#The Faceless

[s-e-c-t-i-o-n-8]

[moon-floret]

I'm sorry I can't take your latest post seriously that Affini's face looks like a Marionette puppet

That’s actually the point! Cyprassi’s design is based off of marionettes and ball jointed dolls! Here’s some of the concept art actually - I know its not for anyone but I’m glad my design inspiration carries over hehe <3

[nekronyancer]

Definitely not a cult

Collecting masked men bands like Pokémon and putting them in my pocket-

[ghostmachinaovgod]

The Faceless.

[ia-gnom]

[synesindri]

rating: T words: 2,987 relationships: Adam & Nick, Adam/Nick (pre-relationship) other tags: Ambiguous Relationships, Alternate Universe - Canon Divergence, Post-Season/Series 05, Hurt/Comfort, Sharing a Bed, Trauma, Recovery, Angst, Trans Character, Trans Male Character, Agender Character, Gender Dysphoria, Trans Adam Milligan, Self-Harm, Adam giving slightly clumsy and mean-to-himself descriptions of his own experiences, trans author, deliberate self-triggering about gender issues, Misgendering status: complete

summary:

Every day, his body feels less and less like the kid’s body that got eaten alive. Every day, he looks less and less like the kid an archangel rode to the apocalypse.

Maybe it’s okay that he doesn’t give a shit that he doesn’t look like that kid anymore.

Maybe it’s okay if he’s relieved he doesn’t, even. (Post-season 5 AU in which Nick lives and Adam gets pulled out of the cage when Castiel comes to get Sam.)

[thisaintascenereviews]

Alluvial - Death Is But A Door

As a huge music fan, I try to keep my ear to the ground and see what kinds of bands and artists are on the come up, or what’s been getting a lot of hype, because I want to be on top of any band or artist getting a lot of praise and buzz in any particular scene, especially the heavy metal scene. I’ve been a metalhead for the last decade now, and I tend to keep up with what’s popular and what bands are getting buzz, but one band that apparently has been getting a lot of buzz for the past few years is progressive and technical death metal / deathcore band Alluvial. This band began from a former guitarist of The Faceless, and it also began as an instrumental act, but their second album, 2021’s Sarcoma, brought on board a vocalist, more specifically a former vocalist of Suffocation. I’ve listened to Sarcoma a few times, and that record is a really unique slice of death metal that encompasses a lot of different sub genres of metal. They just dropped a new EP, entitled Death Is But A Door, and I was really curious about this, so before I listened to Sarcoma, I thought this would be a good introduction to this band, as a lot of EPs typically are. They’re a 15 to 20-minute introduction, so if you’re not into it, you don’t feel as though you spent much time with it. If you do love it, however, and it has some good replay value, it’s short enough to revisit over and over again.

So where does this EP fall? Well, it falls into the latter, thankfully, as this EP merely continues what the band did with Sarcoma, but this was my introduction to them, and I was blown away. This is a four-song EP that shows what the band can do, especially if you want a short little introduction to these guys, you got it. The first three songs are death metal bruisers that will get you head banging in no time, as they combine deathcore, djent, progressive death metal, and technical death metal into a ferocious package. Both the instrumentation and vocals are top notch, and they showcase every member, not just one or two. This is the kind of band where each member gets their time to shine, not just the vocalist or the guitarist.

The last track, which is the title track, is where things slightly deviate from what we’ve heard in the prior three songs, but not by much. This song is a bit slower and more melodic, as there are clean vocals on this song, which sort of threw me for a loop, but Sarcoma features more clean vocals. If you’re not familiar with this band, the clean vocals may put you off a bit, but they’re fine. They’re more in the hard-rock style of clean vocals, but they’re still good. They provide some contrast, especially with this song being slower and more ballad-esque, but I could see someone not being into this song. I enjoy it, but it does kind of halt the momentum of the EP, because it kind of stops it almost. Not quite, but it does bring it down a bit.

That’s kind of a minute issue, as it still rules, and this EP is great from front to back. It’s only 17 minutes, but it’s a barrage of heaviness for that time. It keeps you wanting more and wanting to go back to it time and time again. I’ve been playing it a lot this past week, since I found it, and it’s great. I don’t know if it’s a standalone EP or if it’s a teaser to a new record, and if it’s the latter, that would be awesome. Their last album came out three years ago, so it would be cool to hear another new album from these guys. I don’t know how they escaped my attention, but I’m glad they put this out, so I can properly hear of them, because this is some of the most interesting and unique death metal I’ve heard in a long while, so hopefully these guys stay on that path, because they’re on their way to becoming one of death metal’s buzziest bands, and this EP is a perfect example why.

[queen-archangel-avacyn]

Daddy issues.

- 💖

I would argue that the poor relationship between my father and myself has more to do with the things wrong with him than the things wrong with me.

[shadowkoo]

thank you for sharing the font ask, its been really helpful. Can i ask one last question about how to colour them and make them stand out? I'm struggling with that on ps🖤

absolutely! so i try to keep the text similar in the same color palette on a banner, and if i find that it's not standing out enough from the background, i use either an outer glow (for darker text) or a drop shadow (for lighter text), i've included a couple examples below!! along with being able to change the text color, you can also change the color of the outer glow and drop shadow too, they don't always have to be white or black, but that is typically what i use!

example 1

for this banner, you can see that i used a darker grey/beige for the 'that is ours' text which is similar to the skin tone of tae (after my color editing). the 'the crown' text is white with a drop shadow to make it stand out from the text behind it, otherwise, it would look like this:

example 2

for this banner, i used colors that i found in the background for the text. there is an outer glow behind the farthest back 'wishes' and a drop shadow on the closest 'wishes', without either it would get lost in the busy background like so:

example 3

for this banner i used a drop shadow for the 'over' and 'hills' text, and then an outer glow for 'jeweled' and then also a drop shadow after adding the outer glow, this makes the white part of the glow stand out against the other white text, if i didn't do that it would look like this:

so basically, use drop shadows and outer glows and you'll get your titles to stand out more and be more noticeable :)

[moon-floret]

Thank you for the hot plant men, this has however greatly worsened my yearning to be a floret.

thats what im here for bud!

[annieanonymous1]

I drew more creepies (rough character sheet)

These boios fukin tall

[gabriel-gabdiel]

【Draft】 Rurouni Yahiko Chapter 58: Déjà Vu

For this chapter, we’ll be harkening back to things like “The Mark of Zorro (1940)” and the impressive on-screen duel between Captain Esteban Pasquale and Don Diego Vega. 

Yahiko is feeling a bit of déjà vu from battling The Faceless. What is it about him that’s so familiar anyway?

Yahiko Myojin remembered the first time Yutaro "Cat Eyes" Tsukayama came back to Japan and the Kamiya Dojo after years of living abroad to seek treatment for his arm injury.

Yutaro was supposed to be injured by his traitorous "master", Raijuta Isurugi. He went overseas for treatment, which enabled him to regain use of his right arm for the most part but he still went "southpaw" or left handed during sparring matches.

Yes, that was right. Mr. Tsukayama had decided to still practice kendo instead of retire.

Inspired by this, Mr. Myojin promised to give his rival the match of his life, showing off his skill honed by his past battle experiences.

When they had their first sparring match in years, Yahiko expected to blow the one-armed Yutaro out of the water, only for Yutaro, with a one-handed handicap, end up making the fight close.

The goddamn magnificent bastard really was a kendo prodigy. Yutaro's careful counters from Gedan-no-Kamae (Earth Stance)`made Yahiko second guess his shots and miss his attacks from the Jodan-no-Kamae (Fire Stance).

Feeling indignant by these turn of events since he went through so much more than him after they last met, Yahiko dug deep into his soul to summon his past battle experiences into the match point blow that literally blasted Tsukayama's helmet off of his head.

He rocked his socks off and then some.

However, to Myojin's annoyance, he still had to do his best against the one-armed student.

Not only did Yutaro remember what little kendo instruction he got from Kaoru Kamiya. He expanded his knowledge somehow when he went overseas to get his arm treated.

He did not waste his time while undergoing treatment and rehabilitation for his nerve-damaged right arm that Raijuta had nearly lopped off.

The cunning "Cat Eyes" somehow added western martial arts and weapon techniques to his solid kendo arsenal, somehow merging east and west together to form a truly unique repertoire.

His approached his kenjutsu like fencing, fighting at a controlled tempo then bursting in speed at the right moments with fluid motion.

It took some time for Yahiko to figure out how Yutaro bested him half of the time, but he eventually realized that Cat Eyes was using mind games and what was known as the "Tactical Wheel" to outsmart him at every other match.

It was from this flashback that Yahiko figured out what this Brigands Guild member's sword techniques reminded him of.

***

Rurouni Yahiko

A Rurouni Kenshin Continuation Fan Fiction Story by Chester Castañeda

Yahiko has seen the sword style of The Faceless before.

Disclaimer: All characters used in this fanfic (save some others) are the rightful property of Nobuhiro Watsuki, Shueisha, Shonen Jump, Viz, Sony Studios, Fuji TV, Studio Gallup, Studio Deen, and ADV. This disclaimer also covers all the other copyrighted material that are far too many to mention here. Don't sue me please, I'm very poor.

***

Chapter 58: Déjà Vu

***

Back at a narrow alleyway in the Yokohama Chinatown near the Minakata moneychanger offices…

Multiple things happened at once. Like a hurricane of events.

Meanwhile, the lion dance mascot full of martial artists retaliated against Gan by stretching itself like a snake around him and kicking him with spiked shoes and hidden daggers.

Like a wounded animal fighting for its life, even though it was actually multiple men wearing a costume.

"AUUUGH!" cried The Distressed Gan, who did his best to parry and block the slashing and lacerating kicks with his metal bat.  

"GAN!" cried out Yahiko Myojin and Munenori Minoe at their comrade.

Because Fabian La Cerca lost his dagger, he thought fast, grabbed hold of Tatsuya Minakata, and threw him through the already broken windows of a probably abandoned house in Chinatown.

This distracted Yahiko long enough for him to withdraw his thin rapier sword before the frightening strength of the eye-patched Munenori beside him could break his weapon in twain as well.

Then, for a split-second, a shocked Myojin and a pale-faced Minoe stood and stared at each other and the violent scenes before them, this brains barely registering what had just happened.

"H-Hey. Thanks for saving me, Minoe," said Yahiko, sheathing his sword and slipping it back on his cloth belt.

"N-No problem," stuttered Munenori. "You better go, Yahiko-chi! We'll keep the mercenaries occupied while you retrieve, uh, Kinta-chi's uncle."

"Of course. Thanks again. I owe you one! Thank Gan for me too!" answered Myojin before both turned and went opposite directions.

Or they would've had the lion mascot not suddenly appeared beside Munenori and snatched him off the ground with its unhinged puppet jaws, like a real lion biting its prey.

From behind the mascot hobbled the Gasping Gan, spurts of blood making small fountains on his legs and calves.

"AH! Minoe!" yelped Yahiko, intending to run after the eye-patched dual wielder but Gan stopped him cold with an outstretched hand and an open palm.

Without looking at him, Gan said, "Don't worry, Yoshi-boy. I'll take care of Patches. Go after The Masked Rider instead. Time is running out!"

"…Fine. Make sure you finish that mascot off!" said Yahiko, who finally sprinted towards the abandoned building where The Faceless threw Tatsuya.

Their brief hellos and goodbyes kept them from realizing how naïve their presumptions were.

***

Back at the exterior facade of the Minakata moneychanger office building…

The cackling Kai Hidaka briefly distracted the two brothers from the same mother.

One was a Eurasian bastard child who somehow ended up as part of the Brigands Guild of international mercenaries.

The other was the grandson of a samurai turned pharmaceutical tycoon with generational wealth and significant government clout as an oligarch.

They then realized that somehow, the high-flying spidery ninja somehow defeated the formidable shinobi that the bastard with the bastard sword couldn't finish off.

"…You know what? I don't hate you, mate. You're a fine bloke to me," Lucas Grant said to his estranged half-brother, Kinta Minakata. "You spared me from having to deal with both you and that troublesome ninja bodyguard of yours so this ends up a fair fight."

Kinta spared a glance at the motionless Zan, whom he presumed had critically injured Lucas, but was actually somehow like a steam train running on fumes.

Maybe they should've double-teamed the bloody Prodigal Son while they had the chance. Maybe he was too "honorable" for his own good.

Their pattern from before resumed. The wounded but aggressive Luke plodded on, only blocking the most bone-cutting of sweeping slashes from Kinta to avoid getting his limbs lopped off.

Meanwhile, on Minakata's part, every last chopping blow or lunging stab from Grant was potentially a one-hit kill. He also had to watch out for his half-brother's pommel strikes too.

This was confirmed with how, despite outlanding Lucas in strikes, the Sanada Demon Zan succumbed to internal bleeding from a blow or stab.

Nevertheless, like with most of his fight with Zan, Luke couldn't land a significant blow on his big brother and his superior swordsmanship skill.

However, the bastard son of the Minakatas had started clipping and slicing bits and pieces of Kinta's flesh.

"It kind of irritates me that you're as good as you are despite being given everything in the world," confessed Luke.

They clashed swords again. The Akatsuki held true, but it could not stave off the longer reach and thicker steel of Lucas's bastard sword and its superior steel.

"I didn't know what to expect. A spoiled little rich boy, maybe? Someone who has no idea how cruel the world can be. An entitled dishrag of a man drowning in wealth and privilege. But you're something else, Big Brother."

Like a lion to a gazelle, Lucas stalked his prey, his strikes that previously whiffed and got countered slowly clipping and slashing his tiring brother, wearing him down.

However, like a gazelle to a lion, Kinta evaded Lucas. The bastard child of the Minakatas had yet to land a significant blow on him even as his collection of flesh wounds increased.

Even when Luke blocked the Mangetsu O Tsuku Nari (Full Moon Slash) with his much longer, sturdier bastard sword, Kinta's Akatsuki (Red Moon) katana could still penetrate the block and leave cuts on him.

Deep cuts. Cuts that almost dug deep into his bone. His nerves. His veins. Or even his very soul.

Like a dashing stag's horns piercing through the lion's hide from mid-pounce. The prey fighting for its life, injuring its predator.

'Of course it wasn't going to be that easy,' thought Lucas with a smile that formed on his bloody mouth, his teeth dyed red. 'Fine. Anything that's worth anything should be this hard to get!'

***

Inside the nearby abandoned warehouse building…

Yahiko wandered into the area where The Faceless threw Tatsuya Minakata into, the banker's body messily crashing through the structure's western-style windows.

His slippers stepping on shards of glass that glistened in the moonlight, crushing them under his soles.

"HEY! Thin Man! Where are you? Are you still alive?" called out Yahiko, referring to the V.I.P. he was guarding.

Tatsuya Minakata, the banker son of the famous hatamoto-class samurai oligarchs of both the Shogunate and the Meiji Government, the Minakata Family.

One of the heirs of the huge Minakata Zaibatsu (Conglomerate), Tatsuya was next in line to inherit his family's vast fortune after his mother kicks the bucket. Or so Myojin heard.

He was followed by his younger brother the lawyer and their swordsman nephew, the former member of the Shogunate's special guard.

These people were so filthy rich, they'd make Chizuru Raikouji's family look poor. Or the drug dealer Kanryu Takeda look downright middle class. Or fellow oligarch Jusanro Tani quaint.

'Wonder what that's like,' thought Yahiko with a smirk and a head-shake, repressing memories of him pick-pocketing for the mob to help pay for his family's debts.

Even just one of the trinkets or heirlooms here, like a painting or a suit of armor, would've been enough to pay for his parents' debt with the yakuza. Maybe. It looked like they wanted to have him for keeps.

He maneuvered his sandaled feet through the glass shards like he were walking on eggshells. Shiny, sharp, painful eggshells.

He found Tatsuya in the nick of time. He lay there but not in a pool of his own blood, though he did receive several cuts from going through the window.

"Whew. Thank goodness I found you before The Faceless could get you, Thin Man," said Yahiko, his voice barely above a whisper. "…Uh, Tatsuya-san? You okay, bud?"

"…Y-You're fired," groaned Tatsuya. "I'm going to have my brother sue you for the injuries I've sustained, you teenaged brat!"

Myojin sighed in both relief and exasperation. "Yeah, you're welcome. Save your life? No prob. Think nothing of it."

"Save my life? My assassin just threw me through a window! I almost died!" yelped Kinta's uncle.

Yahiko then barely had time to parry and back away from the attacking Faceless in his next breath, its tip clipping his clavicle, drawing blood.

He cursed under his breath. If John Rathbone could get away with it, he'd kill him with a thousand cuts.

"You didn't kill Minakata Tatsuya yet?" accused Yahiko. "You had every chance to do so."

"I like to play with my prey," answered The Faceless, who now wore a different mask than before. "Half the fun of my assassination missions is the thrill of the hunt and triggering the primal instincts of my victims. Fight or flight."

Yahiko groaned, realizing he now had to deal with this pantomiming foreign invader with a mask shtick worse than the late Hannya from the Oniwabanshu (Castle Guardians).

Tatsuya himself said to The Faceless, "Forget the kid. Whatever your sponsor is paying to assassinate our family, I'll double it! Triple it, even! Stay and become our bodyguard and you could earn a fortune!"

"Watch your filthy mouth, my little piggy bank," said the master fencer. "Once the kid dies, I have no reason to let you live either."

"What a coincidence. I feel the same way about you, Faceless," said Yahiko, surprising even himself with the boldness of his words.

The Faceless smirked. "O-ho. You wouldn't care to translate that feeling into action, would you?"

"I might be tempted," the Son of Tokyo Samurai said.

"Would you, now?" The Faceless proceeded to put his right sword arm forward, pointing his rapier at Yahiko's face while his other hand rested on his hip, his left arm bent on its elbow.

He also had his right leg bent forward, his lead foot pointed at his opponent while his left rear leg and foot pointed to his left side.

The Faceless—who now decided to refer to himself as John Rathbone instead of Fabian La Cerca—told the samurai kid, "Didn't realize you brought your friends along. I miss my dagger. Now I can't show off Fabian's sword and dagger technique."

'Good,' thought the teenager, resisting the urge to stick his tongue out at the fencer lest he cut it out. 'I can barely land a hit on you with that dagger around as is. Thanks, Minoe.'

As the moonlight touched the naked blade of Yahiko's inherited sakabatou, The Faceless remarked, "What is with that sword of yours? Is it a sickle you're wielding or a sword? The blade is on the wrong side. You can't cut someone down like that."

Yahiko then said, "It's not for cutting down people. It's for saving people. It's the sword of life."

***

Kinta Minakata didn't mean to retreat. He got forced to do so.

Like sheep being herded back to their corral by a farm dog. Or a pack of wolves picking the herd apart for lunch.

Was he really luring his half-brother to a trap or was he being herded by him instead? It depended on which one of them would ultimately survive this encounter.

He'd actually been waiting for a counter opportunity that never came. Instead, he faced constant, unrelenting pressure from his supposed half-brother.

The literal Minakata bastard.

He didn't know what to think about it. His mind whirled of memories of being bullied and made fun of by his peers for having his father cuckolded or invaded by a foreigner, stealing away his wife who birthed a bastard.

The child whose father ruined his parents' marriage and led his own father to commit sepukku (ritual suicide) by hara-kiri (disembowelment) and later decapitation.

This devilish blond man was like all that past trauma of his personified. This son of a bitch.

No, wait. He'd never call him that. He'd never shame his mother that way.

Rather, he was a son of a gun by the truest sense of the term. A "gun" referred to a foreign military person, he believed. Sons of guns tended to be children of navy sailors.

The phrase potentially originated in a Royal Navy direction that pregnant women aboard smaller naval vessels had to give birth in the space between the broadside guns to keep the gangways and crew decks clear.

He would've pondered on this more had his relentless half-brother gave him enough breathing room and time for his brain to process this bombshell of a revelation.

He'd nailed several counters at Lucas already but he wouldn't go down. As if him attacking while already bleeding and injured by Zan was a lie or ruse to get Kinta's guard down.

The man's stamina was impressive. Unlike his stamina, which was the complete opposite.

Lucas had been fighting, beating, and killing bodyguards left and right for what felt like hours and there he was, fresh like a daisy.

Or rather, the presence of blood seemed to sharpen his senses, activating his fight-or-flight instincts. Or a shark going into a feeding frenzy. Even if it was his own blood.

Luke's wild, beastly eyes shone in the dark, lit by a sliver of moonlight. Like the eyes of an animal ready to pounce. To prove that sometimes even the savviest of humans had to let nature take its course and succumb to getting mauled by a lion or bear.

Cunning and careful planning could only take you so far in the wild.

Kinta also had one serious problem. Try as he might, he couldn't bring himself to hate this stranger who tried his best to kill the entire Minakata Family.

He shouldn't feel this way, especially against such a dangerous man who already murdered so many of his family's elite guards as well as several of the Sanada Ninjas.

Everyone's lives were at stake against the Brigands Guild of assassins and mercenaries.

***

Yahiko remembered Kaoru's words like it was yesterday.

"The Kamiya Kasshin Ryu is a sword style that my father developed during the Meiji Era after surviving the turbulence of the Bakumatsu."

Her father and the founder of the Kamiya Dojo, Koshijiro Kamiya, didn't approve of murderous swords. With the ambition for swords that gave life, Koshijiro and his daughter Kaoru gave this sword style everything they had for 10 years.

"The sakabatou is a sword that gives life instead of takes it. A life-giving sword," said Yahiko, echoing what Kaoru and even Kenshin had told him in the past on why they chose to teach him Kamiya Kasshin Ryu instead of Hiten Mitsurugi Ryu.

"A life-giving sword? What utter hogwash is that? Next you'll tell me you want a healing gun, or a bomb that puts your limbs back together!" mocked The Faceless.

"You're lucky because I follow a non-killing sword style. Even though I want to kill you to avenge the people you've killed, I'll settle on defeating you," said Yahiko while falling into his Water Stance.

He inwardly cringed at his audacity for saying those words but knew deep down that even though he didn't share Kenshin's past regrets, he also wasn't too keen to spill blood himself.

He promised both Kenshin and Kaoru he wouldn't. Let the endless murders end with the Bakumatsu, they said.

"You are aware that this is a duel to the death, child. I'm under no obligation to spare your life even if you're foolish enough to spare mine," said The Faceless.

"A sword is made to kill. Let me teach you that painful lesson, boy."

"Spare me the speech. I've heard it all before.  'Swords are weapons.' 'Swordsmanship is the art of killing.' But even if you think I'm sugarcoating the truth, I can and will show you what a life-giving sword is all about."

Myojin wondered if he could back up his bluster or if he wasn't merely bluffing. A sword that gave life instead of taking it away was patently ridiculous and totally contradictory.

What pushed him to say such things? What made him choose to believe Kaoru's flowery words and her father's idealistic beliefs like Kenshin did when they first met?

"Heh. Is that so? Spoken like a child who has never gotten blood in your hands," harrumphed the masked Faceless, his mask-covered nose seemingly upturned at Yahiko.. "You're a child."

"Yeah, and? So what?" said Yahiko. "I'd like to keep it that way. I don't want to be a murderer. I just want to beat you."

Yahiko did a Simple Attack from the Jodan-no-Kamae (Fire Stance) of having the sakabatou raised high up over his head, his muscles tense and his shuffling footwork gauging the distance by feel.

Whether it was a slash or a thrust after a miss from any of the eight directions as shown in the Kuzu Ryu Sen, it didn't matter.

He expected the Parry Riposte to happen and was actually baiting him to strike to do a combination strike or Compound Attack (attacks with feints) or even a Counter Attack (responding in a way that avoided the riposte while landing the counter).

Patiently, Rathbone's riposte turned into another circular parry as he danced around Yahiko's probing swings and answered with blocks and deflection, as though figuring out the kid wasn't committing fully to the strikes enough to land an effective counter to the counter or Counter Time.

Yahiko did more feints to draw out a possible counterattack from John Rathbone that he could counter or do his own Counter Time. Or he even countered an obvious feint from Rathbone, hoping to react fast enough to counter the resulting Counter Time with his own Feint in Time or a feinted counterattack.

'So he's another samurai who knows the Tactical Wheel,' thought Rathbone. 'Fascinating. Kenjutsu isn't the primitive, ineffective martial art I thought it was.'

The Faceless then read and parried all his feints until he found an angle where he could do an off-time riposte before Yahiko could react.

The thrust didn't stab the teenager in the heart, but only because John slashed at the last second to avoid Myojin's Hadachi (Sword Catch) technique.

"You're a funny fellow, kid," said Rathbone with a chuckle while wiping Yahiko's blood from his triangular blade. He then turned towards the injured Minakata and declared, "You have a champion with you, Minakata Tatsuya. And what a champion."

For his part, Tatsuya Minakata managed to crawl to the nearest boxes and rest his back there, sitting away from these two dueling fools.

He'd give a king's ransom to have both of these dangerous idiots beheaded.

***

Judging by the additional wounds Kinta Minakata gave his bastard brother, the gulf in skill between the two was apparent.

So why didn't it matter? Why didn't the long-lost "Takuto Minakata" crumple down and die from his strikes?

Did he really need to cut him through the bone, lop off his limbs, or decapitate him to kill him? Otherwise, he wouldn't die?

He still kept standing. Biding his time. Parrying endlessly, like his (presumably) sword master The Faceless would, in order to find an opening.

Luke's defense was practically nonexistent compared to Rathbone. However, he more than made up for it with his limitless stamina and out-of-this-world resiliency.

In comparison, the only blood staining Kinta's clothes were that of his brother's or any of the Brigands Guild he'd faced off against so far.

And yet a he felt a sense of gloom at the back of his head. He had to keep his guard up as long as Lucas kept moving.

The blonde foreign devil looked injured but to be honest, none of his bleeding wounds were fatal. They were just flesh wounds.

Also, Lucas noticed that he hadn't landed a significant strike on his brother for quite some time. Injured and bleeding, Luke charged forward, cutting the distance between them and making it harder to land full-strength counters.

Like he'd been prolonging this fight to memorize his older brother's tempo, range, tells, tactics, techniques, tendencies, and rhythm. As though a war of attrition favored him the most.

Now every time Kinta attempted a Full Moon Slash, Luke braced himself to block the strike with a two-handed parry before it could reach its apex.

He also sidestepped the slash with a blade deflection. He even minimized the impact of an unblocked or belatedly blocked technique by hopping backwards and letting the arcing slash push him away.

And just like that, Kinta's ultimate attack had been sealed. He couldn't even do a Blue Moon Slash anymore because Lucas wouldn't let him even land one Full Moon Slash.

On his part, Luke didn't relent on any of his attacks either, with every slash, stab, and chop of his with the potential to maim, bisect, dissect, draw, or quarter anyone it hit.

Again, Minakata felt like a helpless child dodging carriages or a stamped of spooked horses in open traffic.

His brother really swung for the fences. And even if his full commitment to his strikes left him wide open, he was more than willing to take a shallow slash to land a deeper one.

How very Japanese of him for a gaijin. He embodied the very definition of the Japanese saying, "Let them cut your flesh, and you will break their bones."

***

By the age of fifteen, Yahiko had become a national champion level swordsman feared and revered in Tokyo as "The Catcher of a Thousand Blades" thanks to his shirahadori (blade catching) mastery.

At that time, he had also mastered Kamiya Kasshin Ryu, proving as much with the feat of stopping the first five attacks from Kenshin's Kuzu Ryu Sen (Nine-Headed Dragon Flash) technique once.

Nevertheless, Myojin grit his teeth as he faced off against The Faceless' comparatively tamer yet more methodical attacks.

Having to deal with an elusive opponent who picked his spots, took his sweet time to attack, you couldn't hit, could read all of your attacks and feints felt like pulling teeth.

Or a thousand paper cuts while submerged in a lemon bath. These little nicks that were shallower than a wound yet somehow felt worse, like you'd been set on fire.

The difference between death and torture, even.

"We have a hero with us," mocked Rathbone, daring Yahiko to strike all the way with circular parries and inviting thrusts. "I'll gladly play the role of the villain now. Don't disappoint me, hero."

John Rathbone really was the spirit and image of Yutaro Tsukayama's fencing-like kenjutsu, right down to slowing the pace to a crawl in order to peck and prick the enemy to death.

Or at least anger an opponent enough to make him charge recklessly and commit with full bone-cutting slashes then make him pay for his recklessness.

'…How did this gaijin defeat the echolocation ninja anyway?' Yahiko thought as they again exchanged parries and dodges. 'A ninja who could detect and react to him instantly. And could mess with his rhythm. What is his secret to solving those problems?'

Yahiko observed that no matter how hard he feinted or attempted to interrupt The Faceless' rhythm, he'd find a way to recover, parry, or dodge then reset the assault or counter off any of the samurai teen's attempts at charging.

He had a safety zone he could shell up into or retreat towards to cover up any gaps or openings in his stance or his actions.

Even when the Sanada Demon interrupted his rhythm, he could still counter off any openings presented to him by a charging opponent.

He always set the pace and countered at more flexible or awkward angles compared to the comparatively frigid stances of kenjutsu.

He was one step ahead every time and did mind games on what he'd do next. His wait-and-see strategy also allowed him to adapt and counter any tactics thrown at him.

Just like Yutaro's modus operandi.

Because of his injured hand, Tsukayama relied more on an overall strategy that used his opponent's strengths against them instead of relying on tactics and discovering his opponent's weaknesses throughout the course of the battle.

However, this persistent sense of déjà vu (French for "already dreamed") merely pushed Yahiko further, his curved sword clashing in sparking flashes with Faceless' thin straight blade with endless probing parries to find openings or to create them.  

Fortunately, Yahiko's newly acquired skills of dodging, blocking, parrying, and cutting the distance from a retreating opponent limiting the amount of thrusts and ripostes from John.

His endless drills with May Brooks/Satsuki Sakaguchi had paid dividends. Otherwise, he would've been skewered by the Faceless long ago.

The Kamiya Kasshin Ryu master also remembered why he went into his Musha Shugyo (Warrior's Pilgrimage) in the first place. To defeat his rival, Yutaro, and his defensive kendo skills.

***

You shouldn't let his crimson mask of blood deceive you. Lucas Grant was more dangerous now than he was before he started bleeding.

It could be that Lucas was stronger and more durable than Kinta the same way Luke's bastard sword could break the samurai's katana because of its higher grade, carbon-rich steel.

However, it didn't necessarily matter.

Kinta was no mere injured animal fighting tooth and nail for his life by letting his base instincts take over either.

The Mimawarigumi Battousai was as dangerous to his fellow men as men were to animals.

Humans were weaker than most animals yet they somehow ended up becoming the dominant species in the world.

Kinta was no mere beast. He was more than a lion. He was a man. A hunter. The human animal that was on top of the food chain. The apex predator of apex predators.

Granted, a human wasn't faster than a cheetah. Nor stronger than a gorilla. Nor more brutal than a tiger or lion. His nails weren't as sharp as bear claws. Without clothes, he was as exposed as a naked mole rat or a chick that fell off its nest.

By all accounts, in the animal kingdom, a human should be prey instead of the apex predator.

However, humans weren't as weak as one would think.

They had opposable thumbs like apes and monkeys, allowing them the ability to make tools and tightly grip sharp weapons to make up for their lack of claws and raw strength.

They were long-distance endurance runners. While animals could outrun any human at any given time, a human was adept at stalking and tiring such animals down with unrelenting determination.

Any animal could beat humans in a race but they'd tire out trying to outpace a human in a marathon race.

Humans could also sweat, which allowed them to efficiently cool down and prevent themselves from overheating due to activity.

Most animals did not have as effective of a cooling system as humans, so any exertion of commensurate effort on their part, like fleeing or fighting for their life, will leave them more exhausted compared to the self-cooling human.

However, the weapon Kinta had in between his ears was what made him the most dangerous.

The human weapon of intelligence.

A human was able to plan, work with groups of other humans, and make tools. He was no mere animal acting on instinct.

The most intelligent and methodical of humans could turn hunters like any of the big cats into the hunted by springing traps on them or using projectiles against them, from rocks to spears.

Humans could also communicate with each other through language. They could take down even huge animals like elephants, rhinoceroses, and hippopotamuses by tactics, traps, subterfuge, and cooperation.

Even as Lucas pressured Kinta to retreat from an endless barrage of decapitating strikes—knowing his large chunk of steel he called a sword could withstand a strike better than the thinner though sharper katana—the samurai conserved his energy.

He'd memorized Luke's tactics, which kept him safe from even the wildest strikes through pattern recognition. Like a human stalking his prey and memorizing their movement and habits before going in for the kill.

Even as Kinta panted and sweated from the effort, his intelligence kept him from succumbing to wild beasts like his reckless brother.

Even as he tasted the rusty tang of his own blood in his mouth after clearing his throat, his brother still could barely touch him.

Alas, his brother was no mere beast either. Lucas also resembled the human animal, particularly in terms of his tireless stamina, quick recovery, hand-eye coordination, and ability to outlast his prey like an ancient hunter-gatherer.

A modern human with caveman-like strength and instincts.

***

"…In the next attack, I'll parry thrice then do a riposte," said The Faceless all of a sudden, alarming Yahiko. "Pay attention now."

Was he going to really do it? Was he going to tell him his next attack and still land, confident that Myojin couldn't come up with a counter? Or was he lying about doing that and he'd counter a different way?

And so Yahiko attempted to fly and bash Faceless on the noggin, only for him to get parried.

He then attempted to break the sword with the Tsui Gami (God Hammer), with got neutralized with two parries, followed by a riposte that he tried to counter with the Shippu Jinrai Dotou no Ken (Gale Thunderclap Billow Sword) to the wrist.

However, the riposte ripped through regardless, with Rathbone turning his wrist to parry the blow with his elongated sword handle.  He was landing at will now.

Damn you, Cat Eyes. Oh wait, this wasn't Cat Eyes. This was The Faceless.

Rathbone said, "Wipe yourself, kiddo. You're bleeding."

"…I needed that scratch to awaken me!" responded Yahiko.

Fine. Whatever. He'd been planning to use this technique against Yutaro but… what the hell. He might as well use it on this mirror image of Yutaro's kenjutsu.

Yutaro's swordsmanship was such that it didn't matter if you used your best techniques at him, he'd use your strengths as your weakness with a strategy that figured the whole essence of your own kenjutsu out.

Yahiko was different. He was the Yang to Yutaro's Yin. Or vice-versa.

Instead of figuring out a strategy to take out an opponent, he'd rather wing it or improvise, like when he figured out the weakness of the high-flying Hennya Kariwa was someone who could fly like him.

Any strategy Yahiko exhibited was purely incidental. He was more a think-on-your-feet kind of guy who relied on gut instinct to think up new tactics on the fly.

And his gut instinct told him that The Faceless had the same fundamental weakness as Yutaro.

"Next we'll do a Beat Parry Riposte," bragged Rathbone, only for him to frown when Yahiko charged at him. Like an enraged bull annoyed by all the cape waving of the matador.

'Huh. Fine. If he wants to play to my strengths, I'll indulge him,' thought John, preparing to do a Beat Parry Riposte regardless of what attack, counterattack, or feint Myojin had in mind.

Yahiko instead responded with a Counter Time. So it was a feint.

'No problem, time to adjust…?!' thought John before getting blindsided by a simple head strike, the blunt end of the sakabatou hammering his noggin and leaving a crack on his mask.

To himself, Rathbone wondered, 'What just happened?'

"Maybe next time, you'd have the common sense to not tell me what you're about to do next, old man," the petulant teenager answered back.

***

Back after The Faceless recently faced-off against Kinta Minakata, he relayed the following information to Lucas Grant.

"...I didn't notice it at first since I'm no a spring chicken myself, but Minakata Kinta has stamina problems. He slows down the longer you prolong a fight. Just like me, because of my age. Your youth will win out as long as you can withstand his extensive swordsman experience."

"Does he now?" Luke had asked with a twinkle in his blue eyes. "That's fascinating. Tell me more about Niisan (Big Brother)."

"Make your duel into a war of attrition. I haven't met anyone who has ever outlasted you in a fight. Turn it into a brawl. Throw away all technique. Don't bother outthinking him, just keep on striking. Take him into deep waters. Drown him. Show him how you've survived after all these years."

And thus Lucas did just that. Running high on adrenalin and testing the limits of his monstrous stamina, Luke kept his breathing low to conserve his energy.

He kept his frenetic pace by taking breaks while Kinta second guessed his next move and using twitch reflexes to counter or respond without thought in the middle of his rest period.

Boy, was his big brother a tough nut to crack. Most other swordsmen would've succumbed to him by now. However, the Minakata boys were apparently built different.

He'd thrown everything at him but a kitchen sink, and all he had to show for it were minor scratches and bruises.

Like he'd merely been roughhousing him on the playground like his childhood bully instead of doing his best to assassinate him then and there.

He'd poured the pressure on him, each of his full-power strikes killing blows in their own right, but the high-ranking hatamoto samurai remained cool under pressure. He had ice water in his veins.

The plan was to push his half-brother to his limits and run him ragged, knowing full well that he had respiratory problems stemming from his time with Hidden Christian rebels.

However, the red-faced Luke himself ached all over. He had a splitting headache as well. He underestimated the toll of exerting himself so much, yet he ended up swinging at nothing but air every time.

That cunning bastard. Even as Grant attempted to tire Minakata out, Minakata turned the tables on him and tired him out instead with all his missed swings and over-exertion.

His threshold for pain might be high, but he was testing its limits with all the cuts and lacerations he kept barely blocking from the Mimawarigumi Battousai.

He was also left to wonder: Was Kinta's deadpan face the look of someone out of breath and dying from his effort? He couldn't tell.

Kinta looked like he just went through a light jog. He'd broken a sweat, finally, but what of it? Did it compare to the buckets of blood Luke had already spilled?

Which one of them really was the more tired of the two?

Luke gulped hard, bracing himself for a long volley of attacks to come just to break apart his half-brother's clam shell defense and counters.

He had to do this though. Kinta Minakata was the biggest hurdle towards him getting his revenge against the family that abandoned him and his mother. That turned his life into a living hell.

Even with The Faceless' cunning strategy in mind, everything was still going to go down to the wire. Survival of the fittest.

'No hard feelings, Big Brother.'

***

Yahiko fell into his neutral Water Stance once again.

A basic kendo stance that invited all sorts of fencing attacks or counters at every corner from the more mobile sword style.

The Faceless' sword arm swung like a pendulum again, ready to parry, slash, or thrust at a moment's notice, with it serving as his means of gauging his opponent's next…!

The floor buckled beneath him. In a second, Yahiko had struck the ground with a Dou Gami (God on Earth).

Dammit. That technique had a wide berth and swing! Why couldn't Rathbone anticipate it this time?

Caught flatfooted, John Rathbone hopped to stable ground, away from the sudden explosion of rubble and debris, his sword ready to preemptively attack or counterattack.

Yahiko emerged from the smoke with a running start. Rathbone did a counter thrust that turned into a parry at the last second.

They ended up pushing off against each other with the strength of their swings, John's rapier trembling from Myojin's attempt at a blade-breaking Tsui Gami.

"The Faceless's blade is not so firm," the samurai kid said in jest.

The Brigands Guild member answered, "Still firm enough to run you through."

"Is that right? Make sure to keep your wrists safe from harm, then."

"What…?"

While Myojin was initially intimidated by The Faceless calling out his attacks, he realized it was no different from kendo matches calling out the part of the armor they hit when they were having formal matches.

It was up to the opponent to register what was said and respond. And respond he did.

"KOTE! DOUTOU NO KEN!"

As Yahiko's original signature move as a child—the Gale Thunderclap Billow Sword—landed on Rathbone's wrist, disarming him, the samurai teen inwardly grinned.

That was the weakness of The Faceless. Same as Yutaro Tsukayama.

When push came to shove, they'd wait for an opportunity to counter rather than attack 9 times out of 10.

Even when they attacked, they tended to bait a counterattack first to make their attack a counterattack.

The only time they attacked was when they had run out of options, but at that point they become vulnerable to counterattacks themselves.

Timing a Counter Time right in a way that they didn't see it coming was the key to success.

To John's chagrin, he heard Tatsuya holler at him. "Well, well, well. The fencing master has met his equal."

'My equal, you say?' thought the indignant Faceless while rubbing his wrists. 'Excuse me? Him? My equal? Balderdash.'

***

From the high-pace exchange of slashes and parries, the fight between blood brothers ground to almost a halt.

They paced themselves equally, with Luke pushing for the action while Kinta defended and kept an eye out for counter opportunities.

Their breathing was heavy. They panted like tired dogs in the middle of a summer heat wave. Their fight that lasted minutes felt like hours of nonstop trench war.

Neither willing to give ground. One fought to salvage his honor. The other fought to enact revenge upon the family who abandoned him.

On one hand, there was Kinta Minakata. He glistened with light perspiration from the effort and a couple of cuts and bruises, but his breathing was as ragged as his half-brother's.

The only blood on him was his brother's, among others. As expected of the sole Mimawarigumi survivor given the same moniker as the Ishin Shishi's own Battousai.  

His wheezing and occasional coughing belied his pristine condition. He also looked paler, perhaps even bluer, then usual.

On the other hand, there was Lucas Grant. He was supposed to be named Takuto Minakata, but his blond hair and blue eyes after he was born gave him away.

He looked like he'd gone from hell and back after taking on two of three Sanada Demons. However, his movements looked somehow sharper and livelier than his brother from another father.

For someone who looked like he was tortured, there remained a spring in his step. As though the blood on him was not his own. Or perhaps bleeding somehow invigorated him.

Which one of them was more exhausted? Which one of them was on the verge of death? The one who looked like he was almost dead or the one who sounded like he was almost dead?

Those were the thoughts filling Lieutenant Satoru Sakaguchi as he cradled his daughter near him while warily giving the side eye on the other remaining Brigands Guild member.

For his part, Kai Hidaka himself watched the bullfight of a match between fellow brigand Lucas and his brother, Kinta. If he were unmasked, perhaps he'd show an agape mouth.

Neither of the three moved from their positions as tensions rose between the panting, gasping Minakata Brothers.

The heavy breathing and groaning soon relaxed and slowed until they stopped altogether.

The two Minakata Brothers then stood up at the same time. They had saved up all their strength for this last salvo.

They controlled their breath and measured the distance between them by eyesight. They seemed to breathe almost in cadence with one another.

Slowly but surely, Kinta sheathed his blade. Meanwhile, Lucas kept his hunk of sharpened iron stabbed into the ground, waiting for the right moment to pull it out and lift it for an attack.

***

Yahiko thought about running after or even stomping on Rathbone's rapier on the factory floor to break it apart, but its owner had already dove to get a hold of it.

Oh well. Thusly, the Tokyo Samurai Descendant said, "For my next trick, I'll break that sword of yours apart."

John harrumphed. So now the kid was calling his shot as well? "You dare use my own gimmick against me, Myojin Yahiko?"

"Yessir. I sure do dare." The Tokyo Samurai Descendant fell back to his familiar Water Stance.

Rathbone himself fell into his En Garde fencing stance in kind, bouncing on his heels and measuring the distance with probing rapier thrusts.

Knowing what would happen next. They both knew, actually.

Rathbone had figured out how Yahiko was landing his strikes. The samurai kid used the same preparatory stance to initiate all of his offense, transitioning suddenly to other stances from the basic kendo stance if he had to.

This way, he gave no "tell" or "signal" to what he was about to do next. His stance remained neutral at every exchange.

All of his techniques, from the Revisal Techniques to the original Kamiya Kasshin Ryu and even his imitation Hiten Mitsurugi Ryu moves could be done from the Chudan-no-Kamae.

Making Rathbone second-guess which attack to counter allowed Yahiko to react to his belated counters in time and do the appropriate Counter Time.

In this scenario, even a "telegraphed" attack like Dou Gami could land, because if John were to notice it in time and counter, Yahiko had enough time to react and turn the strike into a feint and Counter Time.

"Genei Gami (Phantom God)," Myojin whispered.

Hiding all his techniques' preparatory movements from the neutral stance to better read his opponent was the next step of his Revisal Techniques.

And as the blocked Dou Gami finally gave Yahiko enough room to execute the Tsui Gami, Rathbone's rapier finally broke into two pieces.

Alas, this was what Rathbone bet on.

With a gloved hand, he grabbed hold of one piece of the broken sword and dual wielded the blades, blocking the samurai kid's follow-up strike with the bottom half and stabbing him in the shoulder with the top half.

"My equal? Really? ¡Qué huevá más grande! (What an annoyance!)" said John Rathbone, who'd transformed into the Spaniard Fabian La Cerca at the last second upon finding a way to turn his rapier into his favored sword and dagger weapons.

"AUGH!" said Yahiko, who had gripped The Faceless' wrist in time to keep the rapier from reaching his vital organs, his face twisted in anguish.

"You're 100 years too early to be facing me, child."

***

To Lucas's surprise, it was Kinta who spoke first after his katana slid to its scabbard with a click. He had one question for him.

"What happened to Mother?" asked the heir to the Minakata Zaibatsu fortune.

"She's dead," said the Prodigal Son matter-of-factly. "Your family killed her. Called her a traitor to her nation. A whore to the gaijin invaders. Disowned her. Cast her aside. Banished her as their black sheep. Forgot about her altogether, like she didn't exist. Does that answer your question, Big Brother?"

"…."

Despite himself, Satoru murmured, "So the rumors were true. Damn."

Beside him, the officer's daughter stirred, pretending to be asleep but clearly hearing what Kinta's yonger brother said.

Azuma Minakata committed ritual suicide after his wife slept with a foreigner and bore their bastard son. Afterwards, Aoi Minakata was never heard from again.

The Minakatas pretended she never existed and thus she didn't. Until now.

The two finally addressed the elephant in the proverbial room, clearing the air between them.

It was the very thing that held them back and kept them from going all out. It left them wondering what they were even fighting for.

Now they know. The Minakatas committed an unforgivable sin and their unknown grandchild had come to collect.

Also, like cowards, they used their precious heir to the throne to defend themselves against retribution, making him implicit to their crimes. An accessory to murder.

Lucas would've rather drawn and quartered his cowardly Uncle Kaneda. Or tortured the pride out of his arrogant Uncle Tatsuya before beheading him.

Maybe even mercy-kill his Grandmother Mieko. Then piss on the grave of his late Grandfather Toshiro.

Luke had been disguising himself as their bodyguard all this time for a reason. To gauge whether they deserved retribution or if they changed from their evil ways. What he saw of them steeled his resolve. Most of them deserved what was coming to them.

Alas, their honorable nephew or grandson Kinta was in his way from committing justified familicide.

It couldn't be helped. They were both victims of circumstance.

The two then charged at each other, Kinta waiting for the right moment to draw his Akatsuki (Red Moon) katana and Lucas preparing a full two-handed swing of his bastard sword.

***

The Faceless's body stood up in attention, as though preparing to march. He then shifted to his fencing stance, his free arm settling on his hips, his jousting or fencing hand moving in circles in front of him.

Yahiko was now faced with two problems. One, his shoulder got injured, so his reaction time had been physically diminished.  

Two, The Faceless was back to using two swords, so even the Genei Gami's ability to hide which attack he was using could not overcome Fabian La Cerca merely blocking or parrying with his other arm.

They were back to square one. Only this time, the game of cat and mouse was over. The cat won and the mouse ended up too injured to still play with.

The cat was about to eat him now.

'Oh yeah? Well screw that!'

Throwing caution to the wind, Yahiko shifted to the offensive Fire Stance this time. His true signature stance—an all-offense one focused on striking at the precise moment.

He feinted and baited the dual-wielding fencing master for all he was worth.

However, he couldn't land a counter-counterstrike this time because Faceless had one other trick up his sleeve other than the broken tip of his rapier. He also broke his rhythm.

He stopped. Paused. Avoided committing into a regular tempo or pattern to allow himself to react even at the last second in case he again misread an attack or feint from Yahiko's Phantom God.

He shifted from fast to slow at irregular intervals, like the clumsiest and drunkest dance partner determined to step on your feet at every turn.

For, unbeknownst to Myojin, this was how La Cerca ultimately beat the tempo-altering, echolocating techniques of the bat ninja Baku.

Furthermore, La Cerca could shift between attacking and defending with either sword arm. He could turn his swords into dual shields or shift between sword and shield on either hand at a moment's notice, depending on the exchange.

The Faceless outclassed the injured and slower samurai in every single way.

However, before the fencer could finish the samurai off with another stab or even an arterial cut to make him bleed so much he'd pass out and die, he had to deflect shuriken from out of the blue and retreat.

A certain ninjutsu master just came back from retrieving the horses and carriage that got spooked earlier by paid Chinese mercenaries.

The steadfast ninja arrived just in time and almost blinded La Cerca with twin kunai to the two exposed eye slits on his mask.

"Kinta! I mean, Kaita!" said Yahiko, mixing up the names of these people he only recently met. "You came back! I thought you abandoned us!"

"Of course I did," said Kaita with a shrug. "I still have a mission to complete, Yojimbo (Bodyguard)."

"Where's the carriage?" asked Myojin.

"It's parked near an open field. The horses are tied there," answered the shinobi. "I originally wanted to run The Faceless over, but then you entered this building."

"A shadow dares defeat me?" said Fabian, his chuckle echoing from underneath his plain white face mask. "Mierda (Shit). The only shadow allowed to defeat me is the Kagemusha (Shadow Warrior)."

Kaita looked at Yahiko then at La Cerca. "You're right. I am but a mere shadow. And that's how we'll defeat you."

The next thing they knew, like a magic trick, Tatsuya had disappeared, prompting The Faceless to action. He had no choice, they took away his bargaining chip.

***

Just like with Yahiko and his Genei Gami, Kaita's invisibility trick made it tough to predict the trajectory of his projectiles.

Thusly, Kaita disappeared from their midst, melting into the darkness of the already dimly lit building in order to attack in the shadows like the coward that he was.

Such was the deviousness of these so-called oriental assassins. They were the yellow peril for a reason, or so Fabian thought.

Either warrior proved tricky for The Faceless to handle on their own, but now they'd decided to join forces, they were double the trouble.

Fine. He'd take them both on at the same time, if need be.

Yahiko and La Cerca clashed blades once more, only this time the kid samurai wielded his iron sheathe like a second blunt sword but with a reverse grip to counteract Fabian's sword-and-dagger technique, just like before in the narrow alleyway.

Interesting. But what about The Faceless' broken rhythm?

Yahiko answered the baits to counterattack by simply attack. He didn't need to dance to the broken rhythm of Faceless' tempo. He'd rather force Faceless to move to his own beat or get smacked  by a wayward strike.

A Simple Attack. Or a series of simple attacks. No Compound Attacks. No feints. No parries.  No counters. Nothing fancy. Just pure relentlessness.

His offense was his defense (along with occasional dodges and whiffs).

However, it wasn't all predictable. He swung for the fences using slashes that changed levels from high to low. Head to body. Or even hips, thighs, and knees.

His adrenalin rush allowed him to persevere, his shoulder throbbing from the stab earlier.

"Good effort, Faceless-san," said Yahiko with a smirk after Fabian countered another God Hammer with a crisscrossing double-bladed block.

The Faceless answered, "My next will be even better, my fancy clown."

Yahiko's unrelenting attacks and chase down then became unintentional counterattacks because he wasn't timing them to counter any responses from La Cerca.

He merely overwhelmed him with his own responses, like a talkative person talking over and silencing someone else with his endless stream of words. He did multiple Dou Gami blasts on the floor to mess with his footwork or Tsui Gami attempts to break or disarm what was left of his rapier.

The Faceless couldn't even parry anymore due to rough state Yahiko's sword-breaking techniques left his swords at. However, Fabian couldn't be easily overwhelmed.

He reestablished his broken tempo by finding counter opportunities from Yahiko's own overwhelming offense. Like slipping in side comments or sarcastic quips here and there that silenced even the chattiest fellow.

He also upped his reaction time, knowing he was basically taking on a tiring one-armed young man, before figuring out his tempo and countering the attacks in kind but stopping short from getting baited into a Counter Time.

He also bided his time, knowing full well Yahiko had to exert more effort to land his strikes than he did, who in contrast merely had to react to him and his frenetic pace.

"Are you tiring, Yojimbo?" asked Kaita from the shadows.

"Just sit tight and I'll take you on in a moment!" retorted Yahiko with a bloody grin.

To himself, he wondered if this was how a duel with "Cat Eyes" Tsukayama would've unfolded at this point. A tug of war between timing and tempo.

The Faceless, on his part, had also been dodging shuriken, spikes, nails, and other projectiles from the shadow ninja's guerilla tactics and assistance to slow him down and give Yahiko more opportunities to strike.

His broken rhythm that saved him from even Baku's screaming tempo-dictation technique and Zan's echolocation accuracy also made him a reactive mobile target that avoided both Yahiko and Kaita's shared attempts at swatting him down.

For an attack to land, it needed timing and positioning. The purely instinctual Yahiko made up for missed or whiffed strikes with even more strikes or follow-throughs.

Combinations on top of combinations to the head and torso that forced Fabian on the defensive in an endless series of parries and blocks.

'Ah. He fights just like Luke,' The Faceless realized. 'An endless stream of follow-through attacks and recoveries.'

It really was feast or famine with this child. No middle ground.

Hesitation was what increased the effectiveness of La Cerca's broken rhythm. Yahiko counteracted that by not caring if he missed and simply striking in bunches, using the misses to adjust his range from the target better and correct the miss with successive blows.

However, the untouchable Fabian La Cerca started figuring Yahiko's tempo out while avoiding or parrying Kaita's shuriken from the background with his makeshift dagger like it was an afterthought.

He danced around both Myojin's close-quarter strikes and the Sanada Ninja's long-range projectiles, while sneaking in cutting counters that stopped the samurai kid's charge cold.

Like with Baku, La Cerca assimilated and countered off of his opponent's rhythm completely while dodging their attacks and counters at the same time.

Everyone had their own rhythm. However, everyone else couldn't counter The Faceless in kind because of his own broken rhythm that changed in accordance to the circumstances.

Unrelenting offense was no solution to his broken rhythm because it only made the attacker vulnerable to his counters.

Their dance of parries and thrusts continued as Fabian swooped in for the kill, with him completely memorizing Yahiko's tempo and countering at every turn.

Beat. Parry. Beat. Parry. Parry. Dodge. Counter. Over and over. Predictable. How utterly predictable.

Yahiko started looking pretty rough, like the bloody Lucas did after facing off against Zan.

The kid's tight mini dodges, constant head movement, sword-stealing attempts, and his own school's cross-armed parry and riposte (Hadome and Hawatari) kept him in the match, though.

Yahiko, Kaita, and even Fabian noticed a small window of vulnerability whenever he shifted from defending against the ninja's projectiles and the samurai's swings from his sword and sheathe.

A fraction of a fraction of a second. It was a small window, but the Tsui Gami also used a small window of reverberation to strike the same point three times fast. It was in Yahiko's bag.

Confident he was landing his sharp counters and ripostes at will at this point, Fabian went ham and stopped hesitating.

He indulged in continuous counterattacks without fear of any traps or counter times from Yahiko while having that vulnerability in his mind. Determined to do a parry and riposte if that happened.

A shuriken flew from overhead instead of straight-on to La Cerca's head, which he deflected by reflex. For that split-second, his timing was predictable. Yahiko thusly attacked.

However, expecting this, The Faceless feinted a counter (Feint in Time), only to get smacked in the head with a simple attack. His knees buckling slightly, he sidestepped a follow-through and did a riposte.

He knew Yahiko's pattern by heart now, errant attacks that slipped through aside.

However, his every riposte and counter got blocked and parried themselves with the Kamiya Kasshin Ryu succession technique, the Hadome (Sword Halt) and Hawatari (Sword Crossing).

Myojin couldn't time him while he was waiting for a counterattack, so he baited him with a predictable pattern while spring-loading his own counter time.

It took his shuffling feet and upper-body movement to get out of range of Yahiko's counters and ripostes, with him figuring out that the kid had timed him by baiting him and drawing out his counters.

Thusly, he paused and waited to see if it was bait or a real attack.

Kaita attacked again at that moment, triggering La Cerca's reflex. At the same time, Yahiko attacked again.

On this toss-up, he predicted another bait-and-switch from Yahiko and got a face-full of sakabatou for his trouble.

He then defended again with his footwork and mindless stab to keep the kid off of him, only for his dagger to get stuck inside the samurai's waiting sheathe.

Yahiko pulled the fencer towards him within his range and then wrenched out the dagger from his hands.

Meanwhile, La Cerca himself smiled behind his cracked mask. He couldn't remember the last time he'd been this excited to complete a mission. Who was this Yahiko Myojin character anyway?

If it were up to him, he would've devised a proper plan to take him out, just like with Kinta Minakata. The boy proved himself a formidable foe in his own right.

The fencer dodged, slipped, parried, riposted, and countered Yahiko's strikes even at close range, bewildering him.

Then everything went dark, his mask shattering from a concussive Tsui Gami to the side of his temple. Perhaps his skull might've cracked as well.

He fell in a boneless heap at the scratched-up and bleeding Yahiko's feet, his vision swimming as if underwater.

What just happened?

***

To Be Continued...

The dialog between Yahiko and The Faceless is based on the banter between Captain Esteban Pasquale (played by Basil Rathbone) and Diego Vega/Zorro (played by Tyrone Power) during their duel in the movie "The Mark of Zorro (1940)".

Also, naturally, all this shadow talk is based on Tetsuya Kuroko. In my mind, I've transformed the original Kaita from the Rurouni Kenshin Black Knight filler arc into a Kuroko-like ninja.

Danke, Abdiel

[sleepydross]

Examination: The Faceless | A Modern Decadence, or A Modern Expression of the Mutable Soul? Presenter: Zero (Unit Slash) Slash, former Front Line Robotics Specialist, Currently Hardware Coordinator and Systems Connectivity Specialist for Aiani Xenobiotica.

You can't walk down the street these days without seeing the Faceless afoot. There are many of them, and though they tend to be quiet, and even polite, they often avoid interactions with non-faceless, or at least, keep them to a pleasant, professional minimum.

Some operate for collectives - and many think ALL operate for greater, shadowy collectives. This is a social movement, people cry - and they're RECRUITING! We've seen all of this before, of course, in the echoes of the history of Humanity, the history of Demons, and the history of many others from the many planes.

But are they? Is this a shadowy cabal of strange people concealing their visages for nefarious, or dare I even suggest...

Sexual, fetishistic reasons?

Naturally, the answer is... no. These are all the result of baseless speculation the likes of which has origins in...

Let's be kind to ourselves. We all know precisely where these so called speculations and allegations come from, and we know the voices espousing this rhetoric. I'll spare you all a lengthy and miserable history lesson - though if you find yourself confused, I highly recommend Erga Vala Lara's presentations on 'The Basics Of Not Being An Asshole - The Modern World, and The Wrong Things To Worry About.' I assure you, the title is a bit bracing, but xe's very gentle in person, and even offers a full holo of the presentation if you like that authentic feeling.

But you say... the Faceless are submissive! They try to force everyone into their weird perverse-

Service workers serve. Our world might run on an awful lot more than money now, but supply needs are individual. People still need places to go to get specific, individual objects, supplies, ingredients. There's no one size fits all package for everyone, though may basics packages have been devised and are available for various purposes.

Is it so strange that people who fervently believe in the value of service to others, who desire, on a personal level, to be of help to others... would go into service industries? I think perhaps what is most interesting is how many of the Faceless have volunteered for land reclamation in the previously frigid lands near to the source of the White Frost. Outside of the controlled zones of the planet, things are dangerous - and yet, selflessly, the Faceless volunteer in droves.

Many presume this is to escape the higher scrutiny of the walled cities and fortress installations - and such claims have led to a suppression of acceptance onto reclamation effort teams. This has, in turn, led to statistically lower rates of success, and greater incidence of reclamation failure.

People die, because they choose not to bring strong, capable, devoted people whose most prominent goal in life, whose very belief system, is centered around the joy found in helping others. Now, you're free to not believe me, but the numbers don't lie.

Perhaps numbers aren't your thing, however. So let's get down to brass tacks.

What are the Faceless? Why are they... the way they are?

In the later days of the Reconnection, our end of the gateway now known as one of Earth's seven Ways, was still inaccessible. Time itself was broken in its vicinity, and remained so for two centuries. Trust me when I say we did attempt various access techniques, including experimental temporal dilation machinery. The results were... well... There sure were seventy-one volunteers who very suddenly... defrosted, as it were. Quite the mess, for them most assuredly.

Regardless, it was an age of cybernetic growth. We were losing people, and losing them fast. The biggest things to come from that era were the Mark VI Cyberinterweave, which was, if you don't recall, the first to integrate the neural bridge link, and the first to include headware, allowing active realtime monitoring and so much more.

It was, of course, a disaster - one we still feel the echoes of today in the Maraka Act, and a number of other legislative measures related to extensive requirements for volunteer testing, among other such safety precautions - necessary ones, I might add. The headware failures of that generation arguably took more from us than some of the monsters.

However, with the advent of Human Integrated Neurocode Interpreter Platform, or HINIP, such issues were vastly mitigated, and eventually... eliminated.

Why does this matter?

The Vault of The Vast One cracking open in the Grand Trench, or rather, finishing opening, released mutagenic hell upon us. The storms alone would strip the skin from bones in seconds. No one alive today is going to remember this, but it was for a time, not uncommon to see people with severe caustic damage.

The machines that gave us back the sky came not longer after those storms began, but the protective gear...

I imagine seeing a few people melt will really ramp up the anxiety if you're not in your shroud or mask and gear. The regions that still experience that rain, rarely, often have public caches of the equipment, significant shelters...

What does this have to do with the Faceless?

The first reports of Faceless humans come from this time, as this was when the Way opened, and suddenly, we had envoys from a dozen planes. The Faceless, as a group, was originally quite common in Hell, and as such... well, a number of the envoy were such.

With our cybernetic tech being so rudimentary, even with information sharing efforts underway, the original human Faceless were typically what is, in the community, called 'Simplemasked.'

Simplemasking is, essentially, the usage of a balaclava, sometimes without such, and a standard respiration mask with either a mirrored or otherwise obfuscating faceplate that concealed their features. Such equipment, at that time, was abundant.

So why would they wear these masks if they could not express with them, if they could not integrate them more completely?

Because it's not about the tech. It's about CHOICE.

The Faceless do not feel an overwhelming attachment to their biological features. They simply feel differently than many others, and as such, desired a face that was one they CHOSE, and not one that was forced upon them. Very few have ever consented to be born, certainly no one I know consented to it. Furthermore, no one I know consented to their features.

It leads to a lot of arguments, when this point comes up.

Well none of us get a choice! We just have to live with it!

Sir, I have some devastating news for you.

You simply don't.

Why should anyone have to simply live with it? Why should anyone ever have to? Yet, looking back at Pre-Reconnection documentation, even Pre-Vault, Pre-White-Frost documentation...

The Faceless always walked among us. For most of history, they were forced to hide, or as some rather cruel people... just live with it. Endure a face they didn't choose - and that's at the heart of it all, you see.

Choice. It's not about forcing anyone to do anything. It's not about forcing people to engage in some bizarre fetish. It's not something that marks a person as horribly distrustful. You're forced to do nothing but accept one simple fact - another person's body, and that person's face?

You do not, and never will, control them.

But why is this so important? Why do they have to make it their whole identity?

Why do you make your face, sir in the front row who has been scowling for some time, your whole identity? Why did you put so much work into that perfectly waxed mustache? Why is it you wear eye shadow, sir?

The face is the most prominent feature that a person sees. You greet one another, people try to look at your eyes, or your nose or forehead, but they take in details, they make impressions and judgement.

Sir, you look angry, but let me ask you this...? Do you wear that shadow, care for that mustache, do all that damn work... because perhaps you wish to have control over your visage? Is your nose piercing similar? Your face, right?

What makes a person who chooses to mask any different from you, in that regard?

What if I told you, for the Faceless...

Nothing at all. We are animals, sir, but we are very smart, very clever animals who have done things never thought even possible. We have sent people into space, sir... and we have begun to harvest energy en masse from MAGICALLY stabilized plasma torus generators. We have planted feet on deeply distant worlds, breached the FTL Barrier, and we now reclaim our home.

We are not leashed to flesh and bone, nor the faces, or arms, or legs, or organs we were born with. We can save a man blown in half, sir, and give him back his legs, his genitals. In two years, unless he took his pants off, and even if he did if he had the right cosmetic packages, you'd never know he was blown in half in the first place.

We exist in a time where a mask is a simple beast, and I daresay no more radical than, and nowhere near as invasive as, implanted tissue decorations like the gold stripes along your cheekbones... sir.

You don't look angry anymore.

That's good. For what it's worth, you look very nice.

Yes, I do mean that. Thank you for being a good sport.

Now, we've established what the Faceless are, who they are, and their motivations. We've covered history, technology, and this man's fine mustache. I now have to confess to you something.

He's my neighbor, believe it or not. I'm not going to just randomly go at someone in the audience! That'd be rude! Thank you, Ankor. That's it folks, laugh. It's all been so serious, so far, but now... I think perhaps you understand, a little better.

So now, another confession...

[It is noted in the transcript that at this point, the presenter retrieved a relatively standard Faceless helmet, donning it and sealing it to his neck implants.]

We can just talk. You can just talk to us. We're people, just like you. The only difference is... we choose our faces, entirely, instead of altering individual elements. We don't resent you. We don't judge you.

There's nothing wrong with loving your face, or liking your face. Ask a Faceless.

Ask me.

The face beneath this helmet is rather handsome, if I do say so myself.

It just isn't mine.

Goodnight, folks! Thank you for your time. No more lectures, but there is an open bar in the lobby and a tender who makes a WHIRLWIND of Elax Punch-

[cavedwellermusic]

Mithridatrum - Harrowing (2023)

Captivating dissonant tech death featuring members of the Faceless

Don’t: expect The Faceless part two. Do: look forward to some of the most human and emotional lyricism the genre has seen on this slightly flawed, but highly promising first impression. Harrowing is quality dissonant death metal that falls just short of extraordinary, but sets up a solid start to what I hope is a long and fruitful career for the trio. I anticipate any future live performance of this material will be a must-see and I eagerly await that possibility.

[synesindri]

rating: T words: 10 449 relationships: Adam Milligan/Nick other tags: past Lucifer/Nick, Recovery, Trauma, Dissociation, Derealization, Suicidal Thoughts, Hurt/Comfort, Angst, Fluff and Angst, Relationship Negotiation, Ambiguous Relationships, Implied Sexual Content, Angel Vessels (Supernatural), Post-Season/Series 05, Alternate Universe - Canon Divergence status: complete

summary:

“The room has a sofa that pulls out to a cot,” the clerk at the front desk tells Adam while he waits for Nick’s debit card to clear, Nick himself hanging a couple of paces back in the lobby.

Adam responds, “Okay,” same as he had done when she told him about the other amenities neither of them will use. But her consideration is not lost on Nick. A subtle kindness from a stranger seeing a tired-looking kid asking for a room with one bed, with a man twice his age lurking in the shadows behind him.

Nick stares at the grout between the tiles underfoot until Adam comes back with a receipt and a key for a room on the second floor.

-

Post-season 5 AU in which Nick lives and Adam gets pulled out of the cage when Castiel comes to get Sam. Companion to Losing My Religion

[ultraneeks]

The Faceless