#Synth-punk

[gothlisteningclub]

Goth Listening Club Day #85:

Youth Code - An Overture

"Aggressive, political industrial/EBM/digital hardcore"

LISTEN ON: YOUTUBE / SPOTIFY / APPLE MUSIC

[haveyoulistenedtothisalbum-poll]

Tracklist:

Rocket USA • Rock N' Roll (Is Killing My Life) • Ghost Rider • Dream Baby Dream • Sweet White Lady • Harlem

Spotify ♪ Bandcamp ♪ YouTube

[bedroom-kingdom]

A new divide Returning A wake-up from The old spring And I'm feeling very strange now, strange now And it’s feeling like a crack in the self, crack in the self And it’s getting very different now all the time And we’re gonna shout it out of blue, whole and new We saw our fates We’re burning Through space and time With knowledge sings And I'm feeling very strange now, strange now And it’s feeling like a crack in the self, crack in the self And it’s getting very different now all the time And we’re gonna shout it out of blue, whole and new Back to the old land Back to the old land Old land, Old land Old land Old land Old land Old land Old land

New Ways by CC Dust on Shinkansen No.1 / New Ways

2016, United States

[weirdomusicforever]

N8NOFACE. Polaroids: WMF, 2024

[burlveneer-music]

Bound By Endogamy - s/t LP - synth-punk from Switzerland

Geneva-based duo Bound By Endogamy delivers a heavy blend of rave, synth-punk, and industrial music. Shlomo Balexert and Kleio Thomaïdes are both prominent figures in the local squat and punk scene, having been involved in numerous projects over the past decade. Following several cassette releases and a remarkable debut 7'' on Lux Records, the band presents a self-titled album that combines raw, growling basslines, crisp analog rhythms, and passionate vocals ranging from breathy to fiercely cutting. On stage, the project consists of drums, a sampler, and vocals. Shlomo handles the drums alongside sharp synthesizers, while Kleio delivers powerful vocals reminiscent of a professional boxer. Expect a fusion of DAF and Kleenex with a hardcore edge. Junktion Rivers was previously released on LUX REC :)

[reckonslepoisson]

Abomination, Lynks (2024)

On full-length debut Abomination, it’s clear just how much Lynks suited the shorter format of an EP or single; in those snapshot releases they revealed a fleeting and mysterious insight into (what felt like) an ungraspable, multifaceted enigma. A lengthier release, instead of revealing a more complex and intriguing artist, instead shows too much. Much of Abomination is one-dimensional and formulaic, revealing that Lynks’ dichotomies and paradoxes and general schtick aren’t so teeming with guile and nuance but instead pretty goofy. 

Pick: ‘Use It Or Lose It’

[kdo-three]

The Normal - T.V.O.D. (1978) Daniel Miller from: "T.V.O.D." / "Warm Leatherette" (7" Single)

Electronic | Synth-Punk | Post-Punk

JukeHostUK (left click = play) (320kbps)

Personnel: Daniel Miller: Vocals / Instrumentation

Produced by Daniel Miller

Recorded: @ David Miller's Apartment in London, England UK

Released May 5, 1978

Mute Records ((UK) Sire Records (US)

♪♪♪ ♪♪♪ ♪♪♪

Tell a Vision

[yellowsnow77]

The Serfs - Half Eaten By Dogs

Me gustan los grupos que se atreven a probar caminos musicales diferentes. Incluso aunque el experimento no sea del todo satisfactorio y la experimentación no termine de cuajar del todo. Porque, al menos, nos encontramos con una banda con ganas de innovar. Y eso siempre es un punto a favor. Comento esto porque la propuesta de The Serfs es difícil de clasificar y a mucha gente le puede tirar para…

[psitrend]

Tulipomania releases Absolution album inspired by Jeff VanderMeer

Tulipomania Releases Absolution Album and Collaborates with Jeff VanderMeer Philadelphia-based duo Tulipomania has released their sixth album, Absolution, through Sursumcorda Records. The project aligns with the publication of Absolution, the latest novel by bestselling author Jeff VanderMeer, marking a collaboration that intertwines music and speculative fiction. The album is available on CD,…

[splintersofsparks]

Cumgirl8 - Ahhhh!hhhh! (2024)

[music-i-reallylike]

Yeah Yeah Yeahs - It's Blitz!

A childhood memory that I always associate with this album is hearing Skeletons through crappy airplane headphones on a flight to visit my home country. The song felt so out-of-place with the rest of the songs on the playlist, which is what drew me to it so strongly. Karen O's crooning vocal melodies, which are present throughout the whole album, is encapsulated in melancholic synths and marching drums. The rest of the album features the same sweeping vocals paired with a myriad of genres, from the disco rock of "Zero" and "Heads Will Roll", to the softer instrumentals of "Soft Shock" and "Hysteric".

Favourites:

Zero

Heads Will Roll

Soft Shock

Skeletons

Dull Life

Shame and Fortune

Runaway

Hysteric

All of the acoustic tracks

Faces

[restwaerme]

i am the fly - pattern/function 12″

6-track vinyl, semifast synth-punk. great but not very varied though.

silkscreen cover

[logansgaar]

the gross mischaracterisation of Steve Harrington's music taste is an unbearable crime goddamnit, this man has never even heard a pop song in his life! All the music he plays is either rock, new wave or indie music, we see this at his party and so the music playing in his car (which you can find lists of on what-song and similar sites).

someone on reddit noticed Steve is also wearing an outfit identical to one Freddie Mercury wore the same year season 4 is set. In fact, Steve regularly dresses similarly to Freddie Mercury, the more I look the more I see there's definitely influences of Freddie's casual fashion (not his show looks) in Steve's style; some of them, like the yellow jumper look the redditor noticed, are almost like for like. Why is this unusual? Maybe because Queen had tanked in America at the time, America's radio stations found them insulting in fact, so it's a big deal that Steve had Queen playing in his car, it means it wasn't on the radio by chance... he owned a copy himself

I'll have to rewatch but I'm pretty sure the only times Steve has mainstream 80s disco, dance or synth pop anywhere near him it's either someone else's party he's a guest at, and therefore has no say in the music, or he's referencing it to make fun of it (ie Tammy Thompson, and even then it was still pop rock).

Steve is a rock, by the looks of it mostly British bands too, I wouldn't be surprised if he knows The Clash just as well as Jonathan does and it's time people realize that and respect it

(edit: my dumbass misread post-punk as punk, feel free to throw rocks)

Stop making his Vecna songs disco, synth pop music and make it something he's actually shown to listen to

[egophiliac]

oh no, I love them

(super quick doodles done between other stuff, there will be better things later I promise :')

[burlveneer-music]

OSEES - SORCS 80 - John Dwyer switches from guitar to sampler and makes a synth-punk album; tenor & bari saxes add skronk

JOHN DWYER SAMPLER EFFECTS VOCALS TOM DOLAS SAMPLER EFFECTS TIM HELLMAN BASS DAN RINCON DRUMS PAUL QUATTRONE DRUMS CANSAFIS FOOTE BARITONE SAX BRAD CAULKINS TENOR SAX