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In mid-September, Russians at War, a documentary by the Russian Canadian filmmaker Anastasia Trofimova, was supposed to be screened at the Toronto International Film Festival. At the last minute, after protests from the Ukrainian community and the office of Ukrainian President Volodymyr Zelensky, the festival first pulled the picture, only to return it to the program a week later.

What made the documentary so controversial was that, although many films have chronicled the devastation caused by Russia’s ongoing invasion of Ukraine, including the Oscar-winning 20 Days in Mariupol, Trofimova’s work focused on the invaders. The filmmaker, embedded with a Russian unit for seven months, humanized Moscow’s troops as lost, confused, and disheveled. The men joke, miss their families, and even criticize the Russian government, though they never speak against Putin. A love-on-the-front-lines plot trains the viewer’s sympathy on the soldiers, even while the film avoids any reference to atrocities committed by Russian forces in Ukraine.

So is Russians at War a propaganda film, as its Ukrainian critics argue? Financed in part by the Canada Media Fund and produced in partnership with Ontario’s public broadcaster TVO, Russians at War avoids the trope of “Russian savior liberates ancestral lands from NATO invaders” that is typical of Kremlin propaganda. But all of Trofimova’s previous documentaries, filmed in Syria, the Democratic Republic of the Congo, and Iraq, were made for RT—the Kremlin’s global propaganda network. In an interview with Deadline, Trofimova claimed that she embedded with a Russian unit without any military authorization, and just “stuck around.” In a country where a Wall Street Journal reporter gets sentenced to 16 years for merely handling a piece of paper, an independent filmmaker roaming the front lines, filming military installations, and interviewing soldiers without facing repercussions raises questions. Trofimova did not respond to a request for comment for this article.

One thing that the confused response to Russians at War makes clear is that eight years after the revelation that Moscow attempted to influence a U.S. presidential election, most Westerners still don’t really know how Russian propaganda campaigns work. Americans have become familiar with AI botnets, salaried trolls tweeting in broken English about Texas secession, deranged Russian TV hosts calling for a nuclear strike on New York, and alt-right has-beens. But what to make of a French and Canadian documentary, tucked between Pharrell’s Lego-animated film and a Q&A with Zoe Saldaña, that seems cozy with the Russian military and blurs the line between entertainment and politics?

Here is a clue: The Kremlin’s information war in the West is reminiscent of the one it fought—and won—on the home front. I know this because I was in that earlier war, and, regrettably, I fought on the wrong side.

I began working for Kremlin-linked media during my junior year in college. At the time, the Russian government was apparently hoping that by leveraging high energy prices, it could regain a bit of the influence it had lost after the Cold War. The state called this being an “energy superpower.” In practice, high oil and gas prices abroad translated into more Michelin chefs, German cars, and Italian suits for the select few at home.

In 2005, a close friend introduced me to Konstantin Rykov, known as the godfather of the Russian internet and, later, the man who revolutionized digital propaganda in Russia. In 1998, he launched a website called fuck.ru, which included a provocative magazine and mixed Moscow nightlife, humor, and art. With a blend of pop culture and media savvy, Rykov built an empire of news websites, tabloids, and even online games.

Rykov’s latest endeavor at the time of our meeting was The Bourgeois Journal, a glossy luxury-lifestyle magazine aimed at Russia’s affluent class. He hired me to head up the St. Petersburg bureau, not because of my background in student journalism, but in large part because I grew up in Boston, meaning that I was fluent in English and, apparently, the ways of the West. During my interview (a sushi-and-vodka breakfast), the word Kremlin never came up.

Rykov made the Journal available, for free, only at the most exclusive restaurants, gyms, private clinics, and five-star hotels. Inside, between ads for Richard Mille watches and prime London real estate, were interviews with figures such as Vladimir Medinsky and Alexander Dugin—now the ideologues behind Russia’s war in Ukraine. In a single issue, you could read a review of a restaurant located in a 15th-century building in Maastricht, an essay about the West’s fear of a strong Russia, and a report from Art Basel. The Bourgeois Journal used luxury to mask propaganda aimed at Russia’s elite.

Like many people working in Russian propaganda at the time, I didn’t agree with the narrative that my publication was spreading. And, as most people in propaganda will tell you, I was simply doing my job. I was there a little over a year—selling ads, reviewing restaurants, and occasionally interviewing a Western celebrity. The tedious essays on Russia’s place in the world were outweighed by the benefits of running a magazine for the rich: private palaces, private parties, and escapes to the Caribbean sun—something that the birthplace of Dostoyevsky had little of.

After the success of The Bourgeois Journal, Rykov launched Russia.ru, the country’s first online television network, in 2007. Here, pro-Kremlin news ran alongside obscene reality shows, attracting nearly 2.5 million viewers a month. The network’s slogan, “Glory to Russia”—now a battle cry in Russia’s war in Ukraine—demonstrated just how seamlessly Rykov blended patriotism with entertainment to reach an enormous audience.

Building on this, Rykov introduced ZaPutina (“For Putin”), a movement designed to help Vladimir Putin secure an unconstitutional third term. The project included an online platform that aggregated news from various sources, including original reporting from its own correspondents; a ZaPutina campaign bus to take Kremlin-loyal bloggers across the country; and attractive women—proto-influencers—who attended press conferences, introducing themselves by name and their outlet (“For Putin”) before asking their questions.

My biggest contribution to Russian propaganda came in 2009. By then, Russia was positioning itself as an inventive, Western-oriented economy. Vladislav Surkov—an adman, a poet, a columnist, and a Kremlin ideologue—dubbed this period one of “managed democracy,” which will likely be remembered as the midpoint between Russia’s post-Soviet anarchy and its modern-day fascism. Political parties were numerous, but all controlled from the Kremlin, as was almost every form of media. Yet the country sought a veneer of freedom. That’s where Honest Monday came in—a prime-time talk show that I co-created, wrote, and co-produced.

Our remit was to reach the sorts of viewers who ignored the in-your-face messaging of broadcast talk shows. Each week, the Kremlin assigned these shows a topic it wanted highlighted, and most would comply in a very blunt fashion: Do this, vote for that, Russia’s great. With a young host and a flashy studio modeled on French TV, Honest Monday took a different approach. Every week, I wrote up a summary of the left, center, and right perspectives on the topic we were given; I also delineated a viewpoint that reflected the Kremlin’s stance on the matter and sketched a justification for why this view was better than the other three. The producers would then scour the country for guests whose views reflected each of the three perspectives. The three speakers—politicians, celebrities, or pundits—had to defend their stance to, say, a factory worker we flew in from Siberia whose experience was relevant to the topic we covered. The debates were real, many of them heated, and with views contradicting the Kremlin’s. Still, the house always won.

Toward the end of our first season, the ratings for Honest Monday dipped, and the Kremlin’s tolerance waned. The network introduced a new director. As I recall, he outlined for us his vision of the show’s future: “When the viewers tune in, the first thing they should do is shit themselves.”

The Kremlin instructed us to take aim at the powerless Russian opposition, and in a matter of weeks, the messaging turned into outright bashing of everything that stood against Putin. I resigned—publicly—by sanctimoniously calling the show’s producers and host “Kremlin shills.” A couple of years later, two people connected with the Russian propaganda machine lured me outside and assaulted me in broad daylight (one of them later tweeted that he was motivated by a personal issue rather than a political one). When I hit the ground, half a mile from the Kremlin, I was finally out of the game.

Perhaps Rykov’s greatest contribution to Russian propaganda remains his cadre of media managers and propagandists, who now grace Kremlin corridors (and U.S. Treasury sanctions lists). One such protégé was Vladimir Tabak. Formerly a producer at Russia.ru, he rose to prominence in 2010, when he organized a now-infamous birthday calendar for Putin, featuring 12 female students posing in lingerie and captioned with quotes like “I love you,” “Who else but you?,” and “You’re only better with age.” The calendar, designed to create buzz and cultivate Putin’s image, dominated the news cycle for weeks. In an interview with the model Naomi Campbell, Putin even commented on how much he liked it. Legend has it that Surkov personally approved the project.

Although Tabak’s initial endeavor may have seemed playful, his later efforts illustrate just how insidious his propaganda techniques have become. Since 2020, Tabak has led Dialog, a powerful, Kremlin-affiliated organization tasked with controlling and shaping all social-media narratives in the country. If someone uses social media to criticize, say, the mayor of a small town, Dialog knows about it. According to a joint investigation by the independent Russian outlets Meduza, The Bell, and iStories, the organization took on a significant role during the coronavirus pandemic, virtually monopolizing the flow of COVID-related information in Russia by launching the website Stopkoronavirus.rf as the primary source for daily pandemic updates (the investigation report notes that Dialog denies being associated with this site).

At the height of the pandemic, the Kremlin decided to hold a vote on constitutional amendments that would allow Putin to serve two more terms, and Dialog immediately shifted to encouraging people to go to the polls, downplaying COVID-19 concerns. Later, after the full-scale invasion of Ukraine, Dialog was reportedly tasked with spreading fake news about the war not just in Russia, but in Ukraine. Some of the narratives included Ukrainian soldiers selling their awards on eBay, high-ranking Ukrainian officials owning expensive property in the European Union, and Kyiv ordering the mobilization of women.

Tabak’s organization has become a key player in Russia’s digital warfare abroad, including in its most recent campaign targeting Western audiences. On September 4, the U.S. Justice Department seized numerous internet domains allegedly involved in Russia’s Doppelganger campaign—an influence operation designed to undermine international support for Ukraine and bolster pro-Russian interests. The domains, many of them made to resemble legitimate news outlets, were linked to Russian companies, including Dialog. According to an unsealed affidavit, the goal of the operation was to spread covert Russian propaganda, manipulate voter sentiment, and influence the 2024 U.S. presidential election.

Doppelganger appears to be a sophisticated operation that used deepfakes, AI, and cybersquatting (registering domains designed to mimic legitimate websites). But the Kremlin’s real innovations were those it employed in Russia in the 1990s; in the West today, it is simply repeating the same playbook using new technology. Washingtonpost.pm, a fake news website created to spread Russian propaganda, was an evolution of the fake newspapers that circulated in Russia during the ’90s ahead of elections. The purpose of those outlets—made to resemble legitimate media but filled with kompromat, gossip, and propaganda—was to get the right people elected.

Since the start of the full-scale invasion of Ukraine, Russian propaganda has churned out absurd and repulsive lies, such as that Ukraine has biolabs where NATO scientists are working on a virus that targets Slavic DNA, and that Zelensky, who is Jewish, presides over a neo-Nazi regime. Yet, in a way, it has become honest with itself—at least for the domestic audience. There’s no longer a need for platforms like Russia.ru or The Journal, because the message is clear: This is who we are, and you’re either with us or against us. And yet, the entertainment aspect didn’t disappear. Rather, it was absorbed into the propaganda machine through the Institute for Internet Development.

Founded in 2015 with Kremlin backing, and currently under the direction of the former Journal producer Alexey Goreslavsky, the IID helps direct state funds toward producing everything from box-office releases to YouTube videos, blogs, and video games. With a yearly budget of more than $200 million, it dwarfs any private film studio or streaming platform in Russia.

Since the full-scale invasion of Ukraine, the institute has become the go-to hub for content. Initially, its output was dull and overtly propagandistic, but that has changed. Its catalog now includes 20/22, a TV series about a soldier fighting in Ukraine and his anti-war girlfriend, as well as A Thug’s Word, a 1980s period piece about a street gang, which became the No. 1 show in Russia and surprisingly popular in Ukraine—much to the dismay of the Ukrainian government. A Thug’s Word contains no politics, no war, and no Putin, yet IID—a propaganda organization—considers it its greatest success, because it legitimized the institute in the world of popular entertainment, which it fought so hard to break into.

One reason Russian propaganda is running circles around the West is that the internet was one of the few domains where the Russian state arrived late, forcing it to co-opt those who understood it. RuNet, the Russian segment of the World Wide Web, was created—and run—by people like Rykov: artsy 20-somethings, filled with cynicism, post-Soviet disillusionment, and a cyberpunk mentality. The collapse of the Soviet Union taught them that truth was whatever they wanted it to be, and that survival was the ultimate goal. The advertising executives, philosophy students, and creatives who once made video art, lewd calendars, and scandalous zines are the same minds who in 2016 said, “Let’s make memes about Hillary Clinton,” and in 2024 suggested using AI to flood X with believable comments. In many ways, this confrontation mirrors what’s happening in Ukraine: This time, however, the West is the massive, unwieldy force being outsmarted by a smaller, more tech-savvy adversary.

The good news is that the Kremlin is a graveyard of talent. In time, every gifted person I knew who went behind its brick walls was devoured by deceit, paranoia, and fear of losing one’s place in the sun. Konstantin Rykov was exceptional at his job, so much so that the Kremlin offered him a seat in the Russian Parliament when he was just 28. He accepted the offer. But being a member of the Duma Committee on Science and High Technologies and the Committee for Support in the Field of Electronic Media wasn’t the same as being the editor of fuck.ru. Despite being involved in some foreign influence operations, Rykov, now 45, hasn’t produced any significant work for Russian audiences since he joined Parliament.

Asked by an audience member in Toronto whether Russia was responsible for the war in Ukraine, Trofimova replied, “I think there are a lot of other factors involved. Yeah, like they are definitely sending troops in to solve whatever grievances there are.” Even if it wasn’t financed by Moscow, Russians at War reminds me of a Rykov production: slick, scandalous, and with a ton of free press. The message the film conveys is that war, not the country that started it, is bad in this scenario. Trofimova seems to portray Russia’s invasion of Ukraine, and the astonishing scale of the atrocities it has committed there, as something impersonal and inexorable, like a tsunami: We can only accept it and sympathize with the victims, including Russian soldiers.

I stopped working for the Kremlin long before the Russo-Ukrainian war, and whatever I did as the head of a magazine bureau and as a talk-show producer pales in comparison with what some of my former colleagues are doing today. Still, I know that in every bullet flying toward Ukraine—the country where my parents were born—there’s a small part of me. I wonder if Trofimova sees that she’s part of it, too.

[beardedmrbean]

Florida's Attorney General is investigating at least 160 cases of price gouging as the state reels from two hurricanes.

Ashley Moody's rapid response team has received hundreds of complaints of overcharging as some companies allegedly try to cash in on people's desperation, and the team is visiting people to gather information, Florida's WFLA TV station reported.

It said the top three counties that reported price hikes after hurricane Helene are Hillsborough, Pasco, and Pinellas, three adjoining counties in southwest Florida. Saint Petersburg is in Pinellas and Tampa is in Hillsborough.

Anna Maria Fiallos, investigator with Pinellas County consumer protection, told the station: "There's a lot of devastation and unfortunately in any situation, even in a disaster, there's bad actors that will take advantage of it. That's why we rely on our residents of Pinellas County to be alert and let us know, so we can go out and do what we can to protect them."

Newsweek has contacted Florida's Attorney General's office for comment.

At a Wednesday briefing with President Joe Biden, Vice President Kamala Harris warned that the federal government would intervene to stop companies exploiting hurricane victims.

"To any company that—or individual that might use this crisis to exploit people who are desperate for help through illegal fraud or price gouging—whether it be at the gas pump, the airport, or the hotel counter—know that we are monitoring these behaviors and the situation on the ground very closely and anyone taking advantage of consumers will be held accountable," she said.

Hurricane Milton made landfall late on Wednesday and killed over a dozen people. Nearly two million Floridians were still without power on Friday. Helene killed an estimated 230 people in late September.

United Airlines strongly denied it had jacked up prices as people hurried to flee Hurricane Milton and said a viral online photograph of its fares was inaccurate.

"United capped Florida fares on Sunday," it told Forbes via email. "Since then, the average price for a one way, economy class ticket to our hubs from affected Florida markets was below $500."

It also said it added 18 extra Florida flights.

Alan Rubin, cohead of the Severe Weather Emergency Recovery Team at the Blank Rome law firm told Newsweek that companies cannot suddenly increase prices for roof repair or debris removal after a hurricane.

"There is a standard rate for most of the services that need to be rendered, for example, debris removal, roof repair, and other standard cleanup services that are provided by either private or state contractors," he said.

"Price gouging is a particularly egregious activity that state and local municipalities view as being unacceptable and will be treated as such," he said.

Blank Rome, which has over 600 attorneys in offices throughout the U.S, has had a severe weather team in place for several decades.

Rubin said attorneys general in every state where there is a natural disaster "immediately issue a statement that indicates any price gouging or any attempt to charge more than the going rates prior to the storm will be considered an attempt to price gouge, and that is illegal in any of the states that have been affected by Hurricane Helene or Hurricane Milton."

"Additionally, prior to impending natural disasters, all gubernatorial offices must ensure that no services being rendered are considered over the normal rates," he added.

[lottblog]

How Does AT&T Compare to Other Major Telecom Providers?

When choosing a telecom provider, options matter. AT&T, Verizon, and T-Mobile are the big names. How does AT&T compare? Let's look at a few things. First, coverage is key. AT&T has strong nationwide coverage. In cities, it works well. In rural areas, it might struggle a bit. Verizon often has the best rural coverage. But AT&T holds its own in most places. If you live in a city, AT&T is a solid choice. But if you travel to remote areas, Verizon could be better.

Price is another factor. AT&T is not the cheapest. They offer different plans, but they cost more than some rivals. T-Mobile is known for lower prices. But with AT&T, you get what you pay for. They have a good network, fast speeds, and reliable service. Plus, AT&T offers bundles with internet and TV. This can save you money if you want more than just mobile service. Some people might find AT&T's higher prices worth it.

Customer service is the last point. AT&T has mixed reviews here. Some people have had good experiences. Others, not so much. They do offer support online, by phone, and in stores. But waiting times can be long. In contrast, T-Mobile is known for friendly and quick service. Verizon also has good customer service, but it can be pricey. With AT&T, your experience might vary. It's best to check reviews and ask around.

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[timeslostart]

July 14th, 2021

SUSTAINABLE LIVING - MODERN LIVING AND WHAT DOES THIS HAVE TO DO WITH KNITTING?

Everything in balance...

So recently, due to the worldwide pandemic, I found myself with a lot of time on my hands.  (It’s over a year later and we are still feeling the effects.)  I thought this was a wonderful opportunity to work on some knitting designs I’ve had in the works for a while and prepare for the annual winter craft and trade show I usually attend, however, nothing ever entirely goes as you plan.  KNITTER’S WRIST IS A REAL THING!  I sprained my wrist at the beginning of April and couldn’t knit anything for almost two months.  What’s a knitter to do?

I binge watched Netflix for about a week and then I became very bored.  I needed something to do after my son went to bed other than watch TV.  I saw an advertisement on Facebook for some online courses through a website based out of the UK, that after a bit of research, I found was quite reputable and so my quest for knowledge to end my boredom began.

Among the many courses I decided to sign up for, some to help further my career, others that were just for fun, I found one that I was just plain curious about, Sustainable Living.

Now I am sure you are wondering what this has to do with knitting... a lot actually.  As knitters we get to choose the kind of yarn we use to knit with.  So why not choose a few items that are a bit healthier for the environment.  Wool over acrylic yarn is a great start especially if you buy from a smaller business that is certified organic and ethical.  They are out there and yes they are a bit more expensive than buying from a big box store but I’m okay paying a little more for quality and a healthier environment.  O-Wool is an amazing brand of wool yarn (it is in the name) that is based out of the United States and luckily for me, ships to Canada for a very reasonable price.  If you are interested in learning more about this company and their amazing 100% merino and cotton/wool blend yarns please go to www.o-wool.com for more details.

Another simple change that is easy to make might be looking into using wooden knitting needles instead of metal ones.  However, if you love your metal needles and don’t want to give them up, buying vintage knitting needles from a secondhand store instead of new would also be a great alternative.  I’ve found that they even make wooden yarn needles now which I find very interesting to work with. 

These are just a few little things you can do but if we all start thinking about the little things and making small changes in our everyday lives eventually bigger changes will follow.

Gabrielle Vansteelandt

Times Lost Art

[kosiservice]

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Reliable Solutions for Your Devices

In today’s fast-paced digital world, LED TVs have become a core part of our everyday lives, offering entertainment, news, and connectivity. Whether it's catching up on your favorite shows, enjoying live sports, or hosting family movie nights, an LED TV is indispensable. But when technical issues arise, they can disrupt your routine. For residents of Patna, Kosi Service offers skilled professionals who are ready to address these concerns and restore your device to optimal performance.

Common Problems with LED TVs

Over time, LED TVs may encounter various technical issues. Here are some of the most frequent problems:

No Picture or Blank Screen: This issue could stem from backlight problems, panel malfunctions, or loose connections.

Audio Malfunctions: Issues such as no sound, distorted audio, or delayed output might indicate speaker or software faults.

Connectivity Errors: Problems with HDMI, USB, or Wi-Fi connections can limit the use of external devices.

Power-Related Issues: Sudden shutdowns or a TV that fails to power on may indicate faults in the power supply unit or mainboard.

Color Distortion or Display Anomalies: These issues often point to problems with the panel or graphics processor.

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Trying to fix an LED TV without the necessary expertise can lead to further complications. Professional services offer the following advantages:

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Technicians at Kosi Service in Patna are well-trained to handle LED TV issues across various brands and models. They utilize the appropriate tools and methods to ensure precise and efficient repairs.

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Hithium Hero EE2 Price in Kenya: Your Power Backup Solution Simplified

In a country like Kenya, where power outages can disrupt productivity and daily routines, reliable power backup is essential. The Hithium Hero EE2 has emerged as a popular solution for homes and businesses, blending advanced features with affordability. Here's everything you need to know about the Hithium Hero EE2, its features, and its pricing in Kenya.

What Is the Hithium Hero EE2?

The Hithium Hero EE2 is a portable power station designed for modern energy needs. It combines an inverter, lithium-ion battery, and solar charge controller into one compact unit. With its plug-and-play design, the device is both user-friendly and versatile, making it an excellent choice for Kenyan households and businesses experiencing frequent power outages.

Key Features of the Hithium Hero EE2

Portability and Compact Design Weighing less than 10 kg, the Hithium Hero EE2 is ultra-portable, ideal for users needing a mobile power solution for emergencies or outdoor activities.

High Battery Capacity It offers a robust 1004Wh battery capacity, capable of powering multiple devices simultaneously. This makes it suitable for everything from running a few lights and fans to charging laptops and smartphones.

Eco-Friendly Power Generation Equipped with a solar charge controller, the Hero EE2 supports solar panel integration, offering a sustainable, off-grid power option.

Safety Features The unit uses advanced lithium phosphate (LiFePO4) cells, known for their durability and safety. It is engineered to prevent overheating, short-circuiting, and thermal runaway issues.

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The price of the Hithium Hero EE2 varies across retailers, generally ranging from KSh 70,000 to KSh 120,000. Some sellers offer bundled packages with solar panels, increasing its value for those looking to go off-grid. For accurate and updated pricing, check local distributors or online platforms like Kilimall and Jumia.

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Cost-Effectiveness While its initial price may seem steep, the Hero EE2 offers significant long-term savings by reducing dependency on expensive generators or unreliable grid power.

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Comparing the Hithium Hero EE2 to Alternatives

Other power backup solutions, like petrol generators or basic inverters, often lack the portability, efficiency, and eco-friendliness of the Hero EE2. For instance:

Petrol Generators: While powerful, they are noisy, require regular maintenance, and rely on costly fuel.

Basic Inverters: Limited in portability and require external batteries, often lacking the integrated solar option that the Hero EE2 offers.

Where to Buy the Hithium Hero EE2 in Kenya

You can purchase the Hithium Hero EE2 from local electronics stores, online marketplaces like Jumia, or specialized solar product retailers. Ensure you buy from reputable sellers to take advantage of warranties and after-sales services.

Final Thoughts

The Hithium Hero EE2 is an excellent investment for Kenyan households and businesses seeking reliable, eco-friendly, and cost-effective power backup solutions. With its advanced features and competitive pricing, it stands out as a modern alternative to traditional energy options.

If you're considering the Hithium Hero EE2, now is the time to explore local offers and discover how it can transform your energy needs.

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[influencer-marketing1234]

Top Tech Influencers in Dubai, UAE - 2025

The United Arab Emirates has rapidly become a global technology hub, with its growing innovation ecosystem attracting tech enthusiasts and professionals. In Dubai’s dynamic world, tech influencers in UAE are pivotal in changing opinions, introducing new trends, and unveiling groundbreaking products to different audiences. From cutting-edge AI solutions to gadget reviews, these influencers fill the gap between technology brands and their target audience and work as a bridge, offering honest comprehension and valuable expertise. Whether through YouTube unboxing videos or Instagram reels, how people perceive and interact with technology is redefining by these tech influencers in the UAE. Explore the list of the top technology Instagram influencers in Dubai carefully curated by the top influencer marketing company in Dubai.

Top 5 Tech Influencers in Middle East

Shahab Al-Hashemi  

USP:  

World-class tech businesses, entrepreneurs, and thought leaders invite Shahab Al-Hashemi to cover their events.

About The Creator:

Shahab Al-Hashemi Is an educational content creator, TV broadcaster, motivational speaker, and media trainer with a huge Instagram following. He takes part in different initiatives to boost technology understanding and education in the UAE. He was one of the most popular tech influencers in the Middle East to attend GITEX 2024. 

The digital tech creator loves to travel. He provides his experienced insights at workshops and events in different cities. Shahab Al-Hashemi mixes fun activities and humor in his Instagram content.

Uptin  

USP:  

Uptin places a key emphasis on upcoming technologies that will have a major impact on consumers and businesses. 

About The Creator: 

Uptin highlights the technology's impact on changing user online experiences, with real-time examples and studies. The Emirati tech influencer has visited almost every major tech capital in the world. Uptin covers a country’s tech progress, new ideas, popular tech events, tech CEOs, etc in his Instagram’s news segments. Furthermore, Uptin appears on podcasts where he engages in insightful Q&A sessions with other top tech Instagrammers in the UAE. 

Musthak Kizhakke Beeroli  

USP: 

Musthak Kizhakke Beeroli reviews tech products from big and small brands. He creates decisive comparison tech videos to help followers pick the best alternatives for their budget.

About The Creator:

Musthak Kizhakke Beeroli quickly became one of the most trusted tech Instagram influencers in the Middle East. His followers are rapidly increasing across all popular social media platforms.

Musthak Kizhakke Beeroli uses Instagram to share his knowledge with the world. In his content, he discusses companies like Titan, DEWA, Microsoft, Celio, DigiTech, Amazon, SONY, Philips, etc., and the technology they use or create. 

Faisal Alsaif 

USP:

Faisal Alsaif always introduces the latest innovative technologies on his profile. He suggests gadgets for gaming, office and personal use.

About The Creator:

Faisal Alsaif is one of those tech influencers in the Middle East who introduce new technological Marvels. He frequently attends tech press conferences, summits, and expos for first previews. The technology influencer breaks down every feature and advantage of a gadget. He also makes pricing and long-term value comparison videos.

Faisal Alsaif shares unboxings, reviews and demonstration videos on his Instagram profile for different types of gadgets available online or in the local market. He features products like Samsung, Apple, Bentley, Honor, NOTHING, Audi, Mercedes, and more.

Shadi Dawi 

USP:

Shadi Dawi is one of the top Emirati tech influencers who has a tremendous social media influence. He works closely with authoritative bodies towards tech revolution and education.

About The Creator:

Every Middle Eastern tech enthusiast knows Shadi Dawi as a prominent tech voice in the region. He is the number one source of the latest tech news. Shadi Dawi covers global tech events. He recently attended the Dubai fintech summit.

Shadi Dawi meets influential industry leaders for quick interviews. The Middle Eastern tech content creator makes talk shows and podcast appearances to speak about the present and future of the technology landscape.

Conclusion

For brands looking to connect with tech-savvy audiences these tech influencers in the UAE are irreplaceable. Collaborating with these influencers boosts brand visibility and ensures meaningful engagement.

[just6f]

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[classimonk1]

Furniture and Appliances: Finding the Best Deals through Chennai Free Classified Ads

Furniture and Appliances: Finding the Best Deals through Chennai Free Classified Ads

In a bustling city like Chennai, the demand for furniture and appliances is ever-growing. As urban living evolves, many residents are looking for cost-effective and convenient ways to furnish their homes and equip them with modern appliances. With the rise of online platforms, purchasing high-quality items has become much easier. Among these platforms, Chennai Free Classified Ads has emerged as a top choice for buying and selling furniture and appliances, offering a wide range of options for every budget and style.

Why Choose Chennai Free Classified Ads?

The Chennai Free Classified Ads platform provides a straightforward, user-friendly way to connect buyers and sellers locally. This approach allows buyers to find products close to home, reducing transportation costs and waiting times. Additionally, free classified ads encourage individuals and small businesses to showcase their products without the burden of listing fees, resulting in a greater variety of offerings.

Moreover, buyers on Chennai Free Classified Ads can communicate directly with sellers, negotiate prices, and arrange for pickups or deliveries at mutually convenient times. This level of personal interaction fosters trust and helps avoid common issues associated with online shopping, such as item misrepresentation or hidden costs.

Types of Furniture Available on Chennai Free Classified Ads

One of the main advantages of browsing furniture listings on Chennai Free Classified Ads is the wide range of styles, materials, and price points. Here are some popular categories you’ll find:

Living Room Furniture: Sofas, coffee tables, TV stands, and recliners are popular items, with many options for new, used, or even antique furniture. Those looking to set up a cozy living area on a budget can often find excellent deals on second-hand items.

Bedroom Furniture: Beds, mattresses, wardrobes, and nightstands are regularly listed, catering to different tastes—from classic wood to minimalist, modern designs.

Dining Furniture: Dining tables, chairs, and bar stools are essential for many homes. Listings often include sets or individual pieces, allowing buyers to find the perfect setup for their space.

Office Furniture: Desks, chairs, filing cabinets, and bookshelves are available for those who work from home or are setting up a small office. Many items in this category are gently used, making them affordable alternatives to purchasing new office furniture.

Outdoor Furniture: For those with a balcony or garden, outdoor furniture such as patio chairs, tables, and hammocks can be found at attractive prices.

Appliances for Every Home and Budget

Alongside furniture, Chennai Free Classified Ads has a vast selection of home appliances, ranging from essential kitchen gadgets to advanced electronics. Common appliances listed on the platform include:

Kitchen Appliances: Refrigerators, microwaves, ovens, and blenders are frequently available. Many listings also feature branded, well-maintained items, making it easy to equip a modern kitchen without breaking the bank.

Laundry Appliances: Washing machines and dryers are essential in many households, and buyers can choose from a range of automatic, semi-automatic, and compact machines.

Air Conditioners and Fans: Given Chennai’s warm climate, air conditioners and ceiling fans are in high demand. Many second-hand units are available for a fraction of their original price, and some sellers even offer installation support.

Entertainment Appliances: Televisions, speakers, and home theater systems are other popular listings. With the rapid evolution of technology, many individuals sell their devices to upgrade to the latest models, offering budget-conscious buyers high-quality electronics at lower prices.

Heating Appliances: Water heaters and geysers are also frequently available, particularly as winter approaches, making it convenient to purchase such essentials locally.

Tips for Buyers Using Chennai Free Classified Ads

When purchasing furniture and appliances on Chennai Free Classified Ads, consider the following tips:

Inspect Before Purchase: Especially for used items, always inspect the product in person to ensure it meets your expectations in terms of quality and functionality.

Negotiate: Most sellers are open to negotiations. Polite bargaining can often result in additional savings.

Check Dimensions and Specifications: Before purchasing, confirm that the item’s dimensions fit your space, especially for larger items like refrigerators, sofas, or beds.

Consider Transport Options: If you’re buying a large item, make arrangements for transport. Some sellers may offer delivery, but if not, you might need to rent a vehicle for a smooth move.

Conclusion

Chennai Free Classified Ads is a versatile platform offering an extensive selection of furniture and appliances suited to the needs of Chennai residents. Whether you’re moving into a new home, redecorating, or simply upgrading an old appliance, the platform provides countless options to buy high-quality items at reasonable prices. Embrace the convenience and diversity Chennai Free Classified Ads offers and find the perfect pieces to create your ideal living space.