#Sydney's Leading Institutional

[reasonsforhope]

In 2016, when the Revolutionary Armed Forces of Colombia (FARC) signed a peace agreement with the Colombian government, scientists realized that the rainforests, mountains, and savannahs, out of which the FARC waged a 50-year guerrilla war, and which were counted among the most biodiverse and least-explored places on earth, were suddenly safe to explore.

In Colombia, a few biologists who longed to journey to the heart of these places also saw them as the perfect way to bring 14,000 former guerrillas back into society in a meaningful way that would benefit not only them, but the country’s stunning biodiversity.

Colombia is often referred to as the world’s most biodiverse country. Although this is a hard thing to designate since many species around the world of all kinds remain undiscovered, she does lay claim to the most bird species anywhere on earth – both endemic and migratory.

Who better to help protect Colombia’s wild spaces than those who know them best, thought Jaime Góngora, a wildlife geneticist at the University of Sydney but who is originally from Colombia.

Góngora now leads a group of researchers from the United Kingdom, Australia, and 10 different Colombian scientific institutions in a program to train ex‑guerrillas to study Colombia’s native plants and animals, which to date has uncovered nearly 100 previously-unknown species.

Peace with Nature

Peace with Nature is the result of these scientists working together with guerillas to help protect Colombia’s biodiversity and aid in the post-conflict situation for thousands of people, 84% of whom, according to Góngora, are interested in pursuing, of all things, river habitat restoration as their post-conflict career path.

Góngora and his colleagues are only too happy to help, and Peace with Nature began hosting citizen scientist workshops to help train eager folks how to find, identify, catalogue, and study wild plants, insects, birds, amphibians, and more.

The preparation work was long and hard – between 15 and 18 months according to Góngora...

“In some of the workshops, we have the presence of the police and military forces along with the ex-combatants,” explains Góngora. “I think what has surprised me most is the opportunity that biodiversity offers for reconciliation and healing after an armed conflict. These workshops have been spaces for a respectful dialogue about biodiversity and nature.”"

-via World at Large, 7/13/20

Note: Video is half in English, half in Spanish. Spanish subtitles for English parts only.

[multidimensionalguidance]

Anuradha - The Bridge To All Paths Pt.2

Services

As mentioned in the first part, the light aspects of Anuradha are almost always easy to identify through films or by paying attention to the major themes in their life. Now, with all Scorpios there is always a much darker side despite the already observable shadows.

Scorpio placements always carry an intense and intimidating aura, yet out of all the nakshatras the one that carries the most harsh attitude and presence is Vishakha ruled by a male tiger. Both Anuradha and Jyeshtha are ruled by the deer, which makes them more skittish, sensitive, and paranoid.

An observation was made by a fellow astrology account "v1rginldy" on Twitter, and I wanted to expand further on it because it speaks volumes of this nakshatra. They pointed out how there seems to be a connection between Anuradha and demonic possessions, specifically in a context with nuns or women getting pregnant by evil forces.

Anuradha is the only female yoni nakshatra among the others, so perhaps this is why there is such an association with gestation and birth. The corruption comes in from the shadow that speaks and lures in Scorpio placements.

All Scorpios seek power in some way, and in this nakshatra they attempt to obtain it by becoming devoted and subservient to a goal or individual that can give them the authority they seek. Their much softer, innocent, gentle, and servicing nature makes them an easy target.

There seems to be a pattern of young girls who wish to devote their love and energy to God, divinity, or a mystical force yet get deceived to unwillingly participate in dark rituals. They are used as a vessel who is willing to sacrifice anything in order to achieve what they consider to be their inner purpose.

Sydney Sweeney from "Immaculate" plays a young novice nun, who basically ends up getting possessed, lied to, and manipulated to carry the antichrist. She has her Ascendant in Anuradha.

Nell Tiger Free from "The First Omen" plays a young woman who is also a young nun that is selected to bring about the birth of evil incarnate. She has her Moon in Anuradha.

Juliet Mills from "Beyond the Door (1974 film)" has Sun in Anuradha and played the role of a young pregnant woman in San Francisco who is going to have the devil's baby during her strange possession.

Laurel Vail in Delivery: The Beast Within has Moon in Anuradha and plays as a young couple documenting their first pregnancy for a new TV show discover that a malevolent entity has taken control of their unborn child.

Laura Harris from The Calling (2000) has Sun-Mercury in Anuradha and also plays as a young woman who has her child under abnormal circumstances. She pieces together clues that lead to one conclusion, her son is the Antichrist.

It seems that the pure intention and services of these natives are often misused by those who have hidden agendas. They push the narrative to Anuradha natives that suffering for love is the ultimate expression of devotion.

This is why the long term alliances they choose to make are essential not just for their future, but safety. It is the guidance and protection of those who are their partner/s, friends, family, and even coworkers that keep ill willed individuals at bay.

The nun and religious associations are very interesting considering that their whole life journey is about devotion to a higher calling, and it is the corruption within these institutions that take advantage of their natural gifts.

Hope y'll enjoyed these observations, and if I encounter more patterns with this nakshatra, I'll be continuing further.

[micewithknives]

Top 5 archaeological sites in Australia that you feel people should know more about? Or top 5 Australian artefacts?

I feel like I’ve talked a bit about artefacts in a few recent asks, and also I feel like a lot of Australian archaeology (and as such, sites) are very underrated, particularly on a global scale. Its often acknowledged in Australian archaeology that getting international academia to recognise the importance of our country’s archaeology is very very difficult.

While there’s a million and one sites I’d love to talk about, I’m going to TRY and give sites that relate to different aspects and locations

This is probably going to be long, so...

1. Nauwalabila, Madjedbebe (Malakunanja II), and the Deaf Adder Gorge region, Northern Territory (Aboriginal)

Rock shelters in this region, and specifically Madjedbebe, are currently the oldest location of human habitation in Australia. Dating evidence from 2017 excavations provided an estimate of earliest occupation of 50 000 years at certainty, possibly extending back as early as 65 000 (+/-6000). It also has provided a lot of evidence for research into the extensive grind stone technologies of the Pleistocene.

2. Cloggs Cave and the Buchan region of the Victorian Gippsland (Aboriginal)

So much research has been done into this region in various ways. Josephine Flood focused her research on Bogong Moth usage (and festivals) within this region, providing some of the earliest accepted academic research in support of Aboriginal peoples’ claims of large scale Bogong Moth Festivals in Australia’s highlands (although the fac that no one really believed communities until then…………..). In 2021 grind analysis found Bogong Moth residue, making this the earliest stone artefact with evidence of insect food remains. And in addition to that recent 2017 research in the area investigated Holocene occupation with Aboriginal community members, with a focus on understanding the interaction of spirituality with the resources found in the caves.

3. Mabuyag Island, Torres Strait Islands, Queensland (Torres Strait Islander)

Mabuyag Island (alternatively known as Mabuiag or Mabuyaagi) has archaeological evidence of human occupation since 7300 years ago. The island is both associated with recent religious practices associated with he heavy processing of dugong remains, and totemic associations with these, which played a role in early 2000s into community lead and directed archaeological research into ritual and religious traditions and practices. In addition to this, Mabuyag is the location of the first archaeological excavations in Australia to find pre-colonial pottery fragments. The fragments at the two sites on the island were associated with Melanesian and Papua New Guinean pottery trade. The excavations relating to pottery on the island played an important role in our understanding of domestic and international trade in pre-colonial Australia, and also formed an influence for the recent excavations at Lizard Island, 300km south, which identified the first datable domestically made pottery technology found in Australia.

4. Hyde Park Barracks, Sydney, NSW

Hyde Park Barracks is part of a collection of colonial heritage structures in Australia, relating to Australia’s time as a penal settlement. Hyde Park Barracks in particular were the location of the housing of convict men from 1819 to 1830, with the 1830s to 1840s also involving the site being a location of additional convict punishment, and the base for the Board of Assignment of Servants. Following on from a reduction of convicts to NSW in the 1840s, the Barracks became the Female Immigration Depot, and the Orphan Institution, later becoming the Asylum for Infirm and Destitute Women.

This time period of women’s occupation provides some of the most interesting archaeological remains, as redevelopment and management of the site has found high rates of preservation within walls, and in areas below floorboards. This includes textiles and fabrics, papers, and other non-organic materials such as pipes (with their tobacco intact) stashed in what was once floor, wall, and ceiling cavities. Archaeological investigations in the area form one of the most detailed assemblages of artefacts relating to instituted women in the British Empire during the 19th century.

5. Notch Point, Western Australia (Multicultural heritage)

Notch Point is a site of varied and mixed archaeology, ranging from pre- and post- colonial period Aboriginal heritage, to diverse 19th century occupation of the region by Chinese, European, Malay, and Aboriginal peoples in association with pearling industries off the coast. In addition to this, the point is located on Dirk Hartog Island (otherwise known as Wirruwana), the site of the earliest European arrival in Western Australia in 1616, and contains archaeological evidence of both various early Dutch interactions with the island in 1616 and 1697, as well as French arrival in 1772, 1801, and 1818. Notch Point in particular also contains evidence of conflict between the predominantly Chinese population of the pearling industry, with white-Australian and European pearling masters, and pastoral agents. Its not a site that is widely discussed, but provides a fascinating overlay of the amount of varied cultural groups that can be present within Australia’s archaeological sites.

-

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Honourable mentions to:

Lake Mungo and the Willandra Lakes which should 100% be on this list, but also I feel like I talk about it ALL the time and I wanted to mention sites that I actually don’t see discussed a lot. Theyre super important for cultural reasons, for archaeological reasons, and also for their role the development of archaeology, Aboriginal community consultation, and the role its played in developing repatriation practices in modern Australia. I have multiple posts about them HERE

Budj Bin Eel Traps in Victoria (same reasons, I’ve definitely talked about them before).

Juukan Gorge (and its destruction, im still horrified)

Harrietville Chinese Mining Village

Strangway Strings and The Peake Afghan Cameleer sites

Recherche Bay in Tasmania, and its 1792 French settlement sites

Homebush Mill & Mission Hall in QLD and Beowa National Park sites containing South Sea Islander heritage

[submalevolentgrace]

Rough sleepers who present as suicidal to hospitals are being turned away or discharged back into homelessness due to a lack of beds, emergency housing and mental healthcare availability. In two cases identified by the Guardian, homeless Indigenous men linked their hospital presentation directly to their homelessness. One told staff: “It is hard to find a reason to live when you have nowhere to live.” They were discharged and found dead a short time later. Rough sleepers are dying needlessly after encounters with police and the justice system on trivial matters, which lead to use of force or deaths in custody. In at least four cases seen by the Guardian, deaths occurred after arrests for minor public order offences, such as drinking in public and public urination. Frontline workers say the chronic underfunding of specialised homelessness health services means easily treatable injuries and illnesses are being missed in early stages. This is compounding the significant toll homelessness causes on physical and mental health. Homeless Australians are being subjected to brutal, sometimes fatal violence while sleeping rough, and being found in parks, squats and on the street shot, stabbed or bashed. In one case, that of Sydney rough sleeper Roger Davies, police decided there were “no suspicious circumstances” despite evidence he had sustained fractures to nine ribs about the time he died and had complained of being subjected to violence and constant robberies while sleeping in a burnt-out squat house in Granville. They then failed to notify his family until more than two years after Davies was buried in a pauper’s grave. In Western Australia, Indigenous families say the state government is evicting public housing residents even when it knows this will lead to homelessness. Guardian Australia is aware of at least two families whose loved ones died by suicide shortly after losing housing and becoming homeless. The state’s department of communities said terminations are sought only as a “last resort” and that they provide support to tenants facing eviction.

The Australian government does not count the number of homelessness deaths each year, setting it apart from other western nations. Correspondence seen by the Guardian show the former federal government and state governments rejected or ignored the homelessness sector’s pleas in 2021 to build an annual tally, including by commissioning the Australian Institute of Health and Welfare to develop a reporting framework for hospitals, homelessness services and coroners.

[ciaomarie]

Season 1 Rewatch: Ep. 3 "Brigade" was Sydney's. Carmy decided to start a new kitchen system, dropped off new uniforms, and immediately left Sydney alone to institute it.

Tina: Like hierarchy?

Sydney: More just like a regular... chill-archy? Uh, it's more about dividing labor. So, like, because I'm the sous, right? Like, I just, uh, follow orders, even if it leads to tension and, uh, chaos and resentment and ultimately doesn't work. But yeah, that's what I do.

Sidenote: I noticed Sydney had special bonding moments with both Carmy and Marcus in the first episode that focused on her. With Carmy it was asking for him to hear her and reminding him of their mutual goal to make "this place" different from any place they've worked before. With Marcus, Sydney realized that she has a teachable ally and that she can (and must) accept help from him. Eek! I can't wait to rewatch when she and Tina bond!

P.S. Posted this in a The Bear Facebook group (The Bear Cousinposting) and didn't want to get hated for mentioning the foreshadowing of a love triangle. I'm enjoying the group a lot, but it leans anti-romantic. The whole "why can men and women just be friends" blah blah blah like women and men working closely together don't often blur the lines emotionally if not physically.

[onomonopetabread]

Declawing the Cat, Chapter 3 (after literally three years)

“Father, do I have to go?” Adrien asked for the hundredth time.

“Of course Adrien. I refuse to go on a business trip as important as this one without you. You’re my son.”

Felix rolled his eyes. He and his mother were visiting the two bachelors (against his actual will, obviously). Everyone in the room knew the real reason why Adrien had to go; he was the face of the brand, and it was common fashion knowledge that to go to such a high-ranking event without your leading model would get you shunned and cancelled. ‘You’re my son’ EVERYONE’S arse.

It was obvious that Adrien was all too aware of this fact, because he couldn’t seem to run out of excuses for why he couldn’t go.

Well, he could also not wish to go because of how brain-numbingly boring the whole affair is, and honestly, who could blame him? This year’s Annual Pre-Junior’s Fashion Competition Assembly was being held in Sydney, and all of the biggest names in the industry were going to attend. The assembly takes place over the course of two. Entire. Months. For what, not even the attendees know. Felix swears, these designers were as mad as a bag of ferrets.

I mean, if you’re into that sort of thing, like Miss I’m-all-that Ginger Breadhouse, you’d probably be in Seventh Heaven there, but if you were, how do you say, normal, you’d sell your soul to be another else. In fact, Felix could almost bet Chat Noir’s Miraculous that Adrien would sign that demonic contract in a heartbeat if that were an option.

“But Father, what about school? I’ll miss so much instruction-”

“Natalie will tutor you, just like she did before you attended that … institution.”

“And my fencing practice? Surely, you wouldn’t want me to miss out on those.”

“Adrien, are you suggesting that they don’t have fencing areas in Sydney?”

“No, I’m just saying that fencing without Kagami wouldn’t be the same…”

“Well, you aren’t going to be fencing with her forever, so think of this as a sample for the future. Now, no more of this arguing, Adrien. You are going to the Assembly and that’s final. Have I made myself clear?”

Adrien’s shoulders slumped in defeat and for a heartbeat, Felix felt sympathetic. “Yes, Father.”

“Good, now go pack some clothes you will need for the weeks. We won’t be at the events the entire time, so I will permit you to bring some of your own wardrobe. Please remember we will be there for a long time, so pack accordingly.”

And with that, they were all dismissed. Adrien trugged upstairs looking particularly peeved. He invited Felix to come with him, and Felix agreed, but only to keep up appearances. If he knew any better, Felix would have sworn that he heard him talking to someone on the way up, but he decided to ignore it; he couldn’t be bothered to guess what weird habits his wanker of a cousin had.

Once they got to Adrien’s room, Felix sat himself down at the piano while Adrien took out a suitcase from his closet and started choosing some informal clothing for when they were just doing day-to-day activities.

“Can you believe that he’s making me go, Felix?”

“Yes, I can believe it.”

“AND we have to leave tomorrow! I won’t even get the chance to say goodbye to our friends.”

“Not to worry, cousin dearest. I’ll tell them for you. Anyways, don’t look at this trip as a burden, look at it as a new opportunity. You can gather information and resources for your friend Marinette.”

Adrien’s face brightened at the mention of his friend and Felix rolled his eyes when his back was turned. He swears, all it takes to cheer him up was to be reminded that Pigtails was alive and well somewhere on the planet.

“You’re right, Felix! This way I can help her pursue her dreams! I can’t wait until we get back to tell her everything I’ve learned about the industry.”

“...Can’t you just text or call her?”

“You mean with my phone?”

“No Adrien, I mean with a plastic banana you can buy at the baby store. Yes I mean your phone!”

Adrien paused in the middle of folding a t-shirt and packing it into a suitcase. “I didn’t tell you? Father confiscated it for ‘my own good’. He thinks I spend too much time around my friends and not enough time focusing on my studies, so it’s with him for the time being.”

Well, there goes Felix’s plan to pull a quick cell prank before Adrien leaves. “Adrien Bartholomew Agreste, is that resent I hear in your voice?”

“Yes, it is. I’m tired of responsibilities and having people depend on me every second that I breathe. That’s why I wanted to go to school in the first place; it gives me eight hours of non-Agreste related freedom.”

Felix narrowed his eyes. What did this boy know about responsibilities? All he had to do was play a keyboard, wave a stick around, and look pretty for pictures. Felix couldn’t understand how a job like that could burden someone so badly.

“Goodness, Adrien. You make it sound as though Uncle asks you to carry the weight of the entire ever-loving world on your shoulders.”

Adrien sighed. “That’s just how I feel, sometimes. Anyways, I think these are all of the casual clothing Father will let me take with me. Maybe if I’m lucky, he might not see the video game I hid under them all.”

The next day was a Saturday, so Felix the delivery boy was going to have to give the mega-twits the message at a later time. Today, it was all about acting as emotional as he could for the departure of his Cousin & Co. gabriel thought it would be a good idea for Felix and his mother to stop by the mansion every once in a while to make sure everything was all right, accounted for, and in the case of the house plants, watered. This was news to Felix. He doubted his uncle was even a living being, let alone the type of person to have plants in his home. Right now, they were standing next to the family limo. Natalie and gabriel were talking to Ape Man about transportation in Australia.

“Oh, darling Adrien, I’m so sad to see you go. We only just now got here, and you’re leaving. Why must the fates keep up apart?”

“It’s alright, Aunt Amilie. We’ll be back before you even realize we’re gone.”

“We? Oh, I wasn’t talking about your father, dear. I wouldn’t mind some time away from him. Anyways, I hope you have the best time in Australia. Bring something back for me, will you? I’ve always wanted to get a real boomerang, ever since I was a young girl.”

“I’ll be sure to get you the best boomerang in the country, Aunt A. What about you Felix? Do you want me to get you anything?”

Felix, who was standing some ways behind the others, pretended to ponder it over. “Bring me a friendship bracelet.”

“...A friendship bracelet?”

“If you can’t find one it’s okay I really don’t mind-”

“No, I’ll get you a bracelet. I was only surprised because you aren’t really the type to want one.”

He’s right- there was no way on Good Green Earth would he want some dingly little arts and crafts project. There also wasn’t any way that maybe he wanted his cousin thinking about him during his trip, that he wanted to envision Adrien getting something for him. Don’t even think about considering that Felix felt bad for him, dealing with the devil himself in a new place and wanting to give him something to do. Nope. Not a chance. Felix simply thought that Adrien would look hilarious running around Australia looking for beads and twine.

“...Just make sure you make me a good one, alright?”

Adrien smiled as though he could read right into Felix’s mind, and of course he had to look completely handsome in doing so. Stupid model. They practically had the same face and somehow Felix ended up looking like the off-brand knockoff.

“Adrien, we have to go now. The plane leaves in five hours,” gabriel said, entering the car.

“Why do we need to leave so soon?”

“So that I can buy fabrics with threads, gather all of my designs, double check with Natalie that the suite is still booked for us-”

“Alright, Father. I understand. Well, bye Felix. I’ll miss you.”

With that, he entered the limousine and the four of them drove away.

“Come Felix. Let’s go check the house for anything they might have accidentally left behind. We wouldn’t want them to leave something important,” said Amilie, still a little teary-eyed over the loss of her precious little baby nephew. She couldn’t stand the idea of being away from him for so long, even though his look-alike (her own bloody son) was right in front of her. Of course, Felix wasn’t bitter! Why wouldn’t ever say such a thing?

“Yes, Mother. Would you like me to check Adrien’s room?”

“Please, dear. Oh, look at you, watching over your cousin! And to think you said you wouldn’t like him!”

It was as though his mother never met him. Couldn’t she see that he was just trying to gain some sort of upper hand against Mr. Perfect or to uncover a secret of his? On the sunny side, at least he knows his facade is effective. He was beginning to worry that someone other than Blue-Eyed Phoenix Wright would figure him out.

Felix pushed open the door of Adrien’s room and immediately began to look around and turn things over. He was being extremely careful to make sure that everything he touched was put back in the place he got it from. After looking through his closet and library, however, he was disappointed to find that Adrien was actually as innocent as he seemed (and acted). In fact, the worst thing he could find was a disturbing amount of Ladybug memoria. It was a pity, really. Felix hadn’t blackmailed anyone in a long time, and he was beginning to get antsy. He turned around and headed out.

“Adrien, is that you? I thought you said you weren’t going to come back for another two months.”

Felix did a complete 180 and faced the source of the voice, which seemed to be some sort of floating cat-thing. It looked like a deer in headlights.

“You aren’t Adrien. Wait, are you okay, you seem to be swaying-?”

The thing was right; he was feeling woozy, and it didn’t take him that long to hit the floor, having fainted. The last thing he heard was the talking cat muttering,

“Shit.”

[ladyprydian]

*knocks on your door*

Hi. Do you have a moment to take a questionnaire? *slides my boot in doorway so you can't actually close the door* Faaaaaaan-tastic. You should know that I have decided to interpret your lack of closed door as an eager and enthusiastic 'yes!'

So. *flips papers on clipboard and stops on one that appears to have a page from the Yellow Pages taped onto the paper.* Question One!

Which seasonal flavor do you wish was available year round?

*flips papers on clipboard and stops on one that seems to be a critique of the 2022 movie Morbius, but it is written in your own handwriting.* Question Two!

Government agents in black suits show up at your door, offering you a plate of homemade cookies as well as a bouquet of wildflowers (the focus groups consistently report that this helps to gentle the perception of malice when civilians are introduced to a shady government organization.) It turns out that the Sydney Opera House isn't just a performing arts institution, it's also the headquarters of a group that sounds a lot like the MiB. Only when you say as much, the agents get really persnickety and insist it's a totally different thing. You point out that they even kinda dress like the MiB and the lead guy starts to look like he will start crying or shrieking, so you decide to move on. 

It turns out that there's a peaceful, intergalactic group of collegiate aliens dedicated to the art of improv. Only, they're not very good and they're set to perform on earth location soon, but ticket sales have been a bit sluggish, so the not-MiB are trying to fill out the seats with citizens willing to further diplomatic relations via alien improv shows. Do you do? Or do you politely decline as you mentally prepare a comment about if they have one of those memory wipe sticks?

*flips papers on clipboard and stops on one that only has what looks like a dinosaur, drawn in pink crayon on it. The dinosaur is built like a brick house.* Question Three!

If you could instantly master a single instrument, but at the cost of developing a mild and non-fatal allergy to the last fruit you ate, would you? And if so, which instrument would you pick?

Come in, come in! Let me make some tea. How do you take it? Does anyone need sugar? Milk? Okay. Let me get both so you can make your drink taste the way you want. How about some cake? I have some pumpkin loaf sliced right here. Let me set it out and grab some plates. Everyone comfy? Great!

Question 1: Gingerbread lattes are a seasonal favourite. Now technically yes, I could get them whenever I want. There are at least 4 coffee shops here that always have the Monin Gingerbread syrup on hand, but that's not what makes them special. What makes them special is keeping up my own personal tradition of enjoying them as a special treat in December. A kudos, you made it through another year. Let's circle back on how that can come across as self denial in the New Year, okay?

Question 2: Sure, how much for tickets? I love supporting local arts programs so I've seen a lot of interesting shows. Not bad just. ... yeah. You know what I mean. Besides I have my own mind wipe thingy here so no need to worry about that.

Question 3: Yeah it would suck being mildly allergic to apples. Apples are a fruit that I eat daily. They've got a pretty great shelf life and are great as a snack or in a salad. So yeah, pop a Benadryl and go about my day with the knowledge that I'm now a master at the guitar? Sure. I can handle that trade off.

That's it then? You guys heading out? Okay well before you go here are some addresses. There people you should see about purchasing tickets to your show. Good luck!!

[sleeplessant]

*knocks on your door*

Hi. Do you have a moment to take a questionnaire? *slides my boot in doorway so you can't actually close the door* Faaaaaaan-tastic. You should know that I have decided to interpret your lack of closed door as an eager and enthusiastic 'yes!'

So. *flips papers on clipboard and stops on one that appears to have a page from the Yellow Pages taped onto the paper.* Question One!

Which seasonal flavor do you wish was available year round?

*flips papers on clipboard and stops on one that seems to be a critique of the 2022 movie Morbius, but it is written in your own handwriting.* Question Two!

Government agents in black suits show up at your door, offering you a plate of homemade cookies as well as a bouquet of wildflowers (the focus groups consistently report that this helps to gentle the perception of malice when civilians are introduced to a shady government organization.) It turns out that the Sydney Opera House isn't just a performing arts institution, it's also the headquarters of a group that sounds a lot like the MiB. Only when you say as much, the agents get really persnickety and insist it's a totally different thing. You point out that they even kinda dress like the MiB and the lead guy starts to look like he will start crying or shrieking, so you decide to move on. 

It turns out that there's a peaceful, intergalactic group of collegiate aliens dedicated to the art of improv. Only, they're not very good.

They're set to perform on a super secret earth location soon, but ticket sales have been a bit sluggish so the not-MiB are trying to fill out the seats with citizens willing to further diplomatic relations via alien improv shows. Do you do? Or do you politely decline as you mentally prepare a comment about if they have one of those memory wipe sticks?

*flips papers on clipboard and stops on one that only has what looks like a dinosaur, drawn in pink crayon on it. The dinosaur is built like a brick house.* Question Three!

If you could instantly master a single instrument, but at the cost of developing a mild and non-fatal allergy to the last fruit you ate, would you? And if so, which instrument would you pick?

Why did I wonder what took so long. Of course this has rich, intricate, nuanced lore.

Answer one:

Basil is what first comes to mind. I chew on the leaves like a ruminant and stuff it in every sandwich or salad that I can think of when it's in season. Also, a bunch of seasonal fruits, like watermelons, chirimoyas, melons, peaches, raspberries, blueberries, etc.

Answer two:

They would have to neuralize me and then tase me to keep me from going to an alien-filled improv show. Or is it well-meaning humans trying (and failing?? or wildly succeeding??!!) to cater to alien senses of humor?? Imagine the shenanigans. I could try and find out if farts are universally funny (they totally should). Are aliens trying to be nasty or kind??? Could we tell the difference??? Is cringe universal??? So many crucial questions about the human condition and butts.

Answer three:

This is a curveball because you know how much I love fruit, but luckily, and I never thought the day would come where I'd consider myself lucky for having tasted disappointing fruit, about a year ago I bought a tropical papaya and it tasted like absolute ass. It smelled bad too. I felt underwhelmed as well as betrayed, because Chilean papaya is transcendent. Perhaps I ran into the only bad papaya in the batch, but I think that's the one I'd be giving up in order to master some fun instrument like the piano, or the theremin.

Thank you for enabling my procastination.

[5sosfanfictioncatalogue]

Married Lashton Masterlist

By The Sound of a Drum (ao3) - DeanAndHisBeautyQueen G, 2k

Summary: This one shot is about Lashton - Luke and Ashton are married and are about to have a baby! There good friends Michael and Calum decides that they would like to take Luke out for a bit of fun before the babe is here and while he is out Ashton goes into labor!

Come Back When You Can (ao3) - fivesecondsofmae T, 1k

Summary: Luke and Ashton left the Shadowhunter world as soon as they could so they could get married and start a family and have a normal family life, but when Luke gets a call from the Sydney Institute, announcing they have information about his deceased parents, he decides to go and found out what he can about his history, leaving behind his husband and their daughter. What will happen when Luke is reunited with his parabatai and Ashton is left with his, to care for their child? Can their relationship survive even when the Shadowhunter world collapses in on them once again?

Convivencia (ao3) - antisocialhood M, 4k (WIP)

Summary: Or, Ashton and Luke find themselves twisted up in a fake marriage for a cheaper college tuition, and somehow, feelings come about.

Domesticated Erotica: Luke’s Hobby (ao3) - twinkylukey E, 1k

Summary: Basically, Luke likes those hetero erotic romance novels and Ashton thinks it’s cute

Good Days Start With Coffee and You (ao3) - lgbtlukas, MyMy G, 2k

Summary: Calum wonders if Michael is as invested in this relationship as he is, but he doesn't know that Michael is one step ahead of him.

Home Is Wherever I'm With You (ao3) - fivesecondsofmae M, 2k

Summary: Luke and Ashton Irwin-Hemmings live in suburban London with their 3 children. Fluff for now about the cutest couple in existence. Lashton.

I'll Give You The Best Years (ao3) - FayeHunter T, 4k

Summary: Luke and Ashton have their backyard wedding

no control (ao3) - lukevegas N/R, 625

Summary: so evryones cute and married and ashton doesn't know when to shut his mouth

Off-Screen (ao3) - allsassnoclass (brightblackholes)

Summary: Now that classes are being taught from home due to the pandemic, students are getting a glimpse into Professor Irwin's home life, especially when his mysterious husband keeps interrupting class.

Tastycake (ao3) - plushyluke E, 2k

Summary: “i was not an ‘it girl’!” he sat up to straddle ashton.

as ashton took in the tall blonde figure with the poutiest lips and the brightest blue eyes, he almost laughed out loud at the assumption. he placed the forgotten prom queen tiara on top of luke’s head and tutted.

“you were the cheerleading captain, an a-student, blonde, and a little mean. i think it is safe for me to say I was intimidated by all of your…assets.”

or luke is looking through old memories, and ashton needs to remind him that he'll always be the 'it girl' in his eyes

The Panty-Dropper (ao3) - Honeyedlashton E, 5k

Summary: Ashton’s discovered an old recipe from Luke’s recipe box, and decided to cash in on an anniversary prize.

the situation is like a mountain that's been weighing on my conscience - @sup3rbloom (haveufoundwhaturlookingfor) T, 2k

Summary: Luke is closeted and nobody outside of the band, and close family, knows that he has a secret husband. During promo for Youngblood, Luke suffers a panic attack when the interviewer asks a personal question. Cue, Ashton to the rescue and comfort.

What A Wonderful World This Would Be (ao3) - badtales G, 784

Summary: "May I have this dance?" He asked formally and handed a hand out for Ashton to hold. Ashton smiled so brightly Luke couldn't help but think he was looking at the sun and if Ashton was the sun, Luke was the moon, lighting up when Ashton was shining on him.

"You may," Ashton giggled and placed his hand gently in Luke's allowing the younger boy to lead the dance.

aka. married Lashton sharing a moment

you tell me you're tipsy, i tell you you're pretty (ao3) - orphan_account E, 13k

Summary: He heads off towards the bathroom, trying to avoid the inevitable conversation, when he notices something glinting off of Ashton’s left hand. He steps forward, picking up Ashton’s left hand and staring at the ring on the boy’s finger and felt himself stiffen. “Ash, why is there a wedding ring on your hand?”

Ashton’s eyes bulged out of his head and the moment he caught sight of the ring and he tore his hand out of Luke’s, staring at his hand as if it was on fire. “What the fuck,” he whispers to himself before looking over at Luke, murder in his eyes. “What the fuck did you do!?” he demands, as if Luke had something to do with the entire thing. As far as he knows though, he had nothing to do with this entire situation.

Or maybe he did, but he was hoping he didn’t.

or, Luke and Ashton wake up married during a weekend in Vegas

[kamenstranger]

With this new season of Castlevania alleged creepy sex weirdo Warren Ellis was out as head writer, and Clive Bradley was in. Bradley is known primarily as a crime and horror writer, whose works I wasn't too familiar with before this. That, in addition to the events of season 4, left me with basically no expectations for what direction the show would go.

That said, The first episode perfectly sets the stage for the rest of the season. It is efficient without feeling rushed or over-stuffed. It is concise while covering a lot of ground.

We open on Richter being sent away to France for his protection, but in the process, his mother, Julia (Sophie Skelton), is killed by a powerful vampire, Olrox (Zahn McClarnon). Nine years later, in 1792, we find Richter (Edward Bluemel) with this adoptive sister, Maria Renard (Pixie Davies). Maria is a witch and a young revolutionary fanning the flames among the peasants, making her and her listeners targets for the literal bloodsucking cronies of the upper class. Although they pose no threat to our two heroes.

Richter and Maria right off the bat have a great sibling dynamic. While it would be a stretch to call this young cocky Richter level-headed, he has a comparatively cool demeanor to Maria's short fuse. Maria herself is a lot of fun. She is foul-mouthed and rebellious in a "burn the bourgeois" sort of way, which puts her at odds with institutions such as the church.

Still, the two meet with the local Abbott, Emmanuel (Richard Dormer), seeing as one of the attacking vampires mentioned a Vampire Messiah. Although the church is of no help.

After that excursion, there's a slight respite in Richter's domestic life, focusing on Maria and her mother, Tera (Nastassja Kinski). We see that Richter suffers from PTSD nightmares over his mother's death. He's awakened by an attack on the homestead by night creatures, something neither Richter, nor the rest of the household, has experience or knowledge of, resulting in a pretty brutal beatdown.

He's saved by the timely intervention of Annette (Thuso Mbedu) a former plantation slave who can manipulate rocks and metals; and Edouard (Sydney James Harcourt) a revolutionary opera singer. Both were looking for Richter in hopes of stopping this vampire messiah. Elsewhere, Olrox arrives in France to meet this messiah.

As I said, this episode covers a lot of ground. The back story for Richter, supporting characters and their relationships, major events being set up, more supporting characters to explore, and a lot of small character moments. That last one I think is the most important because there is a lot of that sprinkled throughout, along with some quick dialogue that explains small details. For example, when Richter is a child there's a quick line about how Tera isn't a vampire hunter. Richter is talented and has some training, but we see his limitations with the Night Creatures. There's some other stuff too, like Richter not having much thought on the current affairs of a classist system, but finding Maria and her mother good people with good intentions, so he stands by them. He has a good heart, but he perhaps doesn't think much about the world at large the same way Maria does.

Another small but appreciated bit is Annette's spear turning into dust and reforming as plates. You immediately pick up on her metal manipulation ability, and it's nice that Maria isn't the only one with unique magic (that being the Sì Xiàng.) Not to mention this also sets the ground for a much larger world of magic, like say, Richter's Item Crash abilities from the games. And yes, that is a key component because Richter lost his ability to do any magic after his mother's death.

In fact, episode 2 expands on that very thing while also explaining that Annette's powers came from her father's side, leading all the way back to her culture's God of war, Ogun (They don't specify which African Religion.) An inheritance of magic would become a running motif throughout this season. But That's just a small part of this episode.

The real meat of the second episode is the arrival of the Messiah's Emissary, Drolta Tzuentes (Elarica Johnson) to France, and Annette revealing the vampire messiah's name; Erzsebet Bathory. This triggers memories in Maria's mother that she had long kept secret. Tera was originally from Russia, part of a group of speakers helping a small village until they were besieged by vampires. Tera lost her sister to vampirism in the process and was forced to kill her. She fled until she reached France and was taken in by Emmanuel, hoping to leave that nightmare behind.

With their best lead being an Island chateau with nightly parties, Richter, Maria, Annette, and Edouard, skulk out the place in hopes of finding out where the night creatures are coming from. While spying on the partygoers, Annette spots her former slaver, Vaublanc, and nearly loses control of herself. Regardless, Vaublanc still takes notice and things quickly go south. The four flee an onslaught of monsters, but only three make it out. Edouard is overwhelmed and slain in the chaos. His body is brought to the Abbey along with other corpses to be made into night creatures in the cellar.

Unlike the slow methodical smith-like process of the 1400s, the demon forging process has become industrialized. Something I didn't care for much (at first) is that Edouard is turned into a night creature where it's basically just him but with monster appendages. So his midriff and face are perfectly normal. Everyone else turns into these barely recognizable monsters, but you know his features stay intact for future drama. We'll get back to that.

Episode 3 focuses on the group comforting Annette's loss, and her in turn opening up to the group about her past. Seeing her mother killed by Vaublanc, the awakening of her powers, her escape at age 16, and of course her meeting with Edouard. Edouard hid Annette from Vaublanc and brought her to a rebel militia in the mountains where she was trained to use her powers by a Seer, Cécile, and eventually aids in the uprising of Saint-Domingue. Although Vaublanc would of course escape. Annette is obviously very different from her game counterpart and for the better in my book. She's a proactive player here and the backstory given also connects both narratively and thematically to the setting and themes. It's also nice that Edouard gets some backstory laid out because we never really got a chance to explore him before his death. While this is still more in the service of Annette, it's at least something.

A smaller part of the episode is a homoerotic confrontation between Olrox and the Abbott's right hand, Mizrak (Aaron Neil) Olrox seemingly throwing a wrench into their plans for his own gain, planting a seed in the warrior's mind that Erzsebet will cast them aside when the opportunity arrives. Maria also introduces Annette to her revolutionary group, but are attacked by night creatures, Edouard among their ranks. One little twist is that Edouard maintains a degree of consciousness. He turns away from Annette, hides his face, and ends up attacking another creature that goes after her. In that regard, I consider his appearance to reflect that the process of the forge was perhaps flawed in some manner. But we have seen creatures display a degree of independence before, and memories of their past life as with FlysEyes. Whatever the cause, he's carried off with the remaining night creatures, Maria noting that they were heading in the direction of the Abbey.

Episode 4 follows up with Maria and Annette being hell-bent on assaulting the Abbey for answers, although Richter objects to the impulsive nature since they're unsure. Tera instead offers a more subtle approach with an alternate entrance to the cellar. In fact, she knows a little bit too much about the Abbey, something Richter takes notice of.

Olrox is also busy getting answers. From an afterglow chat with Mizrak to secretly investigating the demon forge and its workings. He even chats with Edouard while the Abbot is busy in a meeting with Drolta on their uneasy alliance. Trepidatious though it may be, both see a benefit. Emmanuel wants to purge the revolution for questioning and outright attacking the church. The Vampires want to maintain a ruling class and need a human to forge demons for an army. It's all about the status quo.

Drolta also has some good character bits here. I wouldn't call her particularly deep as a villain, she never becomes as interesting as Olrox. But she is a fun villain. Which, hey, that's more than I can say for her Bloodlines counterpart who was just a witch. You can also tell someone had a lot of fun designing all of Drolta's different looks, she has more outfit changes than anyone else and her aesthetic is fucking great.

All that said, Drolta and Emmanuel cross paths with our heroes, and a big chunk of the episode is a massive fight in the cellar. If you've read my previous Castlevania reviews you know I dislike regurgitating what's on screen followed by "done well" But this is a highlight of the season. We're at the midway point, the threads are starting to come together, and we're ramping things up with an amazing battle showcasing everyone's abilities brilliantly. In particular, we see how dangerous Drolta is. All this with a beautiful vocal performance by Edouard.

Amongst all this action are some story morsels; Tera is horrified at Emmanuel for one- although he does stop Drolta from going after Maria. Put a pin in that. There's also a truly heart-wrenching moment between Annette and Edouard where he begins to remember who she is. And if that wasn't enough, just when we're showing how fucking badass Richter can be with him finally handling night creatures, Olrox makes his presence known. And the utter looks of terror in Richter's eyes upon hearing his voice is so palatable.

The facial expressions this season are truly wonderful. Richter tells everyone to get the fuck out and runs for it, not stopping. And what I love is right after everyone has escaped, Olrox acts completely natural toward Drolta, saying he just got off the boat and the messiah is expecting him.

Ep 5 is split into three parts. One follows a frustrated Annette as she heads out and eventually tails Drolta's carriage until she meets up with Olrox. This segment is largely exposition while also trying to further convince Olrox of their cause. There's a lot of back and forth about rising and falling empires, something both Olrox and Drolta have seen their share of since their Aztec and Egypt days, respectively. It boils down to Drolta considering the natural order of things to be of rulers and subjects. The messiah can supposedly offer a permanent empire for Vampires to rule. After that meeting, and by complete happenstance, Annette ends up running into Vaublanc in the same graveyard. She uses her ability in possibly the most unique manner to trap the slaver in a cage of crosses. And for really no good goddamn reason at all, he gloats about Erzsebet Báthory's plans and her power. How she drank the blood of the Egyptian goddess Sekhmet. Considering she's a solar goddess, all I'm picturing is the time Dracula bit Superman and blew up.

That somehow didn't happen but instead supposedly gave her the ability to block the sun. This ranting goes on until the sun rises and burns the lesser vampire to a crisp. Meanwhile, Emmanuel shows up at Tera's house. It's a similar case of back and forth, how Emmanuel is clearly engaging in horrible sacrilegious acts but he views it as an end justifies the means sorta way. I'm getting a little bit ahead of myself here, but this is basically Emmanuel's character for the rest of the show. Becoming increasingly unhinged, but with a touch of self-awareness. His character has this uneasy combination of the deeper he goes, the worse he feels…but he can't stop. You wonder if it will ever be too much. Honestly, it makes for a more interesting human monster compared to the flat 200% evil priests of the previous Castlevania. Oh, it also gets revealed that he's Maria's father. Okay, that's not shocking from an audience perspective, it's painfully obvious what with Tera's comments, history, and the fact that there are only two adult blonds in the entire show. But from the Character's POV, it causes a rift between Maria and her mother.

Richter oddly has the least to do in this episode, yet he is perhaps the most interesting. After bolting and having a breakdown, he wanders aimlessly, gets a bandana from some revolutionaries smitten with his looks, and ultimately winds up at a bar. He's too poor for a drink, although an old man pays for a meal. And this is when things take a surprising turn. A vampire bursts into the bar looking for the old man. Richter reaches for the whip, but the old man has already taken it and quickly slays the vampire with ease.

Playing up an old fan theory, this is in fact Richter's Grandfather, Juste (Iain Glen). This one got me. The moment I saw a long white-haired man I figured it could be, but I was still pleasantly surprised they went there.

Episode 6 is another dense one, with Erzsabet making her horrifying arrival to France. Edouard meanwhile begins talking to fellow night creatures, one of whom, Jacques, recalls attending Maria's meetings. Speaking of, Maria visits Emmanuel in hopes of swaying the Abbott away from his path. I guess you could say she's presenting the choice of what sort of father he wants to be. I admit, it's slightly jarring that Maria would extend this offer in the first place given her utter disdain prior. I guess she wants to give the benefit of the doubt, but she's not exactly had a longing for a father figure as part of her character. Sure, she thought her father was dead until now, but it feels more like something thrown in so Drolta can secretly take notice and set up events for the finale. In fairness, Maria is impulsive, so I guess in that regard it still works. But… yeah I'm still iffy on it as a plot point.

Thankfully, the main core of this episode is much better by being centered on Richter and Juste. We learn why there was such dissonance with his daughter, and why he's kept away from Richter, how he became so broken. Juste once was the most powerful magic user of the Belmonts, the whip was almost secondary to him. But his wife Lydie and his best friend Maxim were both killed by a vampire. After that, he lost his magical touch. He lost hope. These tales of woe are cut short when elite vampire warriors sent by Drolta assault the duo, chaining Juste and separating Richter from the whip. Richter is restrained and prepared for execution. But something happens to Richter. A burning desire to not only live, but to protect the people he loves. That fire inside him grows and becomes literal.

What follows is less of a fight and more pure elegant destruction. Richter burning, freezing, and stabbing all the night fiends. I would also be remiss if I didn't mention this is backed with the one game cover for this season; Divine Bloodlines. Which is just exquisite. Beyond that, I just love this bit of character. Richter's strength, and consequentially what makes him contrast with Trevor and more directly Juste, is how he channels his trauma into something positive.

However, do not let the above distract from the fact that Olrox gets his own spotlight finally delving into his motivations. After all, he was once part of a great kingdom until the Spanish arrived. Does he see Erzsabet as just another god king which fools have pledged themselves to? Perhaps. We also get some insight into the lover Julia killed. A Mohican man who fought in the Revolutionary War, only to have his home stolen by those same people. The only thing that changed was who the colonizers were. But lest you think that makes Olrox too sympathetic, the only reason he lost his love is because he was turned into a vampire. Mizrak actually confronts him on this, asking if a choice was even granted. Of course, Olrox was too selfish for that.

Ep 7. Our penultimate episode, unsurprisingly, is mostly set up for the finale. Although a great deal is simply low-key character interactions, like the fallout between Maria with her mother over Emmanuel.

Richter also returns to the trio and has a nice quiet scene with just him and Annette, Richter apologizing for abandoning them and promising to help rescue Edouard. It's really the only scene the two have leaning into there being something between them, Annette admitting she was more worried about him than she wanted. It's rather cute and I love the subtle blush on Annette. But there's no time to kindle that spark. The four must prepare a full assault on the Abbey.

Less low-key is Erzsabet's plans being fully laid out. Olrox is nothing more than a servant to pay Erzabet tribute by conquering the Americas on her behalf. This submission is not something he takes kindly to, but he has little choice. Speaking of submission, Emmanuel is expected to do just that for the new messiah. A sacrifice of something dear to him; Maria.

As our heroes begin planning their attack on the Abbey, Maria voices concern over what could happen to Emmanuel. But as Tera bluntly puts it: he made his choice. Before they can continue, they're interrupted by an unlikely source, Olrox, who drops off Emmanuel's infernal tome. While this leads to a whole excursion, the gist is really quite simple; Olrox can't afford to get too involved with this subversion, Erzsabet is far more powerful than any know, and the Demon Forge can only be handled by humans. Whether or not they trust Olrox is irrelevant, this is their best bet at dealing a blow before Erzsabet can build an army.

That night, as Tera reads over the tome, Maria sneaks out and heads for the Abbey, hoping to give her father one last chance to have a change of heart. But it's to no avail, his mind is thoroughly poisoned and Maria is captured, breaking the last straw for Mizrak.

The following day, Tera figures out the solution to dealing with the forge, but it won't be easy. Destruction isn't possible, the only solution is sending it back where it came from; Hell. Annette will be needed to quite literally push the entire machine through a portal. Just as their plan is formulated, Mizrak arrives, warning them that Emmanuel is preparing to kill Maria. As they hurry to the church, the sun is suddenly eclipsed.

Erzsabet, true to the rumors, can call forth an eternal night.

This brings us to the season finale in episode 8. The four arrive in time to save Maria from the crazed holy man. Annette heads down to take care of the forge and also free Edouard, although he prefers staying with the night creatures, two of whom have regained their sentience and even protect Annette.

As Tera reads incantations to summon the portal to hell, Drolta and a small squad of vampires arrive at the church for Richter, Maria, and Mizrak to take care of. One thing for sure is that Drolta is a force to be reckoned with. Their previous fight was during the day, but now she's at full strength. Maria is giving it her all, and Richter is no slouch with his new magic. He even gets a few good licks in with his ice whip.

But things change when Erzsabet arrives. She has since transmogrified into a Sekhmet lioness appearance, and she is immensely powerful. None of the attacks launched at her can even make contact. Not Maria's guardians, not the whip, not the elemental magics. She casts everyone aside and heads right for Maria, which causes Tera to lose focus and close the portal. See, Emmanuel misunderstood. Bathory wasn't looking for a blood sacrifice, she was looking for someone to turn. Tera intervenes and begs to be taken instead of Maria. After all, she's a speaker and would be a powerful minion to have. Bathory accepts. I want to take a moment and say Tera's fate hits surprisingly hard. She's not the deepest character, we don't spend a great deal of time on her. But she's prominent enough to leave an impact. A flawed individual with the best of intentions and ultimately a good heart. I do want to give mention to Nastassja Kinski's performance, which is her first voice role. She gives Tera this soft-spoken kindly forlorn inflection that perfectly matches her complicated past. And to see that character turned and suddenly become this ravenous beast, feasting like a combination of starving infant and strung-out addict… it's beautifully sad. This is a show full of contrasts and Tera made a great contrast to Emmanuel, more so than Maria, I think. I don't believe Tera was under any illusions like Emmanuel. Her sacrifice isn't going to spare Maria, but it buys everyone enough time. Conversely, Emmanuel would give up anyone else with the assumption it would be worth it, even as it broke his heart. And make no mistake, his heart is breaking during this moment.

With the situation at its worst, the four make their escape as Drolta and her minions give chase. Drolta closes in on Richter, lunging after him.

Only to be met by a familiar sword. Understandably an elite vampire being taken out followed by a guy claiming to be the son of Dracula causes the rest of the vampires to flee. Alucard turns his attention towards Richter, hoping that he isn't too late. And that is one hell of a season finale. Goddamn.

If it wasn't clear by now. I thoroughly enjoyed this season. There are a few issues I have, mostly small and nitpicky stuff. But things are fairly damn solid and I don't have much major to complain about. One thing I do see criticized is some of the dialogue being "Cringy." It's not as bad as I had seen made out, but there are undeniably some dorky-ass wince-inducing lines. Some try too hard to be inspiring or funny. One example would be Richter going on a speech as his powers awaken and saying he was "gonna have a witty line… but fuck it." It just doesn't come off as earnest. I get the feeling that it's trying to evoke Ellis' form of vulgarity and irreverent humor- which itself sometimes fell face first. But there's nothing in here even close to "Eat shit and Die. Yes, fuck you." or "See? God Hates me." Nocturne thankfully avoids trying to be too much like its predecessor and is better for it. Although its own quirks occasionally stick out, it's nothing that ruins the moment. Probably the worst it gets was Annette's speech to the revolutionaries which isn't even a paragraph and about as inspirational as Marshmallow fluff is nutritious. Maria's overly enthusiastic reaction only highlights the lame awkwardness. Fred Hamton this was not. I suppose on a related note, it is worth talking about the themes of the series. The most notable of all these is how it interprets Vampires among the aristocracy, literally feeding on the lower classes. Not an original take by any means, but one that works and is great for the setting. Perhaps the most criticism I can levy towards Nocturne when it dips into the various class systems at play is how little it actually gets to delve into them, despite how constant they are. It does raise some interesting ideas and points, such as the uprising in Saint-Domingue, or how Olrox's Mohican lover was turned against by the Americans. It presents this idea that there are those that will always see themselves above others and the French Revolutionaries aren't really going to give a shit once all is said and done. A slave is beneath a peasant, an Indian beneath a colonist, a night creature beneath a human, a human beneath a vampire, and so forth. But as prevalent as that is, I don't think the series ever takes full advantage of those elements. The parallels are just that, parallels. Something repeated but never expanded upon in a meaningful way. Look, I'm in a post-Black Sun world. I realize nothing is going to compete on the totally radical scale by comparison. Still, while Nocturne is far from toothless, it doesn't have as much bite as it could. I will give credit to Olrox. I think he's the most interesting of the bunch in how these systems affect his compass. Driven away from his homeland by Conquistadors, his lover was driven from his by revolutionaries. Olrox himself is now part of a system of power- and yet he is still subjugated as nothing more than muscle to a more powerful figure within that system… who wants him to colonize.

As for everyone else… Man, this is a weird situation. For Richter, I don't think there's much that hasn't already been covered. I like his character and what they do with him. It's a fairly typical young hero journey, one that just got started in a lot of respects. He overcame is trauma, got his power back, and was met with something far stronger. He has quite a ways to go and more to learn. I think it's safe to say that applies to Maria, too. Perhaps even more so because she lacks a character-focused episode that doesn't center on her family. She was fine overall, but I'm more looking forward to the next season and the fallout of losing her mother to a fate worse than death, how that affects her, the relationships around her, and perhaps channeling it into becoming more powerful.

Curiously, Maria is down an animal buddy throughout this entire season. I'm not counting the doves/owls because I'm fairly certain they were considered redundant with huáng. But Shenlong is noticeably absent and I can only assume that's going to be Maria's big upgrade in the next season. I hope the same is true for Richter. As much as I appreciate seeing them get clever with the ice and fire abilities, I want to see things I associate with him specifically. The closest we get is the flame whip and a pseudo grand cross. Have him throw a bible and the page cut like razors or stick like Fulu talismans, 1,000 blades, hydro storm. Make that a part of him getting stronger, going beyond the traditional magic, and perhaps tie that in with some character stuff with Annette as their relationship blossoms. (As an aside. I can't help but think Tera being turned into a vampire is perfect setup to make the whip into a proper vampire killer ala Lament of Innocence.)

To give more credit where it's due, I also appreciate what's done with Annette by incorporating wider cultural elements into the setting, in addition to still being something that's a major part of her background. I'm hoping for more stuff with Annette next season because I feel aside from her origin tale she's easily overshadowed by Richter's journey feeling more full. Plus it's perfect opportunity to set up a family dynamic with the three.

Getting back to the magical angle, I also love that Erzsabet takes on a second form in relation to a God. That's very much in tune with how in the games Dracula could assume a form like Pazuzu. Likewise, Olrox can turn into a giant serpent, which is a nice twist on his lizard form from SOTN while giving some Quetzalcoatl-like qualities related to his own background. Hmm, that's another Sun God like Sekhmet…

But a lot of what I'm talking about here is setting and background stuff around characterization. And also shit I'm expecting/wanting next season because I've already covered most of the characters. Well, that, and as efficient as the story is, it does leave me wanting more. Which, yes, is a great thing. I enjoy these characters and want to spend more time with them. I feel it's at least appropriate enough to leave off where we do. But there is still a nagging part of me that hates that we have horribly short seasons with this franchise. As wonderful as the writing is at balancing the narrative and characters for a streamlined experience, it's still in the single digits. We only have 8 roughly 25 minute episodes and I struggle to say more than a few unique blurbs about any one character because of that short run. The plus side is they use every bit of that run time well, it's remarkable how much is done in that time. The downside is "barely scratched the surface" is a phrase I can apply to most of the cast. Richter is truthfully the only one with a proper fulfilling arc that still leaves room for growth. Annette sorta gets a spirit journey about using the full strength of her ancestors and forgiving Richter, but that's kinda it. Maria has some character stuff with her family, but it's not a journey in the same way as the others, despite the personal nature. We're going to have to wait until next season before deep-diving on Maria and Annette. To say nothing of Mizrak who barely has a speaking role. The more I think about it, the more I wish this was 3-5 episodes longer just to sink those claws in more. It almost feels like a show that is the best case scenario for when you cut out all the fat. As it stands, I'm still appreciative of what was done. 8 episodes were ordered and they did the best with those restrictions, that much I believe is certain. Maybe it's best to focus on what is rather than what could be, and what we got is still damn good.

Also damn good is the animation this season. So this is going to be a pretty sort section because I'm limited to 30 photos and I've got 4 other reviews talking about the animation in Castlevania. One thing I have to point out is that Netflix and many others are calling this an anime, despite the fact that outside Japan the term typically refers to animation which is at the very least produced by a Japanese studio. We won't get into the semantics of how that applies if the actual animating is outsourced to South Korea (Which Studio DR Movie is) Or the nuances of how styles have intermingled for decades. Honestly, I don't really care all that much. I'm just pointing it out because I find it hilarious that a show partly handled by a studio based in Austin, TX gets slapped with the Anime label because, and let's be real here, they're too insecure to call it a cartoon or animation outright. That's the only reason. Amazon does the same damn thing with Invincible, which is just embarrassing in my eyes. If the HBO Spawn was made today they'd be trying to do the same shit with that… especially since that was partially handled by Studio Madhouse… who outsources to DR Movie.

Anyway, we've got yet another change up this season with animation moving from Tiger Animation in Season 4 to the renowned DR Movie. Chances are you've seen their work somewhere before, as they're pretty big in both the Japanese anime and Western animation scene. They've done everything from the in-between shots on JJBA Diamond is Unbreakable, to additional work on the 2010 Young Justice series.

Of course, that's not to say they handled all of this. After all, Powerhouse Animation has been at this since the first season in 2017, and are damn impressive in their own right. If you've seen the Sonic Frontiers and Superstars animations, that was them.

While the gap between this and Season 4 isn't massive, the uptick is still very noticeable. Fights in particular stand out more with a strong sense of choreography to the battles. There's a good use of the environment with impactful kinetic energy. Shading and lighting are probably the best it's been, and at no point was there a glaring instance of what could be perceived as "corner-cutting." It's frankly gorgeous and perhaps the best so far.

What I have a harder time commenting on is the music, and man, I always feel trepidatious talking about Music in the animated series. Comparisons to the games are inevitable, and those have some of the most rockin' iconic beats of any game series. The show typically only has one game track represented per season, if that. Yet I also feel that's disingenuous to Trevor Morris and (this season) Trey Toy, who do great work. Yet often times it is very atmospheric and more subtle, which I have a hard time conveying that, aside from asking if you like Castlevania IV's approach. What I can say, aside from the obvious choice of Bloonelines, is that Lamento della Ninfa is the standout track this season. It's used a couple of times, mostly in the Abbey, and it is a truly beautiful piece that complements the battles yet is still a great track divorced from the context of the scene at play. I also feel bad saying that because it, like bloodlines, is a preexisting track. In this case a Claudio Monteverdi composition.

Since we're on the subject of vocals, I might as well talk about the voice acting. It's good. I mean what the fuck do you expect? We're on a sequel to a 4 season show, of course, they're going to get that right. I will say it's surprising that not a lot of the cast have voice-acting credits prior to this. Some have one or two, for others this is their first VA role, and they all do a damn fine job. Less surprising is that Zahn McClarnon is one of the stand-out performance to me. He is the most experienced of anyone in the cast, and ironically it's the role showing the least variety. But I would say it's the most complicated because Olrox has a very subdued, practically emotionless delivery. To impart that sense of control over oneself without being stereotypically monotone is remarkably difficult for a lot of performers. I can hear Olrox and immediately pick up he's weary from all the shit he's seen. Every now and then you'll get something dry and cheeky, or a cold threatening aura peeking through the unnatural calm.

The other standout is Sydney James Harcourt. As far as I'm aware, this is his first VA role. He is primarily a musical performer on and off Broadway. And yes, that means when Edouard sings, it's still Harcourt. So that amazing rendition of Lamento della Ninfa is him.

Final Thoughts.

Castlevania Nocturne quelled most of my fears about the series continuing on, and in some areas showed itself to be far more nuanced and interesting than its fore bearer. There are still critiques I have with the show- it seems an absurdly short season is a reoccurring issue with this franchise. But I can't deny that few shows can do so much in so little. I've seen 43 episode series do less with their characters, so make of that what you will. Whatever issues I have with the episode number, I'd rather them set up and wait than try to tackle too much in a season that clearly doesn't have the time. My only real concern going forward is Netflix's abysmal practices fucking the show over. Ya know, is it going to take a third season to get some characters a satisfactory amount of development?

Regardless, I can say that Nocturne's first season feels refined, and frankly more mature. It never goes above the means given to it, and despite some stumbles, it's not overly ambitious or clunky. Nocturne knows exactly what it wants and gets to it in the shortest amount of time. If season 2 can continue that trend remains to be seen. I'm at least confident the series is in good hands.

As always, thanks for reading, and reblogs are always welcome. You can find me on Bluesky @kamenstranger.bsky.social I have a Ko-fi if you'd like to throw a dollar at me. Happy Halloween!

[berrysims-lp]

Dawn Landgraab is a generous vegetarian teenager who loves all things positive - and some more.

Dawn means new beginnings ✨

Dawn Landgraab is a direct descendant of Malcolm Landgraab I. This determined teen has been fending for herself for as long as she can remember, as her mother has never been around much. Not for when it counted, at least.

A brilliant young woman moved to Chestnut Ridge to a very old and forgotten cottage owned by the family right outside of town. As soon as she began at her new school, she immediately started pulling straight A’s while being the captain of the cheerleading team while also leading yoga lessons at the local spa every week. Dawn built an extremely positive and strong community that transcended through her teenage years.

Academically, she also went on to graduate High School earlier than her peers and enrolled in the Foxbury Institute to study Biology in a distinguished program. She’ll always tell you her biggest regret was not working harder for a diploma “with Honours” written on it. She still did good work, though.

This autumn-loving girl is quite the simple one, her kindness and generosity extend to her vegetarian lifestyle, accompanied by daily exercise and yoga routines. She excels in waking up before seven every morning to get her workout done together with the sunrise.

At this point in her life, Dawn was dating a fellow classmate and cheerleading teammate Sydney Price. They were compatible and things were going good. She was friends with his sister, trying her hardest to avoid the exchange student who kept hitting on her, and was extremely close to his mother as she never had a close connection to her own. But they started to grow, and Sydney wanted to stay young. Meanwhile, she wanted the responsibilities that come with true freedom, he enjoyed the privileges of living at home. Ultimately, they broke up a few months into the relationship.

Dawn can’t say she wasn’t at fault at all, as she’s obviously aware that she is growing too fast - but what else can you do when there’s no one around to let you be a kid?

[lifewithchronicpain]

Most of the antidepressant drugs that are prescribed for chronic pain are either ineffective or the evidence supporting their use as pain relievers is weak, according to a new analysis published in The British Medical Journal (BMJ).

The use of antidepressants such as duloxetine (Cymbalta) and fluoxetine (Prozac) has doubled in recent years, with much of the increase due to their off-label prescribing to treat conditions such as fibromyalgia, neuropathy and back pain.

But in a review of 26 studies on the analgesic effects of antidepressants, Australian researchers found little evidence to support their use in pain management. The data on side effects was also weak, meaning the safety of antidepressants was also uncertain. Nearly half of the studies had ties or funding from the pharmaceutical industry.

“Recommending a list of antidepressants without careful consideration of the evidence for each of those antidepressants for different pain conditions may mislead clinicians and patients into thinking that all antidepressants have the same effectiveness for pain conditions. We showed that is not the case,” said lead author Giovanni Ferreira, PhD, from The Institute for Musculoskeletal Health at the University of Sydney.

“Some antidepressants were efficacious for some pain conditions; however, efficacy appears to depend on the condition and class of antidepressant. The findings suggest that a more nuanced approach is needed when prescribing antidepressants for pain.”

Ferreira and his colleagues say no study provided high quality evidence on the effectiveness of antidepressants for any pain condition.

But they did find moderate quality evidence supporting the use of serotonin-norepinephrine reuptake inhibitors (SNRIs) for back pain, postoperative pain, fibromyalgia and neuropathic pain. Low-quality evidence suggested that SNRIs could be used for pain linked to breast cancer treatment, depression, knee osteoarthritis, and pain related to other underlying conditions.

The researchers say only low-quality evidence supports the use of selective serotonin reuptake inhibitors (SSRIs) for depression and pain related to other conditions; and tricyclic antidepressants (TCAs) as a treatment for irritable bowel syndrome, neuropathic pain, and chronic tension-type headaches. (Read more at link)

[sodiumlamp]

Picard

This one started out promising but went downhill fast. They should have called this one "The Icarus Factor II: So Very Tired".

I'll try to keep it short this time. Geordi's still trying to figure out how to get Data separated from Lore, since they're now both stuck in the same body. Euthaizing Data (again) might be an option here, but they need his help to stop the attack on Frontier Day. That's a good way to explain why they don't just dump Data's new body in the sun. He's clearly suffering, but there's too much at stake.

Beverly suspects there might be a way to track or even kill this new-and-improved breed of Changeling Revanchists, but she's worried about the moral implications of using a species' own biology against them. Meanwhile Jack is loaded with survivors guilt, and wants to trade himself to Vadic in exchange for Riker. Also Troi, I would imagine, since Vadic has her too, but Jack doesn't know that. Picard won't allow this, but it does give him an idea to set a trap.

So the Shrike finally tracks down Titan and it looks like it just got disabled in a battle with a "Vulcan warship", also disabled. Was there actually a battle or did they stage the whole thing? Anyway, Vadic is desperate because she can't get any information out of Riker and Troi, so she leads a boarding party and Jack lures them into a bunch of force fields. Hooray!

And then things start to go bad. Somehow Lore takes over all of the ship's systems. I'm not sure what the rest of the good guys' plan was supposed to be, but Lore causes it all to backfire. Jack and Sydney La Forge are trapped with a pair of Changelings, and Jack has to do some sort of telepathic thing to guide her body into defeating one of the Changelings the same way he did.

Meanwhile, Picard and Beverly interrogate Vadic, who reveals her dark origins. She and her comrades were Changeling prisoners held captive during the Dominion War. They were experimented upon by a Federation scientist at the Daystrom Institute, and apparently the goal of the experiments was to make them even better at infiltration? Was the plan to use them as Federation agents? How was that ever going to work? Anyway, Vadic escaped, and she could pass her enhanced powers to other like-minded Changelings. So I guess she was always part of the Changeling plot going on in this season, but why is she posing as a bounty hunter? If her comrades have so much influence in Starfleet, what do they need with the Shrike? Why did she kill those security guys who had captured Riker? She just re-captured him for the same cause.

Anyway, thanks to Lore's treachery, Vadic escapes and takes control of the Titan. Data reasserts control, so may he has a chance to turn the tide, but the episode ends before that can happen.

And that's the problem with this thing. It's a pretty good half-episode, but it's been padded to full-length. Vadic's origin story was compelling, Picard and Beverly's moral dilemma was compelling, Geordi's plea to Data was nice, but what I really wanted was for the good guys to get a win, and they decided to defer that for the next episode.

There's no good reason for this. A lot of time was spent on dramatic pauses and ominous posturing. When Vadic takes the bridge she gives a(nother) long, rambling speech. Then she stops talking, and this really grim, suspenseful music plays, and she.... sits down in the captain's chair. Is that supposed to matter? She already won, what difference does it make that she decided to sit?

The next episode will probably feature the big comeback I was hoping for, but that's the problem. I wanted a mid-story comeback, kind of like what we had when they escaped the nebula a few episodes ago. But now, if the good guys get out of this jam, it'll have to happen in Episode 8 of the season. So then they'll have to immediately move on to the part where they win the whole thing. It's not paced well, is what I'm saying.

Oh, wait, we never saw Worf in this one. In the previous episode he said he would bring back Riker, so maybe he snuck aboard the Shrike or something. Well, this might be worth it after all... but I doubt it.

[religion-is-a-mental-illness]

By: Ari David Blaff

Published: Sep 12, 2021

The National Student Clearinghouse (NSC), a non-profit education organization, published a report earlier this year that ought to have alarmed many Americans. Compared to the prior semester, the decline in male university enrollment was double that of women:

Enrollment declines are steeper for men than for women across all sectors (declined by 400,000 and 203,000 students, respectively). This trend is especially visible in the community college sector, with male enrollment dropping by 14.4 percent compared to a 6 percent decline in female enrollment. Also, the increase of 44,000 female students (+1 percent) is contrasted with a drop of 90,000 male students (-2.7 percent) in the public four-year institution sector.

If this trend continues, an NSC executive confirmed, “In the next few years, two women will earn a college degree for every man.”

This isn’t news, however. While COVID-19 has played a major part in the overall decline in enrollment, the unfortunate reality is that boys and men have been struggling academically for decades. Male and female academic performance began to diverge in the 1950s:

The Harvard economist Richard Murnane has tracked high school graduation rates since the 1970s and concluded that men have essentially stagnated at around 80 percent (slightly below the ~85 percent indicated by the table above), while women continued to rise, today approaching 90 percent. Women are the principal reason that national graduation rates are up.

The educational advancement of women is strange when viewed alongside the floundering of men. By the end of the 2021 academic year, roughly 60 percent of all college students—a record high—will be women. Estimates from the American Student Government Association now peg female leadership at around 60 percent of all student body presidents and 74 percent of vice presidents. Douglas Belkin recently explored these issues in the Wall Street Journal and found that, of the 1.5 million fewer aspiring students who colleges drew in the past five years, 70 percent of the decline was attributed to men. “[H]igher education’s dirty little secret,” as one consultant called it, is now so bad that certain schools have quietly implemented an “affirmative action for boys” to balance the groaning gender disparity.

* * *

This is an unwelcome development for boys already struggling to tread water alongside resilient girls. Boys, particularly black boys, are disciplined at higher levels than girls. In 2017, a team of researchers led by MIT economist David Autor analyzed a decade of Florida schooling records from 1992 to 2002 which revealed that boys were penalized more frequently. Rather than simply comparing gender disparities in suspensions and school absence, the group analyzed brothers and sisters from identical households and discovered that boys received more suspensions and were absent more often despite hailing from the same social environment. Summarizing the research, Jeff Guo wrote in the Washington Post, “It’s not yet clear why girls are so tough, but they seem much better suited to the challenges of modern childhood.” Indeed, childhood adversity holds long-term negative influences for male development to which women appear to be far less susceptible.

These findings were echoed in a study by Brown University’s Jayanti Owens in 2016 that found four- and five-year-old boys were “less likely to learn and more likely to be held back in school” than girls for exhibiting similar misbehaviour. Despite boys exhibiting higher rates of maladaptive behaviour such as difficulty paying attention, “regulating emotions, delaying gratification, and forming positive relationships with teachers and peers,” when such traits manifested appeared in girls, they were treated differently. “Implicit stereotypes,” Owens writes, “may lead to increased grade retention and disproportionately harsh discipline, such as school suspension or expulsion, which in turn are associated with lowered achievement and, ultimately, attainment.”

Since boys are also expelled more, they spend less time in classrooms learning, accelerating the already yawning educational gap behind studious girls. While a host of factors contribute to the ongoing academic struggle of boys—such as single-parent households and the disproportionate influence of low socioeconomic status—administrative discipline compounds these underlying issues. Taken together, boys’ behavioural issues alongside educators’ unequal treatment, Owens estimates, account for nearly 60 percent “of the gender gap in schooling.”

Nor is America exceptional in this regard. Across the mostly developed Organization for Economic Co-operation and Development (OECD), boys are lagging behind girls. A meta-analysis led by a team of Australian academics concluded, “Overall, girls had significantly higher grades than boys by 6.3 percent.” Likewise, male enrollment throughout the OECD has been largely declining since the 1980s.

* * *

The accomplishments of women across the developed world over the past century are truly remarkable and merit acknowledgment. Issues along socioeconomic and racial lines linger, but the trajectory of female inroads in education and employment has blazed a trail for women to achieve a level of success, independence, and autonomy unthinkable even two generations ago.

The same cannot be said of men. Lost education and lost prestige have been exacerbated by an inability to discuss men’s issues thoughtfully. Partly, this is a by-product of the toxicity found in certain corners of the men’s rights movement. However, much of it comes from the corrosiveness of gender politics. Modern Americans struggle to square the stereotype of white male privilege with what the title of Warren Farrell’s brilliant book calls The Boy Crisis.

Speaking with Jerlando Jackson, a department chair at the University of Wisconsin, Douglas Belkin writes that many campuses avoid the issue altogether because of bad optics. “[F]ew campuses have been willing to spend limited funds on male underachievement that would also benefit white men, risking criticism for assisting those who have historically held the biggest educational advantages.” Jackson, an African American academic, argues, “As a country, we don’t have the tools yet to help white men who find themselves needing help … To be in a time when there are groups of white men that are falling through the cracks, it’s hard.” Another issue Belkin highlights has been studied by Keith Smith, a mental health counselor at the University of Vermont. Smith found that men face disproportionate disciplinary consequences for misbehaviour while under the influence of drugs and alcohol. As a result, he proposed the creation of a men’s center catered to helping them through the difficulties of university. Women on campus were having none of it. Smith reported that “Why would you give more resources to the most privileged group on campus?” was a common objection.

Unboxing the illusion of male academic privilege is something that should have been done decades ago. Beyond the extensively documented academic decline of men across most developed nations, boys are far more likely to be disciplined, face expulsion, and therefore lose valuable time learning. Accordingly, boys “report significantly higher rates of grade repetition (by 4.5 percentage points) and lower educational expectations.” These problems are compounded by boys being diagnosed with attention deficit hyperactivity disorder (ADHD) at four times the rate of girls, with the former representing a comfortable majority of special education students. By 2018, when Stanford researchers released a landmark study assessing 10,000 of the country’s 12,000 school districts from 2008 to 2014, the findings could not have been clearer. “In no district,” the New York Times summarized, “do boys, on average, do as well or better than girls in English and language arts. In the average district girls perform about three-quarters of a grade level ahead of boys.” By comparison, gender parity in math scores has largely been achieved, though in some districts boys outperform girls.

Researchers place the roots of academic divergence around the fourth grade as reading habits solidify amongst girls and wither for boys. This produces dramatic consequences for their development as girls subsequently consume approximately 100,000 more words per year than boys. To say, then, that boys and men are “the most privileged group on campus” is to be intellectually stuck in the America of a century ago.

* * *

Unfortunately, it’s such outdated thinking that has left Americans incapable of understanding any issue affecting men beyond hot-take headlines. The reality of boys struggling throughout the educational pipeline is all the more uncomfortable given that these academic environments can be most hostile to them. Gender studies academics who decry “bro culture” and “patriarchy” ignore the tragic condition of some boys today. This enables activist scholars to dismiss reforms that may be beneficial. For instance, the gender reading gap converges later on in earlier adulthood. According to an OECD working paper, once boys and girls “leave compulsory schooling and have greater opportunities to choose their own reading materials or are required to read at the workplace,” they display similar reading skills. So, perhaps greater educational flexibility through revising assigned reading lists would address male reading underperformance better than claptrap about patriarchy and privilege.

Exploring the issue of gender representation at the teaching level could also be an interesting avenue for further inquiry. Since the late-20th century, teaching has actually become more gendered, skewing female. Whereas two-thirds of public-school teachers in the early ‘80s were women, by the 2010s that had crept up to three-quarters. Coupled with the stigmatization male teachers face in a predominantly female profession, we should consider whether the absence of male role models influences the outcome of impressionable boys. After all, racial disparities are shown to have an educational impact. Research from the Brookings Institute notes that the implications have yet to be determined for the teaching gender gap but such questions, once again, fall outside the purview of activists searching for a male bogeyman.

Christina Hoff Sommers documented much of this two decades ago in her seminal work, The War on Boys. “Schools shortchange girls,” the American Association of University Women then declared. Patricia O'Reilly, a professor of education and director of the Gender Equity Center at the University of Cincinnati, argued, “It is really clear that boys are no. 1 in this society and in most of the world.” Evidently, having a ringside seat to the unfolding crisis doesn’t move certain educators. Moreover, these very people have promoted an academic environment in which universities stumble over one another to announce funding, grants, and initiatives for women, while carefully avoiding the third rail of male academic failure.

* * *

The good news is that the issues affecting boys today are not the result of female success; the levers by which we can help men should not come at the expense of women. But that is precisely how gender equality discussions have been framed. The website of the global humanitarian organization Plan International has a page dedicated to explaining “a Man’s Role in Gender Equality Activism” which opens with an instruction that men must acknowledge their privilege. While it is demanded that men “stand with women and girls in their daily struggles for the eradication of patriarchal, sexist, and misogynist constructs,” there’s no mention of the hurdles men face. To suggest that boys might not have it all made within such circles is tantamount to sexism.

This zero-sum competition for sympathy and attention has distorted our ability to be compassionate. Look no further than the well-established fact that men commit the overwhelming majority of suicides across the globe. Instead of addressing the topic as part of a gender equality movement by advocating on behalf of struggling men, the Australian charity, One Woman Project, published a 2019 blog post entitled, “The Gender Disparity in Suicidality is a Myth.” Eleanor McKelvey, the organization's Head of Online Engagement, writes: “[W]hilst it is true that 75 percent of deaths from suicide in Australia are male; suicidality is not an exclusively male epidemic. Women are three times more likely to attempt suicide than men.” What exactly is she fighting about? It seems that the problem is understood as a contest in which the winner is determined by whoever has the more distressing suicide statistics. Distastefully, McKelvey uses the tragedy of male suicide to crowbar in the gratuitous assertion that “young, white, straight cis-men have not been the primary victims of our historically ignorant stance on mental health.” This is the politics of resentment at its worst.

That same year, the Washington Post ran an op-ed entitled, “Why the Patriarchy Is Killing Men,” about this very issue. This is in keeping with incendiary tweets sent by Chidera Eggerue, another prominent feminist commentator, following a question about male suicide. “If men are committing suicide because they can’t cry,” she wrote, “how’s it my concern?” Eggerue insisted that the comments served a higher cause. “My points run deeper and I’m requesting that we create a dialogue about the bigger issue of patriarchy.” If dying men are a political football to gender equality activists, imagine the controversy helping men on campuses would provoke.

The taboo against humanizing the struggles of boys and men must end. True gender equality activists should re-commit themselves to the principle embodied in their name. When we see young men, regardless of race or ethnicity, struggling in school while their female peers glide past them, we should help them, not condemn or belittle them as progressive activists have tended to do. Young boys will be the true victims, falling ever-further behind, if these gender turf wars thwart our ability to speak to and hear one another.

[ Via: https://archive.md/89S4p ]

==

When attempts to help those who need help the most must be conducted in hushed tones for fear of the wrath of shrill scolds, the "privilege" cannot lie where they pretend it does.

We're not supposed to notice that those we're most afraid of, the ones who get their way the most often, the ones who silence, the ones who control policy, are the one who claim to be, or claim to speak on behalf of, the ones who are "marginalized."

"Privilege" is being able to control society - from government to industry to media to entertainment to education - and still pretend you're the real victim.

[unseemingowl]

The Bear and the daily struggle of leadership

Look, we all know it, there are tons and tons of things to love about The Bear. The sharply drawn characters, the way it deals about trauma and addiction and what makes family and community. 

For me personally though, the thing that makes it the most special is the way it portrays the difficulty of leadership and building a good work place.  

I seem to have watched very few tv shows or movies that aren’t about the military that actually takes a long, hard look at this, and that’s usually through an ultimately heroic lens. Though of course, one could say that working in the food service industry is a lot like doing battle, but that’s another discussion. Fact of the matter is that a lot more of us are gonna to go through a kitchen than active duty.

I’ve been a union rep and am still active in the politics at my place of work – and I also write a lot about leadership and management in my current job – so this shit is important to me, and the Bear does it so fucking well y’all. Like so fucking well.

In the Bear we’re shown three different sort of leaders. Mikey, Carmy and Carmy’s former boss in New York. Or what I’d for the purposes of this will call leading through friendship, leading through respect and leading through fear.

Mikey makes confidants of his employees, just like he makes best friends with everybody. That inspires loyalty for sure, but he also does not help them grow, in fact more than once he causes them to demean themselves. Carmy’s former boss pushes his employees to offer their absolute best, becoming the best that they can be, but he also bullies them so terribly that they leave his kitchen traumatized, and gives Carmy the desire to do things differently. Not put others through that.

Honestly, it's amazing how much leadership skills get undervalued considering how many of us have tried what it feels like being at the mercy of a bad leader. Just because you’re good at your job, does not automatically mean you’ll be a great leader of people. A common misconception, one that I see a lot of in my current industry, and other high pressure and/or creative industries. 

But in the Bear, Carmy does actually does make a decent go at it. He proves himself to his employees, teaches them new skills - from his second in command Sydney to the fresher Marcus, delegates responsibility, lifts them up when they fuck up, but he is also willing to assert his position in the hierarchy. He really does so much right, shows that he does seem to have the aptitude for it.   

And he also fails. Fails hard.

Because leading is fucking difficult. And that really is the trick here. I always wanna tear my hair out when people act like whipping an organization or a company back into shape is just about instituting a few new codes of conduct and get rid of one bad apple in the basket.

Sure, those things will help, they’re good first steps, but leadership is putting in effort every day. It’s consciously making the right choice all the time. Because falling back into known patterns is so easy when things get tough.

When Carmy gets put under real, serious pressure, when shit hits the fan, he falls back into what he’s seen before. Screaming, berating, bullying. Because that’s easier. Because he’s human, and even the most well-intentioned people fuck up.  

Carmy’s lucky that he has put in effort before that happens. He’s given his employees a taste of what kind of leader he can actually be. Given enough that they’re willing to come back.

And fuck, I can’t wait to watch the next season to see what kind of leader he’ll be now with that vote of confidence. 

Hopefully his journey can inspire others like him.