#The Creative Directory

[fanaticmorelikefantastic]

I'm just gonna put this here

It felt like it had been hours. Hell, when I checked the time, it really had been hours. Yet here I am, still staring at an empty Word document. Well, almost empty. I kept writing and rewriting the first few sentences. ‘It was a cold and stormy night.’ No. Who starts with that anymore? ‘It was summer, the summer of my-’ Ugh I hate summer, it makes me think of flies. ‘It’s too bad that every love ends with heartbreak.” I’m not even writing a tragedy what? Well I could, but I’d feel terribly bad about it and would eventually end up writing a messy redemption arc with countless plot holes. Ew. I don’t know how long this cycle continued for until I was entirely fed up with everything. That’s a lie, it lasted for an hour and forty five minutes. I was obsessively checking the clock the entire time as though it held some secret answer to my writing dilemma, or the universe, or something. But it doesn’t and I’m all out of ideas, and motivation, and friends, and real romance, and potatoes, and milk, and hair ties, and- okay let’s stop. I shut down my laptop and put it in its bag. For a moment I thought that I could finish that painting I’ve been working on (the one that was ordered by that pretentious a- be nice), but the tedium deterred me. (It does have to be done in the next ten weeks though. I wish I would’ve just picked a struggle instead of being so ambitious.) Maybe a break is what I needed. That or a change of scenery. Both maybe. After standing up and almost falling right back down, I was reminded to eat, or that I haven’t eaten, or that I should go out somewhere to eat while I write! Genius, absolute. I practically ran to my room to get dressed to go. I could walk around and see if there’s anything to eat nearby, or I could just go to one of my regular spots. I had a hankering for adventure today, so I settled on the former. Cute clothing always boosts morale, so let's put some on. I also make sure that they’re comfortable. It’s important to be comfortable when you’re planning on staring at a computer screen for several (more) hours. 

It must’ve been divine intervention that made me want to go outside, because whilst in this cafe (which I never really noticed before) words have been pouring out of my mind. A hook, an exposition, a main character that I actually don’t hate, it seemed like all the stars were aligning in favor of me and this story. Well, all the stars that aren’t the male lead. I had written all the way up to when we meet him, but there he goes, pulling a disappearing act. Nestled in the corner of a cute and cozy cafe on a late autumn morning seemed like the perfect place to have a meet cute with the fragmented image of a male lead, but strangely, he was nowhere to be found. I scanned around the space for any inspiration. The cozy wooden tables and decorations paired with sleek black accents along the ceiling and other places gave the area a moody and romantic feel. The only problem was that there weren’t any moody or romantic people whose style I could rip off for my character. I gave up on my plan pretty fast. I had made plenty of progress already (or at least I gaslit myself into thinking so), so I chose instead to worry about whether or not I should get another one of those delicious sandwiches. Paninis. The food they served here was stupidly good, and maybe it could magically imbue some new ideas into my head. I decided on getting the chicken version of the sandwich (panini) I just had. While I ordered at the counter, my eyes wandered to a mini key lime tart seated behind the glass. I wondered for a second what their desserts tasted like, nestled all cozy in their display. It's what they specialize and advertise so I’m sure they’re delicious, but I needed an excuse to come back later, right? 

I settled into my seat, a new spot closer to the window this time, thinking that maybe a different view would help me to finally write in this character. His personality was already pretty much decided (it’s written in the notebook I have reserved for this book), but I couldn’t for the life of me figure out what he was to look like. While pondering at my meal (sandwich (panini)), I heard the little cowbell on the door jingle and I instinctively looked up. I was joking earlier, but now I’m sure that some higher being brought me here because the man that just walked in was drop dead gorgeous. He was an absolute unit, his arm muscles unmistakably flexing in his short sleeved shirt (not that I was looking or anything (no, really they looked at me first). It was gray, which I usually wouldn’t like, but when it’s tucked into a pair of dark blue jeans fixed by a belt that matched the combat boots peeking from under them (the jeans), I waver just a bit. That’s all well and great, but the real kicker was when he glazed his eyes across the room. Oh my goodness his eyes. It felt like getting hit by a ton of bricks but if the bricks were made of metaphorical blue raspberry jell-o imbued with pure effervescence. It seemed like my fingers were floating when I wrote:

‘His eyes were blue when they met mine. I know it’s terribly cliche, but I couldn’t help but notice the cold, milky blue in his irises that melted away like a glacier when he looked to the floor. With gentle hands, he picked up my wallet, placing it in my hand that was, embarrassingly, frozen in place. I grasped it mindlessly as we both stood up. 

“Be careful not to drop it next time.” Not if you’re around to pick it up for me. 

“Yea.” I sounded pathetic. I felt pathetic. I looked pathetic as I watched him walk away, heart full of hopes, stomach full of butterflies, and head full of dreams.’ 

He walked right by me and I froze, the result of a sort of guilt for using him as a basis for someone in my novel. I tried to steal a discreet glance at him, but it was just my luck that he sat down in a cafe, by himself, with just one coffee, to do nothing. He wasn’t even on his phone. I immediately turned back around, not giving myself any time to see if he saw me or not because of course he did. He didn’t have anything else to look at (Wow, I sound so stuck up). I do my best to wrap up the paragraph I’m on and hide the embarrassment I feel towards this stranger that probably doesn’t even know I’m writing a paragraph about a girl falling in love with a fictitious version of him. I feel gross about it, but it’s not like I’m stalking him or anything, I just appropriated his likeness to write into my novel, which will be published, and people will (hopefully) read. I left before he did and on my way back I wondered why it was that I felt so guilty about it. It surely wasn’t the first time I pilfered a random name called by the barista at Starbucks, or stole the style of somebody I saw out of my window, or even took the words from a conversation I’d overheard for the sake of my writing. This time it felt a little more personal, maybe it’s because he was my type: tall, blonde, and built like a refrigerator. Whatever it was, I put it behind me by the time I got home. After all, it’s not like I’ll ever see him again. Now that chicken panini? That’s a different story.

Enter tomorrow morning, where I wake up refreshed, and early, and equipped with a name for our favorite love interest. Leon. It was a great name to give him, simple and iconic so the readers (and I) will remember it throughout the rest of the story. Also it goes great with the name Audrey. Audrey and Leon, star crossed lovers.  For a moment, the image of the guy from the coffee shop flashed through my mind, but that man’s name could never be Leon. I stretch my limbs, popping almost every joint in my body, before stepping into the shower and thinking about how his (the guy from yesterday’s) name probably starts with a J. He looked like a Jason, or maybe a Jamie. Definitely a Jamie. After I quickly jot down the name (Leon, not Jamie) into my notebook, which has gained more than a few stickers on the cover, I decide that now is the perfect time to go for a walk, maybe even a jog. It’s not often that I wake up feeling so great, so I have to take full advantage of it. Athletic leggings and a sleeveless top, something I don’t usually wear, but today we’re getting out of our box. I give a small thanks to laser hair removal as I put them on. The shirt matches the stripe in the leggings, which matches my shoes. I love how it matches. I also love how my leggings have a pocket on the side, and how it zips closed. I say another thanks to feminist clothing designers as I put my phone in said pocket before checking my ponytail once more in the mirror and leaving from my front door (like I have any other one). I make extra sure to lock it, turns out I hadn’t last time, which was scary, but thankfully inconsequential. 

The elevator to the lobby was filled with bliss. I even said hello to the receptionist on my way out of the building. I logged two miles around the park, half of which I actually jogged for. I sat on a bench, feeling accomplished and wondering if I should do another lap around, or maybe I should reward my excellence with a little treat, a chicken panini perhaps. I remembered those sweets they had on display at that shop (I can’t remember the name of it for the life of me) and decided that I’d rather die than not eat one of those this morning. I just did a run, I already worked off the calories, right? I did my best to perform a discreet smell check before heading that direction. I hummed lightly to myself all the way there, brainstorming ideas for how to progress my novel. It’d be cool if she found out his name by accident, like seeing it on his belongings, or overheating a friend say it, or something. That’s all fine and good, but the trope of saying ‘The name’s Leon’ still has a vice grip on me. I should've brought my notebook along. Then I could have written all this down. The friendly jingle of the door bell greeted me as I walked in the store. When I took my place in line, the focus of my thoughts shifted to which dessert I should get. Something with apples for sure. I love apples. They’re so refreshing and kinda earthy? There are so many kinds of apples, but they all taste similar somehow. I wonder why. I couldn’t pinpoint the reason before it was my turn to enthusiastically order an apple turnover (and a chai latte, I couldn’t help myself when I saw someone order one before me). I received the turnover in a little brown baggie and took a seat nearby to wait for my latte. While waiting, I pondered the second meeting of our (my) favorite protagonists and if Jamie is getting another medium black coffee right now. Wait, Jamie? I snapped myself back into reality as I watched (the man that I secretly dubbed) Jamie walk into the store and towards the ordering counter. I hadn’t expected him to be here again today, or at least that’s what I told myself because I couldn’t admit the possibility of him being a regular here. He probably was. I had (thankfully) barely started my thought spiral when my name was called at the counter. I mindlessly walked up and grabbed my cup. What a coincidence, I walked to the counter just in time to witness Jamie order a medium coffee with cream, but no sugar. I looked at him for a second, one second too long apparently. He looked at me (with those eyes, those infuriatingly gorgeous ones that made me sacrifice my writing morals to make the male lead have ones the exact same color) and smiled. He smiled at me, a knowing one as though he knew something I didn’t. Did he? Probably. I returned it along with a polite nod, then tried my best to exit the store with my dignity intact. Unfortunately, fate had different plans. I had barely taken a couple steps away when I heard a voice call out to me.

“Hey wait up!” It was him. I know it was, I just heard him order his coffee. His voice sounds like coffee, rich and smooth. I turn around, putting on my best I-definitely-didn’t-plan-to-write-a-whole-book-about-you face.

“Yea?” I can’t get over how perfect he looks. It feels illegal for a man to have such flawless skin and- scar? Why would he have a-

“Hey um, I just couldn’t help but notice you at the cafe earlier. Well I was wondering if you’d maybe wanna meet up for a chat there sometime?” I would die for this man. It was something about the way he said it, or maybe he’s just using his evil eye powers to hypnotize me because I feel like I could never say no to him and I have an alarming lack of qualms about it. 

“Yea- Yea, um I think that’d be nice! Well, my name is _ and I’ll look forward to meeting you- uhh…” I gave him that please-tell-me-your-name look that people do when they want to finish their sentence. He laughed a bit. Well, more like a lighthearted exhale, but I say it counts.

“Leon. It’s Leon” Oh. My. God. Oh no. Oh dear.

“Leon, Okay! Do you, uhh” I moved the bag that held my pastry to be precariously secured by the hand that held my latte in order to grab my phone from my pocket. 

“Oh, yeah, let me put my number in.” Leon gently took it from my hand when I held it out to him (he also scrambled my brain by making me try to figure out how his hands could simultaneously feel like clouds and alligators). I watched him type his name, then his number. All my thoughts must’ve gotten scared and hidden away, because my head feels empty as  a helium balloon. I clumsily receive my phone back once he’s done, looking at the name ‘Leon S. Kennedy’, then back at him. He’s so gorgeous and he’s just standing there, smiling, but not like an idiot (I’m the one smiling like that), he’s more like, a reassuring fireman. 

“I’ll see you around then?” I barely registered that he was talking to me. It felt like I was having a semi-lucid dream where once I wake up, I realize my entire life until now was just a figment of my imagination. 

“Yea.” I sounded pathetic. I felt pathetic. I looked pathetic as I watched him walk away, head full with dreams, heart full with hopes, and stomach fluttering with butterflies. 

…

I am so dead.

[nostalgebraist]

I have no memory of creating this file called "misc.txt"

(Google says it's a Frederic Jameson quote?)

[trickstersaint]

Poems about not wanting to kill yourself are a mood need more of ‘em 🔥🔥‼️‼️🗣️🗣️ /lh

shout out to not wanting to kill yourself for real it's so awesome. highly recommend! i'm having a great time writing poems about it haha

[dallonwrites]

i have great news. i made the middle aged dilf in my novel trans

[arianakamillephoto]

doesn’t look like poison, aug 2023 by @_ak_photog

[writingwithfolklore]

Reblogging this again because I'm going to pin my editing post for a while to keep it easy to find :-)

If you haven't heard, I'm editing and giving feedback for free! Check out the post and send me a message <3

Writing With Folklore Blog Directory

Looking for something specific? Find every post I've made through these collections:

Characterization/Development

Plotting

Outlining

Worldbuilding

Theory

Misc. Writing Advice

Prompts

Folklore

NaNoWriMo

Inspiration

Think something is missing or want me to cover a topic I haven't yet? Let me know in my ask box (anonymous available)!

[msvalentinex]

Directory (WIP)

A master post where you'll find all the links and tags to many of my guides and tutorials, for easier finding.

This list is still WIP as I'm slowly adding tags/links over time, so bear with me. The list may change every now and then as I tweak it, to make the guide more coherent.

Creative Writing 101 Guide (WIP) I: Introduction What is Creative Writing? How do you become good at writing? PLACEHOLDER PLACEHOLDER PLACEHOLDER etc. II: Pre-Writing Braindump & Brainstorm Find a Theme/Motif and Genre PLACEHOLDER PLACEHOLDER PLACEHOLDER III: Characters PLACEHOLDER PLACEHOLDER PLACEHOLDER etc. IV: Structure Your Novel PLACEHOLDER PLACEHOLDER PLACEHOLDER etc. V: Writing Advice PLACEHOLDER PLACEHOLDER PLACEHOLDER etc.

VI: Screenwriting PLACEHOLDER PLACEHOLDER PLACEHOLDER etc. Video Editing 101 Tutorial (WIP) PLACEHOLDER PLACEHOLDER PLACEHOLDER etc.

Typology 101 Guide (MBTI, Enneagram and Cognitive Functions) (WIP) PLACEHOLDER PLACEHOLDER PLACEHOLDER etc.

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

_

Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.

40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[syoddeye]

consequence / shopping

price x f!reader | 1.5k words series directory tags: stalking mention, white lies, jp fears no 'friend zone', entitled cats a/n: john price vs. his feelings. john price vs. old man allegations. john price vs. his barista . ☕

john’s grip tightens on the wheel as he turns onto her street. he’s imagined this moment since he set her in his sight. possessing the patience of a sniper comes in handy with endeavors such as this, and it’s good to pull a trigger that isn’t lethal for once.

she’s waiting outside. good girl.

nose-deep in her phone, she doesn’t notice him until he’s a building away. his heart jumps into his throat when her eyes lift, and her face follows. she squints, then shades her eyes with a hand. a smile breaks the mild confusion, and she rises to her feet from the steps outside her door.

he forces himself to relax, painfully aware of the intensity of his gaze. he can’t risk running her off, but he has to see it—the moment of realization.

~~

it cannot be the same car. calm down, you order yourself, plastering a small smile on your face as john rolls to a stop, grinning back through the window. it’s statistically impossible. there are thousands of cars in town, plenty of the same make and model. this is just the universe’s idea of a cruel joke: giving your favorite customer the same car you smashed your face and arm into. your good hand shakes as you open the door and sink into the passenger seat.

coincidences happen.

~~

“hey.”

“afternoon. you look nice.”

“yeah? i was worried you wouldn’t recognize me without the apron.” she says wryly, draping her bags over her lap.

i’ve memorized your face and more. which one would think would help decipher the minutiae of her expressions. does she recognize the car? remember it? she was drunk and crashed hard enough to break bone—fuck, he hadn’t thought of the effects of the impact. too caught up.

he watches her buckle, eyes falling to her cast. it’s filling with signatures fast. the space that held his number is covered in a drawing of a cat. all that remains is ‘john’. 

“did you draw over my number?”

“i didn’t think you’d want the free advertising.”

smart girl. the number isn’t traceable further than falsified records, but it's best to avoid nuisance. he lets the doodle eclipse his grand scheme and pretends to adjust the mirror. he’ll wait until the time is right. “that i don’t.”

the drive to her preferred market is ten minutes by car. she might’ve managed alone, but he’s done some of his best work in ten minutes. performed miracles and misdeeds. he spends this bit on recon.

he susses out a little more information about her life: she’s worked, on and off, as a barista for nearly a decade. she recently took in a kitten, the very one depicted on her arm, and named her chicken cutlet a tortoiseshell.

“it's all i had for food. now cece’s a snob.”

“points for uniqueness.” he grins and gestures at the doodle on her arm. though he doesn’t have much of an eye for art, it’s obviously stylized. “and creativity. bet you did her justice, like a regular artist.”

the comment, meant as a compliment, makes her wince. she ducks her head in poorly concealed shame, pretending to check something in her wallet. it comes out casually, like a weather report—she dropped out of an mfa program to move here, for the ex, a year ago.

the details resurrect his anger. 

the tremble in her hand tells him to leave it. he will. for now.

the car park is packed, and it’s all he can do to not celebrate when he finds a space on the first go. he cannot be much older than her, but he’d rather avoid feeding the ‘old man’ reputation his sergeants encourage.

she separates her reusable bags as they climb out of the car. “do you have any pets?”

he circles to her side and takes them without asking, “no. afraid my schedule doesn’t allow for it.”

“oh.” 

he beats her to the baskets, tossing her bags into the bottom, and she strolls past him. he traipses behind, head on a subtle swivel, inwardly tickled at how normal it feels. it’s not often he shops, let alone in the company of a bird. it makes him puff up. go a bit softer in the face, especially when a woman roughly his mother’s age gives them a long, wistful look in produce.

it’s nice playing house, even in the middle of a bustling supermarket, dodging the less spatially aware and rogue children. it strokes his ego to flex an arm over her head to reach the shelves she can’t and carry a bag of cat litter in the other. he cracks a joke about tinned fish, and though she doesn’t laugh, he can tell she wants to. how she ignores his suggestions and color commentary on other shoppers. it’s fascinating to watch her, all business, as if she were behind the coffee bar. tapping items off the list on her phone, triple-checking a recipe.

while she’s distracted, slowly loading the conveyor belt one item at a time, john pushes his luck. he slips his card and pays.

her focus breaks when she sidles up, reaching for her wallet, only for the cashier to offer the receipt. she takes it, confusion turning to understanding, and her jaw clenches. her thanks are muttered, and she promptly joins him in bagging what’s left.

he knows she’s upset before she speaks, practically punching items into the bag.

“please don’t do that again.” she whispers. “my wrist is broken. i am not broke.”

angry as she is, she sails out the doors without waiting. clearly expecting him to tote her bags like a porter and follow.

which he does, of course. it’s what he signed on for.

good view, at least.

the ride back to her place is quiet, but he feels the tension burning away with the light. it’s damn distracting how the sun plays off her skin and hair. ten minutes fly by. she turns to him as the car idles, a storm of thoughts in her eyes. severe, tempestuous, and pretty.

“park. you’re not off the clock.”

“yes, ma’am.”

the bag handles loop into one fist, and the litter rests on his shoulder. he beams, and with the complete confidence he usually carries himself, he starts up the steps of her building.

“uh…john?” 

he glances over his shoulder and sees her fidgeting at the bottom of the stairs.

“that’s…not actually my address.”

his brows raise, fall, and pinch in rapid succession. the minx. a fake address. smart.

she sheepishly apologizes on the walk to one street over and explains. 

“i mean, this part’s weird.” 

“what part?”

“befriending regulars,” she shrugs. “the counter’s there for a reason—to sling espresso, yeah, but it’s also a social barrier.”

“do you often befriend regulars?” he hopes not.

“god, no.”

thank christ. he’ll start memorizing faces on his next trip, just in case.

“but being polite to people is part of my job.”

he cracks a careful grin. “do you get reprimanded for that?”

her eyes roll. “ha. ha. no. my manager’s a coward and afraid of me. what i mean is, it’s a tightrope. be nice, but don’t be too nice to the wrong people, else they’ll stalk you or something.”

john’s gut tightens. what was his plan again? expose her? he manages a chuckle. “and am i one of those…wrong people?” effortless.

“well, you’re a minute from my kitchen with an invitation. so.” she smirks after a second. “are you fishing for a compliment? for me to say you’re special?”

heat shoots up his neck and colors his cheeks. “i am not–”

“relax. i’m joking. but you are the first customer i’ve brought back to my place.”

the phrasing instantly sets him on high alert. it could mean nothing. it could mean anything.

her place is markedly worse than her fake one. he does not like the look of the neighbors, but the exterior light reaches the walk. he bites his tongue when she veers to the side, cutting down a set of steep stairs to the basement. it won’t do, not long-term.

but the interior of her flat—it’s everything he did and did not expect. 

it’s sensibly furnished and lit to compensate for its floor plan and limited windows. it’s cozy and colorful, with artwork fixed to the walls and littering various surfaces. some pieces are more notable than others: tiny statuettes of women, a diptych of a cow, and a collage of what looks like found notes. in the living area, there is a console and a headset, a small collection of games and dvds, and ten too many knickknacks. a stuffed backpack occupies a seat at the table.

he moves mechanically behind her, toeing off his shoes and treading straight into the surprisingly decently sized kitchen. he sets the bags and litter down, rolling his shoulder as he soaks it all in.

might be his only chance, after all.

something bumps his shin. two big amber-colored eyes stare up at him, unblinking.

“you must be the famous cece.” 

“the one and only.”

the young cat weaves through his legs, then jumps, immediately sticking her pointy head into the bag containing the chicken. she meows, indignant, when her human automatically hooks her around the middle without looking and returns her to the floor.

“bad.” she murmurs, unpacking. “would you mind setting the litter next to the door down the hall?”  

john obeys, though he lingers outside of said door, staring through a crack into the dark of her room. she has a big, comfortable-looking bed. a shudder passes over him. an unhelpful throb. christ. feels like a fucking teenager. he pulls himself together, retreating toward the door to leave. probably overstayed his welcome.

just as he turns to say his goodbyes, she glares from the kitchen. around her neck, untied, hangs an apron—don’t be afraid to take whisks.

“where are you going? i’m making dinner.”

it’s not an invitation. it’s an order.

he slips his shoe off.

“yes, ma’am.”

[kissmetwicekissmedeadly]

MIDNIGHT CINDERELLA MEMORIAL POST

The Midnight Cinderella app will be closed on Monday August 26th, 2024 (5 PM JST). The English version was actively updated from 2014 to 2021 when Cybird announced the ceasing of operations for MidCin, but the app remained accessible until today. I'm sure I'm not the only one who mourns the loss of it even after all these years of discontinuation, so I wanted to put together a post to properly say goodbye to it. Trying my best not to make it all too sappy - I'd rather look at it as a show that reached its final episode. Some things might be left unresolved but in the end, you remember the cast and the emotions they made you feel more than the actual plot. Nowadays there arguably may be better titles by Cybird out there, but for me, the simplicity of MidCin was what made the details so memorable.

1. VIDEO - POV: You're playing Midnight Cinderella (for 10 minutes)

The 10-minute version (without sound) is accessible via the link above (opens in Google Docs) This one I was really excited about recording! It's just your normal day playing midcin, I'm sure many will find it nostalgic and comforting. You log in, claim your daily bonus (I used the chance to do a present box reveal, 90+ items, many of which you might recognize from route grace checks), play the garden gacha (in my case, I used up all the points I had accumulated, 7800 which equals 39 solos), do your princess lessons, change your avatar, greet your friends, read 1/5 of today's free story parts, check the ranking and your stats, look at your memories directory. The video has no sound, as the game wouldn't let me turn it on (you will see me try to do so throughout the video...) but later on I got it to work so I recorded a one-minute video (the one imported above) of me replenishing stamina just for those iconic sound effects that you either loved or absolutely couldn't stand the volume of, haha.

2. A Midnight Cinderella playlist (spotify link)

While I wasn't there for the early days of midcin, the songs I associated with the game almost always captured this very specifically nostalgic 90s-10s period, you'll see what I mean. Many of those are taken from 8track playlists dedicated to Midnight Cinderella, and if I'm not mistaken you can still look at what is left of them if you search them up. Others are just my very random interpretations of the route stories and the characters.

3. Fic recommendations

We have a lovely community of creatives and there are still so many works left behind which you can check out on the tags! But especially for fics I wanted to list some that truly touched me during the years (all links open in ao3) -

i'm on fire and its NSFW bonus scene bloodstream by a deleted user - words are not enough for this one. It's like it meant more than Nico's whole route for me at one point, and the songs are forever in my heart as Nico songs...

MidCin Works by DBMidCin (SoftSen) - ALL of these. This is my go-to collection of writings for midcin when I start to miss the game, it has a little bit of everything. The headcanon of Giles teaching his girls French for instance is one of the things I still remember reading like it was yesterday!

Bedroom Etiquette (NSFW) by RubyLeeRay - Because this is the dream. Doing something forbidden with your tutor Giles is the ultimate fantasy, I swear. I just love it.

And of course, many, many more. There are currently 166 works on the midcin tag in Ao3, and I'm sure there are a lot of hidden gems here on tumblr as well! Reminder that writers LOVE it when you interact with their old works, it's not weird, you shouldn't hesitate doing so if you find yourself enjoying any of them! <3

4. My own humble collection of MidCin writings on my writing blog @xxsycamore!

Maid, Butler, Chamberlain (NSFW) - Nico x MC with Giles joining them

Grabbles: 💋 Demand for a kiss, right here, right now (GILES); 👔 Stealing their clothes to cuddle when you miss them (BYRON); more coming soon as there are still some in my askbox and I plan on including midcin in future short writings request openings too.

Shared Moments (NSFW) - Nico x Reader - Secret relationship

Ice-cold heat (NSFW) - Byron x Reader - Temperature play

Double the Surprise - Alyn and Leo birthday fic

Leo Crawford having a misadventure with a cat (ao3 link) - crack fic featuring most of the suitors

5. Out of context Midnight Cinderella screenshots

This is a sideblog of mine dedicated to posting out-of-context funny screenshots that I took while playing the routes - @oocmidcin . If you have some of your own that are not on there, you're free to submit them and add to the archive!

6. The perfect MidCin song - The Moon Will Sing by The Crane Wives

When I first discovered this song back in 2020 I dreamed of making it into a midcin music video with simplistic art and animations... It ended up being just something you daydream in detail about while in the car, but that's alright. I could at least share my vision with you! Disclaimer, this is just an interpretation and obviously it can't fit all characters ideally - In the brackets, I explain how the lyric is related to them and usually it reveals their backstories. Some of the details I've already forgotten, sorry if it's inaccurate.)

Tell me once again

I could have been anyone, anyone else

Before you made the choice for me

(Giles - his family making the choice for him since birth and later disowning him once he failed to become a knight due to his illness)

My feet knew the path

We walked in the dark, in the dark

I never gave a single thought to where it might lead

(Nico - wandering the streets with his mother once they were thrown out of Stein castle because she was a commoner having an affair with Byron's father, the King)

All those empty rooms

We could have been anywhere, anywhere else

Instead I made a bed with apathy

(Robert - the empty rooms of the once flourishing palace of the country that Robert ruled and led to demise, nowadays becoming a mere court painter)

My heart knew the weight

Ten years' worth of dust and neglect

We made our peace with weariness and let it be

(Leo - the years in which Alyn didn't speak to him, after the death of their parents)

The moon will sing a song for me

I loved you like the sun

Bore the shadows that you made

With no light of my own

(Albert - loyally standing in king Byron's shadow)

Name your courage now

We could have had anything, anything else

Instead you hoarded all that's left of me

(Sid - his relationship with his fiance that he agreed upon just to find out more about his parents by getting close to her father)

Swallowing your doubt

Like swords to the pit of my belly

I want to feel the fire that you kept from me

(Alyn - searching for answers about the murder of his family and the fire that burnt down their home)

I shine only with the light you gave me

(I could have been anyone, anyone)

(Louis - being a nobody and MC being his sun)

7. It goes on

I went to read what I could of chapter 4 of Rayvis' route, using my last two chapter tickets as well, thinking it won't make me cry. And then I'm hit with those familiar things.

So let's close this with a word about the things that never change in the universe of Midnight Cinderella.

Stumbling down the grand staircase and right into the arms of somebody. Escaping the palace at midnight with Nico's help. Sitting at breakfast with Giles giving you your schedule for the day. Nico's teasing little smile as he accompanies you everywhere and listens to your relationship troubles. The way he's just a little suspicious at times. Finding Robert painting in the garden of Wysteria palace. Going to the room of your chosen suitor for the first time and meeting a pet there. Leo teaching you history and politics in his office. Dance lessons with Louis. Needing those dance lessons because King Byron is coming to Wysteria and a ball is going to take place. The bureaucrats being unhappy with you as a princess elect, no matter what. Galloping on a horse with Alyn who just protected you from an enemy attack. Getting information from a certain flirty merchant at a bar. Albert bickering with Nico, Sid teasing Louis. Being introduced to Archduke Herneit at Stein castle. King Byron appreciating the night sky. The sight of your yellow and orange princess elect room where on the large bed with its blue bedframe and tall see-through canopy you lie awake and think about the events of the day and how would a wise future Queen of Wysteria deal with the current situation. But ultimately you fall asleep, hearing the melancholically beautiful sounds of a violin coming from somewhere deep within your dream, and leave it all to the following day.

Thank you for everything, Midnight Cinderella!

08/26/2024

[eowynstwin]

There has been more than enough drama about this whole situation so I will be as direct and concise as I can. This will be my last post about the matter regarding Myka/codslut. This will likely be my last post on this blog period.

This fandom community has crucified me over a story that has fallen apart over what I can only describe as the lightest scrutiny. FOIA requests, when expedited, have a ten day window to be granted, not a twelve hour window, and normally take months to even years to grant. Americans do not call small towns villages. Crisis workers do not have unfettered, immediate access to clients' personal information, let alone that of complete strangers on the internet.

I am not exaggerating when I say I have feared for my safety for the past week. The three people who have lead the charge against me have slandered, harassed, and outright stalked me—keeping track of posts I've made and deleted, changes I've made to my directory, and even the time between posts I have made. I have genuinely feared that the next step these people were going to take would be to search both of my blogs (because I have not, in the past, been very concerned about hiding my main) for my personal information in order to dox me.

I believe this campaign has been racist ("gaz erasure my ass") and ableist in nature. I believe my being autistic—and my trouble communicating in a way that could satisfy the aforementioned people this entire week—has played a part in the way this fandom has victimized me.

I believe in particular that sheheal has a personal vendetta against me, although I do not know why. I believe that their claim that they must leave their blog up as "evidence" is false—I believe they are keeping it active in order that it should always be digitally connected to me, and thus risk my safety and peace in whatever online space I choose to be in next. I am entertaining the belief that she even intends for it to follow me in real life, although that may be more paranoia than possibility.

I am aware of the mistakes I have made. I regret them. I am sorry for them. If what has happened to me is representative of what happened to Myka, I have nothing but empathy for her. Even before this happened, I would not wish this on anyone. I do not believe that dogpiling is justice, and have fought against it when I have seen it happening in this fandom in the past. I did not and do not want this to happen to anyone, ever, no matter their sins.

I want to extend a gratitude I find difficult to express the depth of to everyone who reached out to check on me. I especially want to thank Early for being the first person to stick their neck out for me, and for everything after. I hope to be friends with you all for a long time. You mean more to me than you know. You have made a lonely and difficult week feel less lonely and difficult.

I do not want to be a part of this fandom anymore. I have poured over a year and a half of work and creative energy into this community and it has meant nothing. I have loved this community and it has meant nothing. I have fought for this community and it has meant nothing.

If fandom was ever a safe space, it is not anymore. It is not safe for those affected by racism and it is not safe for those affected by disability. It is not safe for anyone who makes mistakes. It is not safe for me, and reader, it is not safe for you. I did not think this would happen to me. Do not make the mistake of thinking this won't happen to you.

[arianakamillephoto]

falling for an illusion, aug 2023 by @_ak_photog

[silmsmutweek]

A fandom event celebrating sexually explicit fanworks based on the The Silmarillion.

September 30 to October 6, 2024 (Monday to Sunday)

The aim of Silm Smut Week is to foster a positive, inclusive, and fun culture around the creation and enjoyment of smut, porn, and erotica. 

Themes and Prompts | Event Directory

How to Participate

Create something that narrates, depicts, or considers sexual activity involving the characters of the Silmarillion.

Post it on Tumblr and/or add it to the AO3 Collection and mention this blog (@silmsmutweek) and tag #silmsmutweek2024. 

We will reblog posts daily. 

If you do not see your post reblogged after 24 hours, please send us an ask or DM mods @polutrope or @ettelene.

The themes and prompts for each day are just suggestions. You can post anything any day of the week and we will reblog it.

Late submissions for the event are welcome and we will try to reblog those as well but cannot guarantee that we will. 

Engage with other creators! Enjoy their works!

All genres, tropes, and kinks are welcome: porn without plot, porn with plot; fluff, humour, angst, dark; slash, het, femslash, poly, solo; canon-compliant, alternate universe; reader insert, incest, etc. And, of course, every imaginable kink. 

All forms of creative engagement with the Silmarillion and the Silmarillion fandom are welcome: writing, visual art, meta/analysis, headcanons, playlists, music, video, podfics, cosplay, etc.

[astralnymphh]

AUTUMN DIRECTORY, 2024. (KINKTOBER)

ORANGE BEGINS TO TRICKLE IN, meaning it's time for newfound romance and horrors written in blood. this index contains upcoming pieces—everything from oneshots, headcanons, blurbs—and instructions for autumntime requests! quite similar to kinktober, but this isn't limited to kinks, is open to requests, and is not restricted to a daily schedule (because that would be hell).

REQUESTING RULES:

I. see rules here for general, annual information that still applies. fluff, smut, angst and horror is allowed. only writing for tlou characters. II. to be within the autumn realm, requests must (obviously) be related to festivites, occurences, or genres entailed under fall. this encapsulates october and november; halloween and family gatherings—but is not limited to those. (e.g something like a date in a leaf-scattered park, intimacy in a carinval, or mundane settings such as a college campus, count.) III. halloween requests can be directly related to the celebration, or complete deviations into horror. i have a horror oneshot cooking up at the minute (quite a few, technically), so most requests will be written into blurbs or drabbles. mythological creatures, murderers, folk legends, and movie-inspired dynamics are some ideas. but some of you are very creative, so please, do bend and amalgamate tropes to your heart's desire! (e.g a posessed, ballerina murderess would be fucking insane—in the best way possible.) IV. you can still send requests for kinktober, but this is just here to announce that i'm taking anything autumn-related. multiple versions are allowed for different kinks (e.g sub!reader, dom!reader, would count as seperate versions). also, do be wary that i won't write every kink, especially if it violates my rules.

LIST OF FICTION TO COME:

𝐧𝐲𝐦𝐩𝐡𝐞𝐭𝐚𝐦𝐢𝐧𝐞 | vampire!reader x hunter!ellie [predator and prey dynamic, can you guess which is which?]

information: chances are, if you're an old reader of mine, you've seen this draft announced here and there a year ago—it has gone through metamorphosis. now, it has a predator and prey storyline to it. probably the only kink related oneshot, but it is not tied down to that. it explores a serious, horrific, non-sexual side of it, and gradiates into something more sexual. (using time skips)

𝐟𝐚𝐭𝐡𝐞𝐫 𝐜𝐥𝐚𝐬𝐬𝐢𝐜𝐬 | jackson!reader x jackson!ellie [a request from one of my lovely anons. congratulations, it's a oneshot!]

information: this is where fluff, and romance, will nestle in a hearth setting. one of my anons requested a fic where ellie and reader cook dinner for joel and a special lady friend (yay for side charecter romance), ellie totally disgusted by the fact that joel has a supposed girlfriend now. (in a weirded-out, daughter type of way, y'know?) also ellie cannot cook for shit.

𝐬𝐦𝐚𝐬𝐡𝐢𝐧𝐠 𝐩𝐮𝐦𝐩𝐤𝐢𝐧𝐬 | jackson halloween party, gone wrong! [title is a double entendre, you'll see why.]

information: so. funny little title. basically i just wanted to write something about a jackson halloween party, how it would go, what everyone would wear, who would be making out in the bathroom of whatever building it happens in—oh and some murder. it isn't a party in october if nobody dies, so.. yeah. (ellie and reader totally aren't the ones making out and getting freaky while someone gets killed. definitely not. heh.) this one will probably have comedic undertones to it. love us a good comedic fic, honestly.

(let me know if you want to be tagged for any of these)

SHORT WORKS:

every request for this directory will go here. check later!

[commissions4aid-international]

📌 Intro Post

We are a Tumblr blog dedicated to finding and sharing creatives who do art for Palestine. We host raffles/auctions, games, and other events to raise funds for Palestine. We also share verified fundraisers, news updates, and other related information.

CHECK OUT OUR RAFFLE

Important note: We do not vet nor verify fundraisers. All fundraisers have been sourced from Palestinians here on Tumblr or larger group verification efforts from places like Operation Olive Branch and Gaza Funds. we cite our sources on all original posts. we are not Palestinian, and we do not, nor have we ever vetted fundraisers.

DO NOT CITE US AS A SOURCE OF VERIFICATION. We are not a source. We are an art account that shares already vetted fundraisers. Please cite the Palestinians who actually vet fundraisers

If you are seeking verification, especially if you are a Gazan Palestinian yourself who came here to share your fundraiser, please first reach out to Palestinians who do verification work! Current known teams doing this work: Operation Poppy Flower, Pali Pals

[If you can help translate/adapt the above message to Palestinian Arabic so that Gazans coming here for help can find the right place to seek initial verification, please reach out!]

we are a small team of volunteers, please be patient with us!

spotlight!

you are welcome to tag us in any spotlight posts for boosting.

People and databases we look to for information:

Palestinians here on Tumblr you should absolutely be following and listening to first and foremost:

el-shab-hussein ✵ nabulsi ✵ ibtisams ✵ palipunk ✵ 90-ghost ✵ sar-soor ✵ fairuzfan

Databases:

Operation Olive Branch ✵ Gaza Funds ✵ Operation Poppy Flower ✵ Project Watermelon ✵ GoFund(water)Me(lons) ✵ Ottawa4Palestine ✵ Strawberry Seed Collective's Strawberry Seeds ✵ Help Gaza ✵ Fundraisers for Gaza/Sudan & More ✵ Gaza Evacuation Relief Fund

Important Links

@/el-shab-hussein and @/nabulsi's Vetted Gaza Fundraiser List

Other Fundraiser Lists

List of Commission Groups, Raffles, and Individual Creatives Raising Money

Blog Organization

Tag Guide

Self-Submit Commissions Directory

Self-Submit Commissions Form

Our Discord (We hope to encourage donation commissions here.)

Minimal Tag Guide (See full tag guide for more!)

#pcca : general tag for our posts

#verified : fundraisers that are vetted by palestinians. all artists who only accept donations directly to fundraisers/charities, and don't use AI/stolen art are automatically verified.

#v- : currently being verified. (BY PALESTINIANS. NOT BY US)

#unverified : artists, charities, and others we cannot confirm, but are most likely legitimate. this is mostly for asks about if someone has been verified yet, or artists who need to post proof of donations

#commission sheet : commission sheets by artists/creatives in exchange for donations

#donate : vetted charities/fundraisers

#resources : resources and other helpful information

#action : other things you can do to help