#The Fisher King

[frankiebirds]

every day i think about elle and morgan going on vacation together and at least morgan wanting reid to come with. what were their intentions. were they bisexual in nature. also im also almost certain that this is the first time morgan calls reid "pretty boy" and it's while he's inviting him on vacation with him. it's 2005/2006 you cannot be this bisexual at your government job.

bonus:

yeah i think elle also wanted him to join them.

[gaiussleechtank]

I feel like as a fandom we don't talk enough about the Fisher King. No, I don't mean the actual episode - that is an entire other post in itself. I mean the actual Fisher King.

How Merlin meets an ancient being that was well cared for and loved, who has lived for centuries to the point that his actual name has been forgotten and all that is left of him is a desolate land and crumbling castle.

And that the King that Merlin meets doesn't ask for greeting or hospitality, but instead death.

Isn't it such a coincidence that a powerful person has stayed waiting for the time of the Once and Future King? Left, forgotten, aged, exhausted and begging for an end?

The Fisher King isn't a foreshadowing for Arthur's failed destiny, but Merlin's eternal doom.

The Fisher King is Merlin's later parallel.

[justaz]

au where both merlin and arthur enter the fisher king’s throne room (maybe gwaine too idk) and the fisher king insists that he just wants rest. he turns to merlin to assistance and merlin is hesitant to make his next move in front of arthur but does so anyway. he spots grettir arrive behind him and kneel before his king. merlin raises the fisher king’s hand and slides the bracelet on his wrist with a murmured “your majesty”. the fisher king passes and allows his trident to drop to which merlin catches as he was closest. grettir rises and wipes his tears before looking over at merlin with a small smile. he bows again and refers to merlin as “your majesty” and both merlin and arthur are like “??? wtf” and grettir points out how merlin conquered the fisher king so now the perilous lands are his to rule.

[atopvisenyashill]

king bran

so i’ve lined up my theory on how bran will be king in harrenhal but i was a little lax on details about king bran foreshadowing. there’s the “bran in harrenhal” stuff i’ve outlined which includes-

bran’s connection to the weirwoods & the magical connection the isle of faces has

the whent connection

bran being a metaphorical heir to robb by ruling over the lands robb was born, fought, and died in

the importance of harrenhal as a symbol of both the wasteful excess and hope for the future

but why king bran specifically? well…

ATTEMPTED SLAYING BY THE KINGSLAYER

for one thing, bran is our introduction to the entire series (barring the prologue, rip to 3 icons). he introduces us to the brutality of this world, to the themes of justice, kingship, leadership, to the Others, and to magic. that very important lesson about how the person to pass judgement must swing the sword, and must be sure that the life they're taking is one that deserves to be taken? That comes to us not through Jon, or even Arya, but Bran:

Yet our way is the older way. The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. If you would take a man’s life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps the man does not deserve to die.

That last sentence in particular is a belief that really sticks in all the kids heads as they go about their journeys, and it is through Bran that we learn it.

But in his second chapter, Bran also introduces us to jaime, cersei, and the main plot twist of the first book which kick starts the war of five kings. before he's pushed from the tower, this is all we know about Jaime-

He’s blonde, he’s named Jaime, and he killed the king.

Then the first thing he does is attempt to slay Bran.

AEGON VI AND THE PISSWATER PRINCE

What’s most interesting to me regarding King Bran foreshadowing is that the story of how Bran survives the sack of Winterfell is very similar to Varys & Illyrio’s story of the pisswater prince. Here is Tyrion’s summary of it-

"And when the pisswater prince was safely dead, the eunuch smuggled you across the narrow sea to his fat friend the cheesemonger, who hid you on a poleboat and found an exile lord willing to call himself your father. It does make for a splendid story, and the singers will make much of your escape once you take the Iron Throne…

and some reminders about Bran, helpfully color coded-

It was not Bran we killed. It was not Rickon. They were only miller's sons, from the mill by the Acorn Water. "I had to have two heads, else they would have mocked me… laughed at me..."

Three times he had sworn to keep the secret; once to Bran himself, once to that strange boy Jojen Reed, and last of all to Coldhands. "The world believes the boy is dead," his rescuer had said as they parted. "Let his bones lie undisturbed. We want no seekers coming after us. Swear it, Samwell of the Night's Watch. Swear it for the life you owe me."

“Hodor must stay with Bran, to be his legs," the wildling woman said briskly. "I will take Rickon with me." “We'll go with Bran," said Jojen Reed. "Aye, I thought you might," said Osha.

Another interesting thing about Bran, the Reeds, and Aegon VI here-

“He has a song," the man replied. "He is the prince that was promised, and his is the song of ice and fire."

I swear it by earth and water," said the boy in green. "I swear it by bronze and iron," his sister said. "We swear it by ice and fire," they finished together.

BRAN, THE REEDS, AND THE FISHER KING

Now first of all, quick rundown with more color coding. The Fisher King is a character in Arthurian legend, involved in a story with Perceval and the Holy Grail (so you know we’re already cooking here bc Holy Grail stories are baller). The Fisher King is the last in a long line of kings tasked with guarding the Holy Grail. He is injured at some point, usually in the groin, and is rendered barren by the wound, and his land is a barren wasteland where nothing will grow because he is connected to the land. Only when a prophesied hero comes seeking him will the Fisher King be healed. Perceval, of course, comes seeking him, heals him, and gets the Holy Grail.

Now some of the beats of that story should sound familiar-

Thousands and thousands of years ago, Brandon the Builder had raised Winterfell, and some said the Wall. Bran knew the story, but it had never been his favorite. Maybe one of the other Brandons had liked that story. Sometimes Nan would talk to him as if he were her Brandon, the baby she had nursed all those years ago, and sometimes she confused him with his uncle Brandon, who was killed by the Mad King before Bran was even born. She had lived so long, Mother had told him once, that all the Brandon Starks had become one person in her head.

He was going to be a knight," Arya was saying now. "A knight of the Kingsguard. Can he still be a knight?" "No," Ned said. He saw no use in lying to her. "Yet someday he may be the lord of a great holdfast and sit on the king's council. He might raise castles like Brandon the Builder, or sail a ship across the Sunset Sea, or enter your mother's Faith and become the High Septon." But he will never run beside his wolf again, he thought with a sadness too deep for words, or lie with a woman, or hold his own son in his arms.

The stone is strong, Bran told himself, the roots of the trees go deep, and under the ground the Kings of Winter sit their thrones. So long as those remained, Winterfell remained. It was not dead, just broken. Like me, he thought. I'm not dead either.

What was he now? Only Bran the broken boy, Brandon of House Stark, prince of a lost kingdom, lord of a burned castle, heir to ruins. He had thought the three-eyed crow would be a sorcerer, a wise old wizard who could fix his legs, but that was some stupid child's dream, he realized now. 

No," said the pale lord. "That is beyond my powers." Bran's eyes filled with tears. We came such a long way. The chamber echoed to the sound of the black river. "You will never walk again, Bran," the pale lips promised, "but you will fly."

Now what’s interesting is in twoiaf we learn about some ancient rulers called the Fisher Queens-

From such we know of the Fisher Queens, who ruled the lands adjoining the Silver Sea—the great inland sea at the heart of the grasslands—from a floating palace that made its way endlessly around its shores.

The Fisher Queens were wise and benevolent and favored of the gods, we are told, and kings and lords and wise men sought the floating palace for their counsel.

And what do you know look at who Bran is traveling with-

“My father taught me. We have no knights at Greywater. No master-at-arms, and no maester.” “Who keeps your ravens?” She smiled. “Ravens can’t find Greywater Watch, no more than our enemies can.” “Why not?” “Because it moves,” she told him.

Jojen Reed was thirteen, only four years older than Bran. Jojen wasn't much bigger either, no more than two inches or maybe three, but he had a solemn way of talking that made him seem older and wiser than he really was. At Winterfell, Old Nan had dubbed him "little grandfather."

When they died, they went into the wood, into leaf and limb and root, and the trees remembered. All their songs and spells, their histories and prayers, everything they knew about this world. Maesters will tell you that the weirwoods are sacred to the old gods. The singers believe they are the old gods. When singers die they become part of that godhood.

I like to say this about Theon, when he sees Bran's face in the weirwood and thinks, "The old gods, he thought. They know me. They know my name." that this is partially true - Theon is beloved by the gods but what he doesn't realize is that the old god he is beloved by is in fact Bran Stark. When the old gods weep for Theon and Jeyne, it is Bran weeping for them! So similarly, the way the Fisher Queens in their moving castle were thought to be beloved by the gods the Reeds in their floating castle are beloved by the gods because they are beloved by Bran. This reinforces Bran's connection to the Fisher King imo - just as the old greenseers and singers/cotf are quite literally connected to the land because they have become part of the the weirwood hivemind, Bran has this same connection to the land.

AND what’s more is that the Fisher King story is likely to trace itself back to a Welsh story, of a magical King who gives his sister's hand away, only to learn that she is being mistreated, and musters a host to go save her. During a battle, the King is mortally wounded by an injury in his foot, and as he dies he tells his men to cut off his head and take it to London so he can protect their people from invasion, and for several years after he "dies" his head continues speaking. If that also sounds familair, do you want to know what that man’s name was?

Bran the Blessed.

MELISANDRE'S VISION

Now staying in the realm of magic, we also have this very interesting passage from Melisandre, emphasis mine-

Show me Stannis, Lord, she prayed. Show me your king, your instrument. Visions danced before her, gold and scarlet, flickering, forming and melting and dissolving into one another, shapes strange and terrifying and seductive. She saw the eyeless faces again, staring out at her from sockets weeping blood. Then the towers by the sea, crumbling as the dark tide came sweeping over them, rising from the depths. Shadows in the shape of skulls, skulls that turned to mist, bodies locked together in lust, writhing and rolling and clawing. Through curtains of fire great winged shadows wheeled against a hard blue sky. A face took shape within the hearth. Stannis? she thought, for just a moment … but no, these were not his features. A wooden face, corpse white. Was this the enemy? A thousand red eyes floated in the rising flames. He sees me. Beside him, a boy with a wolf's face threw back his head and howled.

THE REGENCY OF AEGON III

So warning this is part parallelism and part prediction

The Dance of the Dragons was done, and the melancholy reign of King Aegon III Targaryen had begun.

As he was still but ten years of age, the new king’s first act was to name the men who would protect and defend him, and rule for him until he came of age.

This was a council of which Septon Eustace heartily approved, “six strong men and one wise woman, seven to rule us here on earth as the Seven Above rule all men from their heaven.” Mushroom was less impressed. “Seven regents were six too many,” he said. “Pity our poor king.” Despite the fool’s misgivings, most observers seemed to feel that the reign of King Aegon III had begun on a hopeful note.

So many lords, both great and small, had perished during the Dance of the Dragons that the Citadel rightly names this time the Winter of the Widows. Never before or since in the history of the Seven Kingdoms have so many women wielded so much power, ruling in the place of their slain husbands, brothers, and fathers, for sons in swaddling clothes or still on the teat.

The smallfolk of the Seven Kingdoms speak of King Aegon III Targaryen as Aegon the Unlucky, Aegon the Unhappy, and (most often) the Dragonbane, when they remember him at all. All these names are apt. Grand Maester Munkun, who served him for a good part of his reign, calls him the Broken King, which fits him even better. Of all the men ever to sit the Iron Throne, he remains perhaps the most enigmatic: a shadowy monarch who said little and did less, and lived a life steeped in grief and melancholy.

There is also a big focus on the “tax policies” aspect of the story through these two child rulers. Much of Aegon’s regency centers around him butting heads with his guardians while Bran’s ACOK arc sees him as the ruling Stark in Winterfell and learning how to lead with mentors in Maester Luwin & Ser Rodrik Cassell. EYE also think it’s interesting how both Aegon & Bran get some focus on having a lil gaggle of companions around. Aegon has Gaemon, Jaehaera, Viserys, Daenaera, and Larra Rogare, while Bran has the Big Walder, Little Walder, Rickon, Jojen, and Meera. They both feel like very similar groups of kids that are thrown together & running amok with adult supervision that is more lax/not coming from their parents.

There's also just like, a lot of parallels between Baela, Rhaena, Jacaerys, and Aegon with Arya, Sansa, Jon Snow, and Bran. There are several good breakdowns of the Sansa/Arya parallels as well as the Jace/Jon Snow ones, so I won't dig into that here, but I think when you put all this together what you have between Bran and Aegon III is-

Two boy kings who will have a long regency

Both orphaned due to a brutal succession war

Both referred to as "broken" - aegon by munkin, and bran referring to himself

Younger - but not the youngest - brother coming into his seat after his older brother is killed

Both have names that are important in their families & frequently re-used - and in fact both share a name with their uncle

A very rare "winter of widows" where most of the houses are ruled by women due to all the men being dead and their heirs being babies is coming up in the main series

This anti parallel of Aegon being a very melancholy person & Bran being known to be “quick to laugh and easy to love.”

As for his relationships, we have-

His bastard born brother With Some Secret Paternity Going On, who is likely not going to be in the running for King at the end of the war (hopefully um, Jon Snow actually lives unlike poor Jacaerys)

His oldest brother dying at 16 during the war

One sister who is more adventurous and "tomboy"ish, who is associated with ships and travel

Another sister who is more ladylike, who has a largely political arc in the Vale

Both sisters are likely to take leading roles as political players in the aftermath of the war - I do suspect we will get some sort of “Hour of the Wolf” parallels here, just before or after Bran is crowned

SOME CHOICE QUOTES TO LEAVE OFF ON

Bran could perch for hours among the shapeless, rain-worn gargoyles that brooded over the First Keep, watching it all: the men drilling with wood and steel in the yard, the cooks tending their vegetables in the glass garden, restless dogs running back and forth in the kennels, the silence of the godswood, the girls gossiping beside the washing well. It made him feel like he was lord of the castle, in a way even Robb would never know. - Bran II, AGOT

Ahead he glimpsed a pale white trunk that could only be a weirwood, crowned with a head of dark red leaves. - Jon VII, ADWD

[maybethistimemegz]

Criminal Minds - One Quote per Episode ↳ s01e22 - The Fisher King (Part 1)

[dailyflicks]

The Fisher King (1991) dir. Terry Gilliam

[aloysiavirgata]

Fisher King prompt: dark crescendoing to light. Daniel Waterson and his baggage come back into her now-married life; maybe by way of the autopsy table. A dark case comes across Mulder’s desk. You pick. A happy surprise at the end to bring them both out of it?

Thanks, lady.

It is the dead nurse that catches his attention. Two days back from his honeymoon, attaboys and filthy jokes and cigars and a stack of manila folders on his dust-rimed desk.

Pendrell whistles when he sees Mulder, makes a predictable playing-doctor joke. He leers as though it obscures the soulful puppy wetness of his face. As though he hasn’t noticed Dana at crime scenes before, the autumn bonfire of her hair. Her tourmaline eyes.

Mulder thumbs the band on his left ring finger, spins it a little in the cool morning light. Flips them all off with good-natured grouchiness as he makes his way to the elevator. He thinks it might be fun to be an old man, to listen to the slap of his bedroom slippers on the grocery store linoleum.

The air in his office smells like cardboard boxes, like ghosts of lo mein and forgotten pizza. Copier toner. Pencil shavings.

His wife says, “Honestly, Mulder,” and makes chicken sandwiches from dinner leftovers, makes him salads with salmon and almonds and avocados and says he needs to gain eight pounds. He’s taken to her demands like a stray cat adjusting to life indoors. He’s growing glossy and sleek, full of essential amino acids.

Full of life.

***

There is no congestion in any of the organs. No petechiae in her eyes, no blood clots in the fragile slices of brain. Lips, mouth, esophagus free of corrosion, not an aneurysm the size of a poppy seed. The bruises and claw marks on her gray throat are her own doing. There are over a dozen witnesses.

Her nails are clotted with her own crumpled skin.

Dana pokes her finger into the aorta, sniffs the dead, butcher-shop air of Ludovica’s mouth. She prods at the lungs and hunts for lesions and surfactant. The nurse’s stomach contains a half-digested bagel and tuna salad. The muscular walls are in the very pink of health. She has lungs like freshly chewed bubblegum.

Dana huffs a strand of hair off her lip. She does not want to call him.

***

“What killed her?” Mulder asks, around a mouthful leftover quiche. God it’s good. She caramelized the onions, used two semesters of organic chemistry on the pastry and can declaim on the Maillard Reaction in a voice fit for Showtime.

“I’m working on it,” his wife says, brisk. “Thus far it seems to be nothing, which is a bit of a problem, medically speaking.”

“How embarrassing,” Mulder says, hunting around for another chunk of broccoli. “To die of nothing. You talk to this Waterston chappie yet?

Silence.

“Dr. Scully?”

A sigh.

Mulder’s brow furrows. “Dana Katherine, what gives?”

She sighs again. “You remember that med school professor I told you about? Funny story…”

***

He gazes at her the way tourists gawp at the Mona Lisa; not with a particular appreciation, just a bit awed that they can check it off their bucket lists.

Twice, for Daniel. A certain chumminess. A hint of inside jokes and favorite restaurants and that-lovely-inn-we-stayed-at. Of possessiveness. Territoriality.

Mulder shakes his head, just a twitch. Just enough to clear Daniel’s smug carnal knowledge of his wife away. Mulder’s fucked people’s daughters as well. People’s wives. There was one at Oxford, Honora, her husband a full professor and he -

Mulder doesn’t say this. He doesn’t say anything as Daniel stares at his Rossetti wife, undoubtedly thinks about the determined twitch of her twenty-one year old ponytail and her scuffed Keds and her slipshod Navy brat graces and her body like Artemis bathing by moonlight.

But Daniel’s alone and Mulder isn’t.

Dana isn’t alone either because, against all reason and karma, she’s married him, married Fox Mulder, like it was an absolutely sane thing to do, and her family simply went along with it.

“Tell me what you saw,” says Mulder, with the gentle absolution of a priest. “No judgement here,” he lies. She was hardly more than a girl, she was an innocent, she trusted you, you fucking asshole, you predator, you-

Daniel looks at Dana. Looks down at his surgeon’s hands. No ring on any of his fingers.

Daniel closes his eyes and looks at nothing.

“We began a midline sternotomy, absolutely routine, Suddenly Ludovica - Nurse Giordano - grabbed her throat and said she couldn’t breathe. She…she screamed Diavola! Said there was sulfur, said it was mustard gas, but none of the rest of us smelled a damn thing. But she was thrashing on the floor of the OR and our patient was-“

He looks around then, catches Dana’s eye, shyness in his expression. Shyness in his fatherly face. Dana had looked up at it for approval, no doubt. In what she probably thought was passion. Maybe even love.

Dana nods encouragingly and Mulder feels it then, the weight of years. He understands in that moment that time really is the fourth dimension; that it has a hot, heavy plasticity into which you can sink. He understands the realness of an event horizon, that they are all being pulled towards the unfinished thing between Daniel and his wife, Ludovica Giordano’s corpse included.

His wife was a physics major, his wife rewrote Einstein with the ebullient narcissism of the young.

He understands that his wife and Daniel speak the same primal, arcane language of science. He is a lowly psychologist, the major you pick when you can’t get into dental school but still want to Help Others.

Kepler’s Third Law tells us that intensity equals the inverse of the square of the distance from the source.

And he’s brought Daniel back into her orbit.

***

“I can’t believe you fucked him,” Mulder gasps into her tender seashell ear. An inch from her extraordinary brain.

“I was a child,” she hisses back. “Essentially. Don’t stop, Christ, don’t - I was a child, I-“

She was, she was, she was Eos newly born, she was radiant and young, she was Persephone to Daniel’s Hades, she was fresh milk at Ostara, and a sunrise over the Atlantic.

“Did you love him?”

Her thighs so taut and pale and quivering. Her wedding dress, her misty veil. Her palimpsest skin, on which he can rewrite himself.

“I thought I did but but it wasn’t this, it was never this, it was never you, I-“

Mulder comes in her, groaning, feels the tiniest sting of shame at how good it is to reclaim her from this other man.

***

“Dana,” Daniel says, heavy-tongued for Mulder’s consecrated, Catholic wife. He is hard; he shifts in the uncomfortable chair.

Mulder knows and Dana knows and the air is thick with this knowledge but strangely not unpleasant. The air is July just before a thunderstorm. The air is dense and verging. Primal, fecund, cataclysmic.

Hot.

Green.

Alive.

The air tastes like a 9-volt battery. He wants to put a baby into his wife.

“You were there,” Mulder says, his buckskin hands woven and laced. “What did you see?”

Daniel looks at Dana, Daniel is here for Dana, because he believes she is cold and lonely and alone in the way of the outer planets. He still thinks only he can warm her.

(He doesn’t know, Daniel, not really, that there is a solid core beneath the icy mist.)

She’s too distant and abstruse and Daniel doesn’t know.

***

Daniel smirks at Mulder, this old man who felt briefly alive in the hot juncture of his wife’s thighs; smirks as though he’s done anything real at all. They view the human heart so differently, he and Daniel.

Dana - Dr. Scully - rests her palms against her sharp tweed knee. She only wants to know what stops any human heart from beating. What shuts the brain down, from prefrontal cortex in a cascade to the lowly lizard stem.

“What did you see, Daniel?” She is poised and tensed. She is waiting. She is untouchable.

Mulder - Fox - is disarmed by the chill of her haughty face. Her Plutonian eyes are so very, very cold . So very, very far.

Ice could never be so warm.

***

“‘Maggie,” he breathes, into her amber light. Into her aura, in her husband’s office, after Mulder went out for their lunch order.

“No,” Dana says. “I don’t care. Tell me about the nurse.”

Daniel huffs. “I don’t know, it was nothing, Dana, Maggie said-“

“I don’t care,” Dana says, crisp. “I don’t care about your daughter. You certainly didn’t, when you brought me to your bed.

Daniel is appalled. “Dana, you were-“

“I know what I was,” she replies. “I knew what I was doing and I don’t regret it, not really. But I didn’t understand what you were, not then. And you should regret me, Daniel.”

He looks at her, his brows drawn.

He looks away, back through the years. Dana, all sharpened Ticonderogas and her mouth an unplucked apricot. Skin like fresh-churned butter.

“She was…she was gasping,” he says to the wall of of clippings. To the Flatwoods Monster and wendigos and little lost girls and stills from the Zapruder Footage. “She was clawing at her throat, she…diavola.”

Diavola.

Daniel looks at the ceiling. “She clawed her throat to ribbons,” he says. “She said our patient was full of demons, she said…” He shakes his head and looks at Dana again.

Dana knows. Dana has seen. Has read and wondered and wondered, considered the Gerasene demoniac in the synoptic gospels. Tooms at her belly on the chilly tile of her bathroom…

It will do no good. Whatever her husband says, the truth is not always a panacea. The patient has lived and Ludovica has died and all anyone wants is official paper with Dana’s name at the bottom.

A reckoning, now. A choice.

“Anaphylaxis?” Dana murmurs, in the perfume and cashmere of a different rich man’s wife. She puts a little throatiness in her voice now, like she did after Dr. Waterston spoke to her in private about Starling’s Law. She can give him this. She can give Ludovica’s family this.

Diavola.

Mulder is right, Mulder is almost always right. But Mulder is right in his own time and Ludovica’s family needs her home.

Daniel catches the lifeline she throws, grateful.

Humbled.

Daniel, when his gaze returns, is a bit smaller in her eyes. “Yes,” he says. “It must have been.”

***

They’re eating dinner at the Peruvian chicken place on the corner because Dana is hollow and Mulder has moderately weaponized his own culinary incompetence.

“Ansel died today,” she says, poking at her rice.

Mulder nearly chokes on a mouthful of black beans. “What?!”

“Died. Massive coronary at his desk. Dead within seconds.”

Mulder gapes. Ansel Jordan, Chief Medical Examiner in DC; the alpha and omega of the unexpectedly dead in the District. “He ran marathons.”

Dana nods into the middle distance. “He ran marathons. He had a treadmill in his office. He was 57 and he was my boss and I split his chest apart with a Stryker before his body had even cooled this morning. My god, I forgot what warm tissue feels like.”

She looks up with her wide, delphinium eyes. “They asked me, Mulder.”

They asked? He is appalled. “They asked you to autopsy him? That’s really fu-“

She shakes her head. “No, nobody asked me that. No one would ever. I volunteered, it was the right thing to do, for my colleagues. For Ansel. We were hardly close but I had tremendous respect for the man.”

Ansel was a runner. He ate well and drank in moderation. He cared for his body like a classic car; starting to slow down but with lots of miles left.

The human body is strange and unpredictable.

“Are you okay?” How do you cut open a man you know? He cannot believe she didn’t call this morning but also of course she didn’t call this morning. She is an eternal riddle, a beautiful enigma.

“I’m surprisingly fine,” she says. “I mean, it’s horrible and pointless and tragic. But the process of an autopsy…it soothed me. I knew what to do and there was a…a checklist.”

He smiles, soft. “You’re always a doctor first.”

Dana shrugs, fluid and dismissive. “I guess.”

He realizes then, awed. Adoring. “They want you to… to step in, to be Chief. Dana, that’s incredible, that’s a huge honor. I’m sorry it’s come at the cost of Ansel, but Christ. It’s tremendous.”

He will never achieve this in his own career and is delighted that she can.

Dana nods slowly, a blush creeping up her fine, pale cheeks. She spears a plantain and examines it on the end of her fork. “It’s obviously not a formal offer yet, my god, he’s only just been released to the family, but yes. It’s tremendous.” She bites into the plantain.

He thinks back to that feeling of wanting a baby, wanting her to have it, and knows that the new Chief Medical Examiner of DC will have other pressures, other concerns.

She’s expressed interest in babies in a vague sort of way, but doesn’t want them like he does. Dana grew up with hand-me-downs and home haircuts and spaghetti the last week of every month. She knows that babies grow into scraped-kneed children who need lunch money and trombones and French tutors and football uniforms.

He’s rich enough for it all, for night nurses and nannies, but he knows her body is not a rental property. He wants a baby, he does, but he also doesn’t care if it means this for her. He doesn’t care if her star can rise.

“I love you,” he says, raising his plastic cup of horchata. “And I’m so goddamn sorry about Ansel.”

She lifts hers back, his wife, her old-master face and her slapdash smile. “Thank you,” she says, still pained. “And slaínte.”

“L’chaim,” he replies. To life.

[thedepthsofhell]

i've been rewatching criminal minds and paying more attention to little details, characters and background things instead of the actual plot of any episode.

and so i've been thinking about reid's addiction and i noticed a little parallel between elle and spencer (their friendship was amazing btw i miss them)

remember how elle got shot, and was coping poorly with it? in season 2 episode 05 "the aftermath" reid goes into her hotel room, they drink and he tells her "elle, he's dead. you're right here. you won." and she smiles and says "then here's to winning." but then at the end of the episode she kills that guy in cold blood ends up leaving the BAU. so she didn't win, did she?

and that goes really well with hankel, too. spencer killed him, he's dead. so he won, right? but he got an addiction because of tobias. spencer never would've become addicted to dilaudid if it weren't for the fact that tobias was. he could've lost his job, his apartment, his life. he was shown craving the drugs even after he got himself clean. reid's manifestation of foyet calls him addict in the last episode he's in (15X10) so that means the addiction is something he will carry all his life. and remember how he thought about taking the drugs again after emily's "death"?

"he's dead. you're right here. you won."

did he?

[gayeddie-saved-me]

merlin rewatching conversations with @hi-haveagoodday

[thefugitivesaint]

'The Red Knight', ''The Fisher King'', 1991 The manifestation of Robin Williams character's fear, trauma, and survivors guilt appearing in the form of a hellish knight set to impede and punish his character on his journey to heal and allow himself to grieve the loss of his murdered wife. I won't comment too much on the details of the film (which I just re-watched) but I do suggest giving it a viewing if you've never seen it. Some of it has NOT aged well (I'm looking at you late 80s fashion, not to mention depictions of being unhoused and of mental illness) and there's a character present who would have been a kind of homophobic caricature of an effeminate gay man who is given depth and dignity by the character actor Michael Jeter (whose brief appearances completely steal the scenes from the stars when they happen).

[frankiebirds]

i love this line and this scene in general so much. they're trying to figure out what "hour be none" means and reid walks in and gives the answer (with some mostly unnecessary but endearing additional info) and elle responds so affectionately. i really loved their dynamic, however you view it.

bonus (cropped from the next shot):

[tobias-hankel]

Everyone always talks about how much Spencer loves his mother, Diana, but the relationship just hurts when you think about it.

Here Spencer is after having an incredibly long day. He flew from Las Vegas back to Quantico, figured out an extremely hard puzzle, found out his mother was in danger - then had to admit his mom is mentally ill and that he could be too one day. His mom is rude to him about his body, letters, and over the fact she was flown there to save her life. He then failed a negotiation and a man killed himself in front of him. He was hurt by a bomb, caught on fire, and helped rescue a victim while escaping a burning house.

And then after all that, he stands in front of his mom - exhausted, charred, vulnerable - and he doesn't tell her how he was hurt or about what he did. He says how she helped save Rebecca's life and Diana doesn't even look up.

Diana doesn't give any indication that she even knows who Spencer is and she doesn't ask about the ash all over him. It's clearly nighttime and she asks if it's lunchtime. She doesn't remember that she read the books she asked him about to him.

Then Spencer, even though he is so tired, has to help his mom on the flight back across the United States, while reading to her and taking care of her while Spencer has no one taking care of him.

And this is medicated, well taken care of, Diana. If this is Diana on an alright day, on medicine - what was she like when Spencer was a child.

[nellarw95]

Happy Heavenly Birthday Robin 🎂💔

Robin Mclaurin Williams 🤍

July 21,1951 - August 11,2014🙏🏻

We Miss You So Much 🕊️♾️

Buon Compleanno in Paradiso 🎂💔

21 Luglio 1951 - 11 Agosto 2014🙏🏻

Ci Manchi Moltissimo 🕊️♾️

[gawrkin]

La Tavola Ritonda is a cavalcade of different canons:

The Lady of the Lake, Sister of Morgan and, by extention, Arthur's

Lancelot stealing from Perceval's backstory

The Split-Shield from Lancelot-Grail, given by the Lady of the Lake symbolizing Lancelot and Guinevere's sexual union, being retconned into another plot by Morgan

King Pelles being King of Organia (Orkney). Also, Amite/Elaine/Pervida's Mom* organizing the... "conception"

*(It's kind of funny, but I've always felt that Brisen and the "Queen of the Wastelands" being separate characters was pointless) *(King Pelles x Queen Brisen, woot)

Uther Pendragon is Morgan's dad**

**(per the original Prose Tristan, apparently)

The events of Pulzella Gaia/The Merry Maiden being canon here. Yes, this technically means... a whole bunch of things

and finally, Lancelot has a daughter***

***(I would sincerely like this to be Gwen's but I'm not holding my breath)

[marril96]

Criminal Minds 1.22 | The Fisher King: Part 1

[aaand-read-all-over]

Strength and Courage (3x04 / 3x08)

“The melee is the ultimate test of strength and courage.” -Arthur

"Then you must be courage."

"Ah, finally! Strength has arrived." -Grettir

Always meant to find each other <3