish, bash, bosh, problem solved!

Back at the ballroom bookshop, Aziraphale sends Crowley to invite Maggie in order to, in my opinion, not spoil the Ball-y surprise for him. (Inviting Maggie only now?! Wouldn't she be one of the only two guests who really should attend? Why the short notice? If she's really that important for the Ball you're planning, hm?)

On top of this, we see Nina almost not attending the Ball meeting after her partner broke up with her and Crowley being the one who coincidentally runs into her and ushers her into the bookshop before Shax and her "legion" of demons start creeping up on them. Again, if this hadn't happened by pure coincidence, Nina would have left to go home and this whole Ball would have taken place without her, rendering the apparent sole purpose of making her fall in love with Maggie useless.

Why doesn't Aziraphale care more for both of them to attend and be there? Why is he instead busy fussing over everything looking perfect and wonderful and doesn't even seem to notice that both Nina and Maggie are really late to the meeting?

Well. Well.

The answer's in the title, babes.

Alas, Crowley safely gets Maggie and Nina to join them, Mr. Brown is the only one who doesn't get a miracled outfit (fussy, petty angel, you just don't like him, do you?), Jimbriel stuns with glamour and flirt (and whatever sexually suggestive thing he does with his cheeks) and the Whickber Street Ball is a-go!

Sorry, I just had to chuck this in again because Crowley's face here absolutely kills me every time. He looks so confused, I am hollering.

And the heart eyes Aziraphale is making at Nina and Maggie now that they're actually here?

Oh, bless it, angel.

He's all like "Oh look, it's working! Jane was right! It's all going to be resolved, all the misunderstanding and quarrels! Crowley, where's Crowley–"

Ah yes, there he is.

Ladies and gentlemen, this is an angel who is not listening to a single word being said right now. No, in his head, Aziraphale is already down on one knee, pouring his heart out to Crowley after they just danced the night away.

Oh, yes, right. The dancing.

Parallel much?

But well, as marvellous and beautifully romantic as her stories tend to be, it turns out that Jane Austen isn't always right after all. Because before we know it, the perfect night shatters into many-a tiny pieces (literally).

And once again, fhwack:

... the rosy bubble bursts.

Let's take one more deep breath so I can make my final point:

In S2E2, Aziraphale explains to us very exactly what Jane's Balls (hrhr) used to be about: Solving miscommunication and confessing love to one another.

During his car journey back from Edinburgh, Aziraphale:

doesn't know Crowley's Mission Lovebirds had failed

remembers 1941 and just how badly he's in love with Crowley

and also realizes that they seem to have been wildly miscommunicating for quite some time now. (Crowley didn't even tell him he basically got let go!)

So, what does maddeningly strong love plus a want to resolve all the miscommunication equal? That's right: A night to remember! A Ball to change it all! A dance, a vol-au-vent, a confession. And, ideally, a happy ever after. Because:

“It is a truth universally acknowledged, that a single man angel in possession of a good fortune Jane Austen collection, must be in want of a wife demon husband.”

The Ball was never for Nina and Maggie. As a byproduct, maybe, yes. But the whole rest of the glimmer and glamour, the careful, romantic planning and set up of it all, the book-bating the other shopkeepers– that was for Crowley and Crowley only.

And oh, if only it were as easy as in the books.

*whispers* I'm sorry, I had to.

***

Your honour, the tinfoil-hat crackpot defence rests. Feel free to share thoughts (and prayers) if you want to!

Au revoir! 💗