#TV actors

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[meep-meep-richie]

Cory Michael Smith || Numero Netherlands

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Murray Bartlett

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Watch Andre Braugher’s Best Movies And Tv Shows

One of the most talented person in Hollywood industry from comedic timing to Emmy winning performances Andre Braugher has delivered remarkable performances over the years

[musicaddictand]

Noah Schnapp is a Zionist sex god

On the Set of Stranger Things 5 - Behind the Scenes [x] -> the core four

[oceancentury]

Dame Maggie Smith (1934 - 2024).

[emotinalsupportturtle]

David Tennant being a lifelong Doctor Who fan who was inspired by the show to act, becoming the Doctor and Ncuti Gatwa who watched David Tennant and was inspired to act, playing the Doctor opposite David’s Doctor is the most beautiful thing

[fakerobotrealblog]

Title: Exploring Female Characters in House of Dragon and Bridgerton: A Genre and Character Analysis

Introduction:

In the realm of television, narratives often serve as mirrors reflecting societal norms, values, and expectations. Two recent shows, House of Dragon and Bridgerton, have captivated audiences with their distinct storytelling approaches and compelling characters, particularly their female leads, Rhaenyra and Daphne. In this comparative analysis, we delve into how both series utilize genre, writing, character development, and acting choices to depict the challenges, motivations, and difficult choices faced by their female protagonists.

Genre and Setting:

House of Dragon, set in the fantastical world of Westeros, leans heavily into the epic fantasy genre, replete with political intrigue, dynastic struggles, and dragons. On the other hand, Bridgerton transports viewers to the Regency-era London, embracing the romance genre with its lavish balls, societal norms, and intricate courtship rituals. Despite their differing genres, both shows share a common thread in exploring the constraints placed upon women within their respective societies.

Character Development and Motivations:

Rhaenyra Targaryen, portrayed by Emma D'Arcy in House of Dragon, emerges as a formidable contender for the Iron Throne, challenging the patriarchal norms of her time. Raised to be a ruler, she grapples with the weight of her legacy, striving to assert her authority in a male-dominated world. Rhaenyra's motivations are deeply rooted in her desire to claim her birthright and shatter the glass ceiling that confines women to subordinate roles.

Daphne Bridgerton, brought to life by Phoebe Dynevor in Bridgerton, navigates the intricate dance of Regency society as she seeks a suitable match. Initially portrayed as the epitome of grace and innocence, Daphne evolves throughout the series, confronting the harsh realities of love, marriage, and power dynamics. Her motivations shift from conforming to societal expectations to asserting agency over her own destiny, even if it means challenging the status quo.

Difficult Choices and Survival:

Both Rhaenyra and Daphne are confronted with difficult choices as they navigate the treacherous waters of their respective worlds. Rhaenyra must contend with political intrigue, familial betrayal, and the looming threat of civil war, all while asserting her authority as the rightful heir to the throne. Her choices often come at great personal cost, forcing her to balance duty with desire and loyalty with ambition.

Similarly, Daphne grapples with societal pressure, familial obligations, and the constraints of her gender. Forced into a marriage of convenience with Simon, the Duke of Hastings, she must reconcile her desires for love and fulfillment with the expectations placed upon her as a woman of the ton. Daphne's journey highlights the sacrifices women are often compelled to make in order to survive and thrive in a patriarchal society.

Acting Choices:

The portrayal of Rhaenyra and Daphne is brought to life through the nuanced performances of Emma D'Arcy and Phoebe Dynevor, respectively. D'Arcy imbues Rhaenyra with a sense of fierce determination tempered by vulnerability, capturing the complexity of her character's internal struggles. Dynevor, meanwhile, deftly conveys Daphne's transformation from wide-eyed ingénue to empowered woman, infusing her portrayal with grace and authenticity.

Conclusion:

House of Dragon and Bridgerton offer audiences compelling narratives centered around their female protagonists, Rhaenyra and Daphne. Through the lens of genre, writing, character development, and acting choices, both shows explore the challenges, motivations, and difficult choices faced by women in patriarchal societies. Whether battling for the throne or navigating the intricacies of romance, Rhaenyra and Daphne emerge as symbols of resilience, agency, and empowerment, inspiring viewers to reconsider the roles and expectations placed upon women in both fictional worlds and our own.

[zanephillips]

TOM ELLIS Lucifer 6.09 "Goodbye, Lucifer"

[mydairpercabeth]

YOURE TELLING ME THEYRE GONNA HAVE 5’3 ANNABETH CHASE DEFENDING 5’10 PERCY JACKSON AND 6’5 TYSON??? OH CASTING DIRECTORS I OWE YOU MY LIFE

[meep-meep-richie]

And proud of it cause they both deserve the attention

[counting-stars-gayly]

I’m going a little wild over the fact that Percy started feeling the effects of the chimera’s poison two minutes before he collapsed. I thought this part of the episode was weird when I first saw it because the camera focuses on him when it seemingly should be focusing on Annabeth, but then, I realized Percy’s odd behavior while he’s in focus.

He also turns abruptly, and a little late, to Annabeth, as if he just remembered to listen to her, as if he’d been distracted by something.

Then, this boy starts cracking jokes to cheer her up instead of saying, “Hey, something’s wrong; I could literally be dying.” And you can see on his face a few seconds before he collapses that the poison’s starting to really get to him, and still, he doesn’t attempt to get her attention and ask for help.

Then, when they’re at the fountain, he tells her and Grover that he’s feeling better even though he obviously isn’t, because he’s hoping he’s physically strong enough to pretend. (He falls on his ass.)

100% Percy just didn’t want to worry them and thought there was no way to find a cure in time anyway. I’M SCREAMINGG

[decaffeinatedpartymuggoop]

“If you want more representation” okay but what if they did a better job than all the other actors???

Like, with PJO Rick didn’t go “only black people can audition for Annabeth!! Grover has to be Indian! Zeus has to be black!”

No, the actors auditioned, did a good job, and got the gig.

Like instead of crying cause all these white actors didn’t get it, ask yourself if they even deserved the position.

Everything isn’t some “woke” propaganda or “more representation.” They just deserved the job.

[ultradude13]

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Bronson Pinchot and Mark Linn-Baker:Then and Now