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dragonmuse · 1 year ago

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Keep It In The Box : An Essay on OFMD Season 2 and the Failure to Heal

(here in is my season two reaction. It contains many many spoilers. It's also about 3k words long so you know what you're getting into.)

“See, I have a system for dealing with all the terrible things I've seen. There's a box in my mind, and I put the things in the box..” -Frenchie, Season 2 of Our Flag Means Death

…..and then he never opens it. Chekov’s locked box has no key in season two.

On first watch, it seemed clear to me that Frenchie’s declaration was a narrative plant. Clearly the whole season would be about that box of pain and trauma being opened, sorted through and at least the beginning of healing. The show had developed a reputation after season one of being kind and focused on queer narratives of healing from childhood. Ed and Stede’s parallels in their childhood traumas were frequently on display through season one and were repeated in flashback throughout season two. Jim’s season one arc about becoming someone who doesn’t think just of revenge and can now forge meaningful connections was profound, beautiful and often funny. Izzy is an antagonist because he doesn’t want Ed to move on or stop acting like the trauma-response version of himself. The antagonist wants to stop healing. The point is to grow, to change, to learn how to love. It’s one of the things that made season one work for me at the time, despite reservations about pacing and tone.

So naturally season two should follow suit. It’s a kind show! About healing and falling in love!

For the first several episodes, the remaining crew on the Revenge go through a gauntlet of trauma, forced to do and receive violence at Ed’s whims as he careens from self-destructive behavior to self-destructive behavior. This is the wounding setup. It was dark, but it seemed like it would have a payoff and at first it did.

Perhaps one of the most beautiful moments of the season comes in one of the small respites in those early episodes as Jim recounts Pinnochio to Fang to soothe him through his grief. That was the show that I expected. The kindness of that moment struck me very deeply. It gave me some understanding of Archie too, who seems to fall for Jim right at that moment.

That scene is the show season one promised. Season two led with packing Frenchie’s box full to bursting. Here is the fight to the death between lovers, there is a first mate who is mutilated and rotting in the very walls (the rot of the Revenge itself), and there is the storm of Ed’s rage and pain that threatens to consume all of them.

So surely these remaining episodes would concentrate on finding the humor in healing from those moments. That is the setup. Frenchie has a box. The box must eventually open.

Except time and again, all the characters who suffered are told that the only way to deal with what they’ve been through is to stick it in the box and never open it again.

Pete tells Lucius that he’s unable to move on and needs to let it go. Izzy has a story about a shark. Ed’s apology to the crew which doesn’t even contain the words ‘I’m sorry’ is just…accepted. I kept waiting and waiting for a meaningful apology to the people Ed had hurt the worst with his actions, but it seems all we get is Fang saying ‘eh, no problem, I got to hit you back so I feel better’.

The playful theme of ‘pirates are just violent sometimes’ from season one becomes a grinding horror machine in season two when every atrocity visited on someone is forgiven because the narrative needs it to be. Ed and Stede spend more time making amends with each other over the bloodless night on the beach than either of them spend trying to repent for their actions towards anyone else.

And let’s talk about Ed. Arguably this season pivots on his narrative, on his path to healing and growth. A path that starts at a very low point. His moment in the gravy basket, deciding he wants to live because there are still things to live for is so great! So one might assume that what would follow would be him pursuing those things, making amends, making connections. He and Stede have a wonderful moment, talking about being whim prone and how they’ll work to avoid that, build a relationship by going slower.

Yet, at no point do either of them stop following whims. They never heal or learn from what’s happened to them. They both keep running from thing to thing, particularly Ed. It’s a whim to sleep with Stede, it’s a whim to run off to fish, and the finale gives us just more of their whims. Ed drops fishing as fast as he picked it up. He finds those leathers in the ocean, murdering the symbolism of leaving them behind. Even the inn is a whim, one of those things Ed decided he’d be good at without evidence. And Stede joins him in that without a single on screen conversation about it ahead of the moment.

Ed needs to heal himself and to do that he needs to confront what he’s done and do the work to heal the wound. Instead, he doesn’t meaningfully apologize to anyone, besides Stede and Fang. Despite Izzy’s dying words (we’ll get to that), not only do we never see the crew caring about Ed, working to make him family in the same way they do with Fang and even Izzy, he also doesn’t choose to stay with them. So what is the point? Where is the healing? Or does even Ed, beloved main character, have to live with it all stuffed in a box?

He ends the season in the leathers he threw away, in a relationship that’s barely stabilized, going to live in a house which we are told by the narrative (in that they are very very clearly paralleling Anne and Mary with Ed and Stede or why do we even get that whole Who’s Afraid of Virginia Woolf? episode) will only end in them setting fire to each other to stay warm.

But Vee, I hear you cry, it’s a ROM-COM. This is all meant to be ha-ha funny and you are taking it so seriously!

Cool beans. Then why the hell isn’t it funny? Healing is often filled with comedy because people deal with pain with humor. You can heal and laugh at the same time. The finale especially is almost entirely devoid of laughs, almost entirely devoid of joy until the last minute for that matter. The episode that should show off with a flourish how far everyone’s come, mostly serves to show that no one has grown.

Okay that’s Ed. I want to talk about Lucius next. Our former audience surrogate (that’s taken away in season two when he doesn’t get enough screen time to perform that role and no one takes his place) really goes through the wringer. He experiences many many terrible things, including sexual assault (which is made into a grimace-laugh line that doesn’t take away from it’s seriousness because oh hey, that can be done as it turns out). He’s nervous, he’s smoking, it’s clear he’s suffering.

There’s a beautiful moment where Pete tells him ‘hey, I was also in pain. I grieved’ and that’s great. It’s good that Pete sets a boundary about Lucius not obsessing over the past to the point of occluding their future.

We even get our comedic moment where Lucius pushes Ed off the boat (still not apology, but I’d lost hope for that by then) and that doesn’t help enough. So Izzy comes in with a shark and the advice that you just have to move on.

Just…you know. Play pretend. Forget.

Shove it in a box. Ed didn’t take my leg, a shark did. Ed didn’t kill you, a shark did. Live with the person that tried to murder you because it’s your fault you dangled your leg over the side of a boat. That is the show’s message. I thought on first watch, that surely this would also come back up and be explained that you can’t live that way, that that is no way to heal. That it would become clear that this was no way through. You cannot make everything into sharks.

Lucius can move forward and still carry pain. He can still want a meaningful apology and still want to talk to his lover about what he’s dealing with while moving forward toward a brighter future.

And what of the flirtatious promise of relationships and connections being the way to heal? Look to Oluwande and Jim, whose heartfelt romance from season one was relegated to the bins of history in favor of a narrative that made him a brother Jim once had sex with. They could have had Archie AND Oluwande, who in turn could also have Zheng, but that never seems to be an option. With a single short conversation, they are broken up with, despite a brief tease at the birthday that they still ‘dance’ together, it never actually manifests. Jim and Archie never talk about what they went through. It’s swept under the rug as fast as knives are lowered.

Lucius also no longer flirts with other people, the solution to his pain is to propose and get married (but not too married, lest we forget that they’re two men, they don’t even get to be husbands or even the more respectful mates, no. They’re mateys.) This season proposes that the only happy endings are monogamous ones, where no one talks about anything painful that went before.

To ensure that message, beyond assuring the success of Oluwande and Zheng’s relationship, Jim and Archie almost entirely disappear from the narrative. Sorry you guys were given layers of trauma and no growth and not even much to do this season, we need to make sure that everyone remembers Oluwande is the break in Zheng’s day so when he says that to her five minutes later we know exactly what he’s referencing. No time for Archie to learn what an apology is or for Jim to get one line in with Oluwande that isn’t affirming their newfound broship. Must do more flashbacks to things we just did two episodes ago!

The show even dangles the conversation of the Revenge being a safe space. Why would any of them ever feel safe when the man who tortured them is allowed to walk among them and they are expected to forgive and forget? What’s safe about that? The ship is never made safe for any of them, but that’s never addressed.

And Zheng! Amazing, hysterically funny Zheng! She loses her ships, her entire way of life, the kingdom she built for herself and then…she doesn’t even get to captain the Revenge. We don’t know what becomes of her fleet, of her plans, her ambitions. Don’t worry about it, she has a romantic partner and isn’t that what every lady wants in the end?

(But Vee, I hear you cry again, there will be a season three! Maybe it will be All About Zheng! To which I say: then why did they present us with the most series finale feeling episode ever? If there’s more, I have no idea where it’s going. BUT VEE: BUTTONS AS SEAGULL ON THE GR- Fine. It’s time.)

Let’s talk about Izzy Hands.

Izzy manages more healing than anyone else this season. He reaches his lowest point, suicidal in the bowels of a ship that’s become a prison (very much in contrast to Ed’s suicidal low). The person he loves most in the world has shredded him physically and emotionally (and if you’re in the camp that thinks Izzy deserves the abuse that Ed gave to him, I would really like you to sit quietly with yourself and ask why you think there is ever anything anyone can do to deserve that treatment). He’s low, he shoots Ed to protect everyone, and then seems to plan to drink himself to death, mourning his losses.

And then another beautiful moment! The crew move past their own pain to help him. They work together for the first time and it’s to give Izzy mobility back. He treasures it. He cries over it. He uses that kindness extended to him to reach a new understanding of Stede and help him succeed, doing the work to make real amends. He sings in drag, he’s vulnerable and beautiful, celebrating the side of himself that he must’ve loathed in the first season. He’s an elder queer man, coming into himself.

He never gets an apology though. (‘Sorry about your leg’ without eye contact is not an apology. There is no responsibility taking, no acknowledgement of the weeks of torture that came with it.) Izzy also never really has an honest conversation with anyone about what it means that the man he loves punished him so severely for the crime of trying to protect the crew (yes, lest we forget, Izzy lost his leg because he was trying to keep Ed from re-traumatizing the crew and himself).

Izzy does all this work, but even he’s not allowed to take it out of the box. It’s a shark, not Ed. Ed is just ‘complicated’ (the language of abuse here is so upsetting and I think not even intentional).

And then he dies. His last act? To apologize to the man who tortured him and shot at him. To have done all this work, to take on all the blame. And then die.

In a rom com.

This show ends in a profoundly unfunny moment of telling the audience: this is the one character that did the work, that made amends, that tried his hardest to accept the parts of himself that he had a hard time embracing and formerly embittered him. He’s fully accepted his queerness and turned it into beautiful music. He’s disabled, and he worked hard to accept that. The man he loves will never love him back, so he worked hard to make Stede able to meet Ed on an even playing field. The Giving Tree gave up its limbs and its trunk, and it’s not even allowed to be a stump to sit on.

Kill the queer elder, who has managed to figure out how to live and in his own way how to heal. Kill him before he manages to teach anyone else how to meaningfully move forward (he almost gets it with Lucius, almost, but it’s meant to be rule of three, you know. Cigarette..shark…and then…and then fuck it, Lucius doesn’t even get to say a word at his funeral).

The message of this season again and again is that there is no healing, just moving forward. Like a shark. Like a bird that never lands.

That is not a kind show.

Season two is not a kind season.

It splinters people up and jams them back together without purpose or reason. It tells everyone who experiences pain that they should shove it in a box and not deal with it. No one who really needs one gets an apology of any sincerity. No one puts in the work to gain forgiveness. (Ed wearing a onesie is not The Work. Ed fixing a door is not The Work. Ed broke people that the show wants us to care about. Ed never does the work of making those amends. He fires off a Notes app apology at best. After all, it’s what he told himself via Hornigold in the gravy basket: you move on or you blow your brains out! Good thing he took his own advice and therefore had to change nothing to get his just rewards.

I would’ve taken just fifteen minutes of Ed trying to actually make amends. It could’ve been hilarious! Imagine awkward Ed trying to dance around what he’s doing with Jim and the two of them having a knife throwing competition about it. Or him and Frenchie attempting to make music together, writing a song about the raids they went on! It’s not just the crew robbed of their healing because of this, it’s Ed himself. He never meaningfully changes or makes amends. How is he any different at the end of the finale then he is standing on the edge of that cliff with Hornigold? He hasn’t moved on, he hasn’t healed. He tried one thing (fishing) that doesn’t fucking work and then he runs right back.

No one leaves this season better than they went into it. They’ve lost an elder queer, they’ve lost their joyous and queer polyamory, they’ve lost a chance for meaningful reconciliation with Ed and Ed lost any chance of looking like he gave shit if they did. Stede grows enough to accept the crew’s beliefs as important and then leaves them behind without a care.

Izzy gets a beautiful speech about piracy being larger than yourself. Ed and Stede, within twenty minutes of that speech, leave piracy. They are incapable of giving themselves to something bigger, apparently. They haven’t learned to be a part of a community. They haven’t healed from their childhood trauma or their fresher wounds. They are still just following their own whims.

Zheng’s life work is in tatters, but it’s fine, she has love. Oluwande and Jim aren’t together, but it's fine because they both have dedicated monogamous partners. Lucius was deeply scarred by what happened, never recovers much of his first season personality, but hey he got-well it’s not married exactly- but you know good enough!

Frenchie, who has a box forever locked in his head, is captain. Because the key to success is to lock it all in a box and never open it. What a message. What a show. Conceal, don’t feel. Smile because it’s a happy ending. Don’t mourn the dead, don’t try to tell people what happened to you (they will literally run away or cry too hard to listen and really you’re just bumming them out), and any meaningful change you make is only rewarded with death.

Frenchie is now a pirate captain with a box in his head full of trauma that’s never been opened, leading a crew with more wounds than scars. Wonder how that could turn out? Wonder how many years before he might want to retire and then happen to run across a gentleman pirate. As if no one learned anything at all.

#our flag means death #ofmd #ofmd spoilers #the strangest message sent #and no idea if it was on purpose #I kind of think it wasn't somehow #but boy howedy did it come across

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filiazpink · 7 days ago

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🩷"OH PRIMUS,,,"🩷

orion pax x femme + superior! reader x d-16 warnings: suggestive language (like- once but still), darkwing being darkwing, i’m a sucker for cheesy stuff, really minor transformers one spoilers (?)

summary: orion finds himself completely enamored with one of his superiors and d-16 doesn’t really mind it, until one day, you show up at the mines.

a/n: my very first tumblr fic!! i might post this on my AO3 account as well! hope this reached your expectations considering more than 200 people voted for this prompt on my poll =͟͟͞͞(꒪ᗜ꒪‧̣̥̇) ill get to some of the other prompts shortly after, i just wanted to know which one would be best to start with (and to properly introduce my writing to tumblr teehee) !! comments and reblogs are highly appreciated !! ENJOY!! 💞💞💞

word count: 1139

proofread: minimal (lemme know if there's any errors!!)

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orion simply couldn't stop thinking about you.

your shiny and colorful armor, your beautiful optics, your height and strength. that voice. the power and authority you had over him. that power rivaled sentinel prime’s in his eyes. everything.

she was simply breathtaking.

…

“earth to orionnnn, come on, rust bucket!!” pink servos waving at him frantically snapped the red and blue mech out of his trance. focusing his glance, orion watched as elita-1 gave him one of the scariest faces he’s seen yet, followed by d-16 behind her with his arms crossed, looking at his friend with a disappointed expression.

“what’s wrong with you?! you broke protocol, AGAIN!” elita pulled the miner to his feet, groaning in annoyance. orion’s dumb dopey smile quickly turned into a shocked frown and he was about to ask what he did now, but thankfully, his friend answered for him.

“orion, buddy, i know,,, i know you just wanted to save jazz from that explosion but you almost got killed doing that, man.” d-16 looked to the side, avoiding his friend’s gaze.

“you can’t keep doing this, pax. ONE more stunt like this and I’LL be the one to get-”

“what happened here??” elita snapped her head towards the newcomer’s voice, expecting maybe another miner, but her angry scowl quickly faded away once she saw who it was.

it was elita’s superior.

it was you.

oh primus, beautiful, amazing, spectacular you. orion felt a rush of warmth cover his face as you walked in along with,,,

oh- with darkwing. of course he was there with you.

STILL- you just showed up with no prompting, and two days in advance no less?? clearly, this was important.

orion fixed his posture and tried to dust off any grime he had on him. d-16 chuckled quietly at his best friend’s excitement, before turning his attention to you.

“(y-y/n)! i thought you were coming to check on our sector in t-two days! i’m so sorry you have to see my team like this i swear it was an accident-” the poor pink bot stammered, much to darkwing’s amusement and to your confusion.

“what accident? the cave collapsing? that’s normal, elita-1. don’t worry about it. you’re telling me it was a complete accident so i will take your word for it.” hearing those words coming from you made elita feel like she was just told that sentinel finally found the matrix of leadership.

“oh, thank you, thank you,,,” orion and d-16 watched as elita continuously thanked her superior, chuckling.

“well, that means we don’t get our butts kicked too, thank primus miss (y/n) was here.” the red and blue miner said, walking away from the scene with his pal.

“yea and now we can just finish this shift and relax-”

“d-16?” the two stopped in their tracks, slowly turning around in an almost comical way to face the much taller femme bot.

orion’s servos trembled. he felt embarrassed, he was over here making a fool of himself with how obvious his crush on you was. literally everyone who steps foot in the mines knew about it, aside from, clearly, you. heck, even darkwing seemed to know, considering that despite his optics not being visible, he clearly was glaring at the cog-less bot.

or maybe it was just his usual routine of hating them.

d-16, however, gulped and let out the tiniest of “yes?”. ohhh boy, what now?? did she assume that the cave collapsing was his doing?? did darkwing tell her that-

“you’re at the top of your ranks here, correct?” his train of thought was interrupted by your soft voice, watching as you knelt down to his height, placing a hand on his shoulder, which shocked him a bit. orion stared at the polished hand on his best friend’s rusted shoulder with envy, his optics narrowing just a smidge.

“i already spoke to elita about this, but i also want you to hear it. i’ve heard some great things about you, and how you excel amongst your ranks. so i just wanted you to hear this.” d-16 felt frozen.

‘what is this,,, feeling? my face is burning,,’ oh indeed it was. his face flushed in a deep blue as he anxiously waited for your next words. just your soothing voice got him like this and he simply couldn’t understand why.

“,,, i need you.”

,,,

WHAT???

the first to react was darkwing, who let out a very outraged grunt of confusion, as if you just cheated on him with a MINER of all people in his face, followed by elita, the other miners and orion gasping, everyone turning their heads towards the two.

“,,,w-what?” the gray miner’s voice box barely even processed his astonished question. he felt as if his circuits were frying up by how hot he felt.

orion’s expression showed bewilderment and a hint of betrayal. this,,, wasn’t fair?? well- he knew it wasn’t d-16 who said that to you, but he still couldn’t help but feel jealous.

he wished it could have been him.

but then finally, you realized what you just said and removed your hand from the shorter bot’s shoulder, standing up straight and bumping into darkwing’s chest armor. “oh- p-please excuse me. i- uh, i chose my words wrong.”

the onlookers decided to stop eavesdropping, realizing it was a simple mistake on your part. that made orion sigh in relief, which didn’t go unnoticed by d-16. but his attention was quickly brought back to you.

“my apologies, i- i would never say such things- not during work hours, i’m sorry- what i meant to say, i need you- as in i need you to help keep up the good work to motivate the other miners to do the same. it helps your ranks as it helps mine if we all put our parts to make a difference. s-so, yea.” you looked around, avoiding eye contact, a small blush remaining on your face. both miners nearly swooned at such a cute expression on your face.

“i just needed to do an early check up according to sentinel, that’s all. thought i’d try and give some pep talk and you can see i have to work on that,,” you giggled before clearing your throat and staring down at the mesmerized bots.

,,,

“goodbye.” and with that being said, you quickly marched back to the main exit with a very, VERY jealous darkwing in tow.

orion turned his gaze to his best friend, who watched you depart with a dreamy look on his face. the red and blue bot sighed and gently shook his shoulder.

“d?,,,” oh he knew.

he recognized that stare. the same stare he gave when he saw anything megatronus prime related, that same glimmer in his optics. it was that same spark that orion had when he first saw you.

oh primus.

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🩷send me a burger !! : ko-fi💗 🩷visit my other socials !! : socials list💗 🩷writing requests rules !! : info list💗

#orion pax x reader #d 16 x reader #transformers one x reader #transformers x reader #fluff #transformers one #transformers one fanfiction #optimus prime x reader #megatron x reader #writeblr #writing #writing requests open #orion pax #d 16 #darkwing #elita one

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therealslimshakespeare · 10 months ago

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Masters of the Air Fanfic

As requested by sweet @arianatheangel-girl and the subsequent poll for a “Buck Cleven Fic before the series comes out” -and I, being a madwoman with no impulse control and a faint recollection of the book, have delivered…this…whatever this is

Song Challenge: i was challenged by dear @the-ugly-swan for a twenty favored songs challenge and I’m gonna go ahead and make this part of it. August by Taylor Swift informed some of the bittersweet timeline here, with infidelity not being the enemy but rather the lack of possessing oneself fully during wartime to give to another

Spoilers: historical accuracy and inaccuracy abound here so, beware there are some biographical facts about Cleven in here that might count as spoilers to those who wish to watch the series with a blank slate. While to the history purists I must beg for a substantial amount of artistic license to be granted me, and obviously I’ve not seen the show yet and I crunched the timeline to my own will

Reader insert but without the use of “y/n” -I’m utterly fudging a bit on the likelihood of a WAAF lady being part of the American ground crew, however, I had in my minds eye the vision of a greasy mechanic and a glamorous flyboy and it wouldn’t budge, so shhh, go with the vibe

Warnings: mature, 18+. Fluffy smut was requested and while it is very brief and mild in here, not very explicit in phrasing, it’s quite present and a plot point so beware. Also, Virgin!Gale has my heart so we went with that. No shade to dear Marjorie irl, I’ll probably end up writing fics about her once the show gives me Inspo. Some angst due to war, POW’s, etc, mild language

Word count: a monstrous 12k

They came in like locusts at the height of summer, long prayed for, oft cursed in moments of perilous isolation, those ever so intriguingly shiny Americans.

Swarming with a metal buzz over the flatlands of East Anglia, big hulking beasts touched down on fresh tarmacs with more grace than anything that size ought to have, flashing the most bizarre and suggestive paintings on their gleaming fuselages. Flying Fortresses, they were called, and deserved the name. Nothing but the biggest, the loudest, the most alarming machinery would do for the American war effort, and now all this mighty strength was Britain’s too, no longer alone, no longer enduring.

Now the fight could be taken to the enemy in earnest. Out of their flying ships poured the most alarmingly young looking faces, jaunty hats and leather jackets, they looked every bit the sort of fellows war was advertised to.

Farmers in their tractors, mothers with daughters still under their command and RAF veterans all looked askance at such pristine warriors. Had their fertile fields been paved into airfields just for this? Were these gum chewing boys the long expected aid? It wasn’t anti-climactic, nothing American could ever be, it was all just alarmingly fresh. It was understandable then, the initial tentativeness the locals felt towards their new occupants, the way the boys took up such space in the rural villages, made such a racket in the pubs, chased every skirt that swished in the rainy summer breeze, stuck hands out for a shake no matter the introduction. They were a warm, boisterous and confident lot, all much needed attributes in wartime Britain, and soon, the initial distrust of the citizenry thawed, hands were shaken in return and invitations made. An amiable amalgamation eventually occurred, Norfolk never to recover or return to whatever placidity had been her’s before the arrival of the 100th.

Personally, you couldn’t wait to get your hands on them. The planes, that is.

Amalgamation was less a choice for yourself and your service members than a duty. It was abnormal, having a mixed ground crew, British and American servicemen too often clashing in hierarchy disputes for it to be standard, but with deployment rates so high and casualties mounting, ground crew became a case of whichever skilled individuals could be called upon to keep the operation running, the pilots up and the enemy bombed.

You were just glad to be near home, first time back since ‘39 when you’d signed up in the Women's Auxiliary Air Force -even if your rural hometown was now overrun with Americans. They weren’t a bad lot at all, at least not the ones you’d encountered so far on base. Amiable and unexpectedly eager, undeterred by veterans’ grim looks and tales of the woodchipper across the channel, that line of anti-aircraft that shredded anything trying to penetrate the continent.

“Better get crackin’ then.” Was the common response followed by a grin.

Your crew chief sergeant, Ken Lemmons, an American with a forelock of sandy ringlets and the patience of a saint, made the job easier even as every ounce of expertise was exacted from each man -or woman- under him. Feeding a fiery chain of bullets into the turret gun under a hot July sun, you thought your papa may have had the right of it when he tried to dissuade you from choosing the harsher duties of the Auxiliary Force. You could’ve been pouring over a map in the cool of the boardroom right now, or passing on radio messages, even shuttling planes would’ve been more relaxing, but no, you’d spent your life passing him tools in his garage, your papa had been building flying machines when most for these boys were still in diapers, and that path called to you, too. So for you it was grueling maintenance work and the ever present grime of grease on your hands and the awkward reach of twisted metal repairs. Gratefully, after their first mission, there were plenty of them back safe, however riddled their fortresses might’ve been.

It was interesting, the way certain of the flight crew treated the ships. Some were endeared but indifferent to their repairs while others hovered at each hole and tear, like over protective mothers, while you and your mates tried to do your jobs.

Why, one plane in the five assigned to your care was even named “Our Baby”. With such a moniker it made sense that its porcelain faced pilot would caress the shredded wing with a misty eyed frown at each wound, like it were a breathing thing, a race horse, a friend. You didn’t judge it, and he didn’t seem aware of his audience, he’d be back out there doing his own check up after debriefing. Never interrupting your work, always quick to step aside or duck out of the way of a ground crewman’s path, it wasn’t time to chatter or make introductions, although sometimes when the work took long and his reports longer, he’d be there to bid goodnight to you all, soft, American drawl saying “Goodnight, thank ya, goodnight, good work, thank ya” again and again to each.

You grew to recognize them, the ones each mission spared, there were so many and under hats and bundled in leather jackets they tended to blend together, but there were those who made their mark, if not on you then on Dorace in cartography and Eileen at the Red Cross. There was much tittering and speculation, after all, spread thin as their time was, there was also plenty of off time, made all the more charged and anxious as it came in the form of waiting for new orders. The men would be vibrating with nervous energy and generous in the flush of a recent victory and they took it out on the little villagers who in good British fashion took it on the chin and challenged them to a contest of good spirits.

Those were happy days, less anxious than the preceding ones and less heavy than those making up the year after. You dared be roped into the multiple pub crawls, often choosing the most sensible and quiet of the group as your victim and attaching yourself to their side for the evening. This tactic had its fallibility, sometimes those moderates were such a bore as to be unsupportable or hadn’t enough verve to make a full night of it and retired early like respectable, curfew-abiding saps. That’s how you found yourself one night ensconced in a beer pungent corner of Flaggen’s, green leather seats sticky under your palms, with Major Egan fanning out a wad of cash in front of you. It was a blatant attempt to bribe you to clear his aircraft sooner than the last inspection suggested.

“Suggestions” was Egan’s term for regulations.

If you were less tipsy you wouldn’t have giggled at the man’s idiocy, but his arm was heavy around your shoulders and this very cash had bought you one too many gin and tonics. “These regulations keep you alive!” You chided him, shaking your head and feeling the room tip as you did. Truly these Americans could hold their liquor, almost as well as the Polish Squadron when it came to a binge.

“A little flack isn’t gonna keep her down.” he scoffed, “I’ve been grounded for a week now-“

“-I don’t have the authority-“

“-and I’m not gonna sit here while Buck goes up and racks up his number!” Eagen was vehemently slurring and your drunken mind tried to process who Buck was, if not Egan himself.

“Aren’t you Bucky?” you asked, bewildered.

-Americans and their nicknames.

“Yeah.”

“So who’s Buck?” you concentrated very hard on the ancient coaster beneath your latest pint.

“It’s Buck! It’s Gale, Cleven, Major Gale Cleven!” Egan waxed louder and more dramatic with each addition. “You keep clearing his plane! But not mine! Why’s that, huh?”

“How do you know that?” you asked, dubious and only in the raucous of this little pub would his loud voice go unheeded. Compared to the ongoing dart game to the left behind the half wall, an elephant’s trumpeting would be considered bashful.

“ ‘Cause he tells me?” he replied, bewildered at your slowness, “Says you and your crew are little fairies, crawlin’ all over his plane and patching it up better than ever after each mission. And then you clear him. Simple as that.”

“I don’t have authority to clear anyone.” you repeated.

“Huh,” Egan grunted, “how’does he mean then?”

“I don’t know.” you replied firmly, “I doubt I’ve even got your plane, i don’t see you around.”

“I don’t stay around, that’s your job, patching up. I just fly the damn thing.”

“Oh, well.” you shrugged, “I’ve had five, it’s down to three after last mission.” Three years ago the mention of that ratio of losses would’ve sank your mood to the floorboards, by now it’s horrifically routine. “What’s yours called?”

“Mugwump.” he grinned proudly, a flash of white beneath his dark mustache, the man’s face positively shimmered with sweat.

“Serial?” you asked demurely, just to be difficult.

He squinted his eyes shut briefly, head tilted back as if to ask the heavens for help and the recited in a drill master’s staccato “42-30066, ma’am, yes ma’am.”

You giggled again and Egan’s arm jostled your shoulders, smushing you further into him. They were good fun, these boys, didn’t even mind your horrifyingly unflattering uniform with its bulging pockets adding bulk where your curves should take center stage and your stupid pleated cap making you look to be half baker, half doll. You preferred your plain navy coveralls but you’d hardly be let into an establishment in them. Egan’s warm arm didn’t seem to mind the excess poof of the material, he smashed it right down with his hand’s firm grip, he was fun, you decided, no harm in good fun. “Alas, not one of mine.” you sighed, focusing hard on the serial number.

“Damn.” he swore, playing at dejection.

“No,” you went on, “but I’ve got this one, a very spoiled one, maybe you know whose it is. They named it ‘Our Baby’!”

Poor manners and personnel etiquette though it was, you couldn’t say it without tittering.

Egan didn’t laugh, he just looked at you like you’d proved his point. “Yeah,” he replied vehemently, “That’s Buck Cleven’s!”

“Oooh.” -So it was him, the fighting cherub, the walking doughboy, toothpick, baby at wings: there were a dozen or more nicknames you and the ground crew gave the wing-petting Major behind his back. “He always says goodnight to us.” you said instead.

“Is that where he is when I wanna go for a drink?” Egan exclaimed, “Ha! You’d think he was married to the ole ship.”

“He handles her beautifully.” You feel oddly compelled to defend, he’s a master at flight and as someone who must repair each fault of his landings and his leavings and his missions, you feel some loyalty to his finesse. “He handles her so well.” you repeat in the tone of a woman who’s seen some aviation in her time, young though you may be.

“Well let me let you into a lil secret,” Egan smirks and you brace without knowing why, he is, after all, not the respectable and dull men you choose to go out with, he is the dangerous sort you bring those dullards along to deter, “shes the only ‘she’ that boy has ever ‘handled’ -if ya get my drift.”

The sleazy wag of his eyebrows leaves no room for ignorance, you feel your face heat up, wether in prudery for the topic or second hand embarrassment for his friend’s sake, you don’t know.

“Nothing wrong with that.” you reply coldy, only to distance yourself from the road his body language seemed to be hurtling you both down.

“Quite right. Nothin’ at all!” Egan agrees vehemently, his smile easy and his eyes clever “But I’d be a poor friend if I didn't try to remedy his predicament.”

“Telling me is somehow part of this remedy?” you were suspicious, rightfully so.

“Maybe.” Egan drawls it out, shifting in his seat to no longer corner you, his attention drawn to the nearby dart game. The man of the moment, the subject, the handler of planes and none else, was not here. He had such a luminous head of golden hair, it would be a beacon amongst the muddy haired crowd flinging darts. “The thing of it is, dear,” Egan confided, “I've had an absolutely marvelous time since I got here. And I think that’s rather essential, for sanity and for international relations, don’t you? I’ve gotten to know all sorts of wonderful people, lovely people like yourself-“

“-word is, you’ve known them a little too biblically, no wonder Cleven avoids your outings.” You could not help but temper him. “Half of Great Britain has had the privilege, if some are to be believed.”

“And so what if I have? I love dancin’!” he laughed quite happily at your barb and you didn’t have it in you to pull down any further a man who was sacrificing so much day in and out. “Getting to know Great Britain is a better occupation than pettin’ plane wings under the moonlight.”

You tittered again at his words and the oddly endearing memories you had of watching Major Ceven petting and whispering to his plane like she was his long-standing beloved, loitering ground crew unheeded. “He does do that.” you agreed.

“Hey, everyone’s got their method.” Egan insisted in his friend’s defense, “But I have told him, it’s good for the morale to mingle, even if he hates drinkin’.“

You pucker your face at that. “I know he mingles, Violet says he’s a doll when he goes to market.” you point out, small town chatter gets around and while you can’t say you know Cleven, you know he’s mild mannered and precious. And a terribly pretty face too, which isn’t fair, he oughta be an ass which a face that cute. “And he got a tan from somewhere last week.“

“Oh, so ya noticed!” Egan is triumphant, “A bunch of us used our day passes to go messin’ around in boats on the canals.”

“Good for you.” you didn’t know what else to say. “Why are we talking about him? What’s your point? I can ask for your plane to be transferred to my crew, but it won’t get you a sloppy clearance. And if your friend is so socially awkward he can’t even manage a pub night, you can hardly expect me to be flattered that you consider me prime material to throw at him.”

“He’s not awkward.” Egan cut to the chase quite serious, in mission mode, “Buck just had his hopes tangled up back home, and now he’s here he’s finding it hard to accept that hopes were all they were. She’s real moved on.” Well that had hurt, you winced in sympathy. “I warned him, everything during this war has got to be taken as a bit inpermanent. Don’t fall in love with Texas girls when you’re headed to England -via: Louisiana, Indiana, hell, by New York she’d stopped writing.”

“And now the texas girl has-“

“-found a Texan, I guess.” He shrugged and chugged the last of his pint. “She’s gettin’ married, it's really over. So, -“ he made a broad gesture as if to explain his reasoning for this entire segue. “-you like projects, you wouldn’t be in the line of work you’re in if ya didn’t, so whaddya say?”

You looked around the dimly lit pub in search of two things, sunny blonde hair and a clock to tell you how badly you were going to regret this night, come morning. “He’s not even here.” you balked.

“Well, no-“

“-what I say is,” you grinned at him disbelieving, “you owe me another gin and tonic for subjecting me to such inane chatter.”

His grin should have served as warning enough that he would neither drop the subject nor let you off free this evening. In fact, the ticking clock and its late curfew breaking hours became the least of your concerns come morning. The cool wash of bitter juniper blended into the pungent flow of beer, it blurred everything, soon there was a great swelling of pride for your native village, a pub crawl was on, all three visited and drank from, an army Jeep was requisitioned without authority, there was some incident regarding a policeman‘s helmet. The latter being the reason why you found yourself in “jail” the next morning, nursing a raging headache and questioning life decisions while glaring at John Egan’s polished boots.

There was very little talk about bail or Air Force hours being exceptioned, the more pressing concern to the Bobbies who had nabbed you was the coed holding cell. Thorpe Abbotts was a small place, after all, and you liked it that way. If this overly indulgent night could be kept away from the military police, all would be well.

You had one hope: Harry Crosby was sensibly absent from the holding cell, having a keen sense of when to depart from the raucous joyride at the precise moment to save himself a demerit. It was an extreme embarrassment to you that you’d not had the same sense. In fact, fond as you were of a bit of a knees up, you couldn’t quite credit the fact you had allowed yourself such free reign, or accomplished such foolishness. Glowering at Major Egan’s face now, animated with delighted chagrin at your shared plight as it was, you vowed to never again hook your fortunes to his, as it were.

Your resolve, and humiliation, was about to be compounded, exponentially.

There was a bustle of a visitor entering the precinct, easily heard in the small space, followed by the low hum of mild mannered conversation. It went on for sometime, and no amount of straining at the bars and cocking of ears would allow you, Egan or your fellow misfortunates to ascertain the gist of it. Violet’s husband was the main constable, and you were quite certain he’d be moderate in his sentence, he had his helmet back, after all. It was the Air Force penalty of not being on base in time this morning that you feared, a growing nausea that compounded the misery of your aching head. They’d not discharge Egan, they’d probably not even demote him, he was too crucial and he’d done this one too many times for it to be grace alone saving him. When he was needed, really needed, he was there. That’s what counted. The same could be said of you, but that hardly mattered given your low rank.

Violet’s husband, also known as constable Herbert, came in sight and with a jangle of keys and a tap to the side of his nose, swung open the bars of infamy and gestured for you and your fellow inmates to file out.

“All sorted.” He declared. His gaze lingered on you as it had many times in your life when you’d been caught jumping in puddles after church, “Let this be a lesson and a warning to you.”

You tried your best at both obeisance and penitence, both of which were rather natural feelings at the present time, while hurrying past as fast as was respectful, your approaching shift hours making your heart thump in panic.

On the steps outside, your savior was loitering against the wrought iron fence, thumbing at the petunias in the nearby window box. Gale Cleven was a mile long of lanky body in perfectly pressed and tailored Air Force greens, fresh faced as the good conscienced are, hair combed without his cap and a smile on his soft face that was composedly long suffering, rather than endeared, as he watched you miscreants pour out of the modest brick building.

You stumbled to a halt on the first step at the sight of him and allowed your instincts to take over, hands smoothing down hair and skirt with frantic self consciousness. You must’ve looked a rumple.

“I hope last night was worth it.” Cleven drawled in that voice of his, so oddly deep for so fresh a face, his placid smile growing into something more genuinely mirthful as Egan smooched at him in gratitude and swore that he knew his Buck wouldn’t abandon them, that his Buck would pull through for them. “I order a round of toothpaste for everyone and cold showers, you stink.” Gale shied away without any real effort, nodding in greeting to the boys he recognized.

Then, as if in the most painfully slow motion with all the strong string accompaniment of a silver screen scene, his eyes landed on you and an odd ache formed in your chest at the anticipation of his disapproval.

It made you tense and draw yourself up to your full height, looking about as regal as a drenched bantam in your disheveled dignity, but you weren’t about to be relegated to another tier than these boys he so amusedly indulged.

“Y’all know what time it is?” he asked mildy, those azure orbs with their batting dark fringe didn’t waver and you realized he indeed had more guts than you’d given him credit for.

There was a chorus of ��no”s and various guesses based on the fast evaporating fog and the lightening sky.

“Zero five thirty.” he ended the suspense with the cock of an eyebrow at you.

“Shit!” Egan was suddenly animated, “Shit, shit-“

“Hey, you keep your swearin’ away from my sweet lil corporal.” Cleven chided, and it took you a brief moment to startle upon realizing he meant you. And he thought you sweet? “C’mon Miss,” he waved you down the steps and for some inexplicable reason you felt very compelled to obey and suddenly stood beneath his gaze like a dutiful child awaiting deliverance or censure, “I’ve only got this bike, petrol allotment ran out when we went to the canals last week. But it’ll get ya back faster than this lot. Reckon you can manage on the handlebar?”

“Wha-?“ you glanced sideways at the bike with its large, sweeping handlebars and second guessed his meaning until he himself was straddling it. His legs required the seat to be hiked up impossibly high and the narrow nip of his waist was accentuated by the posture. Those padded, fleece puffed jackets you had seen him in had done no credit to his form, a toothpick he may have been with how terribly lean he was, but he was firm in all the right places. He was also waiting on you to answer while you ogled him.

“Gosh yes, I can, if you’re sure? Awfully kind of you.” you blathered and moved in a hurry to make up for your stalling, keenly conscious of his eyes on your back as you shimmied your backside up onto his handlebars, feeling the warm press of his hand as he helped steady you from tipping all the way back. You wiggled on the thin metal bar, spreading your legs on either side of the front wheel and doing your best to ignore the raucous commentary of the still tipsy audience of your fellow inmates swaying on the precinct steps. “Y’all just be glad there’s no mission scheduled today.” he snarked to them instead and they chimed up that last night’s idiocy was calculated with that in mind.

“Huh.” Cleven uttered, unimpressed, behind you and it made you shiver, worse than if your father caught wind of this stunt. “Darlin’ put your hands over mine, s’gonna get wobbly takin’ off.” he directed next and you did as you were told, looking back over your shoulder at him with a grateful smile that you were relieved to see returned, pink lips stretching and a freckled nose bunching up sweetly when all of the sudden a rush caught you by surprise and the bike was in motion and you whipped your head back to view the street as it rushed up ahead of you. “See ya boys!” he hollered out as a mutinous babble rose from his friends at being left to jog back.

The young man could put some speed on a bike, uphill too. Or, as much of a hill as could be found this far East. You could hear him chuckle when you squeaked at the first jolt of a pothole, your thumbs hooking under his hands and curling into his palms. They were warm and calloused, dry from the cool breeze and you may have imagined the way he squeezed them in assaurance but you did not imagine the way his voice piped up again, smooth and conversational: “Harry told me if I was quick I could get you out in time, I think we’re gonna make it. S’dont worry, even if Sergeant Lemmons gives ya trouble, I’ll insist.”

“That’s really too kind of you.” The chill of windburn and a substantial amount of remorse made your cheeks glow scarlet. “All of it is. I’m rather ashamed.”

“I didn’t take you for an all nighter sort.” he agreed but followed it with a soothing compliment, “You’ve always been nothin’ but perfect. P-p-perfectly punctual, I mean, and there’s no reason to let Egan’s idea of fun ruin your record.”

“Wasn’t his fault. Not wholly.” you sighed, giving Violet a bashful wave as you passed her opening the shop, a wave which Cleven mirrored behind you and between the two of you letting go the bike, it nearly dumped you both. It was luck and sheer persistence that righted you and kept your balance. “I’m afraid it’s a bit of a bad habit, picked it up at Northolt.”

“Where’s that?” he asked.

“South, by the coast.” you said, unsure why you felt the need to explain your debauchery away, “I was working a ground crew down there for a bunch of Polish Pilots. Spitfires mainly. That squadron nabbed the most kills of any in the RAF back in ‘40. Why, even Churchill visited more times than I can count, he found them good fun. Too much fun, they never went to bed without downing half a barrel. There was dice built into the bottom of the pints at the Black Bull, rather addictive, rolling to see who would buy the next round. —There was always a next.” You added upon reflection.

That was also the year you had lost your brother. The correlation between the habit and the loss wasn’t to be dwelt on.

“Huh,” Cleven let out one of him contemplative hums, “and how do we compare?” he asked surprisingly.

“How?” you laughed, daring to crane your neck back to see him in the early morning sunshine, pretty and sweet and arch in his expression. Dusk had not done his mama’s work on his face any justice, it made you want to pant he was so pretty.

“I dunno, in any way,” he laughed in turn, not even breathless as he sped the bike over the cobblestones, the village barely awake and mostly quiet, “how do we compare?”

“To the Poles?”

“Or the French. Or your own, the RAF ain’t no joke.” he amended, “Whoever is our competition.”

“So it is a competition.” you smirked -how very American of him. “Depends,” you hedged playfully, “Our boys are so very nice, familiar, they never run out the right coinage during a date either. But the French are better flirts while the Dutch are better dancers. But the Poles, they know how to romance. Lots of hand kissing and flowers, so many flowers there had to be rules made for overstocking the billet.”

“Sounds like we gotta step up our game.” he decided.

“Is that what you meant? How you compare? First impressions?”

“I-I- guess, yeah.” he now sounded confused, “I mean, what else? You got scores for aircraft?”

“I do.” you replied, as it was true, “But that’s unfair, you’ve only just arrived. I thought maybe you wanted to know something more -salacious.”

“Like?” His tone behind you was guarded and you doubted if the alcohol of last night were not still buzzing and fortifying your brazenness, that you’d ever go through with what you said next.

“Other performances. For instance, in bed.”

You felt his fingers flutter around the bars beneath your own, you gripped them tighter, not just because the stretch of old road before the air base was ancient and pitted but because you were in an agony of suspense as to how he’d take your forwardness.

“There’s a record of that somewhere?” he asked at last, a beat too long, too delayed for casualness, too morose for flippancy.

“In fact there is.” you responded carefully. “A little diary of rankings, actually, there’s multiple and whenever there’s a grand assembly of the WAAF or the WACs, they’re passed about and tallied.”

“Sweet Jesus.” he swore behind you, “And here I’ve been chalkin’ up railways and munition dump targets like they’re some achievement.”

“Oh it’s all a bit of silliness.” You assured, not intending to make him glum.

“Do-“ he hesitated and you prayed for strength for him to spit it out as the airfield came in sight on the flat plain ahead. He didn’t.

“-Do I what?” you prodded softly.

“Are one of these little tallies yours?” he asked miserably.

You grinned to yourself and felt the sunshine seemed brighter and the air crisper than ever before as it rushed in your face with the slowing speed of his bike. “No, not in the least. I merely keep track of Sally’s ledger. It’s all a bit too -messy, for me.”

You dared peak behind you again and he looked relieved, then blushed furiously at your observance of him. “Well, who does Sally say is winning?” he dared.

“Romania.” you chortled and he did too, in shock if nothing else. “But Egan’s caught wind of it, he’s quite determined to save your country’s dominance, you don’t need to sweat it.”

His frown was back and you had to focus on not falling off as he slowed the bike to a halt, momentum precarious as his long legs kicked out and walked it the last yard to the segregated barracks, you felt his hand again on your waist to steady you. “Does that bother you?” he asked earnestly, sorrow in his blue eyes.

He offered a hand for you as you hopped down and it was you who held onto it long after it was needed. “Bother me?”

“Yeah, him -consortin’…with Sally?” he pressed, hands quite engulfing your one, “Does it hurt you? Bucky, see, he doesn’t mean to hurt, he’s just so-“

“-Blimey, you are a dear.” you marveled and then amended your interruption as your amusement only further creased that sweet face, “If I am ever again in Major Egan’s company, it will only be to escape it just as quickly. I’ve had quite enough of…consorting.”

“That so?” The lackadaisical confidence he exhibited outside of the precinct was back again, a not unattractive smirk plastered on his vulnerable face, a scheme in his guileless eyes. “Had enough of holding cells?”

“Quite.” you smirked back. “A quiet family dinner is more my style, the occasional picnic, even a zip round Oxford as one must show the foreigners about.” you paused and squeezed his hand once more, “And I do enjoy a bike ride.”

You did not know if he cataloged your preferences for an ideal date or not, life was busy, after all, and the momentary frolics in the July sunshine and banter on the tarmac and evenings in the pub were the exception. Time went on. Most of life was spent in the air, in his case, and in yours, beneath the belly of his beast, wrench in hand. But ever after his gallant rescue of you, there was more than the passing “goodnight” paid to you, there were cheerful smiles on his exhausted face when he returned from a mission, as if you were the one face he was coming back to. With an old familiar dread you noticed the way you begin to take each hole and dent and damage to his plane personally, as if it had been exacted on something precious to you. You have begun to care, for him and for his men, and your tired heart could barely do more than dread what that might lead to.

Good fun. That’s what these boys were supposed to be.

Gale Cleven hadn’t proven much fun. And somehow that was worse. It was worse and also unbearably honoring to be the last face he saw before taking it off, flags in your hands waving in front of his hulking bomber, giving the old familiar directions for a perfect takeoff, one he executed sublimely time and again. His sober, purposeful nods to you before he engaged and taxied out for a mission of death was more intense and intimate than any bouquet or even, your thought, a kiss. It was true the donut dollies on the sidelines were often the last faces of home that many of those boys would see. But in the his cockpit, looking down at your shrimp sized figure on the tarmac, both Major Cleven and you knew that for him, it was yours.

Once, there was a scare, in the first days of august. More than a scare if you were being honest, your heartbeat about stopped and didn’t pick back up for a few hours until word came in. The rest of the base wasn’t much better.

Ten planes had not come back. -Among them, Our Baby. And Mugwump. For two officers, so crucial, so senior, idolized and beloved as they were, to not return, was a blow like none other. You weren’t alone in hovering around the control shack, taking license of your friendship with Dorace to get a play by play of any news. When news came, such as it was, it was both relieving and exasperating.

It would seem there was some problem, a defect or too great of a hit. Orders to land in enemy territory were ignored, however, by Cleven no less. He had doggedly pushed on, safely landing them in allied Africa, of all places. It took almost a day for this information to finally be pasted together, by the end of it you were sad, haggard and half useless in your coveralls, stupendously relieved for a man you were supposed to feel professionally about.

Instead, that night, tucked in your own bed after a meal with your parents and little brother, you thanked God for keeping him -them, all of them- safe. And found yourself pondering the tan on him when he got back from his African foray. Some jealous part of you feared he might be kept there but a week later the thunderous hum of approaching bombers buzzed the air overhead of Thorpe Abbotts and the satisfying thwump of wheels touching down brought them back. There was a frenzy of greetings, flight and ground crew eager to welcome them back, the radio operators, too, and even the civilians who’d managed to get on base.

Your little brother among them. Donald wanted to see them back safe and it wasn’t dangerous, and it wasn’t dire, not returning from a mission the planes wouldn’t be in such poor shape. They’d been repaired in Africa, enough to fly them all the way back to England. So little Donald was nearby and when the crowd parted and a bee-line for Cleven became apparent, he took advantage and gave the young man a firm handshake in greeting.

“Hey buddy, thank ya, who do you belong to?” Buck laughed while returning the firm grip.

“I’m her brother.” Donald pointed you out proudly among the dispersing crowd and you rolled your eyes at his expectancy for Gale to know or care about you, more than your most pertinent work on base.

“Oh are ya now, hers, huh?” he grinned at you, “Been talkin’ about me?” he greeted, there was a still healing scrape on his left temple that your fingers itched to soothe. How badly had he hit his head?

“Of course I have.” you defended, happiness bubbling under your lips and threatening to make you smile more than was professional, you could see Sergeant Lemmons observing you from the side and tried to keep some decorum. “We thought you’d died.” You stated plainly, it wasn’t any secret to Donald, as soon as the plane had gone missing and before radio contact had been reestablished, you’d rushed home and made the family pray over supper.

“We’ve been praying for you.” Donald agreed, and you saw Cleven startle, a gasped intake of breath between those lush lips and his eyes seemed to water as he searched first your brother’s face and then your own.

“You have?” he choked out, raspy and touched.

“Yes.” you whispered, mouth twisting in a ugly grimace to hold back your own emotion. It was of little use, something beyond War Effort investment in his well being had been admitted. “We thought you might be dea-“

-you didn’t finish your reiteration of your dread. Your face, a greasy and mist spattered face, was suddenly smushed into the padded leather of his bomber jacket, nose tucked right into the fleece apex where his pale blue scarf always rested on his throat.

He was hugging you, you realized with delayed surprise.

“-even though it made the potatoes cold, Da insisted on prayin’ every night after she told us-“ Donald was waxing eloquent on his own sacrifices of having one added prayer request lengthening his mealtime but you were oblivious to more than the firm press of Cleven’s still gloved hand to the back of your scarf wrapped head, some strong emotion shuddering through his body against your own. A tremor of terror and pain, you suspected, emotions he’d been suppressing all week.

After all, the saved weren’t supposed to be shaken up. They’d been saved, what was there to be off about? You’d seen enough pilots after a close call to know it was every bit as bad or worse than actual disaster. They’d send him right back up again in days, and that was what was expected, demanded, required. He was tremoring against you and you gripped him tighter, sympathetic and aching to cure it somehow. Even for a moment.

“We’ll keep praying.” you assured, and you heard him clear his throat, snotty and rough. “Oh, blast, I’ve positively greased your jacket.” you mourned as he let you go, finally, and you caught sight of the mess your filthy hands and face had imprinted on it during the embrace.

He chuckled as he looked down at the imprint, “S’fine.”

After such an exchange of emotion the air felt charged between you two, without privacy or precedence, it felt unthinkable to linger in that mood. You turned to his plane and pet the fuselage with unstudied fondness, it had been horrid having the old bird absent. You were not above having favorites and the love he poured into his ship, somehow, like some old fairytale truism, made the hulking metal beast lovable, in turn. “How’s our baby, hmm?” you asked him, giving him a sly smile and he took your proffered out seamlessly, joining you in cataloging the damage that had not been deemed severe enough to hamper his return.

“Don’t crawl under here, sir!” you protested as you wiggled under the belly only to find him beside you in the plane’s shadow, “You’ll be a mess!”

“I’ve already got stains.” he brushed your worries off, and you knew it was true. Bloodstains in fact. He had lost a man, the report said, and apparently, judging by his trousers, Buck had held the poor fellow as he bled out. “And I wanna show you the spot I’m worried ��bout.”

“Alright.” you conceded, allowing him to direct you to the nose. “Watch it Donald!” you had to reprimand your little brother who predictably followed after, “You’ll burn yourself if you touch that, this thing was just running.”

“Careful buddy.” Gale echoed gently beside you and pushed his little head down, more into a crawl. You refused to allow the gentle way he treated the brat to warm you, you refused. Or at least, you refused to let it show, the tingle and heat you felt being all too consuming to be denied.

He was lovely. But you already knew that. He was even more lovely when, upon crawling out from under Our Baby, he took his scarf from around his neck, silk decadently soft, flesh warmed and smelling strongly of his exertions, and swiped it across your greased cheek.

“You’ve got just a lil more…” he practically mumbled and wiped down to your chin, firm, gentle little rubs of the silk which required his other hand to grasp your chin to steady you. You weren’t sure when he’d taken off his gloves, but the feel of his skin on yours was heady.

“It’ll take a couple days.” You predicted regarding the repairs, “Which means you’ll have a few days free, if they don’t drown you in reports.”

“Oh they will.” he laughed, “But s’long as my days are free, means yours aren’t.” he pointed out.

“I guess that’s true.”

“We shoulda thought of that when we chose this line of work.” he joked and your cheeks flamed at the realization he wished to spend time with you. “But you’ll have your nights still, yeah?”

Coming from anyone else, the request for your nights to be reserved would strike you as suggestive indeed. But this was Buck, and when he mentioned nights you imagined nothing but taking him home for a tepid potato and rationed powdered milk supper and the warm reception of your family. His weary eyes suggested how badly he needed that. You could give it to him, and it made your heart glow.

“Yes, I’ll have my nights.” you agreed, “And you can have them, too.”

Sergeant Lemmons agreed with your estimation of Our Baby’s damage the following day and four long days after were spent patching up damage that suggested what a hellish ride that must’ve been. Someone else hosed the blood out of the bay but it turned the puddle on the concrete beside you sickly pink.

To and fro from office to barracks to observation tower, Cleven would stop by to see his ‘baby’ on these occasions. The heckling the ground crew gave you regarding this potential double meaning was agonizing and almost made his attentions not worth it. But then he’d be dropping to a squat to chat with you as you soldered metal, heedless of the sparks, or else bringing scones from the mess to refresh you and, again, wiping your face often with his fancy scarves despite your protests that it was futile.

And at night, on the second day, you made good on yours and Donald’s word and brought him to dinner. It was a quiet walk from the base to the end of the long main road, right to the outskirts of the village, where your family’s unassuming little thatched cottage nestled amongst mama’s victory garden, daddy’s aeroplane hanger and repair shop loomed ugly and dark behind.

The look on Buck’s face when you met him outside the base’s gate at seven in the evening in a dress and heels was worth capturing. But you hadn’t a camera with you and it wasn’t like you were liable to forget. His pure look of awe and appreciation for your cleaned up and girlish state was nearly comic if it weren’t so flattering.

“Darlin-“ he began in a rush but did not finish, only taking you lightly by the fingertips and spinning you slowly, his eyes wide like he was seeing a marvel, which, maybe he was, -your womanly form finally liberated from puffy uniforms and ugly coveralls. Wholesome as your intentions were for the evening, and indeed for him in general, it was some relief and delight to know he was capable of getting hot under the collar. His mama’s well drilled manners soon caught up to his unbridled appreciation and a deluge of charmingly proper compliments rained down on you next until you had to put a stop to his babble by tugging him down the road with the reminder of dinner as incentive.

“You’re sure they won’t mind?” he began his worries again, nervous to meet your parents.

If he’d been like the rest of the boys he’d know just how much mingling was already common. It wasn’t remotely odd to bring him home, not when you lived so near. “Don’t be silly, they’ve been begging to meet you and Donald has plans of torturing you with his plane models and Papa wants to show you his shop and mama thinks you're much too skinny, I’m sure she’s gone to the black market to grab something to fatten you-“

“-how’s she know that?” he interrupted in shock.

“Oh,” you flushed, realizing your misstep, “I’ve talked of you. And she recognized you, she and Violet are thick as thieves and -it’s not like you’re unremarkable. A physical description is rather easy to give when you, well, when you look like…you.”

“What do I look like?” he cried out but his cheeks were smiling despite his outrage, “Malnourished?”

“Like a lanky cherub.” you refuted and were pleased that the late summer sun was still bright enough at this long hour to show his pretty blush.

“A cherub.” he repeated in disbelief.

“Yes.” you were firm, both in tone and the press of your hand in the crook of his offered elbow, “And as we’ve been commended to entertain angels unaware, how much more when we are certain of one?”

“Oh shut up.” he begged you and you two staggered into each other as you laughed your hearts out. It felt good to laugh, for the both of you, and a little too foreign, as well. It left a hollow melancholy in its wake that was soothed by the near and swaying proximity of each other’s body.

“They’ll be glad to have you at the table.” you dared go on, feeling you should prepare him, should the subject arise, “I’ve a brother, you see, an older brother. Rafe, he was stationed in Burma. We’ve not heard of him in over two years. There’s an empty seat at our table, it takes a certain sort of soul to fill it without it feeling like a sacrilege. But you fit the bill nicely, I think.”

“Burma.” he repeated with all the gravity of a man who understood, who knew the ache of almost hoping a dear brother, a beloved son, was dead rather than enduring the slow hell of a Japanese internment camp. How awful to almost wish for a decisive end for one so loved. “No word at all?”

“None.”

“I’m terribly sorry.”

“Thank you.” you whispered, “And thanks for making it back, yourself.” you squeezed his arm jovially and felt his other hand fall atop yours there in the crook of his elbow and a sweetness filled you at the gesture, such as you’d never known before. It was peaceful and lovely and your little village suddenly looked as pretty and idyllic again as it was always supposed to, the routine route home was seen through his eyes, the eyes of a homesick boy with a soft girl on his arm, bound to meet her parents and inspect Donald’s plane models.

Your mother and father loved him, little surprise there, he was a darling and homesick and yours was a happy home, humble and wounded though it may be. Your mother was obnoxious in her delight the moment father took him out back to see where your expertise for welding first began, the little aerodrome, no longer fitted with pleasure craft but now fitted to scrap the more useless casualties. Mother pestered you as you helped clear the table, asking after him and whatever this thing was between you. When you assured her it was only dinner to fill that chair and some unfathomable knowledge that had grown each time you stood before his propeller and waved him off to death, she knew it for what it is.

War and the urgency of living that goes with it, shrinks long emotions into fast passion and steady hearts into foolish daring. Neither of you were the sort to tumble into the passing vogue passions that had seized hold of your friends and comrades. Yours was a quieter path. Even so, after the fourth evening of dinner rations and quiet fireside chatter and the patter of late summer rain on the roof, there was a kiss as he walked you back to base, his jacket over your shoulders, his shirt clinging to him and the sweetest intent etched on his misted features as his lips descended to yours.

“Thank you,” he had said so passionately yet so subdued, a wall of wisteria at your back and his honey blonde hair dripping into his eyes, “I’ve needed this bad.”

His words suggested the family dinners, his scorching lips suggested the molded flesh of your body in his large palms.

“So you’ve wanted this?” your breathed mixed, a hazy little cloud between you in the damp evening air, your little alcove of shelter from the rain under old Mosley’s shed was like another little world entirely, fauna filled and peaceful, even the ever present drone of machinery was drowned out by the downpour.

Your mother had been right, you should've waited longer till the clouds passed but you had both cited curfew -and maybe even subconsciously sought just such a predicament as the one that had you necking Gale Cleven in a wisteria claimed tool shed.

“I’ve wanted you.” he clarified, firm grip on the base of your neck punctuating his turmoil, his lips met yours again and whatever oath of abstinence he had chosen, it did not seem to include kissing. He was soft and persistent and all consuming, those restless hands migrating in an ever mapping caress, making every part of you thrum with butterflies. “Wanted you for a long while.” he spoke into your lips, “I think you’re just great.” And there was happiness then, untinged with anything temporal beyond the feel of warm flesh beneath cold, rain soaked cloth and lips that tasted of honeyed biscuits.

It was impossible to maintain the stoic propriety of behavior you’d once managed before, on base, after that. You knew now how he sounded when he moaned into your mouth and he his stare alone could make you blush, you had spoken to his mother on the phone and he had seen your childhood bedroom. He learned once, laying amongst sea grass on the beach during a cloudy Sunday, the silky moist feel of you beneath your swimsuit, his long, bashful fingers that were ever so fond of petting anything and everything, finally finding a place that responded to his swipes with jolts and gasps and sighs and pleasure. You peaked three times on that sand dune, Buck none the wiser as he had nothing to compare your little deaths to, you kept a firm grip on his forearm and told him he was doing marvelous and that’s all it took for him to be persistent. Persistent beyond what you imagined any other man could be due to cramp. He was getting freckles from so much sunshine, but it was well, the rains would be here soon come autumn.

These happy days had you risking your life to pause your work and watch his pretty form swagger across the asphalt to his next destination and he, ever so right and proper and by the book, became devil enough to lie in wait for you and catch you by the waist when you least suspected it and drag you into some abandoned corner.

Only to kiss you.

To kiss and to ask after your day, as if your evening was not to be spent sat beside him at table or the movies, lying on a picnic blanket with him near or in the back of a jeep on top of Mayberry Rise, the tallest point around where the stars ran into the sea on the horizon.

One of the first days of September, you made good on your promise to Harry and drove with him to muck about Oxford for a day and see the college, the library, too. It was a long ride and as you were at the wheel, Harry was gem enough to allow Gale along, too, and by the end of it, driving back late and in a rush before the headlights would be needed, you were quoting favorite literary passages to each other. As if you were all students, not misplaced youths in the business of killing.

You said as much and in the burgeoning gloom Gale’s rich voice asked if you knew any Henry Wadsworth Longfellow.

“Not Wordsworth!” Harry clarified.

“No, I don’t.” You admitted, for all your chiding today of their not being cultured enough, you didn’t know your American writers as you should.

“He’s got a poem for that.” Gale said, “For what you said. Or at least, it makes me think of today -that verse, ‘member Crosby?- the one it goes:

-I remember the gleams and glooms that dart across the school-boy's brain; The song and the silence in the heart, That in part are prophecies, and in part, Are longings wild and vain. And the voice of that fitful song, Sings on, and is never still: "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts."

The deafening silence for the rest of the car ride was filled with truth and your own heart was heavy when you bid them both goodnight that evening, headed to your seperate billets. You paused in you departure to turn back once more at the door and holler to Buck in the chilled September air, “That poem, is there more of it?”

“Lots more.” he’d spun round on his heel, pleasantly surprised at your inquiry.

“What’s it called?” you intended to search it out, though it was doubtful that a copy would be found near this remote place.

“How about I write it out for ya?” he suggested as if thinking the same.

“You’ve got a whole damn poem memorized?” you balked, incredulity warring with amusement that you should’ve guessed he’d be the sort.

“I-I-I might.” he stuttered before laughing.

“Then please do.” you grinned and threw him a kiss across the distance which he jumped up and caught from the air in a grand show of dedication. “Goodnight, cherub.” you wished him, “Sleep tight.” He had a mission in the morning, a daylight one.

“Goodnight old Bean.” He teased your accent and the door swung shut behind you blocking out the cold and the retreating sound of his footsteps.

If you’d have known that was the last time you’d hear them you’d have stayed an age out in the cold night listening to him go, memorizing the cadence of his gait, the sway of his shoulders disappearing into the twilight, the turn of his head as he’d throw a glance back at you, sweet and handsome and cheerful despite his ominous itinerary.

If you’d have only known.

It wasn’t like last time, like Africa. There had been no loss of contact. Dorace had heard every awful minute until the clock ran out. They’d been shredded, their precious ship turned into a raging inferno and Major Cleven’s gritted and garbled transmissions left only one hope that some at least had jumped out. Jumped out only to land in Nazi occupied Europe, it was a faint mercy to cling to.

The empty chair sat next to you again at the table and mocked you all. Mocked your hope and your resilience to dare love again. How foolish to bring home a man who belonged to a group they were calling “Bloody”, and not as a curse but an epithet.

The losses had been staggering all summer and now in September they hit close. You were confident that Crosby and Egan were every bit as dismal inside as you felt, Egan’s warm hand had clasped your shoulder like you were a fellow officer and told you he was sorry. You took the condolences and gave them back, a stupid little exchange that only highlighted how unspeakable some pain is.

Three weeks later, Egan’s plane didn’t come back either.

In your more fanciful moments you allowed yourself to imagine Egan and Cleven alive, somewhat whole and reunited. You could almost hear Cleven’s joking welcome, “What took you so long, Bucky?”

You’d indulged these fancies for Rafe, too, until years of silence suggested the worst.

However, this time, well into October and with an entirely new set of planes under your care, word came at last through the Red Cross, and the truth was exactly as you’d dreamed. There was only the paltriest letter back to command but it said they were well, they were alive, together indeed and being moved to the Polish border. Away from their own comrades' bombs. It was more than most ever got, and your family celebrated the news with the gratitude it deserved.

As October turned to November and your gloved fingertips froze as you worked, every sharp needle of chill reminded you of him, how much more awful it must be that far north, snow piled deep and muck everywhere and lice covered blankets and illness left untreated. As the holidays hurtled nearer, days of peace and goodwill you had planned to be spent with him, you were consumed by the dread of losing him to the elements since war had proven too clement. At night you lay abed and reread the one bit of handwriting you had from him, that damned poem he had written out, left under your door in the early dawn that had taken him from you.

My lost youth. That was the title of the thing. It cut like glass every time you read it, but Buck had touched that paper and looped those letters and dotted those i’s and it was precious to you. It became a prayer of sorts.

“There are things of which I may not speak;

There are dreams that cannot die;

There are thoughts that make the strong heart weak,

And bring a pallor into the cheek,

And a mist before the eye.

And the words of that fatal song

Come over me like a chill:—

“A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.”

Strange to me now are the forms I meet

When I visit the dear old town;

But the native air is pure and sweet,

And the trees that o’ershadow each well-known street,

As they balance up and down,

Are singing the beautiful song,

Are sighing and whispering still:—

“A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.”

Then, in January, as if prayers got heard, the most unexpected happened.

Major Gale Cleven, what was left of him after cold, starvation, murder and a treck across Europe, had returned. Things like this, seeing your lost beloved ride up to your workplace in the shotgun seat of a jeep, was the stuff of movies, hopeful propaganda or a woman’s mind that had finally cracked. You just stood there, welding helmet in hand, frozen rain spitting down at you, watching him jump out, watching Harry tear down from the observation tower to embrace him.

Dully, you could hear behind you Segreant Lemmons kind cheer of “so it was true, he got away from the bastards!” and a congratulatory thump between your shoulder blades. It was a moment of truth, to realize how far your faith had dwindled when the very answer to your prayers stood steaming with life in the cold air and yet you still could not accept it as reality.

“Baby.” his hands were warm compared to your damp cheeks and the span of them, so familiar and large, cupping your jaw with the calloused thumbs swiping at your temples, that was reminiscent of August and of happier days. Yet still, you had dreamed of him doing this, dreamed of a million different embraces and each time you woke up. “Baby, I’m back, I came to ya.” his voice was wrecked, from disuse and illness and whatever misery that had subjected him to. That, that was real enough, the rattling cough more so, you’d imagined his suffering in your worst nightmares too, this was something you could believe.

Familiar flesh was gaunt under your touch, gray cheeks where once there’d been freckles and the sinful pout of his once ruby red mouth was a dull violet, as if the vitality had been leached out of him. “What’d they do to my cherub?” you mourned, worst nightmares and wildest hopes blending into this one moment.

“Don’t cry, don’t cry f’me, I’m back. I came back.” he cooed to you, rough and sad himself, and your face was buried again in the placard of his coat, a great woolen overcoat this time, no fleece or any vestige of the swanky finery that got the flyboys ribbed for being soft, fancy, spoiled.

Nothing soft about these men, nothing gentle about their lot, nothing glamorous about being hurled down from the skies in a ball of fire.

“We kept praying for you.” you realized, it seemed important to tell him that however hopeless you all had felt, you’d gone through the motions anyway.

That was faith, wasn’t it? The hope of things not seen?

“I felt ‘em.” he said. “How else you think I managed it?”

It. -had managed it, that tiny word represented a host of terrors and miseries and unforgettable incidents that ricocheted in his brain like the lead fired into his boys head’s when they couldn’t manage a forced march, barefoot and underfed, in the snow.

Christmas had passed but January was not so very advanced, that evening your family turned back the clock and it was a matter of guessing as to who was celebrated more, baby Jesus or Buck Cleven. The two seemed intertwined at this point and in the warm glow of gas lamps and rationed toddy, with Buck’s hollow cheeks beginning to bloom and his dull eyes starting to animate, some part of you finally understood why so many felt worshipful on the holiday. The shit war rations felt like a feast, mama’s canned vegetables being the freshest thing he’d eaten in ages and with him sat at table again, empty chair filled, his hand creeping into your lap to lace with your own, there was peace.

Even the airforce, hard driving and high demanding though it was, took one look at his battered condition and admitted a period of conveyance was due. It wouldn’t do to send up a shoddy pilot, lose another plane, yet another crew or a hero of the hundredth. It’s not every day one of your squadron leaders escapes a POW camp and marches over occupied Europe and fordes the Channel to get back home.

A month was set aside. And you took as many weekday passes as you could during that month, happier than anything that he had been permitted to stay in town, to lodge with one of the locals. Rafe’s room was now occupied by him and mama’s broth was poured down Gale’s throat twice daily and his days kept busy with paperwork and Donald’s math problems. The ticking clock, the passing days, like the evil crocodile gobbling up time, was politely and britishly ignored in favor of enjoying what was. You no longer slept with the tear stained and crumpled poem clasped to your throat but his head lay there often enough instead. The thump of your heart helping him sleep, because exhausted and sick as he was, sleep and solitude were not comforts.

He was wracked with guilt for leaving Egan and his men behind, it had been every man for himself during that brutal forced march, he knew that and yet he’d left a friend behind. Buck waited for news of Egan like you’d waited for news of him. Nameless and senseless guilt ruining much of his own success and peace.

“He’d have expected nothing less of you.” you had taken to reminding him, “He’d be angry if you hadn’t taken the opportunity like you did.”

“I know.” he agreed miserably.

You admitted to him then, the horrid guilt of feeling that somehow, some missed defect or some lousy flaw had been the reason he’d been downed. Your work somehow not sufficient to keep him in the skies. When you’d admitted as much, Sergeant Lemmons had looked at you with all the censure such moronic introspection deserved: “Cleven got bombed to hell. He expected it, daytime raid and all. Blame the Nazis.”

“Blame the Nazis.” you suggested now to Gale as he lay sprawled in your arms, sweaty and feverish but his color was back and he looked pretty as anything so alive and near.

He looked ready to dare something, his face hovering nearer yours and the heavy weight of his limbs suddenly feeling full of intent but then his sparkling eye caught sight of something in the doorway and his lips quirked and his body shifted away.

“Whatcha doin’ sulkin’ out there Donny?” he addressed your brother and sure enough the little scamp emerged from the shadow of the doorway and joined you two on the bed, comic book clutched in his hands. They had a routine, apparently, Papa was no longer the chosen one for bedtime stories. It made you want to wince in anticipation for when Buck would move back to base and things would become full of dread again.

That day came sooner than you’d counted on. A month is not so very long, after all, and it was filled with so much work and business, stolen moments at home hardly being the norm.

“It’s an easy mission.” he’d said at dinner, as if arguing the point to you all. You knew he was trying to convince himself more than anything and so you all let him specify just how easy, how routine, how utterly unworrying tomorrow's flight would -should- be.

If it’s hard to get back into the saddle after being bucked off, how much worse to climb back into a plane after being tossed from the skies.

That evening he lounged on your bed instead of Rafe’s, the house emptied as your mother and father took Donny to the movies, the appeal of a new film finally showing cited as being too alluring to resist. He was lost in his thoughts, watching you go about your little evening routines that you tried to maintain when at home. It was domestic and cozy, warm where the world outside was cold and then there was Buck, golden as anything in the low lamp light, utterly unaware of the figure he cut lying on his side.

“I’ve missed it.” he told you, “Flying, I’ve missed it.”

“Of course you have. You were born for it.” you murmured.

“Ya know,” he reflected, “I signed up for the Air Force before it all got hot, before Pearl Harbor. I was gonna fly no matter what. I remember grittin’ my teeth durin’ training and tellin’ myself it would all be worth it. Just hang in there and it would pay off. I just felt something important would need me. Hell, guess I got more than I ever bargained for, didn’t I?”

“I guess you did.” you agreed.

“I couldn’t do this if I didn’t believe in it.” He insisted and you knew he was talking to himself again, until his face turned towards yours and the softest look of fondness crossed features turning them almost pained when he said next, “I couldn’t do it, get back up there, if it weren’t for love. The rightness of it but -love, for my boys, my family. For you.”

“I know, and we’re terribly lucky to have your devotion. -And…and I love you, too.” you vowed earnestly, then giggled at the absurdity of this being the first time to admit it.

“I’d had my suspicions.” he grinned back, some of that old cockiness returning along with his vigor as he snagged your wrist and pulled you down beside him.

“Do you know why my parents have gone?” you asked him pointedly, turning on your side to face him.

“To see a movie.” His face was so innocently perplexed you almost lost control of yourself and ruined the game right then with something terribly forward.

“My parents aren’t in the habit of seeing movies.” you corrected him soberly.

“No?”

“No.”

“So where’d they go?” Buck asked.

“Oh they’re at the movies.” you smirked, “But they’ve gone for us.”

Gale’s eyes narrowed in suspicion, if not of you then of his own naïveté. “For us.” he repeated and his voice had dropped an octave in the interim.

“Yes. Something about wanting us to have a goodbye.” you quoted.

“I’m not dying tomorrow.” he pointed his finger firmly in your face and it made you smile to see him so fiesty again.

“No,” you agreed with his prophecy, “but I wanted to give you some incentive to hurry back.”

“Oh?” those lips of his puckered again in confusion before his smarts caught up with him and the pink corner tugged up in mischief, “Ooooh.” he repeated, suddenly very close, his energy, his body, his heart, inches from being one with you. “Are you sure?”

“Yes, oh yes.” you confirmed, slotting your lips against his gently only to be met with eager, desperate need in his own kisses.

Your childhood bed was narrow and the counterpane below you familiar and dear, stitched by your mother in colors you’d once wished to update upon entering maturity. Now, laid out in perfect security and familiarity, you watched Buck Cleven dangle a toe off the abyss before diving in, pausing to caress the blanket beside your hip, smiling to himself.

“What?” you were breathless to know every thought in that dear head.

“My mama made me one, looks lots like this.” his eyes were watery soft yet his smile was glad, his hips narrow and sharp in the cradle of your own, stark hipbones not yet padded by your mother’s cooking pressed you down into the bedding, grounded and right. “You’ve made me real at home here.” he whispered and it pleased you ever so much. “Do I dare take this last liberty?” he muttered as if to himself, even as those blue orbs bore into your own, his fingers fiddling with the hem of your skirt and you ached from need long deferred and the weight of remedy lying heavy between your thighs.

“It’s no liberty,” you whispered, catching his dog tags and bringing his face to yours, the size of the man so very apparent now he was hovering above you, “it’s yours.” you watched his pupils blow out at the statement, his ragged breath fanned minty across your face, even angels wield swords. “I’m yours.”

“And I’m yours.” he concluded.

With that exchange of truths something snapped between you, like a ribbon cut, gone was the hesitant cordiality and deference that had marked your courtship. Here now was fierce possession and the gloated satisfaction of those who possess something cherished and are no longer kept from partaking of it, buckles and garters snapped in the quiet room and the rustle of sheets and shirts wafting to the floor made your breaths hitch with anticipation. Precious flesh came into touch with every brush and it was enough for many minutes merely to cling and grasp, imprinting desire into the back and the arms and the throat of each other, like an armor of love against the decay of death.

“Yours, yours.” you swore as his finger played you once more, his breathing hard and rough in your ear, harsh commands for you to say it again and again, reminding you he was fearsome when he wanted to be.

“Don’t look,” he begged when you realized through a haze of joy what he was about, pressing in with all the finesse of a cricket bat knocking at the wicket, hoarse and doe eyed above you, there was only the whine, “please, darlin’ don’t look, just, my eyes, please.”

It was a fumbling entry but nature and pleasure prevailed, as it had since the first couple. And dear boy that he was, he knew you had indulged in a leg up, one or two at least, before he came along but still, he could not bear it for you to see more, not this time. He wanted it just to be the kisses and the sight of your precious face contorting at the fullness of your belly and the force of his hunger for you. All the rest were vulgar details left somewhere under your skirts, and, unbeknownst to him, reflected in your childhood mirror situated on the wall behind his plump arse.

“Oh god.” he had choked out, winded and in awe as his body shook at the feel of you accepting him deep, “You’re a slice of heaven, heaven that’s-that’s what you fee- oh god, oh god.”

He had giggled at the absurdity of this dance and then broke off with a moan that made you giggle in turn and back and forth it went as his body jerked into yours as if he’d no control over it, led quite literally by the part of himself buried inside you. He knew it was foal-like and a poor showing as a lover and he also knew you didn’t care a bit, your eyes wide at the size of the intrusion and captivated by the sight of his newly enlightened face.

“You alright?” he asked urgently, as a sudden and familiar feeling took over his body. The feeling of his brakes giving out, his flaps malfunctioning, the hydraulics failing -it took over him, his spine tingling and his vision beginning to blur and only your punched out gasps and sweet smile wavering on his horizon as the frantic, masculine, natural need to drive in deep enough to puncture your heart seized him and propelled him in you, against you, above you with such force you forgot to breath. For all Egan’s teasing of Buck’s hatred for athletics, the man wasn’t shabby when it came down to it, even after months of internment, or maybe due to that stolen time, his life force seemed to pour out in a torrent and your belly buzzed at the sweet abuse.

“I’m perfect.” you managed at some point, “You’re perfect, so perfect.”

He shuddered at the praise and as if terror struck him then, he was suddenly pulling away and moaning “I should- I shouldn’t -I’m gonna, darlin, I’m gonna lose it-“ and young and sweet and clumsy as anything he rutted against your slick frantically, mouth pressed to yours until the hot gush of his satisfaction spilled out and added to the mind fuzzing feel of him sliding against your little pearl.

You encouraged his shaky limbs to collapse on you, the lanky frame of him a sweet weight, sweaty cheek pressed to your breast, you could feel the dopey curve of his smile against your plump flesh. His hair curled at the nape from the sweat of his exertions, all winter chill forgotten in this bed. War and missions and bombs, too. You petted each other for a while before he raised his head and, gazing at you adoringly, he murmured “thank you.” his nose nudging yours and the steadiest of kisses lingering in the tingly aftermath.

“Darlin?” he broached the subject a while later, cheek again pressed to your chest and his fingers sliding in a hypnotic caress over your thigh.

“Yeah, Buck?”

“Later,” he prefaced, tentative and raw, “when -when the war’s over, and when, well, when I can make my own promises…”

Your heart hammered beneath his ear and you squeezed your legs around him, as if to shore him up enough to say what you wanted him to say so very badly. “Yes?”

“Would you marry me then?” he begged and somehow you knew this, what you had just indulged in, was never going to happen without that hope for him.

Perhaps that’s why it felt so strong, like a communion of souls more than anything else. “I’ve half a mind to make you wait and get my answer when you come back tomorrow.” you teased and his head reared up with a dangerous glint in his eye.

“Don’t you dare.” he warned, grin breaking out despite himself.

The sound of the front latch grating on the door startled you both but he pressed you down when you went to scamper and clothe yourself. “The door’s closed anyway,” he argued in a whisper but you knew he felt as nervous as you at being caught, if not more so, yet still he was a stubborn one. His hand was firm and large clasping your cheek, expression arch and expectant. “Promise you’ll be a good little girl and say yes when I do ask.”

You laughed at his gall, to make you wait, to make you promise when he wasn’t even proposing. But then again -you had said you were his, and he was yours. It had already been done. Sometimes life was as simple as Gale Cleven made it out to be.

“I promise.” you whispered happily, bringing him back down to your embrace and willing away thoughts of tomorrow and flagging him out to danger.

One day he’d come back for good. One you could make promises again. Until then, there was hope.

Thank you for reading and I hope you enjoyed. Feedback is a writers lifeblood, I’d adore hearing your thoughts. 💋

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bunni-v1 · 1 year ago

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hii, can I request "First Years Finding Out Your A Girl" with sebek and ortho please?

Ortho and Sebek Find out You’re a Girl?!?!?! (NOT CLICKBAIT!!!)

TW: Swearing (as usual lol); Ortho being creepy; Misogyny mention <3; Reader goes by she/her and is biologically female; Book 6 spoilers (very light, but still there); Bunni hasn't read Book 7 and therefore doesn't know what they're talking about :)

Info: Ortho x Reader; Sebek x Reader; Fem!Reader; Platonic

🍓Hi. If you’ve read the first part of this, I copy pasted the intro. Not because I’m lazy or anything (I’m a little lazy, but I’m a full-time college student who also has a part-time job, so I think I can be excused.) It’s mostly because… It’s a good intro. If people are just discovering this stuff then they can read it, but if you’ve read the first part you can just skip to the good good yk. Anyway, long-ass babble session, but I didn’t include Ortho and Sebek initially because they’re kind of new to the First year group so idk. Felt weird including them. Also, I haven’t read book seven so Sebek I bullshit a lot lol. Anyway, they’re here now, and I absolutely ADORE Ortho, so sorry if my favoritism shows.

First Years

Second Years

Third Years

Dorm Leaders

-Okay so, I know we’re all wondering, how the hell do you get away with hiding your gender for so damn long?

-Firstly, those ceremonial robes do great at hiding the figure. The only tell would maybe be your hair, but feminine men aren’t unwelcome at Nightraven College, so you mostly get a few questioning stares and that’s it.

-Secondly, Crowley wants to save his own fucking ass. He already has to hide from the press that he has a MAGICLESS student from ANOTHER DIMENSION here, he doesn’t need the fact that you are a woman ALSO on his plate. So, obviously, he helps you hide your gender from others.

-Grim knows, of course, and he keeps his mouth shut for a few yummy cans of tuna (and threats of being expelled from Crowley <3)

-Even when you were just a janitor, he couldn’t have the rumor that he put a “helpless” young woman to work. (Like it wouldn’t be expected.)

-So how do you two do it?

-Baggy ass uniform. Crowley gave you at least three sizes too big.

-Your figure is completely hidden. Sure, you look completely homeless, but at least you’re hidden.

-For your voice, you simply deepen it. After some point, you blackmail Crowley into giving you a potion to help with it, since it's so taxing on your voice. (Or maybe your voice is naturally deep!)

-Sam provides you (for an unfairly pretty penny (not too different from your original world…)) any feminine hygiene products you might need.

-Honestly, you’re set for being cared for, but it’s the adjustment period that’s the hardest part.

-Truly, it’s very jarring to suddenly be thrown into both a magical world and be isolated in a man's world with nowhere to hide.

-At least in your world you had other women who could understand your struggles. Here though? You’re completely alone.

-You notice how… messy some of these guys could be. How some of them smell… really rancid. -How rough they were with you and each other.

-Honestly, it’s kinda eye-opening. The way men show affection to each other is oddly refreshing to watch and experience!

-Ace and Deuce specifically are a good… trial run.

-That’s not what we’re here to talk about though…

-For the most part, it's incredibly easy to hide yourself for the first while on campus. Everyone on campus is so self-absorbed that they don’t bother questioning you.

-Your only real risk factor is Savannaclaw, but it's easy to avoid those guys (minus Jack, of course).

-However, you can only hide your gender for so long… It’s mentally draining to keep up this facade all the time around people you care about.

-So… how do they find out?

Ortho

-Okay, so Ortho is a little creepy weirdo. He’s a highly advanced robot who likely has autism, and loves his big brother a whole fucking lot.

-(Side note: Can a robot, child, or thing have autism? Does that mean Idia programmed Ortho to be autistic? How silly of him.)

-It’s my personal head cannon that Idia DECKED this kid out in as much high-tech gear as he could get his hands on.

-He’s equipped with some of the most complex medical features, therefore he has access to a database of all students at NRC’s medical files. (This is not legal, but he does not care for the law.)

-“But Bunni, what does that have to do with the prefect?” Well, Ortho is ALSO equipped with the latest medical scanner on the market.

-Think like Baymax, yeah? He can scan everyone one time and know every piece of medical knowledge readily available.

-Well, Ortho, the sweet little creep he is, automatically scans the medical information of any new person he sees/meets into his database — just in case it may come in handy.

-So, before he even KNOWS you. Before he speaks a single word to you, he knows you’re biologically a female.

-He scanned you without thinking and just shrugged his shoulders at it.

-You’re not from here, and you got thrown into this, so you being a woman doesn’t really matter too much to you being at NRC.

-It honestly could’ve been anyone getting stuck here, so why should he question it?

-However, he notices that you are referred to with exclusively “male” pronouns, so he marks in your file that you are trans and moves on.

-Again, who cares? He’s a magical robot guy based on his brother's dead brother. Who was he to judge?

-When he finally ACTUALLY gets to interact with you after being welcomed into the first-year squad, he’s very respectful of your gender.

-You are a man to him, therefore he refers to you with exclusively masculine pronouns.

-However, everyone in your little group already knows, and they assume that Ortho knows. So when they speak about you, they use feminine pronouns.

-Ortho, sweet as he is, immediately questions everyone as to why they’re misgendering you.

-Protective of the people he cares for at heart, he doesn’t like the idea that your so-called closest friends are misgendering you behind your back.

-Doesn’t believe them completely when they explain, so he goes to you because you’re the only one who knows who you really are.

-“Prefect!”

“Hey, Ortho! What’s up? Miss me?”

“Of course I do, but I have a very important question.”

“Sure, what do ya need?”

“Are you a woman?”

-At this point 90% of your friends know, but there is a handful that doesn’t… and you can’t be having that.

-You, of course, assure Ortho that you are not only a woman, but that your friends are not misgendering you behind your back.

-Relieved, he takes several of your friends off a hit list and removes the trans man label on your medical chart.

-Asks why you hid your gender in the first place.

-Promptly adds Crowley to a hit list (again).

-Ortho, out of EVERYONE at NRC, has absolutely zero behavior changes toward you.

-He’s equally protective as he was before, he spends the same amount of time with you as usual, he doesn’t suddenly have some weird crush on you, and he’s still trying to set you up with Idia.

-Honestly, everyone should take notes from Ortho. He’s the best at this whole thing.

Sebek

-On the other hand… do not take notes from Sebek! He sucks at this! He sucks really badly!

-Out of all the first years, Sebek is not only the least close to you, but he is also incredibly mean. So you just… feel no obligation to tell him.

-In fact, you kind of… sort of… actively leave him out of the loop for a really long time.

-I mean, it's not an unreasonable thing to do. He is constantly berating you and putting you down for being human. You have no idea how he feels about women and you don’t want to find out first hand.

-In all honesty, he is the only person (other than Azul and the twins) that you’re really scared of finding out, and take extra precautions to ensure he doesn’t find out.

-However, you attend NRC, and nothing ever goes your way at NRC.

-Despite every precaution you take to keep your gender under lock and key, you overlook one thing.

-Malleus Draconia.

-His complete and total lack of social awareness is your downfall here. He finds out, and despite everything telling him to keep his mouth shut… he doesn’t. Because of course, he doesn’t.

-At this point, you’ve gone through most of your misadventures, and most — if not all — of your friends know you’re a girl.

-Hell, even Silver knows now. Everyone BUT Sebek knows.

-And he finds out because Malleus casually mentions it over dinner. Not even directly about your gender, he just uses she/her pronouns.

-Sebek, being Sebek, respectfully asks Malleus if he meant to say he. Malleus, of course, says no without a second thought.

-The shock and horror on Silver and Lilia’s faces was enough to be further confirmation.

-And Sebek’s world shatters.

-He was completely left out of the loop and also has a moral conflict now.

-As much shit, as I gave Sebek (as everyone gives Sebek) he RESPECTS women. His queen is a woman, and his mother is a woman.

-In his eyes, women are some of the strongest people around. Regardless of if they’re human or not.

-You, on top of being a human from another realm who had successfully quelled several of the strangest students at NRC’s OVERBLOTS and came out on top, was also a woman.

-If that wasn’t strength, he didn’t know what it was.

-However, his bias against humans strongly clashes with his respect for women in this case.

-And it just… messes with his head.

-He doesn’t treat you worse, in fact, he’s just… really awkward around you now.

-He doesn’t know if he should apologize or berate you for being a human, so he just stays stiff and glares at you.

-It's honestly more scary than him constantly talking down to you.

-However, once the two of you actually befriend one another, he apologizes to you. For everything, and explains where he’s coming from. Why he acted the way he did, how he really feels about you, and all that sweet shit.

-Afterwards, he is genuinely the best at keeping your secret (if he even needs to at this point).

-If there is anyone you can trust to keep his stupid mouth shut at NRC, it's Sebek.

-His honor and pride force him into silence when it comes to secrets he promises to keep.

-In fact, if anyone is on your trail about it, he’s the first one to jump in the way and scare them off/shut them down.

#twst #twisted wonderland #twst x reader #twisted wonderland x reader #x reader #twst headcanons #bunni's treats 🧁#ortho shroud #ortho shroud x reader #sebek zigvolt #sebek zigvolt x reader

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nina-ya · 1 month ago

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Queen of the Night

A/N: I have always wanted to do something like this ever since I discovered Oda associates Law with this flower so here!!! Pairing: Law x reader CW: backstory spoilers if you squint its like super vague tho • masterlist • ko-fi • discord server •

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

It happens so rarely that you sometimes forget what it feels like. Law is a man of barriers built so high that you’ve lost count of the layers. And yet, Law, the Queen of the Night, blooms ever so rarely for you, and his guard falls. It’s never when you expect it. It could be at moments when the moon is at its highest and you two are sitting in comfortable silence, or it could be when the sun kisses your skin as you explore an island with the crew. Small and elusive moments, so fragile that you almost fear that they aren’t real.

“Have I told you about my parents?” There it is. The blooming of the flower that only dares to show its beauty in the most scarce moments.

It’s the kind of sentence that hands in the air suspended in time. You blink and your breath catches in your throat because you know better than to ask questions when it comes to him. You know that if you prod or push too hard, he’ll retreat back into that shell he’s so used to hiding in.

So you wait.

Law’s eyes are fixed on some distant point off across the room, as though he is seeing the very manifestation of something that no longer exists.

“They were good people. Doctors. Believed in saving lives… even when the world told them it was pointless.”

There’s a bitterness in his words that you can feel deep in your chest. He’s not talking about the heroism of their profession- no, this is something darker, something heavy that sits on his shoulders and is weighing heavily on him.

You stay silent, giving him space. You watch as the flower opens slowly, petal by petal, revealing its delicate center only when it feels safe.

“They didn’t deserve what happened to them,” he continues, voice cracking in a way that you know he wouldn’t allow on any other occasion. It’s a sound that feels too raw, too real, for someone of his nature.

His hand twitches against his leg, the muscle tensing as if fighting back the urge to hold something that isn’t there anymore. You want to reach out and touch him, but something holds you back. Not fear, no, but respect. You understand that these moments are a gift, and you don't show him pity or try to interrupt him, you just let him open up on his own accord.

“And when they died- my parents… sister… everyone…” He swallows, throat tightening as he struggles to get the words out. “I fell into a very dark place. One that I am not sure I have completely gotten away from.”

His words are jagged, straight from the depths of his soul and you wonder just how long he’s carried all of this with him, letting it fester in his mind waiting to be told to those who are patient enough to wait for him to be ready to say such things.

“What happened during that darkness- the man who brought me out of it…” he pauses once more, taking a shaky breath. “He’s the reason why I am doing all of this. He’s why I am even here.”

You don’t dare ask for details of the savior he speaks of, knowing that he will tell you when he’s ready. Tonight might not be the night, but you have already accepted that you won’t be getting all the details, but rather just a few pieces of the puzzle of his past that you ought to put together over time.

The flower will soon close again by morning and Law will soon put back up those walls, locking himself away for the unforeseeable future. So you savor what little time you have watching him blossom. You feel a sense of honor knowing that he trusts you enough to let you see this side of him, even if it’s just for tonight.

And even when the flower of his heart begins to close, you know deep down that it will bloom again. Maybe not tomorrow, maybe not for a long time. But it will. And when it does, you’ll be right there, waiting, just like you are tonight.

Because that’s what it means to love him. To be patient. To wait. And to cherish every moment that the Queen of the Night blooms for you.

#nina writes~✦#trafalgar law #law x reader #trafalgar law x reader #one piece x reader #x reader

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badscienceman · 2 months ago

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I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

#mouthwashing #spoilers #tw #cw #most of the fucked up mouthwashing shit is mentioned here #idk how ppl are handling tws because are some considered spoilers?#idk

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queenofapeacefuldawn · 9 months ago

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SxF Crack Theory: The Identity Of [REDACTED]'s Father

Hear me out here.... but, maybe, Twilight's father could be Yuri's boss, aka, the SSS Lieutenant.

Now, this might be a crack/joke theory, but here is the evidence I have to back up my claim (yes, I'm presenting it because I'm just Like That):

(Warning: Manga spoilers ahead)

Exhibit A: Physical Characteristics

Here is a picture of Agent Twilight:

Here is a picture of Yuri's boss (who, from now in, will be referred to as YB, for my own convenience):

We can see that Twilight and YB have very similar facial characteristics: bluish-grey eyes, blond hair, and a similar face shape (nose, jaw).

We never see Twilight's father's full face: only the lower half, because he has presumably forgotten his face, along with his mother's (King of Emotional Repression™️), but we can see that his jawline and shape of his mouth are very similar to Adult Twilight.

Oh, and look at that- rather pronounced cheekbones, if I do say so myself. Where else did I see those? Hmmm

Exhibit B: Ambiguous Fate

During the War Arc, we're never told about [REDACTED]'s father's fate. We just know he never returns to his family: and the reason why he left for the very last time, was that, "Things have been heating up at the border. I need to take a little business trip." The fact that his, a (presumably) rather important man's, body was never recovered: nor were [REDACTED] or his mother informed of his death. Of course, his body could have been lost in the bombings, or the part of [REDACTED] finding out about his father's dead could have been omitted, but for most of the part, we're left to assume about his father's dead. And... this sounds familiar to another instance...

Like the instance of [REDACTED]'s friends. He (and we) assumed they'd died in the warehouse as children, but later we see that they're alive and in the army (only to die a second time, RIP), but this time, for their deaths to be confirmed: for [REDACTED] to only receive their dog tags after the failed campaign.

This may have been a setup: for Endo to reintroduce [REDACTED]'s father, later in the story, as YB.

Anyway, one thing I've learned after reading and watching so many books, comics, and TV shows: never assume a person's dead, not unless their body/proof of their death has been explicitly shown. This belief was only reinforced after [REDACTED]'s friends.

And, [REDACTED]'s father's last known place was around the Westalian-Ostanian border. He could have escaped in the crossfire, theoretically...

Exhibit C: Fatherly Nature (?)

We all love a good found-family dynamic in the workplace. It's there with WISE, it's there with Garden, and it's kinda there with the SSS.

My main argument about this stems from the chapter which focuses on Yuri's work.

We see YB continuously worry about Yuri's physical health, in panels like:

Obviously, this doesn't happen only in this chapter. Whenever Yuri's there, YB is also there, yelling at him to a) go to sleep, or b) STOP GETTING HIT BY BUSSES OH MY FUCKING GOD IT CAN'T HAPPEN SO MANY TIMES TO ONE PERSON-

And, of course, there's the Yuri Sick Fic chapter:

Not gonna lie, this point is extremely weak, if I brought this up in court I'd be laughed out of there-

Anyway, I just wanted to put this in.

If it does turn out that YB is [REDACTED]'s father then. Bestie. Buddy. How are you managing to be a better father-figure to some insolent kid who gets hit by busses than you were to your actual son, like 20 years ago. Maybe he learned along the way.

Exhibit D: Symbolism (???)

Oh, look, another point I'm pulling out of my ass! But whatever, you're reading it <3

During the War Arc, we see Twilight sustain two major injuries:

One, as a child, when his home is bombed:

And two, as an adult, in the army:

and these injuries are both to his left eye.

Of course, this has given rise to theories of him not being able to see his left eye, it being his blind spot, and Yor guarding his blind spot on missions, etc., etc., which I love bc ✨Twiyor✨

Getting back on point, if we look at YB, we see that he has injuries too... or rather, remnants of them, what with the scars he has...

which, are also on his left eye. Huh! Interesting... this might just be me, but could this be parallels to how similar he and his father were? Are? His father also wanted peace between Ostania and Westalis: but he taught his child that in a very harsh manner (by slapping him), but Twilight wants to teach Anya that in a kind manner. Whenever we see him teaching her, he never loses his cool with her (of course, he loses a lot of hope, but this man's a pessimist, what can we do).

Also shows how much kinder Twilight is, compared to his father.

---

Of course, these points are very weak, and it might just be that Endo reused some character designs for efficiency, but let me be, ok!! This is a crack theory!!! Let me be a clown!!!! AKDFJSJF

If I'm being honest, this post was inspired by a convo I'd had with my friend, around the time Chapter 86 was released. She was theorizing that [REDACTED]'s dad is the Shopkeeper, and I was theorizing it was this dude. Of course, our theorizing was sidetracked by Chapter 86, and a certain panel within it, but... WHATEVER.

So, what are your thoughts? Obviously, my own theory is very weak (for example, why would the SSS accept a Westalian citizen into their ranks? Why would he even join the SSS? Could he have defected? Abandoned his wife and kid?), but this was fun to think about, lol. What are your theories? I think the Shopkeeper-is-the-dad theory and the YB-is-his-dad theory are both cool, so, what do you think?

(Also, yeah, I know, his dad could very well be dead. I just refuse to believe it, bc I'm just Like That <3)

#spy x family #sxf #spy x family manga #spy x family headcanon #spy x family theory #spy x family manga spoilers #spy x family anime #agent twilight #loid forger #yuri briar #sss lieutenant

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ixiot-ghostrebel · 1 year ago

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Sagau another episode of reader getting pissed of for someone insulting some of thier favourites while begin bored when someone insults the reader to the point of counting how many times someone used some type of insult

Lyney and lynette begin bad mouthed becose they are form house of hearts reader will just launch a lawsuit for badmouthing thier favorites

Furina begin insulted by some pepole whonate not form Fontaine well the reader will want to throw them and drown under water thoses pepoles

That random who interrupts childe when he was talking to traveler and reader in fontain.....well begin punching bag for fatui harnbringer is now a mercy compared to how much the reader who......PURCHESE THE STEAM ROLLER AND DRIVES OVER ON THIS MO-* sorry for tehicaly dificulty*

PART 3 IT IS BABY LET'S GOOOOOOOOOOO

Thank you so much for requesting, @zardas75 ! I would've been more dead otherwise lol :')

Click Me For Part 1! Click Me For Part 2!

When Someone Insults Lyney, Lynette, Furina, and Childe! (No Vice Versa Today, Sorry!)

(Warning: Slight Spoilers to 4.0 Archon Quest & Might be OOC!)

Lyney

He was utterly flabbergasted that you would go out of your way for Lynette and he. I mean sure—he felt absolutely blessed and grateful that you would personally be his attorney (along with the Traveler & Paimon), but he did not expect you to jump on people that were insulting him because...of where his origin lies with.

It wasn't surprising that the entirety of Fontaine came to hear about the court case that held trial to press charges for a murder he didn't commit. so Lyney can't say he wasn't expecting the rumors, but you? Yeah, you were an entirely different wildcard than to those he's usually familiar with.

Lemme tell you, he was not prepared for you to be all up in the harasser's merchandise. If this was a trial duel to defend one's honor—you were not the champion duelist that made the opponent surrender. You were the opponent about to end the champion duelist's entire career.

This harasser was good at trash talking and gossiping—they were quite a hard opponent to overcome and beat, and here's you running your mouth about them and quite literally ending their career in a matter of minutes.

As much as Lyney would find this amusing after 5 minutes of overcoming the shock, some of the things you were saying were....a little too horrifying he'll be honest. So, rather to save himself than the insulter, he smoothly interrupts your "conversation."

"Ah, Your Grace! Welcome Back to Fontaine! May I Have the Pleasure to show you our latest magic tricks? Lynette and I have been practicing for our upcoming show!"

With your *cough* favoritism *cough* good mood shining through the previous rage that befelled your face, you of course accept to see more magic tricks appear out of the Great Magician twins!

And that was how Lyney hopes to never get you in a bad mood ever in your stay in Fontaine. He doesn't want to see you smiting anyone for anyone.

Lynette

She's like Lyney, but more muted. She's honored that you would protect she and Lyney from this insulter, but if she was to give her opinion, it wasn't anything she couldn't handle. After all, with being well-known, there was bound to be both ups and downs eventually.

She'll admit, she was...pretty afraid after hearing many of the things you were spitting at the rapidly paling face of the insulter in front of you. After all, smiting people with the wrath of the power beyond all the gods was...terrifying and a true force to be reckoned with.

She's immediately helping Lyney to distract you from the situation while also giving well-hidden death glares at the insulter for making you mad. The last thing they needed was for you to deem Fontaine not a good nation.

"Tada~ I hope you liked that magic trick, Your Grace...If you would like, I can reserve a ticket for the best seat at our upcoming magic show for you to watch."

Lynette is both afraid and awe-struck of your abilities as the Creator. That doesn't mean she'll show it, of course.

Furina

In my personal opinion, I think Furina is both loved and hated by the people of Teyvat. While she is mostly loved by her nation, others (like Neuvillette) can't stand her or her enigmaticness.

You, as the Creator, understand both love and hate, but of course choose to love Furina regardless of her...dramatic and soap opera-levelled ideas. While you can respect other people's opinions...cursing and badly insulting them was just crossing the line for you. And you were not going to let it pass without planting your foot down first.

And, of course, Furina soaks up everything you said like a sponge to water. You, the Creator, beyond Celestia itself, were willing to defend her? If this were a live soap opera in the Opera Epiclese, Furina would say she was a 100% fan of you!

Alas, as much as she loves for you to go on, she is an idol within Fontaine. The last thing she needs is for her own people to think Fontaine might get smitten because of one insulter. After all, gossip changes the raw truth to make itself more interesting.

"Ah, Your Grace! I just so happens to realize that there will be a trial held in the Opera Epiclese. For, if you have the time to spare, wish to find new inspiration for your next creations, please—allow I, Lady Furina, to escort you there! Hehe, I can certainly garuantee that you will get the V.I.P. view up there with me!~"

And, since you have a soft spot for Furina, you happily accept. After all, you can get to know the Hydro Archon better than before, even if you don't like court sessions! It's a win-win for you. And at least that insulter will now think before striking again.

Next thing you know, gossip around Fontaine says that those who are granted visions are personally favored forevermore by the Creator, and that you should never cross with one else you face the wrath above the gods.

Childe

Boy oh boy...If you are an old Tartaglia/Childe Fan, this is for you. You were absolutely ecstatic that Childe was in Fontaine! I mean—he even came in the game's archon quest in a badass-ish way!

And OF COURSE you had to teach the guy annoying your boy a lesson. Like, hello??? You blind??? This is your boy here! What is this old man thinking?

So of course, you did. And you gave that man quite the scare. The Traveler and Paimon look at you taking this situation as both a physical and verbal showdown very calmly, since this wasn't exactly the first time you blew up at people.

Childe, however? Boy, he's taking notes. Your threats and insults were very interesting and unique—as expected of the Creator. And the fact you just summon a bamboo stick outta thin air and proceeded to give the man some back problems? The harbinger's wondering if he can borrow that idea as inspiration...

Nevertheless, he doesn't want to deal with court just yet, so he'll (unfortunately) step in and save this person's backside. Besides, he still owes mora to Northland Bank.

"Ahaha, Your Grace! Your prowress seems to only become stronger and even more gracious since we last met—as expected!" He grins at you. "How 'bout you leave him to me, though? He still owes the bank some mora."

And so you watched Childe beat up the man and yk the rest is history. Safe to say you were somewhat satisfied. One thing's for sure though—Childe 100% dedicated this battle to you. You did give him some inspiration to fight, after all!

AND WE ARE DONE! I hope you all enjoyed it :)

Ghost Rebel Side Notes: Gosh, this took longer than i expected...I'm sorry everybody! IRL stuff has been hitting me like Truck-kun and there wasn't that much of a good time to properly sit down and write. I swear I'm not dying just yet!

Also, to whoever who shall be merciful to my very ghostful soul—please send in some Freminet requests—I must write for my boy. 🐧

✦ Check out The Ghost Rebel’s Blog Description & Info Page to See if Their Mailbox is Open! ✦

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celestial-robots · 1 year ago

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Explaining Eclipse (A Theory/Headcanon)

Spoilers for the Ruin DLC below!

Okay so I've been thinking so much about Eclipse and what they mean. You know, as you do XD. Just a lot of wondering what they mean for the ~lore~ and how they fit in with the rest of the Sun and Moon stuff. And after a lot of thinking, I may have figured stuff out.

I've seen a couple posts wondering if Eclipse is the way the Daycare Attendant is "supposed to be" and if Sun and Moon are the result of the DCA breaking down or something. But personally I just can't see that. Not only do we hear Sun go "thank you" after the Eclipse encounter, implying he's still around and hasn't permanently "fused" into Eclipse, but it also wouldn't make sense with stuff in Security Breach. In-game Fazbear merchandise and advertising have a lot of focus on Sun and Moon as two separate individuals, not the DCA as a single unit. For example, see the giant golden statues outside of Daycare. Two different forms of the Daycare Attendant. Collectibles are also identified as "Sun" and "Moon." It's not like they're labeled "Eclipse Doll (Sun form)" or "Moon Eclipse Doll." No, it's just "Sun Doll" and "Moon Doll."

So here's how I think it works. Sun and Moon are two separate AIs within the DCA body. They can function on their own, independent of the other, in the way we've been thinking this whole time. BUT they're also designed to join together, like interlocking puzzle blocks. Two separate forms that come together to make a "whole" that's greater than the sum of the parts.

This makes sense from a programming perspective. Sun is designed to play with kids and entertain them, Moon is designed to watch over kids while they sleep. They're both made for specific scenarios, but taking care of kids is a lot more complicated than just "play time" and "nap time." So whenever one of them encounters something they can't deal with by themselves, they call for help from the other, who activates as well, combining their features and protocols. I'm willing to bed this also activates several specific "Eclipse" features that can only be accessed when both AIs are active, which would explain why Eclipse has such a different personality.

But if this is the case, then why haven't we seen Eclipse before? Why did they only come out when Cassie rebooted the DCA?

Well that's where this theory by @dana-chan-the-control-brain and @twinanimatronics comes in. The two of them theorized that the Balloon World arcade cabinet in the DCA's room was some sort of signal broadcaster that kept their AIs divided. I think that Ruin confirms this—or at least provides a lot of solid evidence.

In the main game, Balloon World is in the DCA room, up and active and with a form of Eclipse inside. In Ruin, the Balloon World cabinet is broken. And you can see weird purple glitches coming from it while in AR vision. It's only in Ruin, after the cabinet has been damaged, that we finally meet Eclipse.

This is venturing a bit into headcanon territory, but let's have some fun with this. I believe that the Balloon World cabinet was put in the DCA's room to infect them with the virus. Probably a long time before the events of the actual game, since the worn-down state of the room shows it's been a while since any human or robot cleaners were in there. This might have been some sort of test run to see if the virus could affect the animatronics.

However, the virus couldn't affect the DCA while Eclipse was there, acting as a sort of stabilizing failsafe for Sun and Moon. So the virus then cut off the "fuse" function from Sun and Moon, locking Eclipse away and preventing them from stepping in when Sun or Moon encounter something strange—strange like a virus. Sun probably couldn't be affected by the virus because the virus attacks nighttime and/or security protocols, and he no longer had access to those once Eclipse was gone. Moon, however, did. And that's why he's hostile.

But then, if the Balloon World cabinet was keeping Eclipse contained, why were Sun and Moon still freaking out in Ruin even after the cabinet was destroyed? Why did they need Cassie to reboot them?

Well, I think that forming Eclipse requires both Sun and Moon to want to fuse together. And Moon clearly doesn't want to do that in Ruin. Why? Probably because he's mad at Sun. You can hear how angry he is in voice lines where he says stuff like "No more Sun!" and "No more light!" (Seriously, props to Kellen Goff, holy shit.) Moon was only able to be "awake" for short periods of time in the main game, partially because Sun was encouraging everyone to "Keep the lights on." Of course Moon would be pissed and want to be in control now that the lights are broken. He wasn't about to risk losing that .

But not having Eclipse around was ultimately damaging Sun and Moon. They were meant to stabilize the system when the two individuals couldn't do that alone. Not to mention their systems were already damaged, judging by Moon's increased light sensitivity in Ruin. They needed Eclipse so they could be stable again.

Cassie rebooting the DCA's systems was a lot like restarting your computer. Everything shuts down and then all the systems start running again at once—including, in this case, both Sun and Moon's AIs and whatever Eclipse functions were now restored. That's why Eclipse was in control after the reboot. Presumably, the rest of the software damage was also fixed, which probably helped calm Moon down. So, overall, a happy ending.

Relatively, I mean. The DCA is still stuck in an abandoned Pizzaplex, but at least Eclipse is back and Sun and Moon aren't fighting anymore :)

#fnaf security breach #fnaf ruin #fnaf ruin spoilers #ruin dlc spoilers #fnaf ruin dlc spoilers #fnaf moon #fnaf sun #fnaf daycare attendant #fnaf eclipse #sundrop #moondrop

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russsiangirl · 2 months ago

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dating luke castellan ... ! ( x gn!reader )

BOTH LUKE AND READER ARE ADULTS! ( luke is 19 and reader is 18!! ) THIS DOES INCLUDE SPOILERS FOR THE SERIES, READ AT YOUR OWN RISK! luke castellan was always somebody you saw as 'out of your league'. that was it. simple. it was just a silly crush, nothing that would actually happen. he had been at camp for as long as you could remember, always making sure that things were going the way they were supposed to. he taught the other campers sword-fighting and was amazing at capture the flag. you two had gotten to know each other during a game of capture the flag! having been sent on patrol together to scout out the other team. you were in awe of how luke handled himself. he was friendly, but being one-on-one was different. the air felt strange, tension hanging over you. you blamed it on the game, brushed it off as nothing to worry about. his voice was the first to break the silence, you hadn't even noticed he spoke until he put a hand on your shoulder.

"you think you could go a bit further up? you're pretty quiet so they won't hear you." he gave you a small nod and an encouraging smile before making you way to where he wanted you. watching as you carefully stepped up, making sure not to step on any branches. he was amused, he had been watching you for a while. watching you with your friends as you laughed at lunch and the way you beamed as you blushed. the way when you sparred that you would bounce around a bit, probably out of nerves. he thought this was cute, it's what made you you. you look back at him with a smile and he gives you a toothy grin back plus a small wink. if you had the time, you would've swooned. it was obvious that the other campers liked him, who wouldn't? he was strong, funny, handsome and smart. but luke also knew what he wanted and how to get it. now he wasn't a son of aphrodite, he couldn't charmspeak anybody - but he did know how to use his looks. he knew how to manipulate and make people pliable towards him. he knew what to say and how to look at people to get them to do what he wanted. so when he saw you, so cute and eager to please him, so eager to listen to him. you were the perfect target. you were going to join his cause! but it was going to take some time, luke had a lot of stuff on his plate with being a camp counselor and shit like that. time that luke didn't really have. he was planning on leaving by the end of the summer, around 2 or 3 months, give or take. that should be fine, hopefully.

so you two start talking more, it's subtle, obviously, little hellos here and there, talking on your way to archery or pegasus riding. eventually, he builds up the courage to ask you if you wanted to sneak out on night. just the two of you! he had laid out a picnic blanket, even had some snacks laid out, technically contraband, but that wasn't important. he had done all of this, just for you! he was such a sweetheart, how could you not appreciate him? you two spent the rest of the night like that, he showed you how to find the north star and he showed you his favorite places at camp. it felt like a dream. after that, y'all were inseparable, one of you always had the other not far behind. some might say luke could be a tad bit overprotective. but he was used to having things ripped away from him just when it was getting good, he wasn't letting you get away. you were coming with him. he was going to make sure of it. some time after his betrayal..

you're on the princess andromeda, and it's not as bad as you thought it would be. it's quite nice on board and you have pretty much everything at your fingertips. even luke seems more relaxed here, for the most part. he doesn't sleep as well, even with you in his arms or vice versa. he wakes up in a cold sweat, tears in those beautiful brown eyes of his. he's always off in this secret room, one that you're not allowed in for some reason. "it's for the best," he tells you for what seems to be the umpteenth time one night as you guys are looking out at the vast sea around you. you roll your eyes, same fucking excuse he used all the time. you turn away from with a scoff, you weren't saying anything until he told you. either he told you or you were gonna jump full rose-from-titanic style. you could hear luke's defeated sigh from behind you as he put his hands on your hips and spun you around, making you face him. there's a scowl set on your face. you want the truth and you want it now. if only you knew.

#° „ ★ 𝐚𝐤𝐢𝐥𝐢𝐧𝐚'𝐬 𝐜𝐨𝐧𝐜𝐞𝐩𝐭𝐬! 🎀ྀིྀི #percy jackson #percy jackon and the olympians #writing #luke castellan #luke castellan x reader #luke castellan x you #luke castellan apologist #luke castellan fluff #percy jackson series #percy jackson spoilers #percy jackson show #percy jackson season 2 #percy jackson sea of monsters #luke castellan smut #luke castellan pjo #pjo #pjo fandom #pjo series

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vynxwave · 14 days ago

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tf skybound issue 14 thoughts / analysis / connections n whatnot. spoilers for the issue 15 preview too.

absolutely gorgeous art

VERY G1 starscream vibes in some places xD... i could practically hear his voice

more of starscream's origin and a bit more of megatron! i like megatron's characterization in skybound so far plus the decepticon cause's. i think skybound's decepticon ideology's gotta be my favorite, it just meshes their violence with their believed righteousness in such a great way.

this issue gives starscream quite a different initial approach to morality than seen in previous continuities (iirc) where here in #14 he is against killing prisoners of war while being a decepticon (often he's with loose morals even before becoming a decepticon).

megatron has the ability to mentally coerce the one wielding him to bend to his will (painfully), which i think is a really cool concept.

this makes starscream's evil directly caused by megatron from prolonged exposure to his influence conditioning/corrupting him. as seen in the mini background panels, over time blasting many Autobots to scrap, starscream grows to enjoy it

i've personally always loved starscream's evil to be completely independent of megatron('s) (as it has been) so i'm a bit conflicted on this aspect of skybound starscream... but i do understand its purpose/role in the story though.

issues #13/#14 run a parallel between then starscream & megatron and present starscream & those humans: both purport to Starscream they want to help him, but in reality they just want to use him for their own benefit. with that then story running parallel to the present one, starscream's dialogue about those humans also reflects upon how he felt under megatron's control

megatron forcing starscream to wield him definitely felt like it was expounding upon a question one might have had watching G1 — "why would megatron let someone who openly covets his position wield him?" of course, skybound isn't g1 and takes the idea and angle quite differently than the show did. with this it also supplies the reason of why starscream resents megatron and wants to overthrow and kill him.

and of G1, the Decepticons siding with starscream are ones who have sided with him once in the cartoon — the Combaticons in Starscream's Brigade and Astrotrain in Triple Takeover (and of course, Astrotrain was also the one to crown Starscream in the 1986 movie).

with Soundwave having the Constructicons and Starscream the Combaticons, a cool fight between Devastator and Bruticus is sure to ensue (vol 3 [collects #13-#18 + the story from the 2024 special] is called "Combiner Chaos" anyway)

i will be delighted to see soundwave and his decepticons vs starscream and his decepticons.

soundwave looks to be a megatron loyalist in this continuity and shares a bit of his sentiments (a bit below).

neat how then starscream and present thundercracker both had objections to the treatment of prisoners of war.

not the first time there's been a similarity between them, here's panels (#1 & #8) that parallel each other:

and how they differ:

not 1:1, but megatron's words to starscream reminded me of soundwave's to thundercracker — a subordinate's objection met with a reminder of their place and that their objection is irrelevant to their superior.

also worth noting, soundwave keeps thundercracker by his side despite his continual disagreements with how things are going, which is similar to megatron keeping starscream (who resents him) by his side.

i'd guess these similarities serve to build up to thundercracker possibly eventually actively opposing soundwave (as opposed to just going along with it) — here in the #15 preview he gives the humans warning to flee before blasting the building

now, knowing megatron's gunmode has the ability to mentally coerce the wielder to bend to his will... looks like this is what's happening with optimus wearing megatron's cannon arm!! xD. "megatron's cannon arm is influencing prime" has been built up and noticed, but it's nice to have megatron's ability now explicitly shown.

In #5 Starscream comments on Optimus having Megatron's cannon arm, and Optimus has a bit to say to him before blasting him with it.

Many noticed the parallel between Megatron & Optimus's fight in the Energon Universe Special 2024 and Optimus & Shockwave's in #12 as well as his tinged eye color.

Now with #14 we can also see a a similar thing that happened to Optimus happen to Starscream — Megatron's influence practically forcing their hand, going against what they wanted. Note the green-yellow background gradient suggesting Megatron's mental coercion in Starscream's panels, and in Optimus's panels (above) when his eyes are tinged there's yellow or yellow-green used in the background.

#vynx.analysis #starscream #optimus prime #megatron #thundercracker #analysis #skybound spoilers #transformers skybound spoilers #skybound transformers spoilers #skybound transformers #transformers skybound #i could probably say more but i'll just post this for now

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that-ari-blogger · 1 year ago

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Critical Role's Cameraman

So, Critical Role (@criticalrole) just released their newest opening title sequence, an animated sequence in the same style of Your Turn To Roll and I would be remis as a film nerd to not pick apart every detail.

What fascinates me about this introduction, however, is the camera movement and shot composition. Allow me to explain.

I DONT THINK THERE ARE SPOILERS AHEAD, BUT JUST TO BE SAFE

So, we open with a hand, this is a close up, I don't think that is unobvious.

But this stops being a close up rather quickly, before it starts moving away. The shot just gives the hand context, and suddenly you aren't in an extreme close up of a hand, you are in a medium shot of a very large person. Then the camera pans backwards, and you can see villains and places spring up, although the perspective on Matt remains weird. Is he a few metres from you, or a hundred? How big is the Game Master here? There's a sense of mystery, of incomprehension. This is setting up some cosmic horror shenaniganry.

Then, we get Fearne. This is a wide camera motion, swivelling around her in a tracking shot that focuses on her face, and those eyes. It is like a reverse panorama, where Fearne is taking in the world, the world is observing Fearne.

But I want you to take note of the leaves here, because they are used to form a connection between her and Orym. The transition uses them, while it isn't a direct wipe transition (the leaf just flies close to mask an abrupt cut), it is framed as one. The name of that isn't important, though, what's important is the leaves. By being in both shots, they emphasise the relationship between the two characters. But where for Fearn they show off her sense of wonder, for Orym, they take on a very different meaning.

Notice, however, how still this shot is. There is no sense of danger here. This is a scene of a warrior with a sword and two people passing on from this world. But it's calm. Because this is a memory. Orym might not be at peace with the death, but the memory isn't a violent one, it's a memory of his family's lives.

Cut to a close up. Orym creates a gust of wind.

And cut to the next shot.

I will not lie, Bertrand is my favourite character across all of Critical Role, so this shot of him made me smile, but it isn't the point here. The point is Imogen's introduction.

Although is Bertrand not actually the point? Because take a look at how Imogen is shown here. Do you notice anything?

She's shown in the exact same way. Imogen is shown doing the exact same thing that those who have died have done. And she can see them ahead of her. The camera panning back shows a wider perspective here, showing her as she tries to run, tries to get away from the same path as Bertrand.

The wind from Orym's blade that came to this scene gets across a consistent element: Memory. This is a dream. But dreams can become nightmares.

As Imogen loses her footing, the camera gives some of its wildest movements yet. It tumbles around her, then looks up.

The camera stops moving when it sees the red moon, because now the viewer has something to orientate themselves around. There is a constant point, and we can see Imogen falling down. And getting closer, and closer, and closer, until.

These are the three frames in order, there is nothing in between.

Imogen crashes into the screen, and we get an abrupt impact frame (that's the black and white one) then Ashton. This is so cool to watch, in my opinion, but it is quite possibly the opposite of smooth in camera work. So why is it so cool? Motion.

The motion is in towards Imogen and out away from Ashton. They are both falling, just in different directions. And the impact frame both helps smooth over and accentuate the abrupt transition.

The camera around Ashton is a tracking shot. They are falling, but they remain the exact same in the screen (shrinking slightly). The rest of the world moves. And when Ashton lands, the screen cracks. The tracking shot is used to show Ashton's disassociation with their surroundings. Not in a "I feel nothing" type of way, but in a "it's me vs the world" type of way.

Then, there is an abrupt cut away. Nothing hides or smooths this at all, because Ashton's memory isn't smooth, and neither is Ashton. Remember the disassociating thing I mentioned, now it changes again to someone who gets lost in his thoughts. Medium.com calls this an "anxiety stare" and as someone who does that on the regular, I can attest to this abruptness being exactly what that feels like.

I'm not going to talk too much about the ship, but just be aware that there is a Dutch angle (the horison is diagonal) here to heighten the stress of it.

Likewise with this shot, there isn't much to talk about. The slow outward zoom and triangular composition are neat, and the tiered reactions (bottom row reacts, then middle, then Fearne) are amusing, but other than that, not much.

Then we meet Laudna, playing with Pate and giving him life. That's a neat little shot, I wonder if there's a metaphor there.

Oh.

This is a super cool visual because it establishes exactly who this character is in two seconds. But I also want to point out the symmetry of this. The hair becomes the blood which becomes the hair again, and then the tree.

Laudna is introduced as big and scary and imposing, and that is very intentionally undercut by making her look small.

Being small means you are less likely to be the focal character, so shrinking Laudna takes away her agency. Only to give it back through Imogen, and when the camera pans back outwards, Laudna is the same size, but the colours and the surroundings make her feel less alone, and as a weird result of that, less small.

And last but not least in this moment, there is the delayed drop of the hands. Laudna finally feels safe and finally breathes a sigh of relief.

That, however, imediately match cuts to this. FCG's vision. The red tinting has obvious implications that I don't need to explain, but the match cut heavily implies a connection between this group and the Bells Hells. There is a fear that this might happen again made clear by a single transition.

Here's something else. FCG doesn't move. At least, the camera doesn't treat them as moving. It's a slow panning out as if nothing is happening. It's the disassociation vibe that you get from Ashton's falling shots now repurposed to someone who isn't in control of their own actions. This is what FCG is afraid of, this is the important pieces of his character. This is FCG.

And just like Laudna, FCG finally gains agency when surrounded by their friends who hug them, and FCG finally moves.

Chetney Pock O'Pea, outlaw of the RTA, alpha of his own heart. A fundamentally chaotic character who takes rules as suggestions to be intentionally ignored. A man who's first instinct upon meeting you is to consider how you could be killed. And he is introduced whittling, with a steady camera and warm light illuminating his face. This is a peaceful side of Chetney, there is a duality to him.

Speaking of which, notice how Chetney draws back from the light as he transforms. His eyes begin to glow, but they don't illuminate him, until this:

Chetney is now backlit by the cold light of the moon itself (There's a neat reveal of Ruidus caused by the pan, but that's only tangentially relevant). Notice how much further you are from him here than in his first shot. But notice how much of him is visible, and how much of the screen he takes up. It's the same, this is still the same character. It's a true Doctor Jeckyl and Mr Hyde character. This isn't split personality, but a character who can be a different person in each form, while still remaining Chetney at all times.

There is more in this video. I encourage you to watch it, but unfortunately, Tumblr has a limit on how many images I can include, so I will leave you with this final shot. A group of heroes looking up at a threat that is so much bigger than them, a threat that is literally controlling the light. But the Bells Hells are closer to the camera, they take up more of the screen. The battle isn't lost, instead, it is just starting.

#rants #literary analysis #literature analysis #media analysis #critrole #critical role #bells hells #imogen temult #laudna #ashton greymoore #fcg #orym of the air ashari #fearne calloway #chetney pock o'pea #its Thursday night #critical role bells hells #meta #meta analysis

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sixofcrowdaydreams · 5 months ago

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I was incredibly lucky enough to get to visit London and see Next to Normal twice in the short time I was there (and meet Jack Wolfe at the stage door!) But lots of fans might not have the same opportunity, so I wanted to share some details about the production and the changes/additions made to the performance since the Donmar production because I remember eagerly reading as many details as possible once upon a time.

Obviously, spoilers ahead for acting choices and stage directions. (Personally, I love spoilers and knowing what to look for in a production, but if you have the chance to see the show and want to be surprised, this is a good place to stop reading.

First off, Diana is shown as waaaaaay more crazy. Her behavior is far more erratic and there's never a moment when you think she's lucid and in control. Personally, I liked this change because I felt like in the Donmar production she was too... normal? She didn't quite behave as the person who broke down in the market, set the house on fire, crashed the car, and jumped in the swimming pool. Here, I completely believe she did all those things. Diana is hypersexual, ripping her top off as she runs past Natalie in the beginning to go have sex with Dan. She plants a kiss on Henry, to Natalie's utter horror, the first time she meets him. (Dan does not react to this, haha, he's used to it.) All of Diana's interactions with with therapists have an undercurrent of overly flirty, sexual dialog. Obviously, this is one sided and unreciprocated from the therapists. At one point she tells the therapist that she's flattered, but her husband is waiting in the car and it's impossible to see it as anything other than super sexual. (She's kinda into it though...) Diana lays curled on the floor more often clutching her head. You never doubt that she is manic.

Let's talk about Gabe.

Jack Wolfe rewrote the role of Gabe, there's no denying that. Instead of the menacing looming ghost, all American jock ghost, Jack plays him as a soft boy. The ultimate soft boy. And I didn't know it was possible, but he ramped that energy up 100% in this production. Jesus christ, he couldn't have been any more adorable if he stood on stage batting his eyelashes. Not only is Gabe played as a soft boy, he's particularly played as being very child-like. It's quite the duality. He has the body and mentality of a supposed 18 year old. He makes a joke about not taking coke "right now," and taunts his father with the location of the car keys at the beginning of the show. Later he reminds his mother that young people in love are horny.

Yet, Gabe's emotional responses, reactions to those around him are extremely childish. It really struck me how similar his expressions of joy, fear, and anger were to my toddler. Eerily similar. In a new addition, his face lights up with uncontrolled joy, giggling when he sees the music box. (His music box.) Gabe jumps to sit on the counter, and hugs it to his chest as he and Diana listen to the music.

There are moments when he is hurt by watching his parents fight and looks absolutely wounded. Like, shoulder hunched, chin tucked in looking down completely betrayed. Another new addition to this production includes Gabe turning his head away and closing his eyes as his mother flushes her pills down the drain. He does not want to see her do it. The dialog is a little at odds with this action because he still tells Diana that he thinks she's being very brave even though he visibly disagrees with her choice.

Gabe recoils in fear during the "chair moment" in a way you wouldn't expect from a young man. When Gabe and Dan crowd Diana during "I Am the One" she lashes out and grabs the chair, swinging it around, forcing them both away from her. Gabe jumps backward in surprise. But this time he also runs behind the counter, visibly terrified that his mother's anger is directed at him. He ducks as she swings the chair, unlike Dan, who is still on the same side of the counter as her and backs out of the way but continues singing and engaging with her, unlike Gabe who does it from a safe distance.

And when Diana's memories of Gabe, and Gabe himself returns after shock therapy, he unleashes the "I'm Alive Reprise" with what I can only describe as the same chaotic gleeful energy my toddler has when my kid starts evil cackling. It's a loud, full body laugh of delight that no one else takes any amusement in that, but that does not stop the child from enjoying it. It's a wild moment in the production. Gabe literally rolls around on top of the counter in delight at being unleashed.

Gabe is also more physically affectionate toward Diana. He hugs her several times and kisses her head. If he gets the opportunity to touch her, he will. In one poignant moment, Dr. Madden convinces Diana to look at Gabe's baby items and start letting go. Gabe tries to get her attention by attempting to hold her hand in order make her talk to him, and instead of taking it, she walks away and leaves him reaching toward her. He is devastated. In the Donmar production Diana and Gabe sat against the counter and leaned on one another. In this production that moment was substituted for Gabe kneeling on the floor and Diana lying on the floor and putting her head in Gabe's lap. He strokes her hair and reassures her.

Instead of seeming jealous or spiteful toward Natalie, Gabe seems enraptured with her. No sibling rivalry here. He tries, unsuccessfully, to get her attention several times and even places his hand over hers on the counter in a moment of comfort, not that she notices. In this production Gabe does not put Diana's purse or bag of pills in front of his sister, starting her addiction. She finds them herself.

This production solved one of the problems I originally had with "Super Boy and the Invisible Girl" in the Donmar production. In the original original New York run Gabe was played by Aaron Tveit as the very jock, athletic all American boy, which is in strict contrast to Natalie, the dorky anxious sister. At the end of the song Gabe joins Natalie singing, "she's not there," until his voice overpowers her and takes over the song as a vocal reminder that he's the favored child. Obviously, the Donmar production didn't do this because Gabe changed to soft boy energy. So Gabe joining the end of the song, singing at Natalie made less sense that the two are no longer in competition. THIS PRODUCTION instead had both Gabe and Natalie singing the end of "Super Boy and the Invisible Girl" to Diana, which was completely brilliant. Diana curls up on the floor clutching her head as both turn their attention toward her. Natalie stands at the top of the stairs and Gabe stands on the counter, both looming over Diana on the floor (asking her why she is not present in their lives and almost accusing her for casting them in the roles of Super Boy and Invisible Girl.)

Gabe is also present in more moments than the original Donmar production. He lurks in the background of several more scenes that did not feature him at the Donmar. This is an excellent choice. He joins Diana during her therapy session when she is hypnotized. Diana makes the joke about turning the light on at the bottom of the stairs to Gabe, both of them being playful and sharing teasing glances because they doubt the success of the hypnosis. (Jokes on Gabe) As Diana falls further into hypnosis, Gabe becomes less visible on stage until he's completely eclipsed behind Dr. Madden and cannot be seen at all even though he's still on stage standing behind the doctor. Gabe tails Diana through the house like a sad puppy afterward when she goes upstairs and retrieves the "baby box."

Gabe did not "try" to make his mother commit suicide. He grabbed his backpack and a dufflebag and started to walk out the door until Diana sang, "I'd die to dance with you." She had already made up her mind to die before Gabe turns around and begins to sing "There's a World." He seemed to help her after she already made her choice. It was less coaxing her into suicide and more guiding her through it, reassuring her of the what came at the end and how he would be there with her.

Gabe watches while Dan cleans up Diana's suicide attempt. He shows up just in time for Dan to sing the lyric, "And there's no one around," disproving Dan's claim that he's all alone. Now, looking this up, it seems like Gabe is supposed to be in this scene, but I have NO MEMORY of Gabe at this part in the original Donmar production. That could just be my faulty memory though. This scene really strengthens their confrontation later in "I Am the One Reprise." I also have no memory of the "sonogram scene" at the Donmar though I distinctly remember reading about it and was actively watching for the moment when Gabe stood on the upper floor and the curtain dropped, casting him in silhouette reminiscent to a sonogram while Diana listens to the music box. So maybe I'm just not remembering correctly? Still, this scene was also excellent and haunting as Gabe hummed the music box melody. The humming was beautiful and it broke me.

At one point in this production, Gabe almost touches his father, but pulls away first. Gabe, desperate to be acknowledged, stands in front of Dan, who reaches forward to touch Diana. Gabe quickly retreats in fear, and throws himself out of the way to avoid touching his father.

I'm not particularly sure anything changed during "I Am the One Reprise," but it's my favorite scene of the entire show, so I'm gonna talk about it. Because hot damn. Before this moment Diana talks to Natalie and sings "Maybe" While they talk Dan and Gabe are sitting against opposite side of the counter. (Dan in the front on the far left hands clutching his head, Gabe behind the counter on the far right curled into a ball, arms wrapped around his knees, forehead on his knees) When Diana finally tells Natalie (and the audience) how her older brother died, Gabe perks up at the mention of his name. He slowly unfolds, sits up, and listens as if it is the first time he's heard it too. Then Diana sings "So Anyway," and leaves. Both men watch her go. (To my utter amusement, Gabe turns into a prairie dog standing up on his knees -- again, reminding me of my toddler who does the same thing in order to sit up and see better -- as Diana leaves.)

Dan stands and starts singing "I Am the One Reprise" to Diana. But Gabe stands and starts singing the reprise to Dan. Then he gets to, "I know you told her that I'm not worth a damn, But I know you know who I am." And then the music cue drops.

It's so powerful.

For the first time Gabe looks angry. Confrontational. He demands to be recognized by his father while Dan denies his presence and begs him to go away. In a stunning leap of athleticism, Gabe jumps on the counter and grabs Dan from the back. It's almost violent. Dan struggles but Gabe refuses to let go until Dan spins around they lock onto each other's forearms and sing the same verse. It's so emotionally charged. Both actors are cry and yell at each other as they sing.

Then Dan starts to pull away and Gabe desperately reaches out trying to hold him again, but unable to from his position on the counter. He continues to reach out despite Dan growing farther away. it's heartbreaking. Dan finally says Gabe's name and recognizes him. It's all Gabe has wanted from his father the entire show. Gabe is so happy in this moment. They look like they are going to continue talking, but Natalie comes in and asks her father, "It's just us?" Now, I remember the line being "It's just the two of us?" at the Donmar, but it's been a hot minute, so I could be wrong (again). But I like, "It's just the two of us?" better because it forces Dan to deny Gabe once again. Dan deliberately looks over at Gabe on the counter before agreeing with Natalie. And Gabe just... gives up. He got the 10 seconds of acknowledgement he wanted from his father. Dan said his name and Gabe's content with that much even though Dan denies him once again in front of Natalie.

Gabe slowly gets off the counter, touches Natalie's hand, though she's unaware, and walks upstairs like a sad little ascending angel who watches over his remaining family.

Other thoughts:

I may not have talked nearly as much about the rest of the cast, but they were all perfect. I loved everyone's voice. Dan was sooooo sympathetic and I love him more and more each time I see the show. Natalie's voice is gorgeous. Stunning. Diana is an unreliable narrator and I think the audience often forgets that.

There are so many props in this set, it must be a nightmare to restock for each show. The food Diana throws around making sandwiches is real, as is the disastrous dinner. (During Diana and Dan's argument they clean up and Diana just throws the dishware into the trash, not just the food, the pan and bowl too and it feels so in character.) Everything else just gets shoved into the sink, haha. The sink does have running water. The birthday cake seems like a prop though and Diana did her best to keep the candles lit while she raced around the stage looking for her dead son. From the balcony on my first viewing I had a really good view of the baby box and saw the exact moment the "blood" began to leak from it. It happened very quickly before the stage turned around, which made me think the it was remote controlled and not set on a release timer (though it probably could be. Every movement from everyone on stage is extremely coordinated even though they are not dancing.) Sitting closer to the stage, the box seemed to leak from all four corners -- I'm just a weirdo who likes knowing these production details.

The cast popping out of the fridge was way funnier during "Psychopharmacologist and I" because they opened the fridge was used it as an ordinary fridge during the opening song. So it was totally unexpected.

Only one person audibly reacted in the audience to Gabe's death reveal between the two shows I saw. Lol. Everyone else went in knowing.

Jesus christ, I have no idea how the actors wore long sleeves and pants on stage. I sat four rows back on the second viewing and I WAS HOT from the stage lights and I wasn't running around the stage like they were. They definitely were visibly sweating.

A friend pointed out that the cast were using American accents, which I didn't realize. For the most part they sounded fine, especially compared to the interviews where the cast use in their natural accents. The most shocking difference was Natalie's actress -- she had the best American accent compared to her strong irl accent. Dan's actor too! Both Jacks couldn't quite cover up their soft vowels so my American ear didn't realize they were using an American accent when I heard their natural ones so clearly.

There were several stage mishaps the second time I saw the production. The curtain that goes up and down on the upper levels of the stage knocked over the "I'm Alive" microphone stand when it when down, knocking the mic off. The mic popped off and bounced down the stairs and rolled off the back of the stage where production presumably grabbed it. The actors picked up the mic stand and put the mic back on it in the next scene. The same microphone stand fell down again when Gabe turned around and his red backpack knocked it over. He picked it up very quickly.

During my "Psychopharmacologist and I" one of Dan's pill bottles, being used as a shaker, exploded. The actor froze for a second, then kept going as the "pills" scattered across the stage. He just put his empty hand in the pocket of the medical coat and continued. When the song ended, a production manager came out, apologized, and said the stage needed to be reset. All the actors left as the stage was swept. The audience looked at their phones for 5 minutes and then the production started again.

Next to Normal was such a joy to see. Like, yes, I saw it because of Jack Wolfe and he was absolutely a highlight of it. But I was never bored without him on stage. Though I did think "So Anyway" was a bit too long, but that's my personal opinion and the effect of jet lag may have influenced that thought. All of the cast and their voices were incredibly talented and I'm glad to be familiar with the show now.

This is long enough, but if you have any questions about the production, please ask! I am happy to answer questions to help those who might be able to see it in person visualize what happened on stage.

#next to normal #jack wolfe

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