#Test of Job

[samglyph]

I’m not immune to slasher comedy coming of age musicals. Apparently

[puppetmaster13u]

Prompt 352

“Mother, I crave violence,” a small child interrupts the video call, practically clambering up into Nightingale’s chair. They look around five or so, with white hair and red eyes. Albino perhaps? 

“Ah, apologies, let me take care of this real quick,” Nightingale turns the microphone off when he gets a few acknowledging noises, picking the small child up and moving them from the room. 

“Cute kid,” Barry acknowledged from behind his coworker’s head, having been helping move things. Actually, the kid looked kind of familiar, though from where, who knew. Hard to remember everything with how fast his thoughts usually went. “I didn’t know Nightingale was a father…” 

Then again the specialist was notoriously private, and set most meetings online thanks to some sort of medical conditions. So he supposed it would make it easier to be a stay at home dad if he was there already…

[gunstellations]

its sonics turn! 👅

[penhive]

Assorted

Fiction

Jesus and the collective unconscious

The collective unconscious is a term that was introduced by Jung the psychiatrist. In it, certain symbols, certain characters are retained in an area of consciousness called the collective unconscious. I am not sure whether the elements of collective unconscious are genetically transferred. Now what is Jesus in the collective unconscious? The cross and the blood shed by Jesus on the cross have becomes archetypal symbols and they have a consciousness which is merged in the collective reservoir of thought. So also is the idea of the trinity which is three in presence and one in essence and that is also a part of the collective unconscious.

Dialogue of Jesus with the Samaritan Woman

Jesus encountered the Samaritan woman at a well and he asked her to give him water to drink. A look of caution came on the face of the Samaritan woman and she said Jew don’t drink water from the Samaritan woman as it’s a taboo. Then Jesus told her: if you drink from me, you will never thirst again. An interesting element of the conversation of Jesus is: he is democratizing spirituality freeing it from the traditional orthodoxy of Jewish religion and he is paving way for heterodoxy of being committed to offer a life that is fulfilling and enriching in this world and the next. Jesus has committed an iconoclasm of Jewish texts and religion.

Dialogue of the Body

I was recently having a virtual conversation with my girlfriend residing in Thailand. I asked her to share her photos wearing a bikini and she did. Then I realized that I was having a conversation with my own body and my body became a machine erotic, sensual, passionate, and voyeuristic and I wanted to tongue all her bodily orifices in love. The conversation of the body is erotic, passionate, surreal, sensual, carnal and tender as the poetry of feelings.

Portrait Prose

Portrait Prose is a literary term developed by me and it draws its source from still-life painting. In it objects are given a description of that is called as figurative painting.

Motion of an Ant

The ant is moving on the wall, a motion resembling that of a paintbrush. Its motion is a sliding of poems. There now it is moving an up and down motion drawing a cross on the wall.

Flight of a Bird

A white poem is taking off …its wings are dancing in the mania of an epiphany…its flight is a tinsel delight of thought…it is making love to the earth.

Epiphany of a butterfly

Slender wings are waltz in flight…there now it is zigzagging as poetic jazz…it is drawing a picture in its flight in air…its flight is a musical song, a poem of love.

Epiphany of a dragonfly

You muse of the earth… you moving duet of an aesthetic sculpture…you frenzy tourbillion… you poetic charisma…you poem of fancy…you epic airy incarnation...you song of meditation…you are a lighted candle.

Idioms

Job’s friends

Job is an Old Testament character who was granted permission by God to the Devil to afflict him and take away all his possessions. When Job was lamenting, his friends were there and they did not comfort him.

Job’s friend as an idiom means fake friends.

In my life I have come across many who are like Job’s friends.

Test of Job

The Old Testament Job was given over to Satan by God to afflict him and to destroy all possessions. Yet Job remained faithful and after the test God gave him double portion of his inheritance.

Test of Job as an idiom means God intervening after adversity and restoring all what is lost in a double portion.

I would like experience the test of Job in my life.

Limitless Reality

Limitless reality as an idiom stands for keeping a wish manifestation journal.

I have the habit of keeping a limitless reality.

Burning Bush

God spoke to Prophet Moses in a burning bush.

Burning bush as an idiom stands for one’s own inner voice or intuition.

The burning bush is part of human personality and consciousness.

Smear blood on the Door

When the Israelites were in captivity in Egypt, God had a plan to make an exodus for them. And God wanted to afflict the pharaoh and asked the Israelites to smear lamb’s blood on their door so that they will not be harmed.

Smear blood on the door as an idiom means divine protection of God.

I always invoke smearing the blood on my door.

[kizzer55555]

Core Gems

So when a ghost becomes injured, they have a last ditch defense where they retreat into their core. And I mean, injured badly where their body is rip apart to the point they can’t hold a solid form anymore. And they basically go into a hibernation state until they are strong enough to form again.

Ellie, Danny, and Dan are all injured in a final battle against the GIW. The organization was destroyed and the ghosts were safe but the halfas ended up being so injured that they reverted to core form and then went to sleep for a bit. When they woke up, they were still weak but at least recovered enough to gain consciousness. And realize…they are in some kind of auction…in the middle of a heist. It appeared that two furries (one in a bat costume and one in a cat costume) were ducking it out. And they…they were a necklace. All three of them had been turned into a necklace with their cores as gems accompanied by sapphires, pearls, and opals. And frankly gorgeous craftsmanship as the metal was crafted around their cores as if to cradle them and the other gems.

Unfortunately, they were too weak to take a form properly, they could still feel the strain on their bodies. But at least they could still communicate through their auras. Then the cat lady punched a hole in the glass container surrounding them and grabbed their necklace.

However, the bat grabbed the other end and it resulted in a sort of tug-a-war. Meanwhile, Danny, Ellie, and Dan were having a back and form commentary on the situation and what they should do. Completely unheard by the other party.

In the corner of their eye, the three halfas finally noticed a third contender. Some kind of clown who was…hold on…holding a gun?! And it was pointed straight at the two fighting furies who had yet to notice him. The ghosts’ protective instincts went into overdrive and they frantically tried to shout, yell, move. Just do something to warn the two but their cries fell on deaf ears. All they succeeded in doing was faintly glow which immediatly caught the attention of the fighting duo. The two turned to look at the strange necklace but right at that moment, the clown fired and a gunshot rang throughout the auction room. Having no other options, Danny and the others poured every ounce of ectoplasm they had to try and phaseshift, making the two furries intangible as the bullets passed right through them, but in their shock, the two jumped away in opposite directions and accidentally ripped the necklace apart. Gems and pearls went flying and the three cores bounced along the ground.

Luckily, the two finally noticed the clown and went to deal with him and his minions who had appeared. Seemingly putting their fight on hold and forming a temporary truce. The three halfas could only watch as the battle finally wound down, ending with the cops barging into the place and arresting the clown and his grunts, the cat managing to escape with half the scattered gems and pearls from the broken necklace along with a few other jewelry pieces (none of their cores though) and the bat leaving through a skylight.

The auction continued and in the end, despite being broken, their necklace seemed to have caught someone’s interest. A man named Bruce Wayne bought up every piece of the shattered jewelry wear. The auctioneers appeared relived that the item managed to sell in the end and gratefully gave it to him.

Bruce had no idea what happened at the auction, but he could have sworn that some of the gems faintly glowed right before he and Selina were shot. If the necklace was some sort of magical item, then he needed to understand exactly what has been brought to Gotham. It was unfortunate that Selena had taken some parts of the necklace but he utilized his vast wealth to make sure all the other parts ended in his possession. Now he would take them back to the mansion for examination.

[daily-odile]

AUGH I’d love to see more time looping odile if possible,,,,, how do you think she’d like; “devolve” over each of the acts as compared to Siffrin over time :O

ok im gonna be honest i did like portrait edits months ago and just never finished them. so here you go

act 3:

act 5:

[zurenie]

testing some new brushes :>

my exams are just about over!! FINALLY

will return to draw soon!! keep an eye out for some low comm prices, doing a spring sale ehehe

[inafever]

On how much Aziraphale has learned since season one:

This is about character development. Inside of a story, everything that happens, happens for a reason. It's meant to tell you something, to teach you or the character of your story, something.

So if the story continues and your character repeats the same mistakes again you know that they are bound to be doomed this time, and even worse the audience is going to certainly lose respect for them, cause they have made the same mistake twice, they haven't learned anything, they're gonna do it again another time, they don't deserve a happy ending. (yes I'm talking about good omens here) So you don't do that to a character that matters to you and you respect even the tiniest bit.

A Lot of us here are thinking that this is what has happened to Aziraphale's character at the end of season two, that he has done it again, repeated the same mistake again and has left Crowley to join heaven and it's been because of reasons like wanting to change Crowley (not true, see this post), still believing in heaven's goodness (not true at all), not being on the same page with Crowley (I'm gonna talk about this one especially in this post) and such likes. But these are the things he should've known better about after 6000 years and all the events that we've learnt about especially throughout season two. (It seems to be rather the whole point doesn't it?)

But we all seem to rather believe that he's made that mistake again nonetheless. so what we're doing here is trying to find reasons to justify the mistake and somehow make the reason behind the wrong actions something relatable to ourselves so we can forgive him when the time comes.

In fact I don't believe that he's made a mistake. for Aziraphale's character to be redeemable, what he has done, must be the only option that he's had for saving them both. I don't care what kind of situation could have resulted in him making this decision, but the only reason, the one and only reason, must be his love for Crowley. Otherwise it'll prove that he hasn't learnt his lessons or doesn't love Crowley enough to make a compromise, and in both cases, he's not worthy of love. He won't earn his happy ending by being tortured and feeling sorry and doing the apology dance for Crowley if he's hurt Crowley out of selfishness and stupidity again

But I'm sure he'll earn his happy ending and I'm sure he's learnt his lessons and it's too late for him to have unlearned them all in a matter of a few seconds. (He is an idiot but he's not stupid) and it's mostly because of this, that I believe the reason why he made that decision, must be very different from what it appears to be on the surface.

Anyway, this post is about what Aziraphale has learned and how he's changed.

I have made a post about their moments of conflict from both season one and two, it's here and you can look it up. This is where you begin to understand how Aziraphale has changed since season one because these are his dialogues after he's had a fight with Crowley in the bandstand, season one:

"even if I did know where the antichrist was I wouldn't tell you we're on opposite sides"

"friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you"

"there is no our side Crowley. Not anymore. It's over"

And then there's season two, when they disagree on what to do with Gabriel, Aziraphale is the one to point out that they both rely on the life they've built together

He's asking him to help him take care of Gabriel together and in response Crowley leaves

In the final scene he asks Crowley to come back to heaven

"work with me" "We can be together as Angels, Doing good" "I need you."

He says anything he can think of literally to convince him to stay with him and it doesn't work

We start from "we're not friends" and arrive at "work with me. we can be together"

Even if we don't know the reason why he's insisting on taking Crowley back to heaven with him, this is an Angel that has picked up the pace. That wants them to be an us. No matter what.

But these are only a few dialogues. I think there's more than that. I think the show in five and a half episodes (out of six) has tried its hardest to make the point quite clear about how Aziraphale feels about Crowley (or how strongly he feels those emotions). all through the way he looks at him and through his gestures and soft touches from time to time

I'm gonna make another post of those moments separately and I'm gonna link it to this when I do.

update: (here's the post. not just average moments of Aziraphale looking cute, it's something about the way he looks at him)

And I'd like to even compare those wishful glances to some of those from season one, but I can't, cause they are nonexistent in there.

[dammjamboy]

BETTER CALL SAUL!

[pixelkip]

i dont think im the first but oh well.

[demi-pixellated]

Master Dellamorte 🗡

[steddielations]

Steve walks into utter chaos.

He was stopping by just to see Max, but all the increasingly concerning noise coming from the Munson’s trailer drew him over there instead. Worried that all the cursing and clattering would drown out any chance of a knock being heard, Steve lets himself in. 

Eddie doesn’t even notice him come inside, too busy scrambling around the complete wreck of a kitchen.

“Dude, are you cooking or just banging pots and pans together? I thought you were dying in here.”

Eddie squawks and jumps about a foot in the air. His hair is even more disheveled than usual, barely tied down with a bandana. He’s got flour splotches on his face and all over the frilly grandma apron he’s wearing (which Steve is definitely getting a photo of and showing Dustin later) along with a suspiciously sticky goo on his fingers.

“Stop laughing at me,” Eddie groans. 

“I’m not laughing,” Steve laughs, going to join him in the kitchen, “What are you doing, man?” 

“Well, I’m trying to bake Wayne a cake, but at this point, I might as well give him a frosting covered rock for his birthday,” Eddie sighs, frustrated hands scrubbing the flour off his apron, “I don’t know, man, usually I just get him another mug and a pack of smokes, and he’s never asked me for anything, but I’ve put him through hell this year I just wanted— I don’t know like, to do something special but I can’t even—”

“Alright, take it off.”

Steve folds his arms and waits while Eddie just gawks at him for a moment, cheeks reddening under the patches of flour.

“What?”

“You heard me. Take. It. Off.”

Eddie scoffs, starts muttering like he does when he’s nervous and Steve cracks a smile when he realizes why.

“The apron, Eddie,” he gestures, “Hand it over.” 

Another moment of confused staring and Eddie slowly gives it to him.

Steve wastes no time shaking out the flour and tying it around himself. He moves past Eddie, gets right to work clearing the mess and salvaging what ingredients he can.

“You…” Eddie peeks over Steve’s shoulder, “You know how to bake?”

“I can make a cake,” Steve shrugs, “Robin obsesses over shit sometimes, calls them her “little brain worms” or whatever. She couldn’t stop thinking about this cake she swore she had for her 5th birthday but couldn’t remember the flavor. So we made every cake recipe in her mom’s cookbook until we found the right one.”

“So Harrington’s got a secret Betty Crocker power-up, impressive.”

“Nah, just small stuff. I help Claudia with Dustin’s birthday cakes. Little shit is very particular about his red velvet.” 

Eddie snorts and Steve waves him over to start washing the dishes. He does so with a small salute that smears more flour on his forehead. The word cute comes to Steve’s mind but he just rolls his eyes. 

“So you dusted off your oven mitts for little old me, hm? I’m flattered.”

“Only because I like Wayne and I’d prefer if you didn’t give him food poisoning,” Steve teases, dumping out Eddie’s abomination of batter into the trash. Though he softens when he sees the way Eddie winces at it. “And I think it’s nice, you know, you doing this for him. I wanna help.”

Eddie clearly holds back a smile, looking down at the bubbles in the sink, and the cute word comes back to Steve’s mind.

“Okay well, take it easy on me. Not everyone has a bunch of mom friends teaching them to bake.” 

“Oh yeah, then where’d you get this grandma apron? You just had this little number in the closet with your leather and chains?”

“No, it’s Mrs. Bennet’s and she’s not my friend,” Eddie bristles and Steve senses a hell of a backstory there, “I stole it off her clothesline.” 

Steve laughs and makes Eddie tell him the whole story, all the inner workings of Forest Hills feuds. It’s nice, Steve’s been spending more time here since everything, listening to Eddie’s stories and sharing his own. It’s easy to be around Eddie, even though that pesky word won’t get out of Steve’s head.

Once the batter is finished, Steve dips a finger in to test.

“How does it taste?” Eddie asks, “Better than mine I hope.”

Steve hums around his finger, “So good, here taste,” he meant to slide Eddie the bowl, but the wires must’ve gotten crossed somewhere, because now he’s holding out a dollop of cake batter on the tip of his finger to Eddie’s mouth. 

They both look down at it, then at each other again. Steve knows he should apologize, drop his hand and say it was a mistake but there’s something about the way Eddie’s looking at him, the way he subtly licks his lips is almost like— He wants this. 

So Steve lets him have it.

Eddie leans in, keeps his hands at his sides and slowly guides himself down on Steve’s finger. His eyes fall shut as his mouth closes around it, like it’s too much, watching Steve watching him. It’s a lot for Steve too, the wet warmth of Eddie’s mouth, one swirl of his tongue almost makes Steve’s knees buckle. 

Something comes over him, he presses his finger down just slightly, feeling Eddie’s tongue curl around the tip. It elicits a soft noise from Eddie that sends heat thrumming all through Steve. Eddie’s eyes flutter open, brows turned upwards and mouth in a plush little O around Steve’s finger, looking up at him through dark lashes, a dot of flour on his nose. The sight makes Steve’s breath catch in his throat. It’s fucking cute and hot.

Steve has to swallow his own noise when Eddie pulls off. 

“Yeah,” he breathes out, a slight grin on his lips, “Really good.” 

Steve’s about to do something crazy, put his finger back in Eddie’s mouth, maybe more than one this time, or just his lips on Eddie's, maybe even slip his tongue inside instead of his fingers, lick all that sweetness away until he just tastes Eddie, something— but a sudden loud knock on the door has him dropping his hand like it’s made of cement.

It’s Max, wanting to know why Steve ditched her for Eddie. She comes inside to ‘help’ which means she leans against the counter, talks about her day, complains, teases Steve and makes fun of Eddie for being demoted to dish duty. 

Steve puts the cake in the oven and focuses on cleaning and composing himself. He can feel Eddie trying to meet his gaze, trying to see if Steve's going to freak out on him after that. Once Steve can look at him without feeling like he’s going to burst into flames, he gives Eddie a small reassuring smile, even throws him a wink when Max isn’t looking. Eddie gives him a smile back.

And later, after Wayne comes home and they sing happy birthday and eat the cake that Steve insists Eddie helped him with— Just the tasting part, Steve says and revels in how Eddie covers a blush with his hair— and after they walk Max home, Steve pulls Eddie behind the trailer and kisses him until he doesn’t taste like cake anymore.

for the prompts "You heard me. Take. It. Off." and "Stop laughing at me" for @highkingpenny and anon, thank you and I hope you enjoy this!!

[total-drama-brainrot]

been thinking about assistant!noah using malicious compliance to get out of singing.

[televisionlassie]

It’s so funny that speedsters are some of the most powerful beings in the universe but are also just regular people. Like, they pay taxes.

[crow-caller]

started playing fallen london cause of your blog and i absolutely love it! Thank u :)

Excellent!!! If I have any power, let it be used to get people to play fallen london and its related games (sunless seas, sunless skies = Survival exploration, mask of the rose = visual novel)

[privateolives]

This is probably because I grew up watching 24/7 animal planet, but what finally made the allo/aplatonic thing click for me were the nature's of big cats.

Lions are powerful, regal creatures who are uniquely adapted to pack life. They need these connections to live a healthy life; A lonely lion is a miserable creature indeed.

Jaguars are solitary, beautiful creatures who live happily solitary. They prowl their lush world with self-sufficient majesty. A jaguar is not lonely without a pack. In fact, forcing jaguars to share space with others they do not enjoy is just as damaging as forcing a lion to live alone.

A lion may choose to head out on it's own for the most part, but in the end must return to the pack to thrive. A jaguar can choose to trust and enjoy the company of others, but they never feel the need to form a pack.

Is a jaguar selfish for this? A psychopath, a narcissist or any other such horrid assumptions? Is it a less moral creature than a lion, who seeks others like it to thrive?

Is a lion pathetic, or needy, or selfish for wanting community? For requiring contact with others like they require water? For their inherent need to string complicated webs of relationships that may seem silly or dramatic to others?

Of course not. These are ridiculous questions to even ask.

They are simply lions and jaguars.

In fact, is a jaguar that chooses to spend time with you not as magical as a lion's love? For a creature that needs no bond to thrive to still enjoy your presence enough to share it a time? Is a lion who can prowl the night alone not impressive in its strength and resilience? Is it not awe-inspiring in its ability to conquer a life it was never wired for and reign still?

Are they not both beautiful and awe-inspiring in their own ways, without being wrong?

Alloplatonics. Aplatonics. Are we not both special and beautiful in both our bonds and self-confident happiness equal, in each our ways? Is there not unique beauty in lifelong bonded packs and magical encounters that need no perpetuity to carry life forward?

Are we not but lions and jaguars? Neither wrong, neither selfish, but just different and beautiful creatures in each our ways?

That's how I've come to see it, anyway.