#TALES SET IN HELL ITSELF

[ask-de-writer]

I would like to thank Delightfully

EAGER BINGE READER

@furislupus​ for READING and LIKING

My whole MASTER STORY INDEX SECTION,

He finished reading in MLP Fan Fiction with

Tam and Heather (Chapter 12)

and went into the BIZARRE BORDERLAND

GENII’S JUNK

WEEK OF THE BLACK DRAGON (Parts 1 & 2)

And bounced straight into Tales Set in Hell Itself

NICK’S PLACE

BUSINESS LUNCH

[isuckatwritingsobenice]

Infernal Shadows 02

Synopsis: Being one of the most powerful overlords in Hell, you like to keep up with colonies and overlord plans. Recently with the new extermination date out, you hold your annual gala sooner than usual. You hadn’t expected to get in the middle of the already heated feud between the Radio Demon and the head of Vox Tech.

Warnings: She/Her pronouns used for the reader, mentions of blood, voodoo?, Angel Dust being a horn-bag, Reader is referred too as Madame to the public. Vox and Alastor feud because I live for it.

Song for this chapter: HAUSER - Adagio (Albinoni)

A/N: I’m so glad part one did well! I really liked this idea and hoped other people would too. As always comment if you want to be tagged and I will tag you in the next post! I wanted this to be three parts, but depending on how much I can fit in this chapter and the next one, I’ll see if I need to make four parts. The song at the beginning of this chapter is meant to be played when the line “ The music picked up” Is read. Skip to 5:35 for it to play smoothly, or as smoothly as possible.

Word count: 3.k or something over that idk I got too lazy to count :(

Taglist: @dollops-of-delusion @nebusokuxp @scrunchss @rosedasy @valluvz @chesstras @pishybowl @iaaeav @forgotten-blues @22carolina08 @roboticsuccubus83 @doflamingadonquixote

Navigation!! // Masterlist!!! // Serendipity Writes (event) // Part One. // Part three.

Within, the grand foyer unveiled itself, revealing a sweeping staircase adorned with a rich, mahogany handrail in stark contrast against a black and white color scheme. Crystal chandeliers, dangling from lofty black ceilings, cast their brilliance upon white walls adorned with ornate mirrors. Plush Victorian-era furnishings, upholstered in rich black and white fabrics, adorned the parlor rooms, establishing cozy settings for guests to assemble and engage in enriching conversations. Each room murmured tales of a past era – intricately patterned black and white wallpaper, frames gilded in black to showcase classical art, and a subtle aroma of aged wood and lavender lingering in the air, harmonizing with the monochromatic elegance. The guests walking in all marveled at the details of the mansion.

Charlotte and Vagatha both stepped in, Charlotte in awe of the detailing. A shadow figure bent down slightly to offer her a drink, to which she happily took.

“Vaggie this is all so beautiful. I hope I can make a good impression.” Charlotte said, turning to her partner to ease her nerves. Vagatha just smiled, a hand on her shoulder lovingly.

“You’re gonna do great babe, besides, there’s so many people here, if one likes it I’m sure other people will get on board too.” Vagatha said.

“Or they can laugh at you if one person points out how ridiculous it is.” Husk said, chugging his drink before placing it back on the servers tray.

“Thanks for the kind words Husk.” Vagatha said sarcastically. He just shrugged, looking towards the bar area which was practically calling him over.

Upstairs in your room, you stared at yourself in the mirror as your shadows made the finishing touches on your outfit. Draped in a long, elegant black gown that gracefully embraced your commanding figure, the fabric cascaded like shadows. Delicate chain motifs intertwine with the dress, creating an alluring dance of darkness. A chain belt cinches your waist, a subtle nod to your captivating ability to ensnare and command over your shadows. Completing the regalia, silver chain cuffs adorn your wrists, reflecting both power and refinement.

“Madame, the guests are all in the lobby awaiting your arrival.” One of the shadows said. You nodded, stepping down from your showcase, winking to yourself in the mirror before chuckling to yourself. A shadow approaches you, bowing in respect before holding out a tray with your drink, a contrast to your dark colors. You take the glass in your hand, another shadow lightly putting a thermometer in your drink so it’s the perfect temperature for you, fifteen point five degrees Celsius. The liquid is a light yellow-ish green, Lafite-Rothschild, an expensive French wine you tried in 1906 when you were alive. Lifting it to your lips, you take a long sip and sigh, the spicy and earth notes, mixed with a hint of tobacco and red Barrie’s dance on your tongue like a performance of Gavotte. You pull back with a sigh, setting the glass down, a perfect Ridel Vinum Bordeaux, personally crafted for you as the bottom of the glass is a Smokey black, fading into clear glass towards the top.

“Let’s get this Gala started shall we~?”

In the lobby, guests were socializing amongst themselves. Velvet, Vox and Valentino had split for a short while. After the incident outside, the two overlords wouldn’t stop tantalizing the picture box about his fit of frustration dealing with the Radio Demon. From the lobby, there were large crystal doors revealing the back exterior of the house. The greenery was just perfect, with cobblestone flooring revealing another bloody fountain. Vox stood with his drink, speaking to some sinner he couldn’t remember the name of, about how well his business was going.

“You ever get,” Vox asked, eyeing one of the shadows who stood in a corner, white eyes soulless as they held out drinks to guests. “Creeped out by those, things?” Vox asked, turning back to the sinner. He just scoffed.

“Please, they’re always around and as far as I know, harmless.” The sinner said. At that, a shadow appeared between the two, taking their empty glasses and replacing it with new, full ones. Vox tried his hardest not to seem alarmed at this, and took the glass silently, sipping his drink slowly as it floated away. It was then he took in the shadows appearance. They all looked the same. Tall figures, Smokey outlines, but no feel or hands, just a faded end to their limbs. Their eyes were white and soulless, almost as it they were vacant, a shell of what they used to be. There were no facial features, just two white circles and a thin white line for their mouth. Each one however, had a light Smokey chain around their chest, wrapped in the shape of an X.

“What are the chains for then? They’re pretty much smoke, what do they need chains forever?” Vox asked. The associate laughed, but before he could answer, another overlord stepped in.

“They have chains because they’re claimed souls.” Fredrick Von Eldritch says, his sister Bethesda in toe. The two grin, a shadow following behind them with a tray of their drinks. “If you get invited to the gala long enough, you get a personal one.” He said with a wink, gesturing to the shadow behind the two.

“They’re quite cute once you get used to them.” Bethesda said with a smile, cooing at the shadow lightly. Yet, it still remained expressionless.

“Actually, now that you say that.” The sinner says, looking around for a moment. “It’s been awfully quiet with a laugh track being played.” He says, referring to Alastor. Vox just rolls his eyes.

“Who gives a shit about where that old timey freak is?” Vox asks. Fredrick and Bethesda snicker to each other, catching Vox’s attention.

“Probably hunting for his dear Madame.” Bethesda said dramatically, laying her head on her brothers shoulder and batting her lashes playfully. Fredrick and the sinner laughed at his sisters antics, but Vox grew serious.

“What does that mean? He knows her?” Vox asked, to which Fredrick scoffed, finishing his drink before reaching for another off the shadows server tray.

“Of course he does. She died before him, and they’re the closest overlords in time period. Well, aside from Zestial and her.” Fredrick explained. Vox didn’t say anything else, instead looking to the red ‘moon’ of hell, before glancing at the blood fountain. He had heard rumors about being at the Madame’s table, and how she gave the inside to all her projects and plans before the next extermination. Apparently, this year was supposed to be ‘different’ as people had been talking.

“When does this dinner start anyway? We’ve been standing out here for two hours.” Vox said annoyed.

“In a few minutes, Madame will make her grand entrance. She will socialize with the guests as it is polite to have one on one time with them. Then she will spend the rest of the time while the orchestra gets together deciding on contenders to sit at her table.” A shadow walking by said, stopping to stare at Vox. “Madame is always watching.” It then said, turning to serve other guests. Vox said nothing, instead turning on his heel and making his way inside the mansion. How could someone feel suffocated outside? Fredrick and Bethesda said nothing, watching him go, but sharing a glance between each other before making their leave too, leaving the sinner all by his lonesome.

Inside, Charlotte and Vagatha conversed about how she could get people behind her project.

“Maybe if I sing-“

“Please no. These people are too…” Vagatha said, glancing around the room. Everyone seemed too, fake. Vagatha knew Charlotte being herself around these people would do absolutely no good to the hotel, and though she hated telling Charlotte these things, she knew her kindness would be frowned upon, and made fun of. “Serious for that kind of thing.” Vagatha finished, taking a sip of her champagne. She settled for champagne in a flute while Charlotte drank water, wanting to hydrate herself in hopes to calm her nerves.

“I heard that Madame might be making her entrance soon.” Charlotte said nervously, looking around. She half expected her parents to show up, but knew how they rarely liked getting involved in overlord affairs. She’d be surprised if they showed up.

“Then when she does you can try to pitch your idea to her.” Vagatha said supportively. Charlotte just smiled and nodded, hoping someone would listen to her. She had tried practicing on two sinners moments ago, to which they both laughed and called her delusional. The defeat was beginning to get to her, and she hadn’t even started yet.

With Velvet, she began studying the interior of the old-styled mansion. She was trying her hardest to not be too rude about it, but of course she had her comments, but ultimately kept them to herself. Cramoisie, your fashion line, was the top fashion brand in hell, everyone wanted a piece of it. Velvet had never had an article for herself, despite trying her hardest to get something, anything, even a sample. But people feigned for it like drugs. Velvets line was successful sure, but with your validation and guidance, she could become perfection, the same way you were. Everyone in hell looked up to you, shit, you had even gotten Lilith’s praise as she was photographed wearing a custom piece you designed for her. Your work was art in its purist form, and Velvet kept a close eye on her other colleagues to make sure they didn’t fuck your chance up. Velvet had her assistant hold samples and sketches of designs Velvet had been working on, wanting to show you her best work in hopes of winning you over. She could brag about having you support her line, and her fans would die of excitement. Maybe, she could get you to design her a custom piece, or Velvet could design one for you. The possibilities were limitless, if you agreed to meet with her of course. But that was all the more reason why she needed to make sure she had a seat at your table tonight. She needed to get close to you.

“Are you fucking high?” Velvet whispered to Valentino, who just chuckled softly at her.

“What’s the matter hermosa? Just enjoy the Gala, we’re here to have fun right?” He asked with a giggle. Velvet huffed, deciding to find Vox, hoping he could straighten Valentino out. Valentino would not fuck up her chance tonight.

Near the large staircase in the middle of the room, Alastor stood, glass of whiskey in his clawed hands. He smiles, humming to himself while quietly back up into a wall, careful to scan the room quickly before he disappears into the shadows. Then, moments later, appears in a room separate from the gala. It’s a study, your study. Alastor takes a step forward and quickly the shadows in the room seemed to deepen, casting larger, more dramatic silhouettes that seemed to dance on the walls. The interplay of darkness and light only heightened the mysterious allure of the study. In the midst of this chiaroscuro ambiance, Alastor found himself surrounded by an atmosphere that mirrored the complex nature of the figure depicted in the portrait hanging above the fireplace, which was in the far back wall of the study. It was the only light source in the room. Black wooden shelves lined against the tall walls, showcasing famous pieces of literature, all hand picked and to your liking. The fire place, crafted with dark marble, commanded his attention. Above the mantel, a striking portrait of Madame hung, capturing his focus, like a trance. The image portrayed a being universally admired, yet equally feared; someone who elicited both admiration and intimidation all at once, you.

“Hm, hiding now are we?” Alastor asks with a grin, tutting lightly. “That’s not very proper of you Madame~” He says, calling out to you. Seconds later, a dark shadow appears in the corner of the room, taking up the entire corner, before a shadowy figure steps out. Similar to the servant’s out in the lobby, Alastor’s eye twitch’s slightly.

“Oh don’t be so pissy. You know no one gets to see me before my entrance.” You say, the shadow expressionless, but Alastor can hear your tone through the figure, taunting him. He sighs, setting his staff on a slant along his foot.

“And here I thought I could connect with an old friend.” Alastor said with a chuckle, staring down the shadowy figure, hoping his gaze would ease you to show yourself to him. But alas, stuck in your ways, you didn’t show yourself, instead laughing, though the figure did not open its mouth, making your ‘shadow a-presence’ all the more eerie.

“If you really want to speak with me it can wait until my entrance. I should be done soon.” You say, before Alastor just smiles, tossing his staff from hand to hand.

“Well if you’re really going to make me wait, mind you speed the process up a bit? You know it doesn’t take much to make you look breath-taking.” Alastor compliments, but earns a scoff from you.

“Oh please, don’t start with me ‘Radio Demon.’” You mock, before the shadow figure begins to step back.

“Wait, a moment before you go.” Alastor says, standing his staff on the floor. The shadow figure stops, before you speak again.

“Make it quick. You know how much energy it takes to keep this up.” You say.

“So, about this hotel business. I know she’s planning to talk to you about it.”

“Yes the idea you tell me so much about.” You say sarcastically. Alastor had told you bits and pieces about the princess’s project, but didn’t tell you what it was for exactly, leaving you to wonder how important it really was if even he wouldn’t speak on it.

“Well you know how much I crave entertainment. Is it possible to make a request for the seating arraignment tonight?” Alastor asks. You laugh, figure still unmoving.

“Humorous to think you even have a seat. You’ve been gone for what? Seven years?” You say with a scoff.

“You’ve been gone decades my dear, you didn’t even show up to your last twenty gala’s, having your pity shadows do it for you. I doubt you should be speaking on the matter.”

At that, you chuckle to yourself before the shadow begins to back into the corner, black smoke enveloping the corner like a cloud. “I presume you would be correct. Well, I’m off now. Don’t sneak into my quarters again.” You say finally before disappearing. Alastor just grins, stepping into his own shadow, joining the other guests.

The shadows had slowly but, eventually ushered the guests into the lobby, everyone gathering around the staircase as the shadows lined up against the railings, the orchestra playing the music you had specifically requested. You were about to make your grand entrance, something you hadn’t done in centuries. Everyone stood around, awaiting your arrival, the shadows momentarily disappearing to give the guests more space to crowd around. Candles lit along the walls, as well as floating lights appearing going up the staircase. There, the shadows took their place, two on each step on opposite sides, facing each other. The music picked up, the lights focusing at the top of the stairs. Black smoke began to roll down the steps slowly, the anticipation for your arrival growing. The music gets calm for a moment, a larger shadow figure standing at the top of the staircase. It’s larger than any of the other shadows in the room, standing at fifteen feet tall. It speaks in a monotone voice, but loud and commanding.

“Thank you all for your attendance tonight. The Crimson Gala is held once every year to start the new year with all those who survived the extermination. This being said, Madame would like to say her personal congratulations for not being apart of the bloodshed this year. While the past years she has used me to say that she will unfortunately not be in attendance, I am pleased to say that tonight, along with all the new guests, she will make her grand entrance. Presenting to you, the prowess of darkness and queen of shadows, Madame.”

The lights shine bright, and the shadow vanishes quickly. Velvet shushes Vox and Valentino, eyes practically bulging out of her skull to see you. Alastor just stares, waiting in anticipation. Charlie claps her hands quietly to herself while Vaggie just smiles. Rosie sips her glass, eyes waiting to see what outfit you’ve put together this time. At the top of the staircase, a large black smokey circle opens at the bottom of the floor, smoke swirling upwards slowly in a tornado form, smoke getting quicker as it swirls around itself. It gets larger, and guests closer to the stairs have to back up a bit as the wind picks up. Carmilla turns her face to the side, not wanting the wind to mess up her hair too much. Finally, the music picks up again, the peak point in the song, which lasts eight seconds, before the smoke falls to the side in one swoop, leaving you in the midst, now on display for all guests to see. The music continues, the chains against your dress glistening under the light. The music continues the play as you take steps down, looking at the guests. There’s a serious expression on your face, but somehow neutral all the same. Your shadows had added last minute black lace gloves, which went up to your forearm. The bottom of your dress had a lace trimming, as well as the bodice being laced with trim along the bust area. The jewelry was a simple black diamond crystal on a metal chain around your neck, paired with black diamond earrings. The cuff links on your hand remained all the same though. Finally reaching the end of the steps, everyone clapped, now finally being graced with your presence.

Velvet was in awe, staring at you with wide eyes like a child being gifted the most precious thing. Her excitement grew enormously, watching you shake hands and socialize with guests. She had never seen you before, after you had gone ghost for centuries, hardly anyone had photos of you. Hell she didn’t even know what you sounded like.

Charlie was so excited to meet you. She hadn’t seen you in, forever, and was now finally excited to be seen as your equal. Well, that was what she had hoped at least. Having seen a portrait of you in her parents' home when she was younger, she learned of the close relationship between Lilith and you. The anticipation had built over the years, and now, finally, she looked forward to being seen as your equal. Her hope was to hopefully get your support for the hotel, aiming to elevate her standing in the eyes of others. With your backing, she believed people would take both her and the redemption project more seriously, fostering a genuine desire for redemption. Maybe it would even work.

Husk smiled as he watched you socialize with guests. He was glad to finally see you back out again. He never knew why you went into hiding of course, but he never had the balls to ask, so he just stood quiet. When you disappeared, it was after a particularly rough extermination, and he knew something had happened, he just didn’t know what. Since then, the world only had glimpses of you to go on. Some sinners were starting to think you were a myth, since you never showed your face at the Crimson Gala, especially since you were the host.

Vox was taken aback, a sense of confusion and unease settling within him. Your presence had caught him off guard; he had anticipated something different, perhaps an older figure. The unexpected impact left him feeling uneasy, realizing the gravity of your influence. It dawned on him why Velvet had stressed the importance of making a favorable impression. Apart from Zestial and the twins, you stood as one of the strongest and most enduring overlords. In Vox's mind, securing your alliance was imperative for the success of his company. Your potential support would make his endeavors foolproof. Everything had to be flawless – not for any personal reasons, of course, but solely for the sake of his company. He needed you.

Making your rounds to guests, you began to get closer to your colleagues. With a wave to Stolas, and a nod to Zeezie, you run into the Radio Demon himself, Alastor. He grins, sharp teeth getting you. He smiles and nods his head, and you nod back. Alastor takes in your stoic expression, before carefully taking in your outfit.

“My, my, Madame, you’ve truly outdone yourself tonight. Your choice in attire is as captivating as ever – a perfect blend of elegance and sensibility. Quite the spectacle for the grand event, don’t you think?” He asked, holding his arm out to you. You take it, and the two of you walk around the lobby together, conversing.

“Well you don’t look to bad for yourself. Maybe going into hibernation was perfect for you.” You say back, and he grins.

“You’re too kind darling.” He says, dead heart quickening. He puts a hand to his chest, mocking fragility. “Your words leave me breathless my dear.” He says with false dramatics. You roll your eyes and smack his arm playfully.

“Oh please, your ego is quite large enough already, yes?” You ask. He doesn’t say much else, but instead, gently moves you to the side while you look at your shadows, now waltzing around in the middle of the lobby, putting on a performance.

“Did you plan that?” Alastor asks. You shake your head.

“No, but the music is perfect for it, so I let them be. They’re already trapped with me, I might as well make them useful.” You say, and Alastor just hums, a laugh track playing. However, as the two of you walk, his track screeches to a halt upon seeing Vox approach the two of you.

“Madame.” Vox says, nodding his head. His expression is serious, and though you’ve heard of him, you’ve never seen him.

“Ah hello. Vox I presume?” You ask, free hand reaching forward to shake his own outstretched hand. The two of you shake hands, and Alastor can’t ignore the way he fights to keep his smile. Why he could just shove his staff right into that flace faced fuckers scree-

“Alastor, I suppose you’ve met Mr.Vox before, correct?” You ask. Alastor nods with a smile, and you notice the way it stretches almost painfully across his face. It makes you uneasy, but you ignore the feeling. He’d surely tell about what this is about later on in the night you supposed.

“Why yes we have! I’ve made him loose his signal quite a few times.” Alastor says with a laugh, his laugh track playing. Vox doesnt say anything, though he doesnt have too as his eye twitching had given enough away. The two clearly did not like each other. Than again, you had felt the same way about Alastor when you first met him, so the feeling was understandable.

“Madame, a dance?” Vox asked, turning his attention back to you. You thought for a moment, before untangling your arm from Alastors and nodding to Vox, taking his outstretched hand to you and leading you to the dance floor, which now had a couple other sinners dancing as well. Alastor held onto his staff tight, but relaxed as you discreetly slid him a card. In white with black lettering, cursive font. Seat number five. He was invited to your table. Guaranteed a seat. That was enough to have him back in light spirits, now searching out his dear friend Rosie to share the good news.

Velvet had been looking for you all over, her assistant close in toe. She had tried her hardest to get to you when you initially made your enterance, but alas you had been too overcrowded with people for her to get to you. She had heard rumors about how you hated rudeness and disrespect. That meant no interruptions, and no loud speaking, or vulgar language. She was sure to keep herself in check, and that meant her colleagues too. So, naturally, you could imagine her shock upon seeing Vox dancing with you on the dance floor, black dress twirling at your feet. You looked so regal, so elegant, flawless. She wanted to be just like you. She waited patiently on the sidelines, waiting for the dance to end. She could see the two of you having a conversation, but couldn’t pinpoint what about.

“So, I presume you’re one of the, newer overlords?” You asked as the two of you danced. Vox chuckled, leading you slowly.

“New? Well, maybe to you I would be. I heard you haven’t really left your own head for quite some time.” Vox says lowly. You nod, letting him dip you.

“Yes that would be correct. So what are you supposed to be exactly?” You ask, quite unsure of his purpose. Overlords are meant to have a strong leading purpose in hell, so what was his?

“Well, you’re looking at the head of Vox Tech. A software company.” He says, and you hum in understanding.

“So modern technology.” You confirm, and he nods, pearly whites shining brightly back at you.

“You’re looking at the future Madame.” Vox says, spinning you quickly, before bringing you close by your hip.

“Interesting. So, what’s your social influence?” You ask. Vox thinks for a moment, before laughing to himself.

“People have televisions in all their homes. Any piece of modern technology comes strictly from me. With a little mind control, there isn’t any influence I don’t have.” Vox says, noticing a sinner walk by with a smart watch, to which he holds a finger up to you, sending himself through it, and then to another sinner with their smartphone, making his way around the room in seconds before he’s back in front of you, stepping in time for the next number. “See? Nothing I can’t do.” He says with a wink. You nod slowly, looking around the room. Being back out in the spotlight after being gone for so long makes you feel a bit, behind. But with an overlord like this in your circle, maybe this could be a way for you to keep up with the current world, get you back up to pace. The dance finally comes to a close, and the two of you bow to one another, before you summon a card, handing it to Vox. Seat number nine. Vox grinned at you, giving you a nod. You nod back, before looking at another sinner who’s asked to speak with you. With that, you leave Vox at the dance floor, white card in hand. His spot at your table was secured. But, this made his emotions churn even more. What was this feeling he had? He was happy yes, but for the companies sake. But, maybe for once, he could mix just a little business with pleasure.

Charlotte had lost her partner at the bar and had been looking for her for quite some time. However, instead of finding Vagatha, she found you instead. You had seemed to be finishing a conversation with Vox, and though she disliked him, she took her chance the moment she saw you walking away.

“Excuse me, Madame- Miss- Um.” Charlotte said quickly, causing you to stop in your tracks. She got closer to you, now a few inches away. It was then she realized how tall you were compared to her. You were easily around seven feet, or just under that. With your heels that was. You looking down at her made her feel intimidated, small, like the child. But, feeling her nerves rise, she began to ramble again. “I know you probably have a lot to do tonight and I don’t want to take up your time, I just want you to hear me out, if that’s okay with you of course.” Charlotte said quickly, pausing to inhale. You narrowed your eyes at her, snapping your fingers and causing a shadow to appear next to you, singular glass on the tray. It was the same tall shadow from earlier, with the same drink. Again, using testing the temperature of the drink, before nodding to you so you could take it. You lifted the glass to your lips, maintaining eye contact with Charlotte as you drank the wine in one go, putting it down on the tray with a sigh.

“Go on.” You replied, now intrigued. You knew who she was. “You’re the girl with the hotel? Lucifer and Lilith’s child, correct?” You asked. Charlotte smiled, stars appearing in her eyes as she gushed.

“You know who I am?” She asked surprised. You nodded, cracking a small smile for the first time tonight, causing many eyes to stare in shock. You hardly ever smiled. In fact, there were three counts ever of you smiling in hell. Once, when you first got to hell, killing and claiming territory, and smiling once you finally settled down. The second being after World War One, when so many souls came to you seeking ‘help’ yet only being met with contracts. Third, being just before the extermination you disappeared after. You had gone through your belongings from Earth that managed to get brought to you from the surface, and was looking at family photos with one other overlord. Zestial. Now, at the gala, here was Lucifer’s brat, as some would call, making you crack a grin at her giddiness.

“Of course I know who you are. Do you forget I know your mother? You’re practically a niece of mine at this point.” You say, motioning at Charlotte to walk with you. “Now, what is this hotel I’ve heard about?” You ask. She beams at this and follows excitedly.

“OkaysobasicallyIhavethishotelandit’scalledthe’HazbinHotel’whichisforsinnerswhowantobebetterandredeemthemselvestotryand-“ You stopped her, allowing her to take a breath of air after rambling for so long. You lead her outside, finding a nearby bench to sit on. With how quickly she spoke, she needed all the ‘fresh’ air she could get right?

“Why are you speaking so quickly? Also, sinners who want to better themselves? Where would you find those?” You ask with a laugh, the same tall shadow appearing with a glass for you. Again, you sip on your drink as Charlotte collects herself together.

“Usually if I explain slowly people cut me off and I never get to finish, so I’ve gotten used to just saying everything as quickly as possible so they don’t cut me off and actually listen to what I have to say.” Charlotte says, again rather quickly. “Like I was saying; the Hazbin Hotel is a place for sinners who want to better themselves to possibly try to get into heaven through redemption, and I know what you’re thinking, we’ve all died and got sent here, but I believe people can change and that everyone deserves second chances.” Charlotte explained. She saw the look of confusion on your face, and began to speak again. “We already have two residents, who are making strides to be better people every day with group activities and I believe it’s working. If I could just get other people on board, people like you on board who actually believe in my cause, then we can get rid of extermination and maybe save some people here.” Charlotte explained. You thought for a moment, and the fact you hadn’t laughed in her face yet gave her some hope that maybe she had gotten through to you. You stood up, setting your empty glass on the tray before the shadow disappeared.

“Honestly,” You said with a sigh, looking around, your eyes landing on your shadows serving other guests. “The entire project sounds delusional.” You said sharply. Charlotte looked down at this, defeated, before standing as well.

“Well, thank you for hearing me out I guess. You’re the only other person who has aside from Alastor. So, thank you for your time.” Charlotte said, turning to walk back inside the gala, head hanging low with tears brimming her eyes. Maybe it was the connection to her mother, maybe it was because she reminded you of her mother. But, something had to change.

“I didn’t say we were done speaking Charlotte.” You said sharply again. She stopped and tensed up at that, before turning around, wiping a tear that slipped down her cheek.

“W-what?” She asked. You stepped forward to her, putting your hands flat together before smoke encased them. Then seconds later it was gone, and in your hands was a white card. You handed it to her with a nod.

“It sounds delusional. But, maybe someone will like that about you.” You said. She read the card, face dropping once she realized what it meant.

“So, so I can sit with you tonight? I can pitch my idea?” She asked excitedly. You nodded, patting her shoulder.

“Yes you may. I’ll allow you to have your time. You get thirty minutes, there will be overlords and royalty there, I’m sure someone is bound to take an interest in it.” You say. Charlotte squeals excitedly before jumping up and down, clapping her hands.

“Oh my goodness! Thank you so so so much!! You won’t regret this I swear!” Charlotte said, and you just nodded.

“Of course I won’t. I don’t make mistakes.” You say, before walking past her. “Oh, and thank Alastor for that. He was insistent you be present at my table tonight.” You say to her. She’s left standing outside in shock, watching as you walk back into the lobby to socialize with other guests.

It seemed Velvet had finally caught you, rushing her assistant to follow you as she made her way over to you.

“Madame, you look absolutely breathtaking tonight! Your presence here is like a beacon of individuality and charisma,” she exclaims, eyes sparkling. You look her up and down for a moment, stopping in your tracks to listen to her. Something feels, odd about this one. “I’ve been ardently following your unique style for ages, and it’s truly an honor to be in your presence. The way you effortlessly blend boldness with subtlety, it’s unparalleled, truly outstanding. Now, I’ve ventured into a daring new fashion brand, and I can’t help but envision you as the unrivaled star in my collection. Picture it: the illustrious Madame, gracing the world with a revolutionary expression of style. This would be the perfect way to make your way back into the public eye, and of course you would look ravishing doing so.” Velvet said, her assistant handing you sketches of Velvets designs, and photographs of some of her work on her models. “So, what do you say Madame? Will you be the luminary of a new era in Hell’s fashion?” Velvet says. You grow quiet for a moment. Aside from Rosie, you’ve had no other overlord come into the fashion realm, and Rosie is only partially in it as a side hustle, but everyone knows it’s your thing. The designs are things you would never wear, bold and odd colors together, like a child’s clothing line.

“Is this for children?” You ask. Velvet nearly chokes and her assistant tenses up.

“No Madame. It’s modern fashion.” Velvet says cautiously. She knows what she’s doing. Correcting you. No one ever does that. You don’t need to be corrected because you know what you’re looking at. A sad fashion designer who wants you to slap your name on her sloppy work so if it goes up in flames it’s your reputation taking the fall, not her’s.

“So all your models look like they came from a whore house? Correct?” You ask. Velvet’s jaw drops and her assistant hides a laugh. Velvet, inhaling softly, tries her hardest not to cry on the spot. You’re her idol. She can’t fuck this up.

“No Madame! Not at all!” She says, showing you a design she had made personally for you. Based on your other collections, she knows your favorite color is black, so that’s a plus. All she had to do was add a bit more, of her flair to it. It was a black jumpsuit, with a fur coat that dropped down to the knees, black with white fur around the edges of the coat and the cuffs. The sketch wasn’t half bad, and quite frankly better than the others. Maybe it was the forgiving mood Charlotte had put you in. Velvet hands you the design and you skim over it, taking in the details, the hair and eye makeup, the shoes and jewelry notes written on the side. The sketches aren’t bad, but modern fashion isn’t your fashion.

“I’ll consider it. Do you mind if I keep these?” You ask. Velvet shakes her head, handing you the folder from her assistants hands.

“Please, take whatever you’d like Madame!” Velvet says. You nod, flipping through the pages.

“You’ll hear from me soon. In the meantime, I want new sketches of these designs. Modern fashion is fast fashion. Nothing stays memorable that way. You want to be good?” You ask her, and she nods quickly. “Then be better. Modesty and elegance are what people strive for. It radiates power, and everyone is greedy for that. If you can sell that through an item, you won’t ever go out of style.” You say, handing her back the folder, keeping the sketch she’d done for you. Well, at least you liked something. Vevelt nodded her head and watched you walk away, letting out a sigh of relief.

“Um, miss?” Her assistant asked.

“What?” Velvet asked annoyingly.

“She left a card on the folder.”

At that , Velvets eyes snapped down at the folder, before she screamed in excitement. Seat number six. She was invited to your table. Mission accomplished. Now, with only six seats left to fill, you were off to talk to your other guests. The night had proved to be interesting, and you knew your encore would not disappoint.

[eilinelsghost]

(Medium) Hot Take: "Did the Oath actually condemn Fëanor & his sons to the Everlasting Darkness" is the wrong question because it has a clear textual answer: which is "no."

Did it have the power to do so? That's another question entirely and a fun one to debate.

But did it? Absolutely not.

Because each of the sons of Fëanor (and Fëanor himself) fulfilled their Oath. Nowhere in the various drafts of the Oath is there a version where they call down the Everlasting Darkness if they fail to retrieve a Silmaril. What they actually swear is:

an oath of enmity for ever against any that should hold the Silmarils The Book of Lost Tales, Part One

shall no law nor love nor league of Gods, no might nor mercy, not moveless fate, defend him for ever from the fierce vengeance of the sons of Fëanor, whoso seize or steal or finding keep the fair enchanted globes of crystal whose glory dies not, the Silmarils. The Lays of Beleriand, The Flight of the Noldoli

no law, nor love, nor league of hell, no might of Gods, no binding spell, shall him defend from hatred fell of Fëanor's sons, whoso take or steal or finding keep a Silmaril. The Lays of Beleriand, The Lay of Leithian: Canto IV

neither law, nor love, nor league of swords, dread nor danger, not Doom itself, shall defend him from Fëanor, and Fëanor's kin, whoso hideth or hoardeth, or in hand taketh, finding keepeth or afar casteth a Silmaril. This swear we all: death we will deal him ere Day's ending, woe unto world's end! Our word hear thou, Eru Allfather! To the everlasting Darkness doom us if our deed faileth. Morgoth's Ring; Fifth section of the Annals of Aman

they swore an oath [...] calling the Everlasting Dark upon them if they kept it not; [...] vowing to pursue with vengeance and hatred to the ends of the World Vala, Demon, Elf or Man as yet unborn, or any creature, great or small, good or evil, that time should bring forth unto the end of days, whoso should hold or take or keep a Silmaril from their possession. The Silmarillion; Of the Flight of the Noldor

Every version of the Oath that includes the Everlasting Darkness calls it down upon them only if they do not pursue the perceived thief with vengeance and hatred. The only variance from this is in the version from the Annals of Aman where one could conceivably link the Everlasting Darkness with a failure to kill whosoever took a Silmaril. But this version is replaced by the consistent form shown in all other iterations (the same form that is included in the published Silmarillion) and consequently doesn't hold much weight for the argument.

Fëanor and each of his sons (save Maglor who survives the First Age with a Silmaril in his possession) met their ends in pursuit of this exact clause - pursuing those who hold a Silmaril with vengeance and hatred - and consequently dying in fulfilment of their Oath. Which is to say that even if we do hold that the Oath had the power to damn them to the Everlasting Darkness (which it very well may have!), it would not, could not, and did not do so because the terms were met.

And even setting the specific wording of the Oath, the text tells us exactly what happens to one who dies in pursuit of the Oath while still not regaining a single Silmaril: "...[Fëanor's] likeness has never again appeared in Arda, neither has his spirit left the halls of Mandos" (The Silmarillion, Of the Return of the Noldor).

So yes, the Oath might have had the power to send them into the Everlasting Darkness, but it did not have the grounds to do so. And so it did not.

[damienkarras73]

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

[bodybaggage]

Shadows and Crowns

John Constantine finds himself dealing with royalty

john constantine/danny phantom

---

The London night was dark and damp, as was typical, but something was off. John Constantine could feel it, a prickle on the back of his neck—a telltale sign that something eldritch was afoot. He lit another cigarette, letting the smoke drift lazily upward as he navigated the narrow alleyways with practiced ease. His trench coat fluttered in the cool breeze, and he kept his eyes peeled for any sign of trouble.

It didn’t take long.

A sharp chill in the air made him pause, and he squinted into the fog ahead. The magical wards he had set earlier had been triggered, a clear sign that something powerful—otherworldly—had entered his turf. But what appeared before him wasn’t what he expected.

At first, it was just a flicker of light, almost like a distant star. But then it grew, taking on shape and form until a figure hovered a few feet above the ground, wrapped in a swirling cloak of darkness and stardust. His skin was pale, almost translucent, and his hair, a wild shock of white, floated around his head like a halo. His eyes glowed a vibrant, unnatural green, and his presence was something between awe-inspiring and terrifying. It was like staring into the cosmos itself—an eldritch being that seemed to draw the very night around it, bending reality with its mere existence.

John’s instincts screamed at him to run—this was no ordinary spirit, no run-of-the-mill ghost looking for a lost love or a wayward path to the afterlife. This was something far more ancient, far more powerful. Yet, his curiosity, the part of him that had always led him to the darkest corners of the magical world, kept him rooted to the spot.

“Bloody hell,” John muttered under his breath, taking another drag of his cigarette. “What the sodding hell are you?”

The figure tilted its head, the ethereal light of its eyes flickering with amusement. When it spoke, its voice was like a chorus, reverberating through the night air. “I could ask you the same, human.”

John’s eyes narrowed, not liking the sound of that. “Names, mate. I’m partial to knowin’ who—or what—I’m dealin’ with.”

The being seemed to consider this, the stars within its cloak twinkling brighter for a moment. Then, the dark shroud began to recede, revealing a figure beneath it. As the shadows peeled away, what remained was no less intimidating but far more defined.

He was tall, his body clad in armor that seemed to be forged from the cosmos itself—galaxies spun across the black metal, and constellations shimmered in the darkness. A flaming green crown rested atop his head, its fire dancing without heat, and a glowing green ring adorned his right hand, pulsating with power. The armor was intricately detailed, each piece enchanted with symbols John barely recognized but knew were ancient. Despite the regal appearance, there was something unnervingly beautiful about him—an otherworldly allure that tugged at the edges of John’s senses.

“Phantom,” the figure finally said, his voice still carrying that ethereal echo but now more grounded, more human. “King of the Infinite Realms.”

John’s cigarette nearly fell from his lips, but he caught himself just in time. “Infinite Realms, you say? Thought old Pariah Dark was still in charge of that bloody mess.”

Phantom’s expression darkened ever so slightly, the light of his eyes dimming. “Not anymore. I defeated him years ago. The Realms are under new rule now.”

John swore under his breath, stubbing out his cigarette on the damp pavement. The Infinite Realms were the stuff of nightmares—stories passed around in the magical underworld, tales of spirits and realms so dangerous that even the most seasoned sorcerers gave them a wide berth. Constantine himself had always steered clear of anything remotely connected to the place, and now here he was, face to face with its bloody king.

“Well, that’s just grand,” John muttered, more to himself than to Phantom. He cleared his throat, trying to regain some semblance of control. “So, what brings the King of Ghosts to my doorstep, eh? Don’t tell me you’ve come to add my soul to your collection.”

Phantom’s lips twitched into a small, knowing smile, and John felt an odd flutter in his chest—damn, he was ethereal. “Not quite. I’m here on business. I believe you’re familiar with the Soul Shredder?”

John’s blood ran cold. Of course he knew the Soul Shredder, a cursed artifact from the darkest corners of the Realms. It was said to be wielded by Fright Knight, Pariah Dark’s former right hand—a spectral warrior of unparalleled power. Rumor had it that the sword had been lost during Pariah Dark’s defeat, its whereabouts unknown. That was until now, apparently.

“Yeah, I’ve heard of it,” John admitted, his tone cautious. “But what’s it got to do with me?”

“It’s been stolen,” Phantom said, his expression turning serious. “And the one who took it has brought it to your world.”

Constantine swore again. “And you think I know somethin’ about it?”

Phantom’s gaze was piercing, though not unkind. “I think you’re one of the few in this world who knows how dangerous that sword can be. And I need it back before it causes irreparable damage.”

John’s mind raced, trying to piece together what little information he had. The Infinite Realms, a missing sword, and now its king standing in front of him, asking for help. This was way above his pay grade, and yet… something in Phantom’s presence, in the way he carried himself with a mix of regal authority and a hint of vulnerability, made John want to help.

Or maybe it was just that damn enchanting aura the ghost was giving off.

“All right,” John finally said, resigned. “I’ll help you track down your fancy sword. But once we find it, you take it and bugger off back to the Realms, got it?”

Phantom inclined his head slightly, a gesture of gratitude. “Agreed.”

Constantine turned, motioning for Phantom to follow. As they walked, John couldn’t help but glance sideways at the ghostly king, admiring the way his armor seemed to shimmer with an inner light, how the green flames of his crown flickered softly. The presence of the Ring of Rage caught John’s attention next, the glowing artifact known for its destructive power. Yet here it was, worn by a being who seemed to hold it with ease, as if it were merely a part of him.

“So,” John said after a moment, trying to keep his tone casual, “how’d you end up with all that fancy gear? That ring, in particular, looks like trouble.”

Phantom glanced at the ring, his expression unreadable. “It was a gift from the previous ruler. It comes with the territory.”

John whistled low. “You must’ve really done a number on old Pariah to earn that.”

Phantom’s gaze turned distant, as if remembering something far away. “It wasn’t easy,” he said quietly, the weight of his words heavy with the memory of that battle. “But it was necessary.”

John nodded, not pushing further. He understood that some battles left scars that were better left unspoken. Instead, he focused on the task at hand, trying to ignore the growing attraction he felt towards the ghostly king. It wasn’t just Phantom’s ethereal beauty—it was the way he carried himself, the way his presence filled the space around him with a mixture of power and calm. It was bloody distracting, to say the least.

“Right then,” John said, snapping himself back to reality. “Let’s find your bloody sword and get you back to your Realms, shall we?”

Phantom smirked, a faint glow of amusement returning to his eyes. “Lead the way, Constantine.”

As they moved deeper into the labyrinthine streets of London, the odd duo—one a jaded occult detective, the other a regal king from another dimension—began their search for the Nightmare Sword. Unbeknownst to John, this encounter with Phantom would change the course of his life, forcing him to confront powers beyond even his own reckoning. But for now, he pushed those thoughts aside, focusing instead on the task at hand, and the enigmatic figure at his side who, for some reason, made him feel more alive than he had in years.

——

john when he’s confronted by a hot inter-dimensional ghost:

[awkwardandeccentric]

So I know that a lot of people are anxious about the “Stolas joins I.M.P. Arc” and I get it, but since it looks like the show is going that way, I do want to point out three reassuring things:

1. He’ll more of a chance to find community. It wasn’t just Paimon keeping him under lock-and-key that kept him isolated. It’s also a cult that actively kept him discouraged from talking to anyone that wasn’t a Goetia or a Sin. There just aren’t that many Goetia or Sin, and even less who like him. If he’s able to diversify his options for community, he’ll find other out and proud queer people. Autistic people. People who don’t use him as the scapegoat or the cautionary tale. It’s not like Blitzø will keep him dependent and locked up. If anything, I imagine Blitzø will actively encourage Stolas to find community in others.

2. Stolas’ classism/racism is at its worst when he’s around the other Goetia (namely Stella). Probably because he's unconsciously trying to fit in to a community that will not accept him. But when he doesn't talk to the other Goetia for a while, he chills out a lot. Not to where he needs to be, but he at least treats them like autonomous beings with feelings. I think it’ll be a lot easier for someone to point out his race/class issues if he’s not being influenced by a community that requires that mentality to be accepted.

3. The Ars Goetia is a cult. I cannot stress that enough. He’s in a cult. He needs to GTFO for his own safety and well-being. It’s a high-control setting that does not allow you to fraternize with anyone not like you and controls everything about you, like how you dress, who you marry, your reproductive life, your job, etc. He was nearly murdered and there were no repercussions. The Ars Goetia need to be torn down as a society. They are actively damaging not only their own people, but also a lot of Hell, itself.

[kamiversee]

➶-͙˚ ༘✶ 𝙏𝙃𝙀 𝙁*𝘾𝙆 𝙇𝙄𝙎𝙏

✧.* CHAPTER 32 || The Heavy Tension (pt. 2)

[ { SYPNOSIS } ] ➤ A tale in which Gojo Satoru blackmails you into seducing a list of people to clear his debt. Sounds easy enough, right?

[ { CHAPTER CONTENT } ] ➤ language & sexual tension.

[ { WORD COUNT } ] ➤ 4.4k

[ { PAIRINGS } ] ➤ jjk men x f!reader. gojo x f!reader. geto x f!reader. toji x f!reader. choso x f!reader. sukuna x f!reader. nanami x f!reader.

[ [ chapters mlist } ]

——THE NEXT FEW DAYS are dull and you feel so grey. Everything that occurred on that fateful Friday, you push to the deepest and darkest depths of your mind. Thinking about the situation only makes you confused so, you push it away.

Gojo doesn't speak to you for a while, he doesn't text you, doesn't call, and you're pretty sure he's avoiding you. Even so, you could live with it. It made it easier for you not to think about everything.

So, you just focused on your next task which was Sukuna.

Gojo had consumed so much of your brain that you forgot all about Sukuna almost entirely. Every day leading up to the Thursday you were set to meet up with him, you thought about how things would go down. He told you to meet him at the same place and the same time and that there would be no party this time.

The house you were in was huge and you don't even think you remember the directions he gave you. Hell, do you even remember where the damn house itself is? Gojo was the one that drove you there after all...

Because of this, you wondered if you should text Sukuna and ask him. He did give you his number after all.

You debated on doing so every day up until Thursday came. You don't know why you were so anxious about the whole thing but it took you quite some time to work up the confidence to text the man. Maybe it was because of how intimidating he is?

But, he's also ridiculously hot.

With that thought, as you lay in your bed that Thursday morning, you grabbed your phone. Just as you raise it into your line of vision, you notice a message already sitting there at the top of your notification list. It was from a minute ago, from Sukuna.

Your eyes widened at his timing and you smiled a little as your fear of texting him faded, moving to see what he said and respond.

The male asked if you were still coming over today and you replied with a simple 'yeah' and then went on to ask him for his address, to which he responded within minutes by sending it to you.

The conversation was so short that you didn't even know what you were sweating over. That took the weight off your shoulders and you made sure to spend the rest of the day mentally preparing for that.

.　 . • ☆ . ° .• °:. *₊ ° . ☆ .　 . • ☆ . ° .• °:. *₊ ° . ☆

You were standing outside of the mansion before you knew it, one of your hands buried into the pocket of your jacket as the cold November air brushed over your exposed skin. You shivered a little, not too fond of being outside so late and ready to get inside already.

Your knuckles gently tapped across the surface of the large doors presented before you. It was pretty dark but there were these nice lights that lit up as you walked up the entrance path so you got a decent view of the scenery that surrounds Sukuna's place when there's no party.

Nonetheless, after your knock, you moved to ring the doorbell but you were interrupted by one of the double doors swinging open. Your eyes went wide at the person who allowed you inside, seeing that they were in no way shape, or form, Sukuna.

As you stepped into the house, you took a slight glance around the spotless interior that didn't reak of partygoers, your admiration only lasting a few seconds before your last name was said by the person who'd let you in. Your head turned to them and you raised a brow.

They've got quite the appearance to them; with short, bob-cut white hair and a unique part of their hairstyle that's dyed red, androgynous features, and a stoic expression, they motion to take your coat from you, to which you chirp out an 'oh, sorry' in response.

You didn't wear anything crazy, just a pair of black sweats-- you weren't trying to impress Sukuna after all so you saw no point in dressing up. As your jacket slides off your shoulders and your arms, you watch as the white-haired individual goes to hang it up nearby.

"He's upstairs waiting for you," They inform you, making your turn to look toward the stairs.

You wanted to ask where but when you turned back to do so, the person was gone already-- making their way down a nearby hallway. Their steps weren't quick or anything but you noticed how far they'd gotten from you in such a short amount of time.

With a shrug, you furthered into the house. It was quite warm inside so that made you feel more at ease as you made your way up the staircase.

Everything was beyond clean. So much so that the house looked like an entirely new place in comparison to the last time you were there. The second-floor hallway seemed longer than you remembered and it was so spacious.

You slip your hands into the pockets of your sweatpants as you stroll down the hallway, your steps stuttering as you glance into one of the rooms. You back yourself up and narrow your eyes.

The bedroom door was wide open and inside you spotted a picture of Choso, one you'd seen before. Unable to ignore your curiosity, you took one last glance down the hall to make sure Sukuna was nowhere in sight and then dipped into the room.

You just wanted a closer look, nothing crazy.

Doing so, as you approached the portrait you also took in the bedroom's furniture. It looked almost exactly like Choso's bedroom in his apartment. The color palette of the room matched his vibe, his style, everything. Hell, you just knew it was his bedroom.

But, it didn't look like anyone had lived inside the room in years. You saw a sheer layer of dust lying on the nightstand beside the photo you wanted to look at so it was clear that it hardly even got cleaned. Carefully, you pulled the picture up and inspected it, seeing a cute image of Choso and Yuji hugging each other.

It made you smile because you know that this exact picture is taped up in the sun visor of Choso's car, just a smaller version that's not framed of course.

Okay so, maybe you do miss Choso. And of course, it's as you're about to fuck Sukuna that you start thinking like this... A little sigh escaped your lips and you moved to place the picture down.

As the item is put back in place, you notice the lighting in the bedroom that was coming from the hallway dims, almost like a shadow-

Oh shit.

You were caught, weren't you?

Goosebumps rise along your back and you swallow hard before turning your head around, noticing a familiar man standing at the doorway of the bedroom you were in. Your eyes go wide and then the lights of the room flick on, revealing your features to Sukuna who was wondering why you were in the room to begin with.

You open your mouth to explain yourself but he cuts you off with that deep voice of his, "How'd you end up in here?" Sukuna asked.

Were you sweating? You're not sure but you sure as hell felt nervous even though you hadn't done anything criminal, "U-Uh, I uhm, I got curious..." You murmur honestly.

Sukuna tilts his head and those dark maroon eyes of his narrow, "Curious?"

"Well... I uhm..."

He nods his chin toward the picture you just had in your hands, "You know my brother, don't you?"

Your eyes widen, "N-No-"

"You're not a good liar, sweetheart," He chuckles, slowly entering the room.

Your heart pulses strongly at that nickname. In your mind, only one person should be calling you such a thing. And Sukuna's voice alone was so damn intoxicating, it's like he was seducing you by just speaking.

You swallow, "I'm not lying, I don't know your brother."

Sukuna scoffs, steadily approaching you, "I'm not talking about the one that looks like me, y'know."

"I know but-"

"He's talked about you before," Sukuna says suddenly.

You think your heart sinks into your toes. Holy shit, you thought Sukuna and Choso didn't like each other? Does Sukuna know you've slept with Choso? Does that fuck things up-

"I'm joking, relax yourself, woman." Sukuna starts chuckling, mocking the shock and fear on your face, "Though, I don't understand why you lied about knowing him, it's pretty damn obvious now."

You let out a relieved sigh, "I uh... I just think it's weird that I know him, considering what I'm about to do with you..."

Sukuna arches a brow, "What you're about to do with me? Remind me what we're about to do again, I forgot." He taunts, clearly lying as a smirk spreads across his face.

The man is now standing right in front of you and you feel like you're shrinking under his gaze all over again, "I mean," Your eyes drop down and you fiddle with your fingers, "Aren't we gonna-"

He cuts you off, his fingers going to your chin and lifting your head so that you can't avoid eye contact with him. Your words fall off your tongue and you're mute again, to which he scoffs, "Go on..."

You try to collect yourself, taking a deep breath and batting your eyelashes at him, "Aren't you gonna fuck me?"

That wicked smile of his appears and the sight makes you so beyond weak in the knees. Sukuna lets out a low chuckle and then leans down a bit so that he can be at your eye level, "Is that what you want me to do?" He whispers, "You want me to fuck you like I should have last week?"

You're nodding before you even realize it.

Sukuna hums and then his thumb slips up to your bottom lip, dragging it down a little, "Speak, woman."

"Yeah," You breathe out, "That's exactly what I want."

He hums and then glances off to the side. Then, that smirk of his widens and he chuckles, "In here?"

Your body tenses up. Fucking Sukuna in Choso's old bedroom is the last thing you'd ever want to do. "W-What? No..." You say.

Sukuna raises a brow and his gaze glides back over to you, "No? What's wrong with this room?"

"Everything," You hum, "It's just weird since I know him..."

The man's head tips to the side slowly and his eyes gaze way too intently into your own, eyelids lowering as you begin like he can see right through you. "How's it weird?" Sukuna scoffs, "One little photo's got you all weirded out?"

"Well... isn't this his room?" You ask, looking off to the side to avoid the constant eye contact.

Sukuna's eyebrows raise in surprise and he laughs again before leaning back to stand up straight. His tattooed muscular arms cross over his chest as he folds them. The man then looks around the bedroom.

"Does it look like he's been in this room lately?" Sukuna chuckles, "Emo fuck moved out the second he got the chance."

"Okay but still," You sigh, "I don't wanna do anything in someone else's room."

With a roll of his eyes, Sukuna turns away from you, "Fine then, follow me."

When you look at the man, you quickly begin to follow behind him as he walks you out. In the hall, he waits until you're out of the bedroom and then shuts the door behind you.

After which, he leads you into the same bedroom he had you in a week ago and you shut the door as you enter behind him.

"This isn't anyone else's room, right?" You ask carefully.

Sukuna is seen pulling his shirt up over his head before tossing it into a pile on the floor, and then he heads toward his bathroom, chuckling at your words. "Relax, it's a spare." He tells you.

You lose sight of him as he enters his bathroom and the light flicks on, the door left open. "Oh... So am I not special enough to be in your room?" You question, smiling a little as you carefully follow him.

"It's a mess," Sukuna tells you, "And the last thing I want to do is have sex in a room of filth."

You scoff lightly, approaching the bathroom door frame and peeking inside. Sukuna is seen looking for something in one of the counter drawers and you get the full display of his back.

God damn is his back profile sexy. You saw it last time you were here but the sight never fails to impress you. His shoulders are so broad, his back muscles are so defined, and... Your eyes narrow as you notice a bruise on the back of his upper right shoulder, near his tattoo.

You're stepping into the bathroom and moving to get a closer look without a second thought. Sukuna looks over that same shoulder when he notices you behind him and he hisses as soon as your fingertips make contact with the bruise.

"Sorry," You murmur. He glares at you but you don't feel scared, instead, you touch the bruise again, the contact much gentler this time, "How'd this happen?"

His glare fades in an instant at the sound of your concern. You really know nothing about him and it shows-- the fact surprising to him. Sukuna has quite the reputation for himself so he's surprised you're this clueless.

"A fight," Sukuna tells you, his gaze dropping to your hand as you shift your palm over the mark.

He swallows hard when your lips replace your hand and you kiss his skin gently, "What kinda' fight?" You whisper, shifting your gaze up to his.

It's slow but he soon meets your eyes, "Bad one. Fucker' snuck a hit on me like the little bitch he is," Sukuna curses.

You hum and then kiss over the bruise a second time, making the man tense up, "Does it hurt?"

He hates to admit it but, to little extent, "Yes," It did hurt, "But I'm about to put somethin' on it so, I'll be fine."

You grin, "I can do it for you."

"You like taking care of people, don't you?" Sukuna hums, his words sounding like an observation he's made.

You chuckle sheepishly, "Sometimes, yeah."

"Might' have to keep you around if that's the case," Sukuna says.

What does he mean by that? Keep you around? For what? Wait... he's not growing interested in you for more than sex, is he?

You didn't think much of your interactions with him but his words just now make your brows push together.

"Keep me around?" You try to play it off, "Were you planning on getting rid of me?"

He laughs and then turns his head away from you and down to the drawer his hand was still in, quickly grabbing the item he'd been looking for. His hand then motions back to you and you take the tube of numbing cream from him.

"No, but, I fight a lot and I'd love to have a pretty face like yours taking care of me after each one," Sukuna comments, his words making your heart race.

You open what he's handed to you and move to apply the product onto his skin, "You've got a pretty face downstairs who I'm sure takes care of you just fine."

Sukuna's brows pinch together for a moment and he squints in thought, wondering who the hell you're talking about before he remembers. "Uraume?!" The man scoffs.

"Yeah," You hum, smiling a little as you swipe the cream over his bruise, earning another hiss from him in reaction to the chill, "Do you not find them pretty?"

Sukuna rolls his eyes at your question, "Uraume and pretty don't belong in the same sentence."

You frown and press your thumb into his bruise, making his eyes widen as his shoulder limps, "That's mean, Sukuna."

"G-God damnit woman, that fucking hurts," He snaps, turning his head back to you with a sharp and angered glare.

You lighten the pressure of your thumb, quickly acknowledging that you're playing with fire right now. To make up for it, you do this circular motion with your thumb and massage the area.

"Sorry," You chirp innocently.

He would've spewed more curses out to you but as you start to massage him, a sense of soothing takes over the area and he relaxes under your touch. "You did that on purpose," Sukuna utters through gritted teeth.

You giggle and keep running your thumb over his bruise, doing well enough for him to face forward and flutter his eyes shut. A smile graces your face as you see clear evidence of you doing good and you lose yourself a little when the man starts letting out sounds.

There was this low hum that vibrated against his throat as you touched him just right, the noise giving you chills. It was so sexy and low that it gave you butterflies.

You sigh and continue for a while, wondering what other sounds you can prompt from him. With that, you apply a little more pressure, not enough to inflict pain but to instead soothe him once more.

Sukuna rolls his head back and his brows tense, a deep and core-throbbing hum leaving his lips, "Fuuck, that feels good..." He groans, smirking a bit afterward, "Keep goin'."

The praise brings heat in between your thighs but you try your best to focus on what you're doing, massaging him as best you can. Sukuna's head remains tossed back and he keeps his eyes shut, his face twisting up and scrunching every now and then as you work against his tense skin.

You take a slight peak around his body to see him in the mirror, eyeing his defined tattoo-covered abs and watching the way they flex and tense as you roll your thumb around just right. You smirk and lean forward a little, pressing your chest against his back and hearing him inhale sharply.

You then snake your other hand around his body and push up on your toes to look over his shoulder, watching your free hand lay flat against his abs. Sukuna moves his head to look down at your touch, raising a brow.

Your thumb presses a little harder into his shoulder and you watch his lips part and his eyebrows twist up. A soft breath of air leaves him and you smirk at how he almost just moaned.

Wanting to hear such a sound from him, you slide your hand downward to his v-line, running your delicate fingers against it while moving your thumb away from his shoulder. You then kiss around the bruised area, still watching his reaction in the mirror.

A smile graces your face and you slip a finger under the fabric of his sweatpants, making him close his mouth shut to stop himself from releasing any noises.

Sukuna then chuckled darkly, "I love an easy whore like you," He comments, catching you off guard by placing his hand over yours, "So eager to touch me, aren't you?"

You slide over a bit and kiss the nape of his neck, making him flinch. "Very eager," You reply slyly.

He hums. "What happens when I get eager to touch you?" Sukuna asks.

You move to stand flat on your feet, wrap your other arm around his body, and basically hug him. "Are you eager to touch me?" You question in return, realizing that the man has hardly laid a finger on you so far.

His large calloused fingers wrap around your wrists and you feel him pull your hands away from his body. Sukuna releases one and then brings the other to his mouth, placing a kiss on the palm of your hand.

You giggle at the contact, "Guess' that answers my question..."

Sukuna grins against your skin before moving your hand away from his mouth. The man then uses his grip on your wrist to pull you from around his body. You stumble a bit due to his aggressive tug and you're quickly moved in front of him.

Your head angles up as you meet his eyes, your body trapped between his muscular frame and the bathroom counter. Sukuna leans down a little, placing his hands on the counter behind you and at your sides.

He then tilts his head, "I'm eager to do more than just touch you."

Your hands raise to his shoulders, fingers soon sliding up along his skin until you get to his neck, "Then do more than just touch me, Sukuna. What're you waiting for?" You whisper, tone sultry.

He licks his lips and then cracks a sexy smile, "I like building up your anticipation," He claims, "I want you begging for me."

One of his legs shifts in between yours and you inhale sharply as his thigh nears your heat. Your hands go to his arms as if to brace yourself, "Please?" You whisper.

Sukuna's smile fades into something lustful, "Please what?"

Your hands begin to rise until you're able to wrap your arms around his neck, "Please touch me."

His eyebrows raise a bit, "Touch you where?" Sukuna asks as his leg lifts a little.

You feel his thigh press up against your clothed sex and your breath hitches, "T-There," You breathe out.

Sukuna's gaze drops to your lips and he then slides his leg forward, causing it to rub against your sex, "Right there?" He asks in a low tone.

You nod your head and roll your hips forward just a little, "Yeah, right there..."

Sukuna tilts his head and his face nears yours, lips brushing over your own as he speaks, "Like this?" He questions while drawing his leg back but in an upward motion.

That, combined with the slight movement of your hips allowed you a pleasurable moment of friction. You let out a quiet moan and Sukuna smiles before finally pressing his lips to yours.

His hands then go to your waist, the touch making you tense up within his grasp. Part of his hand slips under the shirt you're wearing, feeling your bare skin against his fingers as his lips work over yours. Meanwhile, his other hand slides down to your hip and he pulls you up along his leg.

"Mmh," You hum into his mouth and receive a half smile from him momentarily.

The feeling of his lips curling into a smirk for just a moment makes you simply melt. Your arms hold onto his neck tighter and Sukuna's hand begins to raise up under your shirt, the fabric bundling up at his wrist as he does so.

Wet and slick sounds of his tongue and lips slipping over your own fill the air, each sound accompanied by an occasional groan from the male. Sukuna's teeth soon latch onto your lower lip and he tugs at it, sucking on your skin afterward.

Both of your eyes open and you two make brief eye contact, breaths shared and the gaze intense. Sukuna smirks as he takes in your flushed features, biting his bottom lip as he feels you grinding over his thigh as best as you can.

After his second of taking in your presence, he leans back in, his tongue slipping out of his mouth and licking over your lips before you part them for him. It's sensual and hot the way he works the appendage into your mouth, both of your eyes fluttering shut as his tongue reaches yours.

Sukuna snakes a hand up and behind you, his fingers brushing against your spine and making you arch into his body before he reaches your bra. As you make out with the man, you hear a snap and feel the way the man casually breaks the clasp to your bra instead of undoing it like a normal person.

A surprised hum leaves your lips and you try to pull away from him but he grows aggressive, firmly pressing his mouth against yours and letting out a slight chuckle in reaction to the way you're squirming. The hand that was on your hip then flies up to your neck and you moan.

Sukuna pries his mouth away from your own with a loud pop, a slim string of saliva hanging from the tip of his tongue and your lips.

The man tilts his head at you tauntingly, "Aw, look at you..." He coos, his large hand sliding up to your flushed expression, "All fucked out from some kisses?"

You pant, just barely able to catch your breath before swallowing heavily, "N-No..."

Sukuna laughs at your response and then both of his hands go beneath your thighs. You gasp when he lifts you up and onto the counter behind you, removing the friction from between your legs. He makes up for that by then gliding his grasp up and onto your waist again.

The male tugs your body close to his as he pushes himself forward, allowing you to feel the bulge in his sweats right against your clothed cunt. Your lips part and you let out a breathy sound, one that he smiles at.

Sukuna's then quick to move to work your shirt up and over your head, along with the bra in which he'd just broken-- not that you comment on it just yet. Your upper half is then revealed to the man and his eyes drop to the sight.

He smirks, "Y'know... I think I like you, sweetheart," Sukuna suddenly comments.

Your heart sinks again, "Like me?"

His gaze snaps back up to your eyes, "Not in a romantic way, don't get excited."

You weren't-- you got worried. "I-I'm not but, I mean, I would hope you like me..." You hum, pouting slightly at his words to play it off.

Sukuna licks his lips, "Yeah, I do," He says, then snickering, "I'm just letting you know because..." The man leans toward your face again and his lips brush right over your own, "I'm about to fuck you like I hate you."

GOJO SATORU ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙖𝙨𝙮

GETO SUGURU ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙖𝙨𝙮

TOJI FUSHIGURO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙈𝙚𝙙𝙞𝙪𝙢

KAMO CHOSO ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙎𝙚𝙢𝙞-𝙈𝙚𝙙𝙞𝙪𝙢 / 𝙀𝙖𝙨𝙮

ZEN'IN NAOYA ✔︎ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙀𝙭𝙩𝙧𝙚𝙢𝙚𝙡𝙮 𝙀𝙖𝙨𝙮

ITADORI SUKUNA ☐ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: 𝙎𝙚𝙢𝙞-𝙀𝙖𝙨𝙮???

NANAMI KENTO ☐ 𝘛𝘳𝘶𝘦 𝘋𝘪𝘧𝘧𝘪𝘤𝘶𝘭𝘵𝘺: ???

mlist || previous chapt || next chpt

[crownedwithstars]

I was thinking of Beren and Lúthien and how their story is so much more interesting than they get credit for. I mean, on the surface it reads like a fairy tale but it also elevates the rest of the story, it uses common fairy tale tropes but turns them upside down, and the way we see the heroine asserting her agency in this story is so fascinating. I think the story of Beren and Lúthien provides much needed contrast for the rest of the Silm, and both become more poignant because of this contrast. 

The familiar fairy tale goes like this: there's a a poor but resourceful peasant, set with a difficult task (which is in fact designed to be impossible to complete), but thanks to some magical help he is successful, retrieves treasure, and as a reward he wins the king's daughter and lives happily ever after as a prince, gaining all the earthly glory one can have in this life. But in the Tale of Beren and Lúthien, the hero is a traumatised outlaw, the king's daughter IS the magical help, she is an active and equal participant in the quest for her own hand in marriage, the treasure may actually be cursed, the hero and heroine die, and the ultimate reward is not a social rise from rags to riches. Beren does not become a member of the power-wielding elite of Doriath and he and Lúthien are not promised that their second life will be happy or long. But just that chance is worth it, and by choosing it they actually change the course of history. Lúthien is offered all the bliss that is possible to have in Arda, if she will give up Beren, but she decides that the love she has for him is still more valuable. And that idea, of loving someone so much that your love shifts the world, is so compelling to me. 

And I love that the story of Beren and Lúthien is also a rendition of Orpheus and Eurydice, and that just as the world was created in the Music of the Ainur, so is Lúthien's song powerful enough to change what those original notes dictated. She changes it with hope and a song. That is so simple and yet so beautiful, in the way some of the best myths are. (Insane that this is essentially a love-letter to Edith Tolkien.)

There is this fascinating contrast between Beren and Lúthien: at the time of their first meeting, Beren has lost literally everything and his family is either dead or lost beyond retrieval. Stumbling across Lúthien, he is fresh from terrible ordeals and suffering. But Lúthien's life has been full of happiness and without care, and she has lived in a literal fairy kingdom as the most beautiful of all the Children of Ilúvatar. She could have her pick of any prince of Eldar. But here she comes across this mortal, who has nothing to give except for his love and even that only for a brief time, and she is willing to risk all she has for it. The gall and courage it takes to take such a chance! She chooses this man and her choice changes everything. 

And that is brilliant! Because Lúthien starts with so little power and agency, and she is constantly belittled or even abused by those with more power around her. She is treated as a pawn, her will is undermined and she is coerced and imprisoned to make her compliant. But Lúthien shows her determination and courage in holding fast to her choice even when it's just her and Beren against the world. In the end, she wins agency and freedom to determine her own tale. In her beginning Lúthien is a maid dancing in the woods; by the end she will have faced Satan and death itself, and changed the world forever. Truly, to call her story "Release from Bondage" is more than appropriate. How insane is this all from Beren's point of view? He has lost everything, he is an outlaw, and has nowhere to go. What is left of his family is scattered who knows where. He has nothing but the clothes on his back and nothing to give. But here is this immortal princess, and she will go to hell and back with him! She will cross the Sundering Sea to bid him farewell! She pleads with inexorable death and for her, an exception is made!  It's so on brand for Tolkien that these two achieve with their love, and precisely because they act out of love, something that others with armies behind their backs can't even imagine doing.

Yeah. It's such a good, hopeful, bittersweet tale.

[noneorother]

The secret timeline inside of Good Omens season 2 revealed, *part1*

Part 1 l Part 2

If you’ve ever watched a ballet or an opera, you know how the rhythm in the music is used throughout to determine not only the movements of the dancers, but also when lines are sung or spoken. This is almost unheard of in television, but what if I told you it was hidden in season 2 of Good Omens? If one were to, say, meticulously cut together only the scenes set in the present day into one big timeline, you would get one long video that is exactly 2 hours 22 minutes 00 seconds and 00 frames long. An ineffable cut that is so perfect it defies all logic. (I’ve burnt a timecode into this ineffable edit to help pick up the rhythm.)

Even though there are large swathes of the second season with no music, there is a constant tempo weaving its way through the show: What if the seconds ticking by in the runtime itself was the music? Here’s an example of what I found. Behold a supercut of every single time Shax shows up, or Hell is mentioned in series 2 in the ineffable edit. They always arrive on a 6 in the time stamp (ex: 00:XX:X6).

(SOUND ON is an absolute must here, otherwise you won't hear any of the triggers)

Shax rings Crowley on a XX:X6. Shax miracles herself into the car on a XX:X6. Shax knocks on windows on a XX:X6. Shax’s big scary moment at the bookshop happens at 66 minutes exactly (lol). Crowley calls out for Shax on a XX:X6. Beelzebub starts spewing flies on a 6. People mention hell and it’s always on XX:X6 etc. etc…(Bonus: I also left in Maggie flipping the damned the double-bird on a XX:X6) I’ve also left in the only appearance of Shax or hell at all in the whole series that isn’t tied to a six: the park bench scene with Crowley. Shax seems to be off by one line, showing up on a XX:10, then back to XX:X6 on her second reply: “Bills, mostly”. I can only theorise that this scene, while technically in season 2, is not supposed to *be* in season 2 (even just judging by the trees, sun and the overcoats, it’s not summer like in the rest of the season). And it’s not only sixes! Every time I go through I find more and more little beats that line up exactly with ineffable timings. I can only do one video per post, so I’ll have to cut it up into sections, but Gabriel, doors, car horns, bird calls, Aziraphale, food, drinks, Angels, dialogue, Maggie, Nina, jokes, clocks, bells… The list goes on and on. 

Neil called this season “The bridge”

Because we all know how much Neil loves double meanings and wordplay, I just have to ponder the idea that when Neil said this season was “the bridge” between seasons 1 and 3, he meant it double-literally. First, as in the bridge Aziraphale and Crowley have to cross in order to get them into position for the second coming. We even see the physical manifestation of this bridge leading everyone in the background of the opening credits. But this season is also a bridge in the sense that it’s a musical section that introduces new ideas or material in the middle of a song. This whole season is the music that deviates from the familiar, and re-contextualizes the chorus and the verses so we can appreciate them in a new way. 

Let’s not forget that 2:22 is also exactly the same timing as this (and only this) track from the good omens s2 album (read all about the soundtrack here):

Why is this so bonkers? I think GOS2 might be the first ever “Total” series of television.

Having everything in the series timed and choreographed would actually make it a very faithful adaptation of the Powell & Pressburger film The Tales of Hoffmann (read about the movie and it’s effect on all of s2 here). If you watch the tales of Hoffman, you will realize that the entire film is actually done more like animation, with the music and vocals all performed in a studio, mixed and edited first, and then the actors came back to act out their choreographed and lip-synched parts for the cameras afterwards. The result is "Total film": a movie that feels more like a ballet, with every movement, action, and line happening in time with the music. As far as I can tell, very few films have ever attempted this, with The Tales of Hoffmann and Playtime being the only two “complete” films I could find in this style. (The Red shoes has one section, and An American In Paris has a few)

“Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (…) was in some way an admission(…) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered, (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made.” - Criterion review, Tales of Hoffmann

Here’s a simple example from An American in Paris

If season 2 *is* scripted and choreographed to line up with specific timings, I’m pretty sure that would make this the first ever “total” or “composed” season of television ever attempted. Not only does this take an ASTOUNDING amount of planning, scripting and editing finesse, not to mention a completely controlled set, it takes a real understanding of how to perform as an actor using rhythm and metre, which would go a long way to explain why all of the main actors coming back for season 2, with the exception of John Hamm, are well regarded theatre performers, (especially of Shakespeare).

I’ll leave you with one last surprise I found in the discovery of the ineffable edit: remember Aziraphale’s smile at the very end if the credits? It happens on 02:23:03, as the first step off the bridge, and into season 3.

I will have much more in the next ineffable timeline post. Stay tuned…

__________________________________________

Thanks for reading all the way to the end. It’s taken me a solid month to get this perfect. There are so many hidden cuts and jumps to take into account, and I had a frame rate issue that kept exporting to 29fps instead of 25fps, but I’ve finally nailed the ineffable timeline enough that I am confident sharing in it.

Credits to @thebluestgreen and @embracing-the-ineffable for all the support and help with editing and just general good vibes. 

[dewdropdinosaur]

As the World Caves In

ALASTOR X READER Summary: Alastor has heard his fair share of voices in Hell, none quite like yours though. Warnings: NONE. Except a sassy narrator. Have a wonderful day lovelies! Requests are OPEN, so feel free to ask!

In the heart of Hell, where chaos reigned and sinners roamed, there existed a peculiar location known as the Hazbin Hotel. The sole purpose of such a place to redeem sinners like yourself dear reader, though let's not get too much into that. (We all know why are you on this website darling.) Among its more eccentric residents was Alastor, the infamous Radio Demon. He was a charismatic and enigmatic figure, whose mere mention sent shivers down the spines of even the toughest souls in Hell.

One day, as Alastor hummed and strolled through the halls of Hazbin Hotel, he heard a melodic voice echoing from a nearby room. Intrigued, he followed the sound and found Y/N, the cleaner Charlie had hired to aid Niffty in the small demon's never ending pursuit of a bug free haven. Gracefully going about their chores, Y/N sang with a voice that seemed to transcend Hell itself.

The song was unfamiliar to Alastor but nonetheless a haunting melody that told the tale of love amidst impending doom. Alastor, ever the connoisseur of entertainment, paused to listen. Must have been from a time later than him, shocking that a song from not the Roaring era peaked his interest. Though, the lyrics did resonate within him, in such a way that made his demonic heart stir with emotions he thought he'd long pushed down.

"My feet are aching, and your back is pretty tired. And we've drunk a couple bottles, babe. And set our grief aside. The papers say it's doomsday, the button has been pressed. We're gonna nuke each other up boys, 'til old Satan stands impressed."

Y/N, unaware of their creeping audience, continued to sing as they dusted and cleaned. A certain sadness filled their voice but the small smile that graced their face fueled the fires of the red demon's listening. The Radio Demon leaned against the doorway, his crimson eyes fixed on the cleaner. The dichotomy of the cleaner's sweet appearance and the dark setting of Hell created an atmosphere for such a song that was both beautiful and unsettling. The Radio Demon did love his ironies.

"And here it is, our final night alive. As the earth burns to the ground. Oh boy, it's you that I lie with, as the atom bomb locks in. Oh boy, it's you I watch TV with as the world.... as the world caves in."

The world caving in, a sentiment not unknown to Alastor though he might try to deny it. Few times had a performance stirred him to pensive thought, at least not a performance in his afterlife. As the final notes of the song hung in the air, Alastor applauded, his sharp teeth revealed in a sly grin. "My, my, my dear. That was quite the performance. I must say, you have a talent for making even the damned feel something."

Y/N jumped with a small yelp, startled by the sudden presence of the Radio Demon. They looked up at him with a mix of surprise and fear. "Alastor! I didn't realize you were there." Whipping around to face her demonic audience, Y/N felt an all too familiar pit of anxiety well up in her stomach at the sight of Alastor.

"No need to fret, my dear. I simply couldn't resist the allure of your singing," he replied, tipping his cane with a flourish. "I've heard many voices in Hell, but yours… it's truly captivating."

Y/N felt their cheeks flush with color, a compliment is a rarity in the underworld. Nonetheless one from the Radio Demon. "Thank you, Alastor. It's just a little something I do. Keeps spirits up, you know?" Rubbing the back of their neck with a sheepish grin, Y/N let out a small laugh. Almost as musical as their singing voice, Alastor noted that for later.

Alastor chuckled, his laughter statically filling the place. "Ah, the irony of keeping one's spirits up in Hell. Quite amusing, my dear. I do have a soft spot for a good performance. Now tell me, what is your preference for---"

As Y/N nodded along and answered his questions, a peculiar alliance formed between the Radio Demon and the sweet-voiced cleaner. Little did they know that their paths would cross again in this chaotic realm, where the unexpected was always just around the corner.

[demonlovingsheep]

Which brother has the highest kill count in Obey Me? How and why they kill? This is what I think:

Lucifer. He is very strict, prideful, and very powerful. He caused the most casualties in the Celestial War no doubt. In the beginning of his demon years, lower demons would purposely get in his way to challenge him. The first one who tried did not live to tell the tale. The second one follows the fate of the first one. One by one, thousands by thousands would continue to increase Lucifer’s body count to the millions until lower demons finally got the message that he is not to be messed with. As for human casualties, I doubt there is a lot since he doesn’t like the taste of human flesh. If he was summoned by a cult or something, he is going to have fun manipulating those foolish souls. After all, he is a sadist.

Beelzebub. He is Lucifer’s body guard in the Celestial Realm, a Cherub that is one of the highest in terms of rank. Due to his strength, he can easily crush his opponents. When he became a demon, all his victims became his meal during his hunger rampage. His sin took full control of his body in the beginning and most of the time he wouldn’t know what’s happening until one of his brothers stops him or he has no other food source available. He probably does the same up in the human world when summoned by a cult if they don’t offer him a big enough meal as offering, then they become the meal themselves. When MC meets him in the original timeline, he still tries to eat us and we’re not allowed to sleep or be near him without another brother’s supervision. Even the brothers were afraid one of their toes was gonna be bitten off.

Leviathan. “Keep sending your soldiers. The ocean has plenty of space before it run out of gravesites for your people.” He controls the ocean, just sends out a tsunami or two and wipes every being away and let the corpse fall to the bottom to be eaten. Even if the victim has the ability to breathe underwater, he would summon Lotan to obliterate them. He never has to get handsy to increase his kill count. He does snack on a couple of humans that've been swept into the ocean by currents.

Satan: He unleashed hell when he was born, being the embodiment of wrath itself. He was separated from Lucifer and his other brothers when they fell. Since there is no one strong enough to hold him back, he wreaked havoc on anything and everything. He set the area around him into a green fire graveyard until he was eventually found and gets chained and shoved in a locker. He gets ticked off when summoned, and if it was for a stupid reason. If they mistaken him for Lucifer, which is pretty often, no one would live to tell the tale. It took decades for them to learn that he is not that damn arrogant bastard.

Asmodeus: Personally, I was conflicted between him and Mammon, but Asmodeus can snap more easily than Mammon. Even though he is the avatar of lust, he still has standards and boundaries. Most lower demons think he is easy to manipulate. Just compliment him, take him to a motel or bar, and get him when he’s vulnerable. The thing is that Asmo knows, and he has his own wicked plan in mind. Depending on his mood, he can either toy with the other demons for such a long time that the other demon will actually develop some feelings for him, all for it to crumble in the end. Like a heartbreak, but with their hearts literally removed and in Asmodeus’s hands. Asmo will still laugh and feign innocence like he hadn’t just gone sicko lover mode. Or he just snaps and completely loses it, charming the other person to bash their own skull against a wall until they are dead. He still refuses to get his clothes or nails stained.

Mammon: He wasn’t initially greedy, but he slowly grew to be the Avatar of Greed as he is. Mammon perhaps fakes his personality, just like how Satan would cover up his wrath with a smile. After all, how would one approach to make a business if he gives off a threatening aura. Maybe centuries as a shady business demon made him lose his sense of dignity along the way, but keep in mind he still knows his title as an Avatar. He flaunts it too, it’s just that it’s very hard to push him to the point of violence. So most demons don’t take him seriously. Money makes the world go round, but it’s the quickest way for someone to seek vengeance when someone doesn’t pay back what they own. Mammon generally plays by the rules even though he himself gambles in illegal places, but he still has business standards. If someone tries to cheat him out of his winnings, they will earn themselves a one way ticket to Mammon’s blacklist, which most of the time has four or five people in the waiting list so one shouldn’t count on time to delay Mammon’s wrath. He will make them pay. No amount of begging or bribery will work, by then the only way of paying back the “debt” is with one’s soul, which is worth even more than anyone can ever imagine. Hell, perhaps he deals with selling organs on the black market too after he finishes seeking vengeance. Organs are worth a good amount of money, either for hungry cannibalistic demons looking for a demon kidney as dinner or for mad scientist demons to run experiments on. Either way, business.

Belphegor: He is too lazy to kill, that’s all I can say. If you think it’s hard to get on Mammon’s blacklist, it’s even harder to get on Belphegor’s blacklist because he just doesn’t care…unless someone messes with his dear twin, Beelzebub. There will be no more peaceful rest for that person for the rest of their short life because Belphegor will make sure that they die in agony. He will curse the person so that whenever they are about to fall asleep, they will be jolted alive by some weird electric feeling. It’s like the feeling when you trip in your sleep (Hypnic Jerk), except it’s not an angel accidentally dropping your soul when bringing you to heaven, but a demon draining your sanity to live. It’s no brainer that sleep is very important as it keeps one’s mind and body functioning. For the victims of Belphegor however, they will never sleep again. They can try but are always jolted awake whenever they are on the edge to dreamland. Until many days has gone by where the person is basically a walking zombie at this point, they pray and try to fall asleep once again expecting for the same jolt feeling, except it didn’t happen. The victims can finally sleep, but this sleep feels more…permanent.

Author’s note: I started writing this draft like a year ago, and took it out today. I forgot what im exactly writing. It’s so shifty of what it’s meant to be. Think it was kill count and why, but it gradually moved onto killing methods of each. Don’t take it too seriously 👉👈. Hope y’all enjoy.

[ask-de-writer]

I would like to thank Delightfully

EAGER BINGE READER

@furislupus​ for READING and LIKING

My whole MASTER STORY INDEX SECTION,

Now he is delving into

THE TALES OF SIR NEVA MAR

PRINCESS ROWAN

RAPUNZEL - ACT 2

GHOUL FRIEND (Parts 1 and 2 of 2)

THE DRAGON'S PLEA (PARTS 1 to 3 of 3)

RAVEN'S REVENGE (Parts 1 & 2 of 2)

From there he went to

TALES SET IN HELL ITSELF

NICK'S PLACE

BUSINESS LUNCH

HOW I GOT HERE

[tswaney17]

Unholy

@elriel-month | Death's Fanged Beast

This is... well, it's porn. Nothing more. And before y'all come for me, let me note that I am NOT religious. I have no real foundation for any sort of religious/catholic background. This story is just a bunch of randomly used religious expressions strung together with no rhyme or reason. If this is not your cup of tea, don't read it. It was a wild idea I mentioned years ago that's finally come to pass.

Dedicated to the lovely @elainsweetcobalt for reasons. 😘

My fanfic account: @tswaney17fics​​​

My ao3 account: tswaney17

Please let me know what you think about this update. I love getting your feedback. Constructive criticism is always welcome. 💕

Trigger warnings: NSFW - explicit, goes against religious beliefs, just overall not for the faint of heart.

Word Count: 2,265

This fic will be posted on AO3 only. Read the beginning below or click here to head to AO3.

Father Azriel knew exactly who entered the confessional booth even with the privacy screen between them. The delicate scent of jasmine and honey followed her into the tiny chamber, invading his mind. Any ability to be impartial was destroyed right then and there.

Elain Archeron was sin itself.

Lust on legs.

She made him want to break his vow of celibacy; had taken to fisting himself in sin late at night from the image of her kneeling on the steps of his altar.

It was his personal form of torment. Seeing her every blessed Sunday in the front row of his church, always in a sundress that made his mouth water. And always, always wearing that delicate, golden cross neckless just around the base of her elegant throat.

He was in Hell.

Read More

~~~~~

Remember, sharing is caring! Please reblog if you liked the fic. It helps spread my work and I truly appreciate it. 💕

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[stirringwinds]

Your thoughts on Alfreds similarity to Arthur, their dynamic and their father-son relationshio is incredible and so very enjoyable! The way Arthur sees Alfred; his hyperindependent son who rejects his fathers ideas and uplifts his own ambitions, not understanding that while his own ambition and view of the world is not completely identical to his fathers, it's a mirror image in scale and vigour. It is the same old tale of the prince beheading the king, taking the crown and vowing to never become his father, only to come full circle and have his enemies tell him "you're just like him."

Alfred may be the "black sheep" of the family, but not even Arthur can hide his favoritism for the lad. His firstborn is more like him than anyone of his children, and that bears pride, yet fear as well.

Im just trying to say that if you had a million fans, I am one of them, if you had one fan, its me, if you had zero fans im dead. <3

thank you so much! (: in return, i have to say how much i love your art, especially of the pacific siblings + the old man. you bring them to life really beautifully.

and yes! i just love the excellent contradictions that come out when digging into arthur and alfred as a father-and-son dynamic. i enjoy putting a twist on the usual tropes of the 'black sheep' and 'golden boy/crown prince', where it's often two different siblings. here, out of the 🇺🇸🇨🇦🇦🇺🇳🇿 siblings, alfred is the black sheep and the crown prince. he is the estranged eldest brother who seemingly does whatever the hell he wants. he overshadows them all even in his absence. like, for Jack and Zee especially, it's not a flattering picture of Alfred they get from Arthur. Ungrateful wretch, fool of a lad, hotheaded and arrogant, a flash in the pan...etc etc. but even quite young, before WWI or WWII, they realise that Alfred is the only one of them Arthur truly sees as anything close to an equal. that contrast is sharpened by how Arthur treats Matt—who was the 'older brother' they actually knew: the otherwise competent shocktroop of empire and first dominion shouldering various responsibilities. to defy Arthur is to earn his enmity, but also the only way to earn his respect.

like most other nations who become empires—Arthur doesn't truly believe in heirs: the sun never sets on the british empire, no? and when you are an eldritch being given life by the power of human ideas, immortality is a possibility they can't help aspiring to, no matter how much history is littered with the rise and fall of nations once arrogant enough to believe themselves invincible. and Arthur, at the height of British power, allows himself to believe that. for all his shrewdness and study of history, he's not immune to being seduced by that possibility. why shouldn't his empire be different? driven by the power of industrial civilisation that Rome could never dream of. Arthur never wanted Alfred to be his heir because he would never relinquish power willingly (just as the British Empire did not give itself up until the combined weight of world war two, anti-colonial movements and bankruptcy broke its back), but with his defiance, Alfred is the only kind of heir he would respect.

It is the same old tale of the prince beheading the king, taking the crown and vowing to never become his father, only to come full circle and have his enemies tell him "you're just like him."

indeed! i always see a real Titanomachy theme between Arthur and Alfred for that reason; the British and American empires certainly loved to perceive themselves as heirs to classical antiquity after all. the Greek story of the war between the younger generation of Olympian gods and Titans to determine who would have dominion over the universe. Zeus, with his siblings, overthrows his father Cronus— in a manner of speaking, that is what happens with WWII. Alfred is both Arthur's deliverance (lend lease, d-day...) and the one who usurps him: America replacing Britain's prime role in the Pacific, reshaping and redefining alliances with Australia, New Zealand and Canada. in the eyes of many of the Old World nations, Alfred is his father's heir. to end off, here's a short snippet from a WIP i'm working on set during the American Civil War:

Arthur laughs. “Do I make you do anything anymore, Alfred? Didn't you throw away my name almost a century ago? Did you not loudly announce yourself as a maritime power? That huge uproar you created in the Far East? Bragging to me how you’d done what I failed, dragging another Old World nation out of isolation to rejoin the international community on the threat of war and glories of foreign commerce?” Alfred opens his mouth—to say something self-righteous and hypocritical, Arthur is certain—but then he lifts his chin coolly. “As opposed to the actual war you started in China? If anything, with the Treaty of Kanagawa, I proved how one could secure foreign trading interests with both firmness but far more civilisation. You and I," Alfred sneers, “are not the same.” “An unequal treaty is an unequal treaty— that I will not deny even if I will not give up its benefits. This world is not for soft men or women, and the old warlord that Yao is—he knows that well.” Arthur smiles sharply. “Do you hate the fact that when the other Old World nations look at you, they see my blood running in your veins?"

Arthur imo, is definitely that father who plays favourites. Alfred is his greatest disappointment but also the one he loves the most—in the dysfunctional way that a man who is an empire comes closest to loving the son who mirrors him the most in his pitiless ambition and cunning. Alfred sees himself as a genuine idealist, as someone struggling to be free of his father and all his bad traits, but when Alfred rises to power, Arthur believes he's the only one who truly understands him the most. It's almost the possessive element of 'I gave you life, I named you and made you what you are, and no matter how much you scorn my name, my influence will define you forever.' Father and son, king and crown prince, regicide and patricide—but also creator and his creation made in his image.

[scary-grace]

For the milestone thingy with shigaraki, 24 and 28!

Thank you so much for the prompt! I went a little crazy with this one, and I hope you like it! If anyone else wants to prompt me from this list for a Shigaraki fic, please feel free.

When a child from your settlement goes missing, you go willingly into the woods to rescue him from the entity that dwells there. You're not at all prepared for what you find. Based on the tale of Tam Lin. 7.1k words, afab reader, warnings for dubcon + smut. Prompts: 'whispering in their ear, lips touching the skin' +'feeling for each other in the dark'

Izuku’s been missing since noon, and you and the others are out of places to look. You’ve searched high and low, crawled into every closet and tight corner, and checked every building, outbuilding, and hole in the ground. You even risked the radio, calling to the next settlement fifty kilometers away, on a wild hope that someone had found him and taken him to the wrong place. You’ve asked everyone if they’ve seen him, and got the same answer – not since noon. Now the sun is setting, and you’re out of ideas. Except one.

You’re the one who raises it, because no one else will. “What if he went to the woods?”

“Why would he do that?” Yue looks at you like you’ve lost your mind. “He knows better. They all know better.”

“Something could have enchanted him,” you argue. “We have to think of everything –”

“Nothing that’s supposed to stay in the woods ever comes out of it,” Rumi says. “That’s why we’re here instead of somewhere else.”

So much of the world is haunted now. You and the others are old enough to remember the way it was before, but the little kids have never known anything different. Fear of the woods isn’t learned for them, it’s instinctual. It’s hard to imagine that a kid like Izuku, a kid who follows the rules to a fault, a kid who’s always eager to please, would do something like this. But if there’s anything you know about the world as it is now, it’s that you can’t trust the rules to stay the same. Soon enough, they bend and warp, and there’s enough space between them for Hell itself to slip through.

Some say the creatures that claimed half the world seven years ago are demons, drawn up by humanity’s sins. Others think they’re aliens who’ve been watching Earth for eons, choosing to step in now for reasons incomprehensible to anyone but themselves. It’s easier to believe those things than the truth: They’re the Fair Folk, creatures of myths and fairytales the world over, who burst from hiding all at once and forced humanity to the brink in a seven-day war. Seven days. To you it shifted overnight.

Millions were lost. Any space where nature had been left to flourish became a stronghold for the Folk – forests, beaches, streams, mountains, fields, lakes. Deserts. Oceans. City parks. What the Folk couldn’t overrun, they destroyed; what they couldn’t destroy, they transformed. Even iron can’t protect against them, when there are enough of them, and they targeted the cities and towns first. That’s why you and the others were sent away. The Folk’s armies are merciless. The Folk who took up residence in the wild places are – less.

There are no truly safe places, but the settlement is as close as it gets – a cluster of buildings in the midst of a square mile blasted clean of anything wild, on the edge of a forest whose fey inhabitant never ventures out. As long as you don’t go into the woods, look at the woods, think about the woods for too long, you’re safe from him.

Or you thought you were. Fuyumi’s coming around to your way of thinking. “If Izuku’s in there, we have to go get him.”

“Are you crazy?” Natsuo crosses his arms over his chest, shakes his head. “I love that kid as much as any of us do, but if we go in there, we’re dead. That thing in there wants us more than it’ll ever want him.”

Manami wraps her arms tightly around herself, shivering. “Maybe we should call the grown-ups.”

“No,” you and everyone else says at once. Rumi keeps talking. “The radio’s too risky. The Folk can distort it. And we can’t distract them. What they’re doing is too important.”

“Besides,” Yue mumbles, “they left us in charge. We’re the grown-ups now.”

The military was decimated in the first round of fighting. Now the military, such as it is, consists of every able-bodied adult, no matter who they were before. Every able-bodied adult includes the parents of every single kid in the settlement, but someone has to take care of the kids during the three-quarters of the year where the adults are away. The older kids got the job, because in spite of the fact that all of you are old enough to vote and all of you could theoretically fight, you still count as underage in the eyes of the law. That makes you children to the Fair Folk. The Fair Folk love human children too much.

“We can’t call the adults. We looked everywhere. We can’t go to the woods,” Fuyumi says. “What are we supposed to do?”

“We don’t have proof he went to the woods,” Keigo says, speaking up for the first time. “Nobody goes in unless there’s proof.”

“How are we supposed to get proof?” Yue asks. “We already asked everyone.”

“Let’s ask again,” you say. “And let’s hurry. Whatever we do, we have to do it before dark.”

You and the others split up. Natsuo and Rumi go to quiz the oldest kids, while Fuyumi and Manami and Yue go to talk to the middle-graders. Keigo aims for the youngest kids; you go to the ones who would be in primary school if the world hadn’t ended. It’s Izuku’s age group. Even though he’s not popular, they’re more likely than anyone else to know where he is.

You asked them already, but this time, you’ve got specifics. “I know you don’t know where he went,” you say to them, once you’ve herded all of them into a corner to talk to. “I want to know what he’s been like over the past few days. Has he said anything about the woods?”

The reaction among the kids is instant, and it strikes fear and guilt into you like you’ve never felt before. “What did he say?” you ask. Head-shakes all around. “I need you to tell me. Izuku might be in big trouble. We can’t do anything to help him if we don’t know what happened.”

More head-shaking, from all the kids but one. Katsuki’s looking away from you, his arms crossed over his chest, his jaw set. Of all the kids, Katsuki’s the one who likes Izuku the least, who picks on him the most. You and the others try to stop him, but you can’t be there every second. “Katsuki,” you say. He looks quickly at you, then looks away again. “What did Izuku say to you about the woods?”

“Deku’s a coward. He wouldn’t do it. I just said I’d stop if he –” Katsuki’s voice wavers. “I didn’t think he’d really go.”

You feel sick to your stomach. “Did you dare him to go into the woods?”

“And bring something back,” Katsuki says. “To prove it.”

It all comes together in your head, an awful picture you can’t look away from. What Izuku wants more than anything is to belong with the other kids, to have friends, and Katsuki’s the one who won’t let it happen. Promises hold more weight in this world than they used to. If he promised to leave Izuku alone, Izuku had good reason to trust it. But he dared Izuku to break two rules at once, two rules that are guaranteed to seal Izuku’s fate. Humans don’t trespass on the Folk’s territory without consequences. And they definitely don’t steal from them.

But you know where Izuku is for sure. Now there’s something you can do. “Stay here,” you order the kids, and you run to find the others.

“No,” Yue says, even before you’ve finished explaining. “We still can’t go in there.”

“We have to,” you say. “He’s just a kid –”

“So he’ll be safe,” Natsuo says. You stare at him. “If the stories are anything to go by, that thing’s not interested in kids. But you can bet he’d be interested in us.”

“The stories also say he can be bargained with,” you say. It gets quiet. “There’s no story about Tam Lin where he doesn’t let you make a deal.”

Part of the reason the settlement is here is that Tam Lin doesn’t leave the woods. The other part, never said but known all the same, is that unlike the other monsters from folklore, an encounter with Tam Lin doesn’t lead to death. You can walk away alive, so long as you and he come to an agreement. “No,” Keigo says. “Nothing ever goes well bargaining with the Folk. Especially not at night.”

“So you’d go in the morning?”

“I’d go in the morning,” Rumi says. “We could all go – or most of us, since somebody has to keep an eye on the kids –”

“What if he doesn’t have until morning?” you ask. It gets quiet again. “Time runs differently in their territory. We only know how long he’s been gone out here.”

“That’s just a rumor,” Natsuo says. “I say we go, some of us. In the morning.”

It’s a solid plan. You’d probably agree with it if there wasn’t this awful feeling in the pit of your stomach, the one that says Izuku has less time than you think, the one that says waiting until morning is waiting too long. There’s fear, and at the same time, there’s guilt. Guilt when you imagine Inko, Izuku’s mom, coming back from eight months of war to find her son gone. And even if it wasn’t for Inko, you know what kind of kid Izuku is. You know that if someone was in trouble, he’d run to help them, no matter how dangerous it was. You owe him the same.

“You can do what you want,” you say to the others. “I’m going now.”

“Are you crazy? You can’t just –”

“I know the stories. I know the rules. And I’ve still got things –” You touch the necklace your mother gave you before she died, the bracelet from your grandmother around your wrist. The idea of letting them go makes your heart ache, but for another person’s life, it’s not a question whether you’ll make the deal. “I still have things to trade. I can’t live with myself if I don’t go now.”

“You want to go get snatched by a faery? Fine.” Natsuo turns away, his jaw clenched. “My dad and my brother both tried this shit. You know how it went for them.”

“They didn’t try it with him,” you say. Natsuo walks away, and you face the others, forcing a smile onto your face. You hope you look brave. “Take care of the others. If I’m not back by nightfall, I’ll be back by morning. And so will Izuku.”

Promises made carry more weight in the world now. You take it as a good sign that you’re able to get the words out of your mouth without choking on them.

Crossing the border into the woods feels like entering another world. The Folk’s magic is so thick in the air that it’s hard to breathe, and you stumble against a tree before you’ve taken more than a dozen steps, your head swimming. You’ve never felt their magic like this except once before, and you do what you did then; small, paced breaths, taking sips of the air rather than gulping it down. Your lungs will adjust if you give them time, and once the knot in your chest loosens, you straighten up again. There’s a path before you, almost certainly a trap. Is it still a trap if you go into it purposely?

It doesn’t matter if it’s a trap or not – it’s Tam Lin’s trap, and you want to find him. You step onto the path and follow it into the trees.

Each step seems to take you centimeters forward at most, and at the same time, you can feel time passing in a way that’s not quite normal. It skips and starts and pauses, and panic begins to well up inside you as you feel yourself getting tired. On either side of the path are logs covered in soft, pillowy moss, hollows at the base of trees that would be perfect to curl up in, all inviting you to stop and rest. You ignore them, the same as you ignore the shimmering flowers a few meters off to the side, the same as you ignore the deer that follows along beside you close enough to pet. They’re all tricks made to stop you. You won’t stop until you find Izuku. And you won’t find Izuku until you reach Tam Lin.

The path terminates in a clearing, and you nearly stumble into it before you catch yourself. Instantly you know you’ve found the right place. The glade is covered with roses, a few of them white but most of them red, and Izuku sits amongst them, bound hand and foot in thorny vines. You call out to him, remembering only at the last minute not to use his name, and he looks towards you. There’s panic on his face. “Run,” he says. “This is his place. He’s here. If you take another step –”

You look more closely at Izuku. He looks terrible, dehydrated and exhausted, and worse than all of that, he looks thinner. Like he’s lost weight. Like he’s been here much longer than half a day. There’s a white rose clenched in his hand, bound there purposely by the vines. He’s made both mistakes outlined in the stories – trespassed in Tam Lin’s territory, and plucked a flower. Tam Lin has him. You wonder if he’s offered Izuku a bargain, and if he has, why Izuku didn’t take it. “Have you seen him?”

“He won’t show himself, but I know it’s him.” Izuku is crying now. “Please just go. This is all my fault. I don’t want anybody else to get hurt.”

“It’s too late for that.” A voice rasps out from between the trees on the far side of the glade. You see a pale figure there, just out of clear sight. “Listen to the boy. Run while you have the chance.”

So Tam Lin can entrap only one person at a time. You think through the rules of bargaining with the Folk, slowly and carefully, knowing that a mistake will cost Izuku everything. Tam Lin must have offered him a bargain. He must have refused it. And if he’s still here, it means that Tam Lin offers only one chance. It means you’ll get only one chance, and it’s the only choice you have if you want to save Izuku.

It’s not a choice at all. You take a deep breath, shaky enough to rattle your entire body, and step forward into the clearing, ignoring Izuku when he protests, noting the way the shadow in the trees startles. You bend down and grasp a red rose, snapping it free of its vine. “I’ll make you a deal, Tam Lin,” you say. “Let the boy leave the woods alive, safe, and whole, and I’ll take his place.”

Izuku protests again, or tries to. A vine wraps around the lower half of his face, clamping his jaw shut, as Tam Lin steps from the shadows at last. He looks nothing like the Folk are meant to, beautiful and healthy and whole – instead he’s gaunt and deathly pale, his skin dry and ashen and laced with scars. His clothing is ragged, and his hair, even paler than his skin, hangs lank and tangled around his face. His face is scarred, too. His eyes are bloodred.

You catch your breath in horror at the sight of him. He scoffs. “If you dare to offer that bargain again, it’s yours,” he says. “But I don’t think you will.”

“You think the way you look will make me forget why I’m here?” You let out a scoff of your own. “Let the boy leave the woods alive, safe, and whole, and I’ll take his place to bargain with you.”

Tam Lin’s lips are dry and cracked. When they curve into a smile, blood spills from them, dripping from the corner of his mouth to stain the collar of his tattered shirt. “Done.”

The vines unwrap from around Izuku, and you turn towards him, clamping your hand down over his mouth before he can say anything that will put him in Tam Lin’s clutches again. “Go home,” you order. Izuku’s eyes are welling up again. He shakes his head. “I know what I’m doing. I made your bargain, not my own just yet. Promise me you’ll go home now.”

If he promises you here, he won’t be able to break it. You lift your hand away from his mouth. “I promise,” Izuku whispers, and you breathe a sigh of relief.

The vines slip away from him at last, and with them, Izuku moves to drop the white rose. You fold his fingers around it. “Keep it,” you say. “Show Katsuki. Make him keep his promise, too.”

Izuku nods. “Go now,” Tam Lin rasps from behind you, as you help Izuku to his feet and turn him in the direction of the path. “Not that way. Here.”

He points to a gap between the trees, one that travels straight and true. At the far end of it, you can see the light of the setting sun. Izuku stumbles towards it, then steps between the trees, takes a single step – and vanishes. At least, that’s what it looks like from your angle. When you race through the vines to peer into the gap yourself, you see a small figure, dwindling rapidly, disappear into the light.

“You think I’d break my word?” Tam Lin’s come up behind you without warning. He speaks with his lips pressed against your ear. His breath is cold, and you freeze in terror. “Remember, I can’t lie. Unlike you.”

“What makes you think I lied?” You step forward, away from him, turning so you’re face to face. “If my bargain for his life wasn’t true, you wouldn’t have accepted it.”

“That’s right, but you didn’t lie to me,” Tam Lin says. “You lied to the boy, when you told him you had another bargain to make. You knew it was a lie when you said it.”

“I knew,” you admit.

“Then why?”

“So he’d leave without trying to help me.”

“Is that all?” Tam Lin tilts his head, studying you. “I think you lied so he wouldn’t think about the bargain you truly made.”

“That, too.” There’s no point in lying about this. You sealed your fate the moment you pulled the red rose. You let it fall from your hand to rest among the vines. “I don’t want him to think about what you’re going to do to me.”

“You offered yourself to me,” Tam Lin says – snaps, almost. “I gave you the chance to leave. You refused.”

“Yes.” You knew what you were offering, and he knew when he accepted. Why is he still talking? “Let’s get this over with.”

You have the brief satisfaction of seeing Tam Lin’s jaw drop. “Get this over with?”

“Don’t be dense,” you say. You made your deal with him. What else can he do to you? “When someone trespasses and steals from you, you take their virtue or the most valuable thing they have to offer. I made my bargain already, so I don’t get to choose. I don’t want to stand here waiting all night. Let’s get this over with.”

Tam Lin is staring at you like you’ve gone insane. The magic permeating every centimeter of the woods must be making you insane, because you’re standing here in a faery’s haunt, telling a faery to hurry up and – you can’t even finish the thought. Maybe you won’t need to finish the thought if you take control. “Well?”

Tam Lin looks away from you. “Take off your clothes.”

You think about it for a moment, then decide against it. You’re out of choices when it comes to this, except for how it goes, and you don’t want it to go like this. It must not be what Tam Lin wants, either – he’s still looking away, visibly uncomfortable. You cross the space between the two of you, reach up, and turn his head back to face you. He startles when you touch him. His skin is cold. So are his lips, when you rise on your toes to kiss them.

Tam Lin stays frozen, maybe in shock, maybe in disgust. When you draw back, you can read nothing on his face. Maybe this isn’t how the people whose virtue he steals usually react. You kiss him again, and he doesn’t stop you, but he doesn’t respond. You haven’t done a lot of kissing, but you think the person you’re kissing is supposed to do something back. “Do faeries not believe in kissing?”

“I’m not a faery.”

He expects you to believe that, when he has faery magic, when he lives in the middle of a haunted forest, when he’s bound by the same rules that bind them. “Then what are you, Tam Lin?”

“I’m not a faery,” he says again, and you remember, suddenly, that he told you he can’t lie. His hands rise to grasp your waist. They’re thin and bony, almost skeletal, and cold just like the rest of him. “And my name’s not Tam Lin.”

“Oh.” You can’t manage much more of a response than that. “What do I call you, then?”

Not-Tam Lin, not-a-faery, leans in close, presses his lips to your ear again. “Tomura.”

You start to repeat it, to make sure you’ve heard it right, and Tam Lin – Tomura – covers your mouth with his hand. “Not out loud,” he says. Then why did he want you to know it? You kiss the palm of his hand and he flinches. “What are you doing? I told you to take off your clothes.”

“I have to at some point.” Your stomach clenches with discomfort at the thought of exposing yourself here, exposing yourself to him. “But you were right, before. I offered myself willingly. I should act like it.”

Tomura still looks confused. He looks frustrated when he’s confused, or else he’s confused when he’s frustrated, and either way, the whole virtue-stealing thing is taking too long. Your resolve could break at any second, and then this will be awful and painful and terrifying instead of simply awful, simply awkward. You’d rather he acted while you could both still convince yourselves that you want this. You watch Tomura’s expression shift, see the moment when he comes to the same conclusion. This time, when you lean in to kiss him, he kisses you back.

Cold. His kisses are ice-cold and unrelenting, even as his lips split against yours and blood spills between you. You lick it away on instinct and his grip on you tightens, and worse when you swipe your tongue across his lower lip again. Tomura’s lips part at once, and although you’ve done nothing more than read about this in a book, you lock your mouth against his. He’s so cold. But when your hand slips to rest against the side of his neck, you can put your fingers against his pulse. Whatever else Tomura may be, he’s alive.

The thought comforts you ever so slightly, but whatever peace or comfort you feel evaporates when Tomura’s grip on you shifts. He lifts you off your feet with a strength you wouldn’t have imagined he possessed and lays you down amongst the thorns. Amongst a spot that’s clear of them. You can see the vines retreating out of the corner of your eye a moment before Tomura pins you down. His mouth crashes against yours, and the way he’s stretched out on top of you forces you to part your legs, just enough that one of his can fit between them.

You chose for this to happen. You offered yourself willingly, and still you squirm to get free. Tomura shifts his weight so he’s no longer pinning you quite so heavily, but one of his hands slips beneath your shirt, pulling one cup of your bra down to clear his way to your breast. “Hey,” you protest. “What are you doing?”

Tomura doesn’t answer. He seems fascinated, too fascinated to even kiss you, as he cups your breast in one hand, gives an almost experimental squeeze. Your nipples harden, more from the cold than anything else, but of course he notices. He pinches it lightly, and your body jerks. An unfamiliar sensation runs quickly through you. “Hey,” you protest again, softer this time. “I thought you just were supposed to take my virtue.”

“I want everything.” Tomura’s leg presses harder between yours as he pinches your nipple again, tugs at it for a moment before circling it with the rough pad of his thumb. Your body jerks a second time, forcing your hips up to grind against his leg. “You’re warm –”

Warm, bordering on hot, and the way he’s yanked your bra aside is uncomfortable. You shove lightly at his shoulders as he wrestles with the other cup. You shove weakly at his shoulders, and he gives you an annoyed look. “Let me sit up,” you say. “I need to take it off.”

Tomura lets you up just long enough for you to take it off and pull it out from under your shirt, but as soon as it’s gone, he pushes you back down again. This time his mouth finds yours as he plays with your breasts, and when you squirm against the sensation running through you, there’s nowhere for you to go. If your back isn’t arching into his touch, your hips are rolling against his leg, your motions growing more urgent as he toys with you. He has to stop. He has to stop, or he’s going to –

“Tomura,” you gasp against his mouth, and you feel him shudder. So that is his name. So you do have something, after all. “Tomura, please –”

He stops, which is what you wanted – and at the same time, it’s not what you wanted at all. He sits up, draws back, and before you can protest, he’s tugging at the waistband of your pants. You start to sit up, but he pushes you back. “I need to take off my shoes,” you say. He gives you a skeptical look. “I said I’d take my clothes off.”

“I want to do it.” Tomura pushes you back onto your elbows, then pries your shoes off your feet, along with your socks. Then he’s back to your pants, pulling them down along with your underwear and casting them aside. “I told you. I want everything.”

He’s still fully dressed, but his shirt’s in tatters, barely concealing anything. You thought he’d undress more, but he’s already pushing your legs apart, sinking down between them. Too far. By the time it occurs to you what Tomura’s doing, his mouth is between your legs, his tongue cold in contrast to your heat. His fingers are the same, when two of them slip easily inside you. Your legs are shaking from a few laps of his tongue against your clit. Your body tenses, forcing a sharp gasp out of your mouth. You feel exposed to an awful degree, horrified at how helpless you must look, how helpless you are – and at the same time, the sensation of his touch feels so much better than anything you’ve felt before.

You sit up on your elbows, but your face goes up in flames at the sight of him between your legs, and you fall back, staring up at the sky instead. Even then, you can’t shake the image of him with his eyes shut, face buried between your legs, completely lost in you. You can’t fail to hear the harshness of his breathing, the sound he makes when you clench tight around his fingers and come so hard your eyes go blurry. Even if you could, it would be impossible to miss the fact that he keeps licking you even as your body goes limp, that it takes you shoving at his shoulder to make him pull away – and even when he does, he’s reluctant in a way that makes you cringe with embarrassment.

Tomura sits back, and you sit up. When you make eye contact, you see that his eyes are dilated, and that his pupils are round rather than vertical. He wasn’t lying. He’s not a faery, but the way he’s looking at you means you can’t look at him for long. You look away. He catches the hem of your shirt and peels it off, and you do the same before unbuttoning his pants and pulling them down. You don’t know the first thing about cocks, but you’d have to be an idiot to miss that his is hard already.

You reach out for him and he pushes your hands away, shaking his head. “Don’t. I can’t if you –”

If you touch him? You’ve barely touched him. Why does he look like he’s about to come already? You lie back and Tomura follows you down, knocking your legs apart and lying down between them. This is what you were steeling yourself for, an eternity ago when you told him to get on with it, what you planned to grit your teeth and bear through. But Tomura sinks into you easily. Your legs shake where they’re hooked over his hips, but that’s nothing new. Tomura, with his gritted teeth and flushed face, looks like he’s having a harder time with it than you are.

You wrap your arms around his neck on his first unsteady thrust, pulling him down for a kiss that tastes the way you must. You don’t know how you feel about that. You kiss his neck instead, then his jaw just below his ear, and Tomura moans. You know how you feel about that – heat rushes through you, and you kiss him again. He’s almost frantic in the way he fucks you, no control, all need. Almost like – the thought’s absurd – almost like it’s his first time, not just yours.

You know you won’t come a second time. That doesn’t mean it doesn’t feel good to have him like this, to be the reason why he’s desperate, why he’s panting for breath, why some trace of warmth has returned to his icy skin. There’s no way you can touch him that won’t unbalance him somehow, no matter how light or gentle you are. When you cradle his face in one hand, run your thumb over a scar on his lips, he leans into your palm for a split second before seizing your wrist and pulling your hand away.

But he doesn’t let go of your hand. You pull your wrist free, then lace your fingers with his, and you see his eyes go wide. “Tomura,” you say, and he looks at you.

You have no idea what you look like, and no idea what to say next, but it doesn’t matter. He shudders, curses, his grip on your hand tightening to the point of pain as he comes. His grip doesn’t loosen, not even when he pulls out and slumps against you. The fact that he’s still holding your hand is the only proof you have that he’s not completely unconscious.

Even though he’s warmer than he was before, you’re still cold. And naked. And lying on the ground. You start trying to escape, and you get as far away as sitting up and reaching for the nearest item of your clothing before a not-quite-so-cold hand closes around your wrist. “No.”

“I held up my end of the deal,” you say. “You can’t keep me here any longer.”

“The woods aren’t safe at night,” Tomura says. “Not from them. Not for you, and not for me. I can’t stop you from leaving, but if one of them finds you, they’ll do worse than anything I could.”

You remember what you said to the others before you left – you’d be back before nightfall, or else tomorrow morning. It looks like it’ll be tomorrow morning. “All right,” you say, and Tomura’s grip on your wrist relaxes. “I’m still putting on my clothes.”

Somehow, getting dressed again makes things more awkward, not less. Even with your clothes on, you can’t forget that he’s seen you without them, or anything else about what happened between the two of you. You’re hungry and thirsty, but even if Tomura offered you food, you couldn’t eat anything that’s passed through faery hands or come from the Fair Folk’s domain. It’s dark, and you’re tired. Once you’re dressed again, you go looking for somewhere to sleep.

“Here.” Tomura is shadowing you, never more than a hairsbreadth away. He points out the hollow of a massive tree, more than spacious enough for three people, let alone two. Inside it you can see a collection of objects, scattered in the corners, decorating the walls. “This is where I sleep.”

“So I should sleep somewhere else,” you say, but your attention’s drawn to the objects. There’s no rhyme or reason to what they are, no common thread. Jewelry and watches hang on walls beside folded pieces of paper, books lay in piles on the ground next to stacks of CDs and old cameras – and phones. There are more smartphones piled up under this tree than you’ve seen since the end of the world, and suddenly it clicks. “These are from your trades.”

Tomura nods, and you study the objects, feeling sick to your stomach all over again. The most valuable thing a person had – in the war and immediately afterwards, it would have been their phone, because everyone still hoped they’d start working again. Then photo albums, picture frames, even missing posters, reminders of people who’d been lost, and after that, simple objects. A CD, because things with batteries still work. A favorite book, because no books will ever be printed again. A piece of jewelry, gifted by someone a person loved. Like what you would have traded to Tam Lin, if you’d had a chance to choose.

You get a little fixated on a dog’s collar, well-worn, with a tag still dangling from it. It’s all too easy to imagine the person who would have carried it with them. “This is cruel.”

“They had a choice.” Tomura takes the collar out of your hand and sets it back among the rest, arranging it just so. His hands are covered in scars, just like the rest of him. “They chose this.”

Something occurs to you. “How many of them chose it?” you ask. He glances sideways at you, then looks away. “How many of gave something to you, and how many of them –”

You aren’t sure how to describe what happened to you. Tomura doesn’t answer, and you think about the world before the war, the world after. Of how many people still cling desperately to the scraps of a world that will never come back. You know the answer to your question. You wished you hadn’t asked in the first place, and the idea of sleeping here makes your skin crawl. Sleeping here next to him feels even stranger.

But you don’t know what else lives in the woods, and while you can’t trust Tomura, you know at least that he has his end of the bargain to uphold. You crawl into the hollow beneath the tree, keeping as far from Tomura as possible. Tam Lin’s glade shimmers even in the moonless night, but within the tree, it’s ordinary darkness. Somewhere within it, Tomura speaks. “Out there. What’s it like?”

You don’t know what to say. “I asked that boy,” Tomura continues. “He wouldn’t tell me. Is it a secret?”

“It’s not a secret,” you say. “He knows better than to talk to faeries. All the children do.”

“For how long?”

“Why does it matter?” you ask. Tomura scoffs, shifts in the darkness. Your eyes have adjusted enough to see his shoulders hunched, his almost-skeletal limbs folding in to make him smaller than he should be. “You’re one of them. Shouldn’t you know?”

“I told you I’m not a faery.” It’s quiet for a few moments. “If I knew, I wouldn’t be asking you. How long ago did it start?”

“Seven years this October,” you say, and on the other side of the hollow, Tomura sits bolt upright. “Does that mean something to you?”

Tomura doesn’t answer that, either. He sits there, frozen like a statue, and you turn away. It’s been a while since you slept on the ground, but you’re tired enough that it won’t matter, and you feel so strange. Your legs hurt, and you’re sore between them, and when you lick your lips, you find Tomura’s blood still staining your mouth. Lying down on the far side of the hollow with your back to him doesn’t feel like the right answer, but neither does trying to talk to him, let alone going closer. You lie down, fold your arms against your chest in an effort to keep warm, and close your eyes.

Your eyelids have just begun to grow heavy when Tomura speaks again. “Seven years,” he says, and his voice sounds wrong. “Are you sure?”

“I remember the day it happened,” you say. “I know.”

You were thirteen. You remember the way the weight and taste of the air changed, the icy winds that whipped through town ahead of the advancing armies. You remember running, then hiding, hearing but not seeing what was done to the people who were caught. Izuku and the others will never know what the world was like before, but even if you don’t cling to the past, you can never forget what the Fair Folk tore away. “I know,” you say again. “Almost seven years.”

“Seven years.” Tomura takes a deep breath, or tries to. You hear it catch and rattle. “I didn’t think –”

His breathing rattles again, and a sense of foreboding sweeps over you. There’s something he knows that you don’t, something you have to get out of him – but then he takes another rattling breath, and you match the sound to the reaction. It’s not one you’d expect from the Fair Folk, and it’s what convinces you at last that Tam Lin’s not one of them. The Fair Folk don’t cry.

You shouldn’t care at all, not when you’re sitting amongst the precious things he’s stolen from so many in exchange for their freedom, not when you’re one of his – victims? – yourself. But ignoring it feels wrong, wrong in the same way as waiting until morning to look for Izuku was. You sit up, reach out across the hollow, but the distance between the two of you is too great. You scoot closer, feeling for him through the darkness until your hand encounters a frozen, shaking shoulder. The question you were going to ask him dies on your tongue.

Whatever this is, it’s not something you can fix. You wrap your arms loosely around him instead, feeling him startle the same way he did when you first kissed him. You lie back, pulling Tomura with you, until the two of you are sprawled on the ground. It’s uncomfortable, still. Tomura’s still cold. You still don’t know how you feel about what happened between the two of you. But you know you feel better like this. Things feel better when you aren’t alone.

You don’t remember falling asleep, but when the sounds of the forest wake you up, it’s dawn. Tomura hasn’t stirred, and he’s lying on one of your arms, which is numb and full of pins and needles as you try to work it loose. Tomura sits up before you’ve freed yourself. The darkness wasn’t kind to him, but in daylight, you’re struck by just how terrible he looks – thinner, paler, skin dry and cracked and scarred. He’s hard to look at. Harder to look away from.

You look away and get to your feet. “Which way do I go to get out?”

“The low road.” Tam Lin is slower to rise, and as he does, the same passageway that Izuku left through opens on the far side of the glade. “Don’t leave the path.”

“I won’t.” You straighten your clothes, then turn to look at Tomura. What are you supposed to say to him now? Thank you for not hurting you, for letting you fulfill your side of the bargain your way? “Goodbye, Tam Lin.”

“That’s not my name,” he says. “The other one. Do you remember it?”

“Of course,” you say, and Tomura’s shoulders relax ever so slightly. “I won’t forget.”

“It won’t matter anymore, soon,” Tomura says. He turns away. “Go.”

You have questions – questions, and a strange twist of worry within you – but you also made a promise to the others in the settlement, and you have to keep it. You turn away from him and cross the glade, heading for the opening between the trees, not stopping even when you hear his footsteps behind you. One hand grasps your waist again, stopping you in your tracks, while the other arm wraps around you. There’s something in his hand. You look down and see the rose you plucked last night, as perfect as when you pulled it from the vine.

“Here.” Tam Lin’s voice is less than a puff of air against your ear. “You won this. Take it with you.”

You take it from him, and his hands fall away from you. The urge to look back is there, and it’s strong. You step forward instead, crossing out of the glade – and three steps later, out of the woods and into the bright morning sun.

It’s not long before one of the others spots you – Keigo’s always had sharp eyes – and he calls for the others. As they race towards you, you decide what you’ll tell them. You spent the night bargaining with Tam Lin, the same as the hero in another folktale spent her night as wife to a murderous king telling stories to keep him interested, and eventually you won your freedom. You’ll say nothing of the bargain you really made, nothing of what happened between you and the being the world knows as Tam Lin. They’ll look at you differently. They won’t understand. You barely understand yourself.

You’ll keep it to yourself. When the others reach you, you ask your question first. “Did Izuku get back? Is he okay?”

“He’s fine,” Fuyumi says. She looks you anxiously up and down. “What about you?”

You’re conscious of the woods behind you in a way you never were before. You’re still holding the rose. “I’m glad Izuku’s okay,” you say, because you are. And then you lie, because you can do that, because they don’t need to know how you returned – just that you did. “I’m fine, too.”

[yukidragon]

Sunny Day Jack - Dragon Jack Fantasy AU Headcanons

So, I know that Jack’s fursona is a snake, because he wants warm cuddles his sunshine won’t run away from, which is where we get naga Jack, but what if he was a different sort of mythical creature?

No, not an incubus, but you can check out my incubus headcanons here and here. I’m talking about a different fantastical creature that still has a few scaly features.

It’s the year of the dragon, and that got me thinking about a certain piece of absolutely gorgeous artwork my friend Mars made back in August, which in turn made me think, dragon Jack AU?

Dragon Jack AU.

Oh hell yeah, let’s get fantastical.

Credit for this beautiful artwork and fueling my inspiration goes to the marvelous Mars, who you can find over here on tumblr and on twitter. Please consider popping on by to leave a kind word or two. Trust me, you won’t regret looking at all of her jaw-droppingly stunning art!

Content warnings: There is going to be spice in these headcanons, and it’s going to get a bit kinky at times. I mean, we’re talking about Jack as a dragon getting frisky with his sunshine. Bad Dragon didn’t get its name for nothing after all. Oh and there’s also some dark themes like going insane from isolation, families being awful to one another, exploitation of workers, bullshit politics in a medieval inspired fantasy setting, deadly monsters attacking people, yandere obsession, that sort of thing.

Overall it’s going to be pretty lighthearted, especially in comparison to the super dark and angst-filled hurt/comfort story that I recently posted, so this post shouldn’t get more intense than the game itself.

The Cursed Prince

Let us begin this AU with the tale of Sunny Day Jack, a poor soul who was damned to be left alone and forgotten by all who knew him. In this case, that place he was left to be forgotten was a castle in the middle of a dark and twisted land, bound by a curse that not even the strength of a dragon can break.

Jack wasn’t always this way. Long ago, he was someone grand, a prince by the name of Joseph, though not in line for any sort of throne. He was the spare of the spare, the unwanted and unneeded family member who was a risk to the true heir to the crown. He had to learn how to be strong and cunning to survive the castle politics, while at the same time he was overlooked and ignored by all.

Initially, Joseph tried all he could to earn favor with his family, to be loved by them, but no one cared. Because his family didn’t care about him, and he had no “purpose” in existing except as an obstacle to the heir to the throne, others often ignored him as well to not risk showing favor and appearing to side with him against the current forerunners to the crown. Acting out and creating mischief that the royal family couldn’t ignore was the only way for Joseph to get people to pay attention to him.

Unfortunately, Joseph pushed his luck one too many times. He ignored a family member’s warning that it would be best if he lived as a dead rat, forgotten and unseen. An assassin struck in the guise of a tutor during one of his lessons. He barely escaped, but uncovered a terrible truth. The family he always hoped might someday truly see him and love him had been behind the assassination attempt. How many members of his family were involved in the plot, he never knew for sure, but their indifference and disdain for him left him with no one he could trust.

The unwanted prince was then forced to flee the kingdom, never to return. Joseph lived as a wanderer, hiding his identity. He changed his appearance as much as he could, even stealing a potion from a wizard once. Sadly, the potion he stole could only change his hair from brown to blue, but it was better than nothing, and he quickly grew fond of the look.

Yes, blue hair is something natural in this setting. This is a fantasy world where dragons and magic exist after all. We can have people with anime hair and eye colors. ;3

The unwanted prince learned the ways of the world firsthand and took many names as he drifted along like the wind. No longer a spoiled prince, he learned how to put on a smile, to placate people instead of antagonize them. He was still alone, forced to be a wanderer until he was far, far away from his homeland, but eventually he tried to set up roots. There, he took a humble job as a jester for a noble, hoping that maybe he could find a new life, one where he could be seen and loved.

Fortune smiled on Jack, as more and more people came to watch his shows, and he earned the stage name of Sunny Day Jack. His performances with silly jokes and stories with sound moral lessons delighted the children. Nobility took notice of him, and he started to make real connections and a real life for himself in this distant land. The lord ruling over the country even eventually took notice of him, a rich and powerful ruler that could afford to throw plenty of gold this entertaining jester’s way… provided he was always entertaining.

Sadly, his good fortune was not to last. Jack got too much attention from the nobility, and a traveler familiar with his homeland took notice of how eerily similar the jester looked to the lost prince.

Word eventually got back to those who saw Prince Joseph, however unwanted and overlooked he may have been, as a risk that could not be accepted. His popularity, however frivolous, made certain people of power nervous that perhaps one day he might return and lay claim to the throne of his homeland.

It was during a performance that the world came crashing down around Sunny Day Jack. The lord that favored him and helped him most with his fame and acclaim had betrayed him to his homeland in exchange for more riches. The trap was sprung as Jack stood before a crowd of hundreds, a sudden accusation ringing out that he was a notorious criminal who had done several heinous acts while the knights of the land came at him in force to arrest him. He barely managed to escape, though not unscathed, his new life destroyed and forever sullied to all who knew his name.

This time the pursuers were relentless. Jack wasn’t known here as a prince in this foreign land. There was no one who would show even a token loyalty to his royal blood and aid him. He was now a heinous criminal, wanted dead or alive, with none willing to give him shelter. There was no way for him to use his former name or royal bloodline to gain assistance, as Prince Joseph was long since declared dead.

Jack was a clever man, and a clever man who has nothing left to lose is capable of anything, including mutually assured destruction. His time as a jester wasn’t spent as a simple fool. Though he tried to be sincere when forging his friendships, truly wanting a life of happiness where he could be loved for who he was, he had tasted betrayal once, and it cost him everything but his life. Sadly, he was prepared should this happen again. He learned how to be charming, and he used his appealing and kind nature to learn secrets that might help him one day.

One of these secrets Jack learned was of magic treasure that the lord’s family guarded and exploited for generations. He also learned of a few secret passages in the lord’s castle, which helped him to elude his pursuers. With nearly all the knights put to the task to capture or kill the escaped criminal, this left the castle vault’s security unusually lax. It granted him an opportunity that could save him, or damn them all.

There in the vault was one of a set of golden cuffs, the symbol and pride of the lord’s family, and the very thing that allowed them to take dominion over the land generations ago and rule to this day. These cuffs were said to possess a magic too powerful for any one person to control, so no one dared to wield more than one at a time, but the truth was that if anyone was foolish enough to do so, they would unleash a terrible curse that would doom the land. This was why they were kept separately, for the safety of everyone.

These cuffs have their own history to them, as a fae was tricked into creating them, a bargain for power and a price not yet paid, which was the reason behind their curse. I could ramble on about ideas I have for how they came to be, but their backstory doesn’t really matter to Jack… yet.

Betrayed, branded a criminal, his hopes for a new life dashed to pieces, and everything spiraling out of control, Jack managed to break into the vault and steal the golden cuff hidden there. Before word of the theft could spread, Jack repaid the lord for his betrayal, launching a surprise attack and stealing the other cuff before it could be used by the lord to fight back against him.

With the power of both of the golden cuffs, Jack defeated all the knights that came for him, but the power he used went out of control as the curse took hold. The power was too much for a human’s body to contain, so it changed him into a fierce creature that was made of magic, a dragon.

The land around him changed as well, the natural ley lines of magic in the land exploding out in all directions and birthing all sorts of monsters from cracks in the earth. It was chaos, and those that could fled. It was a terrible night of horrors so great that survivors who witnessed the apocalyptic destruction dared not speak of it. Over time, the plants in this tainted land grew strange from the saturation of magic, and what few animals that braved to remain in this twisted land were changed as well. The land, once prosperous and full of smiles and laughter, became a dark and foreboding place where humans refused to linger long, for fear that they too would be cursed and forever changed.

Years passed, and with the survivors refusing to speak of what happened, all traces of what happened the night the kingdom fell were lost to history. The name of the country was lost as well. The place was only known as the dark woods now, named for its twisted features and the heavy clouds that covered the land and hid it from the sun. Speculation of its creation sprang up over the years, the details growing more fanciful from storyteller to storyteller until it became only myths. The closest to the truth was that the fae had regained the land and turned it wild, which, in a way, they had when a clever but desperate prince turned fool unleashed the fae’s curse that had long been kept at bay.

What happened to that foolish prince? The curse kept him bound to the heart of the land, making it nearly impossible for him to stray far from the castle where he unleashed the curse. The more he struggled to escape, the more ways the curse would manifest to bind him to the land, chains erupting from the ground to hold him, thorns of an unnatural, cold substance blotting out the sky, monsters birthing from the land to hold him back and inflict pain on him until he could no longer fight back.

Jack had become a powerful dragon, but his power came from the very curse that turned the land into his own personal hell. His body was warped, a scaled monster with wings and horns, terrifying to behold. Those who saw him would flee his presence, save for those that tried to slay the beast that legend has it is the heart of the curse.

The dragon of the dark woods, unnamed and feared by all, was known as the master of the dark woods, dangerous and cunning. Adventurers that dare risk going into the cursed land for its materials rich in magic are wary of the great and powerful beast. Its scales gleamed of fire, its eyes spoke of endless hunger, and its power was unmatched. None could hope to slay this beast, and all who tried all failed, for only the curse itself is more powerful than the beast it created.

Despite it all, Jack struggled to hold onto his humanity. He read every book in the castle, every scroll and scrap of paper, desperate to learn the way to undo this curse he unleashed. Naturally, this was difficult for him to do with giant claws, but unfortunately for the former prince, he had nothing but time to learn how to use his altered body.

As the world forgot about the lost prince, the sunny jester, and the awful day an entire kingdom fell along with the names of all three, Jack started to forget his humanity bit by bit. He didn’t learn how to break the curse, but he did learn of other magical artifacts that had been gathered in the castle long ago, including an enchanted belt that would allow him to change his form into whatever he pleased. He used it to become a “human,” but by that point he didn’t quite remember what he used to look like. The passing years eroded his memory of humanity, and he had gotten used to his imposing dragon body. The result was a form that was a mishmash of both, a humanoid man with scales, a tail, wings, claws on his hands and feet, pointed ears and fangs, with horns and blue hair.

Jack might have started to forget things over the years of solitude, but he was at least certain that he had blue hair when he was still human.

Funny enough, no matter how large or small Jack became thanks to the magic of the belt, the golden cuffs remained fastened to his wrists. The curse wouldn’t allow them to be removed, only warp in size and shape to match whatever form his body took. Even if he were to, say, transform into a copy of a different person to fool someone, his golden cuffs would give away the ruse.

When Jack learned how to transform back into a “human,” he went through the motions of being a human in his empty castle filled with riches that were all but useless to him. He wore clothes again, even learned how to alter the fancy clothes left behind to suit his tastes. He learned how to cook the strange plants and animals of this cursed land. He no longer had any need to eat due to the magic of the land sustaining his flesh, but food still tasted good, and there was some satisfaction to be had from creating something. He kept himself sane with what hobbies he could, learning new things, but he could never learn how he could free himself from his lonely hell.

The presence of adventurers into the heart of his land was both a blessing and a curse. It was rare that it happened, and in fact it was several years after the land changed that anyone dared to venture into the dark woods for fear of being cursed for doing so. It was years more before they found its master at the heart of the cursed land.

At first, Jack was elated. He tried his best to be friendly, overly so, desperate for company and help, but this was before he found the belt that made him at least passably human. It had been so long since he had been around another human that he hadn’t tried to speak, and with his draconic muzzle, all that came out were terrible growls and unholy noises. The adventurers that found him only saw a great horned beast with claws and fangs, another monster to slay for materials, riches, and acclaim.

Jack never wanted to kill anyone. He learned to fight when he had to, though he tried to avoid killing if he could. Unfortunately, when he unleashed the curse, people perished in the chaos, much to his dismay. Though he tried to approach these adventurers peacefully, he would not allow them to cause him further suffering. His power was so great that it was difficult to hold back, so the damage he could cause was severe. He would let those who fought him live if he could, allowing them to flee, but none saw this as a mercy. He became a nightmare spoken in hushed whispers, a challenge for adventurers to overcome, rather than a lost soul desperate to be free.

In a twisted way, over time Jack started to look forward to anyone brave enough to venture into the heart of the dark woods, even if the result was always violence. It was always a rare thing due to the intense danger of the dark woods. Certainly, they would always try to kill him, but at least he got to spend time with another human being! Being alone messes with a person’s mind, especially for such a long time. Humans are pack animals not meant for solitude.

Sometimes these adventurers would leave stuff behind, and Jack kept them. Dragons have an instinct to horde, and the castle is already filled with treasure. Plus they were reminders that humans were still out there and that someday, hopefully, he’d join them as one of them once again.

Jack tried his best to learn how to talk with his new body, to sound friendly instead of fierce. Unfortunately, oftentimes he found himself getting the opposite result, the words coming out of his muzzle sounding strange and uncanny, which only added to the nightmarish legend of the master of the dark woods.

Every encounter with Jack was a battle more fierce than the last, and the dragon’s legend only grew. His attempts to follow after the humans who fled from him led to the land itself stopping him, and others would be caught in the crossfire. To Jack, the humans that came to visit him were his only hope, and he would struggle harder against the curse to escape, to be with them. This made the curse fight back even harder in more brutal ways, summoning worse monsters. Soon the heart of the dark woods was known as a hellish place, where the land itself would turn against you if you tried to escape its brutal master that hunted you relentlessly.

Over the years, humans adapted, as they often do. Adventurers learned to stick with the outer fringes of the dark woods to harvest materials. It was the least dangerous, relatively speaking, and what could be gained deeper in was not worth the cost, especially if they strayed to the heart of the land where its terrible master lay in wait for any poor soul to enter.

It’s been a long, long time since Jack has seen another human, and he’s slowly going insane from solitude. He does what he can to distract himself or escape, trying desperately to hold onto his humanity, but it erodes bit by bit with each passing year. Even gaining the ability to transform into a “human” form hasn’t stopped his ever steady decline into madness. He fears that one day he might lose his humanity completely and become the mindless monster that those who fought him believed him to be.

Perhaps all that Jack and the dark woods need to heal is a little bit of sunshine.

Beyond the Dark Woods

Outside the fringes of the cursed land, time marched on. Years went by, rulers came and went, borders changed as land was annexed or reverted to wilderness. A lot can happen over the decades, especially in a fantasy world filled with magic, monsters, and mischievous fae.

How long Jack was trapped alone in the dark woods is a mystery. Maybe it’s 40 years, or perhaps a lot longer than that.

Regardless, the homeland that once had a lost prince named Joseph is still around, a relatively stable country all things considered. In fact, it had grown over the years thanks to annexing land from other countries that had been weakened by the results of the curse. Monsters often wandered out of the dark woods, putting nearby villages in danger and impressing the need for more adventurers to cull the monsters that threatened human life. What was once a kingdom had grown into an empire, growing prosperous with its many strong knights and adventurers, though like any place, it had its own share of problems.

But enough politics, let’s get into the other characters, shall we?

MC is a knight, as demonstrated by the lovely Thea in Mars’ art. Well… they aspire to be a knight anyway. Bullshit politics have kept them as a squire to a knight of higher nobility since they were a teenager. It’s been over 10 years already! How much longer do they have to wait to become a knight? They’re sick of having to polish and shine Barry’s armor, and if they have to scrub his codpiece one more time…

Yup, Barry is a knight in this AU, though only technically. Nobility sometimes get granted a knight title for some reason or another, usually as a token to honor them and/or their families. These nobles usually  were just knights in name only, parading around as if they’re this grand figure when other knights did the real battling. They can play the hero without ever actually having to go into battle and send squires to do the menial work for them.

In a sense, Barry is a rich man who bought a title because it was cool, and he makes a big show of it. It’s pretty much a vanity project, and a way to increase his clout to maybe move up in the ranks of nobility. He has MC announce his presence grandly, something just as over the top as the greeting to Yogurtopia. Perhaps something like… “Announcing the great, honorable, and very handsome and still very single and looking for a bride, Sir Barry of [insert surname here].” Or something like that, maybe with his noble title thrown in there for good measure. Maybe he could insist his squire plays a horn first…

Man, even with a proclamation heralding Barry wherever he goes, no one is interested in him. He hasn’t had a date in way too long. Maybe he needs his armor to be polished a little brighter.

While MC isn’t Barry’s only squire, they are the one often left doing the work, as other squires slack off or wind up getting elevated to knight despite being younger than MC is. It’s understandably really, really frustrating for MC. They come from a lesser noble house, just barely above a commoner, so they’re an easy mark for any higher ranked noble to rub the power difference in their face.

Really, it’s all enough to make MC consider quitting to become an adventurer. Sure, adventurers are basically mercenaries for hire at the guild and the jobs can be infrequent, and money can be hard to come by, but… Ah, who are they kidding? The squire job might suck, but at least they get the security of steady pay, regular meals, a place to sleep, mild prestige, and they don’t have to go camping in the woods for days on end hunting some specific monster or harvesting a certain number of rare herbs.

Besides, MC admires the knights (aside from Barry). Their best friend became a knight a few years ago, lucky dog. Still, Shaun didn’t rub it in their face like the pal he is. Shaun looks so regal in his shiny silvery armor, even having it adorned with pretty badass etchings and other decorations. There’s a very feline feeling to it as well, since cat daddy has to be cat knight in this AU. Hey, I don’t make the rules.

…Oh, wait. :3c

Anyway, the other knights can be pretty cool as well. There’s this one knight who has been friendly, though MC doesn’t know his name yet. The guy acts strangely shy when they’re around, which is confusing to them. They’re just a squire after all, not a cool knight in studded leather armor like him.

Poor Nick has a crush on MC in this universe too and is pretty tongue tied around them. MC might still be a squire, but there’s just something about them that lights up a room. Their spirit isn’t crushed despite the fact that they should’ve been a knight years ago. He envies how easily Sir Shaun can chat with them.

Of course, Shaun is in the same boat as Nick, in that he also has a crush on MC and can be pretty clumsy with how he tries to express it. Still, in spite of this, he would have tried to see if they could be something more if not for a certain scandal that happened.

The reason why MC is still a squire, or at least one of the biggest reasons, is because of rumors that they were the secret lover of Prince Ian, the current heir to the throne.

Of course, given that MC is barely above a commoner, the idea of them getting together with the crown prince is scandalous. They got to know each other as children, with MC serving as a page to play with the young prince. When the queen caught wind that the prince saw them as anything more than a playmate in their teen years, their relationship got exceedingly strained.

Ian is in love with MC, and they felt the same, at least at one point. All the time they spent together while growing up led to fondness, then sweet first love. Unfortunately, they knew early on how their different stations meant that the chances of them being together were almost non-existent. This led to a lot of mutual pining, moments where they were tempted to act on their feelings, and some secret encounters between the two.

In spite of the queen’s interference separating them, MC and Ian saw each other in secret as much as they could. They started a forbidden romance together, and the two of them convinced themselves that maybe, somehow, they could defy the odds.

But the weight of the crown hangs heavy on the head. As Ian was swept up in his duties and the time he would be crowned as king drew ever closer, he had less and less time to spend with MC. His mother’s interference certainly didn’t help, especially since she was trying to get him engaged to a high ranked noble woman to ensure that he would be able to sire the next generation of royalty.

While yes this fantasy world is far more open with gender expression and loving others regardless of gender, nobles tend to be uptight when it comes to making sure their bloodline and power continues. Plus Ian’s mom is still abusive and controlling of her son in this universe too, and she uses not only religion to bully Ian but politics and duty as well. As queen, she has a lot more power too, and a lot more flying monkeys to spy on her son and interfere.

In a way, it’s lucky that the queen hasn’t decided that MC is a threat that must be entirely eliminated at all costs. No assassination plots… yet. Mostly it’s interference and petty revenge by forcing MC to remain a squire instead of a knight. She could throw MC out, but then how can she occasionally be petty if MC never comes to the palace? MC might be Barry’s squire, but everyone follows the queen’s orders, and a narcissist needs attention and others to bow down to them.

Unfortunately, the queen’s schemes did succeed. Ian, in a moment of weakness, fell for the seductive charms of one of his potential fiancees. He felt awful for betraying MC, to the point that he had to see them despite the risk of his mother catching them, so that he could confess what he had done and beg for forgiveness.

MC’s heart was broken, but what was worse was that it became a huge scandal. Someone had seen Ian’s confession and begging, and soon word spread like wildfire. Now everyone knew that they had secretly been lovers and that the prince was begging a mere squire for forgiveness. Ian’s reputation took a hit, while MC’s outright tanked due to the scandal, and things became much harder for them, and people have been keeping their distance from the squire that dared think they could become a future king’s consort.

Since then, MC has kept their distance from Ian as much as possible, and Ian, reluctantly, has given them space, knowing that he’s messed everything up for them. But… when he’s king, not even his mother will be able to stop them from being together. When he’s king, he’ll be able to fix everything. He just has to do what he can to make sure that happens. Then he and MC can finally be together in the open, stations be damned! Then he can truly make amends and be forgiven for what he’s done.

Shaun was there to support MC with their broken heart. While his becoming a knight has put a bit of distance between them, as he has more duties to attend to, including being sent away on missions for the country, he makes sure to keep in touch and meet up with them as best he can. Anyone who dares to say a bad word about MC in front of him is getting this cat’s claws.

Nick is no stranger to scandals. He’s basically the most popular knight in the realm, with countless admirers. Perhaps they could offer MC a word or two on how to deal with so much unwanted attention and rumors rumbling in the background.

A Squire’s Quest

Now, how does Jack factor into MC’s life without a compelling VHS tape to tie them together? Well, the instigating factor in this universe is that a thief made off with an important treasure, and Barry the knight was tasked with retrieving it. As Barry’s squire, MC was compelled to come with him to assist, which usually meant doing 99% of the work if there were no other squires with them at the time with Barry taking all the credit. But don’t worry, he only does it because he knows they’ll do a good job at it, and it just shows that they’re one step closer to becoming a true knight!

After traveling quite a ways, tracking down the thief (with MC doing most of the work picking up the trail in the first place), the pair realize that the thief went into the infamous dark woods.

Well, that’s not good. Sure there are areas that have been explored for materials, but still… the cursed land is quite dangerous. Barry decided that the best way to divide the work is for MC to continue to follow the thief’s trail, as they were better at tracking, and he, being much better at supervising and dealing with people, would see if anyone nearby could get information about what the thief might have been after, maybe set up a trap that MC could chase the thief into.

MC had to seriously consider their life choices up until this point, but if they quit now, that meant kissing goodbye to the stability they had going for them. Also, it’d probably bring dishonor to their name, maybe damage their lineage permanently, and so on and so forth.

Well, if they quit to become an adventurer, they’d have to do stupid things like trek through the dark woods anyway. Besides, the thief already stole a national treasure, which meant they weren’t stupid enough to go hunting for the invincible dragon guarding the heart of the forest, right? Sure there’s rumors that maybe the dragon guards the greatest treasure of all, but no way the thief is that dumb. No one’s actually ever seen any real treasure, or have a consensus on what the supposed greatest treasure is actually supposed to be.

After a hard internal debate, MC ultimately decides to brave the dark woods, tracking the thief stealthily. They may only be a squire, but they would probably be the greatest knight in the kingdom if not for politics. Their exact combat style is up to interpretation and personal preference, but they’re no stranger to slaying powerful monsters. They’re also used to Barry giving them unreasonable demands like this one.

And, hey, at least they’re not mortifying themselves by singing Barry’s praises when he enters a room while they’re busy with this stupid quest. That’s got to count for something, right?

Right?

Yeeeahh, okay, MC is obviously just lying to themselves and they know it, but damned if they do, damned if they don’t. They swear to themselves that they’ll only go as far as the hunting expeditions usually travel into the forest. If the thief really is stupid enough to go to the dragon’s lair, MC will just circle back and just tell Barry that the dragon probably just killed the thief, or something. No way they’re going to risk getting eaten by an unstoppable dragon.

These thoughts are a small comfort  as MC follows the thief’s trail. Occasionally they have to fight magic-tainted plants or monsters. Their skill shines despite the dark gloom of cursed woods. They even get some nice materials they can sell for some extra cash. Maybe being an adventurer wouldn’t be too bad a gig after all…

Just then the loud noise breaks the eerie calm. Some sort of explosion. Magic? Fireworks? Regardless of what it was, it riled up something. That something is big, nasty, and charging right at them! In fact, it’s a lot of somethings! A pack of creatures got aggravated, and MC is forced to run!

Now, was this a natural occurrence? A bit of misfortune? Did the thief make a false trail to trick MC into going on ahead while they secretly doubled back and used a small explosion to make the monsters go nuts on MC while they used the commotion as a cover to make their escape?

Perhaps. Perhaps. MC certainly isn’t in a situation to figure out which of these possibilities it was at the moment though, as they’re too busy running for their life, inwardly cursing Barry, the queen, the thief, and anyone else that annoyed them lately. If they knew they would die today, they wouldn’t have held back last week when that one jerk stole their cinnamon roll. They would’ve at least had the satisfaction of telling them off for it!

Sarcasm and sass are a good way to cope, but MC knows full well the gravity of their situation. They quickly lose the trail back the way they came, forced to do battle with creatures that are in their path while avoiding being overwhelmed by being so outnumbered. It’s only through a mixture of skill and sheer dumb luck that they manage to survive.

And by dumb luck, I mean that they fell into a catacomb through a ruined ceiling that was keeping it hidden underground.

Well, shit. From bad to worse, right?

Nothing for it, MC is forced to find a way out of the catacombs, then somehow find a way to leave the dark woods without another group of monsters going aggro on them.

Piece of cake. Noooo problem. They just have to avoid the castle at the center of the dark woods that the dragon supposedly uses as its lair, and they’re fine. An old crypt with some undead ready to pop out is better than an unstoppable dragon. Right?

As you may have guessed, MC is, in fact, going in the direction of our lonely dragon prince. Is it just bad luck? Is it some sort of intuition or instinct drawing them to Jack? Are they bound together by fate? Is it some sort of spell Jack has cast that compels humans to seek him out because it’s been forever since a human came by, and he’s desperate for both company and freedom? Maybe some combination of these things or something else entirely. Who’s to say~? It’s up to interpretation/personal headcanon~

In any case, MC is very taken aback when they meet Jack face to face for the first time, as is Jack really. It’s been so long since he’s seen someone. A part of him wonders if MC is actually real. When they get defensive and try to figure out who or what he is, he does his best to placate them, even if they might have their weapon out and ready for battle.

Jack puts his best foot forward, being friendly and welcoming. He invites MC to his home. They look exhausted and like they’ve had a hard time. MC isn’t exactly trusting this at face value, being very guarded about the whole exchange despite how cheerful and friendly this man with wings and horns is being. He’s also getting dangerously close. Should they try to use their weapon to ward him off, like Thea might have done with her sword, Jack is skilled enough in combat by this point to easily redirect her sword with his claws.

Oops, that put Thea off balance. Don’t worry, her new pal Jack is quick to catch her before she takes a tumble.

“Careful, we wouldn’t want you getting hurt, would we?” Jack said, his tone playful.

Despite MC’s skills, they are hopelessly outmatched by Jack. He has far more experience with combat, and he has the insane powers that the curse granted him.

Of course, MC is pretty quick to put together that Jack is the invincible dragon that rules the dark woods, which means that they’re utterly screwed. Strangely enough, Jack isn’t really acting like the monster people whisper about. It’s almost enough to make MC wonder if they aren’t mistaken, but the dragon features and his overwhelming strength kind of gives it away. The fact that Jack brings MC back to his castle pretty much seals the deal.

So MC is stuck as a guest with Jack. The dark woods are too dangerous for humans to wander around alone, especially at the heart of the forest. He’s curious about MC and why they would take such a risk, very concerned by their recklessness. Why were they there?

It’s an awkward situation, but MC has no choice but to play along. How much they resist or comply depends on the MC. I figure Jack indulges even a very resistant MC due to how lonely he’s been. He can easily disarm any attempts to attack him or thwart them from getting away, so they pose no threat. He has all the time in the world to convince MC to lower their guard.

And Jack is just so… so nice. It’s hard not to find him charming. He seems so concerned about MC, and they’ve been having such a hard time with, well… everything. The castle, despite being old, has been maintained decently well. The rooms are decorated so nicely, filled with clothes for them to wear, and the food Jack makes is fantastic. Holy crap, his cooking is out of this world!

Really, the longer MC stays there, the more it seems like there’s nothing Jack can’t do, and their stay is kind of like a vacation in ways. Given how much time he’s had to teach himself new things, it’s no wonder he has become something of a jack-of-all-trades.

I make no apologies for that pun.

Here then comes the classic conundrum when it comes to Jack - does MC fall for his charms, or remain suspicious and hold him at arm’s length? They’ve been feeling pretty lonely and beaten down by life for a while now, and Jack seems almost too good to be true. It’s not like he’s keeping them captive, but they’re in the heart of the dark woods. Outside this castle are some of the worst, most dangerous monsters imaginable. Jack can protect MC if they stay there in the castle with him, but he can’t go very far from the castle, so he can’t help them leave the woods. That is why he’s keeping them from leaving the castle. You know, aside from not wanting to lose the only company he’s had in so many years.

Jack is right about the danger, unfortunately. Whether MC tries to slip away from the castle or just scopes out the surroundings via a window, they find that it’s surrounded by monsters far too dangerous for them to handle alone. There’s no way they could make it, and if they tried, they’d only survive thanks to Jack coming to their rescue.

Of course, Jack acknowledges that MC is powerful. He saw them try to attack him if he did, or he just can tell in simply because they made it all this way on their own. It’s just, well, there’s only so much anyone can do on their own. Sometimes we all need a friend to help us out.

If Jack could leave, then he could help MC leave too, but he’s stuck in the castle. He’s been there for such a long, long time.

Whether his tragic plight is enough to make MC sympathize is, of course, up to the individual. I do know my gal Alice is going to want to help him after hearing him out. Being trapped in this awful place by a curse is a fate she wouldn’t wish on anybody.

Not to mention helping Jack would help MC leave the dark woods. There’s no threat he can’t handle after all. They’d be getting their own personal dragon bodyguard.

Perhaps with a pair of fresh eyes and more knowledge of the state of the world, MC will have better luck figuring out how to free Jack from the curse. Maybe they’ll just play along to not upset their super powerful host so they can escape. It would certainly take time for MC to really trust Jack, even if he seems so friendly and kind… and, they have to admit, this place is lonely and very unsettling for anyone to stay in, even if Jack has tried his best to make it look nice. It’s certainly creepy to be alone here in the heart of the dark woods. The castle is better than the woods full of monsters, but still…

Anyway, the interactions between MC and Jack are up to the individual to decide. Romance the dragon, or flee from the dragon in the end. Being stuck together can bring a sort of fondness, and Jack falls in love. It makes him determined to never lose MC, ever, so he falls down the yandere path, which can lead to some pretty obsessive moments depending on the choices made.

As for the alternate love interests, after Ian receives word that MC disappeared in the dark woods, he sends knights on a quest to find and rescue them, despite the queen’s interference. This of course includes Shaun and Nick, who are the first to volunteer for the rescue mission. Despite the queen’s meddling, not wanting to waste manpower on a thorn in her side, Ian finally takes a stand against his mother for the sake of MC and their love, and the expedition is sent.

Unbeknownst to the knights, Ian sneaks along with them in disguise. He can’t just sit back and wait while MC is in danger. He can’t let them down a second time. He’ll prove to them, and himself, that he’s truly worthy of their love.

From there it’s trials and tribulations of the guys trying to rescue MC from the dragon… provided that MC still wants to be rescued by the time the guys reach the castle.

Really, in order for all of the love interests to spend time with MC and interact, perhaps Jack will be brought back with them somehow, like he found a loophole in the curse or a way to bind him to MC. That way, Jack can leave the forest, so long as it’s with MC, with the added bonus that he can’t stay too far away from his sunshine. It’d create something of a dynamic similar to the game, only in this case everyone can see Jack and learn that he’s an incredibly dangerous dragon that has the power to kill all of them if he so chooses. Not that he would ever! He’s MC’s best friend after all. He just wants to protect his sunshine.

Though chances are MC will want to hide the whole “dragon” thing if they decide to leave with Jack. Maybe coach him on how to better pass for a human. Best not to scare people, am I right?

Or this AU could just stick in the castle where MC chooses to either romance the dragon or flee the dragon. I know which one Alice is going to choose, regardless if they stay in the castle or go back to civilization.

On that note, let’s get to the part that I suspect you’ve all been really waiting for.

(S)laying the Dragon

With Jack being a mythical creature, that offers possibilities for a very kinky fun time. There’s his obvious features like his sharp teeth and claws, but there’s also those long pointy ears that are perfect for nibbling, and maybe offering a bit of emotional expression in the way they tilt. Then, of course, there’s the tail and wings, perfect to wrap around his sunshine. He’s got even more limbs to hold them close!

Now… dragon anatomy is pretty much whatever we want it to be. Bad Dragon has the name for a reason after all. Want dragons to have two dicks similar to snakes? Go for it. He could still have that while he’s in his “human” form too. In fact, with a belt that allows him to change his shape, he could alter himself in very fun ways. A funky fantasy dick with ridges and/or bumps? Perhaps some tentacles anybody?

I mean, Jack has been alone for a long, long time. He’s only had himself to entertain and experiment with. He might have some very kinky tricks that no one has ever tried before.

To be fair, the tail is probably prehensile, so it might be able to be used like a tentacle for sexy times. He might not even need a second dick to plug up all of MC’s holes at once.

Dragons tend to have long tongues, so french kissing Jack is going to be intense, especially if it’s forked too. Then of course there’s oral. Naturally, he’ll be careful with those sharp teeth of his. Well, unless MC is into something a little rougher. Jack doesn’t want to hurt his sunshine (humans are so fragile after all), but if they like a little pain, well, their good old pal Jack will oblige them!

In my personal fantasy headcanons, pointy ears and the base of wings and tails are sensitive erogenous zones. Nibble on Jack’s ears, please! Preen his wings and make him feel loved and cared for. Rub at the base of his tail, and he’ll get hard instantly.

The scales might be harder than armor, but they’re nice and smooth, and have a nice feel. Jack has some control on just how hard or soft his body is at a time due to the belt’s power. Unless otherwise requested, Jack is very gentle with his sunshine, worried about going too rough due to how easy it was for him to hurt others.

Of course… Jack is also so desperately lonely and horny. MC’s presence has been his only bright spot in so long, and he loves them so much. When they love him too… well, it was already so hard for him to hold himself back. It wouldn’t be that difficult to rile him up and make him start to lose control, struggling to hold back his power even as he tosses MC around and takes them.

Naturally, many of my personal sexy headcanons for Jack apply in this AU. This includes a breeding/seeding kink. It’s a bit more pronounced here. If MC has his child then they’ll never ever leave him after all, and they’ll be bound together forever and ever and ever. Even if a child is off the table, the act of breeding/seeding alone is enticing, making them beg him to take them and fill them up with his hot cum is something that he fantasizes about often.

Of course, Jack doesn’t simply want sex with MC, he wants to make love. They make him feel truly loved for the first time in forever. Did he ever feel so loved before? He wants to experience their love in every way he can, fill them up with it until he’s a part of them forever.

Jack won’t ever force his sunshine, no matter how desperate he is for their love or to make love. He’ll go crazy with need, but always hold himself back if they need him to. As long as they love him, he can take care of himself sexually like he always has. He’s just been so empty, alone, and unloved for so long. MC fills them up with love in a way that he can’t live without anymore.

Naturally, when the pair do start making love, Jack can’t get enough, and his stamina is insane. MC is without a doubt going to be the one passing out first after they’ve been fucked senseless with Jack thrusting inside them, babbling how much he loves them and how good they make him feel. The more they go on, the more feral for their love Jack becomes. He’s needed his sunshine so, so badly, and now that he has them and their love, he can’t live without them anymore.

Of course, with a dragon AU and a shapeshifting ability, you can get really creative. For one thing there’s his full dragon form, which would be a giant compared to MC. Size difference anyone? Plus the exact details of how Jack looks in his dragon form could offer interesting possibilities of its own.

Then of course there’s even more furry-related kinks like oviposition or stuff like that. It's not for me personally, but I can imagine Jack would be open to experimentation and indulging in MC’s kinks, even the more outrageous ones. After all, it’s all just more ways to show just how much he loves his sunshine~

You best believe Jack has a predplay kink in this universe. He can smell MC and track them down easily. If that doesn’t work, there’s all sorts of magic he’s learned over the years that can do the trick. Of course he doesn’t want to scare MC, but when it’s good fun, it can lead to a delightfully spicy time~

While I’m on the topic of Jack smelling MC, he is addicted to their scent. The smell of their pheromones easily riles him up, practically sending him into rut like an alpha from Omegaverse!

Naturally, since Jack is a dragon, he has a horde. The castle was loaded with treasure, and it is pretty and shiny. It looks nice all piled together, maybe even neatly decorated. No doubt he’ll want to make love to his sunshine atop a pile of shiny gold coins and jewels, though he’ll make sure that he’s on the bottom so they don’t get jabbed by the hard edges… unless they’d like that, of course.

Of course, the true treasure Jack is hoarding in his lair would be MC. Gold and jewels are nice, but they don’t hold a candle to the love of his sunshine~

Wow. I think this is the longest headcanon post I’ve ever made while sticking with neutral MCs for the most part. I think I’m long overdue to shamelessly self-indulge with my OTP. Let’s see how Alice’s choices will affect this AU and how events unfold, shall we?

Lady Alice of House Rose

Naturally, Alice can’t have the surname of King in a setting like this, so I’m going to use her middle name as the house name.

Fun fact, Rose is the middle name for Barbie and Coraline too!

Yes, that means Barbie’s full name is Barbara Anne Rose King.

Yes. Yes, that pun was indeed intentional.

No, I will not apologize. Her name was picked to be a pun in the first place after all. ;3

Anyway, back to Alice. Being the eldest child, she has the responsibility to elevate the status of her household. Not only are they barely nobility, but their finances aren’t in the best shape. She needs money to help her family, and the honor of being a knight in hopes of gaining a better title.

It’s a shame that the queen doesn’t care for Alice and she’s been stuck as a squire way longer than is reasonable.

Alice knew that it would be impossible for her to marry a prince like Ian, no matter how kind he was, or how close they were. She couldn’t avoid falling for him though. It made her more determined to earn a better title, to make something of herself and earn acclaim. Maybe if she became the greatest knight in the kingdom, maybe she can prove herself worthy of royal consort and be with Ian as his wife one day.

Alice busted her ass trying to be a knight despite all the rough training and being forced to work menial, often degrading tasks as a squire. The weapons she specializes in are the bow and magic, combining the two to devastating effect. She’s also very good at keeping quiet and being stealthy.

In this universe, Alice never had sex with Ian. Although this fantasy setting is more open about sex before marriage, the gap between her and Ian was so wide, she didn’t want to risk doing anything that might ruin their chances of being together. That’s why finding out he cheated broke her heart, regardless of them being physically intimate together. Worse, his outburst when he begged her for forgiveness made it sound like they had been sleeping together to those who overheard, and the rumors were very unkind to the two of them, Alice especially.

Ian cheating proved to Alice that she was only fooling herself that they could be together. Their worlds were too far apart. Ian was to be king someday and she… well, maybe she’ll reach the title of Baroness. Though Ian begged for forgiveness, and Alice gave it to him, she couldn’t go back to the way they were. Advice from Shaun and others helped her see that it was best for everyone involved that she simply remain as the loyal (future) knight and Prince Ian as only her liege.

Let’s skip ahead to the mission to catch the thief in the dark woods. Alice’s best means of combat is the stealth kill. She sneaks quietly, sets up magic traps, fires arrows when the enemy is unaware, and in general takes her time to take her enemy at her own advantage. She actually works pretty well as a solo fighter due to being so stealthy. Though she is good at hand to hand combat if need be, she prefers to strike before her enemy realizes she’s there, and she’s amazing at her skills. Why, if she put her mind to it, she could be a skilled assassin. (Or in another world, a sniper.)

The horde of monsters the thief set off to charge after Alice was almost her undoing. By the time she fell into the catacombs, she passed out from exhaustion, having drained her mana dry. She might have been doomed if a monster came upon her then, but fortunately the master of the dark woods found her in time.

Alice was pretty darn shocked to wake up in a surprisingly fluffy bed, with her armor removed. Not all of it fortunately. She had her modesty protected and her softer clothes still on, but the uncomfortable hard outer plates were removed so that she could sleep peacefully. Jack was apologetic about removing any part of her clothes without asking, even blushing about it, but he didn’t want her to be uncomfortable while she recovered.

Needless to say, Alice is wary of Jack at first, but he did save her life. She does piece together that he’s the dragon pretty quickly and is naturally wary, deciding that the best course of action is to rest up, heal, and carefully get information from the legendary master of the dark woods.

The rumors and legends are so varied, it’s hard to know what exactly is the truth. The dragon of the dark woods doesn’t even have a name, and some of the tales are clearly exaggerations. Since Jack is showing himself to be surprisingly friendly, and he saved Alice from certain death, she decided to trust him… at least enough to remain civil and learn more about him, the castle, and the dark woods.

After asking many questions and getting as much information as Jack can give her (though much of it is confusing due to how rusty he is with socializing), Alice agrees to help him find a way to break his curse. She’s taking a risk, but if she leaves the castle on her own, she’ll die. If she stays, she can keep an eye on Jack to see if he’s really as good and gentle as he presents himself to be. If she has to, she’ll find a way to escape without him if she gets the sense that he’s using her to escape the forest in order to conquer the world or something.

Being very good at sneaking, Alice does slip away to search around the castle for answers on her own as much as possible. However, Jack can’t stand the idea of losing track of her, and all it took was one time of losing track of her for him to leave a magic tracker on her discreetly so he can find her wherever she goes - for her own safety of course! He can’t stand to be far from her. He has to give her time to herself, since if he leaves her with no privacy she won’t trust him, but it’s so hard to stay away. He’s so lonely.

At first Jack’s feelings for Alice are platonic, just a lonely man in desperate need of friendship, but over the time they spend together, getting to know one another, he falls in love and falls hard. Alice, naturally, takes much longer to fall after her relationship with Ian fell apart. At first, Jack is someone she can’t quite trust because he’s a stranger, then she is cautious because he’s a powerful dragon with many unflattering legends about the monster that he is, then it’s concern for the power imbalance between them… but eventually she sees that he’s just a lonely, sweet dork who just wants a friend.

Of course, Alice won’t realize he wants much more than friendship until later. Jack doesn’t want to scare her away after all.

I don’t think Shaun, Nick, and Ian are just going to sit back and wait long to try and find her, but I want to give Alice and Jack plenty of alone time, so I’m going to go with the idea that when humans come deep into the heart of the woods, at first Jack is excited. More friends! Then he becomes fearful when he realizes they’re looking for Alice. They want to take his sunshine away. She’ll leave him, forever!

Well, that won’t do. Jack doesn’t want to hurt them, but he can just make it difficult to find the castle. Maybe use the power of the cursed land to rearrange the forest when the search party isn’t looking, mix them up so that they find themselves suddenly outside the woods. Jack might not be able to leave due to the curse, but he’s not known as master of the dark woods for nothing. He can wield the golden cuffs’ power however he likes, just he can never leave.

Jack just needs to divert them long enough that they give up and leave, or he can find a way to escape with his sunshine’s help. Alice knows many interesting spells, being very creative with magic in ways that he never thought of before, and she knows of things that he doesn’t due to coming from outside the woods. With her help, he is able to figure out a way to free himself from his imprisonment… provided that he remains close to his sunshine. It’s more of a change in the curse than an actual cure for it, but it’s a vast improvement! He can leave the dark woods! Finally! At long last! He can converse with more people! He can make friends! He won’t have to be left alone and forgotten in the dark anymore!

Of course, Alice helps Jack prepare to be around people by helping him refine his “human” form. People aren’t going to understand that the deadly dragon of the dark woods is really just a sweet marshmallow, practically a giant cuddly puppy in human-ish form! When Jack can master looking properly human, they can come up with a cover story that he was a wanderer that found her lost in the woods and helped her until she could get back home. It’s not a lie technically. He used to be a wanderer after all, and everything else is true. He’s been nothing but helpful to his sunshine~

So Alice has to hide the secret of her new dragon friend, who has made it his mission to win her heart. Jack is willing to wait for her to be ready to love him the way that he loves her, even if the wait drives him crazy, but he’s very territorial, not liking the way the other guys look at her. However, Alice does notice his more possessive behaviors even as he tries to remain subtle about them, and she makes sure to keep her new “pet” dragon on a tight leash. Jack is fine with that so long as it means he’ll stay close to his sunshine.

I’m going to say that the change to the curse to bind them together does cause an empathy connection because I really love empath magic. Plus, allowing the pair to feel each other’s emotions and even pleasure and pain is very intimate. When Alice realizes they now can sense each other’s pain as a result of what she did, Jack makes it clear that he’ll do whatever it takes to keep her safe so that she won’t have to experience any pain. He’ll promises to protect her for the rest of his life.

Of course, such a declaration leaves Alice feeling rather flustered. ;3

Overall, it is a bit more of a slow burn than Sunshine in Hell, but eventually the two of them fall in love, much to the dismay of the rest of the male leads.

Naturally love will overcome the curse, because I am an absolute sucker for happy endings. Jack and Alice will find a way to break the curse and remain together so they can live happily ever after. And make love like rabbits hopped up on viagra.

No, I won’t apologize for that pun either.

It won’t come too easily, of course. There’s plenty of people who aren’t going to be keen to immediately trust Jack, and not just the male leads. He came from out of nowhere, with no known background. Alice’s family is certainly going to be concerned by the stranger that waltzed into her life after her heart was already broken by Ian, especially since by the time they meet Jack, she’s already shown signs of crushing on him. The family is going to need to make sure that this new guy is worth potential heartbreak.

Then of course there’s the whole political aspect of things. This country used to be the very kingdom that Joseph was chased out of many, many years ago. The lost prince is a story that could be uncovered to potentially explosive results.

Why, if Jack had the mind to, he could take back the throne and rule the kingdom that once chased him away… with his sunshine ruling by his side after all.

Will that happen with Alice? Maybe. Maybe she’ll actually become a queen after all, or maybe she’ll just live a simple life with Jack who doesn’t let on that he’s powerful enough to level the whole kingdom. After all, all he truly wants is to be loved, and Alice is sure to give Jack all the love he could ever ask for.

Perhaps that love will wind up with a lot of adorable half-dragon babies running around. Though they could be fully human if Jack does become a human after the curse breaks. I kind of like the idea that Jack is freed of the curse, but he is still a powerful dragon and can still use the belt to have fun with his shape. Plus baby dragons are the cutest and the idea of Jack and Alice’s kids being little dragons with tiny wings and cute pointy ears heals my soul.

…Holy crap this ramble went on for 26 pages. That’s over 11,000 words according to google doc! This must be my longest ramble yet, and that’s saying something! Well, I suppose that’s what happens when a dragon lover makes a dragon AU, haha. Fantasy has always been my jam, and I love playing with magical elements.

Anyway, I’m going to take that as a cue to wrap things up here for now. Let me know what you think about this AU and if you want to hear more about anything in particular. Also, let me know if this post inspires you to create anything of your own and please share it with me! I love it that we can inspire one another to create in this fandom, just like Mars’ lovely art inspired me. I hope I’ve given you a few new fun ideas to play with. Thanks for reading this far!

@channydraws @earthgirlaesthetic @sai-of-the-7-stars @cheriihoney @illary-kore @okamiliqueur