#The Cincinnati Kid
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gameraboy2 · 2 months ago
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The Cincinnati Kid (1965) French poster by Gilbert Allard
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vintage-tigre · 2 months ago
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Ann-Margret flirting with Steve McQueen in The Cincinnati Kid, 1965
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citizenscreen · 11 months ago
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Joan Blondell as Lady Fingers in Norman Jewison‘s THE CINCINNATI KID (1965)
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louxosenjoyables · 8 months ago
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Two cool cats
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semioticapocalypse · 1 year ago
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Steve McQueen and Tuesday Weld in «The Cincinnati Kid» by Norman Jewison. 1965
Follow my new AI-related project «Collective memories»
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misterivy · 16 days ago
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inthemoodforportnawak · 8 months ago
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Norman Frederick Jewison (1926-2024).
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allaboutannmargret · 21 days ago
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Ann-Margret in The Cincinnati Kid (1965).
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jazznoisehere · 2 years ago
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Tuesday Weld and Steve McQueen in The Cincinnati Kid (1965)
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helloparkerrose · 1 year ago
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gameraboy2 · 2 years ago
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Steve McQueen in The Cincinnati Kid (1965), French poster by Gilbert Allard
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briannabug · 2 years ago
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The Cincinnati Kid (1965)
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mylifeincinema · 2 years ago
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My Best of 2022: Non-2022 Films
My Best of 2022 is a series of annual lists in which I pick the best of the best from 2022, all leading up to my official picks for My Top 10 Films of 2022.
Only a handful of these even belong on any sort of ‘best of’ list. But, as I only saw somewhere like 20 first-time non-2022 films, here we are. Oh well...
1. Drive My Car (Ryûsuke Hamaguchi, 2021)
A staggering cinematic achievement. How not one second of this three-hour film is anything less than enrapturing is a true testament to the power of humanity in film. All aspects work together beautifully, here, to bring a refreshing, heartfelt, emotionally cathartic story of mourning and the connection between life and art. The source material lays a rock-solid foundation upon which Ryûsuke Hamaguchi & Co. build a quietly compelling piece of cinema. With the Academy’s love for this, I really see no logical reason how Hidetoshi Nishijima wasn’t nominated in the Lead Actor category over Javier Bardem, he was magnificent.
2. The Raid: Redemption (Gareth Evans, 2011)
Oh… damn… badass action flick is badass. How the hell did I not see this sooner?!?
3. The Cincinnati Kid (Norman Jewison, 1965)
I’ve long loved Rounders, so its really strange it took me this long to see this one. McQueen is solid, but Robinson steals the show. Jewison’s direction sets a fantastic pace. And then there’s Ann-Margaret… yikes!
4. Cyrano (Joe Wright, 2021) 
That “Wherever I Fall” sequence, though... That scene tore my heart right out of my chest. Wow.
The rest of this is quite phenomenal, as well. Dinklage’s performance was stellar, and despite his singing voice not being the strongest (especially when paired against Haley Bennett’s), his numbers made for emotionally overwhelming pieces. On the technical side, this was an all-around feast, boasting production design, costumes, cinematography - not to mention the abundance of music not singled out - that were nothing short of beautiful.
5. Kodachrome (Mark Raso, 2018)
Holy shit… Elizabeth Olsen is so effortlessly gorgeous, here. Damn. The beginning features a giant, don’t-fucking-do-it move on Sudeikis’ part when he gives the venue security guard attitude for telling him he needs to have his pass on, and that seriously annoyed me, so the fact that I ended up liking his character at all throughout the rest of the film is some solid character work on his part. Ed Harris was unsurprisingly solid. Overall not the best, most original or insightful film of its kind, but the cast is really good and living in both the live music world and the photography world as I do, there was a bunch here for me to like. Especially Elizabeth Olsen, though. Seriously… Damn.
6. The Shop Around the Corner (Ernst Lubitsch, 1940)
James Stewart really is one of my all-time favorite actors. He’s just always so damn good. I also love me some Lubitsch, yet for some reason I have so many blind spots with him. Anyway, I know we live in completely different times, but even looking through the scope of the time, that ending seemed a bit forced. Still a delightful film overall, but she must’ve been really desperate to let the shit he pulled go.
7. Timecrimes (Nacho Vigalondo, 2008)
A cool, little contained time travel thriller. I’d almost rented this dozens of times back when I worked at Blockbuster Video, but never pulled the trigger. It’s weird and twisty and surely ridden in plot-holes, but damn was it an enjoyable ride.
8. Red Rocket (Sean Baker, 2021)
I was surprised by how much I actually ended up liking this despite totally despising our lead character. There’s a white-trash charm to it, I guess? Or, at the very least, a clear sense of authenticity that pulls you into the film effectively. I’m still not a fan of Baker’s tendency to use non-professional actors, though. It’s distracting in the wrong way.
9. Parallel Mothers (Pedro Almodóvar, 2021)
I don’t really have a lot to say about this one. Cruz was magnificent, and more than earned that Oscar nod, but other than that I had trouble getting emotionally invested, and was therefore left cold by the end.
10. The King’s Man (Matthew Vaughn, 2021)
It has its moments, and Ralph Fiennes is awesome, but mostly it left me wanting for more. The first of these movies was so wonderfully over-the-top that the few scenes that come near that level, here, just don’t quite satisfy.
Enjoy!
-Timothy Patrick Boyer.
Next Up: Assorted (Animated Feature, Foreign Film, Editing, Screenplay, Etc.)
More of My Best of 2022...
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stone2luvvv · 1 month ago
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unseen pics of joe 🥹🥹
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bengals-barnesbabe · 4 months ago
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Call Me Back
Pairing: Ex!Joe Burrow x Black!Actress Reader
Description: This wasn't how your life was supposed to go, but you're glad you have friends that will always be there for you.
Warnings: Angst, Language, Horrible Communication, Toxic Relationships, Cheating, No Happy Endings Today :(
Word Count: 2.4k
.  . • ☆ . ° .• °:. *₊° .☆
“God, I’m so hungry.” You say as soon as the appetizers arrive at the table.
Everything looked so good. “I could down all 6 of those plates right now.” After loading a variety of flavors onto your plate, you take the first bite of actual heaven. 
Your friends sit there in total shock, the calls of your name falling on deaf ears. By the time you look up, half of the plate is gone. “Um, when was the last time you ate?” Ariel asks, the girl with red dyed locs only had a single meatball on her plate.
You look around the table and slowly shift in your seat when only one of the five plates had been loaded.
You gulped. “Oh I skipped lunch at work, we were really busy.” 
*ੈ✩‧₊˚
6 Hours Earlier
The scene had wrapped early, but lunch was scheduled at 1. As you sat in your trailer, the next 30 minutes felt like hours. You were starving, because of how long a chaotic filming of a movie is. All you had today was a protein shake. Sipping on it throughout was fine but you needed food. 
The second the clock struck one, you yanked open the door hoping to see your P.A on the other side and by the grace of god, she was.
“One Moe's Homewrecker Bowl with extra salsa, queso, and siracha. A large chocolate peanut butter cup milkshake from Steak & Shake and lastly homemade banana pudding straight from the Peach Cobbler Factory.” Deyzia handed you the bowl first and set the rest on the counter.
“D I fucking love you so much.” You moan taking a bite of your food. “I also love filming in Atlanta.”
The young girl giggled, grabbing water from the mini fridge and setting that beside you too. “You’re welcome, boss. Gotta keep the woman that pays me happy.”
You simply nodded, not caring about her words. The food was all that mattered at this moment. 
ੈ✩‧₊˚
Thinking back to earlier that day, you push the play forward a bit and fake a groan. “Skipping lunch was a bad idea, but I need to make room for my pasta.”
The faux brunette beside you took that as an opportunity to clean your plate. “I felt that, but I’m not letting these mozzarella sticks go to waste.”
You had to fight the pout that wanted to set on your face as your stomach started to growl. “Go on right ahead Sash, I shouldn’t be eating such greasy food anyway.”
“Oh yeah, she’s a big movie star now guys.” Diane chuckles. “Before you know it, The Cheesecake Factory will be too good for her.”
Your laugh comes out halfheartedly. “Please if it ever does, I’ll start paying for everyone’s dinner.”
You can tell the dark skin beauty liked that even if her job in real estate had a more stable future than yours.
Everyone seemed to move on from your appetite afterward, now paying more attention to Sasha's newest romantic encounters- as a newly out fem she was immensely enjoying the fun queer scene. 
But even with most eyes on her, you couldn’t help but feel another set studying your presence You quietly excuse yourself from the table and speed walk to the women’s restroom, the clacking of another pair of heels steps behind you causing sweat to build on your brow.
Looking in the mirror, you powder all the sweaty and oily spots on your face. Then reapply your favorite lip tint before your longtime friend speaks up. 
“This morning all you could talk about was that cobbler place opening back up. I heard you place the same lunch order with the addition of the banana pudding you said was ‘so incredible, to die for, astronomically delicious.’ Then you came home and downed a large fruit salad. But you’re starving- no actually you're too full, but your stomach is definitely saying the latter.” You lock eyes in the mirror, but for the first time in 8 years, you can’t read the expression on her face. 
“Yazmine.”
Her strong bronze arms cross over her chest, some of her blonde braids getting caught in the process. “You think I don’t know what’s going on?” 
“Yaz…” 
“No, we’ve been best friends since drama school and this is how you tell me?!” Her eyes are so scolding you shift your focus to putting your makeup away.
“Eliza!” The harsh tone of her voice makes you jump but paired with the role you’ve wanted since you knew what theater was it brought chills to your skin. The day you met, you both chose to audition with a Hamilton song so the director made you sit for each other’s ‘performances,’ in the end she became the Angelica to your Eliza.
“Yaz, I don’t know what you’re talking about.” Your hands shake as you close your purse and turn to leave. But her now soft mousy voice stops you. "Just wait."
“Why didn’t you tell me you were pregnant?” 
Because you hadn’t admitted to yourself.
Turning you lay your head against the granite wall and show her the small pools in your eyes. “I.. I didn’t notice it at first, after most shoots I slept for hours. I didn’t want to eat but that was sort of normal. Then the um- cravings started, I was just glad my appetite was back. But I started getting sick, and that’s when I really noticed the changes. I kept telling myself they’d go away, that it’s not really happening. I still haven’t said it out loud, but it’s been two months. I wrap in a few days, the movie’s been a great distraction, but I-I don’t know what to do. The doctor said everything’s fine, but I don’t feel like myself anymore. I-I don’t-
She takes two large steps and engulfs you in her arms. “Hey, hey I’m here. I’m here Liza. You’re gonna be fine, I’m gonna help you through this. Don’t worry about it, you’re not alone babe. You have me, Dia, Sasha, Ariel, shit even Deyzia, we’ll always be here for you.”
You sob even harder. “I-I hav-haven’t-
“Shhhh, take your time, I’m not going anywhere.” She just rocks you in her arms, the safe and secureness she oozes is more than enough to calm a bear. 
You slowly pick up your head and wipe away the remaining tears. “I haven’t told him. I found out after we broke up, he blocked me on everything and I changed my number. I don’t know if I can go through this with him, after everything we’ve been through. I can’t Yaz, I can’t tell him.”
She kisses your head and whispers against your heated skin. “I’ll tell him and I’ll whoop his ass in the process.”
You snort against her neck, softly pushing her away. “Thank you, I honestly have no idea what I’d do without you, Angel.” She smiles and wraps an arm around you.
“I know, who do you think helped you with all those damn orphanages?” You roll your eyes at her smirk as you walk back into the dining room.
“So who’s telling the girls?”
︶︶︶︶༉‧₊˚
“Ja’Marr! Open up! I see his stupid car outside, you’re not fooling anyone!” Yazmine’s incessant yelling and banging on the Cincinnati door seize when the tatted wide receiver yanks it open.
“Woman, you need to chill the fuck out. Whatchu’ doing all that hollerin’ for?” The football player dawned a sweaty white muscle shirt and basketball shorts, clearly he had just finished a workout. Yazmine would usually take more time admiring his strong build, but that’s not why she’s here.
“Where is he? Bring Burrow’s ass out, we need to have a chat.” She demands arms crossed and lips pursed.
Ja’Marr smirks doing his own look over the woman in front of him. “Mm mm mmm. You sure are breathtaking, baby.” He bites his bottom lip tilting his head to get a peak at her backside. “What did I do to earn the sight of this..
“Hey! No, focus Chase.” She snaps her fingers in his face to riel him back in. “Joseph. Burrow. Get him. Now.”
He takes in the serious look on her face and shakes his head. “I assume this is about your girlfriend, so..” He steps back and opens the door wide enough for her to go through then nods towards the direction of his kitchen.
“Thank you.” Yazmine leans up and places a chaste kiss on his cheek. “If this goes well, you might get more later.” Then walks off looking for the quarterback.
“I better be getting more, fucking HOA gon kill me for the damn noise.”
Turning a wide corner, Yazmine spots the man she’s been searching for at the kitchen counter, wearing almost the exact attire as his friend. “Oh sorry, I didn't know you and J were rendezvousing today.”
She looks at the man confused. “Rendezvous? That’s not what we’ve been- nothing is going on.”
Joe cocked his head with a smirk. “Isn’t it though? I’m pretty sure sneaking around for months on end means there’s definitely something going on behind closed doors.”
Yazmine rolls her eyes and sits on a bar stool, leaving an empty one in between them. “Whatever that’s not why I’m here- didn’t you hear me at the door?”
He points to the Beats headphones fitted snugly in his ear.
“Okay well, this is about you and..” Joe scoffs hopping up from the stool.
“If there’s no you and J, there definitely isn’t a me and her. I don’t want to hear it, she clearly doesn't either considering she’s not here herself.” 
Yaz gets up and follows him to the backyard. “This is serious Joe, if she could be here, you know she would.”
“Actually I don't know anything about her anymore, including her number, because she changed it hours after we broke up.” He muttered picking up a basketball, bouncing it once, and shooting- only to airball.
“She had to change it, remember the stupid leak! You didn’t have to block her on everything though, maybe if you had left at least one line of communication open I wouldn't be here, asshole.” She snickers as his second shot also falls short.
“Well get the damn thing over with then. What’s the problem?” 
Her face softens and she reaches into her back pocket. “Joe, she’s pregnant.” 
His frustrated demeanor immediately drops, replaced with wide eyes and parted lips. He slowly feels his world start spinning, he parts his stance and grips onto the basketball for some kind of relief.
“She’s 11 weeks, almost 3 months. It’s most definitely yours and she just got back in town. She wanted me to tell you because she was scared of your reaction, she’s not sure if she wants you to be there though.” Yazmine confesses handing him an ultrasound picture.
“What do y- what? Why wouldn’t she want me there? I- I don’t understand.” His eyes are locked on the image as it shakes in his hand. 
Yazmine lets out a breath. “Think about it Joe, you were nothing but unreliable in the 3 years you were together. You put football, your foundation, even your friends before her. Then when she got her big break, the happiest day of her life, she had to come home to you in bed with someone else. You didn’t know how to be in a relationship so instead of asking her how she felt, you broke her heart. Does that sound like someone she’d want to raise a child with? She didn’t even want to admit to herself, I didn’t find out until a few weeks ago.” She inhales deeply trying to calm her emotions.
“I’m only telling you because it would be cruel not to. Even if I thought telling you would do the trick if that's what she was going for. She doesn’t want anything from you, so don’t worry about being put on child support. I don’t know how the rest of this is going to go, but I will not let you and your bullshit upset her, stress her out, or bother her about it. That’s my best friend and I will do anything to protect her. You may not want to step up to be a father, but that baby will have two parents no matter what.” A stray tear streams down her face, he’s now looking at her intently. 
“Now you have a choice: keep the picture, hide it somewhere then sign away your rights in a few months, or turn it over and change your life.” Yazmine swiped away the tear and then left him alone on the court.
Joe hadn’t realized he too had been crying until a tear dripped onto the paper. He stumbled over to a lawn chair, not taking his eyes off of the black and white fetus. The damp spot now made the paper translucent allowing him to see blue ink on the other side. His brows furrowed then he remembered, ‘Turn it over and change your life.’
Flipping the image hope peaked in his heart as he repeatedly read the number.
The quarterback quickly began to pat his shorts, realizing he left his phone inside. He rushed into the house, passing Yazmine and completely ignoring his teammate to grab his phone on the kitchen counter. Not caring about the small audience he dials the number as fast as he can, praying that she’ll answer.
“Come on, come on. Please pick up.” It goes straight to voicemail, her fake perky voice fibbing about calling back on the other side instead.
But he still takes the chance and leaves a message. “Baby, it’s me. I know, Yaz told me. I’m so sorry, I know it’s long overdue but please if there’s a chance I wanna be there. If this is the only time that I have to get through to you, I’m taking the shot. I know you deserve way better than me and that baby- our baby deserves to have a family that loves them and cherishes them for everything. Give me a chance to be the man you need me to be, I miss you so much. I’m sorry I didn’t see what I had right in front of me. I’m sorry about the image you have of me in her head. If I could start all this over again, I’d change everything I did- I was selfish and foolish. I need you.. I want you, you’re the only one I want. Please, I want to be a father to our baby. I watch them grow up with you. Even if we don’t work out again, I won’t leave our baby. I won’t leave you until you’re kicking and screaming for me to go. Just give me one more shot, to show you that I can be who you need me to be. I don't want this to be the end of our story, tell me I have more time. Please baby, just call me back.”
'This mailbox is now full. Goodbye.'
☆. ° ₊*. :°• .° . ☆ • . . 
Main Masterlist
Like, comment and reblog for a part 2 (should she call him back?)
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worldhistoryfacts · 1 year ago
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Child labor was quite common in America deep into the 20th century. One of the most important reformist organizations was the National Child Labor Committee, created in 1904. Its leaders, many of whom were key figures in the progressive movement, understood that they would need to expose the realities of child labor in a visceral way. So they hired a photographer named Lewis Hine, whose photographs created a haunting record of American child labor.
One of the most common jobs for young boys was as a newspaper seller. Though this was not as grueling as factory work, it did have definite downsides. The day started early — here are some St. Louis newsboys beginning work at 5 am:
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The newsboys were often exposed to bad habits on the streets:
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Newspaper sellers, unlike most child laborers, did have some protections — “Newsboys’ Protective Associations” formed in many cities, and served as a sort of union and fraternal organization for the kids. Here, the Cincinnati Association is training kids in the “manly art of self-defense:”
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{WHF} {Ko-Fi} {Medium}
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