#The Hospice Promise
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razorbackmagazine · 8 months ago
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"Walking With Purpose: Explore the Inspiring Journey of Ranger Kielak Across America"
[ Website ] [ Facebook ] [ Support Ranger ] “Path of Purpose: Ranger Kielak’s Inspirational Trek Through America” I’m Ranger Kielak, and I started March 2024, I will be putting one foot in front of the other, starting from the Atlantic Ocean and ending with a dip in the Pacific Ocean. But why, you may ask, why am I doing this? Finding Inspiration in Legacy Back in 2012, as a high school freshman,…
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lemonavocado · 1 month ago
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starting a reread of frankenstein tomorrow for a literature class! we are so back!!
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sassygreytea · 5 months ago
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(( I just want to say that I live! I want to watch the newest arc soon and hopefully get some Charles muse back again cause I love this little fuck face, life has just been throwing hardball after hardball at me so I've hardly had time for myself. ))
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razzle-zazzle · 3 months ago
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Whumptober Day 16: Necrosis
Swamp (pond) + "No, I can't feel anything"
3271 Words; Coleverlord, 7 and 2 years pre-canon
TW for drowning, attempted filicide, near-death experiences, emotional manipulation, repeated use of bugs as symbolism
AO3 ver
“Lilly, what were you thinking?”
The words were spoken in a low hiss, almost inaudible to Cole as he approached the kitchen. He came to stop just before the doorway as his mother’s voice filtered out into the hall.
“That’s not—I’m only doing what I have to.” She said, sounding strained, and Cole shuffled forwards nervously. He leaned around the frame and peered through the doorway.
+=+=+=+=+
The rock overturned, shedding light on the creatures below.
The afternoon sun shone bright overhead, while the soil beneath the mud was soft and damp. Cole stared as a particularly large roly-poly crawled along the underside of the rock. A centipede scurried away from the light to another rock to hide under, and Cole shoved his hand into the dirt—there!
Cole yanked the worm out of the dirt and held it, looking it over as it wriggled. The eight year old left the rock upside-down as he stood to go find his mom, intent on showing her his prize.
+=+=+=+=+
The waiting room smelled vaguely floral, in a way that Cole wasn’t sure was from perfume or cleaning products. There weren’t many other people here besides him and his dad—just another visitor talking quietly with the receptionist.
Cole wasn’t entirely sure why he was even here. It was a weekend, and he had dance practice in two hours, and there wasn’t really much to do here in the waiting room—which added up to one bored thirteen year old. Still, his dad had insisted, and there wasn’t much else Cole could do; it got him out of the house in a way that his lack of friends couldn’t do.
(The garden pond had been empty for years now.)
Eventually, a nurse came along, standing before them with a warm smile. It scrabbled at the back of Cole’s mind, and the nurse twitched before sliding their eyes away from Cole and onto his dad.
“She’s ready for visitors, right this way.”
+=+=+=+=+
She had been acting kind of… different, lately, though Cole couldn’t really pinpoint when the changes started. But it felt like she looked at him less, or kept ending conversations early. She was going on more of her trips, too, and telling him less about her adventures when she got back. It felt… Cole frowned, then shrugged, leaning to look around one of his mom’s prized rose bushes.
(It felt cold, like a whisper in his mind. But when Cole reached out for his mother so she could banish that shadow creeping up his back—
She turned away.)
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Both of his parents were backlit by the setting sun through the window over the sink, casting shadows that reached the door. They moved like a dance—constantly responding to each other, movements made in tandem. Cole had never seen his parents dance like this, though, all tense and angry.
(And he was the cause of that, wasn’t he?)
“By trying to drown our son?!” His dad’s voice was low, trembling, on the verge of spilling out to a yell. Cole had seen his dad upset, and disappointed, and worried before—but never quite like this, never quite so unsteady.
+=+=+=+=+
There she was, kneeling by the pond she had dug a few years ago. She was wearing that sunhat dad had gotten her for her birthday, the one that Cole had helped him pick out, with the shiny fake beetle settled among pretty fake flowers along the band. She was humming, a tune Cole recognized from one of dad’s songs, and Cole grinned.
“Momma, look!” Where a year ago Cole would have run right up to his mom without hesitation, now he approached more carefully.
His mom’s gaze snapped up from the dandelion she had been carefully digging out to him, eyes wide for a moment before they narrowed. “Cole.” She greeted, not unkindly—she hadn’t called him her little Pebble in a while. Cole was sure it was because he was almost nine—his mom must have thought him too old for baby nicknames. She smiled, but made no further movement towards Cole. The dandelion in her hands twisted slightly.
+=+=+=+=+
The halls of the place had the same vaguely floral scent as the waiting room, but with a more chemical undertone. So probably cleaning products. Ants marched a spiral under Cole’s skin, cobwebs at the edge of his vision. The nurse picked up the pace.
Finally, with his dad’s hand on his shoulder, they made it to room 424. The nurse scurried off, and Cole’s dad took the first step through the doorway, to the room beyond.
After a moment, Cole followed, shadows thick around his ankles.
(Cole still hated going out to the garden if he could help it.)
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“Look!” Cole proudly showed off what he had managed to find, opening his hand so his mom could see the worm in full. “That’s another one for the compost bin, right?” He wasn’t sure why it felt like his mom was drifting away, lately, but she was still his mom. She’d always love him—of that he was sure.
“Oh, that’s nice of you,” His mom agreed, then, “but the compost bin has enough worms.” She gripped the stem of the dandelion a little tighter, and added, “Why don’t you put the worm back where you found it? We wouldn’t want it to dry out.”
+=+=+=+=+
“That’s not my son!” His mother argued, gripping the counter with enough force to crack it. “That—that’s not Cole.” She repeated, her whole body wound up like a spring. “That—that thing—can’t you see our son is gone?”
(What had Cole done wrong?)
“Lilly…” Cole watched as his dad reached out, hand ghosting over his mother’s shoulder before retreating. “My love, you’re not well.” He sighed, muttering something Cole didn’t catch.
Cole flinched back as sudden pain spiked in his head. The shadows creeping into the hall seemed to melt, something clawing its way towards his parents. They didn’t notice the motion, didn’t react to the creeping crawling clawing in their shadows—
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“Oh.” Well, it was still a cool worm, so it wasn’t like Cole had really wasted his mom’s time. “Okay.” He turned around to go find that rock, worm in hand. His mom watched him go, and her gaze felt like a shadow scurrying up Cole’s neck.
Cole returned to the rocks to find most of the revealed critters had either gone further into the dirt or under other rocks. Cole hummed as he scraped out a small depression in the soil with his fingers, then he gently set the worm into it. “Eat lots of dirt and keep the soil healthy, okay?” He covered the worm with loose soil, patted it for luck, then slowly reset the rock so that the spot was covered again.
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His mother smiled warmly. She looked different than Cole remembered, much of her strength lost to illness. She also seemed… shorter.
You’ve gotten taller, Vessel.
Oh, yeah that.
Cole glanced at his dad, who nodded towards Cole’s mother. After a moment, Cole approached, something squirming in his chest. His mother opened her mouth to speak—
Only to be cut off by a cough that made her shoulders heave and shake. Cole’s chest itched, a little like a burn but not quite.
How far the mighty have fallen.
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Cole wandered around for a bit, poking at the soil between the rocks and looking for weeds to pull, dirt on his hands and knees getting smeared onto his arms and shins—somehow. It wasn’t like he was trying to get covered in dirt, it just sort of happened. Much to his dad’s chagrin and mom’s amusement—though the last time Cole had unthinkingly tracked mud into the house, his dad fretting and asking him to please go wash his hands before dinner, his mom hadn’t said a thing.
As Cole wandered around, he ended up somewhere behind his mom, who had moved on to inspecting her roses while Cole began to dig at the soil where he was sitting. After digging and covering a few holes, his mom had ended up standing by the pond again, bending down to look at the water while Cole hummed.
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His mother pulled back sharply. “I’m fine.” She said, harsher than Cole had ever heard her talk to his dad.
(Why didn’t his mother want him anymore?)
“Lilly,” His dad was speaking through grit teeth, “I came home to find you drowning Cole in the pond.” He grabbed at her arm. “You’re not well.” His expression softened, for a moment, and he stepped forwards. “My love—”
“Don’t call me that.” Cole’s mother snapped, shadow clawing up her back. Cole’s head pounded.
+=+=+=+=+
“Cole?” His mom’s voice floated over to where Cole was, soft and… nahh, Cole was just imagining that uncertainty. His mom fought dragons; she could never be uncertain!
“Yeah?” Cole asked, looking up from the hole he’d been digging—and then moving to put the soil back real quick before standing up.
“Can you come here?” His mom wasn’t looking at him, instead staring at the water. Cole stared at the floral print of her shirt—old and faded from time; she’d had that shirt for as long as Cole could remember and often wore it when gardening—at the sunlight on her back. It looked much warmer than the shadow he could feel clinging to his—even though the sun was beaming down onto Cole all the same.
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His dad’s hand on his back prompted Cole to shuffle forwards, close enough to the bed for him to see his mother clearly. There was a chair there—one of his dad’s jackets was slung over the back. It was the only chair, but Cole took it at his dad’s prompting.
The shadow in his mind raised Its hackles. Cole stared at his mother—he wasn’t sure what else to do. He hadn’t seen her since…
(rough rock against his shins cold water around his chest and head and arms face pressed into the mud chest burning—)
Shh, hush now.
The memory fled to the back of his mind. Cole shifted in his seat as his mother and dad greeted each other.
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Cole stood as his mom’s words registered. The shadow at his heels hissed, cold around Cole’s ankles. For a moment he felt held in place, before he shook it off. “Yeah, Momma?” He walked over to stand at his mom’s side, a thin line of stones separating him from the pond. “What’d you need?”
One moment he was standing next to the river-smooth rocks lining the edge of the pond, his mother kneeling next to him. And then he was under the pond water, his legs folded under him as a heavy hand pushed him down by his shoulders.
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Cole stumbled back, away from the door and the way his parents were moving together like a dance except wrong, away away away until he was in his bedroom and the kitchen felt like a distant memory.
Light from the setting sun filtered in, hazy through the thin curtains. Cole flicked the light switch, but it did nothing to banish the shadows dancing at the corners of his vision. His head swam, and he swallowed hard.
(What was wrong with him?)
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Cole sputtered, palms smacking against the mud at the bottom of the pond as he tried to push himself out. The hands on his shoulders only pushed harder, impossibly heavy against his back. Cole squirmed, holding his breath as he tried to—to wiggle free, or push himself up—
The mud at the bottom of the pond was very soft, and very slick. Tiny fish scattered away from Cole’s thrashing, and he couldn’t breathe—
Momma where are you come help—
Cole struggled, but the hands on his back pushed down harder, his nose inches away from the mud at the bottom of the pond. Why wasn’t—where was—his mom had just been right there, how was he—
Momma, I’m scared.
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“And how have you been?” It took Cole a moment to realize his mother was talking to him. Something about her words made him uneasy, isopods scuttling around his organs. His dad had stepped out of the room at some point, though Cole had no idea why.
“Fine.” Cole answered, not sure what else to say.
(She’d said he wasn’t his son.)
“That’s… good.” Was his mother getting nervous? Well, that wasn’t unusual—Cole had that effect on people.
(“You’re a freak.” An upended milk carton soaking into his hair and shirt—)
“Are you… doing well in school?” His mother asked. “I…” her lips pursed, “heard you got into a fight.”
“They started it.” Cole responded, pulling his legs up and folding them in front of his chest, resting his chin on his knees. Worms wiggled up his spine. “I finished it.”
(Between talking to classmates and being left alone, Cole preferred being left alone.)
+=+=+=+=+
Cole gasped, water rushing in as he inhaled against his will. He tried to kick his legs, but couldn’t quite manage it with how they had buckled under him. Cold water rushed down his throat, burning into his lungs—
Cole choked. The hands on his back leaked cold shadows that crawled all over his body, whispers slinking around behind his eyes like roly-polys under the rocks. He was too tired to thrash, now, his chest burning burning burning as cold spilled out from his core. The hands on his back pulled back, for a brief moment, then shoved down with such force that Cole’s face was pressed into the mud, cold water crawling up his legs towards his ankles.
Momma, I ‘ m      s c   a      r e d—
.
.
.
The heavy shadows at his back shifted. Cole drifted, not quite aware as something burst into the water and grabbed his shoulders. The new hands yanked, and Cole came up out of the mud and then the water, hair plastered to his forehead.
Cole stumbled backwards, warm arms wrapping around him. Someone was talking, but Cole couldn’t quite hear it through the rushing in his ears and the shadow clawing up his chest and the whispers in his throat. Something inside him seemed to shift—
Cole vomited, hacking up water. His chest burned, muddy pond water dribbling from his lips down his chin onto the rocks before him as he coughed and coughed and coughed.
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His head hurt. The shadows swirled, cascading across his room. It sounded like whispers. It sounded like too many ants marching along, every footstep magnified so that he could hear it. Cole rubbed at his arms, brushed still-damp hair away from his forehead—it wasn’t enough. There was something creeping up his back and arms and neck and chest, something clawing at his ribs from the inside.
Cole stumbled back, legs catching on his bed. He laid there, staring up at the ceiling, at the way the shadows interlaced with the light of the setting sun.
The shadow creeping up his back curled around his shoulders like a blanket made from the twitching legs of a thousand house centipedes. Like a spider, something crawled along the inside of his head as whispers blinked in and out of Cole’s vision.
There is nothing wrong with you, Vessel.
Cole blinked. He glanced around, looking for the source of the voice—
His head wrenched to the side as if pulled by some invisible hand, locking his gaze on the mirror on his closet door.
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The smear of colors that was the world started to resolve itself; Cole’s dad was staring at him, hair ruffled and chest heaving.
Cole’s head hurt. Water had soaked into all of his clothes, cold and heavy. His mom said something sharply behind him, and Cole’s head twisted to look back at her of its own accord.
Her hands were soaked, and her shirt must have been splashed at some point, splattered with wet spots. There was mud on her knees, and her sunhat had fallen off at some point, some of her hair having fallen loose from its bun.
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His mother smiled. It was clearly strained. Cole stared at her, a million ants marching around in his skull. Shadows clung to the walls like cobwebs, slowly dripping down and reaching for his mother. He wondered why his dad had stepped out of the room—was his mother really doing that much better, now that she didn’t have to look at him?
Well. Better being a relative term—she was still sick and slowly dying, but at least she could look at him without wanting to shove him in the nearest body of water.
His mother looked away, her breaths coming in stuttered and shaky. So… not doing better, then.
Of course not. Get away from her, Vessel. She will only bring you to ruin.
His mother grabbed for her panic button, shadows clawing at the bed from all sides. Cole’s head pounded in a distant sort of way, millions of skittering spiders creeping under his skin. He wrapped his arms around his knees, curling up tighter as though it might somehow save him from the crushing pressing in on all sides—
And then his dad’s hand was back on Cole’s shoulder, and Cole was being led out of the room while his mother struggled to breathe through painful-sounding coughs and her own panic. Cole let himself be shuffled down the hall, chest wound tight the entire way to the waiting room.
His dad looked pained. “She had been doing so well…” he mumbled, not quite low enough for Cole not to hear.
Cole grimaced. His head stopped throbbing, the ants and the spiders and the centipedes and the worms and the isopods and the bees and the flies coming to a rest, shadows receding to the very edges of his vision.
It clawed at his brain, hissing reassurance while Cole sat in the waiting room. His dad had gone back, leaving Cole alone except for the receptionist, who was busy with her computer and didn’t really count.
(He preferred to be left alone—though, in truth, Cole was never alone.)
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Cole’s dad gave him one more smack on the back, and Cole coughed up spit and water. His dad’s hands were also wet, but they weren’t heavy against Cole’s back.
Something tickled at the back of Cole’s head. His eyes slipped closed, the world blurring around him as shadows danced across his vision. His parents were—they were saying stuff to each other, but Cole couldn’t make out the words. His father’s tie became a smear of color against his suit.
Cole slumped forwards, shadows filling his vision.
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His eyes looked… funny. Not quite right. There was something fuzzy in Cole’s head, something slithering around inside his skull, leaching out from his eyes to cradle his head. Cole tried to look away, but his head wouldn’t move at all.
(Cold mud against his face and water in his chest—)
Shh, hush now.
The memory retreated back to the eves of Cole’s mind, hidden under crawling shadow as Cole continued to stare at his reflection. The voice in his head crooned, a lilting melody filling Cole’s ears.
You have done nothing wrong, Vessel.
The voice… it sounded right. It felt like flies buzzing inside his skull, but—
Cole’s head pounded, but the pain was distant, now. The lingering burn in his chest faded, and Cole watched, disinterested, as the shadows in his reflection shifted into a smiling face. His worry melted away.
The sun had set to the point where barely any light was filtering into Cole’s room, now, and he could hardly see his reflection in the gloom. But two glowing points in the mirror grinned at him, shadows carding through still-damp hair.
Cole’s eyes slipped closed, shadows filling his vision.
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lobstermatriarch · 6 months ago
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I believe I may have a job
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celestie0 · 2 months ago
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gojo satoru x reader | fake marriage au [18+]
in holy matriphony ch5. child's play
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ᰔ pairing. fake marriage au - neighbor&realtor!gojo x nurse!reader (ft. choso x reader & suguru x reader)
ᰔ summary. gojo satoru is your extremely annoying next-door-neighbor who you're pretty sure is the most insufferable man you've ever met. given the fact that you exclusively work the night shift at a chaotic emergency dept, just got broken up with your boyfriend of seven years, and have been taking care of your sick mother ever since her multitude of diagnoses, yet somehow your neighbor is the main source of stress in your life should speak volumes. but when your mother's medical bills start to skyrocket to more than you can manage, and you learn that said neighbor of yours has the best private health insurance plan in the country, you ask him to enter a matrimonial agreement with you for the spousal benefits all in the name of saving a few hundred thousand dollars. but you'll have to see if suffering cohabitation w him is worth any amount of money.
ᰔ genre/tags. fluff, smut, angst, enemies to lovers (sort of), annoyances to lovers (that's more like it), small town romance, fake marriage, next door neighbors, lots of bickering, suburban shenanigans, slow burn, mutual pining, gojo likes to play house but you don't, hatred for the american healthcare system, gojo always forgets to mow the lawn, jealousy, an insane amount of profanity, mentions of cigarettes, depression/anxiety; btw gojo in this fic is in his mid 30s n reader is in her late 20s
ᰔ warnings. reader in this fic has a sick mother w alzheimer's & cancer so there is secondary medical angst!!
ᰔ chapter. 5/x
ᰔ words. 4.8k
a/n. helloo my ihm friends! long time no see. hope you're all doing well and thank you so much to everyone who sent me kind messages about the whole ihm gojo ex wife thing haha. i really appreciate it :) i feel more confident about my writing decisions now, and that's all thanks to you guys! anyways, i will be posting shorter chapters for ihm going forward, so sorry if some chapters have slightly abrupt endings or stuff like that. i guess my goal is to post shorter chapters but more frequently! we'll see how it works out. anyways, hope you enjoy this chapter and see you at the bottom!!
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Ever since admitting your mother into hospice, things have been calmer inside your mind. After passing the initial wave of agony that came with no longer hearing her voice down the hall or seeing her silhouette in her bedroom as you walked past it, you realized that…a weight has been lifted off your shoulders. No longer setting alarms at the height of every other hour to remind your mother to take her medication, no longer viewing every interaction you had with her as some form of study you needed to jot down in a binder for her neurologist’s records, and no longer driving her to all of her chemotherapy appointments, only to leave them feeling like you purposefully just took your mother to a place where they sucked all the life out of her in exchange for the slim promise of giving it all back to her someday.
Maybe it was evident in the way your shoulders felt less tense as you rolled them back, tilting your neck to the side and no longer feeling the painful strain that tugs a wince onto your face. The other day, you caught yourself humming a song as you drove to work. Your skin, usually feeling cracked and dry from stress and exhaustion, now has a slight plumpness to it like before. A more youthful glow, like the version of yourself you were before your mother became sick. The version of you that so quickly deteriorated, and one you didn’t even know still existed somewhere within you. 
There has also been time for hobbies. Rarest of occasions, you find yourself sauteing some yellow and white peaches in a saucepan over medium heat in Gojo’s kitchen, humming that song once again that’s been stuck in your head. The sundress you’re wearing matches the pink of the syrup that pools at the bottom of the pan, and you feel like you’re living your cottage core dreams in this brief moment of reprieve you’ve allowed yourself to fall into.
The sound of slippers tapping down onto the hardwood floor startles you out of your gleeful trance, and you turn your neck to the right to see a pajama-clad messy-haired Gojo shuffling his feet across the open area into the kitchen with a dark black mug in his hand.
“Why aren’t you dressed??” you ask him in a panic.
“I’ll get dressed later,” he tells you dismissively as he grabs the glass pitcher of coffee from where the coffee machine was nestled up against one of the counter corners.
“You’re stressing me out. Your mom told us to be there in two hours,” you say, putting your hands on your hips in disapproval as you hear the sizzle of the peaches in the saucepan. 
He entirely ignores you, choosing to instead drag his gaze down the form of your body. “Woooow, twice this month I get to see you in a cute dress,” he comments, pouring coffee into his mug but his eyes are still on you, “lucky me.”
“Oh Shut. Up,” you sneer at him with a harsh roll of your eyes, “your fake flattery might work on the lonely middle-aged women you seduce to make a living, but it won’t work on me.”
His shoulders push back before he slumps them slightly, his brow lifting with confusion. “It’s not fake though? I mean it. You look really nice right now.”
You point an accusatory sugar-syrup coated wooden spatula at him. “You’ve just been conditioned by the patriarchy to get a boner at the sight of a woman in a kitchen.”
“What–...no–...why do you always have to say stuff like that whenever I compliment you? Can’t you just accept it?”
You cross your arms over your chest. “I refuse to be flattered by an insolent man like you.”
He sighs, setting his coffee mug down on the counter, and you watch the way the fringe of his hair hangs over his forehead as he gazes into the contents, swirling it around with a loose grip on the handle. “Is this how it’s going to be everyday? I try to be nice, and you–...well, you know, are you.”
“Well who else should I be?”
His eyes lift up to meet yours, the slightest of a cheeky grin on his face as his eyes wander down the form of you again. “I don’t know. Someone a little…softer? Like, you’ve got this really pretty dress on, and then you’re telling me off about patriarchy-induced boners. It’s a little, uh, contradictory?”
You gasp. “You’re trying to control me. I knew it. You are poisoned by the patriarchy.”
“What?”
Your eyes narrow at him. “You have this image of a perfect and cute little wife, who’s gonna wear pretty dresses all the time, and bake stuff in the kitchen, and get all blushy when you tell her she looks beautiful, and you expect her to have this soft little personality that never argues with you or disagrees with you…ALL BECAUSE OF THE PATRIARCHY!!!”
“...I–...Okay, you’ve lost me.”
You let out a hmph! noise. “Can’t even discern his own brainwashing. Sad.”
“All of this just because I tried to tell you that you look nice?”
“I know what your ulterior motives are, you creep.”
His eyes spark a little at that, the corner of his mouth tugging up into a cheeky grin as he sets the coffee mug down onto the marble counter and he straightens his spine. You blink, watching with confusion as he crosses the distance between the two of you, to where you’re taking a small few steps backwards until your lower back presses against the edge of the island countertop. He cages you into the surface with his frame, followed by the palms of his hands sliding over the marble on both sides of you, and you feel his forearms press against the curve of your waist as he traps you in with no way out.
“S-Satoru,” you stutter, looking up at him with wide eyes, “what are you doing?”
“What do you think I’m doing?” he says, his voice deeper with a nonchalance that has you shiver, his gaze dropping to your lips when you part them slightly.
“T-The patriar–” you squeak out, but he suddenly dips his head down to kiss you.
Your breath hitches in your throat, eyes immediately closing when he moves his lips against yours, one of his strong arms wrapping around your waist to pull you closer to him and your hesitation is something that only lasts a brief second before you find yourself kissing him back. Some noise leaves his throat, deep and raw and sounding pleasantly surprised as he captures your lips more fervidly now, his hands smoothing down to hold your hips and his teeth slightly nip at your bottom lip. 
You grab a fistful of his shirt, unsure of whether you want to pull him closer to you or push him away, but the moan that you mumble against his lips only makes his grip on your hips even stronger, fingers digging into the softness through the thin fabric of your dress. 
The oven suddenly starts beeping, startling you and you pull away from the kiss with a gasp, eyes rounded as you look up at him, but his are lidded and dilated as his gaze remains glued to your lips. 
With a heaving chest, you try to push him away by a weak fist to his sternum but he’s unrelenting.
“You taste sweet,” he says, like some comment he noted in his head but accidentally voiced out loud.
“I–...” you inhale sharply, “I just ate three macerated peaches.”
“Uh-huh,” he barely acknowledges before leaning in to get another taste, but you push him away harsher this time.
His hands let go of your hips entirely, finally breaking out of that kiss-induced trance he was in, but he still remains close to you in proximity, so much so to where you can feel the heat from his body. It’s comforting almost, radiating through the soft cotton of his long sleeve shirt, and you find yourself subconsciously leaning towards him before you snap out of it too, and rock your weight back against the island countertop.
You cross your arms over your chest, hoping the flush to your cheeks isn’t showing. “Oh okay so we just casually kiss now?”
He shoves his hands into his plaid pajama pant pockets, leaning away from you slightly. “For as long as I can get away with it, yeah.”
“You are breaking the rules.”
“You never said no kissing.”
“I said no touching.”
“Ehhh kissing isn’t really touching, though, is it?”
“You sound stupid.”
“I always sound stupid to you.”
The oven starts beeping again, and you realize it’s long been preheated to the setting you had placed earlier. You slip away from him with haste, feeling his gaze on you as you press a button on the oven to turn the alarm off, and you stare at the handle for a moment or two to calm the beating of your heart down. 
Your eyes catch sight of something on the side of the fridge. A little magnet made of rubber that has the word London on it as well as the design of the Westminster Cathedral with golden accents. You recall that Gojo went on a trip to London recently, and that he didn’t bring you back any souvenirs from there like he did for your other neighbors. And you want to pretend, you want to shove it down, that incessantly childish feeling that wonders why he didn’t bring you anything back. You want to continue to pretend like it doesn’t hurt your feelings. Something so miniscule and small. But you–...well, you can’t.
You spin around to face him. “Do you hate me?” you bluntly ask.
He blinks at you. “Huh?”
“Do you, what, I don’t know, think I’m annoying or something?”
He shrugs with his hands still in his pockets. “I mean, yeah, I do think you’re annoying sometimes. But in a silly way. Like we’re just pals horsin’ around, y’know?”
You snarl at him, putting your hands on your hips and narrowing your gaze until he’s hardly even visible anymore. “No. I actually find you annoying. Like, wanna-run-you-over-with-a-bus annoying. You just have horrendous social awareness and think that everyone loves you.”
“You actually don’t like me?” he asks, like he can’t even believe that someone wouldn’t.
“Yes,” you say, “now get out of my way.” You make an attempt to push past him, purposefully knocking your shoulder into him to assert dominance but he is unfortunately much bigger than you and so all it does is make you stumble ungracefully from the recoil.
He quickly grabs your arm to steady you, and you glare up at him before yanking yourself away and then step backwards until your back hits the fridge.
He studies your demeanor for a second before taking a deep inhale, and then lets it all go in a heaving sigh. “What do I have to do to get you to lighten up a bit?” he asks.
“You really want to know?” you sneer at him.
“Yes,” he says with a slight hint of frustration in his tone.
You cross your arms. “Pay for the fucking fence.”
He blinks at you, confusion replacing whatever frustration was previously decorating his tone. “What?”
“The fence,” you reiterate with a step forwards towards him, “the one I built six months ago. The one where you laughed in my face when I told you to help pay for it.”
He leans forward. “Yeah. Because I never wanted that fence built. Like I said, it fucked up the roots on my avocado tree. You should’ve asked me before building it. In fact, it’s illegal to build a fence without joint consent of both neighboring property owne–”
“Oh my god, okay, see? This is why I can’t stand you,” you snarl at him and make another move to get past him but he easily steps in front of you to keep you from going anywhere.
With a sigh, he relents. “Fine, I’ll pay for the fence.”
You try to keep the twitching muscles of your face still as you resolutely stare up at him, pressing your lips into a thin line. Through a strained tone, you say, “No. I don’t want you to pay for it anymore.”
He lifts a brow, utterly bewildered at this point. “Huh?”
“Now it just feels like pity. And I don’t want your pity money.”
“Two seconds ago, you did.”
“Yeah, well, whatever. That was two seconds ago.”
“So…let me get this straight, you don’t want me to pitch in?”
“No. I want you to have wanted to pitch in SIX MONTHS AGO.”
“Okay but what the fuck am I supposed to do about that now?”
“NOTHING!!!” you finally snap at him, the shrill to your voice startling him slightly to where you see his shoulders jump, and his eyes are now rounded blue as he looks at you. “There’s nothing you can do about it, there’s nothing you can do to get me to ‘lighten up’ or ‘act softer’ or whatever the fuck kind of damage control you aim to achieve with me due to your pestering incessant need to be liked by every fucking person you come across. So just deal with the fact that I hate you and let me do it in peace.”
He’s silent for what feels like a long time as he blinks at you, his bottom lip pushing up slightly in a way that suggests he’s almost impressed by your little outburst, then he takes a step forward, and in that one large stride, he’s closed any distance between the two of you. Your back is up against the frigid steel of the fridge, your heels tucked under the warm rubber at the foot of it, and you’re looking up at Gojo as he towers over you, his hands still annoyingly and relaxedly shoved into his pockets.
“Do you think it’s gonna be a problem that I think you’re kinda hot when you’re mad?” he asks you.
A small puff of air leaves your lips, like you just can’t believe the audacity, but also having him this close to you suddenly made it a little harder to breathe. “C–...Can you just be fucking serious for one second?”
His head dips down, the fringe of his hair tickling your forehead, tip of his nose slightly brushing against yours, but his gaze never falls to your lips. “You think I’m not being stupid fuckin’ serious when I say that you’re hot?”
“S–” your breath hitches in your throat, and his gaze finally falls to the lick you pass over your lips, “Satoru–”
Like God himself answered to your (cognitively dissonant) prayers, the bell rings, and Gojo leans himself away from you, straightening his spine so he can glance over his shoulder towards the door, a slight look of irritation on his face through the furrow of his brow.
You blink up at him. “A–...Are you expecting someone?”
He rubs the back of his neck. “No. Don’t think so.” He sighs before shuffling around the kitchen island and across the dining hall towards the entryway of the house, and you peer at the sight from across the hall.
When he opens the door, you see Sana standing outside, dressed in mom jeans and a t-shirt with her black Coach purse slung around her shoulder, arms crossed, and you barely register the fact that she looks pissed.
“Sana?” Gojo says, “what’s up.”
She entirely ignores him when she catches sight of you, pushing right past him and into the family room that you were currently finding solace in.
“You,” she points at you, storming right up to your personal space, “what the hell did you say to Juno when you were babysitting her?!”
“H-Huh??” you squeak out, taking a step backwards. “What are you talking about?”
“You told her to fight kids at school?!” she snarls at you, and your eyes widen.
“What?” you say, your face twisting with confusion, “I–...I never said that. I just said that she should stand up for herself if she needs to.”
Sana inhales deeply with rage, leaning back and jutting her hip out as she crosses her arms again. “Yeah, well, I had to pick her up early from school today because the principal called and told me she shoved a little girl on the playground during recess, and now she’s facing suspension.”
Gojo approaches suddenly from your periphery, standing in front of you as he faces Sana. You stand on your tiptoes to peer at her over his shoulder. “What? Why would Juno do something like that?
You hear Sana start to tap her foot impatiently against the hardwood floor, and then she turns her head away from Gojo as a slight hmph! noise leaves her throat. “The why is irrelevant.”
You poke your head out from behind Gojo and glare at her, but then Gojo turns around suddenly to look at you.
“y/n,” he says, “what’s going on?”
“I–” you start, glancing at Sana again who now has a solemn look on her face with pursed lips. You glance back at Gojo, who’s looking at you with confusion and anticipation. A heat spreads down your neck from the attention of the both of them on you, and you’re not sure what the smart thing to say is, so you figure you’ll just tell the truth as it is. “...I just didn’t want her getting bullied and thinking she can’t stick up for herself.”
At that, you see Gojo’s shoulders stiffen. “Bullied?” he repeats after you, then quickly turns towards Sana, “what does she mean, bullied? Juno’s getting bullied at school?”
Sana faces him full-on, raising a stern pointed finger between the two of them “No. Satoru. Stop. You always do this. This has nothing to do with you, so don’t even start. It’s not a big deal, let’s not make it one.”
“The fuck do you mean it’s not a big deal? She’s getting bullied at school, and you want her to just suck it up?” he asks, venom dripping from his tone. 
“It’s for her benefit!” Sana exclaims. “Jun and I have spent months trying to get her into this school! We don’t want her getting kicked out.”
“Y’know, I’m–” you stutter, “I’m gonna–...I’m just gonna go upstairs,” you say, “this seems like a family matter. I think you guys should probably just settle this on your ow–”
“No,” Gojo says, pointing to the couch that you were standing in front of, “sit down.”
You sit.
Gojo turns to face Sana again, and although you can’t see his face, you imagine he’s pissed off from the way Sana’s shoulders drop slightly and her sharp expression is cut into a more sheepish one.
“Who cares if Juno is suspended for sticking up for herself? It’s the teachers’ fault for not making sure she’s safe,” he says.
“Shoving other kids is not the solution.”
“Well if you fuck around, then you find out. Kids are too soft these days.”
“This is not the 90s, Satoru.”
You watch the back and forth between the two of them for the better part of an entire minute, feeling uneasy in the hostile environment of the room, but there’s a sense of underlying familiarity between the two, one that is recognizable amongst family. And you feel rather foreign, but then remember that, technically speaking, now that you’re married to Gojo, this is your family too.
Amongst the arguing of the adults, none of you noticed that Juno had gotten out of the car in the driveway and was now standing in the doorframe of the front entrance. She looks scared and guilty, fidgeting with her fingers in front of her, and you notice her scrapes and bruises that you tended to last week were now mostly healed. 
Gojo catches sight of her, and you see his shoulders relax. “Juno, c’mere.”
With the permission, she instantly runs towards him and into his arms from where he was crouched down to the floor in order to welcome her, and then she starts sobbing.
“I’m–hic,” she cries, “I’m so–hic–I’m so sowwyyy Uncle Toru…I’m–hic–I’m sorry mommyyyy.” 
You see Sana sigh and she makes a move to brush Juno’s tear-dampened hair out of her face when Gojo pulls her away from his shoulder by a delicate hold of her bony little shoulders.
“Juno. Listen. If people are being mean to you, then you do exactly as your auntie y/n said. You stand up for yourself. And if that doesn’t work, then you cuss at them and threaten to shove their faces into the dirt until they run away with their tails between their legs. Do you understand me?” Gojo tells her.
Sana gives you a pointed look.
“Oh, I–” you put your hands up in front of you, “I didn’t say any of that last part.”
“Do you understand me?” Gojo repeats again, and Juno nods her head slowly before she falls back into him and soaks his shirt with tears. “I’m soowwwwwyyyyyy.”
Gojo pats her back a few times to comfort her, and your heart breaks for the little girl. It’s bad enough to be bullied at school, but then to be reprimanded by your mother the one time you stand up for yourself…you can imagine how emotionally exhausting that would be for a five-year-old. 
Juno sniffles, rubbing her snot all over the cotton of Gojo’s shirt, and then pulls her face away to rub at her eye with a weakly closed fist. “I–hic–I just…I just wanted him to feel–hic–the same hurt.”
“Huh? Who?” Gojo asks.
“The boy,” Juno says, “the one that shoved me today.”
“It was a boy?!?!?!” Gojo yells. “Alright. That’s it. I’m grabbing my bat.”
“Satoru.” Sana deadpans.
Sana and Gojo continue to bicker about the ethics of threatening five-year-old boys with baseball bats, going back and forth about how Gojo wasn’t actually going to do anything but just wanted to instill fear (he’s lying), while Sana isn’t exactly sold on a single pacifist thing that he says, and you sigh, because you realize you’ve become invested in one of, what you feel like will become many, of their family quarrels.
Juno sneaks around Gojo’s legs and comes up to you while the arguing is taking place in the background, and she gently taps your knee as you’re seated on the couch. “Auntie y/n,” she whispers.
You rub an eye crustie from her face and then hold her hand in yours. “Yes?”
“Thank you.”
“Mm? For what?”
She smiles at you, her cheeks pink and flush from crying but rounded now in glee. “My mommy and daddy spoke a lot today at home for first time in long time because of me. Because I listen’ded to you. Thank you.”
Your eyes narrow. “What do you mean by that, sweetheart?”
Why wouldn’t Sana and Jun be on normal talking terms? What does Juno mean that it’s been a long time? What exactly was going on at home?
“Juno,” Sana’s voice interrupts your thoughts, her arms crossed across her chest, “c’mon. Let’s go.” She points a stern finger at Gojo. “Seriously. I mean it. No baseball bats or rodent traps involved. I’ll talk to the teachers and sort something out.” She glances at you, that strict look on her face now dissolving into one of pure exhaustion. One you can imagine only a mother can face. “See you later at dinner, you two.”
Juno runs up to her mom and grabs onto her outreached hand, and you see Gojo ruffle her hair as she walks past him, her giggles ringing in the air, and then he sees them out the door. 
The air is awkward, at least to you, the second he closes the door, and when he turns around to face you, your body stiffens up.
He leans back onto the front door, crossing his arms over his chest. “Thanks,” he says, “for telling Juno to stick up for herself.”
You blink at him. “Well. I don’t feel too great about it at the moment, to be honest.”
He sighs. “I just think that Jun and Sana are raising her to be…kinda meek. I wish they’d teach her to be more confident and take up space.”
“Mhm,” you nod. Because you agree. Little girls need to learn how to be that way at a young age, because the world is seldom very kind to them.
“Well, what you said to her is what I would’ve said to her anyways,” he says.
You roll your eyes, standing up from the couch and heading back into the kitchen to presume your work on your peach cobbler. “I never told her to shove kids’ faces into the dirt. But, uh, sure, I guess so.”
You see Gojo enter the kitchen too in your periphery, but you don’t give him any glance or look or attention. From what you can see as you stir around your macerated peaches in a Pyrex bowl, he’s leaning against the island counter about three feet away from you, his hands shoved in his pockets, and he’s watching you. A slight warmth radiates in your cheeks, but you attempt to ignore the nerves by being hypnotized by the pink syrup that pools at the bottom of the bowl.
My mommy and daddy spoke a lot today at home for first time in long time because of me. Because I listen’ded to you. Thank you.
An unsettling feeling takes over your senses. It could be the past few years you’ve spent walking on eggshells around your mother, or the way you’ve become so keen to her energy as a way of staying on top of any shift in her symptoms, any single sign of disease progression, any clue that she wasn’t getting better. Any clue that she wasn’t doing okay. And you feel a sense of dread, because that skill, you realize, has now made you aware of similar circumstances in the people around you.
Not to mention, you are a child of divorce. You know what that fear feels like.
You just want to know if Juno feels safe at home.
“Hey, um…” you start, turning slightly to finally face Gojo, your eyes hesitantly flickering up to meet his gaze, “when was the last time you saw your brother-in-law? And with Sana?”
He raises a brow at you. “I just saw them last weekend for one of Juno’s dance recitals.”
“Ah…I see,” you say. You purse your lips together. 
Right. Kids say things all the time. They believe in Santa Claus and think that blueberry pancakes are called blubbery pancakes. And they sometimes read too into things, and they sometimes read too little. Surely, things must be okay. Maybe Sana and Jun had had a little argument with some stubbornly thawing cold shoulders, a demeanor that was noticed by their child, and now things have resumed to normal. That was normal. Part of every family. “That’s good to know…” 
You turn away from Gojo to stare back down into the bowl of macerated peaches again. With a furrowed brow, you close your eyes tightly to try to shake the chilly feeling in your bones, and you feel better when you open them again. The slightly numb sensation in your hand dissipates and you have enough dexterity to mix the peaches around in the bowl.
“I wonder what news they want to share with us over dinner,” you say, to quell the awkward silence.
“Hm?” Gojo hums, and you see him turn around face the counter now, hovering over the bowl of raw crumble topping you had mixed together, prodding at it with the wooden spoon. “Oh, they’re moving.”
Your head snaps to look at him. “W-What?”
“Yeah,” he nonchalantly affirms, scooping up a spoonful of the crumble. “They wanted to up-size, and move a little closer to the school that Juno’s at. I found them a nice place about an hour from here on the outskirts of the city. They just signed the papers a couple weeks ago.” And then he shoves the spoon into his mouth.
“Oh…wow,” you say. “Okay…”
“Damn,” Gojo says with surprise laced in his tone, "this is really good.” He’s staring into the bowl in awe and then scoops up some more crumble with a spoon.
You blink at him, irritated that he’s eating all your ingredients without even asking, and before you’ve even finished your dessert. It’s like he was born to piss you off.
You walk up to him and yank the bowl away, “Gimme that.” Then you pull it into the divot of your waist possessively and glare at him. 
He sighs, and then says something out loud that you’re sure he meant to keep in his head:
“I’ll get used to it.”
.
.
.
[end of chapter 5]
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a/n. it feels so strange to post such a short chapter bahaha hopefully the ending isn't too abrupt. but hope you enjoyed! i'm so sorry ab the slow burn in this series aaa but i can try to assure you that it'll all be worth it hopefully lol i'm really excited for what i have planned for this series!! alsooo sorry if there are errors or anything, i'm trying to spend less time editing since it really stalls me n leads to writer's block lol. hope to see you in the next one :) much love! - ellie
➸ take me to chapter six!
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note. going foward, i will be tagging only interacts because i want to make sure i'm tagging active readers! so taglist may change every chapter. i'm also getting rid of the extended taglist bc it's too much work for me lol, so only 50 tags per chapter. i'd recommend subscribing to the fic on my ao3 so you can get email notifs :) but as always let me know if/when your taglist preferences change; please do not ask me/pressure me for updates or ask me when i am going to next update (read rules)
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awakeningthevioletswithin · 8 months ago
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May 22nd,
My mom is home! She qualified for home hospice. Her dementia is profound enough that I can get some support with meds and a weekly visiting nurse. However she's been insanely energetic. She's taken her bandages off every time I leave the room. She's very active and is occupying all of my time keeping her from putting that energy into something destructive.
She is much better at home, much less fearful about everything, including walking to the bathroom, but I'm still not sleeping or able to get much done.
I still owe $1200 on my May rent. Apparently, my landlord came down from the mountains while we were in the hospital, looking for payment. I could really use some assistance getting stuff paid. I may not be drawing a paycheck but I promise I've never worked so hard at such stressful work in my life.
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skele-bunny · 4 months ago
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CW - MENTIONS OF DEATH
(but this is a fluff post! I promise!)
So, we know about quints being assigned to the hospital, of course, yes!
But what about fire ghouls?
Fire ghouls who are usually seen in the intensive units. Being the ones to have skin-to-skin with the kits and infants in the NICU as baby huggers/kangaroos. Holding them so securely and being a part of their every day routine, comfort, and care.
Fire ghouls who are in the ICU rubbing coma patients legs and arms to keep blood flow going but not too much to disrupt their cold-care for healing.
Fire ghouls who hold hospice patients to soothe their death-cold tremors, letting them have that relaxation and sweet comfort; even as it's their last breath and last time they close their eyes.
Fire ghouls who lay delicately against hypothermic patients as they lay underneath their warming blanket to help raise their temperature and keep them at a safe level.
Fire ghouls also seen in the physical therapy unit (along with waters) to help ease pains and stiffness, cramps, and just general pains.
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Note
AITA for not helping my family pay for hospital bills?
🎷🔥 so i can find it later
This is going to need a lot of context right off the bat. I (20'sM) am a gay man that comes from an extremely conservative family. My sister (20'sF) is also a lesbian and recently got married and adopted a child. I'm very proud of her, but that's not the issue.
My parents seem to have little to no issue with my sister marrying a woman. They do have a very big issue with me liking dudes, however. Like, it was the reason my parents got divorced "big issue." I'm not gonna go into everything, but my sister ended up with my dad and I stayed with my mom for reasons I'd rather not share.
Our last parting was on... less than decent terms. Upon finding out that I was of the homosexual variety, my dad flipped his lid. He called me several slurs and said some other very hurtful things, and even made moves to physically attack me. My mom, also a very homophobic woman, stepped in and thankfully talked him down. Then divorce, etc etc.
I saved up enough money to move out when I turned 18 and may have done some impulsive things including completely trashing my mom's bathroom, which I know I'm definitely the asshole for, but in my defense my mom kept "forgetting" to pick up my prescriptions and I was manic (I have bipolar). But, again, I know I'm the AH for that.
I now live with my two best friends R (20sNB) and P (20sM) in a house we all pay for. R comes from money so they help out a lot, and I love them both to death. We kind of have a sort of situationship but none of us are poly? Idk it's weird we're just going with it rn.
Anyway, I bring them up bc we all went to my sister's wedding together, and my parents separately chewed me out for bringing them (and for R daring to wear a dress. They're amab for context) and I obviously argued back bc hey they're my best friends and my sister specifically said it was okay for me to bring them (she and R are also friends and they wouldve been invited regardless of me bringing P) and also because R looks very good in a dress and i can handle them shit-talking me but i will not tolerate slander towards R or P.
At the wedding, I went full no contact with them and told them to lose my number. They, ofc, did Not lose my number and I got several calls from extended family saying about what you would expect them to say, so I switched numbers and gave only my sister and her wife my new number.
My sister. I love her to pieces but sometimes she gets on my nerves. She gives my number to my mom to have "just in case," but she reassures me that she won't give it to my dad or any other family. So far, she's made good on that promise, I just have to deal with periodic calls about getting a girlfriend and having kids.
Now, my dad isn't the healthiest guy out there. He has arthritis, osteoporosis, and several other things that i don't really wanna get into. As he's aged he's only gotten worse and there have been several times he's almost died, but recently he's been put on hospice and has an estimated Not Very Long to live.
Here's where I may be the AH. My dad calls me while I'm at a very important, personal event for R (he got my number from my mom) and goes on a long rant on how I'm an unlovable disgrace and how he fed me and clothed me and I could make up for all that by helping him pay off hospital debt. I say no immediately and tell him that he's never been my dad, only my dna donor, and that he's going to be dead anyway and that selling his house could cover all the bills. He calls me many more names and tells me he wishes I was never born (calling my mom some very derogatory names too (she's asian)) and that i should just go ahead and off myself to save the world someone like me. I tell him he should die faster while he's at it because God knows the world already has enough bigots in it and there could never be too many mentally ill queers.
I hung up, but now I'm thinking I went a bit too far. AITA for not helping out with his hospital bills and yelling at him?
What are these acronyms?
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relenafanel · 3 months ago
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Another crossposted threadfic:
A wangxian time travel Marry My Husband (kdrama) AU where wei ying is dying in a hospice, but before he does he decides he wants to see his sister again in person, not over video chat. She is very pregnant and very at risk and can’t make the trip.
It’s his final wish. (He ‘jailbreaks’)
Getting there isn’t easy. His body is weak and movement hurts, but his stubbornness gets him to the train station. Sitting on the train allows him to rest.
He’s not completely aware of his taxi ride to his sister’s, but he dreams of his mom telling him she’ll take care of him.
That she’s sending him a present to make sure he’s alright. He just needs to see it.
He gets to his sister’s and something is very wrong. At first he thinks it’s the baby, but he gets a glimpse of her horrified face, men in masks
And a gun.
He’s falling. Everything goes black.
He wakes up a decade in the past.
He’s still at his old job, the one at Lan Industries that he loved. It’s years before he was fired for stealing a coworker’s work.
He realizes he has a mystery to solve. More than one. Who claimed his work was stolen? Who killed him?
But, more time-sensitive, he needs to remember enough of his life to not alarm anyone
He remembers Lan Zhan as being a tough boss. He is tough. He’s unamused when wy makes a scene at his desk when his desk neighbor gropes him, forgetting they dated around this time
He does ask if wy wants to submit an HR report while handing his ice for his knuckles.
wy: no, I think we’re dating. We are dating, right?
lz: I believe you broke up?
wy, pretty sure it was on again: well we’re for sure broken up NOW
lz: Mn.
The closer wy gets to lz, the more he feels like there’s… something.
There’s also something very shady going on at the office in secret, and he can’t put his finger on what it is.
And now he needs to figure out what and also avoid whatever got him sick in the first place
A lot to do for a very busy time traveller!
And then lz makes a reference to an international incident that happens 3 years in the future
And
Oh. His mother had made a promise.
(og thread on X)
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read-write-thrive · 4 months ago
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part 1
“Waiting for the other shoe to drop”, while pessimistic, seemed to be a running theme in Charles Rowland’s life. It wasn’t really a phrase he heard when he was alive, to be fair, but at some point he’d come across it (probably hanging out with too many Americans, but can’t remember for sure) and it felt a little too much accurate. His dad’s come home angry again? Time to wait for the fallout. He’d gotten written up at school for not paying attention? Just a disaster waiting to happen. He goes against his best mate’s advice? There he goes, literally torn from Charles’s arms and back to hell, just as he’d said. Maybe the last one was a little dramatic, but that’s the gist.
The looming anxiety of it all usually slid off of him for the minor stuff, and was otherwise bottled up and shoved far away for the heavier stuff, but regardless he didn’t let it show. Have to keep up appearances and all. He’d only had one real instance of all those emotions blowing up (and he still blames the Night Nurse for all that mess) so he thought he was doing a bang-up job keeping himself together.
That was until his dad died. Yeah, it was rough, and he ended up berating the old man on his death bed, which probably was a shitty thing to do. And yeah, he’d needed a bit of a cry afterwards. So what? Blokes cried sometimes, and he was man enough to admit to his emotions and all that. The girls had done a good job of emphasising that he (and, mostly, Edwin) needed to express their emotions more. That it was healthier to let it out than bottle it all up. Not sure if they still needed healthy habits as ghosts, but it wasn’t hurting anyone. Just a little uncomfortable.
All that to say, it felt like his friends had been treading on eggshells around him ever since his dad died. Which was infuriating, yeah, but also didn’t make sense to him. Especially after he’d already cried—did they expect him to get angry again? To blow up over a dead man? He thought he’d gotten it out of his system just fine, so getting these weird vibes was starting to stress him out more than anything. He’d resolved to bring it up on their next movie night and ask why they were acting funny—didn’t want to mess up a case, after all.
However, he didn’t get the chance before it all came crashing down on his head. Ultimately, Edwin was the messenger.
“Charles, I—“ he took an unnecessary breath, “Have you checked on your mother lately?”
His undead heart went cold, but his default smiley ways were still stuck on, “Not really, why?”
Edwin’s eyes were sad, which was never good. He didn’t emote unless it was serious, “I think you need to visit her. She’s not faring well.”
And so they went. Turns out everyone hadn’t been waiting for Charles to blow up, but rather for his mother to pass and then for him to break down all over again. Edwin had been checking on her daily since his father’s passing, deducing correctly that Charles would be too swept up in the emotions around his dad dying to remember that his mum wasn’t getting any younger.
The girls weren’t free until the evening, but they promised to stay in touch and maybe visit later if they could (particularly if they could figure out how to visit the Hospice without rousing suspicion). And so Edwin and Charles were on their own.
Charles had rushed into the room, as if running at the issue would evade the emotions of it, or as if getting there quickly would reveal it was all a lie—neither of which were true.
Instead, he was face to face with a dying woman with some resemblance to the photo on the mantle in the house he grew up in—his grandmother, or maybe his great grandmother, or some favourite aunt, he couldn’t remember anymore— hair gone fully white, pulled back into a tight bun so as to keep her curls controlled, keeping her gaunt, sleeping face exposed. Unlike that photo, this woman was in a hospital gown, tucked into sterile sheets, with a tube under her nose to help her breathe. Gone were her usually loud and ornate earrings, her bare fingernails stained from years of colour. There was a singular blanket laid across her lap, on top of the sheets, that almost looked more familiar than the woman it covered. It was her, but apparently he hadn’t stopped to just look at her any time recently, if ever. It felt too much like looking at a ghost, as ironic as that felt.
She was awake, but halfway to dozing. There was someone at her side, adjusting the blanket and murmuring reassurances in what was definitely Punjabi. It had been so long since he’d heard it, added to having never properly learned anything besides English under the threat of his father, that he couldn’t make out the words. That realisation left a stinging feeling in his chest.
“A relation of yours?” Edwin asked at a whisper, coming up to stand beside Charles, almost entirely copying his position from that fateful hospital room. It didn’t seem as if either of the room’s living occupants had noticed them.
Charles blindly reached for Edwin’s hand for comfort, not looking away from the scene in front of him and matching his partner’s volume, “No idea. Don’t think I’ve seen them before.”
Edwin hummed, “Perhaps a little too young to have met you. Or someone your mother reconnected with recently—“
“I’m not really in the mood for deductions, love.” Charles said, not unkindly. Everything felt too fragile to be picked apart like that.
“Right. Apologies.” Edwin squeezed his hand and went quiet.
Charles squeezed his hand back in forgiveness, joining in the silence. He kept going back to what the stranger was saying, familiar consonants both soothing and devastating. What kind of a son was he, failing to comfort his dying mother, unable to speak her mother tongue, a stranger to his relatives? His tears were thankfully silent.
It took much longer for his mother to see them than his father. Several days passed, with the mystery relative coming and going more days than not, and the usual nurses and caregivers administering various care. Over time, the boys (the girls couldn’t figure out how to enter the space, but were supportive from their distance) had learned that the stranger’s name was Sangeeta, and she was a niece of his mother’s who’d noticed her steady decline and was the one to take her to hospital and then to hospice care. Charles’s mother had apparently stopped taking care of herself after her husband’s death, and she had refused other care, so at this point all they could do was make her comfortable. Charles spent a whole morning ranting to Edwin about it, how unfair it was that her life was so tied up in his asshole father’s that she wasn’t even trying to live after he was gone. Edwin, the deeply kind person he was, had let Charles rant until he ran out of steam, then gently pointed out that she’d been under the thumb of his father for far longer than Charles was, and that she’d now had to mourn her husband and her only child, which presumably takes a toll. Charles had started crying before Edwin had even finished talking, and Edwin had held him close on the plush sofa for the rest of the day.
It was hard to tell if it was a comfort or not when she finally saw them, but Charles decided that wasn’t important to think about right now, if ever. Right now, his mother could see him for the first time in forty years, and they didn’t know for how much longer. And yet, with all this time to prepare, he still found himself speechless when the time finally came.
“Mere laal,” She beat him to the punch, eyes glazed over but clearly locked on Charles, “I am glad to see you again, beta. It’s been so long.”
Charles let out a shakey breath, “Hi, mum. It’s—well— it’s been longer for you. I’ve visited a few times, over the years.”
She reached out a sinewy hand on a bone-thin arm, and Charles flew to the seat by her side, keeping his focus to make sure his hand stayed solid in her grasp. He vaguely noticed Edwin taking the seat beside him.
“Such a handsome boy. You were so young.” Tears welled up in her eyes.
Charles, all anxious energy and nerves, tears of his own threatening to spill, was quick to respond, “It’s alright, mum, I’m alright. No need to cry over me.”
She huffed, “Nonsense. You were the light of my life. Who else should I cry over?”
They were both crying at this point, tears streaming as they sniffled in turns. Edwin laid a careful hand on Charles’s back in a show of comfort.
However, that seemed to give Charles an idea, “No, really mum, it’s okay! See the bloke next to me? His name’s Edwin, and he’s been by my side all these years! He’s the one who first found me, and we’ve been helping people ever since. It’s been aces. Not sad one bit.”
Edwin stiffened at the mention, then all but froze when her eyes turned to him. He knew he looked night and day from Charles, and if he started talking she was bound to find him as abrasive as everyone always did, so why had Charles pointed him out!? If ghosts could sweat, Edwin would be drowning in his nerves.
Her gaze stayed on him for a long moment before she broke the silence, “He’s been good to you? Not like those other boys.”
Edwin wasn’t sure what to do with that, but thankfully Charles was quick on the uptake, “Not like them at all. He’s— he’s the best, mum. None of those tossers could even compare.”
“Because the boys— the ones who—“
Charles gripped her hand, “I know, I know. He’s a genuinely good person, Edwin. I was bad at picking friends in life, but thankfully I chose well with this one.”
His attempt at joking was overlooked completely by her, “Those boys, how could they do that? I knew their families, John Parish’s mother went to your funeral… Such cruel boys…”
“I’m alright, mum, I’m okay.” Charles kept going, smiling even as the tears continued, “It’s all in the past.”
“I should’ve fought harder for you… kept you close… mere laal, taken from me…” She was sobbing, her whole frame shaking with hiccoughs.
“It’s okay, it’s okay,” Charles took a steadying breath, “You know I couldn’t have stayed in that house, mum. And no one could’ve known those lads would go that far…”
Her sobs were worse for a moment, then stilled suddenly as she fought for oxygen. She coughed weakly.
At that, Charles’s crying intensified, despite all he did to keep himself together. He could tell. He knew what was coming. It was still devastating to see. Edwin pulled him in for a proper side hug, taking care not to jostle his grip on his mum.
This did not go unnoticed, and the dying woman suddenly smiled, as if the devastation was forgotten with the oxygen. She looked back to her son, “I am glad you have been happy, beta. You deserved happiness.”
“I’m happy, I’ve been so happy mum, I promise,” Charles tried to calm himself down, stuck in his reassuring her.
“Mere laal, light of my life, darling boy,” She breathed with difficulty, smile dropping, “Can you forgive me? I failed you…”
Charles’s frame shook with his vigorous nodding, “I forgive you, mum, you did the best you could, I love you so much—“
Her weak smile returned, glinting in the lamplight of the evening room, “Thank you, beta. You were too good for me, for this world…”
“All because of you, I swear it, all thanks to you—“
“Charles.”
“I love you, I’m sorry I wasn’t a better son, I’m could’ve been better, gotten you out of that house—“
“Charles, darling.”
“You deserved better, I love you, I forgive you—“
“My love, the light—“
Edwin was right, a deep blue light had filled the space, illuminating the still body of his mother. Her face was pulled into a slight smile, eyes closed, as if she was having a pleasant dream, even as the tear tracks dried on her cheeks.
“No, no I’m not ready—“ Charles immediately started to protest, gripping onto her hand like a lifeline.
“Charles—“
“I only just got to see her! She only just got free of him! No, no, I won’t—“
Edwin gently but solidly grabbed under Charles’s arms, “I’m sorry my love but we should go—“
Charles was nothing but hysterics by this point, head thudding onto the sheets for a moment before Edwin fully pulled him away. He said more, but Charles was too overwhelmed to process it properly, buzzing in his ears and headache behind his eyes making him feel alive in all the worst ways. Maybe it was just the first time he had cried this hard in his afterlife, or maybe being this close to an active death did something to their physiology—
Everything was a blur as they returned to the flat, Edwin all but carrying him through the mirror so that he wouldn’t get lost on the way. They collapsed onto the sofa, extra large cushions taken up by their ghostly presences. The girls were already there, and joined into the cuddle pile without another word (or perhaps with a few, Charles still wasn’t all there yet). Edwin jostled them all slightly to better position everyone before settling in again, making sure Charles was properly surrounded.
Charles sobbed for a while longer. He wasn’t quite sure for how long, or what day it was, or if he was bothering his friends by taking up their time and space like this. His devastation had seemed to take over his entire being. But, when he did breathe a little easier, when he was finally able to sit up, he couldn’t help but feel a sense of relief. His mom was dead, yes, but so was he, and dying had granted them both freedom from that man, from that house, from the cruelties of the world. And in his death he was surrounded by people who loved him, people who were there for him when he needed them and would still be there for him tomorrow, and the next, and the next. The other shoe had dropped, and it certainly hurt, but thankfully he had people around him to help him through it. He was truly lucky to have them.
~
hope you enjoyed this impromptu series exploring Charles and his parents and grief and loss and all those lovely things. this was inspired by the complicated emotions I have / had after my grandparents passing, and I heavily encourage you to do something similar if you’re ever struggling with these big emotions—therapists and such will say that journaling is where it’s at, but sometimes it’s easier to project onto fictional characters and that’s ok !!! and, just to drive the point home, I want to reiterate that you are loved, and there are people around you who are there to support you, I promise ❤️
also, just to make it abundantly clear, I’m a v white midwestern american and as such have vvv limited knowledge of cultural aspects of Charles’s mom—I did research and tried my best, but if I screwed anything up PLEASE let me know so I can fix it!!!!! same goes for Britishisms ig but mostly looking for feedback on her Punjabi and her various cultural elements :)
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pyrrhiccomedy · 6 months ago
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I've been following your Heretic updates and I've been wondering, are the Hours akin to forces of nature - or they beings with desires and fears that are simply too alien for humans to comprehend?
They are beings with desires and fears that are for the most part completely comprehensible. Mother White is the only alien one. They are also forces of nature. The Hours are the aeonic powers that hold the universe together, and maintain an order in which life and the pursuit of apotheosis are possible. Their passions, rages, promises and burdens configure and power the architecture of the universe.
You know what, let's actually run through them.
The Madrugad (the First Hour) is the Hour of the Passage. She ensures that one side of a doorway connects to the other. She also presides over the passage from life to death (and back, if she allows it). She is invoked for summonings and resurrection magic. She attends the Sun-In-Rags in hospice, preventing him from passing into death. She is remote and solemn but broadly benevolent, though not necessarily generous.
The Queen-In-Chains (the Second Hour) is the Prophet's Hour. She presides over all causality and the organization of time. She is completely insane, but probably knows everything, and can act with searing and bewildering precision when she launches some petitioner on a called shot through the butterfly effect.
The Stranger (the Third Hour) is the Hour of Deception. She presides over everything that is unknown, and protects the secrecy of everything which should remain unknown. She's one of the three gods of the Wood, and is generally a real jerk. Trickster gods are almost universally manifestations of the Stranger. Her sister is the Ring-Yew, and the pair generally cooperate when called upon to do so. She is engaged in a friendly rivalry with the Black Captain.
The Rending (the Fourth Hour) is the Hour of Annihilation. He is the destroyer. Rage, cruelty, and pestilence are his offices. He wants to hurt you before you die. He loves the Sunflower King, and inflicts endless torments upon him to express his love. Doesn't really have a bone to pick with any particular other Hour. He intends to kill them all equally.
The Kithmark (the Fifth Hour) is the Hour of the Inner Reach. He maintains the boundary between 'you' and everything that is not 'you.' A lot of yogic practices get into Kithmark veneration. Mostly keeps to himself but if you end up fucking around in Idless at all you'll probably become a big fan of him. He is working very hard all the time to prevent you from being colonized by invading intelligences.
The Pyre-Hawk (the Sixth Hour) is the Hour of Exultation. His office is purification and ascension. He's absolutely 100% of the time in a state of ecstatic joy, and you will be too, if you pursue his favor for long enough! Nobody has beef with the Pyre-Hawk. He's the life of the party and we're all thrilled he's here.
The Sunflower King (the Seventh Hour) is the Hour of Triumph. It is by his will that your will has the power to reshape the world around you. Even the physical laws of the universe give way before the will of the Sunflower King. Proud and resplendent, haughty and flensing, in his kingly greatness he submits to be Rended to spare all of creation from facing the same scourge. The most beloved of the Hours for the greatness of his sacrifice. The Madderblade is his guardian and knight. All hail.
The Madderblade (the Eighth Hour) is the Hour of Conquest & Reconciliation. The fusion and fission of every atom in the universe are only the echoes of her towering victories in both love and violence. She is glorious. She is always serving. She is the first force that ever slew an Hour. Her blade bit the heart of Mother White. The Black Captain wants to fuck her so bad it makes him look stupid. She loves him too. They've been in a state of relentless war ever since acknowledging their passion, to prevent themselves from committing the calamitous Sin of the Sky.
The Bent Minstrel (the Ninth Hour) is dead, which is very bad. He was the second of the three gods of the Wood, and presided over the movement of nature. People who know about this sort of thing generally speak well of his memory, although often in the same way that they call the fairies "the good neighbors." Wild Hunts and horned gods aside, he was the right Hour to pray to if you wanted your harvests to be plentiful and the weather to be good. He also inspired art & music, which he perceived to be just more manifestations of the weather. Mother White ate him.
The Ring-Yew (the Tenth Hour) is the Merciful Hour. Every lucky break you've ever gotten when the chips were down was thanks to her. She is the particular protector of children, prisoners, slaves, martyrs, animals, and the lost. She is the third god of the Wood, and by far the nicest one. Fortunate is he who glimpses the edge of her silver hand in his moment of despair, because a path to peace and freedom is about to open up before him. She is completely incapable of any kind of violence.
Mother White (the Eleventh Hour) is the Hour of Vibrance. Hers is the vital force which allows life to multiply and which reanimates the dead. She is constantly hungry and has no other motivation that anyone has ever been able to determine before she ate them. It's hard to even tell if she communicates, or if she's just mimicking communication in order to entice you to come close enough that she can get her jaws around you. She's an awful grub and probably unkillable, but who knows what she'd pupate into if she could ever get enough to eat? Maybe something that wouldn't be so alien and dangerous.
The Stone Beggar (the Twelfth Hour) is also dead, but it seems unlikely that he'll stay that way. He was the Hour of Inevitability, and presided over the turning wheel. His name is still invoked by revolutionaries, and cursed by those who would try to cling to power beyond their appointed time. It is thanks to his kindness and to his cruel indifference that the wheel always turns. He was noble, quiet, and implacable in war. Mother White ate him too.
The Uranian (the Thirteenth Hour) is the Hour of Daring. Alone out of all the Hours, he was once a mortal man. His offices are magic and the movement of the spheres. Kind of a dick tbh, very into backstabbing your way to the top. The kind of guy who would actually say "don't hate the player, hate the game."
The Black Captain (the Fourteenth Hour) is the Hour of Satisfaction. It is by his will that oaths, vengeance, and victory hold power. He used to be the greatest of the stalking kings of Mithra, before the Madrugad summoned him into mundus to defend her domicile (in which the Sun-In-Rags takes sanctuary) from the ravages of Mother White, during the War of Intercalation. Dutiful, cunning, ruthless, and skillful. He's the sink to the Madderblade's source, you know? The Romans were really into him.
Those are all the currently seated Hours. There are more beings you can petition: like the Ecdysiast, the Wakefire, the Flayed Widow, and the Hanged Rider, all of whom were killed during the War of Intercalation and their Thrones have subsequently been taken by others (the Madderblade, the Pyre-Hawk, the Uranian, and the Black Captain, respectively). There are also Great Leviathan and the First Ant, neither of whom have ever been Hours, but are sufficiently titanic beings that they have a lot in common with the Hours. But you get the idea. They're not incomprehensible at all, except for Mother White.
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cowboy-heart · 6 months ago
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'the first butch emerged from the channel'
(ID in read more)
[ID: an original poem titled 'the first butch emerged from the channel':
out of season Brighton pier / seagull shit crusted / fish out of water / skinned and dressed / like a boy in her father’s suit / swallowed like seawater / observed only by shuttered stalls / voices echo / echo from summer’s last choke / air stifles with the beginnings of cold tongue / the boy rolls her sleeves for her wrists to meet its taste / a haircut done with blunt kitchen scissors / hair scattered into the brown sea / her mother will mourn her when she is home.
a little girl / skips down the plankboard boulevard / holding sea salt and candy floss melting / in her cheek / spilt chocolate down the front of her / little white dress / she skips down / down / pulls off her dress and everything else / skips down / over the edge / skips down / to the bottom of the sea / returning home / still skipping to France / as her lungs fill.
her bedroom was just / the way she’d left it / mattress cupping its hands to hold her still / who took her? / what song did she hear? / did she know the person? / my baby came home that night but she didn’t / she was killed on Brighton pier / scissors severed her blonde waves and / she drowned in them / her eyes a wild spring storm / who took my baby? / fileted up her thighs / took out all that was inside / replaced it with something / old and rotten and urban / left her innards in the hallway hamper / I asked her what I should do with my baby’s guts and she / it / told me to take them to St Christopher’s hospice / who took my baby? / when was my baby taken from me?
it left my house / a hollow mouth / her bedroom perfectly preserved in / boyband posters / I sit on her bed / and wait for her to come home with / sand in her trouser pockets / ready to brush her hair tides goodnight / I sit on her bed / in our show room / when was the last time my baby came home? / when was the last time / that I braided her ocean? / I mourn / grieving stuck in my throat / like a winter cough / but I cannot bury her / for her flesh has been stolen / by a bull-dyke.
I am not a man / O, mother / I am not a woman / O, mother / I wear my father’s clothes better than he ever did / why do you insist on waiting for / a seaweed girl to come skipping home from the boardwalk / when your baby is still here? / O, mother / I need you / under my skin has always been constellations and diesel / just because I broke / your umbilical promise / why is it so easy for you to bury me alive? / under the sand?
why / why / why / would you rather your baby be dead and waterlogged / choking on Thames runoff / than different to what you had planned? / O, mother / I look for you everywhere / in every breast / in every mouth / O, mother / you didn’t want a daughter / you wanted a do-over.
by Ren H.
end ID].
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thasminfanzine · 3 months ago
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More of the Universe Fanzine final day on sale!
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Mandip Gill AND Jodie Whittaker both have a copy of our zine— now it’s your turn to get one! Profits go to two amazing charities (The Albert Kennedy Trust, and Forget Me Not Hospice - the latter was chosen for us by Jodie) and we’d love to raise as much money for them as possible before our book goes off sale for good. It’s a very good purchase, we promise—not only does all profits go to two amazing causes, but the effort that’s gone into this book is phenomenal. It’s the work of 30 writers and artists coming together to create an illustrated book of stories about the Doctor and Yaz’s unseen adventures.
You’ve got just over 24hrs to buy a copy—all physical copies and merch will go off sale at 10pm BST on the 20th October. Make sure to get your orders in while you still can!
Buy Your Copy Here!
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d-criss-news · 2 months ago
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Darren Criss and Helen J. Shen Talk Finding Their ‘Maybe Happy Ending’ on Broadway: ‘It’s a Really Charming, Kind Little World’
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It’s best to let Darren Criss describe the simply complex story of Maybe Happy Ending, the new musical he co-stars in with Broadway newcomer Helen J. Shen. “There’s what the story is and then there’s what the show is about,” the Emmy and Golden Globe-winning singer/actor/songwriter tells Billboard in an interview you can watch above.
“Those aren’t necessarily the same things,” he notes about the musical love story from Will Aronson and Hue Park, in which the former Glee star and Shen appear as obsolete Helperbot robots who meet cute and fall in love. “Thematically, it’s about two elderly people in hospice who decide to break out of the situation to go connect with their family,” says Criss about what sounds like a potentially dark theme.
And while that “grim, depressing construct for a show” doesn’t sound like the stuff of uplifting Broadway magic, Criss promises that the musical’s creators have somehow morphed that idea about the chilly march of time and hard lessons about love and life into a “really charming, kind little world” filled with Helper robots who are living embodiments of our iPhones and other digital assistants.
Because many of us imbue our inanimate digital devices with human-like qualities, sometimes holding on to them well past their best-by use date, Criss says the musical asks what happens when those objects become more like us?
Shen makes her Broadway debut in the play alongside theater/TV/movie veteran Criss, 37, after turning heads last year in the ensemble of the Off Broadway musical Teeth. She says one of the most exciting parts of performing in the show is the chance to take the lead in a completely new piece of theater not based on any existing intellectual property or a reboot/revival, but something that theatergoers have never seen before.
“It’s super overwhelming. The idea of it has been something that I’ve dreamed about my whole life,” says Shen, 24 of originating a character on Broadway. “And to have it come to fruition with this particular story, with this particular group of people I just feel… abundance. I feel so lucky and grateful.”
Both say they feel really blessed to be part of the show, with Criss noting that he has typically starred in “iconic” roles in his previous Broadway runs, including as Harry Potter in A Very Potter Musical, J. Pierrpont Finch in How to Succeed in Business Without Really Trying, Seymour in Little Shop of Horrors and Hedwig in Hedwig and the Angry Inch, among others. “These are things people know and love,” he says of those classics.
“[Which] were great, with or without me. I now go in there trying to do my own thing and make it my own and there’s the excitement of the challenge, but also the pressure of living up to a certain thing and wanting to do your own thing,” he adds about trying to find something of yourself in a well-known role people may have seen many other times with other performers. “Whereas this, it’s an open canvas, not only for us, but for the audience. They don’t have any preconceived notions. That’s the best thing about this.”
Because it is a new experience, audiences don’t know what to expect, which both actors say makes attendees really listen and sit up in their seats to take in all the nuance of the show that also heralds the Broadway debuts for creators Aronson and Park; it began its life on stage in Seoul, South Korea in 2016 and was later produced in Japan and China as well.
Maybe Happy Ending, directed by Michael Arden (Parade), is open now at the Belasco Theatre on Broadway.
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zooliminology · 3 months ago
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hospice pills and pepsi challenge
@kappakappakappa
Come to my closet I promise I need you to fix my laptop I promise I have no ulterior motives
-pi
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