#Terminal Base

[nexuscopperpvtltd]

Aerial Rod, Multiple Point, Terminal Base

Aerial Rod

Introduction:

In the realm of electrical engineering and power distribution, precision and reliability are paramount. As technology advances and demands grow, innovative solutions emerge to address the evolving needs of the industry. Among these solutions, aerial rods stand out as essential components ensuring the safety and efficiency of overhead power lines. In this article, we delve into the significance of aerial rods and highlight the pioneering efforts of Nexus Copper Pvt. Ltd in shaping the future of this vital sector.

Understanding Aerial Rods:

Aerial rods, also known as line rods or pole line hardware, play a crucial role in supporting overhead power lines. These cylindrical rods are typically made of materials such as copper, aluminum, or steel, chosen for their durability and conductivity. Mounted atop utility poles, aerial rods serve multiple purposes, including:

Electrical Insulation: Aerial rods prevent electrical current from escaping into the atmosphere or coming into contact with surrounding objects, thereby reducing the risk of electrical hazards and enhancing safety.

Mechanical Support: These rods support the weight of overhead power lines, ensuring they remain taut and stable even under adverse weather conditions such as strong winds or heavy snowfall.

Lightning Protection: Aerial rods dissipate the energy from lightning strikes, minimizing damage to power lines and associated equipment while safeguarding personnel and nearby structures.

The Role of Nexus Copper Pvt. Ltd:

Nexus Copper Pvt. Ltd has emerged as a trailblazer in the manufacturing and supply of high-quality aerial rods, setting industry standards through its commitment to excellence and innovation. With state-of-the-art facilities and a team of skilled professionals,Nexus Copper Pvt. Ltd excels in producing aerial rods that meet stringent quality specifications and exceed customer expectations.

Key Features of Nexus Copper Aerial Rods:

Premium Materials: Nexus Copper utilizes premium-grade materials sourced from reputable suppliers, ensuring superior durability, conductivity, and corrosion resistance in its aerial rods.

Precision Engineering: Each aerial rod undergoes meticulous manufacturing processes, including forging, machining, and surface treatment, to achieve precise dimensions and optimal performance.

Stringent Quality Control: Nexus Copper implements rigorous quality control measures at every stage of production, adhering to international standards and certifications to guarantee the reliability and safety of its aerial rods.

Customization Options: Recognizing the diverse requirements of its clientele, Nexus Copper offers customizable solutions tailored to specific project needs, including variations in size, material composition, and surface finish.

 Innovation and Sustainability:

In addition to its focus on product quality,Nexus Copper Pvt. Ltd remains committed to driving innovation and sustainability across its operations. By investing in research and development, the company continuously explores new materials, manufacturing techniques, and product designs to enhance performance while minimizing environmental impact.

Furthermore,Nexus Copper Pvt. Ltd embraces sustainable practices throughout its supply chain, prioritizing resource efficiency, waste reduction, and responsible sourcing. By adopting eco-friendly processes and promoting recycling initiatives, the company contributes to the preservation of natural resources and the mitigation of climate change.

Conclusion:

As the demand for reliable and efficient power transmission continues to rise, the role of aerial rods in ensuring the integrity and safety of overhead power lines becomes increasingly vital. Nexus Copper Pvt. Ltd stands at the forefront of this dynamic industry, delivering premium-quality aerial rods that exemplify innovation, reliability, and sustainability. With its unwavering commitment to excellence, Nexus Copper reinforces its position as a trusted partner for electrical infrastructure projects worldwide, driving progress and prosperity in the realm of power distribution.

[fixing-bad-posts]

I guarantee kink is part of pride, we need kink at pride.

[wheneverfeasible]

Because I’m terrible and the plots won’t leave me alone, I’ve now got an idea based on this post about a demon who feasts on pain and suffering being a medical practitioner for the chronically and terminally ill and the patients fully loving it. And then my brain rot had to say “make it Steddie” because I’ve lost all control of my life.

—

cw: terminal illness, minor and major character death (with a happy ending tho)

But imagine it. Eddie is a demon, a low ranking one at that originally. He gets a job at a medical facility for the chronically/terminally ill. Over time at the happy and consensual feasting he really does become one of the strongest demons because he’s constantly fed to the brim and he even has human worshippers, not that they’re traditional worshippers.

No, his followers are little old senior citizens who slip him butterscotch candies and other sweets they’re not supposed to have, which technically count as offerings. They thank him for his work, because he does actually take care of their bodies as well and even listens to their life stories, which count as praise and worship. They love and are devoted to him and they bring in their friends and family who are suffering too and Eddie’s accidental cult grows.

One day, things change. A young man, an anomaly in his youth, is brought in by parents who no longer wish to be burdened by their disabled son. Steve just shrugs it off and moves in with a smile, seemingly fine with being abandoned by his parents because he dared to be anything other than perfectly healthy.

He puts around the facility in his terry cloth robe and slippers on some days, others he dresses up in polos and slacks or even jeans when he’s feeling more casual, and always with a smile on his face. He makes those around him smile and laugh too, and his cheeks get pinched and he’s slipped candies too and he listens to others’ stories and he seems happy and content.

But Eddie feeds on his pain and suffering all the same, knows that behind that smile is a young boy who was told he probably wouldn’t live to see 30, who listens to the older folks knowing he would never get to live a life like that. Eddie knows that sometimes Steve cries himself to sleep at night.

Over time, Eddie and Steve grow closer. Steve hadn’t believed that Eddie was a demon at first, had thought it all just a joke, until one night Mr. Wozniak was laying in his bed, and Steve hadn’t meant to overhear, but he was passing by and the door was cracked open.

“Will I go to Hell now?” Mr. Wozniak was asking, but he seems peaceful all the same, like the thought wasn’t the terrifying ordeal so many people thought it was.

“No, sweetheart,” Eddie was saying, but his voice sounds a little off, huskier, like…like brimstone sat in his throat. “I’ve never claimed your soul. It’s still your own. Go find Irena. She’s been waiting for you for too long.”

Irena, Steve knew from speaking with Mr. Wozniak, was his young wife who had died decades earlier.

“Will I get to see you again?”

Eddie’s long fingers reach out, his nails long and sharp, dark in a way that was not nail polish. He lightly and gently strokes the papery skin of Mr. Wozniak’s cheek. “You will be at peace. You will find the afterlife is so much more than this Good-vs-Evil rhetoric so popular in this plane of existence. Go in peace, my child, and should you wish it, perhaps one day we might meet again.”

Mr. Wozniak smiles at that, and he closes his eyes with a softly whispered, “Irena, I’m coming…”

A moment later, he was gone.

Steve watches as Eddie seems to grow smaller, appear more normal, and though he knows he should be terrified, he isn’t. Instead he continues on his way, letting the knowledge of more percolate in his brain, though by the next morning when news of Mr. Wozniak’s passing spreads and Eddie assures everyone that he passed away peacefully and in no pain, Steve knows Eddie speaks the truth and he realizes that nothing has changed. Eddie is still Eddie.

They continue to grow closer. He spends more time with Eddie, lets Eddie in fully on how much he hurts, and tells the demon that he wished things had been different and that they could have met under better circumstances.

Eddie tells him that he never enjoyed the taste of regret. It was far too bitter.

They fall in love, encouraged by their friends in the facility new and old, who don’t seem to care that he is a mortal with a short life expectancy and Eddie is an immortal demon lord. What is all that in the face of true love?

And then it happens, and Steve is the one lying in bed, knowing his time has come. He smiles up at Eddie and decides not to regret any of it, not wanting their final moments to be flavored with bitterness.

“Stevie,” Eddie whispers mournfully, and he’s beautiful. It’s not his full true form, but his eyes are a dark blood red, his teeth elongated into sharp fangs, and his pale skin veined with reds and blacks. Horns curl out from his curly hair.

“You said once that I get to be with my loved ones after this,” Steve says, still smiling, and he reaches up to cup Eddie’s jaw with a weakened hand. Eddie nods against him, and Steve wonders if all demons can cry, or if it’s just his. “Then take my soul, darling. It already belongs to you.”

Eddie flinches back, like Steve knew he would, because souls are not little things. Eddie had explained before, after everything, that he didn’t even actually deal in souls, that that wasn’t the sort of demon he was. Steve had asked if he could, on a technicality, and Eddie had paused because saying yes, any demon could, but souls were priceless. When you gave one up to a demon, you gave up everything. You would be theirs until the end of days. Eddie had said he wasn’t that sort of demon.

“Baby, no,” Eddie breathes now, shaking his head gently enough not to dislodge Steve’s hand. “You would be—”

“Yours,” Steve interrupts. “But I already am. You already own my heart. I now willingly give you my soul. All you have to do is accept it.”

And Eddie protests, at first, because Steve is giving him complete control over him for eternity. Steve gives it freely with open arms, and in the end, Eddie can do nothing but accept it. He tells Steve that he doesn’t know if demons have souls or not, but his belongs to Steve just as assuredly as his own heart does.

Steve’s final mortal breath is gifted into Eddie’s crimson mouth, full of peace and love and the understanding that this thing between them will always beat eternal.

It turns out that, whether it was still unknown if all demons had souls, Eddie was the sort that does.

And it also turns out that, when you’re gifted a demon lord’s soul, you become a demon too.

Eddie’s cult ends soon after, disbanded into non-existence. In its place, however, rises a new one that worships not just one demon caretaker, but two as Eddie is soon joined by another with floppy brown hair and sparkling brown eyes that for once smiles without hidden pain. They take care of their charges, gently coax them into eternal rest when it’s their time, and together prove that true love is forever.

[solardrake]

Firefighter Airplane Dragon 👩‍🚒🛩️🌲

[rainbowinbeigeboots]

this one’s for the lisa frankenstein, chappell roan stans

[visenyaism]

i also watched got only after hotd and was shocked and angry for some reason at the fact a baratheon was king. called my brother at his work to complain about it because i couldnt believe it was real

literally unbelievably funny. what a surprise that must have been

[nolongerapileofashprobably]

So… are we gunna talk about this or…?

[rose-above-dark]

Would you guys be mad at me if I said the terminals from ultrakill were quickly becoming one of my favorite characters

[swan2swan]

People: "But--but he can't be that old, his age was revealed to only be sixty-five in Donald Starr's 2008 novel Crash Point, and reaffirmed in the 2012 Guide to the Jedi Order and Chronology of the Clone Wars guidebooks!"

Me: *pointing to medal on my SW Fan uniform* "Do you see this? This was awarded to me for surviving the Spaarti Clone Cylinder Retcon of 2002. Rushed clone production without yslamari was canonized, Kamino became the planet, and Boba Fett is now a clone. Note the Jaster Mereel pip. They awarded these back when retcons were truly upsetting. To children."

[ryuzxzombies]

don’t worry guys im sure he handled this like a mature adult and moved on with his life

[comicartarchive]

Terminator The Burning Earth TPB Cover by Alex Ross

[solardrake]

ive decided to rp as a mailman (mail dragon?) in an smp im in, so i turned my starter base into a post office 📬

[crystalblast]

Sparkstember - Terminal Jive

Ranking Sparks songs based on the reaction they get on karaoke night

Breaking: The karaoke council votes in favor of puppet boy !

[ruby-static]

This little dialogue is everything to me-

[potatobugz]

i have so so many thoughts about barracuda and my jsab headcanons bouncing around in my brain. please take these silly doodles

[m00n-pr1sm]

Amy Dunne Character Analysis

Disclaimer

This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.

Amy Elliott Dunne, the ever enigmatic dual protagonist- antagonist of Gone Girl is one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is, frankly, one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn, as well as perfectly portrayed by Rosamund Pike. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.

From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.

>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”

An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.

This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.

>“-I’d never really felt like a person, because I was always a product” (Book Quote)

Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.

>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)

This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. She entices both the characters and viewers of the film through her manufactured charisma and enchantment. However, we’ll see this dramatically backfire in her relationship with Nick, just you wait!

For now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.

I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.

>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)

In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.

>”You were an alienated teen and only Elizabeth Bennet understood you”

I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.

>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)

Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.

>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)

However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.

Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.

However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.

>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”

Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.

Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.

One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.

>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)

Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.

Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.

I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.

>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.

Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.

>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)

Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.

But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.

Conclusion

Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.

>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!