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jbaileyfansite · 11 months ago

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Jonathan Bailey and Matt Bomer's Interview with The Hollywood Reporter (2023)

“Johnny B! Johnny B!” Matt Bomer exclaims as he logs in to Zoom to join his Fellow Travelers co-star, Jonathan Bailey, to do press for their critically acclaimed Showtime limited series.

“Hey, Matty Mo,” Bailey replies.

The actors spent about six months filming the eight-episode series — so, of course, they’ve established a playful bond. On this particular day, they’ve even given each other nicknames.

“I don’t think I’ve ever called Matt ‘Matty Mo’ in my life,” a smiling Bailey says.

“I love Matty Mo,” Bomer replies. “Listen, I love Matty Mo. I appreciate it.”

Bomer and Bailey built a brotherhood and onscreen chemistry for the historical romantic drama about two male political staffers who fall in love at the height of the Lavender Scare, a time when homosexuals were banned from holding positions in the federal government. The series — based on Thomas Mallon’s 2007 novel of the same name — follows their intense affair into the ’80s, also visiting Vietnam War protests and the AIDS crisis.

Zoom, it turns out, is where the actors first met, reading lines together to see if there was magic. And there was.

Since debuting in late October, Fellow Travelers has had an overwhelming response from viewers — some connecting directly with Bomer’s Hawkins Fuller, a veteran and State Department official who carefully hides his homosexuality, or with Bailey’s Tim Laughlin, an eager and naive congressional staffer who falls hard for Hawk. Others have identified with some of the supporting cast, including Allison Williams in the role of Hawk’s wife, Lucy Smith, and breakout stars Jelani Alladin as reporter Marcus Hooks and Noah J. Ricketts as drag performer Frankie Hines, whose gay Black love story is one of the show’s many highlights.

“It’s so nice to be able to have discourse with people who are responding to the show. That’s been really refreshing and enlightening,” says Bomer, who is also an executive producer on the series.

Bailey, best known for Bridgerton and his theater work, says he was drawn to the show because “it felt new and it hadn’t been done in this way — in an elevated, eight-hour, rich aesthetic with gay actors.

“The queer experience is so different for so many people,” he adds, “but the one thing that unites the queer experience is these moments in history.”

In an interview with THR, Bomer and Bailey talk about prepping for their roles and being gay while playing gay, while also breaking down those milk and toe-sucking scenes.

What has it been like to have people connect emotionally to the series?

MATT BOMER: I won’t name names or anything, but I’ve known people over the years who’ve made similar choices that Hawk made in order to survive. Not governmentally — I mean in a society that certainly didn’t want to see them succeed. But for me, the most refreshing thing has been the young people who are really engaged in the show and knew nothing about the Lavender Scare, and are speaking to the show and the characters, but also, aspects of our history that they were unaware of that the show has — I don’t want to say taught them about, because it’s not a teaching tool — but they’ve learned about through the show.

JONATHAN BAILEY: When people respond in that way and you hear their personal stories, it’s amazing that people feel that they want to share that. It’s the most grounding thing to tell a story and investigate a time or a period or a movement, that hopefully leaves an imprint on people, and/or catalyzes them to tell people and talk about their own stuff. That’s the dream, really.

Jonathan, it’s so heartbreaking to watch Tim hurting in various scenes. What were you pulling from to give such a strong emotional performance?

BAILEY: Thirty-five years on this earth. (Laughs.) Drawing it from the ground. Naturally, it’s totally parts of me and parts of people that I know, experiences that you think of. Tim’s character arc is so huge, and [I wanted] to capture his youth in those early moments and then expand into what breaks such a pure, optimistic, passionate soul and all the different ways in which that could show itself. There were moments on set that you couldn’t help but be incredibly moved by.

We found ourselves filming by coincidence on World Aids Day. It is really not hard to feel the importance, but also just the grief is palpable in the stories. And there is a lineage — you inherit this in your community. It just felt like an opportunity to learn as much as I possibly could, generally, about the queer experience. We are surrounded by amazing gay men, as well. And then, of course, I’ve lived my life trying to understand the gay experience, so it wasn’t a shallow pool to [pull from].There’s a well there.

Matt, your character is so cutthroat, but obviously there’s sympathy for him, as well. What was it like playing Hawk?

BOMER: Hawk does what he has to do to survive. He has his empathy and his allegiances, but anything that calls his survival into question, there are immediate and severe boundaries. But then enters Tim, who is so guileless and so full of love and all the things that Hawk wishes he could be at his core, or maybe once was before certain aspects of his life changed that or his point of view about that. You’re always looking for a shadow in your character, and it was so refreshing — he obviously has a public persona, a veneer that he presents to the world in order to maneuver in it, but he really leads with a lot of the more shadowy aspects of a typical character. It’s the love and the more open and vulnerable aspects that are his shadow in many ways. That was an interesting flip for me to get to sink my teeth into.

It’s profound to have two gay actors playing two gay characters on a TV show. Did you ever think something like this could exist?

BOMER: Honestly, no. My mind has been blown so many times over the past 20 years. I’m just so grateful that the gatekeepers gave us this opportunity. I was doubtful, almost up to the 25th hour on this, that they were really going to put the money and the opportunity into this series that they did. And I’m just so grateful that people who are in the position of calling the shots gave us the chance to tell the story — and the way we needed to.

BAILEY: It’s the Tims of the industry, who are searching for more, who are deconstructing, who are questioning. Because they’re all a similar peer group — [series creator] Ron [Nyswaner] knows Dante [Di Loreto, executive producer of Glee and P-Valley], who’s at Fremantle [which produced the show], and they’ve worked together for years. This isn’t something that just got commissioned overnight, because there’s a wave of progress. The people who are really doing it, as well as the actors, are the people in positions of power who have worked their way up with these questions.

And it’s funny, the one thing I have thought over the years is — I’ve just looked at gay characters, they’re such rich, brilliant, oppressed, complicated, joyous characters to play, so of course people want to play them. And this is a brilliant example of: What better way to do a character study of two polar-opposite gay characters than have gay people play them? But that’s what I felt growing up. I just thought, “Of course people want to play those parts,” which is great. It’s just, what happens if, just for a moment, gay people play them?

And I do think that everyone can play everything, and that’s what we should be headed toward. But I do think there’s a balance that needs, and needed, addressing. And there are a lot of people whose questioning and hard work have created a world in which this can fly.

BOMER: I agree with you wholeheartedly. And it is the Tims of the industry or maybe some Hawks, too, hoping for retribution.

BAILEY: That’s true. We stand on the shoulders of all the Hawks, as well.

BOMER: (Laughs.)

BAILEY: [The Hawks] did all the work at MGM, yes. (Laughs.)

Jonathan, your character drinking milk in the series got a lot of attention.

BAILEY: It was a brilliant way of showing such naiveté, and immediately you know that this is a character who’s completely outside the world Hawk inhabits, and he sees the world completely differently. He’s so open. It’s so interesting, isn’t it? Because, it’s funny that Tim leads with his heart and his openness and his childlike wonder, and his shadows are his compulsive nature of constantly needing something that he can’t fill. There’s a moment in episode six — they’re in Frankie’s flat, and I was like, “He’s got to be drinking milk.”

BOMER: There was a power shift in episode eight, too.

BAILEY: Exactly. The milk was on the call sheet. It’s a character in its own right. And also the milk’s character arc is more dramatic than everyone else. Give it a spinoff, I say. (Laughs.)

There was also that toe-sucking scene. Jonathan, did you get the script and it said “suck toe”?

BOMER: Just “suck toe.” (Laughs.)

BAILEY: It was very, very precisely written down — it was as precise as it needed to be. I saw that as an incredible way to dissect power. I got it when I read it, and I wasn’t intimidated by it. I was just like, “If in the first episode that’s what we are doing, it’s going to be worth five months moving to Toronto, and it’s going to be a series that I would want to watch.” Because not only is it incredibly complicated, not only is it really hot, it’s also something that masks as being provocative, but actually it’s really psychologically impactful and the people who get it get it.

BOMER: I think all those scenes were a really external representation of what was going on with these characters internally, emotionally. And for me, it was really refreshing to see the gay love scenes brought to light in a really unflinching way.

BAILEY: The shock and overwhelm and the tantalizing chemical combustion that happens seeing it — it’s a greater sensory experience because that’s exactly what it meant for Tim in that moment. It captures exactly what’s going on for Hawk and Tim, hopefully, allowing the viewer to experience a bodily reaction to it in the same way, whatever that may be.

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#fellow travelers #jonathan bailey #matt bomer #interviews #interviews:2023 #the hollywood reporter interview #NEW!

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jgroffdaily · 5 months ago

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The New Yorker Interview

Jonathan Groff Rolls Merrily Back

The actor reflects on his journey in reverse: from his latest Tony nomination to his arrival in New York, waiting tables and dreaming of Broadway.

By Michael Schulman, Photograph by Thea Traff

June 2, 2024

Excerpts:

One of the problems with “Merrily” is its protagonist, Franklin Shepard, whom we first meet as a slick, philandering forty-year-old Hollywood producer. It takes two acts to arrive at the charismatic musician he once was, with a lot of mistakes in between. Putting effect before cause gives each scene a painful irony—but how do you get an audience to care about a guy who’s off-putting for so long? “Merrily” is back on Broadway, in a production directed by Maria Friedman, and it’s finally a hit. One big reason is its Frank, played by Jonathan Groff, whose natural warmth shines through even in the character’s older, sleazier incarnation. When this revival opened Off Broadway, in 2022, The New Yorker’s Helen Shaw wrote, “Groff’s silky tenor and angelic face elevate a part that can sometimes be contemptible—for the first time, I could see Frank as both the dreamer who believes in greatness and the glib charmer who believes every lie he tells.”

Groff, thirty-nine, is now nominated for a Tony Award, alongside Friedman and his co-stars Daniel Radcliffe and Lindsay Mendez. He was previously nominated in 2016, for “Hamilton,” in the scene-stealing part of King George III, and in 2007, for the indie-rock musical “Spring Awakening,” as the rebellious schoolboy Melchior Gabor—his breakout role, opposite Lea Michele. Groff had come to New York three years earlier, as a stagestruck, closeted nineteen-year-old from Lancaster, Pennsylvania, where he grew up among Mennonites and was obsessed with the original cast recording of “Annie Get Your Gun.” “Merrily,” with its themes of aging, idealism, and the vicissitudes of show business, has had Groff thinking about his own path toward stardom. “Doing this show on Broadway at this time, moving to New York twenty years ago, I’ve now lived the time frame of the show,” he told me recently.

We were talking at a bakery north of Washington Square Park. Groff had glided in on a bicycle. As we spoke, he frequently welled up with tears—he’s a crier—but regained his composure by focussing on a pair of googly eyes affixed to the wall behind me. For our conversation, which has been edited and condensed, I had an experiment in mind.

Let’s start with the extremely recent past. Three days ago, you went to the Met Gala. How was your night?

The big headline for me was Lea Michele was pregnant, and I sat next to her at the table, holding her giant train thing while she peed. She took it off, and I was holding that and her purse. I saw Zac Posen, who was at our table, help Kim Kardashian up the little tiny stairs, and I said to him, “Wow, that was such a sweet moment of the gay helping the diva.” I was relating to him, like with me and Lea. It’s a zoo of famous people. I was going to go to the after-parties, but my body was just, like, “No.” I hit a wall from the shows and the epicness of the week, with the Tony nominations. So I was home by eleven-forty-five, and in bed by midnight.

The Broadway production of “Merrily” opened last fall. You told Jimmy Fallon that Meryl Streep came to your dressing room, where you have a bar named BARbra, and she took a video of you and sent it to Barbra Streisand. Who else has been there?

The first thing that comes to me is sitting in BARbra in October or November, drinking whiskey with Sutton Foster. I came to New York as a teen-ager and saw her six times in “Thoroughly Modern Millie”—now she’s in BARbra, dropping in for, like, an hour and a half after the show, and it’s so full circle. Who else? Patti LuPone was there—another big one for me. Phoebe Waller-Bridge and Martin McDonagh. Glenn Close sent back a bottle of champagne to be chilled in BARbra, which we drank together.

This show, like every Sondheim show, is very dense. Over the course of three hundred-plus performances, are there certain moments that have suddenly hit you a different way, or that you realize have a double meaning?

Double, triple, quadruple, infinity. I’m still having revelations, which really makes me believe that it’s a true work of art. Maria [Friedman] talks about how, with Sondheim’s writing, he “leaves space,” which is why it’s always new. He always needed to work with a collaborator, and she talked about the actor being an essential collaborator. She said the lyric he wrote in “Sunday in the Park with George”—“Anything you do, / let it come from you, / then it will be new”—is Sondheim’s directive to the actor.

The Tuesday after the Tony nominations, I got to the theatre, screamed with Lindsay [Mendez], screamed with Dan [Radcliffe]. [He chokes up.] Then I was singing “Growing Up”—“So old friends, don’t you see we can have it all?”—which has meant so many different things to me in the run of the show. At yesterday’s matinée, Dan and I were sitting on the roof singing “Our Time”: “Up to us, pal, to show ’em.” We’ve done it a million times. We look at each other, and Dan just fucking loses it crying. He had to look away from me. We talked about it afterward, like, “What the fuck was that?” I don’t know. Something just happened.

When you started the show, in 2022, at New York Theatre Workshop, were there kinks in your performance that you’ve since figured out?

I remember feeling shocked at being disliked for so long in the first half of the first act. It was very clear from the energy of the audience that they loved Mary in the opening scene—immediately, they’re on her side. I’m out here as a gay guy, playing this straight, two-timing Hollywood producer who’s cheating on his wife. I’m already having to feel confident in a way that I don’t in my everyday life, this sort of swagger. And the audience hates me. I remember feeling scared and self-conscious. Maria, in that preview process, really helped with that, because she talked about the value of when it’s real, and you’re not playing ugly just to be ugly. The one line that I really struggled with was “I’m just acting like it all matters so people can’t see how much I hate my life and how much I wish the whole goddam thing was over.” That is a really confronting thing to say.

People might say that this is one of the fundamental flaws of “Merrily We Roll Along”—that you’re confronted with this cynical, smarmy Frank in the first act, and you don’t really understand him until the show’s over. I can imagine going into this not knowing if that’s a solvable problem, because it hadn’t been for decades.

Well, Maria wanted us to find the truth. She really believed that these characters weren’t archetypes, that there’s humanity in the writing from beginning to end. I found it after that first week or two of previews, not being so afraid. The line that made me want to do the show was “I’ve made only one mistake in my life, but I’ve made it over and over and over. That was saying yes when I meant no.” I’ve done that a lot in my life, and there was something that felt like the closeted version of myself. George Furth and Stephen Sondheim—I can only imagine being gay at the time that they were gay. Even though Frank is straight, there’s so much repression that feels very familiar to me.

Except that you felt it at the beginning of your life and not the middle, as Frank does.

Yes and no. I still feel it. I’m still trying every day not to go back. I’m obviously out of the closet, so that’s a huge relief, but I’m always going to be reckoning with the Republican upbringing that I had. I’m always negotiating whatever homophobia I’ve got. It’s all in there, still. What we see as ugliness in the top of the show, to stand and say, “I want to fucking kill myself, I hate my life,” and not overdramatize it but try to find it in the most pure, truthful place—it’s still, every night, a meditation to go there.

Let’s wind back. In 2021, you played Agent Smith in “The Matrix Resurrections.” Any good stories about Keanu Reeves?

Getting to play Agent Smith really unlocked rage inside of me that I didn’t know was there. That’s helped me so much with “Merrily,” particularly in the first act. Learning the kung fu was, like, months of fight training. They called me the Savage, because I was so into it. We were shooting a big fight sequence with Keanu, and, after the first few takes, I remember Lana [Wachowski] at the monitor, like, “Jonathan, come over here. Who is that?” I was, like, “I don’t know.” And she was, like, “And what is that?” I said, “Gay rage?”

I’d never shot a gun before. I shot Keanu and thought I had peed my pants, because I had this hot feeling. You know when you pee yourself and it’s warm? It lasted about ten minutes and then it went away. I sat next to Keanu and said, “Keanu, I just had extreme heat from my groin for, like, ten minutes.” And he was, like, “You opened up your root chakra.”

You turned thirty that year [Hamilton]? How was that?

I remember it vividly. We were at the Public Theatre. There was a fire in the East Village, and the show was cancelled that night. I got a cupcake at the deli around the corner from my apartment, on Sixteenth Street, and ate it by myself. I can be a bit of a loner, so that was a happy birthday for me.

(On Looking being cancelled)

But, in 2015, Michael Lombardo was our executive at HBO, and I was crying into my salad at some restaurant in West Hollywood, trying to convince him to keep the show going, right before getting on the plane to come do “Hamilton” Off Broadway.

I loved Raúl Castillo, who played your love interest Richie on the show. I interviewed him around then, and he told me that, since he’s straight, you all had to teach him some of the mechanics of what gay people do.

Oh, yeah! God, I love him so much. I officiated his wedding in July.

Let’s go back to 2013, when “Frozen” came out. You voiced the iceman Kristoff and the reindeer Sven. How did that film change your life?

It’s funny—I remember recording some of “Frozen” in San Francisco. I would be teaching Raúl, like, how to lick my asshole while jerking me off—not teaching him, but sharing the ins and outs of gay intimacy—and then going into the recording studio on a Saturday and being Kristoff and Sven in a Disney movie.

When they showed me “Let It Go” for the first time, I was, like, Oh, my God, this will help millions of people come out of the closet. This is the gayest thing I’ve seen in my life! That was the thing about “Frozen”: I don’t think anyone who worked on it thought it was going to be a juggernaut. It’s so weird to think of this now, but when it came out it felt quite alternative, because there was no villain, really, and the love was between two women. Now there are, like, tissues with Elsa on it.

Now we’re moving backward to “Spring Awakening.” By the time it moved to Broadway, in 2006, you were the twenty-one-year-old lead of the coolest musical in town. What was your actual life like?

I was so not cool. The show was cool, and the music was cool. I had people dropping me off joints at the theatre. And I remember fully understanding the stark difference between who I was playing onstage and who I was in real life, which was an extreme theatre nerd who wanted to be in the ensemble of “Thoroughly Modern Millie” and never would have imagined playing Melchior. It’s his gravitas. And trying to tap into that side of myself, which was a side I’d never experienced before.

Tell me about your audition.

I went to the open call and knew who Michael Mayer was, because he had directed “Thoroughly Modern Millie.” But it was “Spring Awakening” and I was, like, There’s a beating scene? This is so intense! They called me in for Melchior, then had me sing “Hey Jude” in a falsetto, and Michael was, like, “That was your falsetto?” And I laughed at him sort of making fun of me. Tom Hulce, who was our producer, told me years later that he moved my head shot from the “No” pile into the “Yes” pile because I had laughed at Michael in the audition, and he thought, This kid has the ability to let Michael roll off his back. We should bring him back in the next month or two.

It was, like, ten people up for Melchior. They brought me in first, because they thought they would just see me and cut me. But I had worked so hard on the audition material. I remember calling my dad the night before the final callback and saying to him, “I know I can’t be this character all the way yet, but I—”[He tears up again.] I really got to get my shit together! Why does this keep happening to me?

Because we’ve gone on an emotional journey.

I guess so, in reverse! Fuck me. [Pauses.] I knew that I had it inside, if they would just give me the chance. That’s all I was trying to say, but I guess I can’t stop crying while I’m saying it.

In 2005, you made your Broadway début, as an understudy in “In My Life.” Now, this was the weirdest musical I’ve ever seen. As I recall, there were dancing skeletons in a song about how everyone has a skeleton in their closet, a giant lemon that came from the sky at the end, and a girl on a scooter who turns out to be a ghost. And it was written by the guy who wrote “You Light Up My Life,” who then came to a dark end.

And his son!

Yes, his son killed his girlfriend. What the hell was going on with that show? Did you ever go on?

I went on for the ensemble members. I was so excited! I was in my first Broadway show, at the Music Box Theatre, walking in where it says “Stage Door.” And you couldn’t give away tickets to see the show. People were coming to laugh at the show from the audience.

Like “Springtime for Hitler”?

Exactly. And the cast had to do the show, even though people were laughing at them, which is devastating for the actors. But we formed a little family. It’s the plight of the actor. You’re just out there, like Sally Bowles in “Cabaret.” I was twenty years old, so I was lit.

Had you been waiting tables?

Yeah. The whole year before that, I was at the Chelsea Grill, in Hell’s Kitchen. The day I got to New York—October 21, 2004—I moved to Fifty-first Street and Ninth Avenue, before it was super gay, and I walked down Ninth and got a job waiting tables. A week later, I waited on Tom Viola, who runs the charity Broadway Cares, and became a bucket collector. I’d watch the second act of shows and then collect the money at the end. I went to hundreds of auditions, trying to get my Equity card. That, to me, was “Opening Doors,” from “Merrily”—that moment of sheer will and ambition and ignorance.

We’ve now reached our finale, which is 2004. Can you tell me about the decision to move to New York?

My mom was a gym teacher and my dad is a horse trainer, and they didn’t really understand anything about the performing world. But my dad grew up on a dairy farm, and he was supposed to take over and become a Mennonite preacher, which is what my grandfather was. My dad didn’t like cows—he liked horse racing, so he sort of rebelled and did his own thing. My mom always says that nurse, secretary, or teacher were the options for women in a small town at that time, but her passion was sports, so she ended up being a coach.

So they understood the power of fanning the flame of passion. When I was a kid and into acting, they drove me to play practice. They drove me to community theatre. My senior year of high school, my mom drove me to New York to audition for this bus-and-truck tour of “The Sound of Music.” I got that tour, and deferred my admission to Carnegie Mellon. I made ten thousand dollars after a year on the road, and I learned so much from getting to act every day. I wanted to take my ten thousand and move to New York, and my parents were super supportive: “If you feel like you need to go to college, you can always go to college. But take a gamble and move to the city.” I’d worked at this theatre in Lancaster called the Fulton Opera House, where I’d met this girl who wanted to move to New York, so she became my roommate.

To me, “Merrily We Roll Along” is about how difficult it is to stay in touch with the person you were as adulthood knocks you sideways and forward. When you think about nineteen-year-old Jonathan coming to New York, do you feel like you’re the same person? What’s changed?

[He bursts into tears.] I can’t tell why I cry! When we were about to start rehearsal for “Merrily,” I would listen to “Our Time,” and I couldn’t sing it without crying. And, when I think about that version of myself—I think it’s because that person who brings you here does diminish. Maybe it’s the grief for that person. The whole reason that I’m here now is because of that person, but that person no longer exists.

But that person is still in there, somewhere. That voice is so quiet now, but it’s still driving my choices. You have to make choices. You get older, that pure inspiration dies, but it doesn’t have to go all the way away. I think that’s the whole point of the show, why it goes backward. Maria says that Sondheim put all of his regret into it, so that we could have less regret for ourselves. And perhaps the reason it ends with these people, with these versions of ourselves that we remember when we see it, is that it’s an invitation to remember and honor that person.

Why does that make me cry? Is it grief? Is it joy? I don’t know, but I’m so grateful for that purity and that optimism. The first month that I was here, feeling so lost and confused, I pulled the Bible that my Mennonite grandmother gave me off the bookshelf. She gave me that Bible before I left town. I was alone in the apartment thinking, What the fuck am I doing in New York? Or not even “what the fuck”—I didn’t swear until “Spring Awakening,” and when I would sing “Totally Fucked” I would get beet red. And I remember putting the Bible down and thinking, This is not the answer. This is not making me feel good. And then running to Central Park and standing in front of the Bethesda Fountain. I was nineteen, and I was, like, This feels better—but, like, What? Who am I? What am I doing here? I know I want to act, but I’m so scared. And gay. But it was something—some voice, some passion, some inspiration. Some something brought me here.

#jonathan groff #merrily we roll along #interview #Lancaster #in my life #spring awakening #Hamilton

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redhoodinternaldialectical · 1 year ago

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My Jason Todd Rec List and Character Manifesto! (Version 3.0! Edited and updated first on 28/01/2024 and then again on 23/09/2024)

This is a fuckin mess my ghouls, but I got categories and I got opinions and who can stop me from typing em out? Certainly not @lazaruspiss who is the reason this thing got made!

The format is gonna be:

title and page numbers (No #s if I'm recommending the whole title IMPORTANT UPDATE: Each title will be a direct link to a free digital copy! Make sure you have a good adblocker and enjoy!) picture Summary and general notes My estimate of how unhinged he is in this portrayal What his morals are like; note this isn't about whether he's a protagonist or antagonist

Since cream rises to the top, let us start with:

The Creme de la Creme

The best of the best. The most fun, the most compelling, the most interesting looks into his character.

Seeing Red aka Green Arrow (2001) #69 - #72

This one really does have it all. Jason runs rings around both Batman and Green Arrow at the same time, all the while going after a goal neither of them ever truly figures out in large part because this story wasn't afraid to let Bruce be either wrong or lying about Jason's motives. It also wonderfully leverages the ways in which the Bats and the Arrows are really good foils for each other. I think I'm going to be turning over the ways these interactions went down for a long ass time. I've been really wanting to go page by page for a comparison between the way Jason treats Mia in this and the way Jason treats Tim in the Titans Tower showdown. Bottom line for this one: It's just so good!

Jason's sanity level: Six out of Ten hinges affixed. He's got a solid grip on things, is reasonably level headed, only problem is he might have completely forgotten how to interact with other human beings outside of combat. Love him for that.

Jason's moral compass bearing: Sympathetic Villain. Decidedly willing to mow down some "brain donors", and his goals are pretty morally grey, but he clearly still has a strong code of ethics.

Task Force Z

This whole comic one big love letter to Jason Todd. The author, Matthew Rosenberg, very deliberately takes time to showcase all the strengths and flaws of his character that make him so beloved. He's competent, he's mistrustful, he's determined, he's heroic and yet poses as the villain, he's human yet badass, and he holds his ground against the rest of the Bats while still clearly loving them. If I was ranking these comics purely by plot and pacing this would not be in creme de la creme territory, but it's a fantastic synopsis of what Jason is all about and if I could only give someone a single series in order to let them understand who Jason is (and I couldn't give them Under the Red Hood), I'd give them this.

Jason's sanity level: Eight out of Ten hinges affixed. He's pretty level headed, but at the same time he very clearly is way too casual about violence to be full hinges affixed - the PTSD is very apparent in him.

Jason's moral compass bearing: Antihero. His motives are understandable and firmly rooted in doing the right thing, but at the same time he is very willing to be ruthless and to kill when he feels it's the right decision. Balanced!

Pay as You Go aka Outsiders #44 - #46

Jason's role in this story is fairly small, but it's a wonderful bit of characterization for him. The way he approaches Nightwing to offer his help and the way Nightwing accepts that offer are fascinating and very deserving of your time!

Also there's gay sex and a prison breakout, like, what more could you want? Actually I suppose you could also want (what I'm pretty sure is) Roy's first time meeting Jason as the Red Hood and some really cute scenes of him and Lian, and guess what this story has got that too!

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Antihero. He's deliberately choosing to play the villain, but he's very willing to work with the Heroes and is going out of his way to exonerate an innocent man.

Batman (1940) #408 - #411 Jason's debut featuring Ma Gunn's School and his first ever outing as Robin fighting Two-Face

Just LOOK at this PRECIOUS BOY! I wanna pinch him on his cheeks and give him a handful of these bad boys

Jason has a ton of personality to him right out the gate. The first story has Ma Gunn as the villain and she's a lot of fun. The second story in here with Two-Face is also enlightening with regards to Jason's early personality, even if it's not quite as fun.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Under the Red Hood would be next if it wasn't already filed under ->

Foundational Texts

This is the shit that defines Jason as a character. Much is mutable in any given comic, but somehow, someway, all depictions of Jason are impacted and informed by these three stories. Enough has been said about all of them that I'm gonna keep it brief.

Red Hood: The Lost Days

(You may have heard a lot about Talia's role in this one: I would encourage you to read my analysis of her in this story and do your best to see her perspective in all this, she's a heck of a lot less villainous than people keep saying she is)

Jason's sanity level: Eight out of Ten hinges affixed.

Jason's moral compass bearing: Antihero. He kills some incredibly nasty people, while also doing some genuinely heroic shit. The only places where his morals deteriorate are in the presence of Batman and the Joker.

Under the Red Hood

Jason's sanity level: Four out of Ten hinges affixed. Remember how his morals deteriorated in the face of Batman and the Joker? Yeah, that's mostly because he's way, way too personally invested to think straight about them. He's strategic as fuck, but this is not a stable man's strategy for dealing with his issues.

Jason's moral compass bearing: Sympathetic Villain. He is a revenant, a vengeful juggernaut, and breaks an awful lot of eggs making this brilliant disaster of an omelette.

Batman (1940) #426 - #429 A Death in the Family

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Joker becoming an ambassador to Iran plotlines count: One too many.

Solid Storylines

These ain't the vaulted heights, but not everything has to be the Sistine Chapel. They're solid, and if you're wanting more Jason I do certainly recommend them.

Countdown Presents: The Search for Ray Palmer and Countdown to Infinite Crisis (special note here: Countdown to Infinite Crisis must be read backwards, meaning you start with Issue #51 and then read down to Issue #1 and Countdown Presents isn't in chronological order and just... oh boy this storyline is a mess, but much of it is also quite good)

Jason is in what I like to call his Purposeless Depression Era during this. It's after his plans in Under the Red Hood fail and he's really just got no place to go, no place to be. He's keenly aware that on a cosmic level, he truly does not belong in this world anymore. He's supposed to be dead. There's something I find quite neat about this team up, with Donna Troy and Kyle Raynor and Bob, it's out of the ordinary for Jason, it's not bat related, and the ways he fits and doesn't fit with the other characters are just neat.

I especially recommend Gotham by Gaslight. The plot will be a lil hard to follow if you haven't read the others, but by the end of it Jason hopes to return to Steampunk Gotham instead of his own Gotham where he doesn't think he belongs, and the moments of him hoping to literally leave his universe behind are both sweet and sorrowful.

Jason's sanity level: Ten out of Ten hinges affixed. He's just sad and lonely.

Jason's moral compass bearing: Hero. Even if only Donna is willing to tentatively try to see him that way.

Robin (1993) #177 and two pages of #182 and the front half of #183

Despite how much Jason is known for it, I think this is the only time we see him trying to run organized crime outside of Under the Red Hood (and uh debatably Battle for the Cowl). Short lil string of appearances, but critical for understanding how he's seen by Tim during this era if you care about that. Also I think this combined with Outsiders #44 - #46 (further down this list) it really cemented my understanding of Jason being strangely honest and forthright.

I think a major way other Bats fail to comprehend him is that they expect him to manipulate through lying, which just isn't his style. He doesn't lie about his motives; he doesn't obfuscate his tactics; he doesn't hide how he's feeling. Hell, he doesn't even try to lie his way out of prison! I could not tell you why this series of interactions gave me this impression but it is why I have such faith that when Jason says something, he probably just means it, even when characters like Dick or Tim assume otherwise.

Pity this was the lead up to Battle for the Cowl.

Jason's sanity level: Ten out of Ten hinges affixed. He's even attempting to pick himself up out of his Purposeless Depression Era slump at the start.

Jason's moral compass bearing: Antihero.

Nightwing (1996) #118 - #122 aka Brothers in Blood aka the One Where Jason Gets Tentacles

COWARDS and KNAVES will tell you "the tentacles are so icky and everyone is so OOC" or whatever but again they are KNAVES and COWARDS because bitch this shit is GREAT

Jason: Wow! My bestest big brother killed someone who deserved it, so now I (the person he's rejecting only because I kill people who deserved it) have a real chance at being his family again!! :D Hooray! :) Dickie-Bird why don't you look happy to see me? :) Dickie-Bird I went out of my way to get us matching outfits and stalked your work and killed people in your name so it's nice and easy to make room for me in your life! :) :) :)

Dick:

Jason's sanity level: Two out of Ten hinges affixed. My mans is off his rocker and I adore him like this. Frankly, the entire storyline is unhinged, and it only feels appropriate that Jason is similarly bonkers in yonkers.

Jason's moral compass bearing: Villain. You can sympathize with him, and he is still trying to carry out justice, but I have to call it for straight villain when he's threatening to bomb a building full of innocent people.

Batman and Robin (2009) #23 - #25

I don't have much to say about this one. It's good. The above page is pretty much the highlight.

Wait actually I do have something to say and it is that I would like to lick Jason's abs, pls & thx, because the other highlight is that Winick clearly believes in redeeming Jason's value as a villain through sex appeal and it is working lmao

Jason's sanity level: Ten out of Ten hinges affixed. Certifiably sane, he's passed all his psych exams!

Jason's moral compass bearing: Villain. He threatens to bomb a train station full of innocent people. While he does do that in service of freeing himself and Scarlet, thus making it not completely self centered, I still gotta put him firmly in Villain.

Nightwing (2016) 2021 Annual

In high contrast to the previous two in which Jason acts as a villain to Dick, this one has them working together and the tentative peace and cautious trust they've got going is interesting to me. Very reminiscent of his appearance in Outsiders!

Jason's sanity level: Nine out of Ten hinges affixed. He's quite chill, but there's just this little edge to him that says his relationship to violence is a little too casual a little too deep to really be fully hinged.

Jason's moral compass bearing: Edgy Hero.

Joker: The Man Who Stopped Laughing

With Jason's return to being an antagonist after a long stint in the Hero bin comes his return to being really fucking dangerous and whip smart! My boy quotes serious philosophy that gives him a real point to make against non lethal vigilantes and cops! I also think the part where he lets himself be arrested just... it says so much and all of it is wonderfully interesting and feels fitting for his character. He's kept deeply human, and just all of this portrayal gels together really well.

Originally I had this up in Creme De La Creme because really, even though Jason isn't the star of the show, and even with Gotham War having, er, Minorly Derailed Jason's role in things, and one or two inevitable scenes where ya just have to accept that he's not as trigger happy as he should be because DC is married to the Joker - even though all of that is true, this is still a phenomenal rendition of Jason. However, with all of those annoyances and with Task Force Z being written by the same author, I decided to put it down here and leave TFZ in it's place. Basically it's got an arguably better story-line than TFZ, but contains less Jason.

Also I like that he's friends with my favorite, Stephanie Brown :3 and he and Rose's chemistry is nice. On top of all that? It's a fun comic. Like, I generally hate the Joker, but I found myself enjoying watching the Joker do his Joker things in this one.

Jason's sanity level: Nine out of Ten hinges affixed. Level headed, calm, careful, really the only reason this isn't a 10/10 is cause he's obsessively focused, which like, honestly is pretty reasonable I think.

Jason's moral compass bearing: Clearly Justified Antihero. I almost put down Hero on this one, but ultimately he is just far enough over the line with how he treats the less threatening of the rogues like Killer Moth.

Your Mileage May Vary

These stories I can't recommend without major caveats or warnings, but I still think are worth mentioning.

Gotham War (It's such a mangled mess that I'm just gonna link a reading guide. The same website that all the others are on will get you to all the titles this guide lists)

So, the main problem here is that Gotham War spans five different titles and had three different authors whose renditions of Jason do not feel cohesive or even coherent. The funny thing is though, each rendition has real merits, and while it doesn't go far enough in condemning Bruce's horrifying treatment of Jason for many people's tastes, I have to point out that it's one of the only comics to condemn an instance of Bruce mistreating Jason at all. The fact that the other Robins come to his defense is a HUGE thing! The bar may be in Hell, but it did clear the bar!

Due to how disjointed it is, I'm going to very loosely separate Jason out into two versions of himself. Think of these not as hard lines, but more a spectrum he slides across depending on what author has him that issue.

Jason Primus combines the ideas in Jason's Under the Red Hood speech about controlling crime rather than trying to stomp it out with his more Heroic modern interpretation. He's a chill, funny, smart guy whose protectiveness over the mooks is really charming.

Jason's sanity level: Ten out of Ten hinges affixed. Jason's moral compass bearing: Hero.

Jason Secundus is much more violent, not used to working with other people, and paranoid and antsy in a way that causes him to take it out on people who really don't deserve it. This is a compelling take on him, though I like him closer to Jason Primus. His trauma has clearly shaped him a lot, both for better and for worse.

Jason's sanity level: Seven out of Ten hinges affixed. Jason's moral compass bering: Anti-Hero, most of this focuses on him antagonizing two former Joker goons which kinda doesn't work well cause they're mostly scarecrow goons actually and also at one point he hurts them in a way that borderline just seems like stress relief. It's nothing worse than what we see Batman himself doing countless times, but it's still jarring because we've been made to strongly sympathize with the goon in question.

Batman: Three Jokers <- I read it while typing this up (the first version of this lol), so I got a lotta thoughts

Guh, this one is just fucking sad

So, I don't mind a story being blunt with its message as long as the message actually holds up. Unfortunately, this three parter's attempt at the cycle of violence lesson is... bad. Real bad.

Jason in it is neat! This is a good Jason portrayal somehow despite literally everything about the way this comic frames him! The narrative expects us to believe he is a danger to society on the cusp of becoming another Joker, because he *checks notes* shot the Joker dead, shot at a Joker loyal guy, and roughly interrogated an injured child abuser. At no point does he show signs of wanting to hurt innocent people. At no point does he show signs of doing any hurting without premeditation or a need to defend himself. I'm baffled by this.

My kingdom for a fucking CRUMB of nuance, I swear, smh...

I hear a lot of people hate his one sided romance towards Barbara. This is understandable as it squanders the opportunity to have a female character not be stuck as the narrative sponge for man emotions. I like it from the perspective of a Jason fan, and give condolences for the Barbara fans. It's not healthy, and good fucking job on the janitor sweeping away his letter to her so poor Babs doesn't have to deal with that shit, but I do like Jason's desperation to be loved by someone, anyone, who might show him compassion.

Jason's sanity level: Six out of Ten hinges affixed. He's sad, he's lonely, he needs some PTSD specific therapy, he's a bit creepy about his crush on Barbara, but quite frankly he has it together a lot more than the narrative would like us to believe. The way the other characters treat him like he's some kind of monster just waiting to snap and start maiming people indiscriminately makes me really uncomfortable.

Jason's moral compass bearing: Antihero. Quite frankly I'm tempted to say Hero out of spite.

Red Hood and the Outlaws (2016) #1 - #43

There are three transcendental character moments in this run that I think make it worth reading even if not all of it's your cup of tea. On the other hand though there are some big issues that could very easily be deal breakers. Oh and anything after #43 is a wasteland and #43 is included purely for the implication that being transgender made a woman immortal.

The narrative structure is really heavily dependent on rule of emotional impact/cool/allegorical usefulness. Many events will not make any fucking sense based on petty things like basic logic or the laws of physics, but they do work just fine in the area of what makes the story more fun or the emotional beats hit harder. Stronger than average suspension of disbelief is necessary for the reward of getting a lot of stuff that's, like, just really fuckin cool.

The romantic side plot with Artemis is... odd. Either the author, Scott Lobdell, intended to write Jason as a desperate loser trying to date his uninterested lesbian friend who he co-parents with, or he accidentally wrote a romance so awkward and comp-het that I cannot wrap my head around reading it as reciprocated. This works for me because I have a lot of fun reading Jason as a desperate loser who's not even actually in love with her, he just is desperate to cling to the closest thing he's ever gotten to a nuclear family and in denial about being either aro/ace or gay.

Now, lets explore a lil bit of the whole Jason is a loser angle, cause it's not the whole story, there are many points in which Jason gets to be a badass motherfucker, but he is much, much less of the hypercompetant, highly determined, murderous threat he used to be. Almost none of the newer renditions of Jason are. This Jason in particular though is very soft and cuddly, and fits the archetype of man trying to be the edgy bad boy but who secretly just wants a hug and a warm glass of milk.

If I were to describe my personal Jason in a few sentences I would say that he is someone who loves himself viciously. He feels he has been wronged and is willing to burn down the world to rectify that. He will hold your ass at gunpoint and demand the hugs and warm glasses of milk that he fucking well deserves!

This Jason is about as far away from that as you can possibly get. I still like him though, and I do not count him as being a different character, because when you start with emotional logic that goes like this:

It wasn't my fault + I deserve better = I get to burn the world down in order to get better

It becomes extremely difficult to ever stop burning the world without also deciding "It was my fault" or "I don't deserve better". Jason is meant to have changed a lot, and this is a plausible evolution of the Jason I prefer.

Finally, the handling of Bizarro, a mentally disabled character, is a sensitive enough topic that your mileage will vary, even if I can't think of a bad thing to say about it. Jason and Artemis are really pretty good about treating him with respect, giving him help where he needs it and autonomy where he's capable of taking it. They raise him, but don't control him, and he is literally like three days old when they find him so this isn't infantilization. It takes the framing of Lenny from of Mice and Men and Flowers for Algernon and rejects them in a way that I am satisfied with. You'll just have to read it for yourself to see if you're satisfied as well.

Jason's sanity level: Ten out of Ten hinges affixed. I kinda wish he was more unhinged.

Jason's moral compass bearing: Hero. He even saves a puppy and gives them pats.

Knight Terrors: Robin

Have you ever been in the mood for a syrupy sweet hurt/comfort fanfiction in which Jason and Tim were magically forced to talk about how much they like each other in order to overcome their own insecurities? Do you wish that existed as a lavishly illustrated two issue comic?

If you answered yes to those two questions then congratulations! It does exist; this is it; go have fun!

If you think that sounds like ham fisted garbage turning what should be several long arcs of serious reconciliation and deeply meaningful character moments into two issue fan service schlock then condolences! I wish you all the best in denial, as all comic fans sail that river sooner or later and I shall join you upon it someday.

What category do I fall into? Well I think this is definitely ham fisted, but I won't kick a boar out of bed as long as they ain't a bore, and this little ditty is certainly entertaining.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason't moral compass bearing: Hero.

Batman and Robin Eternal

This is a decent portrayal of Jason in his modern, much friendlier, and much more bat family integrated rendition. He has some fun moments in it, and I like his staby bracers.

I don't like this comic. It commits the most dire of writing sins: Being boring. I think about Jason every second of every minute of every day; if your comic that majorly features a good portrayal of him cannot hold my attention, then something has gone very wrong. Hopefully one of you will like it more than I do.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Suicide Squad: Get Joker! (Content warning for suicide, skip to the hot take if this'll get to ya - also spoiler warning cuz I can't discuss this properly without discussing the ending)

A three issue miniseries in which Jason is inducted into the Suicide Squad on a mission to kill the Joker. He's highly competent as a team leader, grounded, intelligent, and uses measured violence in a way that is satisfyingly tactical. The squad they threw together honestly has some pretty neat chemistry as a whole, and the characters were appropriately messy and quite likable.

This isn't higher on the list because it thinks it earned it's ambiguous ending, and frankly, it's wrong about that. Ambiguous endings live and die by the question they make the audience sit with - It has to be worth losing out on the emotional payoff of a solid ending.

The question of "If you left Jason in a room with the Joker and a gun with one bullet, would he shoot the Joker or himself?" is a really shitty question. Like, did the authors not realize that just on a logistical level, Jason could leave the room and find a second bullet after shooting the Joker? Like, seriously, even if we accept the premise that Joker's speech got to Jason, there are no reasons for him not to choose the "both" option. The only way I can imagine this working is if the Joker is actually the fucking Purple Man from Jessica Jones using mind control.

So we exchanged the validation of literally all our protagonists' struggles/sacrifices paying off for... the vague implication that Jason unforgivably betrayed his teammates, himself, and the entire world because he was so eager to die that he couldn't wait ten fucking minutes. If I loved the Joker I might feel differently about it, but as is, I felt insulted.

This would have been Solid Storylines or maybe even Creme de la Creme if not for that implication. It's not boring though! The rest of it up to the end is honestly pretty damn good, if a bit convoluted, and much of the ending's sour taste can be assuaged by getting out a sheet of paper and doodling Jason opening Joker's head with a handgun and then going out for icecream with the team.

Jason's sanity level: Ten out of Ten hinges affixed. He's a sad, sad lad tho.

Jason's Moral Compass Bearing: Anti-Hero, forced to be much more violent than he wants to be.

A Hot Take

I bet you thought the tentacles were the hot take! HAH! MuahahaahhHAHAHAH - Prepare now, puny mortals, to witness me defend Pill Helmet Jason AND his fashion choices!

No, I am not talking about Winick's redo late in the game, we've already been over that one. I mean I will defend Grant Morrison's flop era, three foot head gear wearin, goofy ass, unwashed ass, "how to build ur brand" reading maniac

It's time to talk about Batman and Robin (2009) #1 - #6

The interpretation of one scene makes or breaks this Jason:

If you believe he is being insincere and manipulating her into putting all her emotional eggs in the basket of his crusade, ignoring her wellbeing in favor of his 'brand', then this is probably the worst mischaracterization of Jason ever written.

If you believe he is being sincere, genuinely comforting her in the only way that he's got to deal with his own trauma, giving her real affection and not pushing her to take either option with the mask because he trusts her to make that decision for herself, then this gets Jason very right.

No matter what Morrison might have intended, I choose to believe it's the latter. This is terrible advice to give a trauma victim, but it makes perfect sense for Jason to believe that about his own trauma, and thus to pass that maladaptive view along.

He doesn't try to assure her that the mask can come off safely or that he'll get her a doctor because he really can't promise her either of those things. It would be cruel to her to pretend that he's got a solution. Jason can't undo the damage that was done to her any more than he can force a dead Bruce to kill the Joker.

Instead he offers her purpose, and reassurance that she's gonna look badass if she never does take it off, and protects her when she's in trouble.

You can claim this is just him acting out his chosen Hero role, but like, WHY would he have chosen to method act that role 24/7 if he wasn't trying to BE a Hero who protects people like Scarlet? There's nothing in it for Jason to fake this.

I also think if he was being written out of character as a manipulator we would have seen him use a romantic or sexual angle which he absolutely doesn't do.

Dickie, you are such a funny Batman, they never shoulda brought Bruce back tbh.

Instead, he seems to be taking a more parental role, in a near perfect reflection of how Bruce took him in when he was a kid. Just he's doing it his way, meaning that whenever Scarlet goes further with the violence than Jason seems to want to, he backs her up instead of chastising her.

Speaking of violence and morals, Let the Punishment Fit the Crime is a coherent moral position to take, even if you (understandably) disagree with it, or disagree with what punishments fit which crimes. It's basically the same moral position as every other version of Jason there's ever been! Like, is he even killing more people than he used to in stories like Under the Red Hood? No, I don't think he is. In fact, I would argue that Morrison's Jason is significantly less violent than Winnick's overall!

The branding thing is weird, lil annoying too after a while, but ultimately it still makes sense. And brings me around to my promised defense of his fashion choices.

First of all the symbolic importance of the fact that he wears white cannot be overstated in my mind. Will I elaborate? No, this post is way too long already lmao! Second off, it's supposed to be silly. I believe the silliness was a conscious, calculated choice, and the right one to make.

Jason doesn't believe that fear works, he's not trying for pure intimidation, and he knows that he's going to have to appeal to people in his bid to be seen as a Hero. Making himself seem big but non-threatening, a bright patch in the night, makes real sense.

Take a look at this view of Jason from Scarlet's POV when he comes to rescue her from the cops after she kills her dad:

He's got a smoking gun in his hand and he just shot two cops dead, yet we're hard fuckin pressed to find him intimidating aren't we?? Cornball dialogue, and the silliest fuckin hat in the universe, because he's not meant to be from this era, he's emulating the Golden and Silver age comics and all their goofiness. He's trying to be the older, happier, sillier batman that used to exist (at least in his head), while doing what he believes is right and necessary.

The costume makes sense dammit!

Also it just doesn't look bad, I can't provide an argument for this, it's just true!!

Also also every one of these fuckers should be wearing a helmet too, this is basic brain safety, if you're gonna go around antagonizing fuckers with guns you need to make your head at least nominally bulletproof, it's that simple!!!

Also also also the fact that he had red hair in this is oft maligned, but it gives Jason an in universe avenue to express a grievance with a super important part of the way Bruce treats him in his post-crisis time as Robin - Bruce was using him as an emotional replacement for Dick.

Morrison may not have liked Jason, but he demanded that every single iota of Batman lore be treated as important canon and that means that he also treats all of Jason's history as important canon too.

Now... do I recommend you read this? (This section was rewritten on January 28th, 2024)

Yes, with significant caveats. There's a reason I chunked this in with YMMV.

First is the Batman typical ableism of just really fucked depictions of mental illness. I normally wouldn't warn for this because everyone knows most of the rogues and will be aware of what they bring to the table, but Professor Pyg is obscure enough I wouldn't expect people to know, and the way he's written just... hurts. Like there's just something about him that is painful to read as someone that's got several schizophrenic friends who are near and dear to my heart. I would hesitate to recommend it to any of them the same way I'd hesitate to recommend Silence of the Lambs to most other trans people.

Secondly this comic is Extremely Gay (a definite positive!) however it is Extremely Gay in a way that kinda requires some onboarding and analysis to properly parse and that is actually why this post was edited:

The first time I read this comic, my impression was that it was vitriolically homophobic. Considering that at the time I had heard many things about Grant Morrison, and none of them good, I went with my gut. I put here that while I would defend Jason's characterization, I couldn't in good faith recommend something so bigoted, detailed what felt bigoted, and went on with my day.

Then a while later I saw a post that I suspect was talking about this one saying something along the lines of "How the hell could you call Grant Morrison, who gave us so many of our most iconic gay characters, homophobic? The racism and such I can understand but homophobic? No."

To which my initial response was a resounding: Wha??? Like, genuinely how was I supposed to read this and not get homophobia out of it?? But I went and looked Morrison up and yeah sure enough the guy's queer so I dug deeper and mulled it over until I figured out what the fuck I was missing. So, this section is a correction and an apology about that earlier homophobia claim. Sorry about that.

The styling of this queerness are highly akin to that of the John Waters movie Pink Flamingos which I'll let Matt Baume explain better than I ever could. This guy right here is pretty much the perfect example, Hell, he's even literally named The Flamingo.

Essentially it's queerness is all aggressive, unapologetic, and designed to be provocatively shocking, which can be jarring if you're not ready to flow with it. Also he likely had to arrange a lot of things to get around censorship, same as Judd Winick did. For instance the fact that Dick spoke the same circus lingo as the troupe of Very Queer Freakshow Workers who destroy the police precinct was meant to imply that Dick is Very Queer too. Pretty sure he would've said that in a far less convoluted way if he could've.

So, with the bulk of my initial reservations about this comic disproven... I have no choice but to straight up recommend it to anyone who thinks they can jive with this vibe of storytelling!

Jason's sanity level: One out of Ten hinges affixed. Obsessive, not taking care of himself, possessed of some really maladaptive trauma coping frameworks, completely unhinged. My condolences to his mental health, but I do love to see it.

Jason's moral compass bearing: Antihero. It's weird because this is undeniably a much darker comic, and Jason certainly feels darker, but in terms of what he actually does, and what the other characters do, his violence is honestly very tame.

So, cards on the table, here is the core of who Jason is to me:

He's got clear moral motives and a drive to help as well as harm, though violence and harm are the main ways in which he tries to improve the world.

When confronted he does not back down; he does not let himself be overshadowed or silenced. He is confident in his decisions and every bit of push back is already accounted for in his head.

Everything he does is premeditated. He is not impulsive. His plans may sometimes be unhinged but they are methodically planned.

He is painfully sincere, the way fire is painfully hot.

He desperately desires love and connection, but it will take many years of constant rejection and fighting before he is willing to accept any kind of compromise to his ethics for the sake of civility.

Under all the hurt and combativeness, he's a pretty goofy guy! He's got a sense of fun and likes to be flamboyant and silly when he can!

He's a villain, a hero, a protagonist, an antagonist, and everything between the extremes. He exists as a powerful counter-thesis to Batman, and as such DC can't ever fully answer the question of what to do with him. He exists in this waffling limbo state as his morals are debated, stretched, refuted, turned on their head. I think that makes him a wonderfully fascinating character to love.

I hope you enjoyed this and, like, go have fun reading comics!

#Damian's Tomfoolery #dc comics #dc universe #long post #jason todd #red hood #comic recommendations

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elwenyere · 6 months ago

Note

I WANNA HEAR YOUR UNPOPULAR ANDOR OPINIONS

OH THIS IS SUCH A GOOD AND HARD ONE!!!

I have plenty of thoughts on Andor that I suspect are fairly widely held within the fandom and maybe not so much outside the fandom (like the belief that the "slowness" of the first three episodes is a feature and not a bug).

But I think maybe one take I have that might be more divisive is that - while I understand why some fans who read the novelization of Rogue One are disappointed in the changes to Cassian's backstory - I don't actually think that what Andor gives us negates the line in RO where Cassian says he's "been in this fight since he was six years old." In fact, I'm really drawn to a possible reading of that scene that Andor makes available, which is that what we see in that moment is a Rebellion-era Cassian re-narrating his life after the development of a revolutionary consciousness. While he doesn't yet understand his experiences as part of "the Rebellion's fight" at the start of Andor, after the events of season one (esp. Nemik's manifesto and the Narkina breakout and the Rix Road uprising) and what we'll see in season two, he eventually comes to see what happened on Kenari as his conscription into a fight against imperialism and fascism.

And in many ways I think that story (of someone who has to learn that they were engaged in political struggle before they recognized it) is a more suggestive model for thinking about what it takes to build resistance movements than the story of someone who could sign up to join an already-formed militant group.

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kiiyunz · 7 months ago

Text

posted⠀by⠀junjiie⠀⠀⸻⠀⠀8th April,⠀2O24.

No-one’s journey through idol life is going to be all sunshine & rainbows, and that’s a fact I think we should all make peace with as soon as possible. If you’re going to type out a comment screaming bloody murder about how your favourite’s whole career has been nothing but shiny and perfect, then all I have to say to you is that I’m sure there’s been a whole number of not-shiny and not-perfect things going on when the cameras are off. Sorry. It’s just the truth. Probably. But I’m not here to talk about your favourite, I’m here to talk about mine. So, without further ado, strap yourself in for a run-down of IM KIHYUN throughout the years of NCT DREAM’s career—ranked on a three point scale: the GOOD, the BAD, and of course, the REALLY, REALLY UGLY.

CHEWING GUM 2016 FRUIT PUNCH & BUBBLE MIXTURE

15-YEAR-OLD-KIHYUN had three lines in their debut single, a yellow hoverboard, and a dream—literally, considering the name of his unit. He was every bit the mood maker most people know him as today, filled to the brim with excitement and a sense of self-confidence that some people may have thought he would’ve lacked. While he hadn’t fully settled into himself just yet, still had voice cracks, and acne breakouts he’d stubbornly refuse to be filmed with while suffering through, and bouts of clumsiness that would leave him with bruises all over his elbows and plasters on his knees, for the most part it felt like he was an experienced performer rather than a just-arrived rookie. Most people immediately took a liking to him, and although his popularity wasn’t as sky-high as some of his fellow members, the fans he did have were a force to be reckoned with right from the start.

But whether you loved him or hated him, the one thing that everyone seemed to take notice of was the way he just looked like he loved performing on every single occasion, putting everything he had into every stage even with the little amount of time he was given to show off both himself & his budding talent to the people watching. His stage presence was compared to a breath of fresh air on a summer’s day, the wide grin he aimed at the cameras at any given opportunity one that aimed to brighten the mood of anyone witnessing it, and the enthusiasm with which he delivered his lines was something that even the harshest of critics could give a nod of acknowledgement to. Altogether, it’s widely agreed that CHEWING GUM for Kihyun was a GOOD era, on our three point scale.

MY FAVOURITE MOMENT: MU-BEYOND

Kihyun very obviously and very fiercely despising the way his hair was styled for one of the photoshoots, and making no attempt to hide it. As soon as the camera flashes stopped, gone was his sunshine smile, and in its place was a look that, if they could kill, would have put the photographer six feet under (even if the poor man would’ve had no say in how it was styled in the first place). While a few of the other members were enjoying themselves on the glossy pink bouncing balls they were perched on, as soon as it was announced they were done Kihyun was shooting up and making a runner for the bathroom, shooting the camera a glare and tugging on a few strands of his hair as he went. Chenle could be seen cracking up in the near background, creased over from the force of his laughter. Kihyun yelled something back at him, but whatever it was was drowned out by the editors with the persistent ‘Chew-chew-chew-chew chewing gum’ over the top of the footage, seemingly growing a little louder in order to hide his words.

THE FIRST 2017 BAD HAIR & BASKETBALL

(STILL) 15-YEAR-OLD-KIHYUN had blue frosted tips and a tendency to get distracted on the music video set, far more interested in shooting hoops than dancing around in the school band-like outfit they were being made to wear and singing about being in head-over-heels in love with his teacher. He was still every bit the burst of energy he was previously, still throwing his all into everything he did, but it was obvious to some he’d rather be doing other things if he could. The whole riding-cardboard-cars-around was something he loved, though, and he stated more than once that was his favourite part by a mile. Kihyun was mostly the same as he was during the CHEWING GUM era in terms of performance, confidence, and the like—although it was noted by most that there was a little less of his occasional clumsiness, more stability in himself than there was previously. His popularity grew alongside the group’s, his consistent charm and apparent natural talent to draw people in appealing to many a new fan.

He slowly began to make more of a presence online during the MY FIRST AND LAST era, also. Posting both little messages and various photos of himself & the members (mainly in embarrassing positions, such as being half-asleep or making weird faces) on Twitter, interacting with fans whenever he could, and dragging out conversations for as long as he was allowed at fansigns, until the poor person in front of him was practically dragged along to the next member. And when there were more sides of him being shown to the public (and the internet, especially), there were more people waiting to pick apart every piece of him. While his popularity grew, the amount of people against him shot up in numbers, too. It wasn’t overwhelmingly bad, but there were a fair few who accused him of trying to take the spotlight too often, or being ungrateful for the opportunities he was being given after they’d heard the few comments he’d made here and there about the comeback’s concept not being his favourite. Still, despite these lower moments, there were still more pros than cons, and so MY FIRST AND LAST is another era ranked GOOD for Kihyun.

MY FAVOURITE MOMENT: MFAL FIRST WIN

He was so caught up in tugging at the various buttons and pins stuck onto his ugly blazer that he barely heard the MC announcing their win until all the other members were jumping around and crying and patting each other on the back. Kihyun himself didn’t cry until backstage, when it finally hit him properly that they’d actually won, so in the moment he was more so just a little confused and dazed than anything else as he celebrated with the rest, not-so-subtly trying to take the trophy out of Mark’s hands while he made his speech so he could get a better look at it, wrapping Jeno in a hug so tight it left them both wheezing, trying to jump on Jisung’s back in an attempt to get him to cheer up, and also making a whole host of excited gestures and faces over at the members of 127 across the stage.

WE YOUNG 2017 FUN IN THE SUN!

KIHYUN (NOW 16) loved every second of this era, and that was something you could make out from space. Even with his now-pink-streaked hair and sailor outfits they were being made to wear, he declared the music from the WE YOUNG era as his favourite thus far. It was just pure fun, simple as that. He enjoyed every performance they did, sang all his lines with a grin so wide it nearly split his lips, was as playful as ever with all the members, and simply let loose a little more, losing himself in the music rather than what people were saying about it. Despite him not overly loving the whole sailor concept, fans were of the opinion that he was one of the ones that pulled it off the best, and so he begrudgingly posted photos of him in the get-up as often as he could—to an overwhelmingly positive response every time. The public noticed that, while still not fully grown, Kihyun’s self-confidence seemed to be at an all-time-high. He really did look like he was just happy to be there, and his supporters couldn’t have been more glad about it.

What also made his fans happy was his amount of lines getting a boost. He’d consistently been receiving around three or four, five at a stretch, but now it was reaching into the sixes and sevens—which, really, was barely an upgrade, but it made a world of difference to fans of his. It gave him more of a chance to show off his vocal ability, and brought more attention to him from both the public & critics. It also just made him happy, to be able to spend more than ten minutes in the recording studio, to be given more of a chance to show off how he’d grown and improved so far (even if he still thought he had a ways to go before he reached the level of his role models, his own idols). WE YOUNG was yet another GOOD era for Kihyun by miles, with barely any pitfalls in sight, and probably his highest so far.

MY FAVOURITE MOMENT: COMEBACK SHOWCASE

He was jumping all over the stage throughout every performance, throwing everything he had (and probably more) into every line he sang and every move he executed. It was clear he was trying his hardest to contain himself, trying not to scream every one of his lines into the mic or trip himself up, but it was also clear he was struggling. He was also as clingy as anything towards the rest, always hanging off of someone’s back or linking their arms together while they were walking. There was never a shot of him without a smile on his face, never anything he did that made it feel like he’d rather be elsewhere. His enthusiasm and excitement was almost infectious, leaking out of the screen to put a smile on the face of whoever was watching along.

WE GO UP 2018 BREAKDANCING & BEANIES

NEARLY-ADULT (AKA.. 17-YEAR-OLD) KIHYUN seemed to be reaching for maturity a little too fast, fingers outstretched towards his eighteenth birthday and desperate for the months to pass by just a little faster. He had decided, somewhere along the line, that he was ready to be rid of the cuter concept the group was intended to present, and was more than ready for a switch-up. And while WE GO UP wasn’t exactly what he was hoping for, there was certainly less of the more childish aspects that were seen in their previous releases—which was both an acknowledgement of all the members growing older and also something that served as a reminder of Mark’s upcoming graduation from the group, which Kihyun would’ve rather done anything but think about. Still, while he didn’t put as much of his all into it as he had done in the past, he still put a fair amount of effort into the lines he was given (which were lessened once again, to the disappointment of many) and choreography they were made to learn. Fans noted that his personal style was beginning to develop in the WE GO UP era, their suspicions of Kihyun dressing himself confirmed when he mentioned here and there that most of his non-schedule outfits were his own.

The introduction of Bubble helped to boost Kihyun’s online presence, something that had fluctuated from era-to-era thus far (his highest amount of interactions previously being within the MY FIRST AND LAST era), and while he didn’t use it all the time, he still made an effort to communicate regularly with those who’d signed up when he could. He shared his inner reasonings on his online presence with those who were asking—saying that if he didn’t like the concept of the comeback too much he would compensate by being online and able to interact more. It’s a rule he’s mostly stuck with over the years, and fans have now said it’s easy to tell when Kihyun hates a concept because they’ll wake up with three new Twitter posts and ten times as many Bubble updates. So on the whole, although it was definitely on the lower end of the spectrum, WE GO UP is considered yet another GOOD era for Kihyun—making that a four-long streak (that—apologies for spoilers—was going to be broken fairly soon).

MY FAVOURITE MOMENT: FIRST SOLO LIVE

It was, to put it plainly, a little bit all over the place. He held it in his dorm room, half asleep but still managing to be every bit the charismatic personality most people knew and loved him for. He answered any questions threw at him with total honesty, didn’t hold his tongue when talking about various subjects that others may have (namely his personal thoughts & opinions on the comeback as whole—this live was where many found out he didn’t like it as much as they thought he did), and also showed a side to him that the majority hadn’t been able to see as much of before. He gave song recommendations, spoke about those who inspired him—both in a music and fashion sense—and altogether shared lots of fun facts that had been unknown to most previously.

WE BOOM 2019 RADIO SILENCE

18-YEAR-OLD-KIHYUN was noticeably.. Different. While Mark’s graduation had hit all of the remaining seven hard, the other six still at least pushed on and tried to act as if things were fine as normal, carrying on as most expected them to. Kihyun, however, had seemed to undergo a complete personality shift. He was withdrawn, quieter than he’d ever been—barely offering anything up in conversations or interviews even when prompted, barely any footage of him in behind-the-scenes content because he made next to no contributions to it; always preferring to stay in the background, on his phone with his headphones on and trying to ignore the cameras following them around. Public opinion of him was also beginning to slip further into the red, following leaked photos of him at an undisclosed individual’s party getting cosy with an unnamed and non-idol slightly older male just after the release of the mini-album—photos that went unaddressed by both the company and Kihyun himself. His name was starting to grow in infamy rather than popularity, but the boy himself didn’t really seem to care.

All traces of Kihyun on social media seemed to go completely cold, barely any updates from him that weren’t group photos or content. From the whole era there were a measly two Twitter posts from him, and his Bubble subscribers got refunded more often than not. But while he was refraining from making any posts, news websites and anonymous users were more than happy to leak more and more photos of him—always with the same boy, always at a party, or at a club, or just generally anywhere that looked a little shady to the hundreds of thousands that saw it. Rumours began to spread about a drinking problem, about a shady boyfriend, about countless things that painted Kihyun in a type of light that he’d previously avoided like the plague, but Kihyun himself made no attempt to defend himself, and so they only got wilder. It’s unanimously decided that the BOOM is the first (but certainly not the last) of Kihyun’s BAD eras.

MY FAVOURITE MOMENT: JENO LIVE

The then-blonde took it upon himself to disregard all the rumours spreading about his dongsaeng—although not in a direct way. He was careful with his words, as well-spoken as he always is, but made sure to especially shut down the accusations of Kihyun turning into some reckless party animal, taking the former leader’s graduation so bad he turned to less-than-ideal ways to cope. “Kyunnie isn’t like that, and never will be,” was what he told his audience, and many noted the flat look on his face. After the captain had, many of the others took their turn to come to Kihyun’s defence—mostly always with vague comments, but statements nonetheless. Chenle’s response in particular was deemed to be one of the most direct, replying to a comment while on live with a simple “You don’t know Kihyun like that” and then ending the live not long afterwards, leaving the conversation at that and somewhat encouraging the people speculating to do the same.

RELOAD 2020 CLIFF DROPS & HARMFUL HABITS

NOW 19, KIHYUN seemed to be at something of his lowest point thus far. While he made more public appearances, more attempts to join in with behind-the-scenes content (or just extra content in general), most concluded it was the result of management telling him he had to, rather that Kihyun himself choosing to do so—and his return only gave more opportunities for those looking to find all the things wrong with the once-charismatic & energy-filled vocalist. And to make matters worse for him, more information had been dug up on his newfound non-idol friends (or rather, the one boy in particular that everyone wanted to know about). Oh Jinwoo, he had been discovered to be called, something of an influencer-like figure known more often than not for his whole host of partners over the years and tendency to get mixed in with the wrong crowd. You could say that you could only imagine what this did to Kihyun’s public image (which was practically halfway ruined by that point already), but there was no need for imagination—practically everyone witnessed his fall from the (mostly Korean) public’s good books, yet nobody could do anything about it. It felt like every day there was another article released leaking more photos and spreading more rumours about whatever dark web Kihyun was tangling himself in, but still the company made no move to stop them.

It was also during the RIDIN era that Kihyun was rumoured to have started up the habit of smoking, with (albeit blurry) photos released to support the claims. This did absolutely nothing to help his reputation, tanking it further. His future was starting to look a little uncertain, questions being raised over whether his actions as of lately would warrant either a hiatus or removal from the group completely. He might’ve delivered all his lines as fine as normal, danced along with the rest in the same practised & efficient manner he always did, but talent didn’t mean much when placed on a scale against damaging the whole group’s image, rather than just his own. When people began to turn their nasty comments and endless gossip onto the other members, Kihyun was starting to look like more of a hindrance than a crucial member. It is, without a doubt, agreed by all that RIDIN was a REALLY, REALLY UGLY era.

MY FAVOURITE MOMENT: KIHYUN LIVE

It was short, it was vague, and it was still very obvious he was nowhere near to feeling like his normal self, but Kihyun himself did come forward to address a few things—mainly the smoking incident, which he admitted to be true and said that while he was trying to put a stop to it completely, habits like that were hard to quit. After the negative comments began to override the positive & supportive ones, he was quick to shut it off again and return to what was becoming his frighteningly normal status of radio silent. Still, it was something—and far more than anything SM gave, at that. Other members were also quick to dismiss or shut down any comments they saw on their own lives discussing Kihyun and his future of the group, all that they said mostly being along the simple and short lines of “Kihyun’s staying with us” and not elaborating any further.

HOT SAUCE 2021 A START

20 YEARS OF AGE. Mark was back, their permanence as a group was finally confirmed, the graduation system having been abolished, and all eight of them were together again. After five whole years of being active they were finally releasing a full album, and getting the chance to do it the way they all wanted. But while things were happier in that regard, Kihyun’s situation was far from forgotten. Fans of his were relieved nothing had been done about his place in the group—even if a few solo stans wanted him out just as much as those who hated him did, for the sake of his own wellbeing rather than them holding any ill-will towards the other members—but public opinion of him was still mostly in the red. Things were again starting to feel like they were hitting a dead-end: with Kihyun’s presence sort of.. Drifting. Sometimes he’d be absent for a group live, sometimes he’d go silent on all social media for weeks with his only comeback usually being his presence in the background of another member’s photos. Everything was looking just as uncertain as they had during the RIDIN era—until Kihyun once again started a solo live with the simple title of ‘an explanation’ and proceeded to do just that: explain.

Most suspected he didn’t divulge all the details, but the run-down was this: he’d met Jinwoo at some party or other, and they’d gotten just as close as all the leaked photos and gossipy articles made them out to be (although, again, some thought them to be far closer). He’d led Kihyun into a little bit of a rebellious era, what he called his ‘chance to be young and reckless’ since he’d mostly missed out on it, what with all his years of both diligent training & as an active idol. While he admitted on the broadcast that it was fun for a while, he was also realising the damage it was doing to both himself & his fellow members, so attempted to cut contact with his newfound friend—to no avail, for a few months, as they had more than a few periods of arguments both over the phone and in person. He said he’d only officially completely cut Jinwoo off a few weeks before the live, and shared with something of a wistful smile that he didn’t plan to get in touch with him any more now that he was gone. His viewers were overjoyed to hear this, and the members shared the sentiment—but Kihyun still had a ways to go before he was back to being a generally accepted fan-favourite. Despite him taking his first steps towards being back to his usual self, HOT SAUCE is still considered a BAD era for the vocalist.

MY FAVOURITE MOMENT: MARK INSTAGRAM POST

It was a three-slide-long affair that was posted not too long after Kihyun’s live. The first was a selfie of himself & a sleeping Kihyun, one of the rapper’s arms gently holding the vocalist to his side while he grinned wide into the camera. The second, a solo shot of Kihyun’s face up close to the camera, tongue out and peace sign just barely visible in one of the corners, what with most of the frame being taken up by the odd expression he was pulling. The third slide was a short video, only ten seconds or so long, of Kihyun and him on the dorm’s sofa, the audio consisting the tail-end of Mark’s voice making a joke mostly unintelligible to the viewers that was quickly followed by Kihyun’s pure & unfiltered laughter as he cracked up at whatever the Dream leader had said. He was creased over, one hand repeatedly hitting Mark’s knee as the other held his stomach, breath coming out in jerky and uneven gasps as he tried to recover. The caption was made up of two words: ‘my KD.’

HELLO FUTURE 2021 COTTON CANDY & BACK TO NORMAL

STILL 20, BUT NOW SEEMING MUCH HAPPIER, by the time HELLO FUTURE era rolled around Kihyun felt to most like he’d healed fully from what had then been a period a month shy of two years worth of the continuous cycle of being somewhat of a public enemy. People thought it was the combination of getting the truth about all that had happened off his chest, the continuous support of his members both in Dream and in NCT as a whole, and the seemingly infectious happy mood that came with the HELLO FUTURE era that managed to finally get Kihyun back on his feet, and with him he was bringing performances reminiscent of how full of joy and excited he’d been during the WE YOUNG era, smile wide on his face in every shot and dancing filled to the brim with passion. He even made more of an effort to make appearances on social media—contradictory to the rule he’d made during the WE GO UP era of only being constantly online during concepts he wasn’t too fond of. He gave happy little updates every once in a while, paired with smiling selcas both alone & with the other members, was as talkative as most remembered him to be before what some had started to dub ‘the dark ages’ during any group lives they held, and even crashed a few of the member’s solo lives every now and again.

His change was noticed easily, and was one that began to slowly turn the tides of public opinion on him once again. The comments made about him being someone who was bringing the group down and ruining their reputation with his recklessness were slowly lessening, being replaced with positive ones, and soon enough his popularity was starting to grow again, instead of the countless hate trains and calls for him to be kicked out. Kihyun was well on the way (if not mostly there already) to being completely fine again, even apparently feeling well enough to make more than a few jokes at his own expense here and there about staying far, far away from any parties held by a friend-of-a-friend in the future. HELLO FUTURE was the light (or rather.. Rainbow?) at the end of the tunnel for Kihyun, and so it was considered his first GOOD era after the nearly two years of BAD (with one REALLY, REALLY UGLY, at his lowest) ones.

MY FAVOURITE MOMENT: MV REACTION

Kihyun was seated next to Chenle, which could only really mean trouble—as it always did whenever the pair were within two metres of one another. They were cracking jokes every two seconds, falling all over one another with laughter and unable to shut up for even a minute. The rest paused the video more times to tell them to keep it together than they did for them to comment on anything actually happening in the MV, but you could tell from a mile away that they didn’t really mind in the slightest, more happy to see Kihyun laughing and smiling again than anything. They also all made sure to cheer the loudest when the vocalist’s solo scene appeared on screen, and then proceeded to (lovingly) make fun of him when his ears uncharacteristically went bright red at the praise being showered upon him, although he tried to get over it quickly and return back to his self-confidence-filled self.

GLITCH MODE 2022 VIDEO GAMES & B-BOYING IN PROGRESS

NOW FULLY BACK ON TRACK (& FRESHLY 21), Kihyun was ready to throw his all into their second full album. He was as good as new, his overwhelming feeling of excitement for every track recorded and released as clear as day. He even (again) broke his no-contact rule a few times just to relay how much he thought fans were going to love the album, posting spoilers as often as possible and revealing as much as he could get away with before it dropped. When it was released, he was practically talking about it non stop, chattering away on all platforms about the styling, the stages, the music, how fun it was, how much he was enjoying himself—the list went on. He declared the GLITCH MODE era to be his favourite, point blank, no matter how much he liked anything they would go on to release in the future. Public opinion of him was mostly completely smoothed over by that point, and his personal fan base was growing with every passing piece of content that was released. He seemed at his complete happiest, throwing everything he had and more into every single thing he did during promotions & extra content.

The GLITCH MODE era was also when he opened his personal Instagram account, his first post being a picture of him and Jeno glued to each other’s sides in a setting people assumed to be the SM building, with the caption ‘my favourite colleague.’ His follower count rose quickly, and is currently sitting at a comfortable 4.8M, mostly in the middle of Jisung and Chenle’s own numbers. Since then his account has become a home to photos that at times feel more like an exhibition of all the other Dream members (and his closer friends from the other units also) than anything involving himself, nonsensical lives that usually occur at the early hours of the morning where Kihyun—either alone or together with whoever decides to either join the live or join Kihyun himself wherever he’s holding it—has free reign to chatter on about whatever he pleases, although most of the time when he’s alone it turns into an impromptu radio hour where he takes the chance to talk about his favourite recent albums & artists, as well as listening to any recommendations his viewers give him. Slowly beginning to recover his streak, GLITCH MODE is seen as another GOOD era for Kihyun.

MY FAVOURITE MOMENT: MV BEHIND

Kihyun had decided that he was going to properly get into breakdancing during the GLITCH MODE era, and saw no better place than his solo interview moment in the behind-the-scenes video to show off the moves he’d begun to learn. At first he just spoke about how excited he was for the comeback, with Mark hanging off of his back and chiming in with comments of his own here and there, but after a couple minutes of that he was shrugging the leader off of him and telling the camera to “Watch this!” before launching into an impromptu downrock routine while Mark watched on in horror, looking a little like he was on the verge of a seizure even if Kihyun was perfectly fine. He also tried to do a headstand, and by that point Jeno had also wandered over to see what all the fuss was about, and viewers had the pleasure of watching both the leader and captain attempt to stop Kihyun from giving himself a concussion—the latter looking like he was about to burst into tears, and the former looking as if he was seconds away from collapsing.

BEATBOX 2022 BOOMBOXES & MAKESHIFT ENGLISH LESSONS

21, AND, IN HIS WORDS, “IN HIS PRIME,” the vocalist & dancer took to BEATBOX like a duck to water. While it wasn’t a huge favourite of his, he still liked it well enough and had enough fun on both the sets of the music video and all the photoshoots that accompanied the release to make up for it. The choreography was also a favourite for him in particular, and he practised it so much he could be seen absently dancing along to it whenever he stood still for too long in almost all of the extra content both before & after the release. It was practically ingrained in him, all of it coming to him like muscle memory. He swore up and down he could do the BEATBOX choreo tied up and blindfolded by the end of the era, although he was far from complaining, dragging every idol he vaguely knew (and even ones he hadn’t even introduced himself to) to do the challenge with him backstage at all the music shows they attended. Hardly anyone was safe from Kihyun’s pleading eyes and charming smile, and fans joked they’d seen more of Kihyun on TikTok doing dance challenges than they had seen him on any other platform from all of his past eras combined.

He was also noted for his sudden unexpected closeness with Jaemin in the BEATBOX era. While they were far from just acquaintances, and had expressed their shared love for one another multiple times in the past (even after their not-really-fight they’d shared in their trainee years, the story of which Kihyun had retold during a live with Jeno and could barely get though sentences of without laughing at how ridiculous it sounded all those years later), he just seemed a little closer, a little clingier in all of the behind-the-scenes content; hanging off of his arm or dragging im off somewhere to talk about something or other. When asked about it somewhere, he simply shrugged with a big grin on his face. “I just like Jaemin-hyung,” was all he said at the time, but later in an Instagram post of the two on the set of the music video he had written the caption ‘please give me lots of love—and lots of followers too!’ with a whole array of heart emojis to accompany it, to which Jaemin commented with a lot of laughter and promising he’d bring his dongsaeng all the Instagram fame he seemed to desire. Now most definitely building his streak back up, BEATBOX was a GOOD era for Kihyun all-around.

MY FAVOURITE MOMENT: UNBOXING BEATBOX ALBUM

Sat with Donghyuck, Renjun, and Mark, Kihyun was tearing off the cellophane packaging of the album before the rest could even greet the camera, practically desperate to look through the photobook and (most importantly, so he could add it to his ever-growing collection of all the photocards he owned of his fellow members) see who he’d pulled. He yelled out in delight and brandished his brand-new Jaemin PC at the camera, before almost immediately pulling out his phone and prying off the case to slip it into the back of it (covering up the GLITCH MODE era Mark he’d pulled the last time they’d done an unboxing, much to the leader’s dismay). After that was done with, he started spending an unnecessarily long amount of time pouring over each page of the photobook, trying to think of English adjectives to describe them with and then distracting Mark from his own unboxing in order to get him to whisper them in his ear when he couldn’t think of how to translate them. ‘Hot’ and Jaemin’s practically-trademarked ‘Sexy’ was what he ended up coming out with the most.

CANDY 2022 EARMUFFS & CHRISTMAS KARAOKE

CHRISTMAS AT 21 was a very merry affair for Kihyun. He was as festive as could be, even wrangling Renjun and Jisung into buying a fake tree for their dorm that he decorated in a (very chaotic, and very loud) Christmas live a few days before the release of the EP. That seemed like the extent of his social media updates, though, only really appearing after that in group Twitter posts or lives (or occasionally the background of another member’s picture)—but this wasn’t all bad, seeing as it confirmed to most that he enjoyed the colourful and fun winter concept they were going with for the release. The only other real proper online presence he had was the random flurry of Bubble messages his subscribers would receive concerning his ranting and raving about his personal favourites from H.O.T.’s discography, seeing as he took it upon himself to listen to more of them because it was one of their songs they were remaking. Fans took delight in Kihyun’s wide smiles and overall joyful mannerism as he delivered lines about leaving his partner for another, saying his always-cheerful disposition made his performance of the title track all the more enjoyable.

In behind-the-scenes & extra content, Kihyun’s Christmas spirit felt infectious to viewers. There wasn’t a moment where he wasn’t belting out the lyrics to Christmas classics from all countries (even if he had to hold his phone up to Mark’s face on occasion and get him to help him with the pronunciation of some of the lyrics), or dancing around to something only he could hear in his head, or picking up some of the fake-snow they sprinkled around on a few of their sets and chucking it in Chenle’s face before sprinting in the other direction while the Chinese vocalist immediately gave chase, and the rest could only stand and watch it all play out. Now matching his previous four-long streak, CANDY is agreed to be yet another GOOD era for the vocalist.

MY FAVOURITE MOMENT: PACKING CANDY ALBUM

He was in Mark, Jisung, and Chenle’s group, and spent most of the time chucking baubles at Chenle, trying to balance the various items placed before them on the table on Jisung’s head & shoulders without him noticing, and steadily making his way through the whole rack of Chupa Chups sitting right beside him unattended rather than doing anything with the actual box in front of him. Mark took over the job for him in the end, leaving him to pretty much do whatever he pleased in the meantime (one of those things was repaying the favour Mark did him by tying him in bows with the ribbon that their boxes had come wrapped in, the leader making faces while he did so but doing absolutely nothing to stop him at the same time).

ISTJ 2023 MBTI FRAUD & IMPULSE DECISIONS

22-YEAR-OLD-KIHYUN was as energetic as ever, full of ideas and eager to get all of them heard. ISTJ was the album where he received the most writing credits, recorded as having helped with the lyrics for all tracks bar Like We Just Met and Blue Wave. Fans liked to see that he was showing a more creative side of himself this era, and that he was vocal about all the things he’d had input in or had helped shape into the final form, polishing it to perfection for their third full album. He was most noticeably supportive in their behind-the-scenes recording videos, where he got through all of his own sessions quickly & efficiently (but with no lack of passion and enthusiasm for the lines he was given—which most were happy to see were more than usual, similar to the WE YOUNG era in terms of numbers, even occasionally soaring a few higher) and then stayed in to listen to all of his other fellow members, cheering them on from behind the glass and dancing around as they recorded, greeting them with a wide hug and endless amounts of praise when they left the booth.

Another thing that was enjoyable for fans was his complete lack of awareness of what an MBTI actually was. He’d heard of them, of course, but he’d never gone as far as to take a test and find out for himself. So Kihyun, curious to see what the fuss was all about, turned on an Instagram live, propped his phone up against his desk, switched his laptop on, and took one there and then. He consulted with viewers about every single one of the questions, taking far too long to complete it than any normal person would-and, when he finally did, disagreeing with his result right up until he saw other people that shared his MBTI. He shut up pretty quick when he scrolled down a little more and saw that he apparently had the same one as Adele, changing his tune almost instantly and saying his result was the best of them all. Officially bumping his longest-running streak up to five, ISTJ was most definitely a GOOD era for Kihyun.

MY FAVOURITE MOMENT: MV BEHIND

He was clearly in his element, bouncing around from member to member to play with their hair or jump onto their back or whisper something in their ear before bursting out into a fit of snickers and running off again to see who else he could bother. He played photographer for most of their Instagram posts, taking the outtakes or moments where they had an eye closed or just clearly weren’t ready for his own feed, started a playfight with Jisung and nearly tripped himself up on a stray wire in the process, brought his own mini Bluetooth speaker to set one day so he could have a soundtrack while he caused his chaos, and attempted to show off more tricks he was learning, but was quickly stopped by Mark, who, as soon as he saw him getting in position for what looked like a cartwheel of some sort, was rushing over faster than light—his breakdancing routine from the GLITCH MODE era still very much as the forefront of his mind.

DREAM()SCAPE 2024 MOCKTAILS & ODD-LOOKING FRUITS

AGAIN FRESH OFF A BIRTHDAY (HIS 23RD THIS TIME), the vocalist felt just as excited for the release as he had for GLITCH MODE, even if it wasn’t a full album. It was calling back to their debut days, making a statement through all of the symbolism and hidden messages that was louder than any of them could convey with words, and was altogether a project that hoped to show to everyone how strong their bond actually was, to convince the few out there that were of the opposite opinion that they all loved one another throughout the thick and thin their eight years of being an active subunit, and weren’t likely to stop anytime soon. Kihyun was like Jisung in regards to all the fan-theories being made about the teasers, keeping his mouth mostly shut (although some thought that was just because he was barely on social media as it was), but did comment on some things in particular—namely Jeno’s back, the Jaemin trailer that had him locking eyes with the camera even in between a crowd, and the Chenle pill-biting scene. He kept quiet on his own, making brief comments about how cool he thought he looked on Bubble but not saying much otherwise.

The few things he did share about the comeback were mostly about the music. He had writing credits for the majority of the songs, but also had another piece of news that was exciting for him as a longtime personal goal he’d had for a good while—and that was that he’d assisted with the production on one of the tracks. Most that knew Kihyun knew that music production had been one of his interests since he knew what it was, and so naturally that meant they knew what some of his work in the production area actually getting used in an official release would mean to him. He couldn’t have been happier about it, and that happiness was a sentiment both the members and his closer friends outside of Dream shared with him, mentioning it in passing when talking about DREAM()SCAPE. Even if it only just ended, SMOOTHIE is considered yet another—making this his sixth in a row since ‘the dark ages’—GOOD era for Kihyun.

MY FAVOURITE MOMENT: DREAM()SCAPE COUPLE SONG MEETING

Amidst all the chaos, Kihyun was surprisingly quiet. He looked half-asleep for most of the meeting; Jamiroquai baseball cap backwards on his head, eyes drooping closed every now and again, and a thick sweater on that he kept pulling closer to himself as if he wanted it to suddenly transform into a blanket. The only thing he did the whole meeting was play Cooking Mama on his phone (we know this because he shared screenshots of his finished dishes on Bubble afterwards) and vouch for Carat Cake—yes, you heard that right, Carat Cake. The song that most of the members bar maybe Donghyuck acted as if it didn’t exist. He didn’t really care if it wasn’t a couple song, and didn’t really care if it didn’t get picked, either—he just wanted it to be known that was where his vote lay. It was his favourite song on the EP, and hoped that somewhere out there there’d be people that liked it just as much as him. At some point in the middle he got bored with both his phone and the arguments still going on in front of him, so he nestled his head in his arms and attempted to have a nap. Which, predictably, didn’t work that well. By the end of it he was still dead tired, still the only one that liked Carat Cake, but also the only one who had three stars on his Cooking Mama carbonara, and so he considered himself the real winner of that meeting.

#⠀૮ ᴖﻌᴖა⠀DRIVE ME CRAZY ✱⠀⠀——⠀⠀eras.#nct dream added member #nct oc addition #nct dream 8th member #nct addition #nct oc #kpop idol oc #kpop addition #kpop male oc #fictional idol community #temp cr. desi6ner

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wrestlingisfake · 3 months ago

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I guess there's some controversy about Swerve Strickland and Daniel Garcia, and how much they're getting paid on their new deals. (Nobody has even confirmed Garcia has re-signed, but we're already talking about his salary for some reason.)

This week's Wrestling Observer reports that multiple sources in WWE think the pay increase is "bad for the sport," because Tony Khan is paying more than "market value," based on what WWE thinks Strickland and Garcia are worth. Or to put it another way, AEW was willing to pay more than WWE wanted to pay, so that's wrong for some reason.

The "market value" thing is pretty silly, considering that a big part of AEW's business model is promoting the kinds of performers that WWE has often overlooked. Obviously with Vince McMahon out, WWE's priorities are shifting, but even so, they're never going to perfectly align with what AEW is looking for. I'm sure WWE has come around to realizing they shouldn't have cut Swerve six weeks into his main roster run. But even if they could get him right now, they wouldn't push him as the centerpiece of the promotion, headlining stadium shows, not when they already have Cody and Roman and Gunther. So in 2024 he's simply not worth as much to Stamford as he is to Jacksonville.

Garcia's situation is interesting, because I'd say he's the classic guy WWE wouldn't know what to do with if they had him. At his age, he'd probably be stuck in NXT for the next three years. In AEW, though, it feels like this is his breakout year, especially if they give him a win in the MJF program. So if Tony Khan is paying him above "market value," I suspect he's in line for a big big push. I'm sure WWE doesn't want all the other 25-year-olds on the market to see that, and wonder if they can get a piece of that action.

#aew #wwe #swerve strickland #daniel garcia

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klaineccfanficlibrary · 8 months ago

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Hi! Can you please recommend some enemies to lovers to enemies trope / Friends to enemies to lovers?? Thanks!

Generally, the trope is usually enemies to lovers, or friends to lovers, so maybe you want fics with a different twist to them and it's all not just a happy ending? Here are some where they start as either friends, become lovers, but it's not so simple and they have to overcome obstacles to be together. Or they are enemies, become lovers and then have some sort of fall out, which may or may not be resolved. ~ Jen

Please suggest others!!

In Every Stitch verse by @quizasvivamos

24-year-old Blaine Anderson and 26-year-old Kurt Hummel are both breakout designers who had gained the attention of the public by competing on the reality television hit Project Runway in their respective seasons. When both are invited back to compete in the All Star challenge, the competition heats up, tension builds between the two, and what happens off camera changes everything.

and Part 2 emBarK and Part 3 Out with a Bang

~~~~~

Collide by @scatter-the-stars

Kurt Hummel is having a terrible week. On top of his car breaking down and his laptop dying at the worst time possible, finding his boyfriend cheating on him is the final straw against the camel’s back. A night of drinking is much deserved. But waking up in bed with star quarterback Blaine Anderson is something he doesn’t need. Determined to forget it and move on, he finds that hard when Blaine has other ideas. At first wanting nothing to do with the biggest playboy on campus, somehow Kurt finds himself agreeing to being friends with Blaine. It’s a friendship that opens his eyes to the guy he never really knew. And soon finds him wanting the one person he maybe shouldn’t want.

Note: Part 1 of Major and Minor

~~~~~

In My Place by @heartsmadeofbooks

Blaine has always been shy and introverted, so after his father dies, he looks for comfort into his childhood dream - owning a bookstore. But then Kurt Hummel walks into his life, turning his dream into a complicated affair.

~~~~~

The Seduction by @hkvoyage

Venetian Blaine arrives at Carnival’s masquerade ball, looking for his next conquest. His reputation as a lover is legendary, and no one can resist him. Virgin Kurt captures his attention, but seducing him will require careful planning. As they spend time together, will Blaine be able to carry out his plan successfully? A historical Klaine AU set in 18th-century Venice.

~~~~~

Someone Like You by iconicklaine

Kurt and Blaine keep up their very own version of “When Harry Met Sally” for years, a friendship fraught with sexual tension and longing, until the agendas of Adele (yes, THE Adele), a bored NY socialite and a super-sweet hetero couple bring our boys together. The only problem is… they’re both in committed relationships.

Note: This story is AU after “Sexy,” and assumes Kurt and Blaine graduate from Dalton in the same year. In this future fic, set in 2025, Blaine is based off of Season 2 Blaine.

~~~~~

100 Days by borogroves

Kurt and Blaine have been best friends (and nothing more) since the age of six. Now 22-year-old college graduates, they take a roadtrip around the USA, visiting every state in 100 days. Fifty states. Two boys. One love story.

~~~~~

Perfectly Imperfect by @catcat-85

Golden Globe winning actor, Blaine Anderson went to prison for a murder he did not commit. After 5 long years, he has escaped from prison, and in a desperate need to get to a safe house before he can leave the country; he kidnaps Kurt, and forced him to drive him to a secluded cabin nestled in between the snowy mountains in Vermont. For Blaine, it’s his last chance for freedom. Falling in love is the last thing on Blaine’s mind. It’s not part of the plan. And for Kurt, it’s a terrifying situation that disrupts the impeccably perfect life he has created for himself. He’s outraged and angry at Blaine, and yet; he can’t help but believe Blaine is innocent.

Will the truth finally come out and Blaine be exonerated? Will the FBI catch him and put him back in prison? Will he and Kurt fall in love even in the most hopeless situation? Will love truly prevail all at the end?

Based on the novel, Perfect, by Judith McNaught. This is a story about two men who are complete opposites from one another; and yet, they complete each other in a perfectly imperfect way.

~~~~~

Renegade verse by ali_llyon

The hardships of being in a relationship with a mob boss. Or, two people being in love while sometimes feeling they aren't worthy of it.

The title is from the song Renegade by Big Red Machine and Taylor Swift: Is it insensitive for me to say Get your shit together? So I can love you

The story is not in chronological order.

#enemies to lovers #friends to lovers #angst #klaine fanfiction #klaine fanfic

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vintagegeekculture · 2 years ago

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50 Years of Kung Fu Movies

There’s an overlooked anniversary that hasn’t been widely reported much yet: as of March 2023, it’s been 50 years of Kung Fu movies in the United States.

Bruce Lee was not the first big international Kung Fu movie star. Rather, the first English-dubbed breakout Chinese martial arts movie to become a hit in the greater US (apart from Hawaii) was “5 Fingers of Death” (also called “King Boxer”) in 1973 starring Lo Lieh, six months before Bruce Lee’s “Enter the Dragon” and posthumous fame, making Lo Lieh the first true international Kung Fu star. There were lines halfway around the block at Times Square to see “5 Fingers of Death,” thanks to a radio giveaway in the New York area, and to those who first saw the movie, they remember the very first scene when the 63 year old Kung Fu master started backflipping and kicking out of nowhere and everyone watching this started losing their minds. “Five Fingers of Death” was like “Star Wars” in that it was a movie people saw over and over, minds blown, never having seen a film like this before.

Because Kung Fu movies were shown in less expensive grindhouse cinemas in urban areas, like seedy, pre-gentrification Times Square in New York, the audience for these films was disproportionately black, and to this day, the black community has a strong connection to 70s Kung Fu movies. Every middle aged black dad today loves this stuff. It isn’t just due to them being shown in inner city theaters, however, or on UHF stations where they were replayed cheaply on Saturdays. Rather, the success of Kung Fu movies in the black community is based on the themes of the movies. Most Kung Fu movies are about poor dishwashing working class underdogs in an unjust system, usually either Japanese Imperial Occupied China, or during the Manchu Dynasty, where China was ruled by despotic foreign conquerors. The heroes bow in humiliation at first, but who secretly take the power back through intensive personal training, blood and sweat and a montage, that lets them stand up to oppressors. As RZA of the Wu-Tang Clan explained: “when we saw these movies about opposing the Manchu Dynasty, it made us think we weren’t the only people in world history that ever went through this.”

When it comes to introducing the genre, “Five Fingers of Death” is a great “first movie,” a pure, emblematic example of what these movies look like. In the very first scene, in Japanese occupied China, an old Kung Fu Master who is our hero’s teacher is pursued by Japanese karate killers, enforcers of the occupation. His student, Lo Lieh, has to learn the iron palm technique in a brutal, bloody, visceral series of training montages to harden his palms to iron, which involve him excruciatingly breaking every finger in them. The themes of vengeance, pursuing justice under occupation, training montages that are as important as the action, and the theme of failing brutally over and over until it “clicks” and you have a miraculous “Eureka!” moment that every teacher recognizes and lives for. It helped it started with the Kung Fu right away....imagine seeing flips and flying kicks for the first time when you’re used to western bar brawls.

It’s worth noting that, despite being a hugely important moment in pop culture, 5 Fingers of Death was not a hit in Hong Kong, and was not even in the top 10 highest grossing movies of the year. It reminds me of Voltron, which is absolutely unknown and completely obscure in Japan, when elsewhere, it is THE giant robot show. The fact 5 Fingers was a big hit in the US absolutely baffled the Shaw Brothers, who were convinced to part with the rights for their movies for cheap, leading to a flood of Kung Fu movies. Notably, Lo Lieh, though he was the first Kung Fu movie star and a reliable martial arts leading man, did not have much of a career after this in lead roles. His character skills were best served playing villains in Shaw Films, notably as the evil Kung Fu eunuch supervillain, Pai Mei, in “Executioners from Shaolin” and “Clan of the White Lotus.” Tarantino wanted Lo Lieh to reprise his role of Pai Mei in Kill Bill Part 2, only to discover that he died just before filming.

#kung fu #lo lieh #70s

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valhallaas · 2 years ago

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California Dreamin’

Pairing: Jake Hangman Seresin x crybaby!reader

Word count: 3.6k

Summary: Going on a road trip up the California coast to your hometown has its perks when Jake’s taking the wheel.

Warnings: SMUT(18+, minors dni) oral (m and f receiving), vaginal fingering, praise kink

A/N: was this a dream or is it based off something that actually happened? Who knows. Let me know if you like it and enjoy!

The sun was hot as it beat against your skin. Middle of July and the California summer was unforgiving. You flick the sun visor down before reaching over to fiddle with the radio. Sharp eyes cut over to the driver’s seat when a large hand smacks yours. You couldn’t see his eyes from behind his Raybans, but you know he is giving you a look. What are you supposed to do? You’ve been on the road for four hours and you’re so bored. Going completely out of your mind. He either needs to pull over and let you run free—get some goddamn coffee—or he needs to give you some control inside the car. Sighing, you turn, head hitting the window as you lift your feet to rest on the dashboard.

“Feet off the dash.”

You groan. “It’s my truck, Bagman.”

You don’t have to look at him to know he’s glaring. “I hate when you hang out with Phoenix.”

“I wasn’t. Was with Rooster.”

“Sweetheart, I swear—”

“What?” you snap, finally looking over at him. “What are you going to do? Turn around and go home? I’ll leave your ass on the side of the road.”

It’s so quick you barely see it. The flicker in his eye. He’s angry. Your goddamn mouth. He loves to hate it. There’s anger in his eyes and defiance in yours. You can never quite do what he wants you to do. Always have to do things the hard way. He tries to lure you in with a false sense of security. Like you’ve never played the game before.

“Just a few more miles and we'll find a gas station.” he says looking over at you.

“Can I drive from there?”

“No, you can’t drive, just sit and look pretty.”

Huffing you rest your chin on his shoulder. Peeking out through his window to watch the sun dance with the ocean waves. You grew up six hours north of San Diego. A surfer girl who knew nothing but the ocean. Now you know nothing but the clouds. It’s fitting, you suppose. Toes in the sand and head in the clouds. A couple miles pass. Then a couple more. You're getting antsy and he’s not keeping his word. All you want to do is relieve the tension. You're so wound up from sitting. So busy distracting yourself you don’t notice the lazy trail of his fingertips. Up and down your thigh. Not until they’re pushing under your shorts, brushing against delicate skin.

Releasing a shaky breath against his neck, you can feel his smirk against your hairline. Your fingers fiddle in your lap. Nails picking at your cuticles. Your lips part when you feel his fingers. When you realize just how much trouble you're in.

“Take your shorts off.”

“I—what?”

“Take. Them. Off. I don’t think I stuttered, Crybaby.”

Your breath catches at your call sign. Very rarely, if ever does he call you that. You bite the inside of your cheek as a wave of heat rushes your face, spreading from your chest all the way up your neck. Jake chuckles because he knows. The smug fucker.

“Don’t make me tell you again.”

Licking your lips, you lift your hips hooking your thumbs into the elastic band of your shorts catching on to the thin band of your underwear. Goosebumps breakout on your skin even though it was far from cold inside the truck cabin. You didn’t stop pulling at the fabric until they were off your bare feet, your anklet dangling in the California sun before you tossed them beside you.

“That’s right. Be a good girl, baby.”

His voice is cold, empty. You’re not in the presence of your Jake anymore. You like to push and now it’s one of the times that you’ve pushed too far. Moving yourself up so you sat perfectly straight, your hands remained at your sides as your legs spread wide. You don’t look at him, because if you do, he’d fucking break you.

Jake sighs, his head turning slightly to look at you. “Do you know what you did?” Ran your mouth. Like you always do. It’s what you do best. You’re good at it—it gets you what you want. You keep your mouth shut now, though, much to his annoyance. He gives you another pointed look, shaking his head. “Alright, hard way it is.”

You jump when his hand comes down on the inside of your thigh. Deep breath in through your nose, out through your mouth. You will not cry. He will not get any tears from you. Your gaze stays on the sun watching as it slowly sinks. You’ve still got a few hours before you hit home. A few hours for Lieutenant Seresin to tear you apart. His hand rubs soothingly into the sensitive flesh, easing away the pain he caused. Your tense, refusing to get comfortable. He doesn’t deserve it. The thought crosses your mind the same time another smack comes down on you, the sound loud in the small cabin. It’s the first time you realize that he’s turned the radio off. He wants to hear you in all your glory.

You bite your lip to keep from whining. Not that you can’t or shouldn’t, you don’t want to give him the satisfaction. It’s a battle neither of you are going to win.

“I don’t know why you do it.” Jake says, breaking the silence.

“Because it’s fun.”

His hand pauses. That was meant to stay in your head. Like usual, your mouth got away from you. Should he be surprised? No. Is he? Hard to tell, you still won’t look at him. You have to admit you’re a bit proud of yourself. Your voice was firm. It didn’t break or falter like you thought it would. It gives you confidence, makes you brave. Or it makes you stupid, thinking you can get out of this alive.

“What did you say?”

You bite back a smile. “You heard me.”

It is sharp and it stings. A gasp falls from you, your muscles spasming around nothing. His smack hit its mark right on your clit. Groaning, your head falls back against the back window. Yeah, you deserved that one. Chest heaving with every breath, your hands clenching at your sides. Jake’s body shakes next to you with silent mirth.

“I can do this the rest of the way there.”

You sigh. “I just want a break, Jake. A soda, a coffee—to use the goddamn restroom, you fucking control freak.”

Another smack and there’s no holding back the moan that escapes you now. Jake knows what he’s doing. You know where this is going. “This is your last fucking warning,”

“Don’t need it.”

“Fucking brat.” Jake pulls on your hair and turns your head to finally face him. “I’m going to ruin you, Crybaby, and you’re going to beg for it.”

“Don’t I always?”

“Oh, now you want to listen?” His fingers tighten making you wince. “Now you want to do what you're told? I don’t believe you, baby.”

“Oh, fuck off.”

Your clit throbs with the pain. You will not cry. Damn it, you will not cry. Your breathing is becoming a little labored. A small whine escaping. You look around, noting that Jake has gotten off the 101. Heart flipping, your teeth dig into your lip, eyes taking him in. Jake Seresin is a good looking man, and he knows it. He’s letting his facial hair grow. It’s the most stubble you’ve ever seen on his face. If you’re being honest, you’re a little desperate to feel it against the inside of your thighs. A muscle ticks in his jaw. He can feel you staring at him. You grin.

The truck slowly comes to a stop, pulled off on a dirt road. No one around as far as you can tell. Swallowing thickly, the silence becomes tense. Jake unbuckles his seatbelt before leaning over and unbuckling yours. You want to huff in annoyance. You aren’t a little kid, even if he does treat you like one. He turns in his seat, spreading his thighs, taking you in. A large hand rubs at his chin, green eyes devouring you.

“Are you going to be good?”

“No.”

Jake sighs, taking his glasses off and sets them on the dash. “I didn’t think so.”

“Then why’d you ask?”

“To see if you’d be honest.”

A hum rumbles from him when his fingers finally find your core, slipping between your folds. You’re completely soaked. You hate it when he does this to you, but you wouldn’t act this way if you didn’t want it, and you always want it. Always want him. Your breath locks in your throat when he slips a digit in.

“Shit,” he mutters, his accent tainting his words. “Fuck, baby.”

You whine again, desperation making you weak. You push your hips up to his hand, arching your back. Jake wants you to beg, he wants you a crying, whimpering mess. He pulls his finger out only to push it back in with another. He does it again and again, until you’re moaning, your own hand reaching down to guide it. There are rules. You are not allowed to come. You squeeze his fingers inside you, your warm walls wrapped tight around him. You can feel his grin against your neck. You can’t stop your hips from grounding down on his hand. Desire has taken over. He watches you closely, waiting, grunting when you clench around his fingers again. You’re close, too close.

“Lieutenant,” you breathe,

“There’s my good girl. See, that’s all I wanted. You to be good. Listen and behave. Good girls don’t get punished.” His thumb rubs against your clit, your head falls back, your hand smacking the seat. Jake leans forwards, his nose brushing against yours. “Mhm, but you like getting punished, don’t you, Crybaby?”

It’s only moments later when the white hot pleasure is about to erupt that he pulls his hand completely away from you. Your core throbs with the sudden emptiness. Your eyes snap open to see just how blown out his eyes are. His grip tightens around your throat before he lets go. You should have seen it coming. It annoys you because you only want more.

Slowly a smile creeps on your lips. Your nose wrinkles as you stare up at him. You’ve learned a lot about Jake in the years that you’ve known him. He’s cocky, arrogant, a control freak. He likes order. Why he deals with you, you’ll never know. You fuck up all his plans, a weakness he’d rather die than give up. A brat made just for him.

“This is me being nice.” You tilt your head, shaking it at him. Jake was a lot of things, but nice wasn’t one of them. “Are you sure you want this?”

“Yes.”

“Yes what?” He raises a brow.

“Yes Lieutenant.” you murmur.

“C’mon pretty baby. Open your legs.”

You do, not realizing you had closed them. Slowly, you test his patience. Jake doesn’t say anything, only watches. His eyes never move from your pussy. He moves back so he’s sitting up. His arm reaches behind him and he opens the truck door. He gets out and pulls you to the edge of the seat, legs dangling in the open air. You lean up on your elbows to see Jake looking like a dream. He’s on his knees face to face with your pussy. You eye him for a moment, staring at the bulge in his jeans. Not sure what hell you’d pay if he caught you staring. You gasp, body slightly jumping when there’s a sudden slap against your center. Glancing up at Jake to see him with a malicious grin. Fuck. You mewl and writhe at the sting of the slap. He just chuckles darkly, relishing in the sounds you make as you squirm beneath him. Jake’s lips find their way to your skin. Biting, licking, sucking a trail up your tender thighs, teasing you.

“Such a pretty pussy, sweetheart.”

A squeal escapes you when he drags his teeth over your clit. You haven’t even orgasmed yet but he’s pushing you towards overstimulation. He’s purposely driving you crazy, but god, do you love it. You wiggle your hips as his head dips lower, feeling the warmth of his breath ghosting over your core. You instinctively lift your hips up, exposing your dripping cunt to him. You hear him hum in satisfaction as you moan and buck in desperation for his touch.

He sits up suddenly, placing another sharp slap to your clit, making your pussy clench. You’re going to be sore, and he hasn’t properly fucked you. That dick.

“Beg for it.” Jake commands, his hands running up and down your thighs, his fingers getting tantalizingly close to your cunt before he starts moving away again.

“Please” you whine, finally fucking caving. He could do this for hours, but you can’t. Not right now. You want to touch him. Knowing him though, he’d pull back and away from your reach. Making this a lot more torturous than it is already. “Please, touch me. Want to feel you, please, Jake, please. I’ll be good, I promise. I promise, I'll be good.”

He sighs, moving back to hover over you. “So needy, sweetheart, but I don’t think you deserve it.”

This isn’t fun anymore. You’re not sure where it got out of control. A small whimper, a warm tongue darting out to wet your lips. All the while Jake is watching you with mock pity. It makes you want to scream.

“All I want is you. All I need is you. Just—please. I, I’ll be good. I’ll sit and look pretty. I can, I can be good—Jake, Jake, Lieutenant—fuck, please.”

It’s the truth. You say a lot of shit when he’s got you under him. He never says much back. Not that you’d let him get a word in. He’s got you right where he wants you. A blubbering, whimpering mess.

Your name falls off his lips in a hushed whisper causing you to look at him, fixating on how his normal green was just a thin ring around black. “Let me see the ache, baby. I know you like it when it hurts.”

You smile. “You can have whatever you want. All you gotta do is ask.”

Jake gives you a breathtaking smile, his hand lifting to your face, thumb running along your cheekbone. Your breath catches. It’s a tender touch, a gentle moment. “My good girl,” he says softly.

Seeing Jake on his knees, face level with your cunt has you whimpering. You can see him smirking, his hot breath fanning over you with every exhale.

“So fucking needy, huh baby?” He questions, hands moving up over your thighs, thick fingers digging into them so tight you’ll have bruises to show for it. “Can’t help but be a bratty little whore, huh? I know why you do it, sweetheart. Whatever gets my attention. It doesn’t even have to be good attention. Huh, baby? I know—you like when I’m mean to you.”

He runs his nose over your center, taking in a deep breath. His hands tighten on your thighs, as if he’s stopping himself from diving right in. You shudder, squeezing your thighs together only for him to pry them apart. You swallow, breathing shallow, taking him in as his large hand lifts one of your legs to rest on his shoulder. Nothing but putty in his hands. Been that way since you met him. You’re still not sure how he knew. Could just see it in you. He could straight out ruin you and you’d thank him. But that’s the point, isn’t it? You give and he takes. Jake is good, great even, at what he does. He’ll never take what he can’t give in return.

His hand trails up your leg, rough calluses catching on your skin. There is no buildup, his finger running through your folds, a hum as he collects it before sticking the digit in his mouth.

“This all for me, sweetheart?” His voice is smug from between your thighs. “Your cunt tastes so much better, though, isn’t that right?”

“Yes.” It comes out in a sigh.

“Yes what?”

You clench around nothing. The forcefulness of his voice. You moan at his words. He gave nothing else before diving in. You whimper, head falling back against the driver's seat.

“Crybaby, you goin’ to give me what I want?” he asks.

A wicked grin, your last act of defiance. “I don’t think so, Lieutenant. We’ve been at this for a while now.”

His tongue is flat as it makes its way through your folds. He’s done this hundreds of times, pushed you over the edge so many times. Every time feels like the first time. A whimper escapes you.

“Fuck, fuck me,” you murmur, hips lifting to roll against his face.

“Sweetheart.” He says, voice thick with amusement. You squirm at the feel of his breath against you. His thumb rolls your clit in circles as his tongue parts your folds. He slips a digit in before replacing it with his tongue.

You grind yourself on his face, his nose catching against your clit. You whisper his name, it falls from your lips like a hymn. He holds you open like a book he’s been dying to read. Licking up the seam of your sex, you jerk, knee barely grazing his cheek.

“Careful, baby.”

He strokes and teases your pussy. Switching off between his thick fingers and his tongue. He has you quivering, moans spilling out of you. The sounds of you clenching around his fingers, his tongue are obscene and he fucking loves it. You feel like you’re in the sky. Head in the clouds and you aren’t sure you’re ever coming back down. You move with every flick of his tongue. Heel digging into his shoulder when he sucks your clit into his warm mouth. It sends you over.

Waves come crashing down. You’re surrounded by your orgasm, on the brink of drowning. It’s dragging you down, making it hard to breathe. The only thing you know is pleasure, pleasure and the familiar sting of pain. You hear it—hear him. The sound of his voice bringing you back to shore. Can hear him calling your name, feel him kissing his way up your body until his hot breath is tickling your ear. Your eyes flutter open, seaglass green meeting your glazed eyes. Jake’s wearing a fucking smug look on his face because he knows you blacked out there for a minute. Groaning, you sit up, pushing him back.

His hand raises to your cheek, thumb swiping under your eye. “You’re crying.”

God fucking damn it.

You keep silent, doing your best to ignore him as you pull clothes back on. Buckling your seatbelt you hear the engine roar to life, and this time, he doesn’t say anything about your feet on the dash. A promise is a promise. You’ll be good.

The sunset is dancing with the waves. Golden hour slowly melting into dark hues of purples and blues when you look over and see him. All of him. It makes your mouth water. This is you still being good, right? He looks like he needs your help. Slowly you slide over, hand resting on his warm thigh. Your hand tingles from the touch. It’s the first time you’ve touched him in hours and it annoys you that you’ve missed it so much. You’ve never craved someone like you crave him.

Your fingers sneak beneath his jeans and then you grasp him.

He jerks, but makes no move to push you away. Instead, he watches you, eyes intense, hungry. You stroke his length until he’s leaking. Full, tip an angry red. You press and squeeze and yet he holds still. He focuses on his breathing. You don’t miss the hesitance in his gaze. He’s slightly worried. Your mouth quirks, hand coming off him to pop the button of his jeans. He does his best to help you get him out. You aren’t as mean as he is. Slowly, you lean forward and take him into your mouth.

His hand bangs against the steering wheel. Your teeth are blunt as they scrape smoothly along the head of his cock. Your tongue is warm and wet as it flicks at the slit before you wrap it around him. His muscles lock up, he grips your head more firmly. Rolling your eyes, you ease down, slowly hollowing your cheeks.

Even still—

You pop off of him, strings of spit tangling them together. “Relax,” you urge before swallowing him to the hilt.

Tongue swirling, cheeks hollowing; he was hitting the back of your throat but you had long since lost your gag reflex.

“Fuck, sweetheart,” Jake breathes out, his hands digging into your scalp through your messy hair. “I love when you use your mouth.”

His praise makes you moan, causing Jake to find purchase at the back of your head, fingers tangling into your hair with a death grip. Your nose brushes his pubic bone with each movement. It doesn’t take long for him to take control, his hands holding you steady as he fucks himself into your mouth. His cock throbs, swells until he reaches his limit. You feel his balls tighten up, his pleasure coiling before bursting without warning. Instead, he spurts into your mouth, filling it up until your eyes water. You swallow it and then gasp for air. Your nails bite into his thigh as you rest your cheek against his softening cock.

Jake’s silent for a moment, his breathing evening out. You hum when his thumb strokes your cheek. Finally content, you sit up, fingers wiping at the corners of your mouth. You glance down when you feel a tap, seeing him offering you his hand. Fingers tangled with yours, he rests his hand on his thigh.

He kisses the crown of your head. “Don’t think I’m done with you.”

“Wouldn’t dream of it.”

#jake hangman seresin x reader #Jake hangman Seresin x you #hangman x reader #hangman x you #jake seresin x you #jake seresin x reader #jake hangman seresin one shot #Jake hangman Seresin smut #hangman seresin x reader #hangman seresin x you #hangman seresin smut #top gun maverick fanfic

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grantmentis · 7 months ago

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2024 IIHF Women’s World Championships Season Wrap Up

All of our women’s worlds tournaments have finished, so here is a short summary of each tournament, who got promoted/relegated, and top performers.

As a quick disclaimer: how they do best players of each tournament tends to be a little different for each one, some have MVPs and some don’t, idk why

Championship / Top Division

Final standings

Canada (Gold)

USA (silver)

Finland (Bronze)

Czechia

Switzerland

Germany

Sweden

Japan

China (relegated)

Denmark (relegated)

Tournament MVP: Laila Edwards (USA)

Top goaltender: Sandra Abstreiter (Germany)

Top defender: Renata Fast (Canada)

All star team: Sanni Ahola (Finland), Renata fast (Canada), Caroline Harvey (USA), Laila Edwards (USA), Natalie Mlynkova (Czechia), Alex carpenter (USA)

Tournament summary: this is gonna be my longest short summary as this is the tournament I have the most coverage of.

We finally have USA and Canada at the best versions of themselves again, solid coaching for both, a mix of youth and vets, for the most part all healthy, making for a great gold medal game.

Germany is the biggest positive surprise this tournament. They went from ninth in 2022 to eighth in 2021 to sixth this year, that’s pretty big gains, abstreiter had a phenomenal tournament with the best save percentage despite one of the heaviest workloads, but I was also really impressed by the team defense. Both Welcke twins, Jobst-Smith, Franziska Feldmeier were huge this tournament.

China may have gotten relegated but I think this tournament was still a success for them, considering the significant roster changes they experienced, they were still able to hang with most of the group B teams. Jiahui Zhan was phenomenal in goal and kept them in games, which is such a big part of these tournaments. They don’t have the star power on offense yet, but what they do have is a program that is committed to funding the national team and providing a lot of centralization time to create a cohesive team, and that environment will start creating elite scorers in time.

Finland bounced back after being hammered with injuries last year, Ahola firmly has won the crease, and Nelli Laitinen solidified her capabilities as a top pair defender. Czechia saw a breakout tournament from Natalie Mlynkova that carried them to a fourth place finish even when the rest of their offense was struggling. Switzerland has been able to fill a Phoebe Stänz shaped hole in their lineup with Ivana Wey. Denmark struggled hard without Jakobsen, and shows clear signs of a federation neglecting their program and losing their players - they barely responded to Jakobsen’s retirement, and were the only national team not to secure some kind of way to watch for those in Denmark. Japan disappointed this tournament, and will need to find an elite goaltender if they hope to be in the top division again. Sweden didn’t have a lot of things go their way this tournament, but youth talent in goal scoring was a bright spot for them. They are an undeniably deep team if they can get it all clicking at the same time.

Division IA

Norway - promoted

Hungary - promoted

France

Austria

Netherlands

South Korea - relegated

Best goaltender: Ena Nystrøm (Norway)

Best defender: Annika Fazokas (Austria)

Best forward: Estelle Duvin (France)

Summary; For the first time since 1997, Norway has been promoted to the top division! Despite not having the offense other teams had, they only conceded six goals all tournament and only one was at even strength. They relied heavily on their young core like Emma Bergesen and Millie Rose Sirium to lead the way. Hungary was able to earn promotion despite missing Fanni Garát-Gasparics, and only scoring nine goals all tournament. They played near flawless defense, only allowing 91 shots against in 5 games (averaging around 18 against per game) and being perfect on the PK. France had arguably the best first line in this tournament, Estelle duvin - Chloe aurard - Clara rozier can hang with anyone, but was shut down by Hungary in the final game to lose the chance at promotion.

Austria had a WILD tournament, no one scored more than them, but they also had uncharacteristically struggling goaltending performance from the Luggin sisters who have been pretty consistently solid in international tournaments. Not much to worry about long term there, it happens in short samples, but tough break when offense was so good. More of the same for the Netherlands, who are looking for their next wave of young players to help propel this team, but Kayleigh Hammers continues to prove herself as a special talent. Lastly, South Korea was in the IA tournament for the first time, has a lot of work to do before they can be a mainstay here but this is the first step and is valuable experience

Division IB

Final rankings

Slovakia

Latvia

Italy

Great Britain

Slovenia

Poland

MVP: Karina Silajane (Latvia)

Top forward: Janka Hlinka (Slovakia)

Top defender: Laura Lobis (Italy)

Top goaltender: Pia Dukaric (Slovenia)

Short summary: Slovakia returns to division IA after slipping for a few years and being relegated last year. They were a clear step above most of the other competition in this tournament, especially defensively, but we are seeing the gap shrink. Pia Dukaric for Slovenia may be the most underrated goaltender in the world; she faced 308 shots this tournament in 5 games (about 61 per game) and only conceded 15 goals in that span. Slovenia would 100% be relegated without her. Latvia is playing in division IB for the first time since 2019 and had a funny tournament - they weren’t at the top of anything in team stats, but they were good enough at everything to be a very complete team and Karina Silajane was phenomenal in big moments.

Italy also impressed, though some frustration is probably there that they’ve finished in the same spot for the third year straight, they’re undoubtedly a better team than they were three years ago. Italy is the only team to beat Slovakia in this tournament, and were one of the best teams in terms of limiting shots against. Laura Lobis and Natalie Mattivi are a very legit first pair, and Martina Fedel is an elite goaltender. They don’t have a top goal scorer right now, but that may be coming in Matilde Fantin, who was not able to play this tournament due to injury. Poland fell hard this tournament going from second place last year to being relegated. Part of this is an shaky performance in net from Martyna Sass, who was great at the club level and usually solid in goal, but she played way more games than she normally does this year and may have been overtaxed at the end. She was not bad but Poland heavily relies on goaltenders to steal games. The other, bigger part is the offense completely disappearing - they only scored six goals, which will not get it done in any tournament. Finally, Great Britain was a confusing team this tournament, but despite offensive woes avoided relegation by keeping games close and pulling out wins versus Italy and Slovenia. They only scored six goals in the tournament and two were against the best goaltender in the tournament, which is how hockey is sometimes.

Division IIA

Final rankings

Kazakhstan - promoted

Spain

Mexico

Taiwan

Iceland

Belgium - relegated

Top goalkeeper: Arina Chshyokolova (Kazakhstan)

Top defender: Bridget O’Hare (Spain)

Top forward: Alexandra Shegay (Kazakhstan)

Summary: Kazakhstan was relegated last year and not looking to stay in this division for long. A solid u25 core has continued to show promise for them. Spain has really created a nice core for themselves with Vega Munoz, Bridget O’Hare, Alba Gonzalo, Claudia Castellanos, and Sofia Scilipoti - they dominated most teams but came up just short against Kazakhstan in the final game. That said, I’d wager a promotion is in their near future. Mexico continues to finish in third in this tournament as they have for a few years, with a lot of players born 2000 or later making up the roster, but we have to give 39 year old Claudia Tellez her flowers - it’s been a decade since she started playing at Worlds and still is putting up over a points game while also coaching the u18 team. Just a total legend. Mexican Goaltender Monica Renteria also had the best save percentage of the tournament at age 36, having also been on the initial women’s worlds team Mexico with Claudia a decade ago.

Taiwan could not score, but they did have an elite goalie tandem of Ai Chung and Tzu-Ting Hsu (Beauts fans, you may remember her from the 2019-2020 season, also goes by Tiffany Hsu) that kept them in games. Yun-Chu Huang was responsible for 5 of the teams 8 goals. Iceland continues to stagnate, but 19 year old defender Katrín Björnsdóttir was extremely impressive this tournament. Belgium was outmatched in their first chance at this division and was relegated, but has a few promising young players that may incident they’ll be back soon

Division IIB

Final standings

North Korea - Promoted

Australia

Hong Kong

New Zealand

Turkey

South Africa - relegated

Top goalkeeper: Erva Kanat (Turkey)

Top defender; Matilda Pethrick (Australia)

Top forward: Jong Su-hyon (North Korea)

Summary: we haven’t seen North Korea at the international stage since before the pandemic and didn’t really know what to expect in their return and then they came back and just dominated this tournament. North Korea and Australia were a clear step above the rest of the competitors, and North Korea ultimately got the promotion in a shootout goal by Hyang Jang. Keira Mok of Hong Kong was another goaltender with a stellar performance, and Nikki Sharp was great for Australia in terms of forwards. South Africa’s relegation comes as no surprise, as they’d been trending down for a few years.

Division IIIA

Final rankings

Ukraine - promotion

Romania

Lithuania

Serbia

Croatia

Bulgaria - relegation

Top Goaltender: Vilte Belicenkaite (Lithuania)

Top Defender: Diana Stolar (Croatia)

Top forward: Valeria Manchak (Ukraine)

Summary: a lot of these programs are very new to the women’s worlds circuit, with teams like Lithuania only competing in this capacity since 2019, Ukraine in 2019, or Serbia since 2021 (though they may have competed in other tournaments / formats). There’s a significant number of U18 players playing in this tournament because of that. Romania and Serbia were the most improved team from last year, Romania going from fourth to second and Serbia going from division B to finishing fourth.

Division IIIB

As Israel should not have been allowed to participate in this tournament due to the genocide they are carrying out, and I will not be acknowledging their participation or any of their players as a result.

Final rankings:

1. Thailand

2. Estonia

4. Singapore

5. Bosnia and Herzegovina

Top goaltender: Sofia Salamatina (Estonia)

Top forward: Apichaya Kosanunt

Summary; Thailand wins gold in its debut! What a fantastic start to women’s worlds for them, as they won every game and scored 20 goals while only ever giving up one. Strong defense meant they only saw 59 shots all tournament. Singapore also made their Women’s Worlds debut and got their first tournament win and saw Tiffany Ong score three goals.

#I’m writing all of this on my phone on my way to work so be gentle #women’s hockey #women’s world championship 2024 #hockey

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msfcatlover · 2 years ago

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Yet more Reverse!Robins

EDIT: Now on AO3.

(Calling back to my tags on this post, and one of the images from this one that live rent free in my brain.)

Joker gets bored torturing Jason on his own after a couple days, and sends out invites to all the other rogues (or at least, the ones he’s pretty sure won’t rat him out and end the fun) about a “surprise present” he’s working on for Batman. Steph has absolutely no interest involving herself in Joker’s nonsense, so she immediately throws it out and focuses on securing her area of the city to keep her people safe. She doesn’t think much more of it.

Six days later, Tim shows up at the door of one of her clubs. Not in costume, barely hiding his identity, hardly even armed (like, the bare minimum for walking around this part of town this late at night, and most of that is artfully hidden in his crutches & leg braces.) Aside from Damian or Bruce crashing the party to accuse Steph of stuff (that like 60% of the time she didn’t even do,) none of the Bats have ever approached Steph in an actual place of business before. She’s curious. She tells security to let him in, and show him to her table.

“Mr. Wayne,” Steph says, because fuck it, if Tim’s only going to mess up his hair and barely slap some concealer over the dark circles under his eyes, she isn’t gonna maintain his identity for him. “To what do I owe the pleasure?”

Tim shakes her hand, looks her dead in the eye, never glancing at her guards or flinching at his name. A proper little businessman, in a ratty band t-shirt and a pair of old jeans. “I need a favor.”

“You? Need a favor from me?”

“Yes.”

“The great Timothy Wayne?”

“I didn’t come here to play games.” Tim glares. “Yes, I need your help. Yes, it has to be you. Yes, I am out of other options. No, I am not above groveling—”

“Really?”

“Steph.”

“Don’t,” she growls back, “try to play this like we’re friends, Tim.”

Tim crosses his arms and scowls off to the side. “…Fine. We’ll keep it professional.”

“Oh, I don’t know about that. I wouldn’t be opposed to seeing you on your knees.” Tim’s eye twitches as Steph takes a sip of her drink. “What brings you to my humble abode?”

“I told you, need a favor,” Tim repeats.

“Well, that could be anything,” Steph says, rolling her eyes behind her mask.

“My little brother’s missing.”

Steph’s drink goes down the wrong way. She forces herself to swallow her cough. Steph clears her throat to mask it, and sets her drink back on the table.

Tim continues like he didn’t notice. “The police can’t find him. The Bats can’t find him. I have been leveraging every advantage I’ve got, but nobody has seen him in over a week—”

Ice slips down Steph’s spine as she remembers the invitation she’d thrown out right around a week ago.

“—but you have contacts they don’t.” Tim takes a deep breath. “I know you hate us, I know you…” His eyes flicker towards her guards. “…You’ve made your opinions very clear—”

“I should certainly hope so,” Steph mutters.

“—but whatever you think of me, or Bruce, or Cass, Duke, Damian, anybody, Jason’s innocent. He’s suffered enough.” Tim has a warning in his eyes: You’ve hurt him enough. Like she’d actually tried to kill the kid or something (if Steph wanted Jason dead, he’d be dead; honestly, she didn’t even leave any permanent damage. Her lesson was no harsher than anything any of them got on a bad patrol, she was just more open about the point she was making.) “He’s just a kid.”

“And yet, you keep letting him out into this city.”

Anger flashes across Tim’s face, but he visibly chokes it down. “I’m not having this conversation with you. This has nothing to do with Jason’s hobbies or field trips, or whether or not you approve of them. This is about a 15yr old kid, missing in Gotham City, following the biggest Arkham breakout in the last 10yrs. Are you going to help or not?”

Steph sighs, propping one elbow on the table and leaning on her fist. “What have you got for me?”

“Jason snuck out for a party nine days ago—the night of the breakout.” (Translation: Jason was in uniform, probably on patrol.) “We have a system where even if he doesn’t want Bruce to know what he’s doing, Jason still calls me to check in every 2hrs. He checked in a little before 2, because he said he was about to be ‘really busy’ and didn’t want me to worry. I told him to go home. He told me he’d be fine, that he wasn’t anywhere near the mayhem.” Tim’s expression is flat, dead. “He didn’t check in again. Nobody’s seen or heard from him since. There have been no ransom demands. Last sighting was outside of Genevieve’s in Burnley.”

The invitation arrived six days ago exactly.

Steph needs to go. Steph needs—Steph needs to find that letter, she can’t remember if it had an address or a time, she can’t—

“I’ll pay whatever you want,” Tim tells her, seemingly unaware of how Steph’s breath is caught in her lungs (remembering what it was like to be 16, tiny, and at the whims of a madman. Eight full days. Did Steph suffer that long? She doesn’t think so, but the time all blurs together under the pain…) “Money is obviously no object. Weapons? Name them. Tech? I’ll build it for you myself. I can wipe your record clean. I can keep the Bats off your back. I can—” Tim swallows. “My balance isn’t the best anymore, but if you want me on my knees, I can beg. If you need me to demonstrate my gratefulness or if you need someone to hurt, I—”

“Oh my god, STOP!” The table wobbles as Steph jumps to her feet, nearly spilling her ginger ale—but then, she doesn’t really want it anymore. Her stomach is one giant knot, and she’s really regretting those onion rings she had earlier.

“Please,” Tim says, soft and far more earnest than Steph can deal with right now. “He’s my little brother. I… it’s my fault he thought he could go out like this. If there’s anything you can do…”

Steph needs to get to her office. She needs to find that note, and if she can’t find it, she needs to find Joker’s delivery boy so she can beat the answer out of him. She steps away from the table. “I’ll get back to you.”

Tim grabs Steph’s wrist as she passes by. “Please—”

“I said, I’ll get back to you,” Steph snaps, yanking her arm out of his grip. She looks away from Tim’s wounded expression. “I can’t do anything if you’re dragging me down.”

Tim’s shoulders sag with relief. “Thank you.”

“…You owe me. Whether I find him or not.”

“Thank you.”

Steph walks away. She doesn’t look back.

(She shoots Joker in the throat, grabs the nearest heavy object—curved & metal, but much else doesn’t register—and beats the clown’s head in while screaming insults in League dialect. She strips down to her suit’s under layer to keep Joker’s blood away from Jason, tossing her gloves away without caring about fingerprints, and kneels down in front of Jason, making herself as small as possible. She undoes the bonds, checking his injuries, and when Jason collapses into Steph’s arms, she holds on. Steph cradles Jason in her arms, helps him rehydrate from her water bottle, and apologizes in every language she knows for not being there for him sooner.)

(Without the mask or the armor, with Steph’s hair pulling wild & sweaty out of its braid, she doesn’t look nearly so much like the villain who hurt him before. Jason wonders if he’s dead or dreaming, to finally have the hero he looked up to for so much of his childhood decide he’s worth saving after all.)

(Steph would go to the ends of the earth to protect him from that point forward. When questioned, she just mutters something about not “letting all that work go to waste.”)

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myoddessy · 2 years ago

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CONEY ISLAND CHARACTER PROFILE

series masterlist

FAMOUS BIRTHDAYS!

Y/N L/N —TV Actress/Singer/Model

BIRTHDAY —July 5TH, 1998

BIRTH SIGN —Cancer

BIRTHPLACE —Monte Carlo, Monaco

AGE (as of 2018) —20

#3 MOST POPULAR ✰ BOOST

ABOUT

Famous for her breakout role in the French, Oscar-winning film, "Enchanté", where she played a young girl learning of love and of life through art and foreign cinema. (For this film, Y/n won her first of many Academy Awards, and made history as the youngest nominee to win in said category.) In 2014, she released an album entitled 'As I am' which delved into her troubled personal life and how she fears that there will come a day when those she loves will grow bored of her. 5 of the album's 11 tracks made it onto Billboard's top 100, while a further 2 topped the list for three weeks post-release. Additionally, she made her directorial debut with "Little Women" starring Saoirse Ronan, Timotheé Chalamet, and Florence Pugh, where she also played the role of the eldest March sister, Meg. That year, she won the Academy Award for best director.

BEFORE FAME

She began her acting career at the age of six, where she starred in a number of commercials and minor appearances in soap operas. She also began modeling at a young age, and can be found on the cover of several textbooks.

TRIVIA

In 2015, she was casted for the French dubbing of Joy in the Pixar movie "Inside Out". In 2017, Y/n launched her beauty and cosmetics company "Bare", a brand dedicated to creating a diverse range of product shades and cruelty-free cosmetics. She hosted SNL for the first time on March 11th, 2016

FAMILY LIFE

Despite keeping her personal life quite private, many sources have been able to gather that she has a very close relationship with her mother and two brothers, and is the middle child. We do not know anything about her father. As far as we know, none of her family is involved in showbusiness.

ASSOCIATED WITH

She is most commonly associated with her long-term boyfriend, Formula 1 driver, Charles Leclerc.

POPULARITY