#TRAGIC QUEEN FAILED BY EVERY MAN IN HER LIFE
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fishfingersandscarves · 6 months ago
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babydoll, babydoll, who broke you?
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pepperyduck · 2 months ago
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EXCUSE ME MA’AM but your angst kills me it’s sooooo good. would you ever write anything like toji being really distant and out of it for awhile, but saying he’s fine, and him accidentally calling reader his late wife’s name? and then fear and hurt and sadness ensues đŸ„°đŸ˜­đŸ„Č
hey queen yes i got u. i was high as hell writing this so apologies if it's bad!!!!
word count: 1.1k
warnings: hurt/no comfort, abrupt ending, age gap, toji's wife is referred to as "mama" cus i didn't know what name to use, female reader.
masterlist
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something was off with toji.
you had dated him long enough, at least you thought, to know when something was on his mind, when something was bothering him relentlessly
 but he never opened up about those feelings, it wouldn’t matter how much you pestered and pressed him, he was never going to tell you if he had any negative emotions.
that should have been expected.
toji had a good 10 years or so on you, the extra time in his life was filled with family matters and the tragic loss of his wife — that was seven years ago. he only told you these things plainly; there were never any hints behind his words or tone that he even grieved her. he didn’t even tell you her name, simply referring to her as “mama” or “megu”, something you assumed were nicknames he gave her in their time together.
toji loved and grieved his late wife in silence — there would always be a part of her in him. but since she had gone, he had never found a way to express his feelings, simply pushing everything — sadness, grief and pain — to the back of his mind and focusing on what was in front of him.
you had been his focus for a few months now.
you really thought you were something special to be able to have a guy like toji be interested in you. he was attractive, and cold towards pretty much everyone — except for the women he wanted to get with. but you didn’t know how easily he flipped that switch when it came to women. so, you just assumed yourself as the luckiest girl in the world, striding with a big, scary man on your side everywhere you went.
the two of you were like missing puzzle pieces, almost. often, you gushed to him about your feelings and bothered him into doing the same. his replies were stern and short, a simple “i’m fine” made you content. he didn’t talk much, and you seemed to take control of all the conversations. you thought he was a good listener.
toji tried to spare your feelings as much as possible, but he couldn’t help but revert back to his old ways. it never failed, he would always screw up what he had with ease, like he was used to ruining his own life.
but anyways, back to the problem.
something was wrong with toji. it took you a while to place that something was off. you noticed small things at first, a missing bill out of your wallet or toji not coming home until the early hours of the morning. you knew he had a dangerous, time-consuming job, but it never really bothered you at first.
he helped you pay rent — until he didn’t. you wondered where his money was going; where your money was going. the cash you kept in your purse began to disappear slowly, you just thought you spent it and didn’t remember where. you trusted toji enough to not blame him. you loved him enough, too.
yet the late nights and lack of calls began to bother you. resentment grew over time, until you finally had enough. so when you and toji were finally home alone, late at night, you decided to confront him.
and how badly you’d end up wishing you didn’t.
“tell me, toji. you’ve been acting weird.” concern in your voice, you tried to pry an answer out of your boyfriend. he sat next to you on the loveseat of your shared apartment, fist mushed into his cheek as he rested his head on his hand. toji didn’t even look at you, just cut his eyes away from you at every question.
“i told you, i’m fine,” toji sternly replied, his tone was one of those that told you to drop it.
“you’re not, something’s going on,” you look at him with your body turned towards him, and he continues his stoic stare into the wall.
toji looked so bored, with his scarred lips turned into a slight frown. he had begun to form small dark circles under his eyes, too, and the stubble on his face had began to grow to new lengths. he simply looked disheveled.
“toji, please,” you pleaded, not knowing exactly what you were asking for – you just needed something, anything to go off of and help him. you inched closer to him to wrap an arm around him, but he quickly tried to move your arm off him.
“listen, mama – i mean-,” toji stuttered, too fast before he could realize his mistake, “shit.”
you drew yourself away from him quickly, looking at toji with wide eyes. he turned his head away from you in shame, not allowing you to look him in the eyes – as he knew it would only make him feel guilty.
what the hell? –
you knew he didn’t mean it as a cute nickname. he was calling out to his wife. you felt the small shattering begin inside your chest, a painful pang of heartbreak forcing its way into you.
no, it was just an honest mistake, right?
just a small indicator that toji still thought about his wife, maybe a lot, more often than what you hoped.
just a small indicator that you’ll never be the woman he loves.
make no mistake about that.
silence fell over the room, piercing nothingness filled both of your ears as you began to grow upset. upset would’ve been an understatement, though. you were devastated.
toji curled up into his side of the couch in shame for a few minutes, minutes that felt like long, strenuous hours. you just looked at him in shock, then down at the ground, genuinely unsure of how to react to what he said.
everything was clear,
you weren’t the woman he thought about. his thoughts were constantly filled with his wife, he looked for her in every woman he tried to settle down with – but to no avail, of course. toji would never find the woman he was looking for; because the woman he was looking for was gone.
toji fixed his posture after a few moments, “listen, i’m sorry, i just
” he trailed off, raking his fingers through his hair in shame and confusion. he didn’t know what to say, or how to make the situation any better. he had ruined it all by the slip of his tongue.
“it’s fine, toji,” you mumbled, looking back up at toji with sad eyes.
he looked utterly ashamed of himself in that moment, a pathetic mess of a man you hadn’t seen from him before. so much vulnerability radiated from him. he pitifully looked you in the eyes, leaning back against the couch tiredly. he just looked so sad. there was a pain behind his eyes you hadn’t seen over the months of you dating.
the next words he spoke to you broke you indefinitely,
“you just remind me of her, so much.”
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taglist: @kundere20000000 @missakward123 @lagataprrr @cherriee-ee @ourfinalisation @shiroganekagami
let me know if u want to be added!
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hotvintagepoll · 7 months ago
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Propaganda
Marion Davies (Show People, the Patsy)— JUSTICE FOR MARION DAVIES. I am always so upset when I learn that some people STILL think she was some untalented pretty face who was only a success because of her relationship with Hearst. Please watch literally any of her movies, silent or sound, to see how untrue this is. She was successful in spite of Hearst's constant meddling. She really shines as a comedienne. Just watch her imitate other silent stars in The Patsy, or her screwball antics in Show People. I've watched so many silents just for her, but she was also really good in sound films, too, like Blondie of the Follies. She's absolutely adorable, and she deserves to be recognized for her talent, alone.
Rita Hayworth (Gilda, Cover Girl)—Absolutely, drop-dead gorgeous. She steals every movie she’s in; she was Fred Astaire’s favorite dance partner, as you can see in clips from their movies [link][link]. Born Margarita Carmen Cansino, Rita's story had its tragedies—her father was awful and had her performing in nightclubs way, way too young; the studio totally remade her look because they were afraid of her hispanic image, putting her through painful treatments and diets; she had a string of failed marriages. But beside all that, I think there's something about Rita that still glows through—an inner beauty that has nothing to do with the studio, or the men who pinned their dreams on her. Rita brings an incandescence to roles that's impossible to replicate, and was truly a great actress in that she could switch from herself—shy Margarita—into a bold and glamorous femme fatale so convincingly everyone fell in love with her as Gilda. She's my favorite movie star, and I think she was a beautiful human through and through—Rita, gorgeous and real and shining bright.
This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Marion Davies:
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the queen of comedy
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 If anyone is looking for a tragic infamous funny fav, this is your girl! She came from a catholic convent to become a showgirl! As many of these early Hollywood stars, she fell victim to falling in love with the wrong man. She had a long lasting affair with a older powerful married man, William Hearst. Their story was so iconic and scandalous that it is largely what inspired Citizen Kane. She gained her fame through him, which eventually gathered her the reputation of being social-climbing and taking advantage of more her looks than her talent. This made her controversial, which wasn't helped by her flirty fun personality and attitude towards other actors (including Charlie Chaplin). All of this hate meant that she was eventually ostracized by Hollywood and even blamed for Hearst's death. My poor girl was excitable, funny, charismatic, energetic, and extremely talented. I believe that at her heart and soul, she was truly a clown. She possesses an incredible gift for mimicry, a deceptively animate face, and an absence of on-screen ego that allows her to throw herself into anything, no matter how foolish or potentially embarrassing, with all of her considerable energy. And it's those ridiculous moments that are almost always her best in film, because to me, that's really who she was. She was silly and sweet and so so so so so funny! And she deserved better than the tragedy of the life she got.
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Rita Hayworth:
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Do you need any other propaganda? Here’s the video.
youtube
She was not called "the love goddess" for nothing: beautiful, glamorous, despite playing sexy and provocative roles her inherent shyness somehow also would shine through sometimes, creating this contradictory and incredibly attractive image
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Often played "the bad girl" who tempted the male hero away from "the good girl"; but did have roles that broke her out of that mold. She was also the inspiration for Jessica Rabbit. THE pinup girlie.
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HELP
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She was soo beautiful when she was young and she MAINTAINED that beauty into her later years and I think that old lady glamour is hot. bombastic sex appeal
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every line she delivers in gilda is so flirty and passionate or absolutely desolate and it's so good
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I just have a lot of feelings about her
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capriddle · 3 months ago
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HotD spoilers/favorite character analysis
đŸ„‰Aegon II 'the Elder' Targaryen
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I'll start by saying that he, being a rapist, is here by a miracle (as he miraculously survived the fire of Vhagar), because usually the only desire I have for characters who do something similar is to see them die badly, and in fact here the situation does not change, however I admit that if he had not done this Aegon would be one of my favorite characters and instead he remains the third best character for me in terms of construction of this season. I loved the tragic development of the character, incapable but willing, forced onto the throne and deprived of power by his own Council. Thanks to the scenes with Sunfyre, with Alicent and Aemond, the beginning of the hints of the relationship with Larys, his brilliant interpreter Tom Glynn-Carney helped by an excellent script gave life to what in my opinion is one of the best characters of this season.
đŸ„ˆRhaenys 'the Queen Who Never Was' Targaryen
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I have little to say about her, except that I have loved her since the first episode of the first season. A strong, proud, proud and wise woman. A fighter to the end. What a queen she would have been and what scenes she gave us. Her death was painful as well as spectacular, thanks also to the relationship shown between Rhaenys and her Meleys. Eva Best was a great interpreter, perfect for Rhaenys, who brought her to life in a wonderful way. She will be greatly missed.
đŸ„‡ Aemond 'One-Eye' Targaryen
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Obviously my first post goes to him, who from the most hated in the book is currently the most loved in the series. I loved madly the way they made Aemond, showing him from the first season as a child victim of bullying who, from the conquest of Vhagar onwards, begins to acquire more and more strength and awareness. Victim of his nephews, but above all of his brother Aegon, he decides to take his revenge (intentionally or not), even going so far as to reign in place of his brother. As a boy full of fragilities, first of all the relationship of lack with his mother, he decides to give a twist to his being, transforming himself into the dark and cruel prince of the books, but with a progressive transformation that in my opinion makes him interesting and multifaceted. Here too I cannot fail to mention the skill of his interpreter Ewan Mitchell, who was able to highlight with meticulousness every little emotion of our prince.
Notes of merit:
đŸ”„King Viserys 'the Peaceful' Targaryen
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My favorite character from the first season, who I mention because he returned in Daemon's visions. King, imperfect man and father, with a big heart and many regrets on his conscience, he did his best and everyone knows it, so they forgive his mistakes. He too is a magnificently tragic character, played by a very good Paddy Considine. I miss you my king!
❀Queen Daenerys 'the Princess Who Was Promised' Targaryen
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My great love. The one who made me start GoT and introduced me to Westeros. I mention her because she appears for a few moments (literally terrifying for me) but that is enough for me to praise her again. Because without her, HotD would not exist, nor my passion for the characters of Westeros. She is the one I miss the most, her and the wonder Emilia Clarke. Thank you for everything my queen, I will never forget you.
P.S: I always knew you were 'the prince who was promised' and not the snowmanđŸ˜đŸ€­đŸ˜‰.
P.S.S: Waiting for the development of my little Aegon (Rhaenyra's son) which I hope will be like in the book and the series about Aegon the Conqueror to see my Visenya!
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spartanguard · 1 year ago
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sons of love and death, 11/13 {CSSNS 23}
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Summary: After the Final Battle, Killian Jones had finally settled into his happily ever after with his wife and family. Until a new foe arrived in Storybrooke: the infamous Dorian Gray, who looks rather familiar—one might say identical—to the pirate, and he’s on a mission: to claim the powers of the Dark One for himself. There’s only one problem: the Dark One no longer exists. What follows is a journey of vengeance, revelations, magic, and finally facing down the darkness within himself that Killian thought he’d finally put to rest. [roughly canon divergent from 5B, though set post-canon] A/N: Back to the main story in this chapter! Fair warning: you may need a tissue
 Only one more big one after this, and then an epilogue! Can't believe this @cssns adventure is almost over! (As always, thanks to the best beta, @optomisticgirl!) rated M | 4.5k words | AO3 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10
Dorian hummed to himself in thought. He’d been sneaking around the former wicked witch’s property, stealing some of the leftover golden straw made by Rumpelstiltskin (he wasn’t sure how he’d missed it the first time), when he noticed his brother at the front door of the house. So, obviously, he decided to eavesdrop, lingering just below the kitchen window. 
He had to admit—the heroes’ idea of using the Crimson Heart to render him powerless was a valid one, if the connection between his and his brother’s magic was accurate. And he had every reason to believe it; there was a period of a few weeks a couple years ago when his own magic wouldn’t work. He’d been in New York City at the time and just attributed the dysfunction to the lack of magic in the rest of this realm finally catching up to him. But based on what little he’d deduced about the timing of Hook’s dabble with the underworld, it was likely then, and it returned whenever his twin had been resurrected. (He’d spent the bulk of that time with a lovely redhead anyways.)
(He’d also finally read the novel supposedly inspired by his life, after delaying it for over a century. Damn, Oscar had taken quite a number of liberties with that story, but given what he knew about the man, none were surprising. He loathed that he gave it a moral, though, and a tragic ending to boot, when Dorian himself had few and had no plans of failing.)
He translocated away before his brother could leave the farmhouse, heading for the queen’s vault. He’d heard of the Crimson Heart, but never thought he’d have a reason to seek it out—he was all about acquiring power, not losing it. He still wasn’t sure how exactly he could use it, but better to have it in his arsenal before it could be used against him. 
As he approached the vault, he could sense the protection spell the queen had placed around it—far stronger than the one at the town line. Well, that was no problem; he reached into an inner pocket and pulled out an odd-looking dagger; the blade looked vaguely like bone. It was precisely what he’d been looking for during his ill-fated adventure in London all those years ago: the knife was made from a sliver of Maui’s legendary fish hook, having the ability to cut through any spell (though he didn’t come across it for a few more decades). 
He flipped it in his hand, then stabbed at the air, connecting with the barrier. Then he cut down; a bright red line followed, glowing as it created a break in the spell. When he reached the ground, he was able to slip his other hand into the split and part it like a curtain, then stepped through. 
Foolishly, the queen hadn’t put any further security measures on her hideaway. To be fair, that was a strong spell guarding it—few would be able to get through with their lives. But he was usually the exception to any rules.
He’d been focused on the books the first time he’d been down here, but could easily tell it was a treasure trove of other useful items. Based on what he’d overheard, the object he was looking for had some inherent magic of its own; that would make it easier to locate among all the other clutter.
It took a few tries—and only after uncovering a number of other, actual hearts—before he found it, set casually on a shelf in a box. It was a clear-ish stone, vaguely tinted green or red, depending on the angle, but he could feel the void-like enchantment it held. It was just waiting to absorb whatever magic it could get.
For a brief moment, he wondered if there was a way to use it as a siphon—perhaps he could merely take his brother’s magic for his own, including that bit of Darkness? But no; everything he’d heard about this was that it was a one-way vacuum, and he was too close to achieving his goals to risk it by getting greedy.
He closed up the box and tucked it under his arm, then transported away, to another part of town. If a town as quaint as Storybrooke could have a seedy side, this was it: a short strip of warehouses and industrial spaces near the docks. A plain, almost charred-looking cinderblock building sat at the end of the lane, with a sign by the door reading Wayland Smith (if one could read it, that is; the metal sign was almost tarnished beyond recognition).
A rush of heat welcomed Dorian as he pulled the door open; inside, a number of forges were going, giving the entire space an orange glow.
In the back of the shop, a man wore a welding helmet and was shaping red-hot metal with a hammer; the resounding clang echoed in the large space as sparks erupted from his project. He stopped when he saw Dorian approach, though, and lifted the mask.
There was nothing special or unique about his appearance. He was just
a man, albeit a large one. It was near impossible to tell he was the centuries-old Wayland the Smith of legend. Perhaps that was how he’d survived so long, though. But that wasn’t Dorian’s style.
“Y’ready, then?” Wayland asked gruffly.
“As ever,” Dorian replied.
Wayland beckoned him to follow to one of the massive furnaces, which was currently cold. But at the table in front of it, a crucible was waiting next to a fresh-looking mold. “Wha’ever you’ve got, put it in there,” he brusquely explained, nodding at the cup. 
Dorian first pulled out his brother’s namesake prosthesis and attempted to put it in the melting pot, but it was too big. Wayland took it from him, whacked it on the edge of
some sort of structure within the foundry to snap it in half, and then put the broken pieces back in. 
Then, Dorian pulled out the strands of gold he’d taken from the former dungeon at the farmhouse, as well as the last ingredient he’d taken from the Evil Queen’s vault the week prior: ambrosia dust. Neither of those objects was very potent on their own, but in combination—oh, they were going to be everything.
He set the gold down on the worksurface and dumped the vial of dust into his left hand. He then picked the gold back up and closed his eyes, focusing on the remnants of dark magic that lingered in the metal strands. Even if the Darkness no longer truly existed, it still left its fingerprints—like it had on his brother and the others, and like it did in this bit of gold, fabricated with its use.
The strands began to glow and warm in his hold; he smirked at the feel of it, then opened his eyes and dragged the wires through the dust in his other palm. The ambrosia—known for its ability to resurrect the dead when in its pure form—would help bring back those powers, and the metal gleamed even brighter as it picked up and held onto the specks of dust. 
He bent the bits in half and added them to the crucible. Obviously, that wasn’t all it was going to take to bring back the Darkness—he still needed to get at those bits stuck to their souls, and that would require a blood tether first—but this was the start of finally getting what was his.
“Care to light it, sir?” Wayland asked, pointing toward the furnace. They could have used any of the other ones, but Dorian figured it would be all the more meaningful if his own magic fueled the fire.
He stood in front of the cavernous hole, then put his hands together at chest height. Between them, he created a dense fireball, small, then growing larger as he moved his hands apart, calling on his magic to increase its size and intensity.
When he had a fireball nearly the size of his abdomen, he pushed the whole thing into the furnace; it immediately began to lick at the brick walls and set it alight from the inside, to the point that he had to shield his eyes.
Wayland was watching the temperature gauge on the outside; when it was heated enough, he gestured for Dorian to step back. Then the smith pulled his visor back down and pushed the crucible into the blazing hot oven. 
Dorian had no idea how long it took for metal to melt down, but it was somehow both longer and less time than he expected; perhaps he was just anxious. Still, the next time Wayland moved, it was to bring the crucible back out, now filled with bright orange liquid.
(There was something exceedingly satisfying about the fact that he’d not only taken Captain Hook’s hook, but that he’d also essentially destroyed it.)
Expertly, Wayland turned around, not losing a drop of the molten alloy, and poured it into the mold Dorian had commissioned earlier in the week. From the angle he stood at, he could see the light from it illuminate the inside of the form until it just reached the top.
The men shared a beer as they waited for it to cool, and once it got close to being ready, Wayland fitted it with the handle that Dorian provided—made from a chunk of wood he’d kept in his pocket from a tree on the grounds of the Dark Castle. (It had been his favorite tree to climb as a child, and he’d always kept a piece of it on him in case he ever needed help finding his way home. But this seemed to be a far more fitting spot for it now.)
Wayland assessed the form, then nodded; he assumed that meant it was ready. Dorian tossed the cigarette he’d been dragging on into the furnace, then watched as the smithy tapped and pulled with his tools to undo the mold.
It took a few hard hits, but then—there it was; a bit rough still, but gorgeous: a new dagger for a new Dark One.
It was similar in shape to the one of lore—it had mostly the same tapered shape with its undulating edges, but had a few more curls added on the sides, ending in dangerously sharp points. A pattern similar to the old one was pressed into the blade in relief, but was the same color as the rest of the metal at the moment.
Wayland took the blade to yet another part of his workspace and flipped the switch on another machine, first sanding it a bit and then buffing it until it gleamed.
He gave it one final inspection then, seemingly satisfied, took it carefully by the blade and extended the handle to Dorian. “All yours, m’lord.”
Dorian couldn’t hold back his grin as he took it and looked it over. “Oh, it’s perfect,” he remarked, turning it over in his grip and enjoying the weight of it in his grasp. He pressed a fingertip into one of the points; it came back bleeding. “Yes—perfect.”
“Good,” Wayland answered. “Anythin’ else ya need?”
Dorian hummed, giving it another once over. “There is one thing.”
“Wha’s that?”
Swiftly, Dorian took the dagger and shoved it into Wayland’s shoulder. The man cried out in pain and fell to his knees, which seemed dramatic; it’s not like it was a fatal stab. 
But then Dorian pulled it out to an even harsher scream, and realized that the extra points on the edges probably made it worse. 
Still, the blade was covered in blood. It looked wonderful, but it wasn’t the blood he ultimately needed. 
He summoned a small fireball and ran it along the sides of the dagger; the blood turned dark and filled in the designs pressed into its surface. There—now it looked like the Dark One’s dagger. 
Time to make it real. 
â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»đŸ—Ąăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…
Since becoming mortal again, Rumpelstiltskin had learned to appreciate the blessings of a full night’s sleep. Although he had forgotten how light a sleeper he’d been prior to taking on the curse; it didn’t take much to wake him—especially once his son arrived and didn’t seem to understand the concept of a normal sleep schedule. (Not for the first time, his heart went out to Milah having to do that on her own centuries prior.) 
Gideon had at least grown out of that now (mostly), but Rumple retained the ability to wake at the slightest disturbance. Given that he still had a number of enemies, it was a useful skill, even if he largely towed the correct side of morality nowadays.
So he wasn’t surprised to wake in the middle of the night. However, he wasn’t sure why. A glance at the monitor sitting on his nightstand indicated Gideon was still asleep, and Belle was lightly snoring next to him. No other sounds could be heard; not even the hooting of an owl outside (the only thing that typically woke him lately, and—if he was being honest—his main rival at the moment).
The moments he missed having magic were few and far between, but this was one of them. As he sat up, so did the hair on the back of his neck—someone was there.
And he could only think of one foe who would be able to enter undetected.
“What do you want, Mr. Gray?”
The shadows shifted on the far side of the room as the man in question came forward. “Color me impressed, Dark One; you still have your wits about you.”
“I had them before I had that title; why wouldn’t I when that title no longer exists?”
“For now,” Dorian countered. He could only just make out the shape of him in the bit of light that came through the drapes.
“Please; you’re not still on about that, are you?”
“Indeed I am,” Dorian countered, then suddenly appeared at Rumple’s bedside—and was pressing a cold bit of metal against his neck. 
Rumpelstiltskin jumped away and looked down; that fool had the dagger. Or, a version of it—this one seemed a bit more dangerous (and far more impractical). “Where the hell did you get that?” he asked, hoping he sounded unimpressed—though, in reality, it did worry him a bit. The dagger was only ever a conduit, but the fact that Dorian had one wasn’t a good sign. 
“Why, I made it,” Dorian boasted. “And I came here to thank you for your help. It’s mostly my brother’s hook, but you left some gold behind in that storm cellar; gives it just that little extra boost of magic, I think.” He pressed it close to Rumple’s neck again. “What do you think? Pretty great, eh?”
Of course, that’s when Belle stirred next to him. “Rumple?” she asked sleepily. “What’s going—”
Her (obvious) question was cut off as she was quickly frozen in place. “I thought your magic was fire, not ice,” Rumple bit out. 
“Bit of everything,” Dorian shrugged. 
Rumple took a deep breath but tried to be steady about it, and not let on the nerves that were stirring. (He may have been a coward long ago, but he was no such thing now—not when it came to his family’s safety, at least, and he was at a severe disadvantage here.) “I’m surprised you didn’t already put your name on it,” he instead taunted. “Since you seem to think you’re entitled to be the Dark One.”
“Oh, no no no,” Dorian replied. “I need to earn it—just how you did. I want to know the joyous feeling of watching my name engrave itself after I’ve won it outright.”
Rumple remembered his own emotions upon suddenly seeing his name etched in that cursed steel. “Joy? I just remember feeling sick.” The memory had dulled over his years in the Darkness, but it was another of those things that came back to him with mortality. “I was willing to do anything for my son, but I didn’t know that would be the cost.”
“You were fine with murder, but not with the Darkness?” Dorian scoffed. “That’s an odd line to draw.”
“Desperation does that to people,” he countered. “Your father was apparently determined enough to make sure you didn’t get those powers that he duped me into it.”
Even in the dark, he could see the fire of anger light the other man’s eyes. 
“Which actually brings me to a question,” Rumple went on. “Why are you so desperate to be the Dark One? And don’t just tell me it’s because you were promised; you already have magic and found a way to immortality, so what could you want with them?”
“Because I have nothing else,” Dorian spat. “No family, no friends—no loved ones. I’ve devoted and sacrificed so much of my life in pursuit of this. I deserve it.” Rumple rolled his eyes, but Dorian didn’t notice. “My birth parents gave me up—in favor of another, I’ve recently learned—and I killed my only other love. This is it—this is all that remains of the only person who showed me any care. And I will have it.”
Rumple narrowed his eyes—and was suddenly sympathetic. “You want to prove to your father that you were worthy of the magic.”
Dorian said nothing.
“Trust me, I know all about complicated paternal relationships. But you can move past that; you can find something else worth living for.” He looked over at Belle, still frozen, to emphasize his point. “I did, and so did your brother.”
“No, I’m afraid it’s too late for that,” Dorian answered, almost sadly.
And with a flick of his wrist, both men disappeared in a cloud of fiery smoke.
Rumple just hoped he wasn’t about to lament the fact he couldn’t say goodbye to Belle.
He knew he was resourceful and could find a way out; but he knew the target wasn’t just on his head, and hoped his inevitable allies were thinking just as far ahead.
â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»đŸ—Ąăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…
Dorian was beginning to regret not drawing up a dramatically oversized checklist of the things he needed to complete his plan. First on the list was the dagger—check; Rumpelstiltskin was a little further down, but he could cross him off, too.
Next up: his portrait. Much like the Crimson Heart, he mainly wanted to keep it close to prevent it being used against him, but he also wanted the inherent magic in it handy if the situation called for it. He transported himself and the former Dark One to the storage room above the library, making sure to tie up Rumple’s hands in the process, lest he make a grab for any potential weapons.
The room was musty and dim, with only a bit of light coming through the spaces between the boarded-up windows from the streetlamps outside. But he didn’t need to be able to see to find the portrait—he could hear it, the steady beating of Sybil’s heart still echoing his.
At least—he thought he was fine, until he ran into several somethings dangling from the ceiling.
He cried out in surprise; meanwhile, Rumpelstiltskin laughed. “Careful, lad; I’m sure there’s a metaphor there about needing light in the darkness.”
“Lad? You’re hardly older than me.”
“Still am,” he shrugged.
Dorian turned away and tried to brush
whatever it was out of his path, but there were more of them. “The bloody hell are these? Some primitive security system?”
“Dreamcatchers,” Rumple explained. “I forgot we put them up here.”
“What value do those have?” He’d never heard of spells requiring stolen dreams—but the longest Dark One to ever hold the title probably had.
“It’s a bit of magic that originated from the indigenous folk of this land,” he said. “Not just to hold dreams, but memories.”
“There are stones for that,” Dorian retorted.
“Aye, but only in a few places. These can be made anywhere. See for yourself how they work.”
Dorian looked over at his foe; he felt like he was being baited, but he didn’t know into what. He could play along, though; Rumpelstiltskin’s hours were numbered, so he might as well take in any bits of knowledge from the man he could.
He reached up to grab the nearest dreamcatcher. “No, not that one,” Rumple interrupted. “That one, over there—with the black feathers. You’ll like that one.”
Dorian arched an eyebrow skeptically, but obliged, and took down the one made with a reddish ring of wood (at least, as far as he could tell in the dark) with feathers hanging off of it as described.
It didn’t do anything at first, but he could feel the magic simmering inside the web of strings across its middle.
“Now what?” he asked, impatient.
“Just give it a second.”
He looked back at it, and then, slowly, an image appeared in the empty middle of the dreamcatcher. He leaned in closer to study it, and then—it was like he was inside the memory.
A couple dozen hooded figures stood in a half circle at one end of the clearing; at the center stood Hook and Emma. But they looked very different from the couple he’d met here in town: Emma had bleached-white hair and a severe, all black outfit; while Hook
looked a bit more like him—hair parted on the right, dressed far more casually than he’d seen him yet (though still in all black), with an emptiness in his eyes that seemed out of character.
What was most astonishing, though, was the fact that his twin was holding a united Excalibur in his hand, and it wasn’t hard to make out the names Killian Jones and Emma Swan both engraved in it. 
“Impossible,” Dorian gasped.
“Just keep watching,” Rumple told him from
somewhere beyond his awareness; this must be his own memory.
Next to Hook, a cloaked woman stood—with noticeably scaly skin. Was that
 “Nimue?” he wondered aloud.
“In the flesh, so to speak,” Rumple confirmed. 
He scanned the rest of the figures, and realized the posture of one was exceedingly familiar. “Zoso,” he whispered. They were all the past Dark Ones. Gods, he was about to get starstruck.
Nimue announced, “It’s time,” though for what, he couldn’t tell. But it triggered Emma, who angrily proclaimed, “No—you are not taking the people I love.” Her voice was harsher than he recalled.
Nimue lifted her hand to magically choke Emma; it obviously wouldn’t kill her, but it definitely stopped her in her tracks. The original Dark One taunted Emma, but Dorian was more focused on his brother’s reaction. At first, it was nothing; then, he seemed to be avoiding Emma’s eyes. But the moment he met them, the change in his countenance was visible, from realization to horror to anger.
“That’s enough,” he spat as he turned to face Nimue. 
“What do you think you’re doing?” she asked, not giving up her hold on Emma’s neck.
“Being the man I want to be,” Killian answered. 
“You can’t stop us,” she boasted. 
“Yes, I can.” Hook held Excalibur aloft, then closed his eyes and concentrated—on pulling all the other Dark Ones into the blade. Emma was let go and caught her breath, but Dorian was focused on the disappearing image of Zoso from the ring of sorcerers. 
When it was done, the blade had changed its color, to black with a red glow from its engravings. His brother was visibly shaking at the effort to hold it—them—in. 
“Killian, you can’t do this,” Emma told him tearfully; it reminded him somehow of his last moments with Sybil. 
“We both know there’s no other way, love,” Hook told her, equally emotional. “We have to hurry; the Darkness won’t stay trapped in Excalibur much longer—take it.” (Were Dorian actually there, he would have done so in a heartbeat—but not to do what he had a feeling was about to happen.)
Emma tried to refuse him, but after a brief debate, Killian was able to convince her. “Let me die a hero; that’s the man I want you to remember—please.” Dorian rolled his eyes a bit, but they were also glued to the scene.
Reluctantly, Emma took the sword; it wasn’t obvious if its own weight or that of her next task was making her struggle to hold it. 
Hook was beginning to brace himself, but Emma wasn’t ready. She whispered that she loved him, and pulled him into a kiss that clearly had goodbye written all over it. He returned the sentiment, then nodded at her as she stepped back.
She hesitated again, until Killian told her it was okay. She lifted the blade slowly, and it seemed like she wasn’t going to move—until she abruptly surged forward, piercing him through the chest with the sword.
Dorian sucked in his own breath at it; despite being told the abridged version, he almost thought she wouldn’t go through with it. Almost immediately, Hook collapsed on Emma’s shoulder, but managed to push himself away in time to see the Darkness drop its hold on Emma; she glowed briefly, but then was left looking much the same as the sheriff that Dorian now knew.
She pulled the blade out—likely only hastening death—and it disintegrated, but she was too distracted by the dying man in front of her to care. 
She grabbed him as he fell to the ground, and went down with him. Her sobs filled the clearing, echoing around him.
But then, all of a sudden, he was back in the storeroom above the library. He gasped, and could feel the wetness on his cheeks from the tears that scene apparently elicited. 
“Impressive magic, eh?” Rumple said; Dorian had almost forgotten that he was there—why either of them were there. And he wasn’t sure if the man was referring to that which allowed him to watch that scene unfold—or what happened in it.
“Rubbish,” he tried to counter, but the emotion in his voice betrayed him.
“Like I said, you don’t have to do this,” Rumple told him again, softer. “Your brother—”
“Is a completely different person than me,” Dorian spat back. “You really thought this would get me to change my resolve? Some little mind game?” He tossed the dreamcatcher aside. “Nothing will stop me from getting what I want.” 
He turned on a dime and followed Sybil’s heartbeat to his portrait; he was glad there wasn’t enough light to see what it looked like. 
When he returned, Rumple was still looking smug. “Come on,” he snapped, then shoved the man with magic, compelling him to follow him.
“What now?” he asked.
“If my brother is half the hero he says he is, he and his bride won’t hesitate to come to your rescue. And then I’ll finally take what should have been mine—what he threw away.”
They made their way down the stairs and into the night, but he could still feel a sense of self-satisfaction coming off Rumple, as if he was convinced that showing him that scene had impacted Dorian at all. It hadn’t.
(At least, that’s what he was trying to convince himself.)
â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»đŸ—Ąăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»ăƒ»â˜…
thanks for reading! tagging some peeps (let me know if you do/don’t want a tag!) @kat2609 @xpumpkindumplingx @shipsxahoy @mryddinwilt @cocohook38 @annytecture @shireness-says @ohmightydevviepuu @wistfulcynic @pirateherokillian @colinoeyebrows​ @wingedlioness @word-bug @thisonesatellite @killianmesmalls @thejollyroger-writer @ineffablecolors @ive-always-been-a-pirate @nfbagelperson @stubblesandwich @phiralovesloki @athenascarlet @kmomof4 @ilovemesomekillianjones @whimsicallyenchantedrose @snowbellewells @idristardis @scientificapricot @searchingwardrobes​ @donteattheappleshook @jrob64 @the-darkdragonfly @stahlop @klynn-stormz​ @resident-of-storybrooke @bluewildcatfanatic
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mickeyeyesarts · 10 months ago
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My attempt to fix Wish's plot
Things I would do to make Wish a better movie :D
Disclaimer: This is because I have too much free time on my hands and this seemed like a fun thing to do. This is all in good fun :).
Make Magnifico a normal citizen as opposed to King
Magnifico's song suggests he's unhappy with the respect he gets which doesn't really translate the evilness as much, it's more delusional(?) because he's the king and is treated like a celebrity, what respect is he not getting? Unless 7 kids questioning is enough to send him into a spiral but let's be honest he isn't very well written.
Now if we make him a common man who's only known for granting wishes, it paints a different picture. Why is he just a common man if he can grant almost any wish? This could be because of how the kingdom views him(the real villains in this version).
treating him nicely doesn't suit their ego because he's not royalty, he's a commoner who has magic powers
eliminating him after the reputation he's built for himself is too detrimental politically, as the citizens are too distracted to notice how bad the queen and all are.
This attitude makes the people kind of thankless towards him, especially since he only grants people their wishes once in 18 years (meaning 1 person can wish every 18 years and Magnifico will grant them after negotiating so as to keep it from going overboard). He's a resentful man who hates the situation he's caught up in.
No one ever asked Magnifico what his wish is, and when asked, he doesn't have an answer because he's never thought about it. His tragic past made him this person who wants to help people, but he got caught up so far along and his true meaning has been left so far behind he's hateful.
Asha should have a "selfish" wish
I feel if Asha had a normal optimistic wish, it would make her character more relatable, but also make her seem overly idealistic, which can be seen as obstacle for her to overcome over the course of the movie, and how rather than trying to wish the impossible, sometimes its better to let it go.
Her wish is to bring her dead father back to life.
Why i think is open to interpretation, but in a land where nearly any wish can be granted, her having an impossible wish seems like a good plot point.
The Plot
Asha turns 18 and can finally make her wish. She wishes for her dead father to come back to life. Magnifico is annoyed and tries to explain that this wish can't be granted and tells her to get lost.
Asha begs and pleads to him a lot and this is where Magnifico reaches his breaking point. He's fed up of the entire kingdom treating him like a slave who's only job is to grant people their wishes, so he decides to take his revenge.
Magnifico tells Asha that the only way to bring a dead person back to life is by a using a certain spell (a lie) from a book located in the royal library.
Determined, Asha manages to trick the guards into entering the castle, pretending to be a maid, and she tries to steal the book but gets caught red handed by the queen.
Pressured, Asha tells the queen everything, and the queen tells her that the book she's trying to steal is fake, and the real book is on the other side of the country. Asha gets the location of the book and the queen tells Asha to bring the book and Magnifico back when she's done with her wish. The queen is evil but Asha tries to believe that isn't the case.
She shares her findings with Magnifico and together embark on a journey to get the book.
The purpose of this trip it to make some bonding between Asha and Magnifico, where Asha finds out how much Magnifico is mistreated in the kingdom, how he learnt magic to protect his family, all of whom had passed, leaving 1 or 2 younger siblings. Asha also learns that Magnifico actually can grant wishes without the 18 year gap, its just a lie to shut people up.
Magnifico learns about the impact Asha's father has had on her and her family members, and understand why Asha wants them back, but fails when he tris to talk her out of her wish, explaining how its important to let some things go.
Anyway they complete their journey, find a spooky book full of black magic, and magnifico uses the spell book to make her a device that can bring back one dead person, although magnifico is skeptical about all this. He tells her to do that on the night of a full moon just to be on the safe side.
Side by side, Magnifico creates a powerful wand for himself, which he plans to use to lay waste on the kingdom. But after he acquires the wand, he tells Asha to take her family away from the kingdom on the night they reach back the kingdom, because Magnifico doesn't want Asha to die in the crossfire.
But as that happens, Asha and Magnifico are surrounded by the royal army, being asked to surrender the resurrection device, the book, and Magnifico. The queen's plan is to kill Magnifico and absorb his wish granting power using the book so she can rule the kingdom with an iron fist.
The queen manages to get the book and the resurrection device and offers Asha the resurrection device in exchange for Magnifico, a trade which Asha complies to after much hesitation. Magnifico feels betrayed and doesn't say a word as he's being taken away, but the queen doesn't hold her end of the deal, and refuses to give the resurrection device. The queen leaves with Magnifico and threatens Asha to not speak about the incident else she will use magic to wipe out her friends and family.
Asha cries as the sun sets, disappointed in herself that she gave up Magnifico, something she shouldn't have done even if she had gotten the resurrection device. Asha sees a wishing star and decides it is time to right her wrongs, and save Magnifico. Asha also notices the wand that Magnifico had made was left here, and the queen didn't notice it. Asha messes with the wand and decides its time to fight.
Fighting happens yay
In the end the queen ends up absorbing Magnifico's wish granting powers, and is about to kill Asha when she pulls an Aladdin on her and uses that to deliver the final blow as she perishes away. Asha rushes to Magnifico's dying body and apologizes to him as he dies without saying a word. The entire kingdom sees this scene. Asha feels sad that Magnifico lost his life, especially since this journey had made them so much closer together, she saw Magnifico as a family member, and couldn't bear with her loss.
Her mother points out the full moon among the settling dust and Asha knows that she has to do the resurrection right now, before she loses her chance. She activates the device and is transported to a heaven like place, clear skies, a floor of reflective water, but no one else is there. After looking around she finds her dad.
Asha rushes to her father and gives him a hug and they look at each other while crying. Asha points out how she got to him with Magnifico's help and the resurrection device, but can't bring herself to bring her father back to life. She can't say anymore words, they just refuse to come out. Her father breaks the silence and says he knows, but it is not him who has to go back, and shows her the way to Magnifico.
Asha and her father make their way to Magnifico, who is weeping on the floor. Asha calls out to Magnifico, but he's distancing himself from both of them, not out of anger but out of fear. Magnifico realized that Asha has come back for him but refuses to go back. Asha tells Magnifico that he didn't deserve to lose his life like this, and that she's sorry for giving up on him, and she doesn't want to lose him.
Magnifico is touched, but points out that he's lost all of his magic. Even if he goes back, people will refuse to acknowledge him, especially since he can't do the one thing that people come to him for. And Asha doesn't know what to say. She gently holds his hands, and tells him everything will be ok, because she will make sure that Magnifico can live happily, and doesn't have to go back to the painful days from before.
Trusting Asha, he goes back with her to the real world, where he wakes up and is hugged by Asha. Magnifico looks around and sees the looks of people's faces, all of whom know that Magnifico has lost his magic, but everyone comes o Magnifico's aid and apologises to him.
We fast forward a bit, the royal family was driven out of power, living as normal citizens now and people start to look into changing their political system. Magnifico starts a Bakery, which was his wish all along, and Asha works with him. Asha learns to work towards her own wishes. The end
That was a lot, if anyone read the whole thing please share your thoughts with me. Byeeee
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lemonhemlock · 2 years ago
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Thoughts on otto?
i really enjoy komsomolka's take that otto is a failed girldad
i think both otto and tywin are deconstructions of machiavelli's prince. but otto is very much tywin-lite. he is not as ruthless as tywin, not as cold, not as sly. his schemes are childlike compared to tywin's. never in a million years would have tywin suffered such a fool like daemon for so long. otto is a conniver himself, but he does genuinely care for his duty to the realm on a conceptual level as well and he does care for viserys, both as his friend and both as an embodiment of the crown. that doesn't preclude him from doing all he can to advance himself and his own - he is a noble lord, after all.
otto gets a lot of flack in the fandom & we should totally acknowledge the imprint traditional masculinity has on the less-privileged around him. but i have this pervasive, terrifying feeling that otto is actually... he is our father!! you take any reasonably-gentle, reasonably-decent man, who loves his daughter, and put him into the shoes of the second son of a noble lord, in a fantasy middle-ages setting, and he becomes otto. and that's what i find so bloody tragic about otto - this is the story of a man who is separated by societal mores and structures from the one person he loves the most in this entire world - the apple of his eye!! his bbygurl! nobody wins under feudalism! nobody wins under patriarchy! not alicent, but not even otto either! would mine own father do that to me were he in otto's place? would yours? what a completely alarming idea!
otto doesn't completely understand alicent because he doesn't understand women, not fully, not ever & he never will because he lacks the psychoanalysis tools & the critical paradigm through which to objectively assess society & re-arrange his world view. every character in the show has this problem and faces this wall eventually. this is not otto-apologia or trying to find excuses for him, but, equally, not accounting for this in our commentaries does a disservice to all of us, because it utterly fails to account for how our behaviours and beliefs are constitutionally conditioned by socio-economical structures. a person living under patriarchal feudalism, where war is a common occurrence, medical science is rudimentary and mental health non-existent, making life itself a very perilous affair, is conspicuously NOT going to have the same beliefs as a person who has (hopefully) gained critical-thinking skills as a result of their university education in modern-day capitalism. no matter how kindhearted or empathetic they might be.
that is to say that otto genuinely believes he is doing the very best for alicent and for his house and for the realm. he is providing the realm with an exemplary queen, he is connecting the hightowers to the crown via blood and he is giving alicent away to (in his eyes) a kind, good, gentle husband. he is making her the most important woman in westeros with the most amount of power, should she learn how to yield it. he doesn't understand alicent's terror because he doesn't understand abuse the same way she does - viserys never yells at her, is never violent to her, always treats her politely, is a jolly enough man and seems like he'd be fun to drink a beer with. alicent now has all the wealth, all the jewels, the finery, the security and the obeisance of those around her. that's how otto conceptualises happiness and he is giving exactly that to his daughter. would otto agree that it would have been ideal for alicent to be a few years older before getting married? probably, yeah. but an opportunity like this comes only once in a lifetime and, as fucked up as this may seem, this is an act of love in his eyes.
alicent knows her father doesn't truly understand her, doesn't speak "the language of girls", but goes along with it because she is in an uneven power dynamic with him, she is young & inexperienced and is primed to trust that her father's decisions are for her own benefit. there is anxiety-inducing conflict here bc the reality doesn't live up to otto's idealized and superficial understanding of what marriage to viserys entails. what this means for her relationship with rhaenyra, her soul mate. but, even so, alicent knows that her father is the only person in the whole wide world who will love her no matter what & never abandon her, no matter their disagreements. people don't understand why alicent loses her shit when she loses otto. this is why! he is not viserys, he is not rhaenyra. the only reason he leaves is because he is banished. and she (unknowingly & without her sanction) pays a terrible price to get him back
alicent is otto's pawn but she is not just a broodmare to him. he wants to actively work with her. he includes her in his schemes. he allows her on the small council. they have their own power struggles & disagreements, but he mostly rules with her. he wants her on his team so bad. together, you and i will prevail. whatever our differences, our hearts remain as one. he honours their stupid bet and delivers alicent's v generous peace terms to rhaenyra himself. he has been bested by his daughter, he respects that & doesn't undermine her. she really is his queen!!
just bc daemon & rhaenyra oppose otto doesn't mean he is a "snake". daemon is a true nepo baby & incompetent in every job he gets handed. rhaenyra is pissed otto "spied" on her, but that's literally his job as Hand, to be on top on things, act like the CIA and inform the King of any potential trouble. he has his own faults, but i wouldn't call him the evil mastermind the fandom has decided he is
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alexthegamingboy · 20 days ago
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Toonami Weekly Recap 10/19/2024
Uzumaki EP#04 Finale
Rick and Morty: The Anime EP#10 Finale - A Pain in the Back: Morty reluctantly goes into a new reality simulation which Rick describes as his best possible life. In this life, Morty and Elle first meet in school and become a lovely couple with a daughter named Maria. He also reunites with Frank, which they were once in an intriguing relationship. Frank wants to repay Morty, but tries too hard to make Morty feel inferior and abandon his family with jealousy. After years of struggle, Morty faces his mistakes and recognises Frank as part of his family, right before his death. Elle, Frank and Maria are thankful of Morty bringing their life together. The simulation device turns out become defective, and makes Morty go to this alternate dimension with full consciousness dissociated. Rick and Summer shut down the simulation in time, and convinces Morty to see it as a dream. They don't realise on every side of the multiverse, every Elle would keep on living her life with Morty to the fullest, as the most precious and meaningful thing there is. Post-credits scene: The beginning scene of the series turns out to be the first Defiance battle which Space Morty meets Alien Elle.
Demon Slayer: Swordsmith Village Arc EP#11 (55) Season 3 Finale - "A Connected Bond: Daybreak and First Light: Tanjiro reaches Hantengu by using Thunder Breathing's technique, but the demon manifests his resentment, Urami. Genya and Nezuko attack him but Urami and the siblings falls down a cliff. Using the ancient sword provided by Muichiro, Tanjiro decapitates Urami but fails to kill Hantengu. Day breaks and Nezuko begins to burn, but she ultimately signals for him to kill the demon. He locates Hantengu hiding inside Urami and kills him, simultaneously saving Mitsuri when Zohakuten disintegrates. Tanjiro grieves Nezuko's death but sees she is no longer burning. Through Hantengu's memories, Muzan realizes his goal to become immortal can be achieved by devouring Nezuko. Once a sickly young man from the Heian period, he killed his doctor in a fit of rage, only realizing after that his treatment had enhanced his physical abilities and saved him, though has left him unable to walk in sunlight. Having failed to find the treatment's last component, the Blue Spider Lily, he resorted to creating demons in the hopes one could conquer the sun. In the aftermath, Muichiro thanks Tanjiro for helping him regain his identity and Mitsuri embraces them for all surviving. The swordsmiths celebrate Tanjiro for saving them.
-Toonami Rewind Shows-
Sailor Moon EP#34 - The Shining Silver Crystal: The Moon Princess Appears: The new guardian, Sailor Venus, is also schoolgirl Minako Aino, accompanied by Artemis, a male white cat who also has the ability to speak. Forbidden by Queen Beryl to kill Tuxedo Mask, Zoisite challenges him to duel for the Rainbow Crystals. Usagi follows him, and they are forced to reveal their identities to each other.
Sailor Moon EP#35 - Returning Memories: Usagi and Mamoru's Past: Usagi and Mamoru remember their former lives as Princess Serenity and Prince Endymion. The Dark Kingdom kidnaps the injured Mamoru, but Beryl executes Zoisite for his attempt to kill him with Kunzite remaining by Zoisite's side in his final moments. Luna and Artemis tell the Guardians about their tragic past.
Slightly Damned Page 1137: https://www.sdamned.com/comic/1137
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laurasimonsdaughter · 2 years ago
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Folktales you can read as queer without squinting
Happy Pride everyone! Here is a selection of folk and fairy tales that I enjoy for both their plots and their queer vibes. I speak of vibes only, because I cannot say I have insight in the historical intention of these tales, but I do vouch for me presenting them to you unaltered, as I found them.
I will give the titles with links to the full texts here and summaries under the read more:
Gold-tree and Silver-tree Scottish fairy tale, collected by Joseph Jacobs, published in 1892. [Cw: abusive parent, murder.]
The Shoes That Were Danced to Pieces Cape Verdian folktale, collected by Elsie Clews Parsons in 1916-1917. [Cw: attempted poisoning]
The Unicorn Spanish fairy tale, collected by Aurelio Espinosa in 1947. [Cw: murder, attempt at being outed, awkward use of pronouns.]
The Tale of Tamamizu Japanese literary folktale, written by an unknown author between the Muromachi period (1336–1573) and the beginning of the Edo period (1603–1867). [Cw: tragic ending.]
The Tale of the Marquise-Marquis of Banneville French literary fairy tale, published in 1697, authorship contested (suggested: François-Timoléon de Choisy, Marie-Jeanne L'Héritier, Charles Perrault). [Cw: gender dysphoria, age difference.]
Bisclavret French literary legend, written by Marie de France in the 12th century. [Cw: wolf-violence]
Gold-tree and Silver-tree
The beautiful princess Gold-tree is married off to a loving prince to protect her from her murderous mother Silver-tree. When her mother finds out where her daughter is she goes to visit her while the prince is out. To protect her, Gold-tree is locked in her room, but she is persuaded to stick her pink through the key hole so her mother can kiss it. Instead, the jealous queen stabs her with poison, killing Gold-tree. The prince is inconsolable and lays Gold-tree to rest in a locked room. In time he marries a second wife, who is of course curious to know what is in the room. She manages to get in and is so overcome with Gold-trees beauty that she immediately tries to wake her. She discovers a poisoned splinter, takes it out of her finger, and Gold-tree wakes up. When the prince returns home he is overjoyed and when the second wife offers to leave, he insists that she stays. The three of them live happily together until the evil queen finds out Gold-tree was revived. Once again she visits, but this time the second wife protects Gold-tree and tricks the queen into drinking her own poison. The queen dies and the three live a happy long life together, pleased and peaceful.
The Shoes That Were Danced to Pieces
A king offers his daughter’s hand in marriage plus half of his kingdom to whoever can find out why his daughter wears out seven pairs of shoes every night. A woman’s only son sets out to discover the secret, despite the threat of being executed if he fails. On his way he meets the Virgin Mary and God in disguise, who give him a coat of invisibility and a special whip. These gifts help him follow the princess as she sneaks out of the castle, passing by three bushes who greet her as she takes a flower from each. So does the boy. They arrive at a great hall where the princess dances with a company of strange old men, until all her shoes are worn. The boy collects the worn pairs of shoes, makes sure to get back to the castle before her and pretends to be asleep. The following morning he reveals the princess’ secret and gives the flowers and shoes as proof. The king asks him if he wants to marry the princess, but the boy declines, instead returning home to his mother with half a kingdom’s worth of fortune, and builds her a new house.
The Unicorn
A young woman’s sweetheart is killed by another man who is in love with her and after avenging his death, she flees her home. In this new life she lives as a man and choses the name Carlos. He goes into service for a wealthy family and the daughter of the house falls in love with him. They marry and while Carlos is sad to explain the situation to his wife, she loves him all the same and they live happily together. The lack of any children makes her father suspicious, however, and he starts putting Carlos to the test to see if he will act like a man or a woman, but he’s never able to discover anything. Eventually he takes Carlos hunting, suspecting that he will not want to bathe with the other men. Before the bathing, however, Carlos meets a unicorn who gives him a blessing and changes his body so he can go bathe without fear. The father is proven wrong and Carlos gets to return to his worried wife, to tell her what happened.
The Tale of Tamamizu
A kitsune falls in love at first sight with a nobleman’s daughter and wanders what he could possibly do to be near her. After considering taking on the appearance of a dashing young man to woo her, he decides he doesn’t want to put her in danger by marrying a fox, and turns into a girl instead. She goes to a devout couple who have only sons and introduces herself as an orphan. They immediately take her in and name her Tamamizu. Once she is settled, she confesses she would like to be a lady’s companion and her foster family get her employment with the young lady she is so in love with. Tamamizu is a great favourite, but so afraid of dogs that the young lady orders that dogs are no longer allowed near her. Three years pass when a contest is held to find the most beautiful autumn leaf. Tamamizu goes back to her fox siblings, who are overjoyed to see her and they help her find the leaf to give to her mistress. It is so magnificent even the Emperor hears of it and invites the lady to court. Tamamizu is to go with her, but she cannot bear it. Before they reach the court and she has to see her beloved become the Emperor’s wife, she disappears, leaving behind a letter for her mistress to explain everything. Everyone misses Tamamizu and the young lady sorrows for her painful heart.
The Tale of the Marquise-Marquis of Banneville
The Marquise of Banneville becomes a widow while she is pregnant and while she first wishes really hard for a son, she changes her mind and begs heaven to send her a daughter who will not have do die in war like her husband. The child is born and regardless of physicality, is raised as a girl. She grows up a beautiful, charming socialite and is a favourite of high society. The little marquise Marianne meets the handsome Marquis de Bercour and they begin a flirtatious, deeply romantic friendship that leaves her mother anxious to prevent them ever thinking of marrying. Eventually she even tells her daughter about the complication of her birth, but after some intense unhappiness the affection of the marquis and his declaration that he wants only to be her best friend, she puts it out of her mind. When her mother dies, however, the two lovers are so much together that they have to marry to escape the gossip. On the wedding night Marianne finds her husband inconsolable and he confesses that he was born a woman. She immediately tells him her own situation and they declare their love all over, decide to keep living exactly as they do now and have a child just as beautiful as they are.
Bisclavret
A kind and handsome nobleman, beloved by his king, is asked by his new wife why he disappears for three days every week. He confesses that this is when he “turns bisclavret” and must go out hunting in the shape of a wolf. His terrified wife convinces a knight who was already in love with her to steal her husband’s clothes so he cannot turn back. After her husband’s mysterious disappearance she quickly marries the knight. The distraught king comes across a wolf while hunting, however, that treats him so affectionately that he takes the animal home with him. The wolf never leaves his side and is incredibly docile, but when he attacks first the knight and then the knight’s wife, the king’s advisor starts to get suspicious. They are arrested and confess everything. The nobleman’s clothes are found and the king brings the clothes and the wolf to his royal bedchamber and leaves them. When he returns the nobleman is human again, fast asleep in the king’s bed. The overjoyed king wakes him with kisses, restores him to his title, and showers him with gifts. 
Honorable mention for this mythic tale from the Bhuiya in India in which two women conceive a child together.
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thebluelemontree · 2 years ago
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Do you think Arys Oakheart had the necessary skill and temperament to be an effective Lord Commander of the Kingsguard? Meaning both in general as well as the present circumstances in Kings Landing
No. Not at all. Arys's personality is very go-along-to-get-along. Skillwise, he's good enough of a knight to be given a white cloak. He's handsome and polite, so he lends that polish and social grace to the rougher elements of the kingsguard roster. He's sufficiently obedient by Joffrey and Cersei's standards but doesn't have the spine or heartlessness to be the kind of tool they prefer. He follows Joffrey's cue and laughs along at Barristan Selmy's disgrace, but he also feels kinda bad about hitting Sansa. Bad enough to muster a little protest, but not bad enough that would risk being disciplined by refusing. So he splits the difference by not hitting her as hard as everyone else. Little by little, small compromises in values lead to becoming compromised. In under six months, Arys is seduced by Arianne Martell and turns rogue against King Tommen when he is persuaded to support Myrcella's claim to the Iron Throne. His whole chapter as The Soiled Knight has him torn apart by his conflicting desires to both wear the white cloak with honor and tear it and its burdens off. It was easier before to wear the cloak when he merely needed to obey the decisions of others, but now that he's far away in a foreign court and forced to make decisions for himself, not so much. What he discovers about himself in Dorne is that he chooses his lover over his kingsguard vows more and more. When Arianne suggests he could have both her and his white cloak under Queen Myrcella... it just feels wrong. So wrong, and yet it would also resolve this terrible conflict within himself, wouldn't it? Oh boy... I don't think you can call any of this leadership material by any standard. The man is dying for someone to provide him an escape hatch from being made to choose. There is a lot of irony to being named Oakheart as if his character and his sense of honor were as strong and stalwart as the mighty tree itself. I will give Arys this: he is far more self-reflective than Barristan Selmy about who and what he has served and more honest about what his own failings have led to. He knows he doesn't have the mettle for what a kingsguard is supposed to stand for, and never did. He was built for a simpler man's life and it's tragic that wasn't his fate. There is no way for him to live as a kingsguard without his heart letting him down at every turn and making him feel soiled and unworthy. He can't make his feelings for Arianne stop. They've awakened in him a longing for a life he can't have. He can't renounce the cloak without shame and disgrace either. When things come to a head, he sees only one escape hatch, one choice, available to him to resolve this crisis and regain his sense of honor and self-worth:
We are taken, ser, Arianne might have called out. Your death will not free us. If you love your princess, yield. But when she tried to speak, the words caught in her throat.
Ser Arys Oakheart gave her one last longing look, then put his golden spurs into his horse and charged. -- The Queenmaker, AFFC.
Ugh. I feel sad now. No, he's not a leader. He was misplaced in the kingsguard. He's a mostly decent, but entirely too passive man who was unfortunate enough to serve bad rulers and was ill-equipped to stand up for himself or others. He was built for love, not duty. And he was harder on himself than anyone else was, and it broke him.
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reginarubie · 3 years ago
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In reference to the lovely ask by another Anno: If I may add, maybe the ""ice mask" was hinting that Jon was seeing Yg as someone else (Sansa) and it's an imagery of him projecting Sansa on to her(yg)? Or maybe it's a reference to how his lady love is wearing a mask?
Ciao anon!,
Well you pose an interesting question indeed. Post being referenced to x.
Now, I always associated Ygritte wearing a mask with the fact that Jon's “love” for her was born to mask his real love — his devotion to the North, and to the NW and his duties as a son of Winterfell — and because it was born under facetious pretences. He ends up with Ygritte because a) she is a sexual predator and b) he needs to convince the Free Folk he is a turn cloak for real and is loyal to their cause; so even though what he feels now is real, it's also no real love (more along the line of Stockholm syndrome, but I digress).
Also, silver (as I have analysed in a couple of asks before, x and xx) is actually an ominous foreshadowing and color as every time Sansa has worn silver jewellery something tragic has happened (also Daenerys is called the silver queen, an hint of her being destructive in her path to her Iron throne?, possibly, but I am digressing) also because in those time another material was called liquid silver but was actually mercury which is highly toxic. So it doesn't surprise that the frost — death— mask Ygritte wears looks like a silver mask — because mercury is so toxic it can indicate death and because Jon and Ygritte relationship was toxic to begin with for the reasons I stated above — so I always associate the mask with that toxicity and the fact that the frost will melt around Jon — the same Jon who was left dying on frozen ground with his wounds smoking and snow melting we can suppose on his feverish skin — once Sansa finds her way back to him, which is not something of a stretch since Sansa thinks precisely this:
Littlefinger was only a mask he had to wear. Only sometimes Sansa found it hard to tell where the man ended and the mask began. Littlefinger and Lord Petyr looked so very much alike. She would have fled them both, perhaps, but there was nowhere for her to go. Winterfell was burned and desolate, Bran and Rickon dead and cold. Robb had been betrayed and murdered at the Twins, along with their lady mother. Tyrion had been put to death for killing Joffrey, and if she ever returned to King's Landing the queen would have her head as well. The aunt she'd hoped would keep her safe had tried to murder her instead. Her uncle Edmure was a captive of the Freys, while her great-uncle the Blackfish was under siege at Riverrun. I have no place but here, Sansa thought miserably, and no true friend but Petyr. — Sansa I, AFFC
And, coincidentally finds out that Jon has made lord commander of the NW a little while later, thus is alive and in a position of discreet power (enough that he could protect her):
"Why must mules be so bony and ill-tempered? Mya does not feed them enough. A nice fat mule would be more comfortable to ride. There's a new High Septon, did you know? Oh, and the Night's Watch has a boy commander, some bastard son of Eddard Stark's."
"Jon Snow?" she blurted out, surprised.
"Snow? Yes, it would be Snow, I suppose." — Alayne II, AFFC
Yeah, LF is wearing a mask, Sansa would flee him and all of his masks (choosing the pear instead than the pomegranate, x) if she only had somewhere to go, but LF wants her isolated and thus tries to isolate her and trap her in his schemes (as I have analysed here), but ultimately he will fail because Sansa is not as isolated as he thinks she is and she will slowly realise she has an alternative. Jon Snow. The mask of Alayne Stone will fall and Sansa Stark will come surging back — and who thinks she will bring back warmth to Jon's life after Mel (who he mistakes for Ygritte) even sing him back to life? đŸ™‹â€â™€ïž — so that's what I've always associated the mask with.
Though it is true that Ygritte is a decoy for Sansa (all romantic interests in Jon's story are decoys for Sansa imho). She's someone who shares some physical traits with Sansa (Jon's ideal) and acts like Arya (safety and familiarity, someone he thinks he can deserve) but he truly starts feeling something for her when she channels the warmth he associates with Sansa — she is around the fire singing (the last memory he associates with Sansa is her singing softly to herself as she brushes Lady's coat) — it's also true that Sansa is presumed dead (no one knows where she is, and they presume she might be as well as dead) and hiding under a different persona, a mask she reminds herself she must wear at all times to survive (again LF's doing). Could the mask covering Ygritte be associated with Sansa wearing the mask of Alayne Stone (which cracks the moment her brother is mentioned?, which cracks when she channels her inner Sansa and steps out in the winter garden?) and thus with snowflakes melting on her cheeks which will bring forth her lover's kisses? Why of course it could!
After all Jon's “love” for Ygritte is nothing but a void decoy of the real love he will find in tenderness and warmth, all traits associated with Sansa. I've said more than once that Jon and Sansa's stories rhyme, and it is true also about his supposed love for Ygritte. Jon is projecting on Ygritte the love he is dreaming of, the same way as Sansa is projecting over the whole (un)kiss with the Hound, as I have analysed here:
Sansa and the Hound, the (un)kiss + metaphor of the cruel mouth/kisses
Jon and Ygritte, the cave as the romantic get-away and Ygritte as Orell's eagle
Both are seeking comfort in the romance they associate with those events (the cave, the knight come in the princess' tower to free her), more than with the people they were with (the Hound and Ygritte) who are decoys of each other (Ygritte actually predates on Jon who wishes for Ghost as a shield between the two of them; and the Hound almost kills/rape Sansa who is pressed down against the bed and threatened at blade-end even as the Hound offers to take her away from KL). The important thing is: Jon left the cave, Sansa did not go with the Hound. They chose reality over that idealisation and they will find their way back to each other. They both took a willing choice and though they both wonder of what would've happened if they chose differently (if Jon never left the cave and what it represented and if Sansa went with the Hound) they both have chosen differently and that has set them on the path to each other and to the true romance they have been seeking, finding it eventually in each other.
So, in conclusion, yeah, the mask could also hint toward Sansa hiding under the Alayne Stone persona. I think that as many metaphors it does hold many meanings, and these are the ones I personally give it.
Hope you enjoyed the read and thank you for your ask!, as always I wish you a very nice day!
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the-darklings · 4 years ago
Text
—𝒕𝒉𝒆 𝒕𝒓𝒖𝒕𝒉 𝒘𝒊𝒍𝒍 𝒔𝒆𝒕 𝒚𝒐𝒖 𝒇𝒓𝒆𝒆;
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—PART XVIII. | THE TRUTH WILL SET YOU FREE
pairing: john wick x f!reader x santino d’antonio
word count: 36.2k+ (honk, honk, honk x 2)
summary: “You’re just a little tragedy, aren’t you?”
warnings: swearing, strong violence, blood, likely some emotional damage to readers inbound
notes: I waited for this chapter for a very, very long time and been laying the foundation for 250k. Lets begin. 
children of ares series: 01 | 
. | 16 | 17 | . . | 19 |
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Sometimes he genuinely wonders how many poor decisions led him here.
To this exact moment in time. To this exact set of circumstances.
“I wish to see him.”
Winston tilts his head at the cool demand, not letting any outwards reaction slip.
The Adjudicator stares him down like the request should have been fulfilled yesterday. He’s not, admittedly, used to people making such demands. Especially not so brazenly. And inside his own hotel no less.
He gazes at them for a beat before nodding his head stagily.
“Forgive me and my old age,” he begins calmly. “But who exactly do you wish to see? The chef perhaps?”
He knows perfectly well who the Adjudicator wants to see. Judging by the slight, annoyed pinch of their mouth so do they. Charon stands a step behind the High Table’s associate and his expression is as professionally cool as always. In truth, however, they are both wary at best.
“You know of whom I speak,” the Adjudicator snips, their voice that calm, almost robotic cold. “Santino D’Antonio was shot at this hotel, was he not? Mr Wick fired the shot but the bullet failed to kill him. To our knowledge, he is still in your care. Or is that incorrect?”
Keep him safe.
Such a simple request. A request to keep a man he barely tolerates on a good day shielded from other sharks. For once, Winston wishes you cared about yourself as much as you do about others.  
You, Santino, John—you’re all I have. I can’t lose anyone else. I can’t.
Sometimes—often—the memory of those words worries him. Truly. Wild, relentless drive and desperation rarely mix well together. The former you have plenty of and the latter has been mounting too rapidly for his liking.
Silencing his thoughts, Winston tilts his head in an accommodating manner. Conjuring an innocent expression, he nods his head for what feels like the hundredth time in the last hour alone.
“Ah, yes, Mr D’Antonio. Tragic, truly, but the Vipress saved his life,” he explains smoothly, watching the individual before him with the same shrewdness the Adjudicator is watching him. “Rather heroically, too. Quite surprising that the Table did not see her actions as such.”
The Adjudicator’s eyes narrow. From their spot on the office chair, the Table’s representative regards him with disinterested, yet vexed expression. Clearly, his approach of talking circles and giving half-answers about your and Johnathan’s whereabouts has not left a good impression.
That’s exactly the point though.
“The woman known to us as the Vipress had plenty of chances to stop Mr Wick,” the Adjudicator answers; an expected explanation, a pitiless one, too. “She failed. Even though she is one of the few individuals realistically capable of such a feat. Therefore, under our assessment, there is nothing here to celebrate.”
Winston turns, lowering his whiskey glass back onto the table. He leans back towards it, completely relaxed, his palms resting against the edges of the smooth wood.
“Loyalty,” he muses lightly, letting the word hang in the air for a bit. “Such rarity nowadays, would you not agree? It is rather difficult to stay neutral when you have an emotional investment in both parties caught in the conflict.”
The Adjudicator stands at that, their willowy frame stretching to their full height. Little sympathy can be found in their stony expression. “Only loyalty to the High Table should matter. The Vipress has shown to have very little of it. Now, Mr D’Antonio?”
He didn’t expect this to be easy. But he doesn’t let so much as a whisper of his exasperation show. Winston considers, calculating what harm could be done versus the gap of time it might buy him, hesitating for only a beat before dipping his head in agreement.
“Of course, follow me,” he says pleasantly, gesturing with his arm. “He came out of surgery several days ago.”
Over the Adjudicator’s shoulder, a faint glint of surprise shows on Charon’s face before the man blinks it away swiftly. The concierge knows better than to question outright. Old and tested loyalty lives between them. The manager always does things for a reason, and the concierge follows graciously every time because he knows as much.
The Adjudicator stalks after him silently, Charon a few steps behind them. The elevator ride down is silent and tense. No need for empty exchanges between them and neither party bothers pretending otherwise.
Only a day left on the clock. Then he’s expected to step back and leave his hotel—his legacy—behind to some stranger the Table deems worthy. The thought alone almost makes him scoff again.
The High Table can take the Continental from his cold, dead hands.
And he imagines there are at least one or two individuals who may have something to say about that.
You have contributed to the chaos, little hatchling, but what now? You can’t win this game by sacrificing your Queen.
The elevator halts with a rumble. Worn metal creaks. Winston reaches out, pulling back the metal partition. The white hallways of the medical wing are silent and undisturbed by the bustle of the front foyer. Heaviness hangs in the air as he strolls down the long stretch of white, his shoes clicking against the spotless flooring. Charon and the Adjudicator are only several steps behind him but he’s in no hurry.
They round the corner and three heads turn in their direction.
The fourth doesn’t move.
Here we go.
Camorra’s Elite Four sit like guard dogs of the most vicious variety at the end of the lengthy hallway. Behind them stands a door. Behind that door, Winston knows, Santino D’Antonio now lays, clinging to his life and healing. Hopefully. He couldn’t care less about the Italian living or dying, but for your sake, he needs the arrogant man to pull through.  
The closer they come, the tenser the air becomes.
The tallest and broadest of the guards is leaning against the wall but pushes away from it upon their approach, uncrossing his arms as he stops in their path. The first line of defence.  
Another—the sharpshooter, if Winston recalls correctly—rises a second behind that, lowering a gleaming pistol he was fiddling with. Eyes narrowed, distrustful.
The youngest—the smiling nightmare, as you’ve called him once—doesn’t shift from his spot on the floor, a laptop in his lap. A pop of chewing gum fills the silence when he glances up lazily at the commotion over his round sunglasses.
And finally closest to the door—nearest to the Camorra boss, always the most vicious and final deterrent—stands the Devil of Camorra. He doesn’t look at them. He almost appears thoughtful, playing with a lighter in his hand as he leans against the wall.
Click, click, click.
“Can we help you?” the tallest asks politely, his Italian accent faint but still noticeable.
The sharpshooter stands by his side, frowning faintly.
A polite, unspoken warning hangs in the air. The woman—D’Antonio’s bodyguard that you’ve called a good friend on many occasions—appears to be missing. Though Winston doubts she’s far behind. He’s seen her by the Italian side for almost as many years as he’s seen you.
The Adjudicator speaks before he can. “I wish to see the Camorra family head, and the new member of the High Table, Santino D’Antonio.”
“Respectfully, who are you supposed to be?” the sharpshooter demands, his dark eyes narrowing marginally.
Loyal. To a degree at least. Winston had been hopeful they would be. He’s not surprised to see them standing guard, either. He’s betting on them continuing doing so.
“An Adjudicator,” the youngest quips from his spot on the floor, his fingers clicking across the keyboard. Another pop of gum follows. “Sent to adjudicate this hotel, I bet. Bang, bang—not a good look for the sturdy, old table. Seccante.”
The Adjudicator’s head slants; a calculating motion. “The Chameleon of Camorra,” they state flatly, unimpressed. “Former association with an organisation known as Slifer before Giovanni D’Antonio recruited you to Camorra’s ranks, correct?”
The young man in question drops his head back with a gleaming smile. The tattoos across his neck ripple with the gesture, and a gleam of white appears even brighter in the artificial light.  
“Oh yeah,” he drawls, amused. “Papi Giovanni welcomed me with open arms.”
There is clearly more to this tale. The implication is blatant even if the words are presented as a joke but Winston can still read it.
“You can’t see him.”
All eyes slide towards the Camorra Devil. His voice is gravelly, uncompromising, and he still doesn’t bother looking at them. Part arrogance, Winston imagines, and part genuine disinterest with them and the situation.  
“I have the right—”
“We have orders not to let anyone see Santino until he’s fit enough to take back command.”
At long last, the Devil turns towards them. The look in his icy eyes is a clear, if barely polite, warning. The man called Hector always had a reputation for being Giovanni’s most violent lapdog. Serving Camorra for years without a single falter. That level of loyalty is admittedly rare, especially when Winston knows others have tried to recruit the Devil in the past.
Hector, unlike you, has never been bound by a debt that kept him chained to Camorra. He stays because he wants to. If there are any other reasons for that loyalty, they’re unknown to the manager.
Though Winston has never interacted with the leader of the Elite’s, he’s heard plenty about him, and can understand why his name is spoken with trepidation. Despite it being subtle, the air around the man is still hostile. Brimming with a promise of violence.
“Whose orders?” the Adjudicator interrogates. “The council of Camorra—”
Whatever card they were hoping to play gets crushed in seconds.
“Our current acting boss. The Vipress,” the Devil announces, sounding annoyed, and pockets his lighter before pushing away from the wall. Another pop of gum ripples from the youngest Elite. Hector prowls closer, deliberately slow, and walks past the other two members of the guard. The Devil halts in front of the Adjudicator, appearing utterly bored. “You might be familiar with her. Stubborn, demanding, likes knives a little too much, starts shit wherever she goes. Santino named her his heir. No one is allowed to see him on her orders.”
Winston has to bite back a small smile. Perfect.
The Adjudicator stands completely still, their stare hard while they process the new information.
The manager hangs back, not saying a word, watching the silent face-off with vague amusement. He has to admit that at least the Devil doesn’t lack nerve. The other three don’t appear nearly as intimidated as they should be, either.
Adjudicators are feared for a reason. They have a vast reserve of power bestowed upon them by the highest tiers of the Table. Adjudicators stand even above Continental managers. Something Winston has been rather unpleasantly reminded of with Johnathan’s latest actions.
“The will of the Table stands above the individual order of someone who has been made Excommunicado.”
Mild but icy. Clearly, the not-so-subtle defiance from the Devil of Camorra hasn’t gone down well, either. Behind the tall man, the other two shift in their spots, tense. An exaggerated sigh sounds from behind them, and the chameleon rises to his feet as well. Cracking his neck, he strolls towards his associates, leaning his shoulder against the sharpshooter. The other man doesn’t so much as blink, clearly used to such antics.
“We answer to the will of the Camorra boss only,” Hector informs coolly, his tone just barely passing for polite. “We have since the beginning of Camorra family inception.”
We don’t answer to you, goes unsaid but the double meaning is clear. Winston straightens, a touch surprised. He wasn’t aware that such a divide existed between the highest tier of Camorra members and a top level High Table representative. He wonders if it’s more so the threat to their boss—the last D’Antonio left to carry the bloodline that founded Camorra centuries ago—or simple dislike that is driving such blatant disobedience.
The manager sincerely doubts that this refusal to comply is born out of genuine loyalty towards you or respect for your command. Especially from the Devil who holds no loyalties other than one towards Camorra.
The Adjudicator’s head dips, their short black hair appearing even darker in the bright light.
“There are rules. You are not above them,” they speak briskly, softly. “No one is above them. You are all bound to the will of the Table and exist under it.”
Another obnoxiously loud pop of the gum and the youngest of the Elite’s grins. “Actually we’re part of the Table,” he notes nonchalantly, but there is something icy about the slight edge to his grin. Distantly, Winston recalls you telling him that from all the Elites, it’s the chameleon you won’t want as your enemy the most. “Take one leg out and the whole table wobbles.”
The silence that follows those words is stifling. No one speaks or moves.
“No rules have been broken,” Hector eventually bites out, blunt but controlled. “We’re just guarding our boss. Shouldn’t you be commending our loyalty, huh?”
An unexpected bait but not one the Adjudicator rises to. Their expression remains steely, their eyes dragging over the Camorra Four before they finally turn away.
“Very well,” they intone flatly, their eyes narrowing marginally, and their tone dismissive. “Next time I will return with a direct order to stand down.”
“You do that,” the Devil shoots back without missing a beat.
The Adjudicator pauses, their eyes flickering back towards the man, digging into him for a moment before their attention drops away. Winston remains composed when the Adjudicator’s stare moves to him next, cold as ice, an unspoken burn of anger present in their eyes. Clearly, they’re not very used to not being heeded.
“I will be in my room.”
The Adjudicator doesn’t stick around to see if anyone has anything to say about that. They turn to go without sparing anyone another word, their steps brisk and sharp, betraying the displeasure absent from their frosty expression.
It’s quiet while they all stand, listening to the sound of retreating footsteps and, eventually, the whirl of the elevator going up.
It’s only then that the Elites relax, their guarded demeanours easing a bit.
“So mean spirited,” the chameleon mutters under his breath, unimpressed, and turns to go back to his laptop. “Exhausting.”
“Gentlemen.”
Winston nods his head at the Devil specifically, but Hector only grunts under his breath with a roll of his eyes. Briefly, he glances at Charon, his eyes narrowing before he turns away and stalks back to his previous spot.
Conversation over.
Fine by him.
The other two—the sharpshooter and the strength—return his nod, polite but stiff.
Winston tips his head in their direction one last time, and turns on his heels to go. No one stops him, and Charon trails after the manager a few seconds later.
It’s only when they both step into the elevator, the door closing softly behind them, that Charon finally speaks, “Nicely done, sir.”
Winston sighs, his shoulders dropping.
“It’s only a temporary deterrent, I’m afraid,” he admits and knows he’s right. If the Adjudicator does get that order the Four will not be enough. “The hatchling?”
The concierge straightens, his hands folded behind his back.
“The last sighting was reported as the Moroccan Continental, sir.”
There is a tickle of relief followed by a sting of concern. “Good. Then she as good as made it.”
He’s still not quite sure how he feels about the idea, however.
“If I may, sir,” Charon begins as if sensing the manager’s unease. “You do not look pleased about that.”
There is no point in trying to deny it, so Winston doesn’t.
“Not at all,” he agrees smoothly, feeling the elevator halt and the concierge moves ahead, opening the partition for them. “If it had been up to me, she never would have had to go back there. But she’s been reckless and manoeuvred herself into a corner with only one ace left to play. Herself.”
Seven years in this world. Seven long years of fighting for freedom and now there is a reputation that has been built upon that desperation. A reputation that has attracted all sorts of attention over the years.
Charon both looks and sounds troubled while they walk through the lobby. “Is there a reason for concern, sir?”
All these moving pieces forming an ever-shifting pattern. Something has been brewing for a while now. Winston can’t help but feel like he’s missing and not seeing something crucial. Like all those pieces are put together at a slightly wrong angle, disorientating the whole picture.
What will you do now, little hatchling?
The Elder. That history between you, that story you shared—they all weigh heavily on the manager’s mind. Always have.
He comes to a gradual stop.
“Oh, yes,” he mutters, pensive, shaking his head as he glances at the concierge beside him with open unease. “Most certainly.”
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Every breath takes notable effort.
Your instincts pinprick, trying to acclimate to the too-familiar surroundings—count and anticipate any potential threats. Everything about being back here feels so familiar it is its own kind of torture.
Your skin itches. One side of your face and hands—everywhere the scorching sun has managed to touch you the most—stretches uncomfortably with every twitch of your muscles. It’s a discomfort that comes with sunburns often earned in an unforgiving terrain like the desert, and you try to lick your dry lips, lifting your head. Your vision swims immediately, an explosion of vivid spots blinding you, and you careen dangerously to one side, hissing under your breath.
Eyes track every jerk of your body, and you know full well you’re not alone in this tent.
You’re almost afraid to look at him. Then feel idiotic for feeling that way. Maybe it’s because you had hoped that this chapter of your life was shut and laid to rest long ago, and it’s a hard pill to swallow, knowing that he was right after all.
“Drink.”
It’s then that you notice a cup sitting on a small, wooden table to the side. Part of you wants to cackle till you choke when you realise it’s the same green cup you drank from during your first test with him years ago.
Gathering yourself, you reach for the cup despite your dread, your digits folding around it carefully.
The drink inside smells minty and fresh but you don’t find anything amiss with it on the first inspection. A vague recollection of a similar scent tickling your senses when you were coming in and out of consciousness comes crawling back. With that in mind, you finally tip the cup down, taking a purposeful sip.
It empties in three slow gulps and you lower it back onto the table, still silent. It does make you feel better instantly, lifting the dense fog that was previously crushing your mind. A sense of dĂ©jĂ  vu nips at your senses but you push it back. Not much point in delaying this. Though it doesn’t surprise you that he gave you time to gather yourself.  
Kindness with this man, you have long since learned, comes in the smallest of gestures. Tiniest of moments.
Drawing your knees closer, you sit up slowly, your head lowered.
“Why have you come?”
His words send a shiver down your spine that has little to do with heat. You’ve forgotten how much quiet power always rings through his baritone. His smooth, accented words wash over you like a tidal wave; gentle as they are dangerous. Misleading with their softness.
Swallowing, you force your limbs to obey you—to shift the worn muscles into an appropriate position. One knee digs into the carpet beneath you, your hands lacing over your bent thigh when you reposition yourself into a kneeling position. Your head is still lowered and you realise, then, that it isn’t fear of punishment that’s forcing you to stare at the ground.  
It’s him.
He once managed to get under your guard with startling ease and you scrubbed him away. Walked away from him and everything he offered. Tried to forget him despite the cracks. Your choice had made you feel powerful back then. In control. Despite there being a part of you that had longed to stay, you never quite regretted your decision to leave.
Worst, perhaps, is the knowledge that it wasn’t one-sided. You weren’t foolishly pining after the most powerful man in the world. You weren’t naively seeing something that didn’t exist. If anything, his interest in you had been more obvious from the start.
“I—” you mumble, near choking on your suddenly heavy tongue and mangled thoughts. “I came to seek repentance for my actions.”
Silence follows your muffled words and you stare at the ruby ring on your hand intently.
Will he turn you away? Consider you naive and foolish for hoping there’s some semblance of hope?
And where is John? Did he only pick you up and not him? Your weapons—what few you still have—are still on you because you can feel them against your body with every inhale and exhale.
Your empty stomach rolls and you have to bite back the acid welling at the back of your throat the longer you wait. The thrumming of your own heart almost drowns out his voice when the answer does finally come.
“Stand, viper,” the Elder states calmly. “You do not grovel at my feet.”
And just like that your breaths calm. Your dread ebbs like sea waves receding. With his words, you remember that you met as equals and parted as such despite you unearthing his true identity.
He’s right. You don’t grovel at his feet. Or anyone’s.
You stand at once, balancing on your heels, and square your shoulders. The lock of your jaw is a firm one, your stare steady and the steel in your stance returns easily. In that, it feels like no time has passed at all.
Straightening, you look ahead and meet his inquisitive stare evenly.
This time the sight that greets you is befitting the man who rules the High Table. This is how you had expected him to be the first time you met. A golden chair that reminds you more of a throne, and extravagant robes that breathe wealth and showcase his status. Surrounded by his people in a subtle warning though you know he can more than hold his own.
He oozes that unnerving authority but his face is still familiar. Few years have passed since you’ve last seen him, yet he barely looks any different. If it weren’t for several new lines creasing his face, you would have thought that time has simply paused here while you’ve been gone.
The quiet intensity of his heated regard hasn’t changed, either. Nor has the unease or the thrill that comes with having his complete attention on you.
He watches you unblinkingly and you find yourself swallowing again, an immovable knot sitting in your throat.
“Here you are.”
It’s a soft, thoughtful statement and you’re not quite sure what to make of his words or his demeanour, so you settle on a simple, “Here I am.”
He stands at that, his robes rustling in the wake of his sudden movement. His steps are measured and leisurely as he approaches. The Elder’s stare takes every inch of you in and you don’t lower your eyes. He doesn’t look particularly pleased with what he finds and you can’t help but wonder why.  
It still kills a small part of you. That you had to come back but only because you need a favour from him. Not because you returned to join him or even visit him, if you even could.
A part of you

“I thought that maybe
” you mutter when he halts before you—all heat, spice, and that razor-sharp gaze that seems to burn into you—his hands lacing in front of him as he watches you keenly. “That maybe you forgot about me.”
It’s been years after all. You’re just you. One person in a machine so much larger than yourself. If Elder considered Tarasov to be nothing more than a piece in a more elaborate game years ago—at the near height of his power—then you couldn’t have possibly been that important. Or even noteworthy. He might have thought highly of you once but that was then.
His expression, however, gives you an answer before he can verbally do so.
“How could I?” he questions curiously, softly. As if the concept of forgetting you is truly an inconceivable one for him.
You work your tongue, trying to think of something to say, something clever, but nothing comes.
You simply stare up at him mutely, taking him in, and he you, and it does indeed feel like no time has passed between you. Even though so much is different now.
“I almost came back. Once,” you confess in a breathless rush, blinking rapidly because it’s hard to keep a straight expression under that scrutiny. “I got desperate and angry and
”
And Tarasov won’t let you help Camorra with the Albanians. Had treated you like nothing more than a dog, reminding you of your place. Dependant on his goodwill of which he had none. So you had ran like a reckless idiot. Sick and tired of being dependent on his word. Hoping for his mercy or any crumb of kindness.
“I know,” he murmurs in reply, a secret for you alone. “I waited for you.”
Air escapes your lungs at that mild admittance. At the way his eyes drag over your features, savouring but still guarded—always guarded. Everywhere from your eyes, to the dip of your collarbone, and the bow of your lips. There are others scattered around the tent but it feels like you’re the only ones here.
The golden hue of his eyes glints with knowing light at your reaction, and you force your tongue to work, “I wish to explain myself.”
He nods his head once. Prompt as it is anticipatory. You imagine that to him this is all playing out exactly as he’d been expecting it to. You’re back but a part of you is mangled exactly like he predicted it would be. Vengeance has led you here. Tarasov may be dead but you have only dug yourself into a deeper hole.
“You came all this way,” he says knowingly, his head slanting and lips thinning into an enigmatic half-smile. “Speak freely, viper.”
Your eyes, in return, sweep warily over others inside the tent. Some familiar faces. Others are unknown to you. Only pointed stares and blank expressions greet your curiosity. Inscrutable, severe stares that judge your every move and word. Saad is nowhere to be seen. That surprises you but you don’t let it show.
The Elder notes your wariness, not bothering to look away from you when he commands a soft, “Leave us.”
As one, everyone inside the tent rises. They don’t question, nor do they linger. They file out in a neat line, their robes rustling in the breeze, and you stare after them, surprised. You didn’t expect him to dismiss everyone solely because you felt uneasy talking to him with others around. Although seeing the space clear out is, admittedly, a relief.
Now it’s you two alone and it changes the air between you again. This puts you back in time, even if you try to remain unaffected.
But it’s hard not to. A part of you still sees him as Rafik. A man you have spent endless hours talking to about everything and nothing—a man you considered close to you—despite knowing full well that Rafik isn’t even his real name. In fact, you have no idea what his name is. Or who he is. Not really. He’s still just layers upon layers of mystery. Power. Ancient and tangible.
The way he gazes at you makes you think that isn’t the case, however. There is warmth woven into his regard, an almost fondness that despite being muted is clear to you.
The darkness of that stare is arresting when he reaches out, the warmth of his fingertips ghosting over your bandaged ear. You don’t hold back your wince of pain, pulling away from the contact.
The Elder’s mouth slants downwards at that, his eyes narrowing marginally. He looks thoughtful, displeased almost. The shadow across his expression is new to you. You’ve seen him as many things but tense and unhappy is not one of them.
“What have they done to you?”
It’s a quiet question—a collection of sharp, hard syllables—dragging themselves from somewhere deeper, you can tell.
Your lips part, ready to tell him everything but you stop yourself at once. How would he even look at you if you knew what you did? There would be no chance of forgiveness then. If he knew how badly you broke the very rules he enforces upon everyone in their world repeatedly.
With that in mind, you instead settle on a weak, “Guess you were right.”
Do not let that fire consume you.
He was right. He was always going to be right, you were just too blind and proud to admit it.  
His expression strains, his touch dropping away, and a glint catches your eye when his hand lowers. You feel a thud against your ribcage, and focus on that golden skin, barely breathing to a point his next words hardly register.
“This is not something I wished to be right about,” he says unhappily.
You swallow. Then again.
“You’re wearing it.”
He pauses. It doesn’t take long for him to figure out what you mean by that. The pad of his index finger brushes over the ring he’s wearing absentmindedly. The golden plate seems to gleam at the touch despite neither of you standing in direct sunlight.
“It was a gift,” he says gently in return, his features guarded once more. “A parting gift from you.”
It doesn’t explain much yet it explains everything.
On your last day together, when you visited Casablanca together, you had gotten it for him after arguing Saad out of some local currency under the guise of buying something for yourself. A souvenir as far as he knew back then. But the ring had caught your eye first. Handmade ring crafted out of pale golden metal. It reminded you of the sun that is his presence and the endless stretches of sand surrounding you.
Grinning, and more than a little unsure, you had presented it to him when you sat on the beach together, calling it a thank you present because you hadn’t worked up the courage to talk to him about leaving just yet. He had accepted it readily, his fingers lingering against yours when he took it, and even back then you couldn’t quite describe the emotion you glimpsed across his face.
You hadn’t dared to assume it was wonder back then, but it had been a close thing.
You certainly didn’t expect him to keep it after you left.
Or to still be wearing it after all these years. But maybe you’re jumping to conclusions and he’s only wearing it today. Specifically for this.
The silence between you changes yet again, morphing. Something more charged. Near oppressive.
Nerves flutter inside your tired body and you allow a soft wisp of breath to escape you, thinking of something to break the tension with.  
“Where is John?” you question quietly, your voice thick.
His jaw ticks, and he looks away, staring out towards the horizon.
“Mr Wick is safe,” he answers coolly. “Do not fret for him. He will answer for his wrongdoings in due time.”
“What is that supposed to mean?”
The Elder turns to face you again, and it unnerves you because he keeps slipping between the man you lived with for months, and the man who controls the High Table. One is close to you, familiar. The other feels removed, walled off. No longer a sun but a cold, distant star. Unreachable to you.
His expression softens a touch when he notices your startled expression.
“Mr Wick has returned only to unleash havoc,” he informs you calmly, matter of factly. He doesn’t sound or look angry or even displeased, yet something about the piercing gleam in his eyes makes you think that it will not be a confrontation without consequences. “His punishment will reflect that. He made the decisions that led him here,” he fades off, pausing, his stare flickering over your features once more. “As have you,” he adds.
“I’m sorry,” you force out, shaking your head, cringing slightly at the pain that flares through your skin at that. “They’re both important to me and—”
“I am not speaking about Santino D’Antonio getting shot, viper.”
Your head snaps up, your features slacking with confusion. “Then what...”
The Elder lifts his hand, his attention focusing on the ring on his finger instead. He seems to struggle with something internally before sighing softly and dragging his stare away from you once more. You wonder why. It’s almost as if it’s difficult for him to look at you.
“Do not tell me you were so quick to forget my warning to you,” he begins calmly, something aloof lingering in his voice. He walks past you, his fingertips tapping on his ring repeatedly. Your own fingers tighten into a fist when you note the shift in him, the Camorra ring pressing into your skin as a bleak reminder. Your eyes follow him as he goes, watching his broad back when he stops at the edge of the tent, looking out towards the vastness of the desert. “I told you what will happen if anything befalls Viggo Tarasov before your debt is repaid.”
Ice pierces you, burrowing under your skin viciously, and you’re glad that he can’t see your face because for a second your expression comes apart completely.
“I did not—”
“Do you really think I know you so little that lying to me would work?”
Your mouth snaps shut, a bitter tang stinging the inside of your mouth. He’s right. You feel as disappointed in yourself as he sounds. You’ve always prided yourself on being forward and direct. Yet your instinct now had been to lie, to deny, because the idea of him knowing terrifies you.
Because it puts you in so much worse of a position than what you first expected to be in.
How? Why would he even think—
The High Table would have—
“I know why you came here,” he says, at last, turning to face you again. His expression is grim and he watches you closely as he strolls closer. Despite his leisurely gait, his stare is searing. “You came in hopes that I would lift the Excommunicado. You came in hopes that you can clear your name. But your crimes run deeper than you are willing to admit to me.”
“I’ve disappointed you,” you assume blankly. “Is that it?”
He shakes his head once. “No, viper,” he responds placidly, his eyebrows knitting. “You have disappointed yourself. You are so much better than this. Yet your recklessness has led you to this. Did you really think that I would not find out?”
He comes to a stop before you again and you meet his stare.
There is no point in lying, so you don’t.
“If you knew,” you start, choked, forcing down your emotions as you search his face, and try to quieten the pounding of your heart. “Then why was I not declared Excommunicado sooner?”
A long beat of suffocating silence, and then, “Because I shielded you.”
He says it so simply. Like it’s as expected as the sun rising each morning. A faint knell of wind chimes fills the hush between you this time, and you peer at him in disbelief. Shock.
“What?” you exhale shakily.
The Elder shakes his head once, sighing. “I gave you a chance in hopes that you will take it and savour your new freedom,” he explains smoothly, his fingertips still dancing over the ring. His strong profile only accents his handsomeness and you see the conflict there—see the shadows dancing inside the inky pools that are his eyes. “I overlooked your wrongdoing. Because I understood your pain then as I do now. I cautioned the Table to look the other way. But what did you do with this gift, viper? You wasted it. And there is nothing to be done now. Even I cannot shield you from the storm that has been unleashed. The scale has been tipped towards chaos now. You broke the rules in the open, for the whole world to see,” he continues, each word making your heart beat harder inside your chest, his attention returning to you, “And now here you are.”
So that’s why.
Why there was such a long pause between Tarasov’s death and administration contacting you about you being free of your debt. The silence that made you so uneasy back then. The High Table had been suspicious, had assumed you played a part, but the Elder pulled their attention away from you.
Years later, he’s still looking out for you.
You’re too speechless to say much past gaping at him; a thousand thoughts fluttering through your mind, all of them wild and hurtful.
Your attention falls to the carpet beneath your feet, and stays there for some time while you digest what this means.
He knows. He’s known for weeks now.
Just like that the already shaky foundation beneath your feet slips further.
Helplessness closes in and your eyes sting.
Consequences. Everything has a price and it was foolish of you to assume that your luck will continue. You’ve been too quick to celebrate and now...
“What now?”
A whisper of material sounds in your ears and the heat of his palm comes to rest against one side of your face. You feel that warmth sink deep into your skin and it burns. Both a physical ache and something deeper. Your eyes open as he guides your face upwards for him to see.
You lean on the side of caution and say nothing, waiting for him to speak first.  
“Now, my viper,” he whispers, a touch forlorn. “You face the consequences of your actions.”
Forcing down your fear, you give him a firm, unyielding, “If you’re going to kill me, at least make it quick.”
His palm pulls back but not all the way. His knuckles trace over the curve of your cheek—so faint you barely register the sensation. “I would never kill you.”
“But?”
He seems to be considering something hard, his regard in a constant flux between warring emotions, “But you cannot be seen as walking away without punishment after what’s happened. It is the way of things,” he finally concludes.
You pull away from his touch, your eyes burning, “So be it,” you mutter, shaky and forcefully casual. “But I don’t regret stepping in. I don’t regret any of it. I would do it all again.”
Even if it meant the pain and the heartache. Sleepless nights and blood.
Because at least they’re all alive. Even if this is the sacrifice for that victory.
You saved them, and you would never regret that.
“Is this love?”
Your attention snaps back to him at the gentle murmur of his question. There is little distance between you—to a point you can feel the heat of his broad build and the phantom sensation of his exhales against your skin.
He didn’t specify who the love is for.
Deep down, you know it’s not so simple to untangle who means what to you anymore. It’s a mess of different emotions and loyalties. Everyone in your life that has made themselves a place in it, you love fiercely. Even if they’re all different kinds of love. All you know—all you need to know—is that you would gladly stand here for any of them. Punishment and consequences be damned.
“Yes.”
You’re not sure why you expect him to be irritated, perhaps even disappointed in your answer, but he only seems to consider your words for a while.
Fierce desert heat rolls across your skin while you wait for a response but he seems to be in no rush to provide you with one. His lips part, his head lowering and he makes a small sound at the back of his throat; half-disbelieving, and half-thoughtful.  
“How odd,” he muses faintly, his features drawing into something desolate. “I do not quite recall the last time I felt envy.”
Your eyes flutter shut, trying to push his words and the emotion in them away. He means that genuinely, and you know that. You’ve lived with him for months and have seen a great many sides to him. That loneliness—that drive to be something more, to be understood by someone else—is what drew you together in the first place. Bonded you as deeply as it did.
Despite the nip of sadness you feel for him, you don’t contradict him—don’t say anything at all, in fact.
“What is it that you want from me?”
The Elder appears lost in his head for a while before he finally responds, “You already know, viper,” he says in a knowing murmur. “Otherwise you would not look at me with such sadness in your eyes.”
“You want me to stay.”
“Yes,” he agrees with a slight nod, his previous melancholy receding, and his guard slipping back on. “It is the only way that your life can be spared. Your service to the High Table will be used to absolve you of your crimes.”
You can’t quite help the bitter, brief laugh that slips free from you. “And is love a crime? I’m being punished for caring. For wanting to keep my family safe.”
He doesn’t say anything but you can guess what he’s thinking.
You broke the rules. Killed Tarasov. Interfered when you could have killed John and proven your loyalty to the High Table. Rules apply to all—no exceptions.
You don’t want to think about what would be the outcome if he knew about Chicago as well. Then, you conclude numbly, even his favour won’t save you from death.
“For how long?”
The Elder doesn’t reply. You already know, his expression seems to say though, and your composure fractures. Sucking in a deep breath, you chew on your inner cheek, half-turning away from him.
Because of course you know.
“For life,” you choke out.
“Yes,” he agrees, his voice gentle. “You will become my fourth disciple, and my apprentice, working directly under me,” he explains carefully, watching you just as closely, and you fight to keep a straight expression. “I am sorry, (Name), I wish there had been another way. But we are each masters of our own fate. You gave this life a chance once before and you embraced it effortlessly.”
You know that. You know that compared to what could have happened, this is a mercy. He will treat you fairly, kindly, and you’ve almost made this place, his people, your new life once before. If anything, on the surface alone, this is more of a gift than a punishment, especially with the amount of power you will gain by joining him.
And yet.
This also means that you will rarely, if ever, see your friends and family again.
Everyone you love and care for will be removed from you. People who join the Elder don’t go back to their old lives. Service to the High Table becomes their new life. The tribe, their new family.
No Winston or Charon. Santino or John. No Ares or the Elites. No Sofia or Cassian.
Just no one.
The tear you feel in your heart at that thought nearly makes you choke on a sob. For all the physical agony you’ve been through in these last several weeks, this somehow hurts the most. The notion that you will never see them again, will never get to touch them or laugh with them, is agonising. Somehow it hurts even more than the realisation that you will be bound yet again, unable to be free, unable to live for yourself just like you always dreamt of.
A hand reaches for you but you stumble back a step, still not looking at him.  
“You will not be my prisoner, viper,” he tells you seriously. “I would never take that from you. But you—”
“Can never see them again, is that it?” you cut him off sharply.
You know he’s not used to being spoken to like that. You doubt anyone has even tried but when you lift your eyes to his, you notice how his own features smoothen in response to what he sees on your face. The grief and the pain. The raw, suffocating grip of it shackling you and dragging you down, down, down—
He doesn’t deny your words, however, and that’s answer enough.
“I know this is hard,” he says instead, and you think that sympathy you spy in his dark eyes is genuine, well-meant. “But I warned you where this path will lead you. You did not listen.”
It doesn’t help though.
God, it hurts so much. This is somehow worse than when John left. Worse even, is the fact that you have no one to blame. Not even the Elder. You did this yourself. Went into this fully knowing there is a chance it will all blow up in your face.
“Can I at least...say goodbye?” you wonder, your words thin, and inhale deeply despite the dry, hot air giving you little relief. “Spend some time with them before I leave?”
The Elder hesitates. “A week.”
You shake your head, stepping closer towards him. “Six months.”
His head slants; a colder, more authoritative motion. “Are you bargaining with me, viper?”
There is no hesitation in your reply, not this time, “Yes.”
“And what bargaining power do you have?”
It’s a curious question as opposed to condescending. Almost as if he’s trying to gauge how you will react, and you force your emotions back, licking your lips once. Your thumb smoothes against the inside of the metal band on your hand.
“I’m the acting boss of Camorra,” you remind him, straightening your shoulders once more despite the way you can feel your pulse fluttering against the base of your neck. You’re not sure if it betrays you but you certainly don’t let it show. “And I would respectfully ask that you give me six months. It will not change anything in the long run.”
The Elder’s attention drifts towards your hand, and he closes whatever little distance there is between you, reaching for it. You tense despite yourself when he carefully takes your clenched fist into his palm and lifts it between you. His thumb traces over your bruised knuckle—a tender, careful touch as if not to hurt you further—and a pensive hum slips free as he stares at the ring on your hand.
“You wear power beautifully,” he comments idly, and you have to hold back a shiver at the feeling of his thumb continuously journeying over your skin; nothing more than a tickle, a promise of warmth. The touch hurts as much as it soothes. “Three months. Offered to you only because you dare where others don’t. Because I am not unreasonable and while this is a punishment, I do not wish to see you unhappy.”
Too late for that nearly escapes you but you bite your tongue.
Three months. Just three. It will pass in a blink and then

A lifetime away from everything you love, everything that is home and safety. Everything that’s important to you.  
“May...may I have a moment?” you request weakly. “Just to
”
He releases his grip on your hand and it falls to your side heavily. “Of course,” he voices graciously. “I will be back shortly but take the time you need.”
He steps past you once more but this time he heads towards the direction other men had left in earlier. He doesn’t pause and he doesn’t turn back to look at you, his gait slow but self-assured. You wait till his broad back disappears from your sight before you feel your expression crumble completely.
Pressing a hand against your face, you ignore the flare of pain where you dig too hard into your sunburnt skin. Instead, you focus everything inside yourself on controlling your despair and tears. You can’t fall apart now. Not after how far you’ve come and all you’ve been through.
Shuddering breaths wheeze past your mouth and nose, your shoulders quivering. Better to allow yourself this weakness now, alone, than to let the Elder or anyone see this slip.
Your shaking hands drag themselves away from your face and mouth, and your palm pushes against your breastbone. Beneath the material of your jumpsuit and skin, your heart hammers inside your chest like a wild beast desperate to escape. So afraid of the chain once again.
But what can you do? There is no other option. No escape. Nowhere to run, and even if you did, such action would only paint a bigger target on people closest to you. The only thing you would do by running is reassuring their demise.
The heel of your palm presses harsher against your sternum, maybe in some naive hope that you can tear your own heart out and it would be—
Oh.
You still, an unsettling sort of hush falling over you when a dark, insidious whisper slithers into your mind after all. You keep your palm close against the curve of your breast and think.
What would Winston do if he were here right now?
There is only one option, really.
Just the one.
But your mind and instincts go to battle at once. One side arguing for it and other against it. If you succeed...but if you fail

But what other choice is there? Servitude or death? No.
A frustrated sound tears from the back of your throat and you drop your hand, standing to your full height, your eyes squeezing shut.
No. No, you will not let this pass. You will no longer be controlled. You’ve had enough.
Fuck consequences. You will deal with them as they come. You shouldn’t be punished for killing the man who took everything from you in the first place. You should not be punished for saving someone you care for—for interfering.
Your blunt nails bite into your palms to a point of pain despite that resolve. Because digging through that determination and rage is fear. Very simple human fear but you bottle it and shove it deep down.
No time for that now.
Power is a dangerous thing. You have to be willing to lose everything in order to take it.
And that’s exactly it.
Lose everything.
Just like that your taut limbs relax, the pounding inside your head retreating and dulling into a muffled buzz. You step forward one slow step at the time before dropping heavily onto the very throne you woke up to find the Elder sitting on.
Your eyes flutter close and you mull over the new path you’re about to step on, bowing your head in acceptance. So much for dreams of freedom. Your fingers ghost over your collarbone again and you smile this time; a cold, broken fragment of a smile.
Eyes closed, you listen to the sounds of the desert for a while, calming yourself. Wind against silk and tapestries. Faintest of whooshes caused by wind teasing sand away from the outer surface of dunes surrounding the camp. Sandorms, at least, you have not missed.
Deep down you can’t help but think that you always knew how this was going to end.  
People like us don’t get happy endings.
You ignore the ache inside your chest at the memory of Santino’s face, focusing instead on clearing your mind.
It takes at least another ten minutes before muted footsteps sound from ahead of you. You don’t lift your head at his approach, your arms hanging limp between your parted legs.
He pauses when he sees you. You suppose it’s rude, what you’re doing, sitting on his throne like it’s your own.
This time, you’re the one to tilt your head to one side, looking up at him from under your lashes.
The Elder doesn’t appear angry at your nerve to sit on his throne though. No rigidness to be found in his expression or slanting of his full mouth, not even a pinching of his brows; all telltale signs of his discontent usually. In fact, his eyes drag over your figure, lingering everywhere despite the distance.
For a man who doesn’t let others close, rarely lets his guard down in general, his appreciation—dare you say it, desire—is abundantly clear.
Jaw clamped tightly shut, you rise to your feet unhurriedly. Far steadier than you expected yourself to be capable of, and he steps closer towards you as well. Slow, bordering on cautious, and you wonder why. It’s like he’s afraid to blink lest you disappear.
But maybe that’s precisely it. Maybe he’s been hoping to walk into this tent and find you here every day since you’ve been gone. And now that you are here, he’s not quite sure what to do.
“How are you feeling?” he asks curiously, his accented words warming you like the setting sun, and you wonder what it may feel like to hear that voice for the rest of your life.
No turning back now.
Swallowing thickly, you ignore the pulsing numbness locking your throat, and wait for him to halt in front of you before you speak.
“I accept.”
A light sparks in his eyes—something burning and near living in its intensity, an emotion you have only glimpsed once before—as they roam over your features in search of an answer to a question he hasn’t asked.
“Three months,” you begin purposely, rushing your words out in a breathless whisper. He’s so close there’s hardly any distance between you at all—no room to turn away nor do you want to. The turquoise of his turban only seems to bring out the beauty of his dark eyes and golden skin. Draw you closer. He, too, hardly seems to be breathing while he listens to your words intently. “Then I come back here. To you. And stay. I will give this a chance but I can’t promise that it...will not be hard. In return
”
“The Excommunicado will be lifted upon your return to New York,” he reassures, still searching for something in your expression. “You have my word.”
His eyes lower and he breathes another sigh in a rare show of uncertainty.
“What is it?” you can’t help but wonder, confused.
“What proof do I have that you will uphold your word, viper?” he questions mildly, his probing stare digging into you. That challenging, clever stare that first got the warning bells ringing inside your head that this is not a man to be trifled with. “What will you give me in a show of fealty?”
You don’t say anything, peering up at him silently.
Seeing that, the Elder’s eyes slide towards your bare neck, and stop there. A second later, his strong fingers trace over the curve of the silver chain around your neck—
“No,” you choke out desperately, your hand snapping up to grip his own when his fingers slip around the metal. “Please, it’s not mine to give away.”
It’s Santino’s. When he gave it to you, over a year ago now, he asked to guard it for him, keep it safe. Even then, you knew it meant more to him than he would ever admit outright. You’re not quite sure where it comes from or who it belongs to but you have a strong inkling, and the idea of giving it away makes you feel sick to your stomach.
The Elder hesitates at your fragile plea, your eyes locking again, and fingers touching. “Yet it is important to you.”
More than he knows and certainly more than even you realised.
Here, now, faced with the prospect of losing it makes you think that you can’t live without it. That you need it or you will feel aimless and lost forever. It became an anchor slowly, with time, but now you value it above most things.
That realisation leaves you trembling before you conjure up some semblance of composure back.
“Please,” you plead again, soft and frayed. “Not this. I can give you something else. Something more.”
He doesn’t hide his palpable confusion, and that’s when you move closer, your fingers snaking up his neck as you lean forward and kiss him.
His moment of hesitation lasts no more than a split second before he grabs you around the waist, hauling you closer and you slip your arms around him, kissing him as deeply as you can. Your mouth hurts from how hard you kiss him, fervent and demanding, and despite his initial falter, he replies with equal drive and need. Your tongue slips inside his mouth, wet and hot, and you don’t compromise and neither does he. One hand grips the back of his neck where your nails sink into the firm, strong skin there, scratching and claiming. Your other drags across the scruff of his jaw, forcing him closer. Not that you need to, he holds you so close, every curve of your body presses into him.
He fuses you two together, the accessories of his robes wedging painfully into your skin but it only fuels you more. His large, burning hand settles against the back of your neck, holding you to him. Biting back a snarl, you try to wiggle your way free but his fingers dig in. Firm, unyielding, steadying; forcing a small gasp from you despite your best effort to hold it back.
You let everything flow outwards, biting down on his bottom lip greedily, and he groans loudly at the back of his throat—a deep, appreciative sound—that almost makes you purr in delight. All that control, all those guards, and you tore through them like tissue paper.
The taste of him mingles on your tongue, his nose nudging against your cheek when he deepens the kiss again, exploring and searching but with such desperation, it’s like he’s trying to drown himself in the kiss. In you.
Your lips tingle and feel partially numb by the time you finally part, breathing hard. Heat creeps up your neck and simmers in your gut while you continue holding onto him. The chain around your neck lays forgotten, both of the Elder’s arms locked firmly around you instead.  
Perhaps this is a kiss you should have shared years ago. That night by the fire you came dangerously close to taking this path. Claiming a lot more than just a kiss from him when he outright admitted that he would have made you his. A kiss that could have started something beautiful. It’s tainted now by the uncertainty of your shared future but you don’t point that out, only waiting for his reaction.
“Ya amar,” he breathes near reverent, his voice throaty, and gaze wild. He tries to leash his desire but you can still taste it, and with how thoroughly you kissed him, you have no doubt that he can say the same for you. “Why?”
“This is what you want,” you tell him, hushed words that brush against his lips as intimately as your lips have moments prior. “It’s what you always wanted.”  
He grips one side of your face, reminding you too much of someone you can’t afford to think of right now, and he shakes his head once.
“No,” he murmurs but the way he holds onto you betrays him as do his eyes that keep flickering back towards your lips. “What I always wanted was an equal,” he pauses for a beat, squinting at you like he’s taking you in with new eyes, like you’re a marvel to behold. “And you have become exactly that, haven’t you, my viper?”
Once you would have denied it, shielded away from saying anything on the matter. Once you simply won’t have believed it. But now there is nothing holding you back anymore.
In that freedom, you have unearthed a simple truth.
“Yes.”
His eyes flutter shut at your confirmation, and you hate the subtle glimmer of relief, even wonderment, you see creasing his expression. Like he’s waited his whole life for someone to say that.
“Three months,” he utters quietly like he doesn't want to disturb the moment. “Then you will return to me.”
“I always do.”
His grip on you constricts before loosening, lingering and reluctant to let go but he does eventually, his digits sliding away from the curve of your waist and neck.
You don’t bother asking how many rules you broke with this kiss.
You both got what you wanted.
“Your tent awaits you,” he prompts quietly, still drilling holes into you. “Rest before your journey, viper. We will see each other soon.”
You couldn’t run even if you wanted to or tried—neither of which you do. Too late for that now.
You dip your head in a small bow, but his fingers tap under your chin the moment you do, guiding your face upwards.
“Everyone but you.”
Then he pulls away, his thumb fluttering briefly over your bottom lip, and sits himself down on his throne, folding his arms and legs alike.
The perfect picture of a powerful, controlled ruler. Enigmatic and captivating.
Cruel as he is kind.
The Terrible Sultan, you can’t quite help your fleeting thought. Which makes you wonder if that, then, makes you his Golden Empress.
You don’t linger on that thought though, that connection that lives between you. Pivoting on your heels, you head towards the exit of the tent, feeling his eyes lingering on you the entire way.
Your mouth still burns but you ignore it.
Your expression slackens the moment your back is to him, coldness spreading through you as you step into the blazing desert sun.
E4 E5.
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The roar inside your head is overpowering.
So much so that all you can do is sit slumped beside your old cot. You hadn’t quite made to it, instead half-collapsing beside it. Your folded knees partially obscure your sight as you stare blankly ahead but you can’t bring yourself to move. 
Instead, you work on glueing together that controlled calm the very man you just talked with taught you. 
Your mind doesn’t allow you rest though. Every wall of control and discipline you’ve ever learned from every influential person in your life dissolves in face of the blistering furnace that is your raging heart. 
A collection of voices scream at you inside your head, and it takes a while to be able to comprehend what one singular voice that sounds suspiciously like Winston is demanding. 
What have you done?
And all you can think in response to that is a tiny and uncertain, What I had to.
Lacing your fingers, you push them between your thighs, sucking in deep, near painful breaths. 
You don’t have time for this. No time for self-pity. There’s

There’s too much to do. 
Yet all you want to do is sit here for the rest of your days and never move. 
You lick your lips, wetting them, and feel another torrent of emotions batter against your self-control. 
The taste of him is still in your mouth. 
You haven’t kissed anyone on the lips in five years. Not since that night on your birthday when you kissed John. The last time you ever laid your mouth on someone else in general

A comforting memory slips through the chaos; wispy and balmy, like an embrace. A memory of heat enveloping you, familiar cologne, and dark curly hair. Santino’s small, drunken smile when you pressed a kiss against his forehead, your fingers cupping his face. 
The way he had held you to him around the waist, making you feel unfairly safe, cared for. 
You never did tell Santino about his whispered words at Naples. What he confessed to you between the shadowed walls of his bedroom. Back then, a large part of you still refused to believe it—believe him. Had chalked it up to nothing more than a drunken moment of sentimentality. But that’s no longer the case. You know better than that now. 
Three months will have to be enough to

To say goodbye. 
Clinging to that memory—and the understanding that you don’t have time to waste—you rise to your feet. For what feels like a thousandth time, teeth gritted and jaw set, you still stand despite the knock. 
Your tent hasn’t changed much. Some things are in a different place to where you left them but the knowledge that it’s been waiting for you all this time is like a sledgehammer to the chest. 
Soon, if things come to pass, it will be your home permanently. 
You start with changing and washing up, followed by applying the salve you found in a small, ceramic pot onto your skin.
For the burns, the note left on your pillow beside the pot read. You didn’t need to ask questions about its origins. You know that penmanship as well as your own after spending endless months studying his research. 
The Elder has once again thought of everything. 
The salve is like a soothing, cool caress across your burned, dry skin and the relief is, once again, immediate. A part of you wonders if there will ever come a day when his genius doesn’t surprise and intrigue you. 
Food is harder. Your stomach still churns, and despite your best attempts to quell the sensation of queasiness, it doesn’t pass. 
You force some broth down despite that, chewing everything in front of you on automatic. Made with a loving hand and great care guarantees that the food is delicious yet you taste none of it. 
It’s quiet. 
The roar inside your mind has quietened. 
Now everything feels cold and far away despite the heat dampening the back of your neck already. The shock has worn off, leaving only throbbing absence behind. 
A commotion sounds outside your tent and your head snaps to the sound. A second later the flap parts and a familiar, dark spectre of a man walks inside, his eyes already locked onto you. 
“John.”
You jump to your feet at the sight of him, moving towards him in hurried steps. Saad slinks inside behind John and you halt at the sight of his looming frame, your eyes narrowing. So that’s where he’s been. No doubt watching over the deadliest assassin alive to make sure he doesn’t cause problems. 
John looks relieved to see you, his expression easing as he takes in your new attire. Previously severe contours of his features relax and his chin dips. 
“V.”
He always manages to pack so much into so little. It’s like the acknowledgement alone asks a hundred questions. 
Are you okay? 
Are you hurt?
What happened?
Though you want to ask him those same questions yourself. He looks terrible. His treatment, clearly, while not awful has not been as hospitable as your own. 
“Saad,” you address the man, nodding your head towards him. Much like the Elder, he hasn’t changed much. A new scar clips the left side of his chin but the rest of him remains the same. From his critical stare, crooked nose, and dark skin. “It’s good to see you again.”
He doesn’t smile and his expression doesn’t lighten at your words. You didn’t expect it to, either. 
“Viper,” he says so bluntly you blink and even John inclines his body towards the man, peering at him from the corner of his eye. “Finally back where you belong.”
Your mouth goes dry. 
“I’m going back to New York,” you inform him, jutting your chin. “So I’m afraid this is a brief visit only.”
Those pitch-black eyes study you for several moments and you can’t quite tell what’s going on behind those empty depths. 
“You have ten minutes,” he states briskly, his voice still flat and accent gruff. “Then I am to escort Mr Wick to his transport. Your presence has been requested by the Elder before your departure.” 
You straighten at that. John is much the same, his shoulders curving backwards. Those words are also when you notice that John is in a fresh, black suit. 
“Is there a problem?” you pose coolly, but your old sparring partner only watches you both with palpable distrust.
He glares at you for a beat, still deadly silent, before turning away from you both. “Ten minutes,” he grunts, and then he’s gone, the flap swishing in his wake while you listen to his retreating footsteps. 
“V, what happened?” John asks the moment Saad’s footsteps can no longer be heard. “He told me he saw you already.” 
He. The Elder. 
Dropping your head in a nod, you turn away from the man behind you, glancing briefly at your shaking fingers. You squeeze them painfully, pressing them against your chest instead, and focus. 
I can do this. 
“We came to an agreement,” you say swiftly, keeping your tone light, and glance at him over your shoulder. Your hand lowers from your chest at the look on his face. John looks confused. Unconvinced. “My Excommunicado will be lifted once I return to New York. You?”
You knew from the moment the deal was made that telling John would not be wise. You know the man inside this tent. His actions with Santino have proven to you that despite what you might say or do, it won’t change his mind. When it comes to push or shove, John will always shove. And he will shove with enough force to crush the opposition completely. 
His reaction to learning that you have to go back in three months would only land him in deeper trouble. Usually, you would expect him to maintain his ironlike composure. Very little could ever move John in the first place, especially towards anything rash. But that desperate gleam in his eyes when he told you that he will make up for his mistakes keeps constantly jumping to mind. 
You don’t trust John not to do something drastic right now. 
He doesn’t respond to your inquiry at first. Which gives you plenty of time to notice the sheen of pain exuding from him. You slant your body back towards him when you do, and take several steps closer.
“What’s wrong?” 
Still, he says nothing. 
You’re about to demand answers but he simply lifts his hand in the air between you. 
And you suck in a deep breath at the sight of his missing ring finger. 
The void is glaring and the finger that was once home for a golden wedding band is gone. As is the ring. 
“He wanted to see my conviction to the Table and told me to cut my finger in a show of fealty,” he explains lowly, his voice and expression worn. “I will be bound to it and remember through death after I complete my task. That was his will and my price to pay for survival.”
It’s so easy, you think in a dazed rush, to forget exactly what the Elder is capable of. He got the deadliest assassin in the world to mutilate himself as a punishment. You would wager he didn’t even threaten—he didn’t need to. 
It makes you painfully aware of what could have happened to you if you didn’t have that history with him. If he didn’t look at you with all that hidden emotion. If you were just a girl who broke his rules. What would have become of you then? Would you have lost a finger as well? Your whole hand? 
Would you have been just another casualty to be stomped out? Removed like a tumour because you didn’t abide. 
Suddenly you feel sick all over again. 
Suddenly all you want—
Your arms wrap around him and you squeeze the powerful frame of John’s body to you. He seems to deflate, unwind and soften, his arms wrapping tightly around you in return. 
“I’m sorry.”
Because you’re still angry at him, still bitter about all he’s done, but you care about him despite that, and know how deeply this would have hurt. Physical injury aside, it’s the loss of his ring that would have stung the deepest. 
John adores Helen still, loves her deeply. 
It’s not something that can fade so easily despite death. 
You felt panicked at the mere prospect of the Elder taking the silver chain around your neck. How did John feel having to lose his finger and his final sign of dedication to the woman he loves? 
But, it seems, that you have both gotten what you had coming. 
He, too, will be bound to the Table now. In a different way than you but bound all the same. This desperate, bloody fight to be free and you are both back exactly where you started. 
John’s face presses into you, savouring the contact, and you release him after another minute. It isn’t just him that needed this. 
“I have to tell you something,” he says the moment you pull back. 
The morose curve of his mouth chills you at once. Comfort, however fleeting, has now left the air between you. 
“What is it?”
“It’s...”
John stares at you for a while. An internal war rages behind his dark eyes and your confusion mounts at his hesitancy. Something is stuck behind his teeth and your stomach sinks the longer the battle goes on inside him.
“It’s about Cassian,” he eventually settles on.
Your brows draw together, caught off guard. Analysing his features closely, you wait to see if he will expand on that but as always John limits himself. He only peers at you but the regret you find lingering in the air around him unsettles you further. 
“What about him?”
He still looks torn and reluctant when his lips part, “After we parted. He found me,” he says and your shoulders lift with your forceful inhale. Understanding blooms steadily with every word. “He wanted revenge. For Gianna.”
The air inside the tent is blistering but you feel it cool by several degrees at those words. 
You had sworn an oath to Gianna that you will make sure her family name survives beyond her. Now you wear the very ring she and Santino have been struggling to earn their entire lives. 
Even worse were Cassian’s parting words to you that still haunt you. 
But if we ever meet again. I will kill you myself. 
Your mentor and friend. A brother you would have loved to have had. 
You could drill John about what happened while you were dealing with Lucien. You could accuse him of more wrongdoings and damage. Demand to know why he didn’t tell you sooner. Scorn him. Hate him.
But instead, you turn away, and let only one question slip free, the only one that matters, “Is he still alive?”
He answers you honestly.
“I don’t know.”
His voice is thick with muted remorse and you nod your head in acceptance of that honesty. You don’t say anything in return, still staring at your cot. Focus on the pattern of your old blanket.  
You feel it bubbling in the air between you and speak up before he can.
“Don’t apologise,” you order but it’s empty of fury. You just sound weary. So very weary. “I understand. I just
”
Your eyes slip shut. He was only trying to keep himself alive. It’s just survival. But it still hurts. In that moment, the urge to give up is near overpowering. It digs deep between your shoulder blades and straight into your heart but you shake it off.
You’re not getting out of this. There’s no hope for you now. You know how this ends. 
You almost recoil at Kishi’s voice filtering from the deepest recesses of your mind. 
No. There’s still hope. That’s exactly why you can’t give up. Because there is still hope. 
“Wish it didn’t have to be this way?”
John’s soft inquiry makes you flinch, snapping you to the present. Your eyes return to him and you examine him for a moment, digesting his words. 
“Yes,” you mumble in agreement, your sadness no doubt palpable. “Yes, I do.”
John lowers his head, a few strands of his raven hair tickling his cheek when he does. “Do you ever wonder
”
He stares at the empty space where his finger should be, flexing the remaining ones experimentally. You wait for him to continue but can tell from one look that he’s lost in his head, thinking hard about something. 
“Do I wonder what?” 
John’s lips part, then press shut again. His breaths are haggard, slow. 
“What might have happened had I never pushed you back? Never left.”
You’re not sure what to do with his curiosity. You’re not even sure how you feel about it.  
“I used to. Often,” you admit after several minutes of thought. Because what do you have left to hide? Now, perhaps, you can be as open as you wish to be, say everything because it’s not like— “Then I realised there was no point to it because you weren’t coming back,” you tell him and chuckle weakly, adding an ironic, “We’re each masters of our own fate.”
Shuffling your feet, you venture closer towards him, and lift your face to his, taking his hand into your own. His knuckles, much like your own, are bruised and swollen. His are worse than yours, however, and with that in mind, you lead him towards your cot. You reach into the still open ointment pot and gather some, rubbing your fingers briefly to warm the salve. 
Slowly, you drag your fingertips gently over his knuckles. It won’t be as effective as it is for burns but chamomile, echinacea and ginseng inside the salve should still help with healing and soothing the pain. 
“You always had the right to choose, John,” you say quietly, frankly, as you work to apply the salve on his other hand as well. He’s so still you’re not sure if he’s breathing. “The right to happiness. I understand that now. It’s always been your right,” you continue, a touch sadder, and your eyes skip upwards to rest on his face. His stare is gentle, his mouth parted while he peers at you. “I’m just sorry that you had to lose it. But to answer your question. No. Not anymore. It’s been a long time. We’re different people now.”
You finish applying the salve and release your grip but his fingers tighten around yours before you can.
“Maybe that’s a good thing,” he says, his words hushed. 
Your search his face again. Wonder what the future will hold for you both. “Yeah, maybe it is.”
A rustle sounds behind you and you turn just as Saad steps back into the tent, his features still rigid with displeasure. 
“Come with me, Mr Wick,” he instructs sternly and inclines his head in your direction. “The Elder awaits you.”
Grounding your jaw, you offer the assassin beside you a calm, “I’ll see you back at the Continental.”
John turns back towards you. He doesn’t look particularly thrilled at your words, a question hanging in the air around him. “Are you sure?”
“Yes,” you say, unfazed. You pat his arm once as you pass; an old, routine gesture you haven’t done in years. “Tell Winston to get my favourite ready. He’ll know the one.”
You brush past them both, chin slanted at a higher angle. It’s late afternoon by now with the sun starting to dip towards the dunes. The air is still sweltering despite that, and a robed man waiting outside the tent gestures mutely in the direction he wants you to head in. 
You find the Elder at the edge of the camp, his presence a beacon that draws attention effortlessly. 
You pause at the sight of him, your shoes sinking into the golden sand beneath. He stares out towards the desert like you’ve seen him do a thousand times, and you wonder if he’s thinking about what you asked him years ago. Another ordinary night by the fire over your shared meal. 
Why not leave again? Why live in a desert? 
It is my duty. 
So you’re a prisoner of your own status? That seems lonely. 
And with his gaze focused on the fire instead of you, he had given you a simple yet serene response, Not anymore. 
Swallowing thickly, you stand there unmoving, watching him for a while. Something tells you that he’s as aware of you as you are of him. 
Loneliness is not unfamiliar to you. It’s a close companion. Has been for years. 
But you’ve found an escape. People to call your own. A sense of belonging.
He hasn’t. 
“It is peaceful here,” he speaks up suddenly, startling you. “Even as a boy, I loved the desert despite its cruelty. I have grown up appreciating its deadly beauty. Have learned to respect it and admire it.”
“Nothing about death is beautiful.”
A brief chuckle flows through the air and he turns to face you, his expression open, his stare narrowed but inquisitive as always. His laced fingers rest against his chest.  
“Your mind has been sorely missed, viper.”
The longing in those words brushes against your skin and mouth; an invisible kiss, an appreciation. 
You imagine that will change one day soon. 
Though it would be a lie to say that you, too, have not missed your discussions. The way you could submerge yourself in conversations with him completely. Lose yourself in his mind and the challenge he constantly posed. 
“You wished to see me.”
Your words sound lifeless even to your own ears and his expression drops. He strolls closer while you stand rooted in your spot. Something is different about him now. He’s missing that edge he had when he saw you earlier. That desperation. Desire. Near darkness. 
He’s more controlled now. At ease. Back to the man you knew. Earlier he gave into his desire freely, and you suspect it was only due to long years separating you. 
“I’m tempted to come with you,” he divulges quietly, like sharing one more secret, and a shiver tears down your spine at those words. He pauses, exhaling, and twists his ring on his finger for seemingly a hundredth time. You didn’t realise earlier how habitual touching it had become for him. “But I do not wish to take this time away from you. So, ya amar, I present you with this.”
From between the folds of his extravagant robes materialises a golden dagger. Your breaths grow shaky before you force them back into a steady rhythm, lifting your eyes to his. 
“It’s the same one,” you say weakly, your tone questioning. “From before.”
The Elder nods and holds out the dagger in the palm of his hand. It’s the same one he tried to give to you during your first stay here, after your sparring session.   
Same stunning, elegant design laced with gold around the handle. Black sheath edged by crusted golden detail as well. 
“Each of my disciples receives a weapon from me personally upon their initiation,” he tells you, his voice soft and melodic, always happy to sate your curiosity. “This one...is special to me,” his voice lowers, a glimmer passing through his eyes that’s gone too soon to decipher. “It is not official yet but I had hoped that one day it will serve you better than it has me.”
He waits for you to take it but you hesitate, staring at it. Your hand hovers over it, outlining the shape of it with your nail. 
You can still taste him. Like he’s rooted himself inside you now. 
“You told me that you understood me,” you begin cautiously, your voice equally as low. “Understood the vengeance that drove me. How?”
The Elder examines you closely. A pregnant pause stretches between you and you begin to think he will never respond before he finally reaches out. He grasps your hand in his, turning it till your palm faces the sky, and places the dagger deliberately into it. Watching you keenly, he carefully folds your fingers around it, not releasing your hand even when he’s done. 
A faint whisper passes his full lips—and you recognise Darija even if you don’t understand it—but it strikes you as
sad. Plagued with some nameless darkness. 
“One day,” he starts huskily, now in accented English, and you can’t quite read his expression or tone. But it’s some bizarre mix you’ve never seen before. A strain and a shadow all at once while he looks you over. “If you still wish it, I will tell you everything.”
The weight and the finality behind that word makes you shift, uneasy. You’re not sure if there will even be tomorrow—much less one day. 
But before you can voice that, the Elder lifts your joined hands, pressing his mouth gingerly against your skin; a fleeting flutter that warms the flesh. 
“Let this be a token of our shared promise to one another.”
He takes one last look at you, his dark gaze inscrutable, and then you’re left alone with only setting sun for company. 
The dagger in your hand feels like an anchor, and you tip your head backwards, gazing up at the expanse of the sky above. 
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The subway doors hiss open and you lift your head, stepping out onto the platform with other passengers. You’ve spent the majority of the journey here staring at the soles of your shoes, your mind splintering in a thousand directions.
There’s too much to do with time so limited.
Your return to New York had been by air. The Elder’s decision, taking into consideration how you felt about water travel.
It’s funny how you didn’t even need to voice such a thing for him to understand it. For him to make sure that the journey back is as painless as possible.
You’re not sure how John travelled but he did leave first, meaning he should be back in New York already. Until you arrive at the Continental, however, you have no way of knowing for sure.
The fierceness with which you’ve missed your home makes your shoulders lock as you cut through the bustling crowd. It should be said that Grand Central is always busy and overflowing with noise. Today is no exception to that. But you’re still a person at the very top of the Wanted list, so you keep your eyes peeled.
Instinctually, you scan the flow of the crowd around you. Strain every sense. Employ everything you’ve learned from some of the best in this world.
Step by step, turn by turn, staircase by staircase.
This time, he doesn’t catch you off guard.
The mob of people flows around you like a coursing river, hiding you both as you jerk to a mutual stop.
The grip on your wrist is unyielding, painful. The sharpened metal between your fingers trembles under the strain of that grip, and your expression mangles with fury. Acidic, poisonous emotion bubbles up to the surface and you don’t bother hiding it.
The man before you smiles at that—a slight but lovely thing—every micro-expression laced with fine malice.
“Hello, Lucien.”
You stand close enough to be touching, his thin frame still managing to cover your own. Your jaw has become a rigid mass as you glare up at him with open hostility.
“There you are, snakey,” he hums pleasantly, his thin mouth transforming into a slow, chilling smile. You try to push the blade you’re holding into his gut but his numbing grip remains. “I’ve been waiting for you to return. Has he missed you much?”
A couple of friends pass right by you, laughing loudly, and you both jerk again; limbs locking and muscle straining further. Neither of you manages to gain more edge on the other though and Lucien’s smile stretches further.
“And I knew you would find me,” you snarl coldly, your eyes narrowing into slits. “I wanted you to find me.”
Knocking his knee with your own, you swipe another blade free and aim it at him. Lucien pushes himself into you in reply, wrapping his arm around yours and halting you in your tracks. The blade scratches against the sleeve of his black jacket, cutting into it, but it doesn’t break skin past that. He yanks you closer, your bodies pressing against each other. You’re both practically embracing. Your limbs a joined, trembling mass from the sheer friction between you.
It’s a deadlock and you’re too evenly matched.
You’ve been waiting for this chance. For the chance to return the slight that was taking you and wasting precious hours for you over a week ago. Now that you know Santino’s choice is you—that you could have avoided this whole mess in the first place had you just had enough time to talk with him—it only makes you more furious.
You’ve been waiting for Lucien to catch up with you.
This time, however, he’s not the hunter, catching unsuspecting prey.
Baring your teeth, you snarl, wrenching yourself back—
And freeze.
Lucien’s coat parts and this close up a blinking red light catches your eye. As does the beeping your ears hadn’t previously picked up with all the noise.
Lucien’s smile turns downright predatory.
“All these sweet little angels...” he remarks in a sing-song voice, pointedly looking around the crowd, his accent just a little more notable. “Ready to watch them all burn?”
A portable bomb.
You should have known.
There’s no doubt enough packed in it to blow half the building, if not more. He would likely delight in the idea of the carnage even he’s not alive to see it himself.
Your features creasing at that thought, you demand an incredulous, “You would kill yourself just to see me die?”
“I’m already dead,” he replies blankly, the tilt of his voice emotionless. “After all I’ve done, it’s not about survival anymore. It’s about me....and you. And one last dance between us.”
You’re not going to play his games. Despite the confusion his words birth, you only allow a chilly, tepid smile to grace your face. Mocking him openly.
“Then catch me if you can.”
You sweep your foot under his legs. Swift and brutal. Lucien doesn’t fall but he does stumble half-a-step back, and you rip yourself out of his grip, dashing through the throng of people.
You’re not running blindly.
He enjoys the chase and you know he will follow but it’s not fear or desperation leading you this time.
People curse and holler as you shove them out of your way, throwing a few purposely in Lucien’s path. You don’t slow down to check if he’s following.
Every trained instinct in your body is screaming at you that he is.
You should have known he would try to use the people at the station against you. Use your close proximity to each other against you too. He’s learned of the dangers you pose at close combat.
But he’s not the only one to have learned something from your previous encounters.
Focused entirely on your rapidly forming plan, you tear out of Grand Central, the cool air of New York greeting you like an old friend.
Streets blur around you and your heart pumps inside your chest as you round the corner, stumbling. Wind beats against your cheeks and you ignore your harsh breaths, leading Lucien deeper into the heart of the city.
And it’s not his city.
You know every nook and cranny of this concrete anthill.
Skidding and stumbling, you throw yourself behind a building wall, pressing your back against it.
Your lungs quiver, heart pumping, and throat aching from the outright sprint you’ve just done.
Lucien should assume the obvious.
That you’re leading him back to the Continental at neck-breaking speed. As you did once before. And you are but not just yet. There’s something you have to handle first.
It takes no longer than ten seconds for the commotion to explode from the direction you just came from. Just as expected.
Lucien’s pounding footsteps reach your ears and your arch your back, readying yourself.
A smear of golden hair enters your vision and you throw yourself at him, slashing at his side.
No wires attached to the bomb that you saw. The Lovers are too sophisticated for anything as inelegant and rudimentary as that. Which makes this bomb either remotely detonatable or Lucien has other means by which to set it off.
Which then means that all you need to do is to rip that portion of his coat off him.
You’re not about to lead him back to your home with a bomb on him.
Lucien crashes onto the concrete sidewalk heavily, you on top of him. His knee drives into your gut and you wince, your fingers tangling into his jacket so he doesn’t slip out of your grip. You manage to hold on, hacking against the coarse material wildly. His features contort, realisation as to what you’re trying to do sinking in.
He throws a punch at you but you duck, ignoring his fingers when they sink into your hair, trying to yank you off him. People around you scream as you roll across the concrete, scattering the moment they realise you’re armed.
You have no intention of killing Lucien outright.
He deserves to reap the consequences of his actions just like the rest of you. If there’s anyone who deserves to be punished for all of this, it’s him. And you will see to it. Lead him back to the Continental and trap him inside like a rat in a maze.  
See what the Black Dragon does when you offer their little pet as a sacrificial lamb for the High Table.
He yanks on your hair but you swipe upwards, scratching your blade against his skin and he barks a laugh. Few droplets of blood slide down his porcelain skin and you stumble back, staggering onto your feet.
Lucien’s jacket is in tatters and he grabs it, yanking it off himself, and throws it carelessly to one side. You tense when it hits the ground but nothing happens. You’re not quite sure if it’s just that durable or if it was a fake-out—both seem equally as likely. “You’re no fun,” he pouts, watching his hand curiously. Ruby droplets well where you have torn into his skin, and he swipes his tongue across the skin lazily, unconcerned. “But fair enough.”
“You and me,” you grit out, glaring down at him as you back up, rolling the blade between your digits with expert ease. He stretches to his full height, too, towering, cracking his neck as he does so. “Let’s dance.”
You peel away, him a second behind you. You know how fast he is and pump your legs till the muscles in your thighs burn from exertion.
You’re surprised he’s not trying to shoot you like last time but maybe that’s the point. He doesn’t want a quick death for you just like you don’t want to kill him till he’s been punished.
Night blurs around you and your eyes narrow in concentration, keeping ahead but just barely. You can hear him right behind you, practically breathing down your neck.
Motorcycles suddenly rev behind you but you don’t dare to risk turning around to check. There’s more than one engine. Which doesn’t bode well for you.
Leaping down the stairwell, you cut through an underground pass. The tunnel amplifies every sound and you hear Lucien’s pounding footsteps behind you. He’s gaining on you.
Sweat clings to the back of your neck, your cheeks stinging from heat and the cold alike.
You take three steps at a time, jumping up the staircase on the other side of the tunnel in a manner of seconds. It takes several moments before motorcycles sound from behind you again—they clearly know the route enough to know about the shortcuts—but you don’t let it shatter your concentration.
The staircase of the Continental appears in your vision, so dear and welcoming—
A weight slams into you from behind and you wince as you both roll across the ground; a wild tangle of limbs.
Scrambling, you punch him right across the jaw before he can get a solid grip on you. Your knuckles twinge with pain but it barely registers. Lucien’s head snaps to the side but he manages to grab your wrists, pinning them to the ground, before you can yank a blade loose.
You drive your knee into his ribs. Once, twice.
Lucien takes it like he can hardly feel it. Teeth gleaming, bared. His grip tightens on you again—there will be bruises there tomorrow without a doubt—and you roll in a mangled mess once more. Two animals snapping their teeth at each other. The motorcycles draw closer down the street and you squirm when he tries to pin you down again. For being so thin, his strength is impressive. Worrying.
He wants to play games. But you’re far, far more furious than he is.
Your head cracks against his forehead, momentarily blinding and deafening you. Lucien falls back. Wobbling, you do the same. Everything is static noise—one moment, two, then you force yourself to move. Vision swimming, you kick at his abdomen blindly. There’s contact and rolling onto your stomach, you hurriedly scramble onto your feet.
A roar of engines hums through the night air, closing in, and you leap onto the stone stairs ahead of you, gripping onto the concrete.
Safe haven. Home.
Your head slants to look behind you; a victorious, vicious smile spreading across your face even though your forehead hums with numbing pain.
Lucien approaches slowly, a hunter on a prowl. His slick back hair is in a disarray. Flecks of his own blood splattered across his face.
He looks murderous despite the deformed smile still splintering his mouth.
Motorcycles come to a stop behind him and you recognise those dark uniforms anywhere. Black Dragon’s men—just as you suspected.
You rise to your feet, deliberate but cautious, taking count of the men present. Foot soldiers are hardly a reason for concern. A certain blonde with his raging stare most certainly is though.
“No one interferes,” Lucien orders, directing his words at the men behind him. “This is between me and—”
“Us.”
Your heart stills for a second before exploding in a wild flutter inside your chest.
You don’t turn around but hear the hotel door behind you crack open, followed by footsteps.
Lucien’s expression morphs with cold viciousness in the face of the new company.
Dario and Julian walk past you first, coming to a stop at the foot of the stairs, effectively blocking Lucien’s path. The Sharpshooter has his twin pistols gripped firmly in each hand, his usually friendly demeanour absent. Only the Camorra’s best stares back; focused and grim. Dario is no better with his arms folding over his broad chest the moment he halts, seemingly only amplifying his domineering presence. He reminds you of a growling grizzly bear, waiting for the slightest of provocations.
Step comes to a standstill beside you, nudging you with his elbow, and you dare to momentarily look away from Lucien to see his grinning face. He wiggles his eyebrows, his round sunglasses still on his face before he leaps down the last several steps. He lands noisily just behind Julian, laughing softly under his breath.
“Whatever issue you have with our boss,” Dario speaks solemnly, his usually warm, rumbling voice void of those things. “We would caution you to forget about it.”
“Get out of my way,” Lucien hisses lowly, his lips barely moving. “This doesn’t concern you.”
Julian raises his pistols at blinding speed at those words, pointing them directly at Lucien’s face. The Dragon’s men unholster their weapons in response but despite being outnumbered at least one to two, the Elites don’t appear concerned.
You’re not sure if you’re still breathing.
“We would rather not kill you,” Step chirps happily, leaning his elbow on Julian’s shoulder, before adding a downright chilling, “But we will.”
Lucien’s expression smoothens, growing remote in its emptiness. His hollow stare drags up till it latches onto you—cold and unforgiving, two black holes.
“You know you can’t hide from me, viper,” he whispers yet his low, throaty words carry through the night air all the same. The Elites don’t so much as blink; an impenetrable wall of defence. “We have unfinished business, you and I.”
“Were they not clear enough for you, huh?”
Your eyes nearly close when the final pair of footsteps comes to a stop beside you. Your attention doesn’t waver but you hear the click of a lighter beside you. It’s followed a second later by a soft crinkle of a smouldering cigarette as Hector draws a deep, tobacco-induced breath into his lungs.
“She’s our boss,” he declares roughly and you feel your throat close up at his frank statement. “Which means that you really don’t want to start this,” a pointed pause, and another hard inhale of a cigarette before, “So why don’t you go and blow a load into your girlfriend and stop wasting our damn time.”
The atmosphere thickens with tension at Hector’s crass words but you don’t look away from Lucien.
The blonde slants his head, curious. He regards Hector like a bug; an odd, unusual being that makes no sense to him. Like his words are spoken in a foreign language the assassin doesn’t quite comprehend.
“Boss,” Lucien echoes softly, making a fine mockery of the word, as he takes a few deliberate steps closer. “Is that suppose to mean something to me?”
The threat in his lovely voice snaps Julian’s hand to one side, the barrel of his gleaming silver pistol pressing into Lucien’s temple just as the tall man places his foot on the Continental staircase.  
“Julian, don’t!” you warm loudly and the Sharpshooter freezes at your command. “It’s what he wants,” you add bitterly, turning your stare towards the blonde who appears completely unconcerned to have a fully loaded weapon digging into his head.
His smug smile stretches, quivering at the corners, his stare almost playful, goading.
Julian obeys, his arm lowering slightly but his pistol remains trailed on the French assassin. The man in question takes his time, deliberately climbing one step at the time, and Hector lowers his smouldering cigarette. He’s on your right, standing between you and Lucien but the blonde hardly seems to notice that when he comes to a halt, still watching you intently.
“Yeah, it really should,” Hector says deliberately, his voice dipping towards seriousness and warning.
Dario and Step are still watching the Dragon’s men closely while Julian has turned with Lucien, his pistols still locked onto the man. It’s been a long time since you’ve seen the Sharpshooter as anything other than grinning and relaxed.
Lucien drags his gaze away from you at long last, his attention switching to the leader of Elites beside you, and you feel the suffocating tension in the air as they both stare each other down.
“I hold no loyalties to anyone for you to threaten me with fancy titles, dog,” the blonde remarks, his voice light, almost friendly, his attention once again returning to you. “But I’ll see you inside, snakey.”
You don’t answer him, choosing to glare right at him and nothing more than that. The lack of reaction seems to dissatisfy him, his lips pressing into a firm, unhappy line. He reaches for you—
Hector grabs his extended hand with near blinding speed, crushing his wrist in an ironlike grip as he jerks Lucien’s hand backwards, holding him back.
Everyone tenses and Dario pulls his own weapons free when the Dragon’s men try to push closer.
“Let me rephrase that,” Hector hisses quietly, his words thick with warning—no boredom or indifference to be found in his voice now. “She’s ours. You so much as lay a hand on her and I’ll cut it off and feed it to you.”
The French assassin grins in return, chuckling, his fist clenched to a point his knuckles strain beneath his pale skin. Hector’s grip only tightens though, the ink of his tattoos highlighted by the lights above.
“You got that?” he stresses viciously. “Or was I being too obtuse, you bleached French fuck.”
He throws Lucien’s arm back at him and the man’s expression sharpens with a savage sort of rage. Aside from his stormy, narrowed stare, it’s near impossible to tell that Lucien is displeased though. His features might as well be cut from marble.
“You remind me of someone I knew once,” Lucien muses, still grinning though it looks no better than a sharpened blade. “He too was an arrogant, blunt tool to be used.”
The blonde hums mockingly, looking Hector up and down.
“Get lost,” he calls out loudly, slanting his head—something so harsh in the motion you half-expect to hear his neck crack—toward the Dragon’s men. “I don’t need you here.”
Confusion follows those words but Lucien only cuts one last look your way before strolling calmly into the hotel.
You’re not going to stop him because he’s exactly where you need him to be. He will stay to try and wait you out. Which is exactly what you want and need. Time.
Biting back a grin, you briefly glance at Hector who meets your inquisitive stare and turns towards the Dragon’s men who look unsure as to what they should do.
“Are you deaf?” he snaps loudly. “Get lost.”
Step moves first, bouncing up the stairs till he’s right in front of you. He parts his arms, waiting for you to show if you’re in the headspace to be touched and

You wrap your arms around him—near crushing and strong, squeezing his wiry frame to you with all the strength you possess inside your body. The hacker’s arms lock equally as tightly around you despite Hector’s snort.
“We’ve been worried about you, carina,” he mumbles against your cooling neck, and you watch Dragon’s men clearing the entrance of the hotel over his shoulder. “Everything’s gone to hell.”
“We should take this inside,” Dario speaks up, finally lowering his weapons, and Julian does the same though his grip on them doesn’t loosen. “It’s not safe for you out here, V.”
You release Step from your death grip with a nod and a pat on his shoulder. He flashes you a quick smile but it looks strained. They all look tense, grim-faced, and tired. Still deadly though, and focused as always.
Julian opens the glass doors and steps inside, his pistol raised like he expects Lucien to leap at you from the shadows.
The hour is late and the reception area, for once, feels eerily quiet. No Lucien in sight though.
You haven’t even noticed how they’ve positioned themselves around you. Hector is still on your right, Julian at the front and Dario taking the rear while Step’s arm ghosts on your left.
Your throat aches, something coiling inside your heart.
You feel

Protected. Safe.
It robs you of speech for a solid minute—that realisation.
You’ve lived with them for a year. Ate, trained and bled with them. But it feels different now for some reason you can’t explain.
You’ve grown so used to fighting your battles alone that having someone on your side feels surreal.
Even more surprising is Hector’s compliance. You hadn’t expected him to fall into the role of your temporary right hand so easily. Or to be as open about your position, and his by extension, at your side. You hadn’t even expected him to stand in defence of you, unlike the other three.
But Hector has always valued Camorra above all else. Personal prejudices aside, he will always do his duty. It is, perhaps, the one thing you’ve always admired the most about him. His unfailing loyalty.
If you died now it would only cause further chaos and headaches for him.
Seeing all of them again, however, fills you with such immense relief you can hardly speak.
“Santino?” is the first thing you manage to wheeze out. “Ares? Roberto? How—how are they?”
With each step, you shed your momentarily lapse reminding yourself that this is no time to feel sentimental.
Hector answers you promptly, as would be expected of him, “Princeling woke up several hours ago,” he states calmly and you notice that he no longer has his cigarette. He must have dropped it outside. Despite that, your sensitive nose still catches a whiff of tobacco every time his lips part. “Ares is with him. Roberto is stable.”
You practically stumble to a stop. “He woke up?” you whisper, your voice breathy with fragile hope.
Hector’s stare is critical but lacking his usual irritating superiority. Surprisingly. “Yeah, asked after you,” he reveals bluntly, and you can feel others monitoring your reaction to those words. “He thought Wick killed you.”
Your heart clenches painfully at that.
He got shot in the head and his first worry when he woke up had been you?
But the knowledge that he has regained consciousness, had been coherent enough to even speak, nearly crumbles your self-control again. Relief churning through your veins is immeasurable. Dizzying.
You want to demand a thousand things but instead push yourself to focus, “We have to move him to the penthouse. Immediately.”
One of Hector’s eyebrows arches at that. But it’s Dario that speaks first, “Why?”
You glance between the four of them silently. No one else seems to be around. In the distance, even the reception desk sits empty, and it’s the first time in seven years that you’ve seen it unmanned.
What’s going on? Where is Charon?
“Because she’s not here,” you tell them, still slightly out of breath due to your earlier sprint, and your words soften with bitterness. “The Female Lover. Divide and conquer seems to be the most logical course for them to follow now.”
It would make sense. Split attacks and lay traps. Force your hand with pitting Lucien against you because they no doubt know that Santino is being kept safe between these walls. Put danger right here on your doorstep so you are forced to act.
The Four exchange wary looks and you note them at once.
“We already moved boss,” Julian informs you before you can ask, his strong eyebrows curving and feet shuffling. You can almost hear the grimace in his voice. “Right after the visit from an Adjudicator earlier. We figured it was no longer safe for him to stay since they demanded to see him.”
“Don’t look so surprised, sweetheart,” Hector mutters under his breath, folding his arms with a slight roll of his eyes. “Some of us are actually good at doing our jobs. Removing him from the Table’s direct jurisdiction was the best thing to do at the time.”
“Then where the hell is he?”
Step winces. “The penthouse,” he tells you and immediately lifts his hand in a pacifying manner while your eyes close. “But Flavio and others are with him. He’s protected. He was moved discreetly. No one saw a thing. I was watching all the cameras myself.”
Biting back a sigh, you mull over his words and huff a breath. “Then why are you not with him?”
“Because once Mr Wick arrived here in a rather
loud manner,” Dario begins and your attentions slides to him. “We knew you will not be far behind. With trouble likely on your heels. We had no way of contacting you and splitting up would have drawn too much attention. Step worked entire day trying to pin the Lovers down to one location but they kept popping up all over the city. They’ve been circling.”
So they stayed here to keep enemy eyes pinned on the hotel, giving them time to move Santino in secret.
Sometimes you forget how brilliant they are.
“They were waiting for me to come back,” you assume.
Dario inclines his head, his stare firm, and strong eyebrows curved. “Our duty is to protect you as well, V.”
Your blink at those resolute words, caught off guard.
Step is grinning cheekily but the other two stand with sombre air surrounding them. Hector’s expression is stony but he doesn’t disagree, either.
Before you can thank them or say anything else, a realisation slices through you like a bolt of lightning. A sickly feeling of quicksand gobbles you up in a matter of seconds, and you battle down the urge to kick something.
“Circling,” you repeat numbly, nearly biting your tongue because you already know the answer before you bother continuing. “Anywhere near the penthouse?”
You direct that question at Step and the latter stills, his grin wilting. “Closest ping I got was four blocks out.”
“Fuck.”
Your head slants backwards and you bite out an even more vicious, “Fuck.”
“V?”
Your head drops back and your expression is no doubt unforgiving. “Get to the penthouse right now,” you order, not even bothering to make it sound like a request. “This is their plan. For me to get here so she has the go-ahead to attack while Santino is alone. They’ve been waiting for you to move him. They knew you did. That’s why the male Lover let it go. Why he’s not here right now.”
Lucien is no doubt putting their plan into motion. Dismissing Dragon’s men was about giving you a false sense of security.
“What about you?” Julian wonders quietly though his tone doesn’t lack urgency. Dario already has his phone pressed to his ear, no doubt calling the security at the penthouse.
You want to go.
You

“I can’t,” you choke out even though it kills you to admit it. “If I go, I lead Lucien and god knows who else straight back to Santino.”
The Lovers are no doubt hoping for that outcome. But you can keep them separated too. Weaken them. It just means trusting the Elites with Santino’s life completely. They will be taking the brunt of Mika’s and the Black Dragon’s attack.
You look towards Hector but find him already gazing at you, his harsh features drawn into a pensive expression. His eyebrows sit contracted into a tight line and his eyes go to Step.
Dario’s muffled murmurs cease then, and he lifts his head, ending the call with a single touch against the glowing screen. “There’s been nothing so far but
”
“Can you isolate any incoming attacks?” Hector demands and Step pulls out his phone the moment those words leave the leader’s mouth, scrolling and tapping rapidly. “Get to the penthouse. Julian call the rest of the men. The ruse is up. Tell everyone to get their asses there right now or I’ll kill them myself. Go.”
It’s a testament to how much they trust each other that they move as one—not questions asked—only pausing monetarily before you, and it takes you a full second to realise that they’re waiting for your approval.
Right. You’re their boss. Even if only temporarily.
You nod twice; shaky and a touch frantic.
“Capo.”
You’re not even sure which one of them says it, or if it’s all of them in unison, but a shiver tingles down your neck all the same.
Hector hesitates, still standing rooted in his spot, his stare probing but he doesn’t make a sound until the hurried footsteps of the other Elites fade.
“You’re planning to go after him.”
It’s a statement, direct and shrewd, and you see no reason to deny it. “Promise me you will kill her,” you insist sternly, your eyes meeting for a charged moment. “Don’t let her touch him.”
Hector strolls past you, his hands in his pockets. “Consider it done,” he shoots back flatly, pausing beside you once again but doesn’t turn towards you. You simply stand shoulder to shoulder in the empty lobby. “Something else is going on here. The Frenchie isn’t the only one you should watch out for. Some bald asshole followed Wick, and this Adjudicator seems a little rule happy and not in a good way,” he concludes pointedly.
“It doesn’t matter,” you respond mildly, your voice vacant and low, distant. “They can’t touch me. No one can now.”
The dagger against your side feels like it’s scorching into your skin.
Hector turns to face you at that but you don’t do the same. His weighty stare digs into your temple for several moments but you ignore it. Expectation hangs heavy in the air between you but you don’t explain yourself further. There is no point.
He scoffs under his breath, managing to sound as dismissive and derisive as always. The nearby heat of his looming frame disappears, his footsteps echoing against the marble as he saunters away.
But the way he had the foresight to move Santino nags at you, as do his actions outside on that staircase only minutes prior.
And—
“Hector?”
His footsteps fade into a stop, and you turn your face towards him.
“What now, sweetheart?” he calls out impatiently, peering at you over his shoulder as well. “Want a back rub with all of that?”
Normally something like that would have angered you, dug under your skin, pissed you off. Now though

“Thank you.”
He doesn’t outwardly react to your words, not even a twitch of his facial muscles. He only stares at you for a long minute completely silent. You’re not quite sure what to make of that reaction.
“Whatever.”
His back disappears through the door leading outside and you turn back towards the reception desk.
Time to get some answers.
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You hear him before you see him.
The dog leaps at you with a happy bark, his tongue lolling to one side when he lifts his nose eager to give you kisses.
His presence here shocks you but only because you know for a fact that the Continental doesn’t do animal boarding. Everything lately has felt like an avalanche of one thing after another that you haven’t stopped to think about what may or may not have happened to him. Or where he might be staying after John’s home was destroyed.
Despite not seeing him in a few weeks, he seems no less thrilled to see you.
“Hey, Cheeseburger,” you greet with the first genuine smile in a week, your features softening. You bend down to pet him, rubbing behind his ears and he only tries to lick you with more fervour, a happy doggy grin splitting his face. “Have you been good?”
A small bark escapes him, tail wagging so quickly it’s a blur, and your smile grows.
“Miss.”
Your eyes skip ahead, and relief whispers through your chest, an invisible coil loosening when you spot Charon standing ahead of you. As always his posture is bowstring straight, his suit pressed neatly, and eyes watchful over his glasses.
“Charon.”
You’ve missed him. So dearly. Seeing his face is like a much-needed balm against your tattered nerves.
His voice is as low and soothing as always when he offers a cordial, “Welcome back.”
His words might as well be an embrace and your smile wobbles momentarily. There has been a large part of you that was convinced you would never see him or Winston again.
You try not to think about your deal now. About leaving just when you got them back. Right now all that matters is that you’re here.
Still stroking Cheeseburger’s head, you stand back to your feet, ignoring the twinge of discomfort in your muscles when you do.
“It’s good to be back.”
Charon starts approaching you but a voice cuts in before he can say anything else.
“The Vipress.”
Your smile slides off your face when a short, bald man with a fixed smile and a wide-eyed stare appears from behind the concierge.
Hector’s warning springs to mind at once, and your eyes briefly flicker towards Charon whose expression remains impassive. A certain strain—disdain, even—can still be found in his overall bearing, however.  
Charon is not one to dislike people often, and certainly not openly. Though to most he would no doubt appear as detached and professional as always you can tell the difference. You’ve known him for years after all.  
“Do we know each other?” you wonder neutrally, your palm ghosting over a concealed blade despite the no-business rule. Not a scowl or even a whisper of a frown shows but your voice slides into something apathetic all the same.
The man dressed in all black wanders closer. His stance is relaxed, expression friendly, but you see the assessing gleam in his eyes, the brittle—almost mean—edge to his slight grin. It makes you feel like he’s in on some joke you’re missing out on.
Despite being on the shorter side and his near deceptive demeanour, you don’t fail to take count of the precise way he moves—a trained, likely deadly individual, and your attention settles on him like a sharpened blade against his throat.
Though your body language doesn’t outright change, you know he, too, notes the shift in you in those several seconds that pass between him stopping just a little ahead of you.
Cheeseburger licks your fingers—blissfully ignorant of the uneasy atmosphere—and you drag your fingertips over his head tenderly.  
“No,” the man answers shortly, still smiling what he no doubt hopes to be a friendly smile though it hardly is. “But I know of you. Tokyo still remembers your name.”
Your heart stutters for a single second, feeling the slice of those calm, unassuming words. But you can tell from the way his lips flutter just slightly that he chose his words carefully. A deliberate dig and he examines your reaction closely, so you show him nothing.
The man ventures closer yet again, seemingly encouraged by whatever he sees, and extends his gloved hand your way. “But where are my manners? I am Zero.”
His hand hangs in the air between you and Charon’s stare settles on you. He doesn’t interfere though, or comments.
Not taking his hand would be rude but expected. People know of your aversion to touching strangers. However, it would also put you on a backfoot after his previous dig, and the last thing you want is someone that worries even Hector to smell weakness.
With that in mind, you slot your smaller hand into his, your grips equally as constrictive, “Good to meet you,” you say, your voice bland, dropping his hand after another forced twitch of your lips. “Now if you excuse—”
“I was still in training when you killed Kishi of Tokyo,” he declares loudly, freezing you mid-turn, and your eyes meet Charon’s again before you look back at the newcomer. You’re not quite sure what to make of his strange stare or fragmented little smile. “We knew each other. But not much,” he continues, no doubt purposely ignoring your disinterested, borderline hostile stare. “Maybe I should express my gratitude. If it were not for you, I would not be what I am today.”
He even bows his head. Like you’re his comrade. Like you’re one and the same.
Still, you say nothing, and Zero chuckles loudly before it cuts off abruptly. A new gleam glows in his eyes, and it doesn’t surprise you when Charon comes to a stop beside you. The concierge cuts for a silent but foreboding figure all the same.
Zero’s expression twists with amusement upon spotting that silent gesture, and he presses his hand over his chest. “You’ll have to forgive me, I’m a bit—what do they say—a little starstruck,” he apologizes but it feels more like oil on your skin followed by another gleaming smile. “Meeting the John Wick and the Vipress in a span of a single night. Legend of the old and legend of the new. The shadow that hides the snake—that’s what they still say about you two.”
You work hard to not let anything slip. You’ve known about your legacy in Tokyo for some time now—your and John’s both. You did what no one has done before. Escaped. Survived. John slaughtered his way through Kishi’s men to make sure no one ever followed you back.
It didn’t change much in the end. That nightmare of a man—his phantom, at least—still haunts you to this day. It chills the blood in your veins to be standing out here now and be discussing him so openly. Especially with someone who supposedly knew him.
You’re not sure if you’re strong enough to engage with this conversation. There’s only so many ghosts you can handle in such a short span of time.
“I wish to see the manager,” you announce instead, your stare not leaving the assassin before you.
There is a flare of fury at the dismissal but it’s brief, and once it passes, it leaves a man that reminds you of a mannequin—deflated and lacking life, formless like a ghost.
“Sir and Mr Wick are currently meeting in the administrative lounge, Miss,” Charon answers promptly but then adds a deliberate, “The manager, however, has expressed his desire to see you at once upon your return.”
Even if Winston hadn’t, something tells you that Charon would have said that regardless. Like you know him, he knows you. He understands perfectly well how shadows of your past belong there. Rattling them now would be dangerous.
Nodding, you force yourself to keep a polite facade, the assassin receiving a rather forced, “Mr Zero.”
Certainly the best he could hope for. Or should. Still, you feel proud of yourself for managing to contain yourself. For not letting him bait you into action because he no doubt was hoping for a reaction, perhaps even a confrontation. That would be easy, expectant.
Zero doesn’t look pleased about the outcome of the conversation at all. His easy-going, faux adoring demeanour splintering around the edges. The man before you tries to hold the pieces together but you notice the cracks all the same.
Lowering your chin, you raise your palm towards Cheeseburger, “Stay.”
The dog releases a small whine at the order but does as he’s told, sitting back on his hind legs, his ears perked up. That alone almost brings another smile to your face.
Your arm drops back to your side and you offer Charon another look that says a silent keep an eye on him.
Your footsteps echo as you cut through the hallways of the hotel, passing a few faces as you do. Zero doesn’t follow and you’re glad for it—for some reason, a part of you had expected him to.
Throughout your journey, you feel eyes tracking you. No one says anything or moves towards you though. You half expect Lucien to leap at you from every shadowed corner but he’s nowhere to be seen. You want to worry that maybe he truly did leave the hotel and hightailed it for the penthouse but it won’t be logical for him to miss out on this chance.
Lucien’s interest—fixation—with you has always felt deeply personal. More than a simple job or a hit. It never felt like he took as much interest in Santino as he did in you. Certainly surprising considering that from you two, it’s Santino with the biggest power reserve behind him. Enough to crush the Lovers if he came into his power as he now has. You’ve thought about this once before but maybe then you had things wrong.
Despite you being the bigger physical threat, removing Santino first would have been more logical. It would have isolated you. Left you without support.
Lucien never showed much eagerness in Santino’s removal aside from making an occasional threat to rile you up from the start.
Why?
Is it truly just conviction that you are alike? An obsessive there can only be one mentality?
With that thought lodged like a splinter inside your mind, you step into the elevator, shoving the partition roughly with a metallic click.
The elevator jolts when you press the appropriate floor button, falling back against the metal wall on your journey.
Everything is so loud it’s somehow quiet. Or maybe you’ve just gotten better at ignoring it.
It’s a short trip and when the elevator halts you pull the metal partition slowly this time, perking your ears for any unusual sounds.
There’s nothing.
You’ve never liked the administrative lounge much. Unlike the rest of the hotel that’s always oozed an old, rustic charm, this space has always felt cold and clinical on the few, rare occasions you visited Winston up here. Frankly, it’s never been the type of place you enjoyed visiting then, and you don’t suspect that will change any time soon.
The neon laser lights and glass as far as the eye can see. Visually it’s a masterpiece of architecture but it always made you feel uneasy. Like a rat caught in a crystal maze. Being back here now reminds you eerily of the gallery you had to chase John through, nearly losing everyone dear to you in the process.
Grabbing a blade from a secure sown-in compartment inside your coat, you move up the staircase soundlessly.
It doesn’t take long for faint, muffled voices to reach you. Slowing down further, you approach one step at a time. With each step, Winston’s calm baritone becomes clearer. You stop abruptly when his words start registering properly.
“—but you’re having doubts?” he calls out, sounding knowing and in control like usual. “Because you know that she will never forgive you if you do this. Will never let you into her heart again. She’s the only thing you still have left to lose,” he goes on, and your eyes widen when you realise who exactly he’s discussing. What the hell is going on? You know he’s talking to John but
 “This is all assuming she can find it in herself to forgive you for your actions in regards to one Santino D’Antonio in the first place.”
You can’t see them from here. You’re above them by at least an entire flight of see-through glass stairs. Shifting your weigh, you move closer, holding your breath and sinking lower towards the ground to not alert them of your presence.
“I understand perfectly well, Johnathan, this is nothing personal,” Winston continues and for once you truly find yourself hating how calm he sounds. You’ve never seen the manager caught off guard. It’s everyone else he outmanoeuvres with expert ease. But personal? What’s personal? “If you feel like you must. Put a bullet through my heart. The High Table has asked me to step down one way or another.”
You almost stumble.
What?
It’s then that a memory springs forward. Of the tent. John’s conflicted expression and his words.
Elder gave you time to say goodbye but you had to make a deal. What if John had to make one too? He mentioned a task; a task he never got time to explain further. Only a vague mention of one.
But he had wanted to, you realise with sinking dread, the moment he saw you, he wanted to.
John’s punishment—his true punishment—is sacrificing his oldest friend in a show of fealty to the Table and killing him.
The lukewarm metal between your digits nearly falls to the ground at that realisation.  
But why—
“The hour?” John’s gruff voice speaks at long last.
A distracted hum, then confirmation, “The hour.”
“You should have killed me when you had the chance,” John says bluntly. “Killed us both.”
You gnash your teeth together, feeling the grind of bone inside your skull as you slink closer, taking it one stair at a time. Unhurried and precise. Just how John himself taught you.
Distantly, you hear Winston agree followed by muted footsteps against the gleaming floor. Is he moving away from John or towards him?
“In the years you’ve been away, Johnathan, I have come to learn that loyalty is a peculiar thing,” the manager muses, his voice thoughtful, but you hear the deliberateness he puts into each word he speaks. There is an odd quietness to his voice though—the type of you’ve only heard a handful of times. “Hard to earn, quick to break,” a long pause supersede those words and you come to a standstill as well, straining your ears. “But not always. It can sometimes be obtained by the most unlikely of individuals during the most unlikely of times.”
You’re not quite sure what exactly John gleans from those words but he does seem to take away something you miss. “You’re not stepping down, are you?”
“No,” Winston states evenly. “I don’t think I am.”
“So it’s war,” John declares, sounding just as bewildered as you feel, and you know it’s a rarity for him to let his emotions slip so easily. But this is
 “You’re going to war with the High Table.”
Once you had joked about it. You were left cranky after yet another job for Tarasov, and had come back to the Continental worn after days of dealing with less than hospitable conditions. Winston had listened to your rant like usual.
What if I just killed Tarasov now?
Newspaper and brandy in hand, Winston’s reply had been unamused, You get killed.
Not if you help me. You and I, I bet we could take the Table on.
It was a joke back then. Nothing more than a throwaway, snarky remark you had made as a way to alleviate some pent up stress. A momentarily reprieve from the helplessness you’ve always felt in the face of your circumstances. It’s one of the few things that has helped you stay sane over the years.
It was long before you met the Elder and learned you could kill Tarasov without consequences once the debt was repaid.
It’s only now that you realise that Winston never did give you a response to that offhand statement. Joke or otherwise.
It’s only now that you stupidly realise that the idea of war shouldn’t surprise you at all. That perhaps deep in your bones you always knew there was a possibility of one.
Maybe Winston’s dedication to upholding rules and order always blinded you to the fact that despite that obedience he wasn’t afraid of them.
That which terrifies others—everyone, even you and John—has never affected the manager in the same manner.
He’s not afraid of the High Table. Or to move against them if he sees fit.
“I’ve made my decision. A long time ago now,” Winston remarks, and you edge closer, catching the first glimpse of him through the crack in the stairwell. “Back when I had to watch Charon carry a dying girl through the very halls of this fine establishment. A girl that you left behind. And now, it’s time for you to choose as well.”
Oh.
You’ve always privately considered Winston and Charon to be your family. One you weren’t quite allowed to have but chose for yourself despite how foolishly sentimental it was. A bond that was forged through years of knowing each other. Struggling together. Practically living together.
It never once crossed your mind that it was a feeling returned at least to some degree.
That alone makes you look at the entire conversation you’ve just heard in a new light.
“Choose what?”
Winston stands in front of John, his hand extended towards the assassin. In the manager’s weathered hand—a fine mockery of a week ago when he first declared you both Excommunicado, and even worse, of the Elder offering you the golden dagger at your side—sits a pistol.
The older man gives John a shrewd stare, and if you didn’t know any better you would say that he’s disappointed John is not catching on quicker.
“Oh, but you already know,” he states flatly, moving his hand in a vague motion. “It’s the same choice you’ve been struggling for the last five years now. Between who you are and who you wish to be. You kill me, you sell your soul to the Table.”
All you can see is the back of John’s head, his crop of black hair standing out like a dark spot against the glossy, blue tint of the lounge.
He thinks about Winston’s words for a bit.
“But I also live and remember Helen.”
Once those words might have caused a burn of pain but now all you feel is a nudge of sadness and a joyless sort of understanding. You’ve accepted the fact that there will always be a part of John that will always love Helen.
You’ve just hoped

“Helen loved you, John. She truly did,” the manager agrees, something just a touch warmer to be heard in his intonation. “And you love her. You only came back because she was taken from you. But she’s also gone and she’s not coming back. You go ahead with this and you lose V forever, and I know that alone is stopping you.”
There is a scathing sort of finality to the last part and John’s slightly lowered head lifts.
“So I guess my question to you, then, is who do you wish to die as?” Winston asks though it does sound like a fine line between an inquiry of genuine curiosity and an authoritative demand. “Baba Yaga. The living nightmare and the last thing so many have seen. The servant of the High Table. Or as a man who was—and likely still is—loved by two wonderful women.”
John doesn’t move or say anything. That heaviness hangs across his shoulders, burdening him with yet another choice.
The problem is the fact that what you told him back at the desert still applies.
You don’t trust his word. You’ve been burned too harshly by recent events to do so.
With that in mind, you drop your guise, walking the remainder of the stairs with deliberate heaviness. Purpose.
Both men turn at the sound of your advancing footsteps. The former’s expression lightens, a clever gleam catching your eye. John looks weary, almost like he’s readying himself for another battle, another storm that is your raging fury.
You have little appetite for that though.
Too much is going on right now. The Elites could be battling against the Female Lover and the Black Dragon’s men right now. You need to find Lucien and figure out a way to keep him here. Inform the High Table. Find out who started this hunt in the first place. Who knows about Chicago.
“Winston.”
A slight smile ghosts over the manager’s face. “Welcome home.”
It hurts.
Because it feels so good to hear him say that. To feel welcome and missed. Even if you know it’s as much about drawing that line in the sand for John—an unspoken You vs Us.
John doesn’t fail to take count of the blade in your hand, neither does Winston.
A suspended kind of silence shrouds you three. If John really thinks that you will let him—
Footsteps.
You all turn in the direction of a tall, graceful figure clad in all black moving briskly down the steps.
The icy blue stare and black, short-cropped hair are all unfamiliar to you.
“Mr Wick and Miss Vipress,” the newcomer greets in a cool and collected manner, gripping a pair of leather gloves in one hand. “It is a pleasure to finally meet you both. I’m an Adjudicator.”
Shit. Of course they are. It makes sense for one to come and adjudicate the hotel after John shot Santino at practically point-blank range inside these very walls.
The hour.
Winston overstepped his position by offering you that hour. By helping you and John out.
Now he’s paying for it.
When neither you nor John say anything in return, their head slants in Winston’s direction, unperturbed. “Have you decided to step down?”
You would think they’re asking if the cookies are ready to come out of the oven. Their voice is as empty as their stare despite the gravity of their question. But the Adjudicators are often cold and distant. Dedicated to upholding the rules of the High Table even more so than the hotel managers are. To expect pity or mercy from one never bodes well.  
Winston greets that indifference by no less bored, “I don’t think I will.”
A quick tilt of their chin—offended, critical—and they turn towards John instead.  
“And you?” they demand, a notable sharpening to their tone. “Will you be pulling a bullet in his head?”
You tense at those words, your body instinctively moving in front of the manager.  
John’s ponderous scrutiny falls on you but you don’t take your attention away from the Adjudicator. Is what Winston said true? Are you really the only thing John still has left to lose?
You’re not sure if—
“No,” he says, quiet but resolute. “I don’t think I will.”
The High Table representative examines you three with a flicker of disbelief as well as irritation. You can’t help but wonder if this is the first time they encountered such blatant dismissal of their authority.
“So be it.”
They turn on their heels creating at least several meters in distance between you. A phone appears in their hand and they dial, bringing the phone to their ear with an effortless air of superiority.
All you manage to catch from where you stand is the very end of the conversation. “The Continental Hotel, New York,” an imposing proclamation followed by swift damnation. “Deconsecrated.”
The Adjudicator spins towards them, approaching leisurely as they gave each of you a measured, speculative look.
“This institution has hereby been deconsecrated,” they state flatly, appraising you all with aloof, disinterested air. Like you have just become less than human in their eyes and nothing more than trash to be taken out. “As such business may now be conducted on Continental grounds. Since you are refusing to step down,” they continue, their tone icy and pointed glaring digging into Winston, then John, “And you are refusing a direct order, your lives are now forfeited.”
Much to your surprise, the Adjudicator’s bright eyes come to rest on you next. “It is my advice to you Miss Vipress that you vacate the premises immediately,” they warn but the words lack much care aside from mild impartiality. “The High Table emissaries will be joining you shortly to see to the removal of your souls from the property,” they add to the two men on either side of you.
The Black Dragon men.
With that, the Adjudicator turns to go but your voice halts them before they take further than a step, “This hotel is my home,” you profess tightly, something slippery and raw in that string of words. An old ache; a new longing. Ironlike, unshakeable conviction shines the brightest though. “If you want it, you will have to take it over my cold, dead body.”
Another tilt of chin that makes you think reptile; coldblooded and dispassionate. “That can be arranged.”
A snarl pulls your lips back. “Can it?” you wonder, your words soft but deliberate. “You may wish to double-check that.”
The Adjudicator visibly pauses at that, and it’s the first sign of uncertainty you glimpse in their armour. The first time it takes them a moment to settle on their next course of action. Faint sourness lines their dignified features while they study you, considering your words no doubt.
“Good evening to you.”
Your glare is hot enough that you’re surprised the Adjudicator doesn’t catch on fire the moment their back is turned to you—and rather bold of them to turn their back on two master assassins after what they’ve just done—and your fingers itch.
John’s fingers snap around your wrist, holding firm and stilling your rising hand. “Don’t.”
The red haze lifts and you relax your jaw. It’s only after he sees your posture loosen that he releases his grip, his fingertips lingering against your inner wrist as if savouring the contact.
On your right, Winston heaves a weary sigh. “This haven is safe no more.”  
Your eyes lower and you try to process what’s just happened.
Continental is the only sanctuary you’ve ever known—the only one you’ve ever needed—and something in your gut churns. It’s a deadly, potent mix that makes you force a calming breath.
John breaks the silence first—a rarity, but you suppose this week has been full of those. “Are the services still off-limits to us?”
Winston looks to you first, taking you in, and you wonder what he finds in your no doubt murderous expression and blazing glare. Every muscle coiled tight and ready to spring.
Destruction hums in your blood, screaming for retribution and you want to indulge in it.
They should be terrified of you, the Elder’s voice reminds you.
“Considering the fact that V’s Excommunicado was lifted minutes prior and this interesting change in circumstances
”
He fades off for a moment, giving you both another thoughtful look that tells you he’s fully appreciating who exactly is about to stand in defence of his hotel. “What do you need?”
NF3 NC6.
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You’re a statue rooted at Winston’s side.
The four of you—John, you, Winston and Charon—wait for the elevator to grind to a halt, Cheeseburger sitting patiently between you and John. Ever the loyal companion.
“We have another problem,” you declare with a subdued sigh, dragging your eyes over the metal cubicle you’re trapped in. Even years later the fear of being a trapped animal unable to escape hasn’t quite faded from memory.
The manager clicks his tongue in reply, leading you all out of the elevator and towards the massive vault door sitting at the end of a short hallway. Guards—what few cemented their loyalty to the hotel and Winston himself—dot the length of it, watchful and awaiting their orders.
“Splendid,” the man shoots back dryly. “Not like we have plenty of those already.”
“The Male Lover is here,” you inform him, ignoring his snark. “He followed me.”
Winston’s mouth curves downwards at that. He places his hand on a palm scanner, waiting. “As expected,” he offers in return, his tone challenging. “Your next move?”
“He knows something that he shouldn’t,” you answer promptly, fiddling with your fingers. John and Charon are silent behind you but you know they’re also missing a lot of context behind the conflict, especially the former. “About Chicago. I intend to find out how and from whom. Then
”
Well.
Your plan till about ten minutes ago was to capture him and keep him here. Feed him to the High Table. Exact your justice by other means.
Now though...
It’s war.
The hotel has been stripped of its immunity. People are on the way to kill Winston and John. Charon by default. Even the staff if they get in the way, though the order to evacuate has been sounded already.
If you stand with them you, too, become an enemy.
The choice is simple. Easier than most things in your life have been, and it sits right in your gut.
If the High Table wants the manager standing in front of you, they will have to go through you first. And you’re capable of unleashing a lot of damage before they ever manage to get close enough to touch him.
But this also means that there will be no divine justice at the end. By the decree of the Adjudicator, people can now spill blood freely between these walls. There’s nothing stopping Lucien from attacking you anymore. Nor will he miss such an opportunity.  
A confrontation between you two can only end one way now.
“Then I deal with him,” you finally mutter, your jaw locking with resolute firmness.
An eyebrow quirked, Winston gestures inside, going straight for the drinks cabinet. You head right without prompting, going for a very special compartment safe built into one of the wall’s inside the vault.
You’ve had it installed years ago gradually filling it full with the passage of months and then years.
Not wasting time, your palm settles on the scanner, ignoring the code pad entirely. A beep sounds and a muted green light bathes your skin a second later. A hiss follows and then—
“That’s
impressive.”
John’s voice behind you should not surprise you—and it doesn’t—but it does make you tense. Shrugging, you risk a glance in his direction to see what he makes of your collection. The quiet, impressed way his eyes drag over each shelf betrays both his surprise, and even a shade of wariness.
Vials upon vials all line the massive cabinet of three separate compartments folding outwards—custom made just for this. Labels hug each vial neatly, all of them lined up in an orderly fashion based on use and colour. The rest of the cabinet houses some of your rarest and most expensive ingredients. Carefully hidden in the most secure location you can think of—or it was till about fifteen minutes ago.
“It took me a while,” you admit though the tension in your tone and body don’t ebb away. “A lot of trial and error. And throwing up.”
You’ve been your own best guinea pig over the years, and have suffered a great deal for it. But it has also given you something no one before has been able to achieve: immunity. To most of these dark, dangerous creations of yours.
Your prized collection of at least a hundred vials makes even Baba Yaga pause and consider. See you differently no doubt.
The truth is that the sheer magnitude of the horrors and devastation this collection could unleash is unprecedented. Unrivalled by all with the exception of but one man.
And no one knows it exists apart from the people in this room and Santino. The High Table suspects something of this nature exists, you know that. Hence their insistence on you being unable to remove anything from the hotel after your Excommunicado.
“I should have told you,” John speaks up, his lips parted and tone deep, tired. “About my task. I just
”
“Knew that if you told me neither of us would have left that desert?” you guess. “Yeah, I kinda figured that.”
You understand his angle. His reason for not saying anything too. There’s just one thing that’s been bothering you since you learned about it.
“Did...did the Elder forbid you from telling me?”
John’s expression creases. “No,” he admits slowly. “But he reminded me that your forgiveness is rarer than water in the desert, and rage fiercer than the sun.”
You can almost hear that echoed in the Elder’s gentle, accented voice. Staring at the vials, you force some of them out, rolling them in your palm experimentally as you start assembling your weapons swiftly.
The task makes sense. Winston did something he shouldn’t have. Punishing him would be expected like it was with you and John. Manager or no, he’s not all-powerful.
But the thought that the Elder still knowingly told John to remove Winston stings. Deeply. He knows full well what the older man means to you.
Realising that you have nothing else to say, John steps away but you hear the reluctance in his steps when he walks away.
But all this can wait. The looming threat is the first order of business. You can’t afford any distractions, so this, too, gets shoved behind a wall. Locked tight. You can catch a moment later. Process everything that’s happened in this last week.
Charon’s lulling voice describes the change in the Black Dragon ranks to John—armour improvements, weapon improvements, more robust training. You listen with half an ear. They’ve gotten better with years, deadlier. They will not be an easy target but staring at all the vials out in the open fully and at your disposal makes your mouth twist into a cold, cruel smile.
Let them come.
You will make corpses of them all.
With that thought in mind, you arm yourself to the teeth, locking a belt around the curve of your hips. Blades slot easily against your body, vials of poison and canisters of gas following. Next, come pistols with spare clips and enough bullets to take down a small army. Fitting, considering that’s most likely what you are likely to face. You thoroughly check each pistol, removing the magazines, and making sure safety is on all of them. Double-checking there’s no jamming, either.
Once you’re comfortably armed you pull out two small needles, filling both with a small dosage of different colour solutions. You prepare more but focus on the two first.  
Charon and John are still getting prepped, arming themselves just as intently while Winston sits calmly on a luxurious leather sofa observing them. Cheeseburger lays beside him on the sofa, his ears slightly perked as he watches everyone in the room.
Charon is closer so you hand him the needle wordlessly, knowing that he’s more than aware of what it is. Moving closer to John, you note the concentration with which he adds each spare magazine into his own utility belt, a deep pinch between his brows. This lethal focus means that you’re about to lose the John you know. Once Baba Yaga arrives there will be nothing but destruction left behind.
Something in your chest is ready to do the same. You almost crave it. Like everything has been building too quickly and now you feel at a breaking point ready to unleash.
Moving swiftly, you stab a needle into John’s neck, feeling him jerk and snap his fingers around your arm just like he did earlier. His grip is harsher, his fighter instincts kicking in. This time he’s not trying to stop you from attacking anyone but himself.
Rising an unimpressed eyebrow, you remove the needle from his neck, and John sways, scowling in your direction.
“Ow. What was that?” he demands quietly, no doubt recalling the last time he had a run-in with your creations.
“A little concoction that will, hopefully, give you immunity from most things in my arsenal temporarily,” you tell him calmly, near monotonous. “Unless you prefer dissolving into an immobile puddle the moment my paralyser comes out?”
John’s brows hitch, his eyes narrowing marginally, and his chin slants. “You enjoyed that,” he states dryly.
Blinking, you feel your lips quirk in an infinitesimal smile, blinking innocently up at him. “No idea what you’re talking about,” you demure pleasantly. John stares at you blankly and your small smile quivers, widening. “Okay, fine. I totally enjoyed that.”
A tiny quirk of his own mouth follows and it feels strangely nostalgic, near bittersweet, because it’s like years ago again. Just you two getting ready for yet another job together, you teasing him or firing questions at him. He’s always been patient with you. It was a kindness you never once took for granted. You were so alone, so lost, and he’d been the only harbour you had.
Despite his flaws, despite his mistakes, in many ways, John will always be that. It’s the one thing you never see changing.
You still miss that ease you once shared. Sometimes remnants of it appear, like now, and it just makes it harder.
But reminiscing now is a fool's errand.
Instead, you reach for another blade mounted on the wall behind him and bend your knee, slotting it against the special opening in your boot. He doesn’t take his gaze away from you as you do that, and you straighten, waiting to see if he will say anything else. He doesn’t. That almost makes you smile again. Typical.
Nodding at him, you look towards Charon instead, pulling out several vials, “For the guards,” you state seriously, your ease evaporating, and he takes them without a word. “Make sure they inject themselves at least five minutes before heading out just in case. It’s going to be a nasty toxic cocktail one way or another. You already know what to do.”
A firm nod. “Certainly, Miss.”
Satisfied, you walk past them heading towards the manager who watches you curiously as you approach. Cheeseburger raises his head at once, his tail wagging at your proximity. Your fingers brush over his head, petting him, and you hold another vial for Winston to take.
Nothing to do with protection and everything to do with arming him. Which, you suppose, is its own type of protection.
He stares at you blankly, a glass of what you only assume is brandy gripped securely in his hand.
“Oh, I sincerely hope you’re joking.”
He sounds completely incredulous and you roll your eyes.
“Precautions,” you shoot back, twisting the poison vial between your fingers and holding the entire length of it out to him. “Your wisdom, remember?”
“And you think that if they somehow manage to get through you, Jonathan, Charon and the guard, as well as at least two tons of metal, that will stop them?”
“No,” you answer honestly. “But it will make me feel better if you have it.”
Winston heaves a sigh, shaking his head but takes the vial all the same, leaning back in his seat. A single eyebrow lifts as if to say satisfied? and you fight back a groan. Why can no one in your life make things easy for you? Just once?
You part your lips, a playful remark on your tongue, only for distinct thudding to sound from above. It’s faint, barely audible, but you all freeze at the sound of it.
Your eyes drag towards the ceiling, just as Winston’s voice sounds, “Charon, would you be so kind as to welcome our new guests?”
The concierge strolls briskly towards the fuse control box, pushing one of the levers down with a deafening click.
Upstairs, you know the hotel has been plunged into darkness before emergency lights come into operation.
“Let's go.”
You reach for the last few things you can get your hands on, your focus narrowing down to tunnel vision.
“You will do the Continental proud,” Winston states, sounding so sure you can’t help but lift your head in his direction from your last minute prep. “Both of you.”
Your heart jolts painfully but you nod in acknowledgement all the same. Charon returns the gesture as well.
“And Johnathan?”
The assassin halts at his name, looking towards the manager in an unspoken question. “Do what you do best. Hunt.”
The four of you share a long, leaden moment before John moves first, followed by you. The vault door whirls close behind you, securing Winston and Cheeseburger inside, but you refuse to look back.
You will see them both soon.
Splitting at the mouth of the hallway, you watch Charon lead the guards down a different path while you and John take the elevator. Divide and attack on two fronts. John will be their main target first, then you.
The man beside you is as still as death, his body relaxed but senses alert. John doesn’t fidget, hardly blinks, everything about him is steady and tranquil. Just standing near him feels electric.
“Just like old times.”
His faint words startle you. A large machine gun in his hands, the black suit, an unforgiving stare—he looks near godly, as always, and you blink in his direction. Your tongue drags over your lower lip, pensive, and when you glance back at him you see John’s eyes jump up from your mouth.
“Just like old times,” you agree softly.
You’re not sure what he sees when he looks at you. You would like to think he sees someone who exceeded his expectations for you all those years ago. Strong and unyielding.
You hope he sees an equal.
The lounge is painted with sickly green when the elevator crawls to a stop, and you both move like an extension of one another. Falling into a routine is easy because it’s instinct. The lounge is submerged in smoke, obscuring your vision so you both move silently through it, gauging the situation.
Raising your hand, you feel John slow beside you, his gun raised, covering you. Your eyes journey over the lounge, spotting blurry figures creeping through the space, trying to discover you no doubt. The black uniforms make anger simmer in your gut, gnawing on your self-control.
A hiss joins the fray of noise as you lightly roll your own gas canisters across the marble floor, your paralyser joining the smoke seamlessly.
You should really thank them. They just made this easier.
Now it’s just a matter of—
A gunshot booms behind you and you pivot on your knees, watching John tackle two men who have taken a route from behind, hidden from sight by large stone pillars.
Each man takes several bullets to take down and you frown at that. Through the darkness, you spot the heavy armour—heavier than you’ve seen them wear—as well as goddamn gas helmets on their heads.
Rising, you jog towards the bodies. John throws himself at the other approaching men and you yank on the helmet on the dead soldier’s head. It slips off relatively easily and you curse under your breath when you note what filters have been installed at the base of it.
They’re significantly better than the last time you faced off against them. This paralyser will be nothing more than an irritant at this rate.
They’ve come more than prepared.
They’ve come ready to skin the snake and hang her by that skin.  
Snarling, you hurl the helmet at another uniformed figure that rounds the column, his rifle raised, watching it crash against his head.
Two shots follow from your Glock but the man only stumbles back, and you leap at him, slotting the nozzle under his collar before firing again. A bullet slices clean through his neck, finally killing him. You slide a blade in your other hand, spinning it once. Scanning your surroundings, you take the other side so you and John work back to back even at the distance.
Gunshots explode ahead and you know that Charon has joined in the fray as well.  
Your displeasure morphs into anger and then outright fury with each dead body. It doesn’t take you long to realise that your weapons are too weak to handle this onslaught. The calibre too low. The helmets make the paralyser nothing more than a tickle down their throats and an ache in their eyes.
While that slows them somewhat, their armour is too good for a simple pistol fire. No matter how many bullets you may have at your disposal.
Slamming a knee into one man’s gut, you yank his body to one side. His body soaks up bullets his friends try to shoot at you and you pull back. A blade buries deep in his neck, you jerk the deadman again, feeling a splatter of hot liquid on your face when the blade cuts deeper into his skin.
Duck, yank, slice.
You tear through the throng of incoming soldiers but you’re slowed by the fact that each person takes too much effort to kill unless you get up close and personal. That in itself is tempting faith.
One bullet, one falter, that’s all it would take.  
A man charges at you when his gun clicks empty, and you block his punch, pistol-whipping him across the head. The contact rattles through your bones and you bare your teeth.
A slice so quick he doesn’t even register it follows before his throat opens.
Nothing but a wet gurgle slips free and gravity does the rest.
Another follows after that, and another and another. It’s chaos and darkness. The floor is slippery with blood but you push ahead your expression contorted with pure wrath.
They want to kill you, do they?  
Rules have drowned you for years now.
But right now—right this second—you’re still free of your chain.
And they have no idea what you can do.
Let me give you something to be afraid of.
With that thought racing through your mind, you turn and dash towards the elevator, slamming your hand against the button. It takes long—too long—but you know it will be worth it. Throwing yourself inside, you press the basement button over and over again, practically beating it.
The ride down seems to last an eternity as well.
You prowl inside the cubicle like a wild animal ready to spring free. So much so that the partition nearly breaks with the amount of strength you use to yank it backwards with.
“Winston!” you shout from the top of your lungs, slamming your palm repeatedly against the vault. “Let me in!”
There’s a reverberating click only moments later but you don’t wait for the hefty metal to open fully before you push inside, breathing harshly as you do.
Winston blinks slowly at the sight of you. “V?”
There is a question and a sharpness to his regard, and the wariness with which he takes you in should probably worry you. But you don’t answer him. Instead, you head straight for the cabinet. Your pulse pounding and a clamour inside your head leaving you partially deaf. To a point, both John’s and Charon’s returned presence back inside the vault scarcely registers.
A red haze clings to everything around you.
“V.”
Your knuckles are starting to swell again but after this, it won’t matter—
“V.”
“What do you want?” you hiss, each syllable acidic to a point it catches John off guard.
He mutely offers you a shotgun and something at the back of your brain recollects mentions of “armour piercing shells” but you shake your head.
“There’s still some left alive at the back, and they’re regrouping,” you say instead, trying to quell your temper. “I have something else for the second wave.”
He reads between the lines of your plan.
“I’m not leaving you alone to face them.”
Your head snaps in his direction, and you hold out a vial—smaller than others, rounder, filled with liquid that seems to be caught in a perpetual state of half-brown and half-red—in front of his face.
“This,” you begin tightly, your vocal cords straining from how hard you’re working to hold yourself back. “Is something that will kill them helmet or not. They should know better than to think that some cheap plastic will save them from me.”
You pull out two canisters of gas, shaking both as you look towards the air system. “Air filtering still on?”
“Minimal,” Winston returns, his voice dull, stare watchful. “Don’t let it consume you,” he reminds quietly after a pause.
Your grip momentarily falters at those words but that’s the only reaction he receives.
“Then I’ll do it the hard way.”
John intercepts you before you can take so much as a step, his minute unease now gone. “Why didn’t we open with that?”
You’re not sure why the hell he’s stalling now to ask you questions but you answer him despite that. “This is a diluted version of something I created a long time ago,” you tell them. “It wasn’t created to be used as a vapour. This is also the only vial I have, and it will take at least a month to create more. I was saving this for the eleventh hour because no matter how many are out there, they’re about all about to experience a quick but very painful death.”
You’re not quite sure what to make of what you glimpse across his features. Some turbulent mix of emotions he doesn’t seem to wish and explain. Day by day he learns the full extent of how you’re no longer that girl that walked away from him with tears streaming down her face.
This is what you are now. What you had to become.
You wait for a reaction, judgement, but John only steps aside, his voice a low rasp, “Be careful.”
You soften somewhat at the muted worry you hear in his voice. “You too,” you say with a sigh. “Go ahead. I’m grabbing one more canister of gas just in case. Don’t go anywhere near the lounge for the next ten minutes at least.”
Both men indicate their understanding, not bothering to question you further. And there is comfort in that, in their easy understanding and trust. They both can more than handle themselves but a distinct worry still gnaws on your entrails as you watch them leave. Lack of presence from the other guards no doubt means they’re all dead already.
So that leaves only you three.
Three vs a small army of highly trained fighters.
But not for long.
“V.”
“A little busy, Winston,” you stress while rummaging through different compartments. “Can it wait?”
Silence greets your words. Then, “If I asked for your trust. Your complete trust,” he begins purposely, his voice deceptively serene. “Would you give it to me?”
Your hands still and you stare blankly at your collection for a beat.
Straightening unhurriedly, you try to digest his words, and tilt your head in the manager’s direction.
It’s only when you note his expression that you realise something is very, very wrong.
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The lobby is a graveyard.
Both literal and figurative.
Bodies lay in heaps across the usually gleaming flooring, and you wait patiently while leaning against one of many marble columns.
Waiting you’ve gotten rather good at.
The poison sits in your hands, warmed by your palms, but still brimming that ugly dark shade despite now being transformed into a vapour. You’ve recreated two versions of The Drowning and haven’t used either since Chicago. That thought makes you glare at the ceiling above because the recollection of Rafael and Boutin still wounds.
The grandeur of the Continental never fails to impress you though. Not even years later. There is always something new to discover and admire.  
You’ve been waiting for at least five minutes now so when a creak sounds you don’t move at first. Muffled footsteps echo across the eerily quiet lobby, moving towards you.
But not from the direction of the entrance.
The louder the steps become the more obvious a secondary sound becomes as well.
Whistling.
Faint but melodic.
The familiarity of the tune causes you to stands straighter, focus on the melody.
Mr Sandman drifts through the air as a peculiar sort of goad; purposeful and sly.
“Oh, snakey,” a voice coos playfully, pausing the tune for a moment. “I know you’re hiding somewhere out here.”
Lucien.
Of course.
You’ve been expecting him to show up sooner rather than later. It’s good to know that you were right about him though. He wasn’t going to let you slip by him again. This time, you don’t want to, either. This time, you’re going to finish this.
You contemplate throwing the poison in his face but the High Table would not give up so easily. John and Charon might be cleaning up the remainder of the first wave one shotgun shell at the time but a second wave is guaranteed and soon. Logically they would want to try and overwhelm you. They’re hoping to wear you out.
“Come out, come out wherever you are,” Lucien calls out in a sing-song drawl, his footsteps slowing to a point they fade entirely. “Don’t make me find you. You’re not going to enjoy that scenario.”
“Who says I’m hiding?”
You round the column, finding his thin, solitary figure in the middle of the lobby immediately. The dark green light seems to only emphasize his gaunt frame and you take a step closer, then another.
How clever of him to wait until your paralyser is fully dispelled from the air before he came seeking you out.  
His head lowers, deepening the shadows under his eyes. “Did your guard dogs run away?” he wonders mockingly, his voice carrying. “Good, they were getting in the way.”
“Of what?”
“Our dance, of course,” he retorts, a shade angry like you should know better. “One last dance and the truth. Oh, if only you knew but you don’t. No point in secrets now though.”
You scoff, both of you watching each other as you draw nearer. “You like hearing yourself talk, don’t you, Lucien?”
The blonde assassin bares his teeth at the sound of his name—dangerous and macabre, dripping with heinous amusement—and he gazes at you for a moment. Something flickers over his shoulder—
“Not at all actually,” he states overly calm. “But you’re not the only one to have your life stolen. Maybe it’s about time you realised that,” he divulges, his voice softening into something as hateful as it is eager. Like whatever he thought he knew, he couldn’t wait to impart on you. “I’ll be waiting for you, viper.”
You aim the poison at his head, hurling it through the air with every fibre of your strength.
Lucien ducks, sliding across the floor at near blinding speed, and disappearing behind the armchairs and from your sight.
It’s at that moment that the Black Dragon’s men burst through the lobby door, their guns raised.
Following his example, you dash behind the column, an explosion of bullets following a split second later.
Rubble splinters under the abuse and you turn, avoiding the crumbling stone.
One, two, three

This time your poison doesn’t escape in an unassuming tickle of vapour. No, this time it’s an impact of a small explosive going off, and it’s a matter of one, two, three before muffled screams and groans replace the gunfire.
Arching your back against the ruined stone, you allow your head to tip back, watching the ceiling thoughtfully. You wait till gunfire completely cuts out before moving. Then, you stride from behind the column studying the effects with a mix of cold detachment.
Your own nose and lungs ache uncomfortably—just a show of how potent the formula really is—but you don’t take your attention away from the dying soldiers. They’re more of a heap at this point, their gas masks that they no doubt were so sure would keep them safe now virtually useless.
It’s a quick but brutal affair.
Wet sounds and sobs of pain. Then, like dominoes falling, the men still one by one.
They might be only obeying orders, but they came to kill the only family you have and take your home, and you find yourself feeling little to no pity for them.
The haze is gone now, leaving the lobby even more chillingly silent than earlier.
Lucien is nowhere in sight.
You would have preferred if the poison got him but didn’t hold out much hope that it would. He’s too good and far too fast.
I’ll be waiting for you.
He will grow to regret those words.
Stepping over the bodies, you approach the spot you saw the blonde last, heading in the direction of the only corridor he could have gone down.
Glock aimed ahead, your movements are utterly silent, deadly. No matter how deep into the hotel you head, he seems to be nowhere in sight, however. This time, clearly, he wants you to look for him.
Corridor by corridor you find nothing. Then floor by floor. You know this hotel far better than Lucien does. If he really assumes he can hide from you here he’s sorely mistaken.
Gunfire rips through the air and you pause, tightening your grip on the pistol. Little by little, you decrease the distance just as a hush falls up ahead.
John’s dark hair is what you glimpse first and instinctively relax seeing that it’s him.
“John.”
The man turns towards the call of his name, and you squint at him, approaching cautiously. “Why are you wet?”
John breaths are laboured, rattling from his lungs in shallow pants, making his chest expand with each inhale. “Zero’s men.”
“The Male Lover found me too,” you tell him and you both fall into step. “Missed out on the poison party, unfortunately.”
The man at your side glances you over once—a completely wordless but attentive examination—and you huff a small breath, amused.
“I’m fine.”
You’ve forgotten how much of a mother hen he could be without saying a single word.
At least you’re a little calmer now after your previous display of explosive fury.
He seems to accept your words, and you both step into the elevator for what feels like the hundredth time in a span of only several hours.
You know what logic John is following though. Both Lucien and Zero have likely hidden up on the higher levels for two reasons.
More places to hide.
And they’re less likely to encounter any poison on the higher floors.
Leaning your shoulder heavily against the cool metal, you peer at the man only arm’s length away. Baba Yaga stands with his shoulders slumped and expression enervated. Yet he’s standing despite that. His gaze still burns with a fierce sort of determination.  
That might have been one of the first things you’ve fallen in love with—that determination and will. Followed by his often unspoken kindness.
What won’t you give for things to be different.
Going up the floors proves to be the right of course action the moment the elevator stops.
John throws himself against one side of the metal cubicle, and you do the same when a bullet whistles through the partition, piercing the metal where John’s head just was.
Pushing your hand out, you fire blindly, hearing shuffling in response, and use the distraction to peek your head over the edge. John does the exact same thing and you both fire simultaneously, hitting two men. John in the head. You in the chest. Neither moves.
Shoulders hunched and tense, you move in unison, and you conclude instantaneously that this is clearly a trap to draw you in deeper. Laying a path for you to follow until the trap springs shut.
Eyeing each other, you both move ahead despite that shared conclusion.
It doesn’t matter much now. You may only have the single magazine, and one vial of paralyser left on you after butchering your way through an entire hoard of soldiers, but it won’t matter.
There is a nagging thought at the back of your mind that you should ask about Charon but now isn’t the time for that, either. The concierge is likely back with Winston by now.  
There is a ruthless strategy to how you remove Zero’s men. One by one, shoulder to shoulder, and know that these men are afraid. That they know deep in their heart of hearts that they won’t survive the fight before it even begins but they still try. They’re strong and fast. A legacy of hard training and cruel discipline no doubt. But John is stronger and you are faster.
In many ways, they remind you of those soldiers from years ago who ambushed you in that freezing Tokyo alleyway.
Your bullets run out by the time you return to the administrative lounge. All you have on you now are two blades, paralyser, and Elder’s dagger, tucked away and out of sight. Both blades have been christened with blood two floors ago, and John is down to his bare hands.
It would put most at a disadvantage but not him. If anything, his ruthlessness only seems to grow.
But something is different this time.
Three main differences, really.
First, a jovial whistle of Mr Sandman floating through the air.
Second, three dead men that you recognise as Zero’s and finally

Lucien leans again a glass case housing an old relic, his hands covered in blood and the tip of his blade scratching at his nail. There’s at least a few dozen of these glass cases littering the room, an old passion of Winston’s, and quite the point of pride for him. Some artifacts locked away here are worth a lot of money. Frowning deeply, you stall, drilling holes into his figure.
Lucien knows you’re here but doesn’t acknowledge you right away. He continues humming, seemingly set on finishing the tune before his head dips lazily in your direction.
“Run along, Mr Wick,” he says bluntly, his face splattered with blood. “This is between me and the viper.”
The man beside you makes a small sound at the back of his throat, near disbelieving, but you cut him off before he can speak, still staring at Lucien, “Go, John,” you say calmly. “He’s right. We have unfinished business, as do you.”
John’s stare burns into the side of your head but you don’t explain further than that. This is not his fight. You’re no longer in need of his shadow and in need of his protection.
Still, he doesn’t move right away, and you hear him audibly inhale as if he needs to say something but can’t force the words out.
You’re about to repeat yourself but he finally steps to the side, taking a path around Lucien and the dead guards. His gait is slow. He’s practically staggering because you can sense his reluctance but the fact that he listens does make you feel a tinge of satisfaction.
A part of you wants to look towards him as he disappears down the hall but you don’t.  
Lucien peers at you with a strange little smile on his face all the while, waiting till John’s footsteps fully retreat until his limbs shift. He’s still smiling faintly but you’re in no urge to finish this, so you’re fine with letting him play his games, waiting and watching.
“Had your fun?” you wonder, bored, gesturing towards the dead men at his feet.
Lucien cranes his neck, pushing away from the glass with a swiftness that makes you tense. He chuckles at your reaction, stepping over them like they’re nothing more than dirt under his boot.
“Oh, that was just a little warm-up,” he says brightly that faint, unsettling smile still lingering, and you can’t help but wonder what his deal is. He seems awfully cheery. It makes for a strange contrast to your last few run-ins. And his previous words, implying his own looming demise. “You kept me waiting. Don’t tell me you’re getting slow.”
Smiling, you too move in his direction, limbs relaxed, a peaceful hush over your body. “Are you hoping to talk me to death?”
“Now, now,” he mutters icily. “No need to be quite so rude. I just want a dance.”
Your smile splits into something bleaker, more cold-blooded, and you circle each other. Pale blue light dances across Lucien’s sharp features. A snap of jaws, a growl—there is something animalistic about the wordless exchange between you. Something brittle, a string being yanked upon repeatedly until one of you finally gives in.
Lucien leaps first.
Your knives are short, certainly not created for duelling but the clank of metal pierces the air as you both meet in the middle. Your exhausted muscles snap, tensing, coiling.
He swipes his elbow in your direction but you duck just in time, a whistle of wind tickling your temple.
Arms twisting, you both ignore the screech of metal, you punching him in the jaw while he gets you in the ribs. Gasping, you stagger back, ignoring the numbing pain. Time has dulled the memory of how hard he manages to hit if the hits land.
Lucien springs towards you again, his face contorted, lips stretched back. This time your arms are tucked at your sides and you greet his attack. Your knees knock but you manage to push him back. A swipe of your blade is your reply but he careens out of the way and you kick at him instead. He catches your knee, staggering back from the impact, and he grins at you wildly. A slight cut against the corner of his mouth bubbles up, spilling blood over his front teeth. It paints the white bone canvas with diluted scarlet.
“You didn’t answer my question earlier,” he says conversationally, and you try to sink your knife into his chest but he shoves you back. You stumble but stay upright, exhaling shakily at the pain across your ribs. “If he missed you.”
Ignoring him, you roll the blades between your fingers, drooping lower as you unleash one quick swipe after another.
Lucien lurches backwards, his expression tightening in concentration. He manages to stay out of the way, just barely. So you push him backwards till you’re back by the bodies, and the man drops to the floor so suddenly you’re left staring at empty air until your mind catches up.
He rolls across the floor, a blur of his golden hair and dark clothes the only visible thing, and you realise a second too late as to why.
A blade lays by one of the dead men covered in blood as well. You have no idea how he managed to take down three men with a minimum of two katanas at their disposal. But there’s no time to contemplate that because this time you’re the one throwing yourself backwards.
Lucien swipes the katana in a deadly arc.
His hair mused, face bloodied and a grin on his face, he gazes at you for a second. Your grip on your blades constricts.
“I wondered for years what was so special about you,” he reveals mildly, tipping his chin upwards, pulling the blade closer towards his body as he stands. “I fucking hated you, viper. Viper. I suppose that’s one of many titles for you, isn’t it? John Wick’s protege, the Vipress, the Italian’s whore, the Russian’s Viper, Lady Camorra. Honestly doesn’t your head
hurt from it all? Or does it add to your ego?”  
He spins the katana in the air, rolling his wrist—experienced and at ease, the blade like an extension of his arm. Your senses pinprick at that assessment, knowing he just made this much harder for you.
“Did the way he used to call you his desert viper make you feel powerful?” he wonders suddenly, tracing his index finger up the curve of the metal. “Gave you a sense of importance? It must have felt thrilling to be such an exception to the most powerful man in the world.”
Something inside your chest stills.
Lucien drags his eyes in your direction, watching you closely over the edge of the blade.
“My, you really do have no idea, do you?” he continues slyly, his expression slackening with amusement; malicious, wild kind that causes you to bristle. “None. Your life is, ah, what is the expression again? A hot mess, non? Oh, snakey, I thought you could be the one to teach me a lesson I failed to learn all those years ago, but your ignorance is truly disappointing.”
He cuts the air with the blade, lowering it back to his side, and you bite out a chilly, “What the hell are you talking about?”
He tuts, wagging his index finger in your direction, his grin fluttering like he’s trying to contain a laugh bubbling inside his chest.
“I kept telling you but you just don’t listen, do you?” he wonders with a click of his tongue. “I told you we were the same. Forged by the same violence. Alike in ways you failed to understand. Now, why do you think I would say that?”
You don’t respond, instead, you push yourself backwards, launching your full mass at him. Lucien greets you with a chuckle—a cold, hollow sound, teetering on manic just like the rest of him—his katana managing to absorb the impact of your shorter dual blades.  
“Tokyo, Chicago, Prague, the Albanians, the summit, us—did you really think it was all, what exactly, one funny coincidence?” he asks jovially, and a distinct chill sinks into your bones at his words, forcing you to pull yourself backwards, and dive for the other blade on the ground.
He lets you. Doesn’t bother trying to stop you, and you grip the handle in a knuckle tight grip, creating some distance between you once more. Again, he lets you, examining you with a dark but curious light gleaming in his eyes. Like you’re a lab rat he’s conducting a study on. His question rattles through your head and you squint at him.  
“You never even questioned it, did you?” he continues, his voice airy with disbelief, a joke that seems to entertain him endlessly. He’s lost interest in the fight between you for a moment, prowling across the gleaming floor but in no hurry to attack. This, clearly is more important to him. “The water, the tunnels, the darkness. A repeating pattern. All carefully put together to test you. Over and over and over again. And you exceeded his every expectation. Every challenge thrown at you, you triumphed. And even if you did wonder at the back of your mind, you never once were made to believe that someone else was pulling the strings all along. Think, snake. Think.”
You’re not sure if you’re still breathing.
What

No

No, it doesn’t

It’s not possible. It
can’t

Your head is empty and you gasp for breath but your lungs feel blocked, your throat locked.
Lucien attacks in a blur.
You just barely manage to muster up the speed to block him, a piercing screech of metal against metal. Your arms buckle under his strength and he kicks you, catching you in the gut. One, two—
A muffled curse slips free, everything spinning, and he grabs the spare blade in your hand, throwing it away.
Parrying for control, you attempt a punch at his head but it’s too slow and sloppy. He catches your fist, bending your arm at a sharp angle. You relax it as per your old training to avoid broken tendons or bones. The katana slips from your hand and you growl under your breath, your free hand managing to form a fist.
A punch to his gut hits him quicker than a snake bite. Brutally efficient, impacting the exact same spot you gutted him only weeks prior.
Lucien grunts. Swears. His teeth gleam, still tinged by blood and you feel his hot breath on your face. Death and decay and—
You’re too misbalanced that you don’t notice it fast enough.
Lucien kicks you in the stomach with enough strength to send you flying.
A second of weightlessness enfolds you and then comes the crash.
Glass shatters upon contact and you muffle a cry of pain, feeling glass explode and rain down around you. Hitting the floor with a deafening thud, you stay there for a while, everything ringing and blurred around you.
A feeble moan escapes you, pained and strangled.
You attempt to shake your head, your fingers twitching against the glass covered floor.
“Tokyo was just the beginning,” Lucien’s muffled voice sounds like you’re underwater and you groan, weakly tilting your head to spot his approaching legs. Glass crunches under his boots and you try to desperately block out his words. “He’s always been on the lookout for new members to join his inner circle. Best of the best. And he’s always paid close attention to poisoners like you. Tokyo was just a nudge to see what you were made of. But you didn’t break and it escalated too far. Do you know what the Elder did after you escaped? Why you never heard from Kishi’s little group again? It wasn’t because of Wick. It was because the Elder had the entire clan killed. Just that easily. Because they disobeyed him.”
“No, no
”
It can’t be true.
It can’t.
He has to be lying. It doesn’t make any sense

Except
it does.
“Did you never ask yourself why Tarasov didn’t simply turn you into another whore or sell you?” he demands harshly. “Later, I imagine, it was a certain degree of fear of you. But initially, it was because of the Elder’s will. Even if all Viggo Tarasov knew back then was that the Table willed it so.”
You focus on your core, trying to get yourself to move but Lucien speeds up his approach, kicking you in the stomach.
Pain blinds you and you roll across the floor. Your forehead connects with the glass, your left eyebrow splitting on impact. You don’t realise it at first—not till numbness is replaced by a sensation of something wet trailing down your face.
Droplets of fresh blood hit the crushed glass beneath you, and you crawl ahead with a pained gasp.
“Next—and my personal favourite—Chicago,” Lucien narrates loudly, his voice echoing through the large space. You hear him behind you but utter shock wins out, locking your limbs, leaving you a frail mess on the ground for him to prey upon. A part of you wants to roar, another wants to cry. Your training battles against the yawning abyss you keep slipping down with each horrifying word. “Who do you think fed the father-son wonder duo their information? Why do you think you were taken to an underground facility that was spitting image of Tokyo? Why not just kill you and D’Antonio outright? Boutin thought he was getting a special task but the truth was that he had long since outlived his use. The Elder fed both Boutin and his son to you to see what you would do. Black Dragon and D’Antonio were just pawns to hide the real test.”
The highway. The way they just kept attacking but not trying to kill you. It was to see how long you will last.
You want to be sick, a dry heave bubbling past your lips, every word crushing you harder, harder, harder—
“And, once again, you did perfectly but not without a loose end,” he sneers, venturing closer, step by step, as is savouring your reaction. “He also knew that the fear of being found out will make you more compliant. Wasn’t it peculiar that he summoned you right after you returned to New York? It’s almost like he
knew. Well, he did. He always has.”
Biting your tongue, you try to push yourself up on your elbows.
Ignore him, don’t listen, don’t—
“Prague. Again. Poison that made you struggle,” he reveals, his voice pitching towards impatience now. “The syndicate that took your Italian had no prior conflicts with Camorra and for a reason. Another test and punishment. More pieces for you to remove.”
Santino was taken for no reason. Right after your return from the desert. Cognitionis had no former alterations with Camorra up until that point. They were far too small to ever risk the wrath of a powerhouse like Camorra. They hadn’t even made demands which struck you as so odd back then but you had chalked it up to them wanting to prove a point.
A poison the heir was poisoned with was sophisticated and took some time to reverse-engineer. So long, in fact, that Santino nearly died.  
“Albanians. Same thing,” Lucien voices harshly, punctuating every word. He’s gotten so close that when the second kick comes the pain is distant, muted. Because what he’s betraying is so, so much worse. “It wasn’t Camorra that started the conflict. It was made to seem that way. Tarasov was cautioned to keep a close eye on you. To a point he forbade you from helping Camorra, right? And what did you do after that, snakey?” he demands, bending down and yanking you upwards by the back of your neck.
He pulls you towards him and more blood trails down your face. Lucien’s narrowed eyes search for something in your expression, and he smiles faintly when he spots it. “That’s right. It’s all starting to click, isn’t it?”
Tarasov forbade you from helping Camorra, from helping Santino. It was the first time you ever talked back to him. First time you ever conjured up enough courage to do so.
And then, furious and upset, you ran. Straight to Casablanca. And nearly back to the man who always expected—knew, he fucking knew, planned for it—for you to come back to him.
It’s what he wanted from the start and it would have been your choice.
No forced loyalty.
You will always lose, and it will always lead you back to me.
Oh God.
If Santino had come just half a day later you won’t even be here right now. You would be with him, at his side, and none the wiser to this truth.
The terrible, dark truth of what loneliness can do to someone.
“I even told you it was him,” the man holding you whispers, his head dipping to one side when he drags his fingers over your face, wetting them with your blood. “You just don’t remember, do you?”
His disappointment is once again palpable.  
Except while you’re staring at the cutting lines of his face, a recollection does come.
The warehouse. You tied to a chair. A needle stuck in your neck as Lucien leaned his body over you. The scathing bewilderment at the fact that he has managed to find something powerful enough to knock you out for hours. Those thin, pink lips shaping words while whatever he injected you with coursed through your veins, and a name you didn’t catch.
The Elder sends his regards.
Lucien’s fingers sink deep into the skin of your neck, his expression clouding with rage the longer he gazes at you.
“You were his favourite,” he seethes bitterly, ripping you upwards and on your knees so quickly you’re left scrambling. Your legs drag across the glass shards and your hands lock shakily around his, trying to rip out of his grip. “No one after you was good enough! We trained until our bones broke. We could bleed ourselves dry, and it still wasn’t enough!”
ShĂłdigan.
That’s why he asked if you knew about it.
You thought you did but—
He flings you ahead and your body slides across the gleaming flooring, leaving a trail of blood behind. Lucien follows, stalking closer, and squats beside you, this time yanking you upwards by the collar of your shirt. “He adored you,” he adds with a hiss, his fury scalding your skin; an old, festering resentment. “And now you’re paying the price for that adoration.”
He exhales with great difficulty, taking several moments to reign in his temper.
Now, you understand his obsession with you perfectly.
He is like you.
He was a candidate too.
He must have been.
Another face in a long line of candidates for the coveted disciple position.
This time when Lucien speaks, his voice sounds contemplative, “Though I suppose you should thank him too,” he states forcefully light. “One day you will be remembered as a legend, just like your Baba Yaga. He helped to forge you into what you are today.”
You’re too numb to feel anything else.
There is just a hushed sort of silence ringing through your head.
Undeterred by your lack of response, Lucien goes on, wiping at the blood on his face, “You know there is an old French saying: qui se resemble, s'assemble. Can you guess what it means?” he doesn’t wait for your answer this time, either. “Every man loves well what is like to himself. You are each other’s dark mirror. His counterpart.”
He giggles this time, grabbing your face, his fingers cutting into the flesh of your cheeks, and for the first time since he started his speech, something sparks in your gut.
Shock or not, your body is failing to respond but you battle against it, silencing your mind.
Hurt and betrayal slam like an overloading flood against your composure despite your best attempts to stay afloat.
You’re such a fool.
Such a lonely, naive fool.
So desperate to believe.
Hope.
Just like he was.
Lucien is right.
You and Elder are two broken halves of a mangled whole.
The same man you once saw as a chance for redemption, belonging, is the architect of the majority of the pain in your life.
One day, if you still wish it, I will tell you everything.
Everything. This is what he had meant by everything.
He ordered Winston’s death not because the manager broke the rules but because he wanted to remove your main tie to New York—the very tie that made you choose to leave him in the first place.
And John would have been the one to fire the bullet.  
You would have hated him for the rest of your days for taking the manager away from you.
Santino is still weak and so very easy for the Elder to dispose of right now.
The Lovers. Their mission to hunt you both down.
Another test for you, another tie cut if they succeed in killing Santino.
And you would have crawled to him on your hands and knees, hoping for his kindness once again. Heartbroken and alone with no one to turn to.
He would have won and you would have made it easy for him.
So very easy.
Lucien drinks in your tiny, wet breaths and glassy stare. Blood continues dripping from the cut against your eyebrow and you shiver in his hold.
A tear trails down your cheek and you can’t process a single thought. It’s too much, it’s
  
“He always feared you would find out,” this time his voice is softer, emptier, and the hollows that make up his eyes examine you shrewdly. “But it’s a fitting punishment. To care for someone so deeply, to desire them, only to live with the burden of knowing that you are the reason for their suffering.”
His fingers tremble, sunken deep into your cheeks, and another off-tilter laugh tickles from the back of his throat.
“I really did hate you, your shadow, for years. Until those tunnels,” he murmurs, his faint accent just a little more notable then, his grip easing, loosening. “Until I saw how much darkness lurks under that mask of calm. How much hate festers inside you but directed at the wrong people. I told you we were one and the same. You should have listened.”
He shakes his head, blonde strands brushing over his forehead, his mouth stretching into another beaming smile, all teeth.
Lucien lets you go and you drop the ground like a puppet with its strings cut.
That’s all you are—comes the sinking, gutting realisation—a puppet for others to use and play with.
“He will kill me for what I’ve done to you,” Lucien announces, sounding like he’s made peace with that grim fact long ago. “But you know it’s funny, snakey. I always thought I would enjoy this more. Getting back at them by betraying his secrets. Seeing that realisation on your face. That crumbling hope and despair as your world unravels and crashes around you,” he says softly, near lovingly.
It must have taken him years to gain this level of trust, to learn this information.
You don’t move a muscle. All you can see are Lucien’s legs but you can feel him staring down at you.
The blonde tsks under his breath, nudging you with the tip of his boot but you don’t react. “You want to deny it, I know you do,” he begins purposely, and you suppose he would know, won’t he? “But you can’t. Because I bet every single thing that’s never made sense about your life before now suddenly does. Am I right, snakey?”
Your fingers tremble and you press them closer to your body.
“Looking at you now, I almost pity you,” he muses and there is a distinct note of uncomfortable surprise in his low voice. It almost makes you ponder just how large the line between this lucid Lucien and his insanity really is. “You’re just a little tragedy, aren’t you?” he adds thoughtfully.
Little tragedy. Little tragedy. Little tragedy.
It echoes.
You wonder, then, what you would have become had you been allowed to stay a girl. If you didn’t have to become a monster. Even though the monster kept you alive, kept you breathing and fighting.
What would you have become if you hadn’t been robbed of a future you could have had?
“Your life is not your own, it never was.”
Deafening, hollow silence follows that statement. Your heart thuds so painfully inside your chest, a part of you waits for it to stop on its own.  
Lucien’s boot settles against your waist again, pushing you onto your back.  
You stare up at the ceiling above you and count the beats of your heart.
The assassin straddles you unhurriedly as if expecting you to fight back but all you do is blink slowly.
Everything is rushing through your head right now. Every moment over the last seven years.
His fingers brush over the curve of your neck and he stares down at you with an almost rueful expression on his face.
“What a waste,” he starts tightly, followed by a long pause and he mutters something in French under his breath. His fingers settle around your throat—not squeezing, simply gazing down at you. “I knew it would crush you. But I hoped for that rage. For the abyss. For you to show me once and for all what I lacked that you had. Your lesson.”
So that’s what that was about.
“We might have been friends had we met sooner, serpent girl.”
His fingers constrict—
“My—”
Your voice cracks and Lucien’s grip relaxes instantly. The thin line of his eyebrows knits in confusion. “Quoi?”
Gulping a painful breath, you part your lips, “My
lesson,” you croak out, tasting blood on your tongue and how fitting that you should. “My lesson
I have the answer.”
A certain light devours his gaze, and although his features drop with surprise, his eagerness is tangible.
He leans closer, and over you, his fingers still around your throat, “Tell me.”
Your tongue feels heavy and dry inside your mouth, an acrid aftertaste coating it, and Lucien jerks his fingers harder around the fragile column. He presses closer, his body weight pinning you down—
You jerk your body, a blur of your arm, a gleam of a dagger in the artificial, cold light. The Elder’s dagger in your hand trembles but gushing scarlet coats it still.
“I’m faster.”
Lucien gapes, his mouth parted. He convulses, his grip on your neck slipping, and you lurch your hips upwards, throwing him off you.
He drops to the side, right beside you, unmoving but the heat of his body still warming you—and you clutch the dagger tighter between your blood-stained fingers. You press it to your chest and lay there till time becomes nothing.  
BC4 BC5.
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Years ago when you escaped to Casablanca, eager to start your life over and join the Elder once again, Sofia told you something that has stuck with you ever since.
Sometimes you have to kill what you love.
You’ve thought about that a lot over the years. What exactly she had to sacrifice to have the power she now possesses—her daughter, flesh and blood, and good.
What you may have to sacrifice one day to earn your freedom.
Now, you suppose, none of that matters anymore.
Not really.
You’ve almost won your pyrrhic victory, Kishi purrs happily at your side, and you hear the subdued rumble of Tarasov’s laugh too, soon you can savour the rotting, sweet taste of it on your tongue.
The rooftop terrace door slams open, and you step onto the patio, halting the heated conversation with your arrival. There is an unsteady sway to your limbs that doesn’t escape anyone’s attention—John’s shoulder’s slump, Winston’s eyes narrow, the Adjudicator simply arches an eyebrow—but your expression remains steely.
The fire roars behind Winston and Charon—and it is, admittedly, a massive relief to see them both safe and unharmed—even if it makes you think how close you came

No.
None of that now.
You’ve lived through worse (have you? liar, liar, liar, Kishi coos) and you give them a forced, fragmented smile.
“Mornin’.”
The Adjudicator grimaces subtly, and you know it’s likely because your injuries leave your smile bloody. Good.
“The Vipress,” the Adjudicator greets, standing to their feet. “I must express my apologies on behalf of the High Table. It does, indeed, seem like the general order in regards to you has...changed.”
They don’t look particularly happy to admit that but this is no time to goad, if you even could muster up the strength for it.
Instead, you stare blankly in their direction for a beat. “Excuse me,” you say, your voice a grating whisper, as you push past them. “Killing your lackies has made me thirsty.”
You shoulder past them, avoiding contact, your eyes momentarily jumping to Winston who stands right behind the Adjudicator, his stare cautious. Your eye contact lasts no more than a scant few seconds but it’s enough.
It’s a split second in which you grab a glass of champagne, ignoring the other snacks on the table.
You turn to face them, finding them all in differing states of confusion or uncertainty but offer no explanation as you drown three large gulps.
“Let’s get on with it, then,” you phrase bitingly, not bothering to hide the impatience, the sting of bubbling acid and, and
 “I would like to have breakfast and take a shower. It exhausts a girl, having to take down armies. Hope you can appreciate that at least most of mine are in one piece. Less blood for you to wipe,” you comment idly, directing your words at the Adjudicator.
Coldness lurks in their regard, and you can tell that their opinion of you is less than savoury.
You don’t give a shit what they might think of you.
Every word slips past your lips on automatic; mindless, void syllables that feel drained of life. It’s an effort to register anything around you.
The blood, the champagne, the bubbles tickling your nose.
“While you have been pardoned of your crimes,” the Adjudicator resumes smoothly, clearly eager to get the conversation back on track and out of the way. “I’m afraid no such thing has happened with Mr Wick. A man who has shown no loyalty, no regard for the rules. It is by that logic the Table’s decrees that the punishment should fit the crime.”
Winston hums loudly, his head tilting as he nods in absentminded agreement.
You take another sip of your drink, frowning at the taste of blood in your mouth. Fitting, somehow.
You might have scrubbed yourself clean of blood before coming up here but it still stains the cracks of your skin. Cuticles stained with red, mouth stained with red.
Red, red, red

John straightens at those words. He looks beat from his own fight but remains quiet. Yet, he can no doubt sense that something’s wrong.
“You’re correct,” Winston states, no affliction to be found in his voice and he steps closer, pulling something from behind his jacket. “Sorry, Jonathan.”
BANG
The gunshot is like a thunderclap through the too still morning.
John’s body jerks with the impact, a gasp sounding a second later, and you look at him while Winston steps closer.
BANG
John scrambles backwards, his bulletproof clothing absorbing the impacts but it won’t get him far.
“(Name)!” he calls out desperately, pained, his eyes seeking your form out, his voice cracking and splintering.
You can’t help and wonder if he’s scared. He sounds scared. There is something ironic—downright hilarious—in the knowledge that he’s facing death yet calling out your name like it may prove to be a salvation.  
It’s the first time since you asked him not to use your real name that he uses it. But you don’t move. Don’t respond to the plea for help. Mercy.
You just stare at him, indifferent and cold, knowing that even if you tried you couldn’t muster up any emotional response right now.
Winston fires again, and again, and John veers towards the building edge, his knees shaking.
The manager’s expression remains vacant, cold, and he shoots again, no hesitation in his aim. Not a single falter. It’s one of the most well carried out executions you’ve ever witnessed.  
John’s back hits the ledge and you watch in near slow motion as he tips over the edge falling at least twenty floors down and towards the concrete below.
You hear the metallic bangs as he hits a few fire escapes on his way down but still don’t move.
Then, impact so loud it splits the air.
Then, stillness.
The typical buzz of New York City waking up resumes. Time restarts and goes back to its natural flow once again.
Throwing your glass back, you drown the remainder of the champagne, licking your lips twice, yet blood still lingers.
Winston lowers his arm, approaching the edge but the Adjudicator gets there first. Charon is only a step behind them, and you force yourself to move after them as well.
The Adjudicator gazes down for a long, assessing moment, silent. Their head turns towards the manager who meets their probing stare flatly.
“I assume we’re done here?” he questions.
The Adjudicator inclines their head and, predictably, switches their attention to you. “You did not help him.”
A fact, not a question, yet it demands an explanation all the same. Your tongue moves on automatic, forming words that taste brittle.
Everything feels brittle.
“Why would I?” you wonder dully. “He betrayed me not so long ago, and nearly killed the majority of my friends less than a week ago. I learned my lesson.”
Chuckling, you turn your back to them, walking away leisurely. The glass clangs back onto the coffee table, a shriek of a sound. “I have served. I will be of service,” you echo the mantra pleasantly, faint with scorn.
Every word bleeds venom through your heart.
You don’t face them again, and no one stops you. The terrace doors slam shut behind you, and it’s a deafening bang that reverberates. You force yourself to put one foot in front of another. Keep walking, keep walking, keep—
It’s a blur, your feet dragging behind you. You’ve stopped bleeding but still have to halt at one point, leaning your palm against the corridor wall to rest.
You’re teetering and—
Your life is not your own, it never was.  
Your room sits untouched. The door opens with a click that’s like a kiss against your hair—so soothing and loving, comforting in ways that you could never quite explain.
The table is still an organised mess; notes half-unfinished, empty vials, dried ingredients—all littering the wooden surface, and you approach it slowly.
Exactly as you left it before you departed for Rome.
It seems like a lifetime ago now.
Everything is the same here, frozen in time.
Except nothing is the same.
Your fingertips trace over your notebook; a new formula, a collection of improvements on old ideas, scribbles that don’t make much sense to anyone but you.  
Your legacy. Your work.
This room is a testament to who you are. What you have become.
A tragedy.
Not a legend, or a fighter, just a tragedy of a girl.
A sound escapes you at that, strangely wounded, and you lean the heels of your palms against the table edge, your vision blurring.
Tragedy, tragedy, tragedy.
A puppet stitched together by different hands, influenced by different people.
You’re a product of someone else.
Every victory from your past sours and cracks with that realisation. You must have made him so proud.
You hate this room, this table, these plants, yourself.
This time a scream rips from the back of your throat. A brutal sweep of your hands wipes the table clean, everything plummeting to the floor with a booming crash.
You destroy everything in your path. Glass explodes, paper rips, liquids spills. You’re panting, sweating, and shaking by the time you come back to yourself. The floor is a mess, the whole room is.
A glint catches your notice when you spin on your heels, and your head snaps to the floor-length mirror across the room.
You don’t recognise anything about the bloodied, tear-stained, wild reflection that glares back at you. A monster is all that stands there. Alone and devoid of everything.
Distance evaporates between you, and you slam the hilt of the only weapon you still have left into the glass. The Elder’s dagger shatters the mirror upon contact. Cracks fracture your face before the mess crashes at your feet with another ear-splitting echo.
That uses the last tendril of strength left in your body—perhaps your very soul.
Your knees fold under you—and it’s almost soft, your crumbling.
Weightless and empty you settle on the floor.
Tears stream down your cheeks, hitting the crushed glass in front of you but you don’t wipe them away, don’t make a single sound. You can’t.
Your forehead lowers between your knees, your hushed sobs the only noise permeating through the peaceful room.
You don't get back up.
B4.
. . .
AN: 
well. 
now you know. 
not sure how many of you are even around to read this but a fun game to play now that you're done:
- reread COA from start to finish, noting every use of "honoured guest" in relation to V spoken by her enemies throughout the years, even the elder himself.  
452 notes · View notes
iheartbookbran · 3 years ago
Text
Ok so actually my biggest problem with the whole “Daenerys will burn KL” theory—not even the Mad Queen Dany theory, which is of course very sexist for obvious reasons, but just like, the idea that Dany will ~accidentally~ ignite the wildfire in the city, burning it all to the ground. That, at first, doesn’t sound that bad, but the longer I think about it the more I hate it because tbh it doesn’t do anything for her character? And also
 that fate for her is just down right cruel.
Like, the most frequent argument I see on why this would be at all satisfactory for Dany’s arc is basically that it would be a sort of lesson for her about the dangers of unchecked power and the real threat the Dragons can pose on humans and that she shouldn’t use them to fight against other people. And that’s all well and good, excellent message
 except that’s not something Dany’s ever really needed to learn? Not anymore that her fellow rulers, which I will touch on more detail later, but in general Dany has seen what the abuse of power can do. Starting with her conflicting feelings regarding Viserys and how she recognizes that even though he was her brother and she loved him, he also abused his power over her as her older brother, her only family and her king; she feels guilt about the atrocities Drogo committed to the lhazarene and tries to help them; she feels so much guilt about not handling things correctly in Astapor that she decides to throw away all her plans to go to Westeros and instead stays in Meereen.
And about not knowing the true danger that her dragons can pose? I mean, this is the same girl that literally agonizes across several of her ADWD chapters because Drogon killed a child, and then takes the extreme measure of caging Rhaegal and Viserion to prevent that from ever happening again. I think she’s at least a little bit aware that the dragons can be dangerous, thank you very much.
Ok so this got long...
Anyways, the only time Dany legit uses Drogon to harm someone and not just as bluff was at the house of the Undying, where she was being attacked, and in Astapor
 and like, lmao, that asshole Kraznys mo Nakloz and the rest of his slaver buddies deserved it. Don’t at me. Also, Dany’s hardly the only one with a big magical and deadly beast at her disposal, why didn’t Robb had to go through some horrifying traumatic incident to learn he shouldn’t use Grey Wind in battle to tear his enemies’ throats. Bran will be learning about the dangers of abusing power, but that’s linked to his magic powers and an actual reprehensible thing he’s doing, not the use of his glorified prehistoric dog to kill, which he’s done, just like Robb. By all means let the narrative hold Dany accountable for her mistakes
 but her actual mistakes and not shit she has no control over, because she doesn’t have much control over Drogon or the other dragons even though she’s trying to, and that’s very obvious in her last ADWD chapter where she’s delirious and Drogon could kill her at any moment, and she knows that.
The other big argument people make for Dany burning KL (even if it’s by accident!) is that it will teach her about the price of war, that someone as young as her shouldn’t be leading armies and conquering kingdoms, and that fighting for the Iron Throne is not a worthy cause, and I feel like that misses the actual point of her story by a mile. First of all because a) Dany is hardly the only teenage ruler in the story and b) this is a fantasy medieval story, a lot of the characters shouldn’t be doing the things they do, aaaand yet. Also speaking of other teenage rulers with far more power that they should have—Robb and Jon, being the biggest examples.
Granted, Robb and Jon aren’t exactly successful during their time as rulers, they’re literally betrayed and killed by their own men (even if Jon will technically come back for round 2 of bullshit he’s too tired for). But the moral of their stories is not that they lost because theirs was an unworthy cause and they were stupid kids wholly unprepared for their roles. And I actually partially agree! They are just kids, including Dany, and they shouldn’t be responsible for looking after so many others and going to battle, but their cause is still just and worthy, even with all the mistakes they make along the way. Robb didn’t loose because he was wrong in demanding justice for his family or trying to protect the riverlands from the Lannisters and their minions, he lost because Tywin Lannister was a giant coward who couldn’t take him out in a fair fight.
Likewise, it isn’t wrong of Jon to try to incorporate refugees from beyond the Wall into Westeros. He’s not too stupid and honorable to do politics like his father (how I hate when people insult Jon and Ned like that), and while he did some very obvious mistakes that inevitably ended in a coup and in him dying, this is more connected to his inability to let go of his ties with his family (mainly Arya or who he believes to be her), and in isolating himself from his friends and the people he could actually trust.
I’ve always thought that Dany and Jon share a parallel narrative within the story, so while Jon is struggling with that Dany is faced with similar problems. She cages her dragons, that to her represent the only family she has left, and she tries to compromise with the slavers, marry a man she doesn’t love, pretend she’s ok with reopening the fighting pit. While she tries her best to rule wisely in Meereen, it all comes at the cost of betraying herself and her beliefs, so it’s no surprise when it all crashes around her and she’s betrayed and nearly killed. Ironically, it is Drogon who comes to rescue her.
If they are monsters, so am I.—Daenerys II, ADWD.
This is hands down one of my favorite Dany quotes from the whole series, and I hate that it’s been given such a negative connotation in the fandom, when for me it represents Dany’s humanity and compassion at the fullest.
GRRM has a knack for humanizing the ‘monsters’ of his story, for showing the good in the outcasts and the ugly and the scary. He embraces their ‘otherness’ and makes them the heroes of his stories; Arya, Bran, Brienne, Dany, Tyrion, Jon, Theon and many others are all compared to monsters or beasts at one point or another in the books.
Dany sees herself in her dragons, literal monsters in every sense of the word. Later on she faces Drogon inside the pit, and in that moment you could say that she accepts that ‘monstrous’ part of her, and in doing so she’s saved from her fate of dying at the hands of the men who would crucify innocent children and gleefully profit off of the suffering of their fellow human beings while watching them fight each other to the death for their own amusement. Now tell me who’s the real monster in this situation.
But shortly before that happens, Dany is able to see the humanity in Tyrion, an outcast who has been branded as monstrous and unlovable due to his disability all his life, a man who has come to believe in his abusers’ rhetoric about him so strongly that he’s started to act cruel and detached. She saves his life. She sees value in his life when few others would, because she cares.
I’ve always find it funny that the “dragons plant no trees” is—another—example fans use to argue in favor of Dany’s descent into Darknessℱ because the actual scene goes like this:
You are a queen, her bear said. In Westeros.
"It is such a long way," she complained. "I was tired, Jorah. I was weary of war. I wanted to rest, to laugh, to plant trees and see them grow. I am only a young girl."
No. You are the blood of the dragon. The whispering was growing fainter, as if Ser Jorah were falling farther behind. Dragons plant no trees. Remember that. Remember who you are, what you were made to be. Remember your words.—Daenerys X, ADWD.
Now am I the only one who finds it at least a bit relevant that it’s freaking Jorah Mormont aka Jorah the Enslaver whom Dany’s subconscious, at her literal lowest moment, utilizes to represent this particular thought, which btw I’ve always interpreted as Dany’s own self-loathing manifesting in her, and this is something she’s actually always struggled with—the idea that she’s not enough and she’s failing. Because above all things, even Westeros or the Iron Throne, what Dany wants is peace, she wants to plant trees.
When Dany made her descent, Reznak and Skahaz dropped to their knees. "Your Worship shines so brightly, you will blind every man who dares to look upon you," said Reznak. [
] This match will save our city, you will see."
"So we pray. I want to plant my olive trees and see them fruit." Does it matter that Hizdahr's kisses do not please me? Peace will please me. Am I a queen or just a woman?—Daenerys VII, ADWD.
But of course the world doesn’t work like that, and so long as there’s Jorahs and Tywins and Eurons out there, men who would take the freedom of humans and submit them to their will, Dany can’t have the luxury of peace, just like Jon can’t have the luxury of belonging and family so long as there’s people still beyond the Wall who need his protection.
And I think that’s fine. It’s fine that Dany failed, it will help her develop as a character and realize that there’s no room to compromise with slavers, the metaphorical monsters of the story who do far more harm than the other more literal ‘monsters’ of the story. So that when she has to face down Euron Greyjoy—who btw, there’s a high chance he will end up stealing one of Dany’s dragons via Victarion using Dragonbinder
 y’know, as in enslaving one of her children and using said dragon to inflict god knows what horrors, yet not many people ever consider this for some reason?—she will know. When she has to face down the Others, the magical ice fairies with no regard for human life, she will know.
That’s why I believe that it would make absolutely no sense for Dany to have to go through such a tragic and traumatic experience like burning a whole city even by pure accident, over something that’s either never been a problem with her character or she’s well into her way of learning anyways, so it would just feel repetitive. As I have pointed out, she’s already reached one of the lowest moments of her arc. Not saying there will be no other blows for her, and probably the destruction of KL will be one of them, and knowing Dany she will feel responsibility over it no matter what, but that doesn’t mean she has to be the culprit, intentional or otherwise.
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stramberryparadice · 4 years ago
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SHINGEKI NO KYOJIN #139 - THE IMPOSSIBLE FREEDOM ?
Here is the English translation of the post I wrote here in French.
I apologize in advance for my mistakes, I'm not good in English but I hope that will be understood.
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Shingeki no kyojin is finished. A leading manga of the 21st century has just ended in tears, blood, mourning, disappointment, frustration
 and love. So many emotions come to me when I read this final chapter, I needed to express them as clumsily as it is. I’m sure it’s going to get lost in the Internet, but whatever— it is necessary to remove both the joy and the frustration that I feel to pay tribute to Isayama who offered us a work as powerful as it is cursed.
As intense as it is uneven, as perfect as it is imperfect.. like his tragic hero Eren JĂ€ger, who shows us that men are so weak and pitiful in the face of time and the cruelty of the world. How much even if this hero possesses in his hands the power of a God. My analysis will surely be clumsy, I apologize. And I will not fail to point out at the end the bitterness felt on the final development of some characters including that of Misaka Ackerman.
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Eren like “CryBaby”
What a slap for the reader to witness such an emotional picture. Yes. Isayama reminds us to what extent Eren isn't a brave knight, not a charismatic hero, not the genocidal demon of this story but a child.. whose weight of Destiny is too heavy to bear. Scan 139 reminds us to what extent we have lost ourselves, just as Eren has in the way, forgetting the very essence of the story that has been told to us from the beginning. It’s not a story of geopolitical warfare, a biological parasite, titanic monsters, a northern deity, or a philosophical-esoteric trip. It's the story of a boy who wants to emancipate himself, to live for himself, tasted of the thirst for adventure, the tranquility of his loved ones but born in a cruel and alienating world that leaves room only for death, abuse of power, betrayal and despair .
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A journey where the child becomes an adult at the cost of his or her life. Learning the most painful lesson
 To be an adult is to renounce one’s dreams, to bend one’s knee in the face of the servitude of one’s mortal condition, to be content with one’s cage in order to enjoy the little that one can have at one’s disposal, to mourn those who may disappear from one’s life.
A young boy who dreamed only of freedom, surrounded by people who love him. A child whose inspirations, as impulsive, unreasonable and immature as they may be, will push him to his limits. A child who grew up too fast, who could not mourn his mother, aware of her physical and spiritual weakness, who was confronted with the violence of this world which reminded him of his condition of being insignificant, a pawn on the chessboard of the "Way".
A child whose powers worthy of a God then gives him the possibility to realize the unthinkable, almost the absolute fantasy of every Man : to shape a world in his image, to be as free as a bird flying above the clouds without reddish stain to touch the sky. Move forward, Move forward whatever the price
 move forward for an illusion of freedom, for an infantile obsession.
And by assuming the role of the wicked “demon” of tales so that the brave knights can free this world from the evil that eats it.
Lost between the present, the past, the future.. time no longer makes sense. Only finality counts, annihilating its titans whatever the price. They have to pay for his mother. They have to pay for his fallen comrades. They must pay for reminding us of our pitiful helplessness as human beings.
But the Demon also has a heart, remorse, feelings, there are people who attach him to this world. Therefore, what to choose?
Divine Freedom or Mortal Love? The impossible equation... Although Eren may have travelled the road in search of the answer, how can freedom and humanity be reconciled? Free your people and protect your loved ones, though imperfect?
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He will not find the answer— neither by searching the past of the goddess Ymir, not by consulting the other Titans carriers, not by creating the different alternative realities that led to the same observation
 only death can free the bird from its cage, only the death of Humanity is able to reconcile the sublime and the hideous. Or rather, a common enemy that will crystallize all their ills. But who would be crazy, brave enough to accept being the victime ?
Like a Christic figure, Eren will assume this role. But not without having to confide his last wishes, his last secrets that can no longer contain
 because yes, the demon is limited by his adult condition of 19 years. Yes.. the child has grown up. Recklessness, impulsiveness, daring in the face of death, the omnipotence of the child leaves room for a teenager who is now afraid of dying, who has succumbed to love, who doubts, who is aware of his weakness.
Eren has finally become a man...in pain. He finally accepts his feelings, his weakness in the face of death that awaits him.
He’s not a running child anymore. The plates are only explicit about this. The power of narration.. we come back to the fundamental of this history, which is human psychology. The feelings, the relationships that unite all people between them. Friends or enemies, men or women, child or adult, Eldien or Mahr... Despite our differences, our disagreements, we are all equal and weak in the face of death... but also in the face of the love we can bring to others.
Yes, Eren is a weak hero. Yes, he admits to loving Mikasa. He admits that until the very end, he didn't know how it was going to go. That he was himself a pawn in the divine game of Ymir. Another puppet at the service of a little girl who is also blinded by her duality, by her toxic love for her executioner. One cannot remain insensitive to this remarkable development of the character of Eren whose death was inevitable. For whoever plays with divinities can only lose his humanity, his freedom too. By the ultimate sacrifice of his selfish and human desires finally. Eren alone became the true savior of this world. He will also have kept his promise to his friends, to the beings he loves by offering them last memories through the “Way”.
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Selfless Love or True Freedom
As Mikasa said: The world is cruel, but also 
 Very beautiful.
Whoever sets a glance without hatred on the world, with compassion, with love for his neighbor will be able to claim to touch with the finger this Freedom so sought.. a selfless love, not turned to satisfy one’s own selfish desires.
Because Love, like hate, takes different forms.
Love connecting us to our roots, our family of blood

Love binding two beings who love each other, desire each other, cherish each other, seek each other
.
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Love that binds us to his comrades, his battalion, his family of choice, his heart

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Love that life brings to us in all its forms

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Love
 this power that is unpredictable and uncontrollable.
And that can become the obsession of a lifetime. It is by becoming an obsession that love becomes as destructive as hatred, and sends us back to our condition as an alienated Man
 locked up in his “Path”, in his cage.
It's by demonstrating resilience and self-sacrifice that man can taste freedom. We can find redemption in the love that others have for him, that we also have for him. For a few hours, a few years

At the cost of a renewal of the cycle of hatred, because man remains selfish, not all are ready to make sacrifices. Therefore, Mikasa and Eren have made the greatest of sacrifices for the survival of their comrades and the world: they give up their chance to be happy together, sacrifice their desire to be together for the rest of humanity. As in tragedies, the main heroes are victims of Destiny, are those who will pay the price so that others can flourish and live. The children have become adults.
Just as Armin is no longer the whiny little boy to protect. Unlike Eren, he managed to learn from his mistakes, grieve, face his own fears, confess his love to the girl he loves. It is finally he who will raise the wounded little boy, who will comfort him.
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The frustration
Mikasa is the main character of the story. It's through her that awakening is made, it is through her hand that she closes this long journey. In Eren’s memories, it is always central. It is the key, the final solution.
It's his psychological, his emotional journey that we will follow throughout the manga. Eren is only a complement, the character who crystallizes his goals. In a world where men are “dominant”, the woman must bend her knee, support her prince so that the light shines on him. Isayama knew how to play perfectly on this classic code of narration. Whether one agrees or not with the conclusion of certain female characters, the work often highlights the fact that men are only victims of their passions and obsessions.
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Only women seem to emerge victorious in the face of the cruelty of the world : they take up arms (Historia), continue to fight in the face of despair (Mikasa), enjoy life and bring joy around her (Sasha), support other women in their emancipations ( Ymir with Historia) question their education (Gaby) disobey (Annie), go against the “moral” principles to survive (Ymir Frizt who continues to love his executioner), sacrifice for the common good (Hanzi Zoe)
 But of course
 without also paying the price of sacrifice and making concessions.
Historia bears a child of a man whom she does not seem to like but assumes the role of the mother whom she would have liked to have while assuming the heavy attribute of the office of Queen in a country plagued by nationalist tendencies guided by fear. With Eren’s help, she did not give in to the temptation of self-sacrifice but decided herself who she would save or not, what path she wanted to follow. Her desire was to be a mother, a good mother. Whatever the father, it was an indestructible motherly love that she wanted to offer to a child. The one she never had.
Mikasa agreed to kill Eren because, if she had given him another answer, their life as fugitives would have been but a fleeting dream and Eren’s death was inevitable.
Despite her powerful love for Eren (as addicted as he may be, explained by the power of the Ackermans?), she will break the chains of her servitude by killing her only Love. She is the light. She accomplished the journey of a true heroine by demonstrating resilience, by giving of herself for the world.
She had only eyes for Eren.. was open to others, to show empathy, a desire to continue living for other comrades who are dear to him.
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-------
Mikasa also leads the way in Ymir Fritz
 you can love a monster, you can be a prisoner of a toxic relationship but you can free yourself from it. One can become free, but the price to pay will be to carry this infinite sadness, this frustration of having been able to live another story if things would have been different. By her kiss, she showed what true Love is.
Although the frustration is present, although we would have liked her to turn the page and rebuild her life, she must also pay the price of her “freedom”, of her “survival”: haunted by the sacrifice of Eren, guardian of her memories, from her grave as if to preserve her existence as long as she can live.
Once again, women show that they are stronger than we think. So Ymir was also able to free himself of his toxic link with the King by making the Titans disappear.
In the image of the bittersweet end of the chapter, which shows us that the disappearance of a monster, of a divine force “responsible” for the horrors, is not the long-awaited salvation.
The vices, the human fears will remain the poison, preventing us from reaching this illusory freedom. Men do not need deities to dig their own way to death.
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From "occidental" point of view, it is true that this is a blow to the “strong” women of the work still alive. Reduced to being collateral victims of Love, as toxic as this link may be (Ymir-Mikasa). Reduced to attaching themselves to winning or losing romantic figures depending on whether their love-interests is the villain of the story (Mikasa-Annie). Reduced to their role as mother-benefactor (Historia-Gaby).
It’s awkward, but I think Isayama wanted to show that no one is spared. That no character can claim complete tranquility and sweet freedom.
Everyone has had to sacrifice something to survive, and women and men are equal in this judgment. Women also remain victims in a world that remains dominated also by the cruelty of Men (the human race in general). They are not completely free, they are also trapped in roles.
Everyone carries the weight of his choice. That characters have a duty to remember, to pass on to future generations the horrors they have lived to try not to reproduce the same mistakes. Even if their new life choices are imperfect, disappointing for those on the outside.
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Levi sacrificed many of his comrades to fulfill his promise to Erwin in his quest for truth and to continue the fight for Eldian freedom.
Armin and Mikasa sacrificed Eren: their friend, their love, the dearest being to fulfill their promise to discover the outside world and touch that freedom.
Like Levi Ackerman and his love for his battalion comrades. As for Mikasa and his love for Eren (because she saw the human behind the monster). She has been waiting for a sign for 3 years to see him again in order to follow up on “see you later Eren”.
Finally, a bird comes to give him his wrap. To encourage him to go forward again. To continue to live

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The most free people are those who honestly and sincerely love someone. Those who are able to see the beauty of the world despite its ugliness. Who give without waiting for return. Those who continue to look at the world without hatred, those who do not succumb to its cruelty. Tears are running down

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fictionissocialinquiry · 4 years ago
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FISI’s Favourite Zutara Fics
A lil late for ZFAW’s Saturday prompt, sorry about that! Haven’t had any internet over the weekend. But better late than never!
I’m not gonna lie
 a lot of these are angsty af. But I promise you they’re not gratuitous angst! They’re well written, beautiful stories that will make you feel like a better person for having read them. These are my favourite all time fics, ones I’ve read more than once and will continue to read (even though I’m taking a week break from fandom and fic).
 Multi-Chaptered Fics
The Sparrowkeet Series by audreyii_fic
To be honest, this story’s summary doesn’t do it justice so I ain’t including it. Originally a one shot, Sparrowkeet is headcanon for me now. Move over canon, this is where it’s at. Audreyii_fic’s characterisation, world building, and writing is exquisite. It’s incredible. She manages to channel the same fun and whimsical energy from the show while allowing the characters to grow and develop to places I wish they had actually been taken.
This one is a fandom Must Read and one I return to regularly.
 Clothe Me in Seasons, Dress Me in Snow by sadladybug
It is not the memorial she deserves, nor the one she would want. But it can't be helped. He owns no property in the other nations, and he needed to keep her close. Closer than she was in life, anyway.
Zuko's reflections on a life lived and a life that could have been.
This is one of the best written fics I’ve ever read. It’s tragic and deep and will hurt you in all the tender places but you would be doing yourself a favour if you read this. There’s a real bittersweet feeling to it and the love between them is just
 urg, visceral.
 Lovable by LadyCharity
Zuko knew that he could not save Azula. He could only try to forgive her. Fittingly enough, those two were one in the same.
I love stories that make Zutara their centerpiece but every now but then a story like this comes along. A story where their relationship builds almost incidentally because the plot and character development straight up hijack your emotions. I got so invested in this story. Zuko is amazingly well characterised and his complicated thoughts and feelings around his father and Azula are incredibly well written!
 One Shots
Lunar Ephemerality by @formerlygoldilocks (goldilocks23)
After multiple failed attempts on his life and years of self-set expectations, Fire Lord Zuko is a shell of the man he used to be. But Katara won't turn her back on those who need her.
I really didn’t expect this to hit as hard as it did. This straight up snuck up on me, fly-kicked my feelings, and by the end I had written an 800 word comment that was too big for AO3 and I had to contact the author directly to send it to her. Awkward. I couldn’t help myself. The side to Katara we see here is so good, her empathy and love for her friends are one of the things I love seeing most in AtLA fanfic. I’m a sucker for Zuko having complete breakdowns and having to piece himself back together too. So sue me. I like it when they suffer a lil bit. The writing is absurdly good and I will be keeping an eye out for any new stories by goldilocks23!
 31 Minutes by @ifyouwereamelodymeg
It's quite astounding, really, how quickly she's learned to translate him. They've spent a grand total of zero time together outside of training, and he's hardly big on chat so she knows next to nothing about his life.
But she knows him, probably better than she knows anyone at the moment – with every tap of his fingers, every crook of his lips, every turn in his voice, he just...
He makes sense to her. It's weird.
I’m a sucker for fic writers playing with style to make the story pop and boyo does this fic deliver. This is one of the rare times that I’ve been dumbstruck at the end of a story— I just couldn’t accept the ending. Because I’m a sucker for pain, (and this story will bring The Pain) I loved it. The ease of Zuko and Katara’s growing relationship in this bowls you over, it’s absolutely beautiful and you find yourself nodding along emphatically when Zuko calls himself an idiot for waiting
 “Life’s short, kids, live each moment as though it could be your last,” says this fic as it pulls my heart out and dropkicks it off a cliff.
 i count to five (and life passes by) by @markedmage
Five heartbeats.
I still haven’t forgiven Mage for this one. I think it’s the best thing she’s written to date! I mean, tragic and painful and heart-rending but holy shit is it powerful <3
 The Lake of the Dismal Swamp by @thewhiitelotus
Spook af. Spook (horror) is real hard to do well but thewhiitelotus is coming for your goosebumps and those shivers down your spine. She has a way of balancing beautiful, evocative imagery with action (in this and other stories of her) that just keeps you reading!
 Calloused by @rideboldlyride
Iroh hadn’t been able to watch. The pure horror of a man - a father- burning their child for a slight infraction... He couldn’t do anything to stop it, but he will stop his brother from destroying entirely the kind boy he knew Zuko could be.
This is a painfully underappreciated fic for how great the characterisation is. I know we in the zutara fandom tend to not read stories that aren’t Zuko/Katara centric as often but do yourself the favour of reading this (or listening to it: RideBoldlyRide has done us the gift of recording a podfic for this and it’s stupidly *good*). This story is Iroh confronting Ozai just after he burns Zuko’s face and it kicks.
 four days and three nights by @hinaoyamas (lettersfromnowhere)
Zuko discovers firsthand that nothing is more fleeting than happiness, or more enduring than memory.
Do you like reading stories with a distant, omniscient narrator? The kind that read like a myth from the ancient world? Welp, hit the hyperlink, friend, cause this one’s for you. Not only is the writing exquisite but the characterisation and painful inevitability of the plot is grade A.
 For the Fire Nation by tullyblue12
He falls in love with her for his country before he falls in love with her for himself. A Zuko/Katara AU that explores how love and duty aren’t always mutually exclusive.
There are about 40,000 exquisite lines in this story but here is just one of my favourites: “He falls in love with her for his country first. That’s what his people never understand.” This fic says a lot with so few words, which is something I really look up to! In 2,800 words, tullyblue12 does what some 100,000k fics cant: They make you feel.
 Guide Me Home by Rashaka
To sleep, perchance to dream. Katara and Zuko find a friendship they never expected in a place that seemed impossible.
This is a one shot I will forever wish for a continuation of. The setup is just
 so juicy. There’s a real sorrowful innocence to this story that the unique short, dialogue only scenes really punch home. I know some people don’t like dialogue only fics but when done well like in this one, it leaves you with the impression of something deeper than a 1,185 word fic has any right to! 
 Other Favourites!
Hopeless by tullyblue12 — Kids grow up fast when a cruel world awaits them. In times of hopelessness, Katara and Zuko grow together. In times of separation, they hope to see each other again.
Speechless by goldilocks23 — Zuko has a medical condition. Or: Zuko speaks in haiku at inappropriate times.
Don’t Follow Me Down by eleventy7 — Katara is the dread queen of the underworld, ruler of the dead, destined to reign her cold kingdom alone. Until a sun god catches her eye. A Hades/Persephone retelling with incredible writing.
I Don't Speak Meow Language by @botherkupo (Boogum) — In which Zuko adopts a cat and Katara just wonders what spirits she pissed off to deserve this fate.
I have the privilege of being friends with some of these authors (they know who they are) and am in near daily awe and gratitude for the works of free fiction they provide us, the fandom. And not just any old stories: Guys... Really good ones!! Can I ask that if you go check out these fics, can you just drop a kudos or a comment their way? If you’re feeling shy just copy and paste this into the comments box anonymously: “WOW! Loved this! Thank you so much for writing it!”
I know it would mean the world to this talented bunch <3
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appleb18 · 5 years ago
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Why Modern Cartoons is Not Great as it Used to be in this Decade
As 2010â€Čs draw near to the end and begin a next-generation, cartoons have changed from being a fun episodic adventure with a meaningful message and can get dark sometimes to a story-driven show with deep messages. While cartoons have a great start in early 2010s such as Adventure Time, Regular Show, Gravity Falls, and My Little Pony: Friendship is Magic, however as time passes cartoons are becoming less interesting and not many aren’t talking about it. So what the hell happened with modern cartoons? Let’s get to the bottom of what happened to this decade of cartoons and why isn’t anyone talking about it anymore 
The Animation Quality 
The quality of the animation of cartoons back in 2000â€Čs were amazing, so many variations of animation styles that look very appealing such as 
Samurai Jack 
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Avatar: The Last Airbender 
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Fosters Home for Imaginary Friends 
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Recess 
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Proud Family and so many more
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But now in modern cartoons, most cartoon shows are using a similar style of animation which many people called it “Calarts style”. Most cartoon shows are using because it’s cheap however it takes away creativity, more detail nor being organic. Look at Infinity Train, compare from the pilot to the release 
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It looks very boring having most cartoons look the same. Then there’s artistic freedom where creators let them draw whatever they want such as Steven Universe and OK KO. That sounds good but really though it just looks lazy and unprofessional. This is very distracting that most characters go off-model every scene like why Rebecca and Ian-Jones Quarry think it was a good idea! 
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Great to Below Average
So now let’s talk about the three shows that were once popular Steven Universe, Voltron, and Star vs The Forces of Evil. The trope I’ve been seeing as of late about these shows that it was pretty hype and they deliver on that. All they need to do is conclude it and call it a good cartoon but then crash and burned in later seasons. 
Steven Universe didn’t get popular until “Jailbreak” and that was when everyone was watching it. It had character development, an interesting world of gems, a gorgeous background and has one of the best soundtracks. This isn’t surprising because the creator is the same person who wrote Marceline episodes in Adventure Time which was Rebecca Sugar that created the series. Then season 4 and season 5 happened which the show drop in quality like mostly the show prefer showing filler which makes the plot go too fast and made arcs underwhelming, crystals gems and Lapis Lazuli and Peridot aren’t being used that much in the show and having each villain being beaten by simply talking to them. While there is Steven Universe Future but that hasn’t gotten interesting in my opinion. 
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Star vs The Forces of Evil is a show used to be interesting for the two seasons and “Battle for Mewni” arc but then shipping drama got out of hand and that resulted to fell from grace 
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Then there’s Voltron and we all how that turned out for the last two seasons
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What these three have in common that they set up this interesting premise and world in the first few seasons but they all went downhill. Awful character writing, insane plot twist, and terrible pacing. I did wish that those shows would get better like how Adventure Time and Regular Show had one bad season but after that, they both got better but they didn’t and it went from being great to disappointingly average. 
Comedy Over Messages
Now that’s got the most hype shows, let’s talk about shows that not many people talk about because the premise and world aren’t engaging enough to watch and which they are We Bare Bears, Craig in the Creek, Clarence, OK KO, and The Loud House. While I’m not saying they aren’t bad but it is just not interesting to watch, it's just that it’s too tame and too comedic. The main issue I have it doesn’t really teach viewers like they used to anymore 
OK KO was about to talk about gun violence but they turn it into a comedy. In “Let’s Not Be Skeletons” people overuse the gun and resulting everyone to turn skeletons and KO tries to stop it but fails. By the end of the episode, it was a dream and calls Congress to stop it from happening. I really hate how writers of this episode of making a serious issue turn into comedy and that’s a pretty awful way of doing it. 
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Look at Static Shock and Fat Albert, instead of making Gun Violence a joke, they talk about how serious it is by having someone shot and that devastated the characters a lot 
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Then there's Hey Arnold, it really dives into serious issues such as 
“Pigeon Man” showcases that some people are meant to be with other people while others like Pigeon Man are just different and can’t be with other people. 
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“Helga on the Couch” showcases Helga's anger issues and those issues manifest because her family ignores her because of her sister. Never truly cares for like no makes her lunch for school and no one brought her to school when she was a young girl. The only person that cares for was Arnold.
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Then there’s my personal favorite, “Arnold Christmas”. Mr. Hyunh is always sad at Christmas and this episode revealed that he had a daughter and all he wanted was to see her grow up but there was a war coming near his village. In order to do so, he had to give her up so she can have a better life. It took 20 years to get out of the country and he almost gave up hope to find her until Helga helped Arnold to search for her and be reunited with her father. 
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Modern cartoons don’t show those kinds of messages anymore and there’s something worse than that and I hate how cartoon shows keep doing this. 
Today’s Villains
I” ve been seeing a lot lately that the main antagonist isn't handled well in cartoons as of lately. Most villains have been getting redeemed lately and not paying their crimes. While show creatures try to make them sympathetic and the victim however it doesn’t excuse them for their crimes. 
White Diamond who caused multiple mass genocide on worlds, brainwash any gem that stands in her way and shatter gems gets easily defeated by simply getting talk to and just not gonna do it anymore because Steven said so. 
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Mina Loveberry and her Mewni soldiers wanted to destroy monsters. When her and her army magic depleted, she just goes in the wilderness and no one stopped her. 
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Moon Butterfly helped Mina create her soldiers so she can retake the throne from Ecipsa. Instead of having the monsters and her surrendering the throne that she was attending to do, however, her plan backfired when Mewni Soldiers and Mina wanted to kill all the monsters. Why didn’t Moon saw that coming, they were clearly racist against them. Then by the end of the show, she never once apologized for what she has done. 
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Starlight Glimmer created a cult that no one has cutie marks until the mane six defeated her in “Cutie Map” She returns and her revenge on Twilight by going back in time and making sure Rainbow Dash doesn’t perform the Sonic Rainboom. After multiple going to multiple timelines, she finally catches up to her and then her tragic backstory been revealed and it was very disappointing. The reason she caused all of this because her friend moved away and that’s it. That’s not all, instead of her facing her crimes like most villains such as Tirek or Queen Chrysalis, she gets off the hook and she became friends with Twilight in a matter of minutes 
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A good example of a good antagonist is Aku from Samurai Jack. When he first appeared in the show, he’s pure evil, destroying anything that stood in his way and ruling over the weak but as the show progresses, the serious villain became more comedic villain but that doesn’t mean he’s a silly character, he’s far from that. He’s still all-powerful and should be taken seriously. This is what I want from a villain.  He’s powerful, he’s truly evil and has a personality. 
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Villains can be sympathetic and relatable however shouldn’t be forgiven so easily. When a character crosses the line by taking multiple innocent lives should never be redeemed, even if they have a sad backstory 
Cartoons lately have become less popular in this past decade, the glaring problems about cartoons are its animation, comedy over messages, messy plots, and terrible villain. People will only talk about cartoons from the late ’80s to 2012. I’m afraid that this day of age that it isn’t appealing anymore than in previous years. The only animation that people will talk about is anime shows which I can’t lie, is far superior to cartoons as of now. I feel that the only way it can make it back on top is it needs something like Adventure Time or Gravity Falls moment that reinvent it more relevant and view to modern audiences. I really do like to watch cartoon shows for animation, message, and characters but I keep seeing issues in modern cartoons and I hope that it will change in the future. 
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