#THIS IS WHY I'M NOT POSTING A LOT ANYMORE

[geekgirles]

I've seen people say things about Amalia not being queen material because she was always far from her kingdom, and I can't help but think they're taking everything at face value. Like they assume that just because the plot takes place while Amalia is usually away on an adventure, that's all there is to it and her circumstances, when in reality nothing is further from the truth.

First of all, back in season 1 the show didn't exactly shy away from confirming Amalia essentially spent her early life confined in the Sadida Kingdom and most likely never stepped foot outside of it until she decided to run away. Hence why she failed to understand the chamberlain wouldn't be able to pay for her expenses when she was in Bonta.

And why did she run away in the first place? That's right. Because her family insisted she remained cooped up in the palace ever since the queen's death. And considering Queen Sheran Sharm died when Amalia was little, that all means she had spent 13 years "trapped" in her kingdom as early as season 1.

Now, I don't think we have an exact date for the Brotherhood's adventures, how long they lasted. But I'm gonna go with my gut and say each journey they took place in the span of several months to a year, tops.

That would mean the first time Amalia left home she wasn't away for that long, anyway.

Not to mention, after dealing with Nox and before Eva herself ran away to get Pinpin back in season 2, it was established the Brotherhood of the Tofu spent several weeks, maybe a month or two, in the Sadida Kingdom. With Yugo and Adamaï helping Amalia with her duties because she was swamped with them, to the point she somewhat reverted back to her brattier days (which is not excusable, but it does show that, at 13-14 at the least, Amalia was already in charge of many administrative duties and responsibilities and under a lot of stress).

In fact, the only reason she didn't stay in her kingdom for the entirety of the season, besides her wanderlust, is the fact that trouble kept popping up. Originally, they only left to get Eva back after she ran away in search of Pinpin, and once they returned from that, the only reason they left the kingdom again was because of Qilby's appearance and his lies deceiving them into helping retrieve his Dofus by painting it as a humanitarian mission for the sake of the Eliatropes.

And before you point out Amalia was supposed to stay in her kingdom that time around but chose to run away again, let's not forget how, technically speaking, she didn't sneak away at all, shall we?

In season 2, the roles had been reversed. Amalia thought she was sneaking away again, but not only was Eva in the know and totally in favour of it (as opposed to her reluctance from season 1), but so was King Sheran Sharm. Remember? He went as far as to have Renate and Canar prepare plenty of provisions for her. Meaning, that time around, Amalia had her father's approval, which implies she didn't actually do anything wrong.

And again, their adventures kept them away from several months up to a year, but not much longer. In fact, the only time it was confirmed they spent a year away was during the post-season 2 manga, and that was an accident because they didn't account for time flowing differently in Emrub.

Now, let's add the time of the OVAs. The special episodes are stated to take place 6 years after season 2, with Flopin and Élely being little kids but not babies or toddlers anymore; Yugo stuck in his childish body despite being, what, 19(?); and Amalia being old enough to marry—given she is 22 in seasons 3 and 4, that would make her roughly 20-21 years old.

Six years had gone by between the second season and the OVAs, and if we add the year away from the manga, that means that Amalia dutifully spent 5 years in her kingdom, carrying out her royal duties and most likely only leaving for a few days at a time at most in order to visit her friends for important occasions like their birthdays. Though this is speculation on my part based on the events of the manga. Days she got to spend away because she probably had her father's permission to, as he wholeheartedly approved of her friendship with the Brotherhood of the Tofu. Meaning, once again, that Amalia wasn't doing anything wrong.

Then the OVAs came, and she had to leave for Frigost, and this time indefinitely since she was to marry Count Harebourg, therefore becoming his Countess and needing to remain by his side in his realm. And, again, because that was a marriage of convenience for the sake of her kingdom, she wasn't just allowed to leave but expected to. But even when it was revealed Count Harebourg planned to either exploit Yugo and the Eliatrope Dofus or the Sadida forests to benefit Frigost and the wedding didn't come to pass, it wasn't like Amalia stayed around to sightsee either.

As soon as they freed Joris, Atcham, and Kerubim and got some exposition on Tristepin from Rubi, realising she had the means to save her kingdom by having Pinpin help, the group split up in two and they turned back around towards the Sadida Kingdom. And all that in just a few days, a week or two at most.

Then comes season 3, taking place a year, year and a half, after the OVAs, with Amalia now 22 and confining herself to the palace more than ever because she's watching as her father withers away each passing day and she's trying to avoid Armand and Aurora since all they seem to care about is getting her hitched and out of their hair.

To be honest, I'm not sure how long they're supposed to have spent in Oropo's dimension and Inglorium, since it feels like only a few days, but then Armand reveals in season 4 that he had only been king for a few weeks and the timeline gets kinda wacky. Because... Amalia just returned the day prior? And she spent the whole time by their father's grave?? What, did he leave her be to the point of risking malnourishment and dehydration for several days??? It just doesn't make sense.

Anyway, confusing timeline aside, what does this tell us? Simple, it tells us that Amalia was only away from home for about 2-3 years, which isn't all that different from when our parents send us to study abroad in real life. Which, at the same time, means that out of 22 years of her life, she remained 19 in her kingdom, performing her duties. And that's even without taking into account the fact that 90% of season 4 took place in the Sadida Kingdom, or the four months between Yugo and Amalia's wedding and the events of The Great Wave, where Amalia (and Yugo) stayed in her kingdom, ruling it.

Unlike Armand, Amalia might have been more interested in adventure than power and politics, and she might not have had the same kind of training as he did as heir apparent, but she is in now way, shape, or form incompetent or unprepared when it comes to ruling her people. Now try to tell me she was always away or that she is irresponsible. I dare you.

[georgiapeach30513]

Just because it's Friday and I think it may help with a few reminders in case your inbox starts to get flooded with the same old bs since a movie is releasing today:

R1 was filmed two years ago. It was supposed to be released at the end of last year but got delayed. The movie is now releasing this weekend so of course there will be tons of promotion because I'm sure the Rock and his crew spent a hefty amount on marketing and PR for this film. Chris is second billing so he's going to help with promoting the film and if that includes some other fluff pieces, then so be it. And People magazine loves to write fluff posts.

The movie was filmed TWO years ago. Chris has long moved on from this film, despite whatever reception it may get, and people may want to remember that. He is apparently already back to work on his most recent project, and he's already filmed two other projects this year. Nobody knows when these films plan to release or how they will release, but I expect it'll happen in the next few months or year.

Chris has had some recent misfires and from what I can see, it feels like some decisions were rushed due to the pandemic and also perhaps some business decisions made on the backend (get some bigger paychecks, then cushion your way to doing some smaller indie films). The way his last three projects appear to be much smaller in budget and scale, I think this is a safe bet that's what happened.

If your intention is to go looking for confirmation bias, that's what you're going to get. Searching for bad reviews and justifying it as a reason to be mad or upset, of course you're going to revel in misery loves company.

It looks like Chris did a great job in this otherwise lackluster movie and he has a lot of charm and charisma, but him carrying the film on his back isn't much if he's the only one doing the lifting. JK Simmons actually did lift heavy weights but he got wasted in this film because of his role being the "kidnapped Santa." So I wouldn't harp too much on that.

General audiences and critics are disappointed Chris's post MCU career hasn't been super exciting, but most agree they think he deserves better and wants better for him. Perhaps it's a testament the legacy he left in his most famous role, that has people just rooting for him regardless. Let's see what he does next. I think he's slowly carving a new path as we speak.

Lastly: Remember that in the world of public relations, marketing, and entertainment, agenda is always underlying. That being said, sometimes less famous and less influential people latch onto the more influential and famous in order to get a leg up. This usually happens when someone either doesn't have the ability themselves, or there's a bigger and more strategic story behind everything or there's transactional mutual benefits. Why do actresses like Sydney Sweeney and Florence Pugh seem to be able to go so far on their own, while others like Jordan Hudson (aka Bill Belichick's new gf) or every one of Leo D's gfs of the last decade seem to pop up on scene leveraging their relationships to get attention? Well...think about it. For example, Jordan is a former collegiate cheerleader that is now dating a famous ex head NFL coach. She's getting a lot of press right now due to this relationship and she was papped showing up to cheerleading practice recently in a Porsche. I'll just leave you with that. (And no, I don't think it's just because Bill is suddenly going through his mid-life crisis when he's 70 years old.)

You know what, anon? I’m not going to add anymore to this post. You’ve said it all.

I will say, I’m going in a few hours to watch the movie. Got a snack box made for us, and I’ll see what it has to offer. People who think that a Christmas movie with Dwayne is going to anything more than fun, high octane, and goofy are fooling themselves.

And let’s be honest, most people haven’t checked out a ton of Chris’ movies outside of Knives Out and Marvel anyways. They want him to do more unique roles, and he has, but they don’t watch 🙄 he’s creating the career he wants.

[sparklingdemon]

Holy crap! Now that it’s been confirmed, no wonder Cody doesn’t want us to freaking reset the game! Because if we do, then Cody themself has to face what they did! To Blue, to their Pokemon, to everyone in the game! Every character, every point in the story! And they’ll be in our control…. Would they be able to speak? And would they even be themselves?! Or would they be molded to fit the protagonist character?! Holy frick, this comes with so many terrifying realizations! Charizard’s punishment….. The irony of forcing Cody the hacker to live through their hack…. The control, the chains, the possibility of Cody losing themselves in the game, because at the end of the hack, we end up killing the trainer do we not?! So we would end up killing Cody! Unless they destiny bonded US! Holy crap! This is some amazing story telling Sparks! Great job!

gonna put this answer under the cut bc i'm rambling and it's image-heavy!

the game characters used the PC to edit the game's RAM, not the game's ROM. so any modifications that the in-game characters make through the PC is undone upon a new game. blue comes back to life, the player character loses their voice again, etc.

it's pretty clear from how pikachu talks about how a new game works that cody will lose their memories and become a non-sentient blank slate character.

but on the thought of cody destiny bonding the player. it definitely puts THIS post into more perspective, doesn't it.

and THIS post, too.

cody may be willing to kill sentient video game characters like red/leaf and charizard, but they do still have a strong sense of morality when it comes to killing "real" people. they don't want any "real" person to suffer the same fate that they have.

cody doesn't believe regaining their sentience is possible - but they fear that if they somehow DO, they won't be themself anymore. that they'll go on the same path red/leaf did and hurt someone else.

it's why they're so adamant on you destroying the game if they ever lose their memories - the game is too dangerous to be played.

either way- thank you! all of cody's dialogue over the past two years has been carefully crafted in anticipation for this big reveal. it puts a lot of older posts in a new light - there's so many little details and nuances with cody's dialogue that i would Love to talk about someday, but it's SO much to cover, haha.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.

[gotchibam]

Does anyone here draw in both desktop & mobile? I'm planning to get a galaxy tab at some point and since I don't really have any experience drawing on a (mobile) tablet, I'm curious abt how it feels to draw on one vs. drawing on pc w/ a graphic tablet 🤔

[claitea]

whoa guys did you see the new cards i really want alto's full art!!

made with this site! art without the text under the cut :D

[every-sanji]

[solei-eclipse]

okay. hello guys. my bad for not responding to stuff or being as active recently, had a lot of work to be done and other stuff to focus on that took a lot of my time. I wanted to make more art, but I unfortunately had to put that energy into other things (which got to the point where I could not put them off any longer and had to stay working on it). I know I missed a lot of stuff and I'm sorry for it

[hermitcraftx]

just got a dm abt one of my posts and y'all please don't try and show the hermits (or any minecraft youtuber or content creator for that matter) my posts, i'm uncomfortable with it and don't want any of my posts shown to a cc. if they stumble upon it naturally that's unfortunate but i can live with it since i do maintag a lot (something i REALLY need to stop doing tbh i already know i need to make a tagging system just for my blog that wont clog results) but going out of ur way to show a cc is entirely different and something i am not comfortable with.

no hate to the person at all but even if i wasn't a little silly and weird with it sometimes i wouldn't be comfortable with it, i want my blog to be a purely fandom only space with none of the creators involved <3 please respect this

[redstarfish-art]

Me: *Watching LuZo become just that little bit more popular post-timeskip.* Me: *happy sobs* I'm no longer alone. Also me: Well LuZo used to be my OTP but then Law happened. Also also me: I wonder if Luffy and Koby will ever get their love story arc.

[kenzan-kiwami]

everybody claims to be a kashiwagi enjoyer but the only time anyone ever talks about him is to say he's the hottest piece of meat in the series

[mattodore]

matthias's face card is so insane here i almost didn't notice that his hair got chewed up by gshade

[thefrogdalorian]

Sometimes I find myself thinking about Din Djarin a little too much that I get concerned and think that I really should go to therapy...

Well, I'm finally doing that (again) tomorrow... :)

Feeling pretty nervous about it but hoping that because I now know I'm autistic it will help me understand/explain things a little better! Hopefully this is the start of a journey to finally become a healthier, happier version of myself :)