#Takashi Kako

[oh-sunny-sun]

― 加古隆 | 水の前奏曲 ―

今日の音楽の,聴き始めはこのアルバム♪

2023年10月28日 土曜日

‘Takashi Kako | Préludé de l'eau’

This album is the first time I've listened to today's music.

Saturday, October 28, 2023

[softpinecone]

tumblr.com / softpinecone / 767910598047563776 do you happen to know the song title? and the artist? thank you

kankei by takashi kako ♪♬♪♫

[smoldermid]

Takashi Murakami

Takashi Murakami je jedan od onih umetnika koji stvarno zna kako da spoji prošlost i sadašnjost, a pritom koristi pop kulturu na potpuno novi način. Njegova najnovija izložba, Monsterized, definitivno to dokazuje. Ako voliš umetnost koja se igra sa simbolima i likovima iz animea i mange, ali ti u isto vreme daje prostor da malo dublje razmisliš, onda je Murakami prava stvar za tebe.

Njegova izložba je puna ogromnih, šarenih skulptura i slika koje izgledaju kao da su izašle direktno iz neke crtane serije. Ono što je meni posebno zanimljivo je način na koji koristi tehnologiju i digitalne medije, pa njegove izložbe nisu samo klasične galerije. U Monsterized izložbi, recimo, Murakami koristi likove i simbole iz japanske pop kulture i menja ih tako da izgledaju kao čudovišta, što savršeno prikazuje njegovu sposobnost da spoji tradicionalnu japansku umetnost sa modernim svetom.

Naravno, sve izgleda veselo i šareno, ali ispod te površine kriju se dublje poruke. Murakami često komentariše savremeno društvo kroz svoju umetnost, koristeći likove koji simbolizuju promene u svetu tehnologije, globalizacije, pa čak i pandemije. Ono što je još zanimljivo je kako on koristi ogromne formate – slike i skulpture su ogromne i stvaraju osećaj da si u nekoj alternativnoj dimenziji.

Ako si u prilici da posetiš ovu izložbu, ili jednostavno istražiš njegov rad, definitivno ćeš doživeti nešto drugačije. Murakami uspeva da kroz šarenu, zabavnu umetnost donese ozbiljne teme koje te nateraju da malo razmisliš o svetu oko sebe.

[dopingconsomme]

2024年07月01日の記事一覧

2024年07月01日の記事一覧 (全 20 件) 1. #pikimovとは何か?AfterEffects無料の代替オンラインモーションデザインとビデオエディタ　#七01 2. #sinkとは何か?アナリティクスを備えたシンプル/スピーディ/セキュアなURL短縮,Bitlyのオープンソースの代替　#七01 3. Flow - GO!!! - From THE FIRST TAKE 4. Tatsuya Kitani - 青のすみか - From THE FIRST TAKE 5. Nagi - 空が凪いだら 6. Alia - emotion 7. Lisa - 拝啓、わたしへ 8. 栗林みな実 - STRAIGHT JET 9. 松本晃彦 - 1億5千万の奇跡 10. Takashi Kako - パリは燃えているか - オープニング・テーマ 11. Jessica - The Legend of "The Ancient Magus Bride" 12. Katsuo Ohno - 名探偵コナン メイン・テーマ(から紅ヴァージョン) 13. 風真いろは - 魔法少女まじかる☆ござる - Instrumental 14. 和ぬか - 言魂 15. 美波 - Good Morning 16. aqualis - I Don't Wanna - Sped Up 17. 湊あくあ - プリンセス・キャリー 18. 米兵による性的暴行事件��15件が非公表か　1995年～2024年の30件中　23年以降は��捕や起訴後も公表せず　沖縄県警の判断が変容 | 沖縄タイムス＋プラス 19. ダイヤモンドダスト - Cycle Of Sorrow 20. 「中国のスパイ」疑惑のフィリピン女性市長、中国人だった…「指紋一致」 July 02, 2024 at 05:00AM

[azariy]

アルストの周回作業がツラい時に脳内で最近よく流れる曲。(´･ω･｀)

[music-n-romantic-dreams]

The bigger you are the more eyes are on you.

The same thing applies in the celestial world.

Some people would be intimidated.

But I feel at peace knowing I have powerful beings who love me unconditionally and have the the upmost faith in me watching over me.

I be out the way.

I just tryna have fun in the most ethical ways possible.

And understand ethics has more to do with the way your community operates not the way everyone operates.

Everyone is different.

Live in a way that keeps this world in balanced and that makes the people around you comfortable and that doesn’t negatively impact others.

Everyone’s ethics aren’t the same that’s why boundaries is key in order to coexist.

Trust me I analyze everything I’m exposed to you can’t expect everyone to want to live the same way you desire to.

But as long as we respect another at the end of the day we can compromise to make it where everyone can be happy and sometimes you have to be around less people because of the way you desire to live your life.

Live your life everyone doesn’t need to know everything and this is coming from someone who always speaks his truth.

Have boundaries, no one is perfect.

Life needs balance, enjoy your life take risks sometimes but always try to consider the lives of others and how your actions can affect others.

Practice moderation and discipline.

Know when an action is appropriate and when it’s not.

If I can learn that young then why can’t you learn it with my example?

I’m not perfect but I know how to behave and adapt to different worlds.

If you want your world to be respected then respect others.

That’s how you’ll achieve your peaceful haven.

Never cross boundaries unless les you desire war and it always goes again the corrupted one.

Don’t make the same mistakes as our ancestors that’s why they came here directly to re correct the negative examples that they set.

If they have to come back again it won’t be fun for most.

Just respect another that’s all you have to do.

Some people will be into your unusual concepts and some won’t.

Understand that.

Everyone is unconventional.

But learn to know when that behavior is or isn’t appropriate is all I’m saying.

I’m not trying to control you I’m just trying to warn you because taking the peace of others who didn’t deserve that is a spiritual and universal crime that will be punished.

As a star lord it’s important for me to set boundaries amongst stars so they don’t destroy another.

I don’t fight stars I just destroy them if they no longer should shine.

I have that authority.

Just like someone higher than me can destroy me if I fall into corruption I just know better to not do that.

Remember I’m neutral and I don’t look up to saints myself but they still respect life and others.

If you coexist with people who are similar to you then you don’t have to worry about consequences unless again you’re destroying what shouldn’t be destroyed.

I’m not the same as the Greek gods I’m wiser.

I don’t want to see this world end up like my parents past and they don’t either.

And it’s sad because I can’t be destroyed by anything because I’m too pure so I don’t want to see the destruction of people I admire cus that would be depressing.

I’m saying this cus I see things from a higher perspective I’m not saying this to control you I’m trying to protect you.

Because if I’m authorized to destroy you I won’t hesitate.

I am whis, beerus and supreme Kai.

I study everything.

Understand I’m not always going to be on this planet I’m just visiting and helping.

This is your planet not mine.

If you want it to thrive then realize that you need all life in order for that to happen.

If I can take the time to understand so many of y’all.

You can take the time to understand yourself and each other.

It shouldn’t only be my responsibility to understand others.

Does Hades, Zeus and Poseidon all reside in the same territory or do they have their own?

As long as their territories aren’t oppressing people it’s ethical, they’re gods they’re trusted to make their own rules for the greater good of their own world.

But if oppression is their a higher authority will eventually come and investigate because no one should be oppressed.

That’s why Tee is free and understand you can’t hide under Drake i might be a child but don’t underestimate my authority.

I already see what can happen to you if you defy me.

Don’t steal again.

Instead use your words and ask people.

You never know what someone might say stop trying to manipulate everything.

Because people might be open to what you’re interested in but if they aren’t also respect that as well.

Communicate for a peaceful life.

Btw I’m not into men and I only am interested in my 3 wives no one else.

I’m doing that for your sake to validate your sexuality because I care.

Understand just because I’m merciful doesn’t mean I’m a pushover I’m nothing like Jesus if you push me you’ll be destroyed.

I and my wives should be deemed as untouchable if you value your life.

We’re not lord of humans we’re lord of stars and there’s stars spread all across the universe.

I hope that doesn’t happen cus I actually like hero’s even though I’d never be one.

Star lords aren’t allowed to be hero’s nor villains.

We must embody everything that we’re drawn to so that means our potential to be heroic or villainous is more potent.

We’re neutral beings that mirror the energy that is exposed to us.

The karma of stars.

[ryosukekiyasu]

First meeting by the trio of Mitsuru Nasuno, Tsuneo Imahori, and Ryouske Kiyasu! I want to look beyond the towering walls of music for a moment, just for a moment" by Nasuno

Mitsuru Nasuno (el-bass,devices) In the late 1990s, Nasuno formed "Altered States" with Uchihashi Kazuhisa and Yoshigaki Yasuhiro, which made an impact on the improvisation scene. In 2015, he joined "Half the Sky", a new project by Chris Cutler, formerly of Henry Cow, and others. (ex-Henry Cow) in 2015. Since 2016, he has been leading the dark rock unit "MUGAMICHILL/Mugamichill" with the trio of Tatsuya Nakamura (ex Blankie Jet City) and Koji Nakamura (ex Supercar). In September 2022, they produced and released their first 4-album set under the name "MUGAMICHILL/Mugamichill" through crowdfunding. In February 2023, he released his latest solo work "Life. The potential and presence of his electric bass in improvisation is unrivaled. --- Ryosuke Kiyasu (ds) Ryosuke Kiyasu is known as a drummer in the leader bands "SETE STAR SEPT" and "Kiyasu Orchestra" and as a drummer of Keiji Haino's "Lost Person" since 2012. He is well known for his snare drum solos.

His snare drum solo was reported by the BBC in the UK. 2018 BBC News Article https://www.bbc.com/news/av/uk-england-tyne-45425992

2016 VICE France article https://www.vice.com/fr/article/qbv4nx/ryosuke-kiyasu-solo-batterie-grind-noise

Interview in Taiwanese newspaper "Taiwan Times" https://www.taiwannews.com.tw/en/news/3617510

Ryosuke Kiyasu http://jp.kiyasu.com https://www.facebook.com/dr.kiyasu https://instagram.com/dr.kiyasu --- Tsuneo Imahori (g) Tsuneo Imahori (g) started playing guitar at the age of 12, and studied music theory under Masahiko Sato and Takashi Kako. Formed "Tipographica" in 1986. He established a composition method of putting "accents and fluctuations" on the groove. In the current "unbeltipo," he invented "elastic rhythm," which enables modulation of tempo and bar lines, and is still cultivating it. Since 2009, he has been expanding his unit with Akira Toyama and Shinpei Ryoke in search of more "unheard sounds. He has also worked as a duo and band member with Ogawa Michio, Ota Keishi, Amada Toru, etc. He has supported Yosui Inoue, Yoko Kanno's works, and Taku Iwasaki's works. As a composer, he is involved in CM, animation, drama, film music, and stage music. ---

OPEN 19:00 START 19:30

Non-reserved seating, in order of arrival A separate drink fee of 700 yen will be charged at the door.

Tickets purchased at the customer's request cannot be cancelled for any reason. Book ticket this link https://polaris230507.peatix.com/

[vampilllia]

be happy. be happy. be happy :(

[myself-85]

(https://www.youtube.com/watch?v=un7VijKWeD0から) 

今日ギター教室の先生が即興で弾いてくださった曲…

[parure-d-insomnie]

Toki - Un instant dans les temps entrelacés Distribution Mise en scène, chorégraphie et conception : Ushio AMAGATSU Réalisation des Musiques : Takashi KAKO YAS-KAZ Yoichiro YOSHIKAWA Danseurs: Ushio AMAGATSU SEMIMARU Toru IWASHITA Sho TAKEUCHI Akihito ICHIHARA Taiyo TOCHIAKI Ichiro HASEGAWA Dai MATSUOKA Régie générale: Kiyonaga MATSUSHITA Régie lumière: Genta IWAMURA ou Yukiko YOSHIMOTO ou Satoru SUZUKI Régie décor: Satoshi ONO ou Kionaga MATSUSHITA Régie son: Akira AIKAWA ou Junko MIYAZAKI Réalisation des costumes: Masayo IIZUKA Assistante costumes: Eiko KAWASHIMA Lieu : Théâtre de la Ville Ville : Paris Date : 15/12/2005

Sankai Juku by laurent paillier

[merzbow-derek]

POST-SCRIPTUM 881

DHARMA QUINTET, Archipel, SouffleContinu Records

« Do your own music! » conseillait Albert Ayler, message clairement reçu en France ! Cohelmec Ensemble, Workshop de Lyon et Dharma Quintet, trois formations proches dans l'esprit, en ont illustré chacune à leur manière le principal précepte local : prendre ses distances d'avec le free jazz américain. Encore qu'en ce qui concerne le Dharma, l’approche, voulue communautaire afin (dixit) d’échapper à tout académisme (les musiciens habitent ensemble, répètent inlassablement, achètent collectivement le matériel nécessaire), évoque celle de l’A.A.C.M. avec lequel le groupe se sent des affinités, mais revues et corrigées par Gong malgré une profonde admiration pour Anthony Braxton rencontré à Paris au début des années 1970 ! Mai 68 est passé par là, et l'heure est encore aux remises en question contestataires : aucun leadership n'est envisageable et le personnel est susceptible d'être modifié au gré des enregistrements (sur Archipel, un nouveau batteur fait ainsi son apparition ; cependant, aucun disque ne témoigne à ce jour de la formation avec Jean Querlier et François Méchali).

Tout comme le précédent  End Starting, Archipel est un disque construit, mêlant free rock et free jazz à l'européenne dans d'incessantes explosions collectives basées sur des improvisations abruptes et contrastées. La plupart du temps, piano, guitare et saxophone s'entrelacent sur des rythmiques d'enfer, tandis que l’électricité fait feu de tous bois. Rétrospectivement, d’aussi saisissantes combinaisons de timbres, évoquant par endroits les passages free de Cinemascope de Joachim Kühn avec Toto Blanke, font regretter l’avortement prématuré du Dharma en 1974, sa modernité n'ayant déjà rien à envier aux avancées ultérieures des groupes de Paul Bley avec guitare (Pat Metheny, John Scofield), ou de Om sur Rautionaha (pour les alliages Urs Leimgruber / Christy Doran), le piano électrique de Patricio Villaroel apportant toutefois au Dharma une touche étonnamment singulière bien qu'héritée des recherches de Chick Corea chez Miles Davis. Sans compter çà et là, quand les choses s'accélèrent, une certaine violence incisive propre au Dharma Quintet, et un son aussi dense que celui de On The Corner de Miles Davis, ou Stark Reality, la formation de John Abercrombie à la même époque grosso modo. Quoi d'autre pourrait être approximativement proche du Dharma Quintet au même moment ? Emergency, quintette ayant lui aussi sévi et enregistré en France, entre autres composé de Glenn Spearman au saxophone, Boulou Ferré à la guitare et Takashi Kako au piano électrique. Voire Masabumi Kikuchi au Japon.

Au même titre que le Cohelmec Ensemble, le Workshop de Lyon, le Full Moon Ensemble, Perception, Armonicord ou le Michel Portal Unit, le Dharma Quintet s'est imposé comme une des plus importantes formations du free jazz tel qu'il se pratiquait en France au début des années 1970.

--

“Do your own music!” was Albert Ayler’s advice, received loud and clear in France! Cohelmec Ensemble, Workshop de Lyon and the Dharma Quintet, three groups close in spirit, which would each illustrate in their own way a local principle: to get some distance from American free jazz. As far as Dharma is concerned, the community-based approach was put in place to escape (they stated) from any academism (the musicians lived together, rehearsed endlessly together, and collectively purchased the necessary material together). This may draw comparisons with the l’A.A.C.M. with whom the group felt a certain affinity, but they were also influenced by Gong, in spite of a deep admiration for Anthony Braxton who they met in Paris at the beginning of the 1970s! The events of May 68 were fresh, and protest was still in the air: no leadership structure was possible, and personnel could change with each recording (on Archipel, a new drummer makes an appearance; however, there is no recorded trace of the group with Jean Querlier and François Méchali).

Like its predecessor End Starting, Archipel is a constructed album, mixing free rock and European free jazz in a series of collective explosions based on abrupt and contrasting improvisations. For much of the time, piano, guitar and saxophone intertwine over intense rhythms, with everything and anything being electrified. Retrospectively, such remarkable timbral combinations, evoking sometimes the freer passages of Cinemascope by Joachim Kühn with Toto Blanke, make the demise of Dharma in 1974, even more regrettable. Their modernity has nothing to envy of the later advances of Paul Bley with guitar (Pat Metheny, John Scofield), or of Om on Rautionaha (for the alliance of Urs Leimgruber/Christy Doran), Patricio Villarroel’s electric piano adding a nonetheless surprisingly singular touch to Dharma, inherited of course from Chick Corea’s work with Miles Davis. This is without mentioning a kind of incisive violence when things speeded up, which was unique to the Dharma Quintet, or a sound as dense as that of On The Corner by Miles Davis, or Stark Reality, John Abercrombie’s group from around the same period. Who else could seem approximately close to the Dharma Quintet at the same time? Emergency, a quintet which had played and recorded in France, including, among others, Glenn Spearman on saxophone, Boulou Ferré on guitar and Takashi Kako on electric piano. Masabumi Kikuchi in Japan also deserves a mention.

Along with the Cohelmec Ensemble, the Workshop de Lyon, the Full Moon Ensemble, Perception, Armonicord or the Michel Portal Unit, the Dharma Quintet stand out as one of the most important examples of free jazz as it was played in France at the beginning of the 1970s.

( Agitation Frite 1, 2 & 3, par là )

[oh-sunny-sun]

― 加古隆 | PIANO ―

今日の音楽聴き始めはこのアルバムからでした.

Takashi Kako | PIANO

I started listening to today's music from this album.

2022年8月19日 金曜日

[incorrectnatureschool]

Waku: What's it like being tall?

Waku: Is it nice? Can you reach the cupboards comfortably?

Kako: I live in constant fear of short people, who, in my experience, will climb 4 chairs, 2 boxes, a small coffee table, and 6 oddly placed stools to get what they want.

Maki: It was one time!

[pulsarex]

[recentanimenews]

NIGHT HEAD 2041 TV Anime Gets Stage Play in Japan in July

  NIGHT HEAD 2014, a 2021 TV anime based on the 1992 TV drama about a pair of psychically-gifted brothers fleeing persecution in a dystopic near-future world, is being adapted into a stage play that will run in Tokyo in July of 2022. The main staff for NIGHT HEAD 2041-THE STAGE has been revealed, including:

  Original work: George Iida / NIGHT HEAD 2041 Production Committee

Script: Aoi Tsukimori

Director: Rion Kako

  Many of the lead acting roles for NIGHT HEAD 2041-THE STAGE have been double-cast, including:

  Hiroki Ino and Akira Kagimoto (Lead) as Naoto Kirihara.

Ryugi Yokota and Natsuki Osaki as Naoya Kirihara.

Shunta Sono (M!LK) and Rui Kihara as Takuya Kuroki.

Hiroki Sana and Masaki Yabe (DISH//) as Yuya Kuroki.

Riko Nakayama (Shiritsu Ebisu Chugaku) and Saki Kiyoi as Shoko Futami.

    RELATED: Waboku & A-1 Pictures' BATEN KAITOS Project Releases NIGHT HEAD 2041 ED Theme MV

  Other performers for NIGHT HEAD 2041-THE STAGE include:

  Haruna Iikubo as Kimie Kobayashi.

Riko Sugahara as Reika Muto.

Kaiki Ohara as Michio Sonezaki.

Saki Tateno (Theatre Troupe 4 dollars 50 cents) as Yui Akiyama.

Takashi Sasaki as Daisuke Honda.

Ryunosuke Kawai as Kyojiro Mikuriya.

Hiro Yūmi as Akiko Okuhara.

And Tomoki Tsukada, Seiya Shirasaki, Tatsuya Ogasawara, Shunya Sasaki, Keita Kanno, Ayumu Murakami, Erina Osawa, and Azusa Yoshihama as members of the ensemble.

    NIGHT HEAD 2041-THE STAGE will run from July 01 - 10, 2022, at the Theatre G-Rosso venue in Tokyo. The NIGHT HEAD 2041 TV anime is directed by Takamitsu Hirakawa and features animation production by Shirogumi. Crunchyroll currently streams NIGHT HEAD 2041, and describes the story of the series as follows:

  It is said that humans don't use about 70% of their brains. It is believed that the mysterious powers some humans exhibit come from that part of the brain. There is a term for the 70% of the brain that doesn't get used... Brothers who flee, and the brothers who chase them... The story of two sets of brothers being controlled by their destinies is about to begin.

  Source: Comic Natalie

  Copyright notices:

© George Iida / NIGHT HEAD 2041 Production Committee

© "NIGHT HEAD 2041-THE STAGE" Production Committee

    ---

Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

By: Paul Chapman

[rabidline]

Tomoe Kawabata, Twilight Waltz by Takashi Kako, performed by Taro Hakase

2020-2021 Short Program

Choreography by David Wilson