#Teri Yaad Poetry

[urdustoriespoint]

Teri Yaad Poetry-6

Teri Yaad Poetry-6 معلوم بھی ہے کہ یہ ممکن نہیں ہے مگر اِک آس سی رہتی ہے کہ تم یاد کرو گے  

[aashufta-sar]

Stop saying I can't live without you. say this instead:

اے میرے کھوئے ہوئے چین میرے دل کے قرار عمر یہ کیسے کٹے گی جو نہ پاؤں گا تجھے

[chandtarasblog]

گویا تمہاری یاد ہی میرا علاج یے

[his-heart-hymns]

Hey there. Keep whatever you're doing aside. Take a deep breath. Even if you're busy with everything, take care of yourself. Don't over think. Stay happy. And now tell me your favourite poetry. It can be in any language maybe Hindi or Urdu or English. Or tell me your favourite poetry in all the languages which you know. Thank you for being my mutual since the beginning of my Tumblr journey <3..

Hii.Thank you so much for your kind words! Taking a deep breath right now, and I hope you're doing the same.😊

English:

i carry your heart with me,i carry it in

my heart,i am never without it

anywhere i go you go,my dear;

and whatever is done by only me is your doing,my darling

i fear no fate,for you are my fate,my sweet

i want no world,for beautiful you are my world,my true

and it’s you are whatever a moon has always meant

and whatever a sun will always sing is you

here is the deepest secret nobody knows

here is the root of the root and the bud of the bud

and the sky of the sky of a tree called life;which grows

higher than soul can hope or mind can hide

and this is the wonder that's keeping the stars apart

i carry your heart,i carry it in my heart.

-By E.E.CUMMINGS

Urdu/hindi:

Raat yun dil mein teri, khoyi hui yaad aayi

Jaise viraane mein chupke se bahaar aa jaye

Jaise sahraon mein haule se chale baad-ae-naseem

Jaise bimaar ko be-wajaah quraar aa jaaye

-BY FAIZ AHMED FAIZ.

Last night your faded memory came to me

As in the wilderness spring comes quietly,

As, slowly, in the desert, moves the breeze,

As, to a sick man, without cause, comes peace.

You're welcome 😊

[blogbyameera]

What is your favourite poetry and why?

" Iss qadr pyaar se ae jaan e jahan rakha hai dil ke rukhsar pe iss waqt teri yaad ne hath "

This few lines from Faiz Ahmed Faiz's poetry " Yaad " is my fav , because it reminds me of my baba <'3

[aakhripaigham]

Khaled Nabhan, the soul of our soul, is martyred. 💔

May Allah have mercy on Khaled Nabhan and reunite him with the soul of his soul, Reem in the highest level of Paradise. Aameen 🤲

Zindagaani Thi Teri Mehtaab Se Tabinda Tar Khoob Tar Tha Subah Ke Tare Se Bhi Tera Safar

Life was made brighter by your moonlight. Your journey was also made better by the morning star.

Misl-e-Aewan-e-Sehar Marqad Furozan Ho Tera Noor Se Maamoor Ye Khaki Shabisan Ho Tera

Like the halls of the dawn, may your grave be radiant! May your dusty sleeping chamber be filled with light!

Asman Teri Lehad Par Shabnam Afshani Kare Sabza-e-Nourasta Iss Ghar Ki Nighebani Kare

May the sky shed its dew upon your grave! May the freshly grown verdure watch over your home!

زندگانی تھی تری مہتاب سے تابندہ تر خوب تر تھا صبح کے تارے سے بھی تیرا سفر مثلِ ایوانِ سحَ�� مرقد فرُوزاں ہو ترا نُور سے معمور یہ خاکی شبستاں ہو ترا آسماں تیری لحَد پر شبنم افشانی کرے سبزۂ نَورُستہ اس گھر کی نگہبانی کرے

(Bang-e-Dra-139) Walida Marhooma Ki Yaad Mein - والدہ مرحومہ کی یاد میں

Iqbaliyat #Islam #Poetry #SadNews #AllamaIqbal #Muslims #Ummah #Millat #FreePalestine #KhaledNabhan #Palestine

[drmaqazi]

LISTEN TO VIDEO OF YOUR CHOICE, FROM THE LINKS GIVEN BELOW,

ISSUED BY SUPPORTERS OF HIS EXCELLENCY IMRAN KHAN, FUTURE PRIME MINISTER OF PAKISTAN, AND CHAIRMAN OF PAKISTAN TEHRIK-E-INSAF

Yeh Sabb Tumhaaraa Karam hai Aaqaa, Abida Parveen, Coke Studio, A Modern Version  Dedicated to His Excellency, IMRAN KHAN, Future Prime Minister of Islamic Republic of Pakistan, In shaa Allah!

Dedicated to His Excellency, Imran Khan, Who is Unique and One of a Kind, by the Grace of Allah Subhanahu wa Ta’ala, Future Prime His Excellency, Imran Khan, Future Prime Minister of Islamic Republic of Pakistan

ShameFerozaan

__________________

Tum Jahaan Jaaoge, Mohammad Rafi, Chore Darwaazah (1965), Music Frank, Lyricist Kafil Azar

Addressed to all those hypocrite politicians, who are leaving PTI and His Excellency, Imran Khan, Future Prime Minister of Islamic Republic of Pakistan, due to specific reasons best known to them alone.

____________________________________________

Dedicated to His Excellency, Imran Khan, Who is Unique and One of a Kind, by the Grace of Allah Subhanahu wa Ta’ala, Future Prime His Excellency, Imran Khan, Future Prime Minister of Islamic Republic of Pakistan, due to specific reasons best known to them alone.

____________________________________________

Dedicated to His Excellency, Imran Khan, Who is Unique and One of a Kind, by the Grace of Allah Subhanahu wa Ta’ala, Future Prime His Excellency, Imran Khan, Future Prime Minister of Islamic Republic of Pakistan

Kithe Mehr Ali Kithe Teri Sanaa

Heart Touching Lines by his favorite Ustad Nusrat Fateh Ali Khan written by Peer Mehr Ali Shah

______________

A MESSAGE FROM HIS EXCELLENCY IMRAN KHAN, FUTURE PRIME MINISTER OF NEW PAKISTAN (NAYAA PAKISTAN) TO ALL THOSE CORRUPT RULERS OF SO-CALLED ISLAMIC REPUBLIC OF PAKISTAN

Hukmraan Ho Gayay Kameenay Log, Habib Jalib

_________________

A MESSAGE TO ALL THOSE WHO ARE DOWNGRADING H. E. IMRAN KHAN, FUTURE PRIMIE MINISTER OF PAKISTAN, In shaa Allah!

ANOTHER MESSAGE TO ALL THOSE WHO ARE DOWNGRADING H. E. IMRAN KHAN, FUTURE PRIMIE MINISTER OF PAKISTAN, In shaa Allah!

yaad karoge yaad karoge ik din hammko yaad karoge

Kithey Mehr Ali Kithey Teri Sanaa | Abida Parveen | complete official full version | OSA Worldwide

Main Baghi Hoon, Main Baghi Hoon - Imran Khan - PTI - میںباغیہوں

DEDICATED TO H. E. IMRAN KHAN, FUTURE PRIME MINISTER OF ISLAMIC REPUBLIC OF. PAKISTAN, In shaa Allah!

____________

Khudi Ka Sirre Nihan La Ilaha Illallah | With Eng Subtitles | Legend Iqbal Writes |

___________________________________________

Dedicated to His Excellency, Imran Khan, Who is Unique and One of a Kind, by the Grace of Allah Subhanahu wa Ta’ala, Future Prime His Excellency, Imran Khan, Future Prime Minister of Islamic Republic of Pakistan

ShameFerozaan

Ayat Shifa - The Healing Verses - اياتالشفاء

___________________________________________

WHAT DOES IMRAN KHAN MEAN BY LAA ILAAHA ILLALLAH?

Khudi kaa sirre nihaan | Nusrat Fateh Ali Khan

________________

Two Moustaches | Chamak | Ad | May 2022

2:28

Hum Dekhenge | Faiz Ahm

ad Faiz | Full Official Music Video

Hum Dekhenge | Faiz Ahmad Faiz | Full Official Music Video

__________

Main To Anwaar E Nabee Hoon - Habib Painter Qawwal, My favorite as long as I remember

________________________

New Miraj Naat | Ko’ee Hadd Hai Unke Urooj Kee | Muhammad Junaid | 2022

Aayaa hai bulaawaa mujhe Darbaar e nab se, Na’at by Awais Raza Qadri

1:45

Andaaz-E-Bayaan Poetry

Jab koi Payar mein hara ho gay | Urdu Shayari | Poetry In Urdu | Urdu Ghazal | Urdu Poetry

1:11

_________________—-__________________________________________________

https://www.youtube.com/watch?v=QmkmPp26LpA&t=31s ></div>

Jiss Desh Ki kort Kacheri Main Insaaf takon parr biktaa ho | Faiz Ahmed Faiz | Urdu Poetry Dastan e Ishq

_________________________________________________________

Kalaam e Iqbal Status | Agar Cheh Butt Hain Jamaa’at Kee Aasteenon Main | Mujhay Hai Hukm-e Azan, Laa Ilaaha IllAllah

Allamah Sir. Dr. Muhammad Iqbal, Rahmatullahi ilaihi

_______________

Is Shamm-e Ferozaan Ko | In Aankhon Kee Master Ke 

Slowed +Reverb| In Aakhon ki master ke

___________________

LEST YOU FORGET H. E. IMRAN KHAN, CHAIRMAN, PAKISTAN TEHREEK-E-INSAF (PTI), FUTURE PRIME MINISTER OF ISLAMIC REPUBLIC OF PAKISTAN, In shaa Allah!

__________________________________

\

Too Jhukaa Jabb Ghair Ke Aagay Nah Mann Teraa Nah Tann | 

Bal-e-Jibril: 27 | Allama Iqbal Poetry | Urdu Poetry | 

Allamah Sir Dr. Muhammad Iqbal, Rahmatullahi ilaihi

_________________

Diyaar-e-Ishq Main Apnea Maqaam Paidaa Karr | 

Javed Ke Naam | Kalam-e-Iqbal | Allamah Iqbal Poetry urdu

Allamah Sir Dr. Muhammad Iqbal, Rahmatullahi ilaihi

___________

Lest you forget about New Pakistan Tehreek-e-Insaf (PTI), the Largest Political Party in Pakistan Founded by H.E. Imran Khan, the Future Prime Pinister of of the Islamic Republic of Pakistan, made by the Grace of Allah (Subhanahu wa Ta’ala), In shaa Allah

[emotionsunbound]

Fir Teri Yaad Bhi Gayi | Jaun Elia Urdu Poetry

Of all the poems by Jaun Elia, these few lines touched me the most.

[sumareddysblog]

Love's loving Roses

He:My Love,teri yaad mein likhta hoon,Rose day pe kuch shayari ka silsila chalata hoon.Gulab ki khushbu, teri muskurahat jaisi hai,Dil mein basi hai, teri yaadon ki baarish hai.Tere chehre pe khilte hain gulab ke phool,Dil mein basi hai teri mohabbat ka rang bhool.Rose day pe yeh dua hai meri,Khush raho hamesha, khilte raho phoolon ki tarah.Love, yeh poetry teri yaad mein likhi hai,Rose day pe…

[blue-stars12]

آئے کچھ ابر کچھ شراب آئے

اس کے بعد آئے جو عذاب آئے

بام مینا سے ماہتاب اترے

دست ساقی میں آفتاب آئے

ہر رگ خوں میں پھر چراغاں ہو

سامنے پھر وہ بے نقاب آئے

عمر کے ہر ورق پہ دل کی نظر

تیری مہر و وفا کے باب آئے

کر رہا تھا غم جہاں کا حساب

آج تم یاد بے حساب آئے

نہ گئی تیرے غم کی سرداری

دل میں یوں روز انقلاب آئے

جل اٹھے بزم غیر کے در و بام

جب بھی ہم خانماں خراب آئے

اس طرح اپنی خامشی گونجی

گویا ہر سمت سے جواب آئے

فیضؔ تھی راہ سر بسر منزل

ہم جہاں پہنچے کامیاب آئے

[waqqar79]

ایک مدت سے تری یاد بھی آئی نہ ہمیں اور ہم بھول گئے ہوں تجھے ایسا بھی نہیں

[theblackforesttime]

Har Shaam Teri Yaad Mein | Hindi Shayari | Theblackforest Time #harshaamteriyaadmeinshayari #rohitkhare #theblackforesttime #yqquotes #storyteller #instaquote #lovequotes Read my thoughts on @YourQuoteApp #yourquote #quote #stories #qotd #quoteoftheday #wordporn #quotestagram #wordswag #wordsofwisdom #inspirationalquotes #writeaway #thoughts #poetry #instawriters #writersofinstagram #writersofig #writersofindia #igwriters #igwritersclub❤❤ (at Indore, India) https://www.instagram.com/p/CQ0yIxgMNc-/?utm_medium=tumblr

[untoldsposts]

Mere Be-rabt Khyalaat Me Kya Rakha Hai... Main To Pagal Hoon Meri Zaat Me Kya Rakha Hai... Baandh Rakha Hai Teri Yaad Ne Maaji Se Mujhe... Warna Guzre Hue Lamhaat Me Kya Rakha Hai... Meri Takmeel Teri Zaat Se Hi Mumkeen Hai.. Tu Alag Hai To Meri Zaat Me Kya Rakha Hai. Har Janam Sath Nibhao To Koi Baat Bane.. Warna Chand Lamho Ke Mulakat Me Kya Rakha Hai. . Follow for more👉 @khanzaada_adil Follow for more👉 @khanzaada_adil Follow for more👉 @khanzaada_adil #urdupoetry #loveyourself #positivevibes #poetry #india #love #pyaar❤️ #likeforlikes #likemyposts❤️ #100likes (at Siwan) https://www.instagram.com/p/CC6Uy9HAkAx/?igshid=1a9kkpv2kqlts

[shankarjaikishanfansassnintl]

30 June Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary

By

Siraj Syed

Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary 30 June 1928-24 August 2000

From sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72.

Born in Kundrodi village of the Mundra taluka in Kutchh, the brothers grew up in Mumbai, where their father ran a food-grain store. Inclined more towards music than academics, they developed the self-taught ability to play a host of instruments, and formed part of school bands. By 1944-45, the teenager siblings had started playing in film song recordings. Big brother set up his own band in 1950, calling it Kalyanji and Party, with Purshottam Upadhyaya singing ‘Too mera chaand maen teree chaandnee’, the super-hit Naushad tune from Dillagi, to thunderous encores. The band performed in Bombay and in other nearby towns. For a while, the businessman in him did surface, and Kalyanji started a tailoring shop in partnership with a friend. Destiny, however, ensured that the shop did not prosper, drawing Kalyanji even closer to a world where a needle was something that played a gramophone record, not a device to stitch clothes with.

Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. 5,000 for the first film, Rs. 10,000 for the second…a recurring Rs. 5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made.

The K-A success story begins with Kalyanji’s kingly debut, Samrat Chandragupta. ‘Chahe paas ho’ is a touching lyric, with a tinge of sadness, as is the next number, ‘Door kahin tu chal’, another Rafi-Lata duet, from Bedard Zamana Kya Jaane, both penned by Bharat Vyas. With a title like Madari, there had to be a snake-charmer and his been in play, and the theme track, penned by Faruk Kaiser and rendered by Lata and Mukesh, indeed provided flashbacks of the legendary Kalyanji patent. Soon after he wrote his first song for them in Chandrasena, Gulshan Bawra penned a real gem in Satta Bazar, and this time the brothers invited their mentor Hemant Kumar to join Lata in the recording room, with amazing results. Who can forget ‘Tumhe yaad hoga’? Not yet the He Man he was to become in his later years, Dharmendra in Dil Bhi Tera Hum Bhi Tere was emoting to Mukesh’s emotion-charged playback, rendering Shamim Jaipuri’s rich poetry. Graduating from smaller set-ups into a Raj Kapoor vehicle, K-A hit big time in Chhalia. Nonsensical verse from a sensible writer, Qamar Jalalabadi, ‘Dum dum diga diga’, with Mukesh providing playback to Raj’s on-screen antics, set the aisles afire.

Soon, they were signed to compose for Mehndi Lagi Mere Haath, a Shashi Kapoor starrer, and Bluff Master. Both films enjoyed reasonable success and the music went around too. In Bluff Master, we find the rare phenomenon of four voices being used for the same actor: Mukesh, Hemant Kumar, Shamshad Begum (Shammi Kapoor in drag) and Rafi. It was Rafi who immortalised ‘Govinda ala re’ and sang the duet ‘Husn chala kuchh aisi chal’ with Lata. Anand Bakhshi wrote inspired lyrics for Phool Bane Angaare, and Mukesh, as usual, delivered them with consummate artistry. By 1964, K-A were in the Premier League. That very year, they came up with such melodious tracks as the lilting ‘Humsafar mere humsafar’ (Purnima), where they teamed up with Gulzar, a rarity, and the two Mukesh solos from Ji Chahta Hai and Himalaya Ki God Mein. The former was written by Majrooh, not a K-A regular. Another infrequent teaming worked very well, as Hasrat Jaipuri wrote and Rafi sang in great style, ‘Dil beqarar sa hai’ (Ji Chahta Hai). Melodious, hummable and catchy. A ghazal on Shammi Kapoor with Bakhshi writing and Rafi singing may not be a common occurrence, but just savour ‘Teri zulfen pareshan’ (Preet Na Jane Reet). Staying with Mukesh on Shashi, after MLMH, the duo came up with a moody duet in Juari, ‘Humsafar ab yeh safar kat jayega’. If there was still any doubt about the standing of the duo in the rankings, Jab Jab Phool Khile laid to rest all criticism. Every track was heard everywhere. The songs had it all: pathos, fun, longing, depression, pep. For both K-A and Anand Bakhshi, the success of JJPK was to remain a milestone forever.

Rafi provided playback for debutant Rajesh Khanna in the theme song of his debut vehicle, Raaz, re-uniting K-A with Shamim Jaipuri, producing haunting results. Indeevar’s lyrics sang of cruel fate in Dil Ne Pukara, and who better to voice them than Mukesh, as ‘Waqt karta jo wafa’. In the same vein was the Suhag Raat lament, ‘Khush raho’. Manna De came in to give playback for Pran in Upkar and Zanjeer, rendering two of his most acclaimed numbers. It took the duo 19 hours to record ‘Mere desh ki dharti’, the patriotic anthem of Upkar. Saraswatichandra, based on a literary classic, needed the linguistic mastery of Indeevar to weave in the songs, and the author of ‘Kasme vaade pyar vafa’ made it count. Filmfare awarded the duo for the best music of the year. It was still pristine K-A, full of melody, working with Lata and Mukesh. Another award followed some years later, for Kora Kagaz, which had a pathos-laden title-track in the voice of Kishore. Not many might realise, but K-A used Kishore Kumar for the first time in the 1968 film Suhag Raat, singing a sad song, a full decade after the duo had started their career. A comic song was rendered by Manna De while Mukesh was called-upon to put across the other sad lyric.

Only Rafi could have set swinging mood for Shashi Kapoor to gyrate on screen in ‘Nain milakar chaen churana’ (Aamne Saamne). Rafi for Shashi it was again in Ek Shriman Ek Shrimati and Raja Saab. Part of the female vocals in Raja Saab came from Suman Kalyanpur. Suman had sung for K-A in MLMH and JJPK too, and was to partner Manhar in his first hit number in Vishwas. Giving Hemlata her break in the same film, K-A paired her with good-old friend Mukesh. Soon, the duo was to show its preference for rotating the strike, training and honing a host of budding singing talent, while reverting to the established names with equal regularity. Like a lot of extremely popular Mahendra-Manoj Kumar, Kishore-Amitabh Bachchan and Kishore-Rajesh Khanna outings. Incidentally, K-A took three days to record the back-ground score of Suhaag Raat, while they needed a whole month for Purab Aur Paschim. For the ‘Om jai Jagdeesh Hare’ bhajan of PAP, the composers used 50 chorus singers to get the effect normally created by violins. They called it human resonance. Delay (natural echo) was the highlight of ‘Mere mitwa’ (Geet). The child-like double speed of ‘Na sun sun sun bura’ (Priya) was simply achieved by recording on spool-tape at a particular speed and playing it back at double the speed. Most of their work was done at the Famous, Tardeo, recording studio.

There is Rafi, and not Kishore, for Rajesh Khanna, oozing sensuality as only he could, in Chhoti Bahu: ‘Yeh raat hai pyasi pyasi’, echoing musician hero Rajendra Kumar’s heart-rending call in Geet and charting a romantic route for Dharmendra in Kab Kyon Aur Kahan? He also offers love lessons in Upaasna; in the Haath Ki Safai duet, he makes a solemn promise of eternal love; and he goes on Dilip Kumar for the intoxicating ‘Peete peete’ duet with Asha Bhosle in Bairaag. As Western as it gets is the rare title chorus ‘Pretty pretty Priya’ (Priya) and as Sanskritised as it can get is the Kishore hilarity ‘Priye praneshwari’ (Hum Tum Aur Woh). Kalyanji-Anandji made Shatrughan Sinha sing in Kashmakash, Amitabh Bachchan in Laawaris and Anil Kapoor in Chameli Ki Shaadi. They also gave ample opportunities to the emerging talent of 70s’ generation, as you can sample on the Shailendra Singh, Suresh Wadkar, Anwar, Alka Yagnik and Kanchan tracks.

Known for their hundreds of stage performances, in India and abroad, both brothers also enjoyed a sturdy reputation as funsters, with a joke for every occasion and a keen sense of self-deprecating humour. They once famously described themselves as medical practitioners. “We offer all lines of treatment. If some producer approaches us with symptoms that demand a classical approach, we recommend the Ayurvedic style of medicine: Slow, but efficacious in the long-term. On the other hand, if some film-maker wants to experiment with the musical score of his film, we suggest Homoeopathic type of tunes: May work, may not. Some element of risk is involved. If, however, he wants the juke-boxes to jingle and listeners to start singing along instantaneously, we churn out Allopathic compositions: Like injections, they have instant, strong effect, but the effect may wear out sooner.” Music, along with laughter, is the best medicine known to mankind. Kalyanji-Anandji have already issued a statutory warning to your troubles to keep away, for there’s no place for them, ‘Mere angne men tumhara kya kaam hae?’

[virtualciti]

View this post on Instagram

A post shared by Vineet Raj Kapoor (@right.where.the.heart.is)

मुझे तुम्हारी ताक़ीद याद थी के न पी राज़ इसलिए पी के तुझे तेरी नफ़रत रोक लेगी MUJHE TUMHARI TAQEED YAAD THI KE N PEE RAAZ ISILIYE PEE, KE TUJHE TERI NAFRAT ROQ LEGI I DID NEVER FORGET YOUR WARNINGS NOT TO DRINK SO I DRANK, IN HOP E THAT YOUR HATRED STOPS YOU #hate #hatred #alcohol #drank #drunk #warnings #brokenheart #heartbreak #heartbrokenclub #lover #poet #poetry #sher #shayar #shayari #shayri #ghazal #couplet #urduslam #urduadab #poetryslam #sadpoetry #sadshayari #punjabipoetry #punjabishayari #depressed #depression #overthink #overthinker #overthinking (at Chandigarh, India) https://www.instagram.com/p/CCoDW7-gv3s/?igshid=1ja7puv72vino