#Telephone/WA

[sheprd]

i know this sounds like an absolutely insane mix of breeds, but i will always vouch for this program. these dogs come from long, traceable pedigrees of health tested dogs with amazingly stable and easy temperaments despite what their makeups may lead you to believe

theyre a bit quirky, because theyre a lot more primitive than an average dog. they dont act like your typical retriever or herder, but theyre very easy to raise. source; i own one!

dog that basically makes my brain do a wordless soundsless questionmark graphic

[oddphotos362]

[dirtyvulture]

Envy and Venom - Part 3

Heiress!Natasha Romanoff x CEO!Beefy!Fem!Reader

18+ only, read at your own risk

Summary: You are the notorious playboy who just inherited one of the biggest tech companies in the world. Your first move? Sleeping with the heiress of your rival company.

Word count: 4990

AN: Y'all are getting fed with this one. Have fun. :)

Click here for Part 2!

Thanks to @mostlymarvelsstuff for helping with some Russian translations lol.

DAY 34

“Do you have everything ready? Your presentation, your notes?” your dad asks.

“Yes, yes,” you tell him for what feels like the thousandth time. 

“This is where the comeback starts,” your dad says, and sometimes you wish he would just claim back his title. You were sick and tired of his coaching, even if you needed it a little bit. But if Envy Industries had gotten into this mess because of you, then you were the only person who could get them out of it. “I know I can’t be there in person–”

“I know, I know,” you dismiss. You were well aware of his vacation plans to the Maldives with his new girlfriend. Besides Envy, it was the only thing he wanted to talk about nowadays. But you still didn’t even know her name, and were certain he’d find a new one before the end of his trip.

“Tony will be there with you, right? He’ll keep you on track,” your dad continues, inching into sensitive territory now. Even though he denied it every time you confronted him, you knew he was always worried about you stepping into the CEO role because you were a woman. Hearing the doubts from the public and the competition hardly bothered you, but from your own father, it was like a punch to the face. Especially when you were not exactly proving him wrong given how things had played out since your first day.

“Who cares if Tony is there or not?” you snap, losing your patience. “He’s not the one giving the presentation. He’ll just be standing behind the curtain, stealing all the free merch, and–”

“Okay, that’s enough,” your dad cuts you off. “I want you to call me again tomorrow. We’ll run over your presentation again–”

“I’ll think about it.” You slam the handset on the receiver, a satisfying motion that could not be accomplished with modern telephonic devices. You try not to give the upcoming presentation any more thought–it was already stressing you out enough. Maybe an hour in the gym would take your mind off things. 

Your decision made, you step away from your desk to your private walk-in closet, rifling through the selection of workout clothes hanging there. All of them were custom-cut to your exact body dimensions to ensure the best fit and look. Although you were no professional athlete, you treated yourself as if you were one (and you certainly looked the part). 

But right now, you couldn’t care less what you looked like or what you were wearing as you grabbed the first set of clothes you could reach, slipping them on and grabbing your Louis Vuitton gym bag, monogrammed with your initials. You lightly jog out of your office, moving fast enough that people will think you’re in a rush and not stop you. The gym is on the tenth floor of the building, and because it’s just after lunch, most people are back at their desks. But you set your own schedule, so you’re happy to find that it isn’t too crowded and you quickly get warmed up before you start lifting.

In between sets, you check your phone, a bad habit that doesn’t exist when you’re with your training coach, but he’s not around to scold you, so you can do as you please. In the tracking app, Natasha’s red dot blinks in the Upper West Side of Manhattan, hardly three miles away from your current location in Envy Industries. 

She was hanging out at Black Widow Corporation headquarters, just where you expected her to be. She had an unsurprisingly predictable schedule, splitting her time just between work and home, which you discovered was in an apartment just a few blocks down the street from yours. You wonder if she lived on her own or with her father, who was likely paying for her housing either way. 

Natasha was not quite the self-made woman that you were. Her work was significantly more behind the scenes, which was one reason why you had never heard of her before. Alexei Shostakov was the only name you associated with Black Widow Corp. But you had done your own digging on her and her family the past few days. There was frustratingly little about Natasha and you were ready to hire a private investigator due to your lack of results. 

All you had learned was that she had graduated magna cum laude from Virginia Tech with a degree in economics, where she also held a brief internship at the university’s infamous Gamma Lab before it was shut down after the sudden death of its lead researcher. You assumed she had gone immediately to work for Black Widow Corp after her graduation; there was no other work history for her anywhere. No social media, no public interviews. This woman fascinated you more and more. 

After a final set of deadlifts, you re-rack all the weights because you’re not that much of a heathen and check your phone again. Natasha is no longer at Black Widow Corp, her red dot moving steadily through 86th Street that cut through Central Park. Your heart rate jumps, and not because of your workout. You sit down on a bench to steady yourself, watching as the red dot continues through Central Park. When she turns right on Park Avenue, you know exactly where she’s heading.

Hopefully you could intercept her first.

***********************************************************************

“Where are you going?” 

Natasha curses under her breath as she turns around to see Yelena standing in the lobby, her arms crossed over her chest like a scorned mother catching her child sneaking out of the house.

“What?” Natasha rounds on her sister, annoyed that she’s been watching her like a hawk.

“The board of directors meeting starts in seven minutes,” Yelena says, and Natasha curses under her breath because she forgot all about that.

“Dad can handle it without me,” Natasha replies, eager to get the heat off of her as soon as she can.

“They’ll be talking about CES,” Yelena reminds her, referencing the important annual show where the biggest tech companies came together in Vegas to reveal their newest inventions and products.

“You’re not going to CES,” Natasha points out, surprised her sister even knows its proper name. Since the company was going to fall on her shoulders once their father stepped down, Natasha had spent almost the entirety of her adult life learning, training, and breathing business and technology. Yelena had been able to pursue her own hopes and dreams, starting in the private security field until she had enough experience (and enough of Dad’s money) to start her own company. She was happy and thriving, something Natasha was endlessly jealous of.

Yelena had never experienced the pressure of managing billions of dollars in and out the door. She didn’t know what it was like to fight off every insecure man who couldn’t bear to do a business deal with a woman. She hadn’t spent hundreds of hours trying to learn coding languages and complicated mathematics and equations on her own. Yelena didn’t understand what Natasha had spared her from, and Natasha was afraid she would never be grateful for it.

“Yes, but you’re going to CES,” Yelena says.

“You’re not my babysitter,” Natasha snaps, turning away and marching towards the door. 

“You’re going to see her again, aren’t you?”

“What?” Natasha stops. “Who the hell are you talking about?”

“That CEO you’re in love with.”

“Excuse me?” But Natasha’s face is flaming red as she struts over to confront her sister. “I am not in love with anyone. You know that.”

“You seem to be spending an awful lot of time with that CEO.”

“No, I’m not.”

Yelena smirks. “I own a private security company, sestra. You don’t think I know my own sister’s whereabouts and who she’s with?”

Natasha’s heart sinks, but she tries not to let it show. “Why can’t you ever just mind your own fucking business?” she growls, immediately regretting the harshness of her words when she sees her sister’s face fall. But she’s too proud to take it back.

“I don’t think it’s safe if you keep seeing her,” Yelena says. “And you don’t know what it could do for the company–”

“Why do you care about the company so much all of a sudden?” Natasha counters. “Dad’s not giving it to you when he steps down.”

“I don’t want it,” Yelena replies, although she looks hurt. “But to be quite honest, I don’t like what it’s turning you into.”

“Which is what?”

“This!” Yelena waves her arms at Natasha frantically. “It’s always ‘Black Widow this, Black Widow that.’ You don’t have any hobbies anymore. You never eat dinner with the rest of the family. You don’t go out unless it’s to see that CEO–”

Natasha interrupts her with a huff. “You wouldn’t understand, Yelena,” she says, trying a different approach and maintaining complete calm. “You can just stay holed up in your one-windowed office to spy on people and let the real adults go out in the real world and handle real shit.” With that, she spins on her heel and storms out of the building. 

***********************************************************************

“Why are you into shooting all of a sudden? Have you ever even held a gun before?” Tony asks, staring at you with a dropped jaw.

You shrug. “I need some new hobbies,” you lie.

“You’re not going to shoot someone with it, are you?” he half-jokes, his chuckle quickly dying up when you don’t laugh with him.

“No, of course not,” you mumble unconvincingly.

“Okay, well, when do you need the gun by?” he asks.

“How fast does Bucky work?”

Tony shrugs. “If I call him now, he can have one to me by the end of the day.”

“Okay.” The sooner the better, because it gave you less time to back out of your plan. “That works.”

“So, are we going big-game hunting in Africa this summer?” Tony asks, giving you a sharp nudge before starting his car.

“Maybe, maybe…” But you have a different target in mind.

The gun is surprisingly heavy, oily, and unfamiliar in your palm. Bucky had gone over the four “rules” of gun handling, which shocked you that he even knew:

Treat every gun like it was loaded

Don’t point it at something you aren’t willing to shoot.

Keep your finger off the trigger until you’re ready to shoot.

Be mindful of your target and what’s around it.

He had given you a full box of ammo for “good luck” too, before jumping back into his car and driving away faster than you could read his license plate.

Currently, you sit in the darkness of your apartment, weighing the gun in your hand. Your heart is beating so hard against your ribcage you swear you can hear it. 

You check your phone. Natasha’s just parked her car in the parking garage. It should only take her a few minutes to ride the elevator up. You hadn’t even bothered to change out of your workout clothes, worried that she would arrive at your apartment before you did, but you had just barely made it on time.

Her red dot blinks in place on your screen. She’s in the elevator.

Your eyes flit to the front door, the gun feeling even heavier in your hand. 

The seconds drag on. 

You hold your breath for as long as you can between inhalations, heart pounding, ears straining for any sound of movement outside your apartment door.

Beep, beep.

A key card–yours–registers at the door lock. The handle pushes down from the outside and you snap to attention. 

Don’t miss, you tell yourself.

The door parts open, almost hesitantly, like your uninvited intruder is suddenly unsure of themselves. In the darkness, you see a figure slip through the door and close it behind her. Her body shape gives her away immediately. The thick thighs in black jeans, the curve of her hips leading up to her narrow waist, the fullness of her bosom stretching out the tight shirt she’s wearing.

When Natasha steps into the light, she freezes when she sees you sitting at the kitchen table, gun cocked in her direction.

“It’s about time you showed up,” you greet. “Building security didn’t question you when you used my key card to get in?”

“Clearly not,” Natasha says, her stance tense and wary.

“Come sit down. We should talk,” you invite, gesturing with the gun and breaking Bucky’s rule number one. Natasha stiffly walks towards you, her face an impassive shadow. You’ve never seen her genuinely scared before and it delights you that for once, you have the upper hand on her. You kick out a chair and she sits next to you. 

“Didn’t expect this, did you?” you ask. “Probably thought you could just waltz right in here and steal more of my shit?”

“Y/N–”

“Shut the fuck up.” You’re tired of listening to her excuses. You rest the gun on the table. “Is Black Widow going to CES?”

“Yes,” she says. “Like we do every year–”

“Well, there’s going to be some changes this year,” you interrupt. “Get your phone out. Call your dad. Black Widow Corp is going to be a no-show this year.”

Natasha balks. “That…That won’t be possible.”

You pick the gun back up and point it at her, breaking rule number two. “Then make it possible.”

“You won’t shoot me.”

“You don’t think this is real?” You point the gun at the table. Rule number three. You pull the trigger. Rule number four. The gun bucks in your hand, the blast reverberating around your apartment with enough power to rattle your teeth. Natasha flinches even though you hadn’t aimed anywhere near her. “No one can hear us,” you say with a chuckle. “I had the apartment soundproofed years ago to stop the neighbors from complaining.” 

She stares at the gun.

“Take your phone out now. And call your dad.” You hope you don’t have to ask again.

With shaking hands, she finally obeys, placing her phone on the table. “Put it on speakerphone,” you demand. Natasha presses a few buttons and you hear the dial-up tone.

“Privet, doch',” Alexei booms.

“English,” you hiss.

“Hi, Dad,” Natasha says, side-eyeing you uncertainly. “We, uh…We need to talk about CES.”

“Good, I just got out of the meeting with the board–”

“Black Widow can’t show up this year.”

Alexei’s surprise is palpable. “What, Natasha? What are you talking about?”

“We need to call off our appearance,” she says, her voice shaking. “Just for this year. We’ll go again next year like we normally do–”

“What’s wrong with this year?” Alexei asks.

Natasha looks at you, her eyes begging. You shake the gun to remind her you’re serious. “I…uh…I don’t think our tech is ready for the show,” she says. “You know how disastrous it can be if we unveil something that isn’t completely ready.”

“But we’ve been working on Project Transformer for months, Natasha. It’s plenty ready–”

“No. Dad, please.” She grits her teeth. “I was looking through the code last night with the engineers. There’s a bug in the programming. It’s going to take at least a few weeks to smooth out. We can’t debut right now, Dad.”

Alexei curses in Russian. “Shit. The board really liked our presentation.”

“I know.”

“I wish you would have told me earlier.”

“I know,” Natasha repeats. “But we only just discovered it this week.” 

There is more silence, punctuated by Russian grumblings from Alexei. “Okay, okay. I’ll make a few calls. Too bad we’ll be losing out on our reservation fee too.”

“It’s a small price to pay.” Natasha’s eyes dart to you again. “Sorry for all the trouble, Dad.”

“Where are you?” Alexei asks. “We missed you at the meeting.”

“I’m out.”

“Will you come to dinner tonight?”

“Yes.”

“Good, good. Proshchay, dorogaya.”

“Bye, Dad.” Alexei hangs up first.

You slowly clap your hands. “Good girl. Was that so hard?” Your chest swells with pride at your achievement. Maybe now she would have more respect for you. You know she only saw you as a piece of meat. But you were much, much more than that.

“Fuck you,” Natasha spits.

“Oh, are we still doing that?” You put the gun down on the table, this time facing it away from her. You part your legs slightly, inviting her between them. Natasha glares at you with emerald daggered eyes. “Don’t be shy, baby,” you say, your voice deepening. “I got what I wanted today. It’s only fair you don’t leave here empty-handed too.”

Natasha shoots up and marches over to you. For a second, you think she’s going to hit you, but instead she straddles your lap and kisses you so hard you’re sure she’s bruised your lips. The ferocity is both frightening and arousing as she tears off your workout shirt and shorts. She palms at your left breast roughly, sinking her nails into your abs and dragging them down to your belly button. You groan into her mouth when she bites your bottom lip. She’s never been this aggressive with you before, but you know she’s taking out her frustration on you.

And you absolutely love it.

“Now that I’m done fucking with your company, you want me to fuck you until you can’t walk?” you whisper, shoving your bare thigh between her legs. The friction from her jeans burns your skin, but you hardly register the pain. 

“You’ll have to carry me out,” Natasha says, trailing her fingers down the vein on your bicep.

“Deal.” You kiss her again, slipping your muscular arms under her thighs and standing up with her. You carry her to your bed, leaving her to undress while you grab your strap from its drawer and slip it over your legs. When you turn back, she’s shimmying off her lacy black panties and the feral urge to keep your promise overrides all your senses. 

You pick her back up and she hooks her legs around your waist, her arms circling your neck. She presses her naked chest against yours, both of you moaning in unison when your nipples brush together. You walk with her until Natasha’s back bumps into the wall, shifting her weight off your arms to the wall. You maneuver your right hand to grab onto your strap, lining it up with Natasha’s center. 

“Are you ready for me?” you ask, rubbing the tip of your cock over her soaking entrance. Natasha’s whines at your teasing, her fingers tangling in your hair and jerking at your roots painfully. 

“Fucking ruin me,” she begs.

You slam your hips forward, burying your entire cock in her in one move. Natasha screams, tearing her nails down your back. Your big hands grip onto her waist to hold her in place as you thrust into her tight heat, your abs flexing and tensing. Natasha’s body rolls with yours, her head falling back against the wall, exposing the perfect column of her neck to you. You lean forward to decorate it with your marks, so every time she undresses for the next week, she’ll be reminded of you.

The only item of “clothing” she still wears is a thin silver necklace with a rectangular charm hanging from the chain. It bounces in the hollow of her throat every time you thrust into her.

“Y/N, oh, Y/N,” Natasha chants, music to your ears as you keep your relentless pace. Your thighs, already spent from your gym session, are absolutely on fire now, so you need her to finish quickly before you drop her. You shift the angle of your hips, bumping the top of your cock against her clit with every stroke. Natasha squirms and moans, trying to find a rhythm with you, but she’s so close she can’t match you at all. 

“Tell me when you’re gonna cum, baby,” you pant. 

“Soon,” she moans. “Go harder. Don’t stop.”

You’re afraid you’re going to break her with how hard you’re thrusting into her. But finally, her body tenses in your hands and you know she’s finished all over your cock. You’re grateful to slow your thrusts as she comes down from her high, your entire body sweaty and buzzing with adrenaline. You slip your arms under her quivering thighs and stumble back to the bed, collapsing onto it with your legs hanging off the edge, Natasha panting on top of you. 

You’re not sure who’s more exhausted, you or her. You lay there unmoving, trying to catch your breath, which Natasha does before you. She sits up, slowly pulling your cock out of her and crawling up your body to kiss you messily. Her tongue slips into your mouth, but you’re too tired to return her fervor very much. 

“What’s wrong, sweetheart? Am I too much for you?” she teases, cupping your chest and pinching your nipples. 

“No, just give me a minute,” you grumble. It was rare to meet someone with stamina like hers. And as much as you prided yourself on yours, you feel like you may have met your match with Natasha Romanoff. Your arms and chest are covered in her scratch marks, and your back still stings a little. Natasha traces the scratches gently.

“Mine,” she murmurs.

“Hmm?” you grunt, not sure if you heard her correctly.

She props herself up on your chest to look at you. “I can give you a minute,” she purrs, her voice becoming husky and seductive. Natasha slides down your body, resting her knees on the floor and tugging the harness of your strap down your legs. You can hardly lift your hips high enough off the bed to help her, embarrassed by how tired you are. Natasha grabs your calves to lift your feet up one at a time to remove the harness and throw it to the side. She rubs her hand  across your defined abdomen, stoking the fire in your belly again.

“Don’t move, baby,” she says. “I’ll take care of you.”

“Huh?” You lift your head high enough to see Natasha’s head between your legs, her mouth lowering onto you. It’s like a lightning bolt of pleasure that shoots through your core and you moan loudly in appreciation. Natasha makes eye contact with you as she slips her tongue into you, smiling as you pant and squirm. 

“Oh, God. Fuck me,” you gasp, dropping your head back on the bed. Your hands claw at the sheets as her tongue explores your walls. Natasha pushes apart your muscular thighs to make more room for her, pushing so deep into you her nose bumps against you. Your chest heaves as you struggle to breathe evenly, arching your lower back off the bed in a silent plea for more. 

Natasha eats you out like she’d been starving for a week, her tongue alternating between swirling around your throbbing clit and pushing through your clenching walls.

You finally find the strength to lift your right leg, twisting it sideways at the knee and hooking it around the back of Natasha’s head, pressing your calf against her scalp and dragging her closer. You reach down with your hand to tangle it in Natasha’s flaming red hair, pushing her down so she isn’t tempted to pull away right when you reach the edge of release. 

“Nat,” you whine. “Please, baby. You’re gonna make me cum.”

Natasha hums against you, the vibrations finally causing you to lose control. Your entire body goes limp as Natasha cleans up all the slick between your legs, then climbs back up to rest on you like you’re her personal pillow.

“Gimme a kiss,” you mumble and Natasha presses her lips to yours obediently. She tucks her head in the crook of your collarbone and you stroke her hair absently. “If I fall asleep, are you gonna leave again before I wake up?” you ask, your voice sounding small. 

“Only if you want me to,” Natasha murmurs. 

“I know I’m supposed to hate you, but I don’t know if I can,” you admit.

“Then don’t,” Natasha says. “Because I was thinking about it too, and…I think we should go public.”

“Public? Like us being…” You can’t even finish your own sentence.

“Mhmm.” Natasha nods against your chest.

“You can’t be fucking serious,” you scoff.

“No, I’m fucking you.”

“And you’re done. Right?” Your eyebrows scrunch together at the dual meaning of your words. Natasha doesn’t say anything. “At the very least, you owe me fifteen-billion-dollars before we can go public about anything,” you say, referencing the amount your company lost in the last month when Black Widow Corp pulled the rug out from under your feet.  

“Done.” Natasha searches around your bed for her phone. “What’s your bank account number?” 

“What are you doing? Seriously.” You’re a little lost now. 

“Well, our dads spent all their time fighting each other,” she says.

“Not fucking?” you joke.

“I can’t confirm that,” she says with a smirk. “But I was thinking about it. And I know Envy hasn’t been doing so well lately–”

“Because you sabotaged our contracts and stole our ideas,” you remind her.

Again, Natasha does not confirm nor deny this fact. “But what if instead of competing, we…helped each other out?”

“Like a collaboration?” you ask. Your father had specifically warned you against any kind of “collaboration” work with another company. You weren’t running a YouTube channel. You had a multibillion-dollar business. It was your responsibility to look out for the well-being of your company and your company only, damn philanthropic endeavors, personal favors, and relationships.

“We can work something out,” Natasha insists.

“Did you go through all of this just to ask me that?” you ask.

“No.” Now, Natasha looks away from you. “I mean, at first, yes. I thought you would just be a hot one-night stand. And yes, you were–” You raise an eyebrow. “–But you’re also a lot more than that.” Validation burns through your veins to hear this. “You’re smart, you know the tech, and you know how to run a business. And you’re the hottest CEO in the country and the best person who’s ever taken me to bed,” Natasha says. You think you’re going to combust at the praise. “I can’t stop thinking about you. I can’t stop thinking about us. And what we could accomplish together.”

It takes a few seconds to let her words process. “I don’t know how this could work,” you say, the logical side of you taking over for once. “We’re not regular people, Nat. The future of this country is literally in our hands. The public watches our every move and criticizes every decision we make. People like us need whole PR teams to manage their relationships.”

“Fuck the PR teams,” Natasha says. “If we like each other, then why can’t we be together?”

It had been years since you had publicly been in a relationship with someone. After all, it was so much simpler to cycle through partners and not have to worry about commitment or any long-term decisions. But deep down, you were cripplingly lonely and terrified you wouldn’t be able to find someone who would settle with you. 

Because truth be told, your lifestyle was not for many. Most people couldn’t handle the pressure you were subjected to every day. The never-ending torrents of judgment. The borderline-criminal way you were stalked by reporters and paparazzi. The unreal expectations you were held to by people you’d never even met.

But out of all the people you had ever been with, Natasha Romanoff was the one with the best chance of understanding all that. She knew what she was getting herself into, because your life would be her reality the day her father passed on the company. Of course it wouldn’t hurt her to get some practice beforehand.

“I want you to be mine,” Natasha says suddenly. She reaches up to her neck, her fingers brushing the hickeys you left there, before unclipping the silver necklace. She puts it around yours, flipping the charm around so you can see that it reads “Natasha.”

“Baby…” You didn’t even care what your dad’s reaction to hearing the news would be. How would the public react? The consumers? The shareholders? At your level, it was unavoidable crossing the line between professional and personal interests. People would either cheer you on or vow to never use another Envy product again.

But Envy had been tanking ever since you took the helm. Maybe this was what you needed to bounce back…courtesy of the same woman who ruined you in the first place. The math seemed to add up–Natasha would cancel out herself, wouldn’t she?

Natasha interlaces her fingers with yours, distracting your thinking. “We could be the most powerful couple in the tech industry. In the world,” she says. “Isn’t that what you always wanted?”

“Yes,” you sigh, although that’s not really the truth. There was one thing you wanted more than power, money, and fame.

“Then don’t be afraid, sweetheart.” She squeezes your fingers. “With me, you’ll have everything you want and more.”

A rush of emotions suddenly overwhelms you–fear, annoyance, love, envy, and venom. You would kick yourself in the head if you missed out on the chance to be with Natasha, but you also weren’t entirely convinced this was the right move. 

“Y/N.” The way she says your voice is desperate and pleading, like she too can’t be without you.

“Okay.” You make up your mind in an instant. “Okay, baby. Let’s do it.”

Natasha beams, snuggling closer to you. The two of you say nothing further, and her steady breathing quickly lulls you to sleep. Natasha holds onto you even as she feels your body relax under her. She turns her head to look at the gun you left on the table, wondering what it would feel like in her hand, to hold against your head.

-----------------------------------------------------------------------------

AN: These two are for real going to be the death of me. 😩

Please like, reblog, and comment! Follow for more content. 🥰

[slytherinshua]

THE NIGHT WHERE IT ENDED

genre. vampire au. angst. little bit of fluff. warnings. guns. vampires fighting against humans. a lot of blood. major character death. kinda half proofread half not. pairing. vampire!hanbin x vampire!reader. ft. vampire!zhanghao, vampire!seungwoo (x1/victon/solo), and vampire!sejeong (ioi/gugudan/solo). wc. 3.7k. request. @blue-jisungs begged me to write pt 2 but i think she's regretting that decision now skjdksd oops. a/n. i'm sorry for this fic okay like srsly i'm sorry 😭😭😭 divider by @/sweetparty.

read part 1 here read part 3 here

“Why are you restless, my love?” Hanbin asked softly as he wrapped his left arm around your shoulder, the fabric of his robe draping over your skin and shielding you from the cool night breeze.

“I think we are making a mistake, Hanbin.” You said quietly. Hanbin could feel the weight of your words despite how vague they were. He tilted his head and focused his crimson eyes on you, attempting to read your thoughts. 

The skill was challenging to use on other vampires. You were neither human nor a recently turned vampire, so your thoughts were safely hidden from most. The connection of your souls made it easier for Hanbin to get in, though. And when he did, gathering a few more pieces of information about what was bothering you, he knew you were probably right. 

“You mean about humans?” His hand slowly rubbed over your arm, a simple tranquillity spell dispersing from his fingertips. This, unlike the mind reading, was something he could do without any effort. He often used it on you when he could, to help calm you in any way. You always noticed when he did, and he knew you appreciated the gesture by the look in your eyes. The same happened now, as he felt your body slowly relax in his hold. 

“They are coming into the age of technology— progressing at a rate faster than we’ve ever seen before. The elders have grown foolish. They have not seen the outside world for themselves in hundreds of years. They still think humans are weak and easy.” You explained the things that Hanbin knew very well. As merely a short thousand years old or a little more, both of you were at the front of missions and leading forces. Being young and able-bodied yet skilled enough to face almost anything, there was little left to improve on.

“Their guns have grown more powerful. So have their bombs. They are no longer scared, weak, foolishly mortal beings who run around with pitchforks and torches. They have weapons causing damage that not even the best of spells could hope to remedy. I’ve explained this all to the elders, but they won’t listen to my suggestions. They don’t believe me.” You said in defeat, faced with an impossible task.

Never before had you seen your fellow vampires die so quickly. Bullets seared through their bodies faster than the wind, and it only took a couple to knock a vampire unconscious. It was only a matter of time before the wounds killed them. The simple truth you were faced with was almost impossible to accept.

Humans were growing stronger than vampires. Despite their weak bodies, their propensity for fear, their stupidity, or their short life-spans. The advantage they had over vampires was constant adaptation and invention. You could barely name a change in the castle in 800 years, but the changes to the human world were endless. And each one was more impressive than the last.

Diseases that had once killed millions were being researched and prevented, a problem of the past for humans. Modern technology in the form of telephones, space travel, and computers aided in all facets of human life. It was simply astonishing how fast the world could change. Vampires simply had no way to keep up, you realized.

“It will take time for them to come around, but they will. When they see for themselves how many we’ve lost— how we are no longer overpowering humans tenfold. They will surely change their course of action then.” Hanbin words soothed your worried heart. You felt foolish for wanting to believe every word that came out of his mouth, but it felt like second nature. You just hoped he was right.

“This is it?” You asked, glancing at Hanbin from across the table to catch his nod. On the marble surface lay a large rifle, one that had single-handedly taken out 3 of your vampires that evening with just 5 bullets. 

It had been several months since your worry had started, and you realized now that you had vastly underestimated how quickly humans improved. What once took 10 or more bullets to fatally injure a vampire now decreased to just 1 or 2. If this is what humans could do in just a few months, what more developments could they introduce in 10 years?

“They’ve developed this model for the past couple of months to specifically target our weaknesses. They must have studied one of our men to know that silver bullets would be more deadly than anything else. When aimed at our hearts, it’s very easy to kill a vampire with just 1 shot.” Hanbin said wearily, his expression growing dim like yours.

“For the first time ever, they’re killing us faster than we’re turning them.” You muttered, trying to not let the thought terrify you. It could easily mean the extinction of vampires within a short hundred years.

You turned to the elders who you were consulting about the issue, studying their pale faces. Seungwoo looked stone faced, which you expected. He was one of the few elders who knew about the situation, as he often went out into the human world, disguising himself as one of them. As the most advanced healer among the clan, he had tended to many of the injured fighters in the past months. He was familiar with the damage the weapon could do, and the number of vampires that had been lost to its deadly silver bullets. 

Zhang Hao looked surprised, and maybe even a little bit scared at the news. His eyes were wide, but he kept his face as stoic as possible. He was one of the most powerful vampires concerning spells. His magic was strong and his knowledge was vast. He knew ancient rituals and was able to create entirely new incantations by studying old texts. You respected his opinion on the issue, and was sure he would be able to advise how to train the younger vampires with protective charms.

You skipped past the dozen or so council member elders, and turned finally to Sejeong, watching her face twist in anger. She never failed to lead the vampires expertly, but her temper was a cause of concern for you. She held grudges against the humans more personally than Hao or Seungwoo. She had often been at the front of the battlefield hundreds of years ago, and she had seen no shortage of vampire bloodshed. Under her reign there had been centuries of peace, as she wisely chose to not engage with the humans unless necessary. Now that they were actively seeking out her citizens, though, she wasn’t willing to let it slide. 

You could predict many possible outcomes from this. Sejeong’s ruling might result in peace once again, or in a war that no one would be able to survive. It was your duty to trust and follow her every command, operating on her word to the best of your abilities, but you had never experienced such high risks. You were worried you might not make it out of this battle, or worse, that Hanbin would face death with you.

The 3 elders you had watched expectantly, having been the very 3 to conjoin yours and Hanbin’s souls, were well aware of the risks. Vampire souls were not naturally supposed to meld together, and although you and Hanbin were perfectly matched, your joining still faced consequences. If one of you died, it was likely that the other would not be able to survive alone. Whenever you called to one another through your tattoos, you had to bear the burning sensation that came from using such power. If one of you was in pain, the other experienced it too. There was never a burden that could be held by just one person. You and Hanbin were a pair, and you simply could not be separated. 

It was back in Hanbin’s tower after the meeting that you voiced your concern. After Sejeong decided on facing the problem head on, just as you expected, and it was only a matter of days before you would be sent out to attack.

“I think it would be best if we stuck together at all times. If you get out of my sight, I won’t know if you’re safe.” You said quietly, biting the inside of your cheek in worry. Hanbin walked across the room, joining you on the couch, lacing his hand with yours. 

“I won’t go anywhere without you, even if it means disobeying the elders' orders. We don’t know what could happen to our souls if one of us gets hurt. We’re meant to be together, not apart.” You continued, meeting Hanbin’s crimson eyes with yours. 

He nodded, “Whatever you wish.” He squeezed your hand reassuringly.

“I should close the curtain. The sun is coming up.” You kissed his cheek and stood up to do so. Hanbin’s eyes watched you as you walked across the room and drew the blinds. He leaned back against the sofa, gaze still fixed on you as you shuffled through the bookcase on the wall, picking up a history book about ancient vampire civilizations. He could see the anxiety in your eyes, and he felt a twist in his stomach, mirroring yours.

“Calm down, Y/n. We’ll be alright, no matter what happens.” Hanbin said. He motioned for you to put down the book and come back to his arms. “Stop worrying about me. I’ll be fine. I won’t get hurt. I promise I won’t.” He whispered to you, a comforting smile on his face.

You wondered how he could always be so sure and confident. You were constantly riddled with worries, but, like always, Hanbin assured you, easing your anxiety with his words or his spells. You could feel his magic work on you as he wrapped his arms around you, and you instantly felt at peace.

You stayed in his arms until the sun had fully risen, savouring the quiet moments while you still could. There would be no spare moment to relax once the full moon came. You couldn’t ask for him to keep the calming spell going all day, but for as long as you were in his arms, you allowed yourself to let him take your mind off of everything.

You even managed to fall asleep from how comfortable you were cuddled in his hold. When you woke up and looked up at him, his eyes had fallen shut as well, but you could tell he was only dozing. Beads of sweat had gathered on his forehead from how long he had been casting the spell. Even though it was a fairly easy one that he had mastered centuries ago, keeping it going for hours at a time still took an extreme amount of energy.

You kissed his cheek, watching as his eyes opened slowly. He smiled and wiped his dewy skin, sitting up slowly. You felt the spell wear off as Hanbin relaxed his shoulders, and the thoughts flooding your head came back immediately. A sigh left your lips. You couldn’t ask him to keep it going for any longer. You felt guilty for how long he had been doing it already, knowing just how exhausting it must have been.

“You didn’t have to do that for so long.” You whispered, standing up from his lap and circling around to the back of the couch. You unclasped the outer cloth of his long robe, leaving just the tunic and pants he was wearing. Your hands fell to his neck and shoulders, slowly starting to massage the muscles, working out the knots he had developed. 

His eyes fell shut, a pained whine escaping his lips from the sensation. He was always so focused on taking care of you, he rarely noticed when his own body was suffering. He felt relieved as the pain slowly subsided with the help of one of your healing spells, the touch of your fingers over his bare skin becoming softer.

Your fingers lingered on the side of his neck when you were done, circling the pads of your pointer and middle finger over his pulsepoint, feeling the faint beating of his heart. It was slower in pace than humans, but it was still felt from the touch of your finger. 

The life of vampires relied on magical powers (and a constant supply of blood) over bodily function. In his life as a human, Hanbin’s heart had been the most vital organ to his survival. But now, keeping his body healthy so his powers flowed freely was of equal importance. The two were still intertwined, a constant balance was the key to being a powerful vampire. Poor bodily function translated to weakened power. The fact that you could still hear Hanbin’s heart clearly was a testament to his abilities. It would take an extraordinary force to weaken him to the point of death, and that thought comforted you.

You had seen many conflicts in your lifetime, mostly human wars of which vampires were no part of. But it was an entirely different feeling standing at the front of the battleline in the dead of night, preparing your strongest spells, knowing you were vastly outnumbered by the enemy’s army. 

Hanbin was by your side, his finger still barely grazing your hand, trying to get as much strength from you before the fight started. Fear filled both of your body’s, but a strong determination overpowered it. The risk was immense, but you needed to win. You would come out of it alive, no matter what.

The explosions were deafening, ringing in your ears at ten times the intensity that they sounded to humans. It was dizzying, and you could barely keep track of the spells you were casting. They seemed to be working well enough to defend yourself, as any man who charged at you soon found himself in a pool of his own blood on the grass. 

You weren’t sure how long you had been fighting, or how many more men you could hold off. It felt like they just kept coming. You had never used this much power all at once, but you couldn’t stop even for a second. It couldn’t go on forever, right?

There was no big explosion, nor were any human soldiers in range to hurt you. You weren’t in the line of gunshots. There was no possible way a grenade could have reached you without you noticing it. So why did you suddenly feel such excruciating pain?

Hanbin. Where was Hanbin?

The smoke on the battlefield hindered the humans from seeing, but you were effortlessly able to clear a path. It was easy to find Hanbin— you always came back to him without even thinking. You knew where he was immediately, and your legs carried you to him in an instant. 

His eyes looked scared as they met yours. He was on his knees, surrounded by the men he had taken out, their blood soaked on his skin and clothes. The crimson of his eyes had faded, suggesting his weakening state. You couldn’t tell what blood was his, but you could tell that he was losing it fast. 

“Hanbin— get up. Get up, please.” You grabbed his arm in a panic, pulling him up to his feet and supporting his body on yours as you quickly found a sheltered spot to let him sit.

“What happened? Why are you hurt— you said you wouldn’t get hurt.” You cried, holding a bloody palm to your tattoos, trying to summon a healing spell. Hanbin was barely breathing; struggling to stay conscious for you.

After hours of fighting, your power had grown weak. The pain you experienced, mirroring the injuries on Hanbin’s body, also prevented you from conjuring the spell. You gave up trying to get it from the source, realising that it wouldn’t work in your current state. Instead, you placed your hands on Hanbin’s chest, your fingers touching the ink on his collarbone. You closed your eyes tightly, mustering as much strength as you could to reach his body. His tattoos flickered, wanting to shine brightly from your touch, but unable to summon enough power for it.

He gasped, air flooding his lungs again. His eyes watered from the pain, and he instinctively tried to push your hands away, although he knew that they were what was still keeping him alive. The blood loss was driving his body and mind crazy; the need, the thirst for it, overwhelming. You realized what was going on from just his face, the unmistakable sign of a bloodthirsty vampire flashing in his faint eyes. 

“Take mine.” You said quickly, pushing your garment to the side, exposing your neck to him. 

“N-no, I can’t.” He whispered, terrified at the thought of hurting you.

“Please. You’ll die.” You begged, your voice laced with desperation. Strangely, you had no fear. You didn’t care about how much it would hurt, or if it would drive you bloodthirsty as well. You just needed him to survive.

Due to his weak state, you were able to overpower him. You forced his mouth open in desperation, revealing the sharp fangs on his top row of teeth. He cried, having no strength to stop you. He would rather die than risk causing you harm. 

Hanbin submitted to your wishes, knowing that if he didn’t comply with biting you, you would find a different, more dangerous way to give him your blood. He sunk his fangs weakly into your neck and forced himself to suck. The taste of your blood trickling down his throat instantly curbed the insatiable need for it. You cried out in pain, feeling your strength wither as your blood left you. The sound broke Hanbin’s heart, icy tears falling from his eyes.

The taste of your blood was sweet and warm, but Hanbin refused to enjoy a single drop of it. As soon as he felt a fraction of his strength coming back, he used it to push you off of him. 

You looked back at him and the entire world seemed to disappear. The fight was still ongoing behind you, but no shouts or explosions reached your ears. His eyes slowly gained back their colour, flickering to yours and softening. With tear stains on his cheeks and blood splattered across his face and neck, he reached for you gently, hesitantly. Almost too hesitant to be quite like him. 

“I hurt you.” He said in anguish, his eyes unable to leave the wound on your neck. “Why did you let me hurt you?” He searched your face for an answer, and it stared right back at him. Losing him would be more painful to you than any wound, even if he was the one who gave it to you. He could hurt you, wound you, or even kill you, and you would still give yourself up to him without needing to think.

Vampires always felt cold, but Hanbin’s touch felt exceptionally gelid when it reached your cheek. He looked gaunt, his exhaustion evident even after he had gotten some strength back. You needed to get him to safety, somewhere where skilled healers could tend to him. His eyes looked scared. Not scared of the battle, but scared of himself and what he had done to you.

“You could never hurt me. Just please stay alive.” You whispered, holding his bloodied hand. His eyes still naturally drew back to your neck, shaky breaths leaving him as he processed your words and nodded weakly. 

He bent to kiss you with the energy he had, the action portraying a million thoughts and feelings. You felt him crumble in your arms, his body giving out on him as his lips touched yours. You held him steady, supporting his neck so his head didn’t fall. His eyelids drooped, and with a trembling breath you realized the carmine colour of his eyes was fading again.

“No, no— Hanbin, please.” Your hands fumbled, trying to think of what to do. You simply had no power left to give to him. Your hand slipped to his waist, trying to readjust him into a better position. That’s when you felt the warm liquid on your hand. 

The wound must have been from a bullet, you deduced quickly. No other weapon that humans possessed could have caused him to bleed so much. The bullet had pierced him in merely half a second, lodging itself in his side. It was a wonder how such a small piece of silver could do so much damage to a vampire as powerful as Hanbin. He was dazed, the feeling of you pressing on the wound to try to stop the bleeding the only sensation he could discern.

Shouts grew louder in your ear. Although you had found a hidden space away from the battle, you were still exposed to danger. You stood carefully, pulling Hanbin up with you. Your only hope now was to get him back to safety as quickly as possible. His soul was still clinging to the bit of energy you had given him, but you wouldn’t have much time before it ran out completely. 

He stumbled as he rose to his feet, doing his best to support his own weight. He would have fallen back into your arms if something hadn’t hit him quicker. A small piece of silver, not more than 2 centimetres, seared straight through his chest, and a gasp fell from his lips.

You heard the shot. You felt it too, in the middle of your chest, a scathing pain spreading up your neck. You failed to catch Hanbin in time before he fell. 

It was over. You knew you had failed. Your options were expended and your time running out. Dropping to the ground as well, you clung to his body. With no energy left to fight, much less save him, you accepted the loss. Closing your eyes, you gathered him in your arms and pressed a kiss to his forehead as if you were comforting a small child.

It was a send off, of sorts. A last goodbye, and a testament to your love. He took his final breath, cradled safe in your arms, protected from the world. After all he had given for you, he deserved to rest comfortably. 

As his soul perished, you felt yours fading as well. He was taking you with him, knowing you could never live apart from him. Intertwined in every way, even until death. That was the fate you and him shared.

↳ zerobaseone taglist (bolded could not be tagged): @eternalgyu,, @okshu,, @chewryy,, @haecien,, @sobun1est,,

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[yuujispinkhair]

Shinunoga E-wa 

Pairing: Jing Yuan x Reader (gender-neutral) Genre: fluff Word Count: 800 Warnings: None, just some pining because Jing Yuan misses you while you are on a mission :) All characters are of age. My blog is 18+. Minors don't interact. -> This is part of my Blog Anniversary Event (closed). @jingyuansbird requested the song Shinunoga E-wa by Fujii Kaze.

"If that is all, I want to close this meeting now."

Jing Yuan lets his golden eyes travel over the small group listening to him. It's not that he doesn't want to do his job. It's not that he is tired of the responsibility. But right now, all the general wants is to go home and wait for the call he knows will soon try to reach him.

The call from you.

He longs to hear your voice, longs to tell you about his day, and ask you about yours. He longs to whisper a tender "I love you" and hear you return it.

He has been missing you for the last few weeks since you left for a mission on another planet. And as much as he can mask his feelings during the day, they are always there under the surface, always haunting his every minute, filling his heart with longing. He wishes he could go home to you and take you in his arms.

But since that isn't possible at the moment, he at least needs to talk to you. He needs the company your telephone calls provide. The comfort of hearing his beloved's voice.

Jing Yuan is a man who is willing to sacrifice a lot. His time, his strength, his effort. It's natural for a man in his position. But he thinks he only truly learned what sacrifices he would be willing to make when he met you.

What wouldn't he give to see you right now? To be able to see your smile and reach out a calloused hand to cup your cheek. What wouldn't he give to wrap you in his arms and hug you to his tall, muscular body, protecting you from the rest of the world, claiming you as his alone. He would sacrifice all he has just to be with you right now.

Of course, he can see your face and hear your laugh via electronic devices, but it's not the same.

He smiles a bit to himself as he strides towards his house. Usually, he isn't one for the big dramatic gestures. His calmness often gets taken for indifference. But that is far from the truth. At least when it comes to you, his darling, his love, his everything. And in his mind, he is being quite dramatic right now. He is pretty sure he would die if he had to be separated from you forever.

But to his luck, he knows you'll return to him soon. And then he can finally hold you in his arms again, kiss you, and tell you in person that he loves you and wants you to be his last. His forever.

His phone rings the moment he enters his home. A home that doesn't feel so much like home at the moment when you aren't living here too. When your scent doesn't linger on the pillows. When your laughter doesn't echo off the walls.

He takes the call and greets you with a smile in his low voice,

"Good evening, my love. Or rather, good morning where you are."

His chest feels warm when he hears your reply, and he feels some of the tension leave his body as he slumps against the fridge and tells you everything that happened today. The corners of his lips are lifted in a gentle smile during the whole call. When he closes his eyes, he can almost pretend you are here in the room with him, as you should be.

"I miss you. I can't wait to see you."

The longing is evident in his voice. And the same emotions carry to his ears when you tell him you miss him too.

But he tries to hold back, tries not to burden you too much with his longing, so you won't feel too bad about taking on this mission. So you will be able to have a clear head and finish it quickly.

He doesn't say it out loud, but the same thought keeps repeating in his mind:

Don't ever leave me again. Please always stay by my side. I need you. My heart is so heavy when you are away.

But he suspects you can hear it in his voice anyway. And when you are back home, he will present you with a job offer that lets you stay by his side all the time. He hopes you will accept it because he doesn't think he can endure being separated from you ever again.

Aww writing this made me smile so much!! I can imagine him being so calm on the surface but missing you so much on the inside 💗Thank you so much for participating in my event 💗💗 I hope you liked this little story!!

Comments and reblogs would be very sweet.

[oneshotnewbie]

Could you write a one shot where there is a really bad storm hitting Seattle. Maya and Carina are stuck at the hospital and the fire station, and are trying but unsuccessful at reaching Reader. So they are both worried out of their minds. Then Maya has to go out on a call and find it was R who wrecked their car trying to get home before the storm hit. (Could be severe or non-severe injuries) R goes to the hospital with Maya in the aid car and Carina joins them in the ER.

Authors note: I heard the song "What the water gave me - Florence + The Machine" while writing this story. I would advise you to listen to the song as well while reading through this story to get the feel of a real Station 19 rescue mission like in the series. Of course it's not a must! ♥

ᕚ---ᕘ

The sky over Seattle steadily darkened as pitch-black thunderclouds rolled in like a tidal wave. The wind began to howl as if playing its own somber tune, rushing restlessly through the skyscrapers of the city. Streets were quickly emptied as people rushed home for shelter. The trees bent under the force of the storm as if begging for mercy, but the storm was relentless. It thundered as if Zeus himself wanted to keep the crowds in their place while the rain fell in thick, large drops and threatened to drown Seattle. The sound of the wind, the falling of the rain and the thunder symphoned in a unique melody and conveyed a frightening atmosphere.

The telephones of the active fire brigade beeped in unison, a warning of the approaching storm that came in way too late. The tough captain of the fire department swallowed hard as she could not reach you, who worked just a few minutes away from her. But you did not answer, the connection was already disrupted, appearing to be off. "She wanted to be here fifteen minutes ago, Carina," both her and the brunette's worries grew with every minute through the phone as they imagined the worst possible scenarios without having any sign of life from you.

"Calm down, Bambina. There is probably total chaos on the streets. Fallen trees, flooding. Maybe she is just stuck in a traffic jam or an emergency came in."

The fire station was flooded with red alarm lights, while the walls shook from violent gusts of wind, preventing the young blonde from speaking further. Raindrops pelted against the roller shutter door, which opened more with every second, allowing the lightning strikes to break through their vision. -Fire engines 19 and 23. Ambulance 19 to Cedar Road Lane 6. Car struck by tree, person seriously injured and trapped.-

The firefighters rushed around, donning their suits and gear before grabbing their helmets. Like-minded, they rushed to the waiting vehicles, only Maya stopped briefly. „Please let me know if you hear anything from her. Stai attenta, bambina!" (Be careful, bambina!). She nodded, knowing that Carina could not see the gesture and hung up before hopping into the squad cars and starting the sirens. Pressing the accelerator, they raced through the whirlwind around them, trying to avoid the tree branches as much as possible.

Lightning flashed across the dangerous-looking sky, and thunder rolled at the same time like an angry demon. Maya clung to the steering wheel as she tried to keep her eyes on the wet, blurry road. They made their way through the flooded streets, branches flying through the air and trash cans tipping over and spilling across the sidewalk.

It was as if the world around her was collapsing in a chaotic dance of wind and water. "Listen guys, I know you want to help the person in the car, but first and foremost, think about your health and your life," the storm roared so loudly that it seemed like it wanted to tear the entire city apart and hardly anyone understood what the captain was saying over the radio. "This is one of the worst storms in years, a state of emergency has been declared and normally no one should be on the roads, so it is a mystery to me why anyone would be so dumb to be driving,"

Her team was clearly tense, the radios crackling in their ears, but they nodded to the captain as confirmation that they had understood the message. Maya did not want to lose any man or woman in her group to the storm. "We are approaching the scene of the accident. Be ready for anything, people. We can do this!" she said calmly and encouragingly while the fire engine´s sirens blared through the dark night.

When the team from Station 19 arrived at the scene of the accident, they were confronted with a dark and serious scene. The car is crammed in by a huge tree and is badly deformed, the hood of which is completely smashed and dented while some branches have pierced through the windshield and turned the interior of the vehicle into a field of rubble.

The fire team jumped out of the emergency vehicles and fought through the wind and rain to reach the car. But the captain remains rooted to the spot in front of the stern of the wreck, looking absentmindedly at the license plate, which was hanging askew. "Y/n.. IT IS Y/N!" she shouted unhindered amid the raging and deafening thunder and her team stopped their tasks in shock, Andy and Gibson focusing their gaze from the thick tree over to the woman in the driver's seat, who Warren was already trying to find vital signs on.

Maya lunged forward, her heart pounding with worry. Her helmet was almost blown away by the wind as she stepped closer, the flashlight shaking in her hand as she shone the light through the shattered window. Her heart seemed to skip a beat as she recognized the familiar features amid the devastation. She was confirmed that she did not have a number twist on the license plate, but that it really was you. Seriously injured and trapped in the car. “Y/n!” she cried, her voice filled with a terror she had never known before. Maya knew she had to stay calm now, that she had to be the professional captain, but her heart was screaming with fear and worry.

The other members of the fire department worked quickly and precisely. "Dean, Montgomery. Grab the hydraulic cutters! We need to get her out of here as quickly as possible. Her vital signs are at risk of plummeting!" shouted Warren. They used cutting tools to fight against the metal of the car on the passenger side and the resistance of the tree while Maya knelt next to the wreckage and held your hand, which was probably thrown out of the broken window after the impact and was now lying on the scratched paint of the outer door. "It looks bad in there! Be careful not to hurt her any further, approach carefully!"

Your eyes were dazed with pain and fear, but you were breathing, albeit weakly. Hearing her voice, you seemed to find some peace for a moment, your dull eyes glued to hers. Desperately wanting to say something, you opened your mouth from which blood began to ooze, but your crushed and injured lungs did not even let in air.

"Hold on, darling. Do not say anything, I am here. We will get you out of there, I promise." The blonde whispered, her voice firm to reassure you even as her own thoughts were caught in a chaos of worry and despair. The minutes stretched endlessly as her team struggled to bend the metal and free their captain's fiancée. Finally, after what seemed like an eternity, the metal gave way. Using their combined strength, Vic and Warren pulled you from the wreckage, carefully, yet as quickly as possible. As soon as they freed you, they carried you to the ambulance. Maya followed them, never taking her eyes off you. Your condition was serious, but you were still clinging to life. "Carina is coming. She is going to be at the hospital, she will be by your side the second you get there. But you have to fight now, okay? Fight for us."

The rain continued to beat down on you, the storm was still raging, but in the midst of this darkness and chaos there was a glimmer of hope- you were saved, and she would do anything now to help you fight through this storm. But it was hard to keep positive thoughts as the storm continued to sing its destructive song. She closed her eyes tightly as she rode in the ambulance and prayed, with your bloodstained hand in hers, that the next morning would bring a certain light to your health.

[judasgot-it]

I wanted to write something really quick for Jouno's birthday ngl, so here's some really cheesy dogshit

Happy Birthday to the blind king himself (ugh I miss him)

Scenario: Calling Jouno while he's at work. It becomes a little silly.

As much as Jouno hated the telephone, he hated the sounds of his coworkers even more.

What were they yelling for? It's four in the morning.

Who's even up at four in the morning?

Apparently them.

Every day. For the last 2 weeks.

Usually, he could have slept in for at least 3 more hours. Have a coffee that didn't taste like piss and tinfoil (everyday he hated whoever made the coffee in the lounge, no one would tell him the name of the moron who cheaped out on it. They weren't safe from him.) and get to tell his woe's to someone who didn't have rocks for brains.

But no. He was stuck here, at HQ, listening to reports that led their current case to nowhere.

Which led to yelling. Always yelling.

So answering the phone was honestly rather refreshing.

"..."

He waited a second. Why should he, of all people, speak first?

"Hello? Is Jouno there?"

Jouno felt time pause for a moment. He stopped, listening to the other members in the room.

They seemed rather distracted, not truly paying attention to what he was doing. Teruko and Tachihara were arguing and Tecchou was...he smelt gross, so probably working out.

"Sorry, who is this?"

He really hoped he was hearing wrong.

"Jouno, c'mon you know who I am. Why, is something wrong?"

When did you have their number? As far as he recalled, only government officials were ever given this number, and even that is far and few in between. He never let you know much about his work.

"I'm not trying to buy anything."

To Jouno's dismay, that failed miserably. Instead, all he heard was your laughter on the other side of the phone. Did you really think his misery was funny?

"If I find you, I'll kill you."

Jouno made threats as a part of his day-to-day life, it was easy to fake it towards you. But a part of him felt how he was cracking easily, hearing your obvious giggles as they thought of the next line to say.

"Ok ok. Sorry I know you're busy at work right now. But I really did call for something really important."

Taking a moment, Jouno sighed as he leaned against the small desk that held the phone. He waited a bit, listening to see if the others in the room were still ignoring him.

As much as he hated it, they seemed to actually notice that the "bad-things-are-happening-please-help" phone was called. His luck really is immaculate.

"How did you get this number again?"

There was a guilty laugh on your end. What had you so happy?

"Some other day, maybe. But that's not important! Jouno."

Jouno gave a very long sigh.

"Jouno, today is your birthday!"

"Yes."

He was really hoping he was as good of an actor as he thought he was, because he couldn't help how his heart was beating twice as fast at the thought of you remembering something so small.

"Are you coming home tonight?"

There was a pause.

Jouno didn't want to respond, because he hated the answer. Truthfully, he didn't know when he would have a 'normal' (for a hunting dog) workday.

He didn't even want to admit out loud how much he missed you.

"Oh, ok. You know, after your 'case' is over, we should get to celebrating. I have the perfect gift for you already, which definitely involves no clothes."

"No."

There was a pause on your end. He hated telling you no. Weird, since frankly breaking people's hearts was his favorite past time.

"Good idea. Uh..."

Jouno forced himself to listen back into the conference room, which was now weirdly quiet. There was also a small heartbeat very very close to him.

That was not a good sign.

"Thank you. Um."

He turned his head, bell-jingling against the phone, as he knew Teruko was looking up at him -probably with a shit eating grin.

"...I love you."

Sighing, he ate his pride, turning away.

"I love you too, Jouno. Happy birthday."

You sang it, not forcing him to endure the entire song. He hoped he was tall enough and facing enough away that Teruko couldn't see the smile on his face hearing those words.

When he hung up the phone, hearing the click and shut off the landline, he was forced to face his reality.

The one where he couldn't stop hearing his coworkers giggling. Particularly Teruko's, but even Tecchou was laughing somewhere deep in that stupid body of his that managed to breathe air.

He wanted to kick him.

"I didn't know you were in a relationship."

Tachihara said this nervously, but still with a smile in his voice.

"I'm not. I don't know who that was or how they got that number."

It was hard to say this seriously, as Jouno could feel the red creeping up on his face.

Happy birthday Jouno omfgggfgfg when is he coming back </3

[todaysdocument]

Position Description for Mercury Astronaut

Record Group 255: Records of the National Aeronautics and Space AdministrationSeries: Reference Files of the Special Assistant

[underline] SS - 6.3 [/underline] [Stamped: Space Task Group] B

NATIONAL AERONAUTICS AND SPACE ADMINISTRATION

1520 H STREET NORTHWEST

WASHINGTON 25, D.C.

TELEPHONE: EXecutive 3-3260, TW: WA 755

IN REPLY REFER TO -

[Stamped: RECEIVED NASA SPACE TASK GROUP JUN 19 2 01PM '59]

[manuscript] 3

[underline] S S- 6.3 [/underline]

SO-14

SP - 2.6 [/manuscript]

Lt. Paul P. Bennett, Jr.

BuPers - A3122

Arlington Annex, Rm. 2603

Washington 25, D. C.

Dear Lt. Bennett:

In accordance with our telephone conversation of June 15 the following is a resume of the position description for the Mercury Astronauts.

[underline] Position Title [/underline]: Mercury Astronaut

[underline] Duties [/underline]: Participates in indoctrination, developmental research, and pre-flight training programs under conditions simulating flight profiles of the type expected to be encountered with Project Mercury. Operates and/or observes fixed-base and moving-base simulator tests, serves as subject-under-test, and assists in the analysis of data for the evaluation and development of various boosters and of communication telemetry, display, vehicle-contol, envirornmental-control and other systems involved in launch, atmospheric escape, orbital flight, re-entry, landing and recovery. Participates in specialized training exercises such as centrifuge programs to build up tolerances to motions and forces associated with launch, flight without gravity, and atmospheric reentry, and to develop proficiency and confidence for vehicle operation under such conditions.

Sincerely yours,

/s/

Clotaire Wood

Technical Assistant to the Deputy Administrator

[Stamped Routing List]

BLAND

BOND

DONLAN

FAGET

GILRUTH

HAMMACK

JOHNSON [initialed: lwj]

KRAFT

KYLE

MacDOUGALL

MATHEWS

MAYER

MEYER

PRESTON

PURSER

RICKER

[strikethrough] TAYLOR [/strikethrough] [initialed: G]

ZAVASKY

ZIMMERMAN

AERO MED [initialed: HBf]

[initials: ATS]

SPACE FILES

[manuscript] COPIES TO:

SHEPARD

SCHIRRA

CARPENTER

GLENN

[su-itca-se]

Dear Brother (Oniisama e…) LaserDisc scans and machine translations

These past few years I have fallen in love with the work of director Osamu Dezaki. Alongside Tomorrow’s Joe (Ashita no Joe), I hold Dear Brother in the highest regard.

It was a 1991 anime based on Riyoko Ikeda’s 1974 manga. You should watch the anime. It’s on Tubi for free. But really, just trust me. Buy the Blu-Ray from Discotek.

This anime came and went. There isn’t any merchandise besides some phone cards. Decaying fan sites and discourse is out there, but it’s a bit of a hunt.

Some time ago I saw a fan letter written by Hideaki Anno, apparently from the LaserDisc releases. From what I could tell, the LaserDisc packaging featured a treasure trove of notes from the staff that I just had to read. But I couldn’t find them!

If you’re not aware, LaserDiscs are one step above burnable trash in Japan — often on sale for 200 yen or less in heavy boxes shoved into the corner of second-hand anime stores. So I bought all five volumes of the 1993 Dear Brother LaserDisc release, was thrilled to notice unique letters from staff and industry luminaries in the interiors, and I scanned everything! And machine translated them.

I hope this (long, comprehensive) post brings fans of Dear Brother the same pleasure it brought me to compose it!

Note: I cannot read Japanese. I’ve used Google Lens for OCR, and GPT-4 for translation. My scans are good (and you can get them on Archive.org in high res) but these translations are not archive-quality and should not be depended on without verification. I’ve done my best to make corrections and have attempted to wrangle the correct tone and meaning out of the AI, but they’re essentially just for fun. Corrections of the most egregious stuff would be welcomed, email me: suitcase@soaringrabbit.com.

Volume One

Each disc is themed after a character and colour. The back is peppered with screencaps and notable quotes (“Anata wa dare?” says little Nanako) as well as series credits. The two notable parts to translate are the disc synopsis, and the subheading (seen here in pink on the far left.) Maybe it’s a pull quote? Not really. So I called it a subheading.

Volume One Subheading

A forbidden cult anime masterpiece born of satellite broadcasting is finally available on LD.

Volume One Synopsis

Private Seiran Academy. A story of beautiful love and deep hatred unfolds at this prestigious all-girls high school steeped in tradition. The protagonist, Nanako Misonoo, who is thrilled to enroll in the high school division of her dream academy, encounters three stunning individuals: Miya-sama, Sanjust-sama, and Sho no Kimi. She also gets introduced to the glamorous world of Seiran Sorority, a society that only the chosen few are allowed to join. As a freshman granted unexpected membership in the Sorority, Nanako begins to take a deep look at love, friendship, and the essence of being human, all while being surrounded by envy and jealousy. She confides her various experiences at the academy, along with unspeakable worries and hardships, in letters to her elder “brother” and a young man named Takehiko Henmi… A masterpiece anime born of satellite broadcasting. It is a work by Riyoko Ikeda that the Dezaki-Sugino duo took on for the first time in 11 years since “The Rose of Versailles.” It is considered a unique work that brings a fresh, unprecedented shock by transcending the framework of TV anime with its aesthetic world.

The disc looks like this:

An “obi” (sash that covers the spine) is included. Of course, it says “My tears won’t stop!” in huge text, sells it as the latest Dezaki/Sugino collaboration, and describes it as tanibi na sekai — a poetic concept of a romantic, sublime world of aesthetic beauty.

There are two paper inserts in each volume. The first one looks like this, and is an index of LaserDisc chapter markers based not on plot developments, but notable character quotes.

There’s also a form you can fill out to get a telephone card. Simply cut out a coupon from each volume to prove you bought the full set. Be quick, entries are due end of March 1994.

The interior is the best part. Here’s the spread for Volume One.

I haven’t translated episode synopses, but I’ve attempted to translate both the staff letter and the “letter to dear brother” from someone external to the production. There’s a bio for each author.

Volume One’s “From the staff to all the fans”

Bio:

Osamu Dezaki Joined Mushi Production in 1963. After directing series like “Astro Boy” and “Goku’s Great Adventure,” he was selected as the general director for “Tomorrow’s Joe” in 1970 at the young age of 26. Born on November 18, 1943, and hailing from Tokyo, he has received high praise as a director. Subsequently, he has brought numerous masterpieces into the world, including “Aim for the Ace!”, “The Adventures of Ganba,” “Nobody’s Boy,” “Treasure Island,” “The Rose of Versailles,” “Space Adventure Cobra,” “BB,” and more. He is also referred to as “Sakimakura” and “Mataba Sakimakura.”

The letter:

This is my second time working on Ikeda-san’s work since “The Rose of Versailles.” Her works have a unique aroma, whether you call it a theme or a world. They seem to pursue the literary aspect of the story. When I read the original work of “Dear Brother,” I was very drawn to these aspects, and at the same time, I felt a sense of anticipation that it would be difficult, but perhaps various images could be created. It’s not just about being cool or intense; it’s about creating images that resonate more and more with people’s hearts. Fundamentally, there is an original story, but when the characters start to move, and each begins to live, the story could go anywhere. I always had that sense of tension. So, rather than sticking to the original work, I placed more emphasis on the directorial focus of the reality of the characters who had started to move. As for the techniques, it was not something I was particularly conscious of, but I used a lot of completely black shots simply because I honestly felt they needed to be black. Whether or not it was successful, I wanted to effectively overlap the visuals with the characters’ psychology by delivering such physiological shocks. The psychological fluctuations of the people are indeed the overall aroma of this work. How the audience perceives that aroma is something I want to leave up to each individual’s free sensitivity. - July 8, 1993, at Tezuka Pro

Volume One’s “Letter to Dear Brother”

Bio:

Mutsumi Inomata Born on December 23 in Kanagawa Prefecture. After working with Ashi Production and Kaname Production, she is currently freelance. After going through Ashi Production and Kaname Production, she is now a freelance artist. Mutsumi Inomata is her real name. She was born on December 23 in Kanagawa Prefecture. She is active in both the fields of anime character design and illustration. In the realm of animation, she served as the character designer and chief animation director for works such as “Plawres Sanshiro” and “Genmu Senki Leda,” and as the character designer for “Future GPX Cyber Formula.” As an illustrator, she has also provided numerous illustrations for novels, including titles like “Prince of the Universe,” “Dragon Quest,” and “Continent of the Wind.”

The letter:

Comics are way hard to translate without actually knowing Japanese. Here’s my best effort to uncover some meaning.

For several years, I had stopped watching anime and stuff… Living a hectic life, it’s been like this for a while now. Having a set day and a set time to watch a specific program (not just limited to anime), had become impossible for me. Recording videos is also a hassle, and first and foremost, I just don’t feel that “I must watch the next episode!” kind of emotion anymore. Ah well, I was thinking maybe I’ve just become an adult. Heh heh heh. I’m such an idiot. No, that’s not it.

The blonde guy in the bottom-right is labeled as her friend, and she’s saying something about “Poupee-chan”. I think in the second panel he’s yelling saying “But that doll is supposed to be a girl!”

The final monologue starts with:

By the way, I have a container for “dangerous items” at the corner of my work desk. I keep things like cutter blades in it, so that I don’t accidentally drop them on the floor and cut myself or something. The “dangerous items” container I’m using now has a sticker with Saint-Just-sama’s “Nanako’s Eyes,” heh heh heh ♡

That’s about all there is to note about Volume One, besides the fact it comes with an enormous poster (it’s the same art used on the cover of the Discotek Blu-Ray.)

Volume Two

Volume Two Subheading

Those eyes of that person, mysteriously and beautifully shining. Why these feelings? Why...? The increasing heartbeat, the endless tears of adolescence. A masterpiece of forbidden cult anime born from satellite broadcasting! The second installment on LaserDisc!

Volume Two Synopsis

Nanako’s life at school, after being chosen as a sorority member, was not all glitz and glamour. There were misunderstandings with her best friend Tomiko, and jealousy and slander from other students, including Misaki Aya. And then there was the obsessive love from her fellow sorority member, Nobuo Mariko. “What is a sorority? Is it really that important?” Nanako began to question the very existence of sororities. Yet, she tries to look straight into herself, even while confused. Always before her were the mysteriously beautiful and shining eyes of Saint-Just. Drawn to those eyes that seemed to peer into a distant past, Nanako attempts to uncover their secret. Then, by chance, she finds out about the special relationship between Fukiko and Saint-Just. Could it be that Miya-sama and Saint-Just-sama are…? The complicated interplay of relationships and the previously enigmatic characters start to become a little clearer in “Volume 2: The Chapter of Freezing Rain.” The subtle breaths of the people surrounding Nanako can be heard.

Volume Two’s “From the staff, Dear Nanako”

Bio:

Hideo Takayashiki Born in 1947, native of Iwate Prefecture. After passing through Osamu Tezuka’s Mushi Production, became a scenario writer. Known for scripts of theatrical anime films such as “Hang in There, Tabuchi-kun!”, “Barefoot Gen”, and the “Phoenix” series. Also worked on numerous TV anime scripts like “Gutsy Frog”, “Gamba’s Adventure”, and “Tomorrow’s Joe”. Additionally, wrote scripts for original videos and TV dramas like “The Laughing Target”, “One-Pound Gospel”, and has written many novels, actively contributing as a versatile scriptwriter. Member of the Japan Broadcast Writers Association.

The letter:

Dear Nanako Misonoo, How are you? How is university life? It’s hard to believe that three years have passed since then. I was involved with you and those around you for just one year, but in retrospect, it was a very intense year. In any case, I did something terrible to you. It may have been the extreme form of “bullying” in some sense. My work as a scriptwriter involved probing and expanding the uncharted worlds between the frames of original works, constructing new narratives. In a sense, it was a painful job. And for you, it was excruciating. But now it’s a wonderful memory. I am filled with the feeling that I did some real work after a long time. How is your best friend, Tomoko? What about Mariko? I assume Fuki is becoming more and more beautiful? Do you occasionally receive letters from Kaoru? This summer marked the third anniversary of Saint-Just-sama’s passing. Thinking back, it was an unusually hot day. Your anguished form, waiting alone at the platform while listening to the chirping cicadas and the sound of the sea, is still etched in my memory. I hear that there has not been a single day without flowers at the electric pole where Saint-Just-sama fell. I am grateful for the chance to have met you and the people around you. Autumn, 1993

Volume Two’s “Letter to Dear Brother”

Bio:

Kazuhiko Shimamoto Born April 26, 1961 From the hinterland of Hokkaido After being selected as an honorable mention in the 9th Shogakukan Newcomer Comics Award Debuted with “Hissatsu no Transfer Student”. His masterpieces include Gyakkyo Nine’ and Moeyo Pen. Examples include Flame Transfer Student’ and Kamen Rider ZO.”

The letter:

Another piece directed by Osamu Dezaki and supervised by Akio Sugino has become a permanent edition (converted to LaserDisc)! (Hooray!) From the anime “Ashita no Joe” (1), the unique and beautiful way of life portrayed in anime is so intense that it has consistently given us dreams, hopes, despair, loneliness, friendship, love, perseverance, and revival! These works have even surpassed the original works in the emotional impact of their final episodes. I continue to be captivated by the atmosphere conveyed by these works. The reason I enjoy drawing the final episodes of my own works is entirely due to Director Dezaki’s influence! Currently, Osamu Tezuka and Ikki Kajiwara, the two individuals whom I revered as gods in the manga world, are no longer with us. Even now, these works, which possess added charm, continue to provide us (even those who have become professionals) with anticipation for the next episode, life lessons, and motivation for creating works. Seagulls, dance! Liquids, shine!! Wind, blow and then, “Why go to such lengths?” Charafo! Go as far as you can go! Mariko, somehow you’re really scary, Mariko.

Then the words scribbled next to the drawing of Mariko:

You are the protagonist of this work! I’m paying the most attention to you. You’re not alone! That’s right! Make me Mariko’s ‘older brother’… ‘older brother’…

Mariko is saying (OCR mangling here, sadly):

Thank you… I just feel… that’s special… Why not? If I had to say, maybe it’s a ‘woman’s world’…

(Clearly a reference to Rikiishi Toru of Dezaki’s earlier anime Ashita no Joe, who intensely speaks of a “man’s world”. He and Mariko love a good starvation diet!)

The little chibi version of Shimamoto(?) in the bottom left is saying:

But everyone, don’t easily become someone’s ‘older brother.’ It’ll be troublesome later!

GPT-4 noticed a cute reference it couldn’t include in its translation. Its note:

The text seems to be OCR scanned partially, and hence some meanings might be missing or distorted, such as “マンガ界のジョン・シルバーだ!!”, which appears to compare Dezaki and Sugino to a ‘John Silver’ of the manga world.

Volume Three

Volume Three Subheading

It’s not too late; our beautiful time can still be preserved, forever unspoiled, just like this white snow… A forbidden masterpiece of a cult anime born from satellite broadcasting! The fourth release on LD!

Volume Three Synopsis

Suddenly summoned to the sorority house, Nanako is pressured by Fukiko to end her relationship with Hemimi. Upon hearing this, Saint-Just confesses her complicated relationship with Fukiko. The shocking truth behind why “Miya-sama” wanted Nanako in the sorority unfolds, leaving her deeply shaken. Meanwhile, Saint-Just is tormented by the realization that the stronger her feelings for Fukiko, the more she ends up hurting her. The complex relationship between Saint-Just and Fukiko has a tragic past involving a near-suicidal event. On another front, Mariko causes an incident by attacking Misaki, motivated by slander about her parents’ divorce, which leads to a movement spearheaded by Kaoru to abolish the sorority. Amid the crumbling sorority, Fukiko remains composed. The fourth volume, “Chapter of Snow Dance,” captures her frightening yet noble confidence and deep sorrow. In the snow that never melts, remains the sad yet beautiful promise of Saint-Just.

Volume Three’s “From the staff to all the fans”

Bio:

Tomoko Konparu Born on March 13, 1956, in Nara Prefecture. Pisces. Blood type AB. A fan of both manga and anime, she became a screenplay writer and debuted during her university days with “Ikkyu-san.” Anime works include “Urusei Yatsura: Only You,” “Urusei Yatsura: Remember My Love,” “Touch 2: Farewell Gift,” “Phoenix,” “Cat’s Eye,” “Hime-chan’s Ribbon,” and more. Novel works include “Mystery at the Tower of London,” “Mystery at Nara’s Great Buddha” (published by Kobunsha Bunko), among others.

The letter:

When I heard that this work was going to be turned into an anime, I was shocked. I’d known about the series since its serialization, so my reaction was something like, “What!? Are they really going to do it!? And on NHK of all places!?” Expanding on the original work and filling in the parts that hadn’t been depicted was incredibly challenging, but also enjoyable. What surprised me was that, around the midpoint, the characters started to assert themselves, taking actions that were entirely different from what I had planned. The princess would say, “My pride isn’t so easily swayed,” San Just would insist, “I’m not going to commit suicide,” and even the older sisters of the sorority were like, “We can’t back down now.” Every time this happened, I had to rework the composition. This phenomenon of “characters moving on their own accord” was a first for me in an anime series, and it was an incredibly fresh and pleasant experience. That being said, it’s rare to be so emotionally invested in characters while working, to the point of even role-playing their lines. To be honest, this was a work that got my inner anime fan excited. Ah, I want to do work like this again!

Volume Three’s “Letter to Dear Brother”

Bio:

Keiko Fukuyama Born on September 7. From Tokyo. Currently, she is working as a manga artist, authoring works like “Ruru-chan of Star Island” and “The Tale of Appfelrant.” She also illustrates for children’s stories, including the “Mama Ghost Series.”

The letter:

It appears to be titled “To the Unforgettable Older Sister”. Much of it is too hard to OCR. It opens with this caption:

“To My Older Brother…” is so melancholic and sentimental that it instantly takes us back to our student days where we felt we were tossed around by fate for no fault of our own…

Here’s some of the text beside the character drawings:

Fukiko/Saint-Just: Reputed as the most beautiful sisters in school Mariko: The most popular Mariko-san who lured our tears. There’s a lot to think about! Tomoko: A straightforward, kind friend Nanako: So there I was, fully embracing my Nanako persona, reaping all the sorority perks you could imagine. (I mean, they even say they’ll hook me up with a dreamy guy!) 💧 And just when I’m soaking up that sorority vibe, guess who’s set to make a surprise appearance right after the teaser for the next issue!

Text coming out of the TV:

It was “Oniisama e”!!!! Poor Mariko-san, right~ Misaki-san also, there was no need to say that much, you know.

Volume Four

Volume Four Subheading

It’s not too late yet, our beautiful time can still last forever, unspoiled by anyone, just like this white snow… A forbidden cult anime masterpiece born from satellite broadcasting! The fourth installment on LD!

Volume Four Synopsis

Suddenly summoned to the sorority house, Nanako is pressured by Fukiko to end her relationship with Hemmi. Hearing this, Sanjust is compelled to confess his relationship with Fukiko. The shocking truth makes Nanako reel in disbelief. He deeply ponders that the stronger his feelings for Fukiko, the more he ends up hurting her. The unusual relationship between Sanjust and Fukiko reveals a tragic past of a failed double suicide. Meanwhile, in the school, an incident occurs where Mariko, slandered for her parents’ divorce, attacks Misaki, leading to an anti-sorority movement centered around Kaoru. Fukiko still acts nonchalantly in front of the crumbling sorority. The volume unfolds displaying Fukiko’s terrifying yet noble confidence and deep sorrow. A beautiful yet sad promise lingers in the snow that never melts.

Volume Four’s “From the staff to all the fans”

Bio:

Kenichiro Haneda Born on January 12, 1949. Graduated from Toho Gakuen College of Music in the Piano Department. An accomplished concert pianist, Kenichiro Haneda has a broad range of experience, including composing and performing music for movies and TV themes, as well as acting as a musical director for musicals and commercials. He has worked on numerous soundtracks such as NHK’s morning drama “Youth Family,” TBS’s “Women Work Hard” and “Life Is Full of Demons.” With his genre-defying approach to music and his bright, humorous personality, he is a sought-after multi-artist in various fields.

The letter:

I’ve worked quite a bit with Music Director Seiji Suzuki in the past. Suzuki gives me the music menu, and I’m the one who creates it. We’ve had some pretty detailed discussions about it. Of course, I’ve read the original work as well. When I read it at home, my daughter gives me a puzzled look, as if to say my interests have changed quite a bit (laughs). I think I wrote around 40 songs in total. The music is meant to have a Baroque sound while also feeling contemporary. The order was for something classical yet with a pop atmosphere. The image that immediately came to my mind was a rhythm section, with a harpsichord playing the melody. String instruments intricately marking the rhythm, much like Vivaldi’s Four Seasons. And on top of that, a flugelhorn playing the melody… Regarding the scenes where the piano is played, I played all of it myself. I often compose and perform my own pieces. It’s less about talent and more like playing two roles; maybe I contribute quite a bit to cost-saving (laughs). In any case, this work has a unique atmosphere. If the music I created successfully captures that, then I must again express my gratitude to Suzuki for coordinating everything. October 28, 1993, aired on NHK

Volume Four’s “Letter to Dear Brother”

Bio:

Hideaki Anno Born on May 22, 1960. Originally from Ube, Yamaguchi Prefecture. Height is 180 cm; weight is a secret. Debuted as an animator during his time at Osaka University of Arts, working on the TV version of “Macross.” Later worked on “Nausicaä of the Valley of the Wind,” the film version of “Macross,” “Royal Space Force,” and others, before directing “Gunbuster” and “Nadia: The Secret of Blue Water.” Currently planning new projects.

The letter:

Way to go!! Oniisama e… Wow!! The long-awaited, tumultuous Volume 4!! This volume shows us the peak of the series, from Mariko-san’s stabbing incident to the dissolution of the sorority. Amazing, this is really amazing!! Yes. Especially the heartbreaking breakdown of Nobuo’s family, and the portrayal of the sorority’s downfall reminiscent of the French Revolution, are things that are indescribable with words. Yes. The highlights this time are– Brilliant! Highly sophisticated direction and high-quality animation in Episode 27! Tear-jerking! In Episode 28, Mr. Nobuo Hikawa’s soul-stirring outcry!! Upon hearing those lines, my tears really wouldn’t stop. Seriously. Amazing!! Oh, so moving! The heartfelt words of Miya-sama at the end of Episode 32. The sight of Miya-sama waiting alone in the Sorority House and those lines really hit me hard. Moreover, as always– Incredible!! The world that reminds me of ‘Aim for the Ace!’ and ‘The Rose of Versailles’!! Impressive!! The drama unfolds only in limited settings, like homes, trains, buses, crossings, schools, and other familiar places!! Very Sophisticated!! The direction, composed of stillness and motion, light and black, feels so mature. As expected, Dezaki-san! And, Powerful!! Nanako-san is turning into an adult right before our eyes. Moreover, the music is also great!! I wish the BGM CD would come out soon. The use of chimes and telephones remains clever as ever!! Ah, the only thing missing is a bit more on the background elements… by H. ANO ‘93 10/27

The tiger is saying “It’s awesome, isn’t it!”

Written above the drawings of Mariko and Saint-Just: “These two are definitely the ones. Yes.”

Volume Five

Volume Five Subheading

The summer full of light ends, the eventful summer ends… And then the cherry blossoms bloom again… Brother, I am now… A satellite broadcast-born forbidden cult anime masterpiece! The final chapter on LD!

Volume Five Synopsis

Finally, the petition to abolish the sorority has garnered signatures from over two-thirds of all students. As the campus is in a state of upheaval, Saint-Just is lost in thought alone. One day, he calls Nanako out and promises to take her to the beach where he used to go often with his mother when he was younger. However, on the promised day, Saint-Just never shows up. His sudden death plunges many people, including Nanako, into the depths of sorrow. Among them, Kaoru, who is battling cancer and fearful of its recurrence, takes the news of Saint-Just’s death most seriously. She finds comfort in the warmth of Takahiko Henmi, but continues to stubbornly refuse his love, thinking about his future. Love, friendship, bonds… The fifth volume, titled “Chapter of the Fireflies,” explores the dignity, beauty, and value of human life. Seasons turn, and the cherry blossoms bloom again, bringing back familiar scents to Nanako. All of this is accompanied by the most beautiful “love.”

Volume Five’s “From the staff to all the fans”

Bio:

Riyoko Ikeda Born December 18, Showa 22 (1947). Native of Osaka City. Blood type AB. Graduated from Tokyo Metropolitan Hakutsuru High School and went on to the Philosophy department at Tokyo University of Education (now Tsukuba University). Began drawing manga during her time in school and debuted with “The Girl in the Rose Mansion.” In 1972, she achieved great success with “The Rose of Versailles,” acquiring a broad fan base that transcended the realm of girls’ manga. Known for her keen historical perspective and deep insight into human nature. Active as a writer and essayist as well. Her hobbies include Nihon buyo (Japanese traditional dance), oil painting, movie appreciation, vocal music, piano, cooking, and knitting. Her work has been selected for the 76th Nika Exhibition. Major works: “The Rose of Versailles,” “Window of Orpheus,” “Empress Catherine,” “To My Brother,” “At the Ends of the Sky,” “The Blue Pomegranate,” “My Manga” Books: “If Only Life Could Be Lived Once,” “Women of the French Revolution,” “Women Who Wrote Masterpieces” Currently writing “Eroica” and “Prince Shotoku.”

The letter:

As one who has journeyed far from that radiant chapter called youth, a time that shone with an almost awkward brilliance, I find myself in a peculiar blend of bewilderment and nostalgia. Seeing my old ideas of high school life come to life as animation almost 20 years later is surreal, to say the least. Still, it’s exciting: hearing voices given to these characters, seeing them talk, laugh, and get angry. Watching them come alive is truly a thrilling and satisfying experience. Ah, adolescence — everyone’s inescapable stairway to adulthood. Some people take each step slowly and carefully, while others rush ahead, ending up out of breath or even lost. And then, there are those who may lose their direction, standing still, contemplating each step. Wrapped in the love of family, meeting various people, nurturing friendships, experiencing love, and going through the ups and downs of hurt and forgiveness — it would be wonderful to climb those steps in such a way.

Volume Five’s “Letter to Dear Brother”

Bio:

Rumiko Takahashi Born in Niigata Prefecture. Debuted in 1978 with “Katte na Yatsura,” submitted while still in college, in Shonen Sunday. Famous works include “Urusei Yatsura,” “Maison Ikkoku,” and others. Currently serializing “Ranma 1/2” in Shonen Sunday.

The letter:

A masterpiece infused with the creator’s soul. When I heard from the staff that “Oniisama e…” was getting the anime treatment on satellite TV, I was surprised. I’d delved into the original comic before and it’s quite an eccentric story. “How are they going to pull this off?” I thought. But learning that the script was in the capable hands of my acquaintance Tomoko Konparu, I was very excited. In fact, the anime that aired was genuinely captivating. The characters are so larger-than-life that they electrify the screen the moment they step into frame. It’s been a long time since an anime had that kind of presence. I believe the animation is done by the same people who worked on “Tomorrow’s Joe 2.” The scenes are so visceral that you can almost feel the punches land and see the fighters hit the mat. I kept asking myself, “Why isn”t a mouthpiece flying out?” (laughs) My favorite character in the work is Nobuo Mariko. The scenes where she bites her lip until it turns a flushed red, I find it really cute. But what blew me away was the show’s emotional intelligence. Just when the heroine seems on the brink of breaking, a lifeline is thrown her way. This nuanced touch prevents the darker, more harrowing elements from overwhelming the viewer. It’s as if you can feel the sincerity of the creator throughout the piece.

And that’s it. Again, check out the full scans on Archive.org, and remember to encourage all your friends to experience this beautiful anime!

[letmeridethatstaff]

The Truman and (Y/N) Show

Chapter 2: A New Morning

Please do not repost. Do not translate and repost. I do not own The Truman Show this is simply parody.

Word Count: ~1,500

Relationship: Truman Burbank x Reader; established

Warnings:

- Kidnapping (essentially)

- talks of schizophrenia

- Reader basically has a panic attack

- Truman also freaking out

- bad mother in law relationship

- briefly edited but not a lot

~~~

The next day both Truman and (Y/N) had a slow start to the day. Embraced in one another and talked about the new magazine Truman had picked up yesterday. She talked about her art. Even though they never spoke about the incident at the ferry pier, they never had to when they understood one another.

~

“Hello?” (Y/N) picked up their home phone after she had started making a late breakfast.

“(Y/N) I saw my dad!” It was Truman frantically whispering through the telephone.

“What? What are you talking about Truman?”

“Listen I can’t talk here meet me at my mothers and I’ll explain everything.”

“Okay just be safe love you.”

“I love you too.” They hung up. (Y/N) made toast to go and headed to Truman’s moms house.

~

After explaining what he saw. “Am I going insane?” He was sitting in front of his mom holding (Y/N)’s hand. She was rubbing her thumb back and forth across the backside of his hand.

“It doesn’t sound insane at all, Truman.” (Y/N) tried comforting him.

“Oh my dear I see him 10 times a week. In a hundred different faces. Why I almost hugged a perfect stranger in the salon last Thursday!” His mom stated.

“It was dad,” Truman urged. (Y/N) started rubbing his back. “I swear! Dressed like a- a homeless man, and you know what else was strange? A businessman and a woman with a little dog came out of nowhere and forced him onto a bus!” (Y/N) was concerned now and her interest peaked there was no way Truman was making this up.

“Well I’m glad they finally started cleaning the trash up downtown. Before we become like the rest of the country.” (Y/N) and Truman’s mom didn’t always get along.

“Well…” (Y/N) started to say, “they never found a body.” She shrugged her shoulders. Truman snapped his fingers at her. But his mother gave her a dirty look.

“Yes! See (Y/N) understands! Maybe somehow-“ Truman’s mom groaned. “Well if it wasn’t him then it was his twin! Did he have a brother?!” Truman had started to pace now.

“Truman, you know perfectly well that your father was an only child. Just like you.” Truman stops standing and goes to sit back down by (Y/N). “You both are just feeling bad because of what happened.” (Y/N) held in a scoff but was more than pleased to shoot daggers at her. “You two sailing off into that storm- I never blamed either of you-“ (Y/N) highly doubted that, “I don’t blame either of you now.” She patted Truman’s knee in a comforting manner.

~

After speaking with his mother, Truman took the day off and spent the day with (Y/N). Watching her paint and thinking. Both ended up in the basement looking at old memories: photos of Truman’s dad, a map to Fiji, and the cardigan Sylvia/Lauren had gifted (Y/N) before she was taken.

The scene transitions to Seahaven High. There (Y/N) is in the field with Sylvia/Lauren. Their chatting and then she catches eyes with Truman. Starring longingly at one another but looking away. “Do you like him?” Her friend asks,

“We’re childhood friends but it’s…been different lately with it being high school and all.” She nods in understanding.

“Well if you want,” she emphasizes, “you should ask him out.” (Y/N) shakes her head no in ernest, “Oh no no no he’s supposed to be with a cheerleader like Meryl and I’m supposedly supposed to end up with a guy like Marlon. At least that’s what my mom keeps telling me.” She shakes her head, “No-no (Y/N) forge your own path. You shouldn’t be forced to love someone you don’t.” (Y/N) gives a shy smile, “Thank you.”

~

The scene then changes to the school dance. (Y/N) ends up dancing with Truman. She took her friends advice and was thankful for it. She saw her across the dance floor and kept smiling at her. She was about to go over to her when men in suits talked to her and took her outside. (Y/N)’s concern was growing.

~

The scene then changes to the school library. Truman and (Y/N) are studying for their upcoming test. Meryl and Marlon are trying to get them to hang out. Of course being the good students they were and trying to get some alone time they didn’t go along. They were studying flashcards when (Y/N) noticed her friend.

“Hey!” (Y/N) scooted her chair over to Lauren’s.

“Oh hi (Y/N).” Lauren was looking around almost concerned.

“Are you okay Lauren? I saw you leave the dance.”

“I’m fine.” She tried reassuring her and waving her off. “But uh (Y/N) I-I’m not allowed to be friends with you anymore.” (Y/N) was panicked.

“What why?! You’re my best friend.” (Y/N) grasped her hands.

“Please (Y/N),” (Y/N) needed to know more and make sure her friend was safe. Maybe it was her dad or her mom stopping the friendship.

“Come with me. Please so we can talk.” She urged Lauren.

“Okay.”

They got up, (Y/N) telling Truman she’d be back. Lauren took her all over the place and out the door. They ran to their favorite spot on the beach. Lauren took off her cardigan and they ran down the sand dune. Making it act as a makeshift cape.

“(Y/N) they don’t want me to talk to you. We have so little time. Their watching us.”

“Please please tell me, tell me your safe. Whose they?” All of a sudden a car started racing down the sand dune.

“They’re here!”

“Who? Whose here? Your dad?”

“(Y/N) listen to me: everybody knows about you. Everybody knows about Truman. Trust Truman! Everybody knows everything you two do. They’re pretending, (Y/N),” Lauren was frantically grasping (Y/N)’s arms. “Do you understand?! Everybody’s pretending, everybody, except you and Truman!” She was urgent and rushing her words.

“L-Lauren I don’t understand!” (Y/N) held concern in her eyes for friend.

“No! No my names not Lauren! It’s Sylvia! My names Sylvia!!”

“Sylvia?”

“Yeah!” The car finally reached them and her dad stepped out.

“Lauren, sweetheart, not again.” Again?

“Who are you?” (Y/N) questioned.

“I’m her father.” (Y/N) never met Lau-Sylvia’s father before but this man didn’t act like a father should.

“I’ve never seen this man before in my life!” Sylvia was clutching on to (Y/N). (Y/N) was ready to risk it all and have them rush back to the school. The man started to take Sylvia away from her.

“Hey! Hey wait a minute!”

“(Y/N) listen to me everything I’ve told you is the truth!” She picked up sand and put it in (Y/N)’s hands. “It’s all fake! The sand, sky, the sea- it’s all a set! For you and Truman! It’s all a show! Everybody’s watching both of you! Please don’t listen to him. He’s gonna lie to you! They’re watching us now!” Sylvia had been put into the car by her “dad”.

“Hey let her go!” (Y/N) pushed the man and tried to go for the door of the car. The man quickly stood in front of the car door, “Schizophrenia! She suffers from schizophrenia! We’ve tried everything shock therapy, hypnosis-“ a horn was being honked by Sylvia.

“You’re not the first. She brings all her so called friends down her and does the same act.” The man got into the car. Sylvia leans over the man to the open window towards (Y/N).

“Get out of here- both of you. Come and find me!” She urgently whispers.

“We’re going to Fiji!” Her “father” states. There were tears in (Y/N)’s eyes. They drove off. (Y/N) was panicking, she picked up the red cardigan out of the sand, she ran to the nearest phone booth and called 911. Explaining the whole situation to them. She then ran home and called Truman asking him to come over. She was distraught at losing her best friend. She clutched the cardigan and layed down on Truman’s lap. He rubbed her back listening to it all.

~

Audience memeber 1: “why didn’t she just follow her to Fiji?”

Audience memeber 2: “Truman’s mom got really sick and so did her dad. She couldn’t leave any of them. She’s so kind. Maybe she’s too kind.”

Audience memeber 1: “How did she cope?”

Audience Memeber2: “she fell into her paintings. That’s how she got so good. A lot of people think it’s so she can replicate the one she lost. And Truman was her landline as well.”

Their boss walks up behind them.

“Excuse me. Come on, Sal. We’ve already got this on the greatest hits tape.”

Audience member 1: “Can I borrow that?”

~

The scene switches back to Truman and (Y/N) in the basement. (Y/N) thinking about Sylvia and looking off into the distance. Rubbing her thumb across the cardigan as she held it close to her chest. Truman starts unpacking the magazine pieces for her. Going through the pieces together, she finally finds the pair of eyes of her best friend. Sylvia and (Y/N) weren’t ones to take photos together- (Y/N) being camera shy. She regretted not taking photos more. But her art was a way to find Sylvia whether that be trying to paint her or making a collage. She had to find Sylvia- they both did- they needed answers. They needed Fiji.



[room-surprise]

When does Dungeon Meshi take place?

This is an excerpt from Chapter 2 of my paper, "Real World Cultural and Linguistic Influences in Delicious in Dungeon." Dungeon Meshi takes place in the year 514, however we don’t know how that number relates to anything else in the Dungeon Meshi world, so it isn’t really useful for identifying what era Kui is trying to depict.

It can’t be that the Ancient Cataclysm happened 514 years ago (it was still referred to as ancient history by Thistle and Delgal a thousand years ago), and it can’t be when the current elf queen’s reign began (she’s only 372), so it’s either marking some other major event, like the beginning of the reign of a royal family or the end of a war, or they reset their calendar at regular intervals, such as every two-thousand years for record-keeping purposes.

In the real world, 514 CE would have been the early Medieval era, just after the collapse of the Western Roman Empire, which left Europe fractured into many small Germanic kingdoms competing with each other. It was also the beginning of the Asuka period in Japan, and the end of the Northern Wei Dynasty in China.

This has some similarities to the world we’re shown in Dungeon Meshi: the Western elves have abandoned most of their land in the Eastern hemisphere, leaving the local dwarven, gnomish and tall-man people (whose cultures are primarily Germanic) to fight amongst themselves for the land. A massive upheaval caused by a major imperial power collapsing.

However, based on character behavior, culture, clothing and technology, Dungeon Meshi appears to be set in a vaguely Renaissance (1450 CE-1650 CE) time period, with some elements from classical antiquity (800 BCE-500 CE), the Medieval era (476 CE-1300 CE), as well as some hyper-advanced steampunk/magic technology and modern day anachronisms. (Potential spoilers beyond the cut.)

The technological and artistic development of the different cultures is very different, with the long-lived races appearing to live a more modern lifestyle than the short-lived races. In the extra materials, Toshiro implies that Falin might find the Island of Wa “primitive” because they lack the social and technological advancements that come from contact with the long-lived races, and the Western elf Fleki calls the Eastern Continent a “primitive land” while complaining about the quality of life.

Based on this and additional evidence, we can reasonably conclude that the elven lands in the West are probably the most “modern”, followed by the lands in the Eastern hemisphere, with the Eastern Archipelago lagging the furthest behind.

Because of this difference between the races, it makes sense that we see a mix of different eras and styles of technology and clothing. For example, we see characters wearing Neolithic fur garments, Greco-Roman tunics, and Medieval garments as everyday clothes at the same time that other characters wear Renaissance and even 19th century-influenced garments.

Meanwhile, many things in the Dungeon Meshi world have also remained unusually stagnant for far longer than they did in the real world. Realistic oil painting seems to have remained unchanged for more than a thousand years, and Medieval-looking clothing that was worn a thousand years ago is still being worn in the “present” day, virtually unchanged.

There are also some things that are much more advanced than the Renaissance period, like steampunk elevators, and magical communication that works through birds/fairies/crystal balls/telephones and allows for instant contact across the globe… A huge advancement that should impact every element of life and society, thanks to the ability to easily exchange information.

In the real world, instant communication is the foundational element that makes things like precise time-keeping, time-zones, advanced banking, stock markets and news reporting possible… So one can assume that some of these things might possibly exist in some form in the Dungeon Meshi setting.

[antimony-medusa]

Hi! To preface: I don't think there's any one right or wrong answer to my question necessarily, but I value your opinion as a level-headed adult in this fandom who can probably provide sensible input on the issue I'm having, so I thought I'd ask.

If a CC asks for their character not to be drawn (specifically referring to fanart, which they likely saw on Twitter) in a sexualised way, what does that mean for written fanwork content? Is it "wrong" (putting this in quotation marks since that's a loaded word, to say the least) to write nsfw content about said character and post it on Ao3, considering the differences in visibility/CC knowledge of those platforms, as well as the general consensus/expectation that CCs don't generally read fanfic anyway? Where is the line between "you should respect the CC's wishes" (avoiding the word "boundaries" since that's also very loaded in mcyt spaces) and "you can do whatever you want forever; fanworks are created by and for fans, not for the creators" drawn? Does "just don't put it where they can see unless they go looking" (i.e. correctly tagged on Ao3, not on a CC-frequented site like Twitter) apply? Would it be better not to do it at all, or only create and share said content in private spaces like Discord? Or is this all a "there is no single 'morally correct' answer, make your own personal judgement" thing?

(Sorry for the long-winded question but this is genuinely something I'm struggling with right now, lol. As I said I value and respect your opinion and views about these kinds of things in fandom, so if you have anything to say on the matter I'd appreciate your input!)

Alright so, obligatory warning for discourse on this one right at the top, and possibly also long post. These tend to be me rambling.

This is a situation that I think it's fair that a lot of people disagree. Your personal comfort level with making NSFW content in general is not where my comfort level is, we can come to totally different equilibriums. And then you add in creators expressing that they don't like seeing NSFW content of their characters, and people end up in a whole lot of different places, whether that's a complete no on shipping or NSFW, or people feeling fine to consume it but not create it, or only if it's archive locked, or only specific ships or smps, or whatever. I think it's fine that we don't all agree on this, creation is a fickle beast and we are in a weird place as a fandom of being not rpf but kinda cousins, and we can get *really* close to the creators with twitch and twitter, so people's comfort level in meshing all the parasociality and roleplay and real life of it all can end up in a lot of different places.

I just think that the most important thing for the fandom being a healthy place to spend time on the internet is that we don't go aroud sending hate/abuse to those we disagree with. a) i don't agree with internet mobs or suicide baiting or anon hate in general, b) the number of times I have seen internet games of telephone happen when it comes to this subject is unreal. To use an example from literally today, I saw someone saying that Pac of qsmp pacmike was uncomfortable with shipping art and fic and we all should stop shipping immediately, and once I tracked it back to its source, it turns out that what had happened was the creator said that he wasn't a fan that all the art was of him in the jumpsuit that used to be his skin, he has a new skin now, which turned into sexy jumpsuit art was the problem, which turned into pac hates all sexy fan art, which turned into "pac is being bombarded with nsfw art and shipping and he hates it". Now he might actually also not like NSFW art, but that's not actually what he was adressing, but it was certainly what was being circulated! So like, people warning me off of certain subjects— how do I know that they're actually accurate or if twitter just went twitter on a passing mention of something someone said on a twitch stream?

So I think it's way way way healthier for us as a fandom to sometimes disagree on the subject of "what we're drawing/writing about" and when that happens we implement Don't Like; Don't Read, and we just ignore that, or block if necessary. Don't Want To See it? Simply Don't See It. It's a bad idea to start hate campaigns for sinners, and half the time it's based on bad information anyways.

But in cases that you do know that the creator doesn't want to see that, you found an accurate clip? So this is a case where I think that there's no single moral answer to this that everyone is gonna agree on. We're all coming at it from too many different cultural backgrounds and different streamers in mind and comfort levels with NSFW in general. I don't think there is a firm answer that is gonna make you morally safe. But my personal feelings is that in cases where we know the creators doesn't want to see that, I think the important part there is that the creator never sees that, not that we stamp it off the internet entirely.

I do think, personally, ymmv, that you are not necessarily doing anything morally wrong with drawing or writing NSFW of someone's character, even if they think it's weird. There's a long history of creators saying "you can't do [this] with my characters," and it happens to be you can't [make them gay] enough to make me uncomfortable in general principle with saying creator of the character gets to call the shots in all settings forever. This happened with Anne Rice and with the supernatural fandom and like— it's the internet, we get to make the characters be gay together. This is the making sex jokes about fictional characters website, and Ao3 is the making porn about fictional characters website. I think it's fine if it exists on the internet, the question comes down to one of what we're forcing the creator to see, or what we're putting where they'll stumble upon it. Like, examples from real life— if you have a friend who's vegan, it's polite to not spend time rhapsodizing about how good meat is around them, and if you know that meat makes them sick, it's polite to do a meatless meal around them. That's a human person you want to be okay around you. But that's their boundary for their life, not yours, so even when you're being polite you have no obligation to go vegan when they're not around. And they have a politeness obligation to not walk into a steakhouse and freak out because there's meat there. They have a boundary for their life, and I'm going to respect it, but my life is a different story, and they need to take reasonable steps to protect their boundaries and not just expect everyone else to conform to them.

Or walking by someone on the street and waiting till they're out of earshot and then going "jesus christ that guy was hot" to your friends— that's fine. That's normal human behaviour. What becomes rude is when you make it hot guy's problem and yell at him. Being attracted to someone in your own space is not a problem. I'm aroace, I am not going to be in a relationship with anyone. I'm not going to ban having crushes on me, as long as you don't make it my business. Talking about an attractive person in your own space is not a problem. Being sexual in your own space— and again we are talking about fictional characters, the way I see it, these are lies we're telling about folks that are not real, who live in little minecraft worlds— that's fine. The problem is if we start catcalling people about it.

When you walk into fandom spaces you are walking into a space where we all like taking fictional guys and telling stories about them and a good portion of those stories are going to include kissing. That is not necessarily baseline normal for like, all of humanity, but people talk about tv shows they watch as one of the classic work small talk techniques. Fandom takes the "I hope ted gets together with jessica" "no he needs to work on himself first" discussion and writes stories, is all, to share with each other. Privately. On our special private website where there's a button you can click to hide your work from search engines and another one to hide it from logged-out users. If you log into the website and search things up, no tags blocked, what you find is on you for saying "I will see literally anything that exists on this subject in a space meant for literally anything". You will find gore. You will find kissing. You literally just opted in to seeing it. That's on you.

So like, there's my little defense of nsfw work existing in general, I think it existing is not a problem. I do think that we should keep it FAR AWAY from streamers. They get to set the rules for their spaces, and if someone doesn't want to see sexualized fan art, I do think we should make sure that in a reasonable way, they never have to see sexualized fan art/fic.

So like me personally, I'm going to hit that Ao3 button to hide my work from search engines, and anything NSFW (or shippy, depending on the person) is not going to go into the main tags on tumblr or twitter or anywhere I'm aware that the creators ever check that tag, and I'd probably archive lock it if the creator had publically mentioned being uncomfortable with it, and if I was regularly posting NSFW I'd block the creators on social media with any account I discuss NSFW with. I want to make sure that I am talking to my friends about the cubitos, not catcalling someone.

And I would probably err on the side of caution when it comes to social media sites that creators are on? Okay so the fandom has a habit of saying that NSFW and Shipping is BAD and can't exist, on the one hand, but on the other hand it says that anything that isn't Bad Wrong Shipping/Explicit NSFW is fine, which leads to like— extremely sexy thirst trap art being drawn and then the creators are tagged. People putting family dynamic fics that really pushes that envelope in the main tag. Gahhhhhh????? No? Don't do that?

I think it would be healthier in the fandom if we did a lot more going "this is for the fandom, not the creator" and we don't tag creators on twitter, and we took our little kissing fics, or gore, or kidfic, or neurodiverse headcanons, or anything else it might be not for the creator to see, and we kept it in fandom spaces and away from creators. But Ao3 is that fandom space that you have to opt into, it's literally archive of our Own, for fans, in that space as long as you tag it you're good.

So the TL;DR of this all is that my opinion is that if you tag it correctly on Ao3 you're fine. Maybe archive lock it. Keep it off twitter. Don't make it the streamer's problem, and you're good.

[dragoneyes618]

The first Jews I met in Moscow on my 1973 visit were Vladimir and Masha Slepak, who three years earlier had applied for permission to leave Russia for Israel. At the time, their three-year wait seemed intolerable. I returned to the United States, kept in touch with the mfor a while, and continued to read about their case, which was frequently cited in the news. Finally, in 1987, fourteen years after we had met and seventeen years after they had first applied, the Slepaks were allowed to leave for Israel.

A leading Jewish activist, Vladimir Slepak became the most famous of the refuseniks, Jews whom the Soviet Union refused to allow to leave. The Soviets often gave no explanation for the denial of an emigration visa, though they frequently attributed it to state security. Slepak was told that because he had worked as an engineer years earlier, it was feared that he would divulge Russian secrets to the West. The explanation wa s absurd, since any technological know-how that Slepak and the several thousand other refuseniks had, had long been superseded by the West's. One refusenik, Benjamin Bogomolny, actually entered the Guinness Book of World Records as "most patient' - he waited twenty and a half years to get permission to leave Russia (1966-1986 - from the time he was twenty till he was forty).

The refuseniks' plight was horrendous. As soon as they applied to leave Russia, they were fired from their jobs; because the government is the only employer in Communist societies, it became impossible for them to find other work. Many Jews throughout the world sent the refuseniks money, a hefty percentage of which the government confiscated. Although many refuseniks were highly educated, they often had to accept whatever jobs were offered them (for example, cleaning streets at night) to avoid being arrested as "parasites (a Soviet classification for any able-bodied person unemployed for more than two months). Yosef Begun, a Jewish mathematician who taught an underground Hebrew class, was fired from his job when he applied to live in Israel, then convicted for not working and sent to Siberia.

In Novosibirsk the Poltinnikov family, Isaac, Irma, and their daughter Victoria, all three physicians, were refused permission to leave for Israel for nine years. Throughout this period, they were forbidden to work in their professions and were constantly harassed. The KGB periodically arrested them, subjected them to long interrogations, and on one occasion killed their dog. When the family was finally given permission to emigrate in 1979, Irma and Victoria concluded that it was a KGB trick, that they would all be arrested at the airport. Isaac Poltinnikov did leave and went to Israel. He immediately invited his wife and daughter to join him. The Soviets refused them permission. Irma died soon thereafter from malnutrition (she was afraid to leave her apartment), whereupon Victoria committed suicide.

Throughout the 1970s and 1980s, pro-Soviet Jewry organizations focused tremendous efforts on securing the refuseniks' emigration. It became common for Jewish communities and Jewish schools throughout the United States and Europe to "adopt" refusenik families, often writing and telephoning them. At many Bar and Bat Mitzvah celebrations, a young American Jew would "twin" himself or herself with a child reaching Bar or Bat Mitzvah age in Russia.

The refuseniks themselves served as the leadership of the Russian-Jewish revival that started after the 1967 Six-Day War. When my friend Dennis Prager visited Russia in 1969, a refusenik named Tina Brodetskaya asked him to smuggle out a document attacking Soviet antisemitism. When he asked her if she wasn't afraid of being sent to prison, Brodetskaya said: "Where do you think I am now?" Brodetskaya was subsequently permitted to leave for Israel.

With the rise of Gorbachev's policy of glasnost (greater openness and freedom), most of the longest-waiting refuseniks were permitted to leave, after having spent many of what should have been the most productive years of their lives unemployed, in fear of arrest, and under constant attack by their peers and neighbors.

- Jewish Literacy, Rabbi Joseph Telushkin, pages 504-506

[haveyoulistenedtothisalbum-poll]

Tracklist:

恋のI・RO・HA教えます [Koi no I・RO・HA Oshiemasu / Teaching the ABC's of Love] • トゥインクル・スマイル-UMix- [Twinkle Smile -UMix-] • 晴れ晴れノート [Hare Hare Notebook / Sunny Sunny Notebook] • とらでぃしょなる☆じゃぱん [Traditional☆Japan] • テレフォンライダー [Telephone Rider] • HEART • 5cm先の恋-compilation ver [5cm Saki no Koi -compilation ver] • その唇は傲慢なり～Message of curtain STYLE～ [Sono Kuchibiru wa Gouman Nari ~Message of curtain STYLE~] • 方舟ver2.0 [Hakobune ver2.0] • 落花葬 [Rakka Sou / Funeral's Falling Petals] • 扉の向こう [Tobira no Mukou / Behind the Door] • ああ神様、あなたは。[remix] [Aa Kami-sama, Anata wa. [remix]] • Rera -Remaster Version- • P.a.r.a.l.y.z.e. • ウソとパレード-SPECIAL EDITION- [Uso to Parade -SPECIAL EDITION- / Lie and Parade -SPECIAL EDITION-] • 夜明け [Yoake / Daybreak] • 世界は難しく出来てない [Sekai wa Muzukashiku Dekitenai]

Submitter's Note: An album of songs using the vocaloid "Nekomura Iroha". Iroha was made by AH-Software Co. Ltd. in collaboration with Sanrio, as a part of their "Hello Kitty to Issho! (With Hello Kitty)" Project. Her voice provider is the singer Kyounosuke Yoshitate.

Youtube

[pupcat-is-amare]

(Mostly) Shitpost Song Associations w/ Various Characaters from Various Places. Don’t take these too seriously lmao

• “You’ll Be Back” from Hamilton, but it’s Sunday from HSR

• “Through Patches of Violet” by Mili, but it’s Sunday + Robin from HSR (I actually made custom lyrics for this one, ha!)

• “I Go To The Zoo” from Crazy Ex-Girlfriend, but it’s Laios from Dungeon Meshi

• “Shinunoga E-Wa” by Fujii Kaze but specifically the Mickey Mouse Cover by Leo Hashee, but it’s Laios Dungeon Meshi

• “You’re Not Fooling Anyone” by Whitney Avalon & Brendan Milburn, but it’s Marcille from Dungeon Meshi (if she went off more than usual)

• “Touch-Tone Telephone” by Lemon Demon, but it’s Siffrin from In Stars And Time

[ninelanguages]

Kanji for "long", "chief", "head"

長 = chou / naga•i

長い - Nagai - long / lengthy / prolonged / protracted - ながい

長電話 - Nagadenwa - long telephone conversation - ながでんわ

社長 - Syachou - the company president - しゃこう

部長 - Buchou - the manager [head/director] of a department - ぶちょう

長所 - Chousho - a strong point / a good point / a merit - ちょうしょ

身長 - shinchou - height (of body) / stature - しんちょう

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Kanji for "wind", "breeze", "manners", "customs"

風 = kaze / fuu / fu / kaza

和風 - Wafuu - Japanese style - わふう

風上 - Kazakami - (the) windward (side) - かざかみ

風 - Kaze - a wind / a current of air / a breeze / a draft - かぜ

風邪 - Kaze - (a) cold / the common cold - かぜ

風邪を引く - Kaze wo hiku - to catch (a) cold / to get a cold - かぜをひく

風呂 - Furo - a bath - ふろ

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Kanji for "sky" "air", "heaven(s)", "celestial sphere"

天 = ten / ame / ama

天ぷら - Tenpura - deep-fried battered vegetables and seafood - てんぷら

天気 - Tenki - weather - てんき

天井 - Tenjou - the ceiling - てんじょう

天才 - Tensai - (a) genius (for) / a natural girft (for) - てんさい

いい天気 - Iitenki - good [nice, fine, pleasant] weather - いいてんき

天国 - Tenkoku - Heaven - てんこく

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Kanji for "thick woods", "forest"

森 = shin / mori

青森県 - Aomoriken - Aomori prefecture (of the tohoku area) - あおもりけん

森林 - Shinrin - a forest / a wood / the woods - しんりん

森 - Mori - a wood / woods / a grove / a forest - もり

森林浴 - Shinrinyoku - walking in the woods [forest] (as therapy) - しんりんよく

森田さん- Moritasan - mr. [ms.] Morita - もりたさん

森林公園 - Shinrinkouen - a forest park - しんりんこうえん

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Kanji for "forest", "woods", "grove"

林 - hayashi / rin

山林 - Sanrin - a forest (on a mountain) - さんりん

杉林 - Sugibayashi - a (Japanese) cedar forest - すぎばやし

林道 - Rindou - a path [trail] through the forest - りんどう

林業 - Ringyou - forestry - りんぎょう

雑木林 - Zoukibayashi - a grove of mixed trees - ぞうきばやし

林 - Hayashi - a grove / a small wood / a copse - はやし

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Kanji for "believe", "trust", "have confidence in", "message", "signal"

信 = shin

信用 - Shinyou - trust/ credit/ confidence/ reliance - しんよう

信号 - Shingou - a signal/ a traffic light [signal]/ signaling - しんごう

信仰 - Shinkou - (religious) faith/ belief - しんこう

自信 - Jishin - (self-)confidence - じしん

通信 - Tsuushin - correspondence / communication / news - つうしん

信じる - Shinjiru - to believe/ to accept as true/ to be convinced - しんじる

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Kanji for "oneself", "self", "by itself", "naturally"

自 = ji / shi / mizuka•ra

自分の - Jibunno - one's own/ personal/ private - じぶんの

自ら - Mizukara - oneself/ (for) oneself/ personally/ in person - みずから

自由 - Jiyuu - freedom / liberty - じゆう

不自由 - Fujiyuu - inconvenience/ poverty/ want/ disability - ふじゆう

自己紹介 - Jikosyoukai - self-introduction - じこしょうかい

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Kanji for "divide", "minute", "part", "understand"

分 = bun / fun / bu / wa•keru / wa•kareru / wa•karu / wa•katsu

分かる - Wakaru - to understand/ to see / to know / to realize - わかる

分かれる - Wakareru - to be divided [split] (into) / to branch off (from) - わかれる

自分 - Jibun - oneself/ I - じぶん

十分な - Jyuubunna - plenty (of) / sufficient/ thorough / enough - 十分な

水分 - Suibun - moisture (content) / water / juice - すいぶん

分ける - Wakeru - to divide [split, part] / to distribute / to classify - わける

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Kanji for "beautiful", "pretty", "lovely", "good", "superior"

美 = bi / utsuku•shii

美容 - Biyou - beauty / a good figure - びよう

美容院 - Biyouin - a beauty salon [shop, parlor] - びよういん

美人薄命 - Bijinhakumei - rare beauties die young - びじんはくめい

美人 - Bijin - a beautiful woman / a beauty / a pretty girl - びじん

美しい - Utsukushi - beautiful (woman)/ lovely / fine (voice) / noble - うつくし

美術 - Bijutsu - fine art / the fine arts/ art - びじゅつ

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Kanji for "half", "semi-", "hemi-", "halfway"

半 = han / naka•ba

半額 - Hangaku - half the amount [sum, price, fare] - はんがく

半ば - Nakaba - middle / half / semi / halfway / partly - なかば

半年 - Hantoshi - half a year / a half year - はんとし

二時半 - Nijihan - two-thirty (o'clock)/ half past two (o'clock) - にじはん

半島 - Hantou - a peninsula - はんとう

半分 - Hanbun - (a) half - はんぶん

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Kanji for "restful", "feel at ease", "cheap"

安 = an / yasu•i

安心 - Anshin - relief / peace of mind - あんしん

目安 - Meyasu - a standard - めやす

不安 - Fuan - uneasiness / anxiety / insecurity - ふあん

安全 - Anzen - safety / security - あんぜん

安らぐ - Yasuragu - to feel at ease - やすらぐ

安い - Yasui - cheap / inexpensive - やすい

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Kanji for "older sister"

姉 = ane / shi

姉 - ane - one's older sister - あね

姉妹 - shimai - sisters - しまい

お姉さん - oneesan - a (one's) older sister - おねえさん

義理の姉 - giri no ane - one's older sister-in-law - ぎりのあね

姉妹校 - shimaikou - sister schools しまいこう

姉貴 - aneki - one's older sister - あねき

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Kanji for "younger sister"

妹 = imouto / mai

姉妹都市 - shimaitoshi - sister cities - しまいとし

妹 - imouto - one's younger sister - いもうと

従姉妹 - itoko - a female cousin - いとこ

妹さん - imoutosan - (somebody else's) younger sister -いもうとさん

義理の妹 - giri no imouto - ぎりのいもうと

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Kanji for "small", "minor", "little", "short"

小 = chii•sai / ko / o / shou

小銭 - kozeni - small change (as in money) - こぜに

小さな - chiisana - small (voice)/ minor (mistake)/ tiny (turtle) - ちいさな

小川 - ogawa - a stream / a brook/ a creek / a rivulet - おがわ

小さい - chiisai - small / little / tiny - ちいさい

小説 - syousetsu - a novel/ a story/ a work of fiction - しょうせつ

小指 - koyubi - the little finger / the pinkie - こゆび

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Kanji for "few", "little", "small"

少 = suku•nai / suko•shi / syou

少女 - Syoujo - a young girl - しょうじょ

少々 - Syousyou - a little / a few / slightly / for a moment / briefly - しょうしょう

少ない - Sukunai - few / little / there are a few (...) / have a little (...) - すくない

少年 - Syounen - a young boy - しょうねん

少し - Sukoshi - a few / a small quantity (of)/ a little - すこし

少しも - Sukoshimo - (not) in the least/ (not) at all/ (not) a bit - すこしも

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Kanji for "body", "object", "form"

体 = karada / tai / tei

具体的な - Gutaitekina - concrete / definite/ specific - ぐたいてきな

体重 - Taijuu - one's body weight - たいじゅう

体 - Karada - a [the] body / a physique/ awkward - からだ

体裁の悪い - Teisai no warui - unbecoming / awkward - ていさい の わるい

体調 - Taichou - one's physical condition - たいちょう

全体の - Zentai no - whole / entire/ general - ぜんたい の