#Susan Doll
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Valley of the Dolls, 1967
#valley of the dolls#movies#drama#sharon tate#patty duke#barbara parkins#1960s#vintage#gifs#susan hayward#lee grant#paul burke#tony scotti#1967#1960s movies#my gifs
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Shocking Set (1965)
#shocking set gif#grindhouse gif#60s sexploitation#b-movies#60s movies#susan evans#barry mahon#baby doll dress#vintage tvs#sixties#1965#gif#chronoscaph gif
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Ch207 (p3), You've known me long enough
We get a vague understanding of what life was possibly like for Artie before coming to F. O. L. Orphanage...
...and we learn that Artie and Theo already knew each other before then, too.
But what does Artie mean by telling Theo to not "get scared now" after knowing Artie so long? Afraid of holding a gun... or afraid of Artie? Makes me wonder what Artie did before they both ended up in that orphanage!
Before Artie can elaborate (though he probably wasn't going to right then anyway), he and Theo realize more staff are headed their way.
Of course, that fan translation of the above page was very wrong about what Doll says. She doesn't say she will find a way to keep him/make him hers. No one calls anyone "baby". đźâđš This does not, however, rule out the possibility that Doll tries to have Snake turned into a bizarre doll, if he dies. We do have to worry that bizarre doll Snake might turn against Finny and our earl simply because Finny left him to die. Same problem if Snake somehow lives (which I highly doubt); he could feel abandoned and choose Doll. Snake remaining loyal to our earl might not matter, though; Undertaker could turn him into a basic bizarre doll in order to simply show him off to our earl -- and possibly Finny, too -- later, just to make them feel worse about his death.
The fan translation of the next page isn't nearly as bad. The language here is more formal, but the gist of it was right:
I agree with @fwippysays, who said Finny might be thinking back to his master being arrested, then comparing it to now with Snake dying, because these are moments when Finny feels powerless to help those he cares about.
I hope Snake hears Finny's heartfelt apology for leaving him behind. Thankfully, the snakes are there to witness this: that Finny wanted to destroy Doll and take Snake with him. It's just that he felt he had to focus on their mission, otherwise Snake's death would be in vain.
Now what? Kill the approaching staff?
If Snake dies, I hope the snakes paralyze Doll and find the kids outside. Then they could burn the barn down. No bodies, no bizarre dolls.
#black butler#kuroshitsuji#ch207#artie#theo#theodore#finny#finnian#mabel#oliver#snake#snake's snakes#doll#fol orphanage#head matron#susan#assignment#our earl#earl phantomhive#chapter release#chapter review#chapter analysis#part three#part 3#dec 18 2023
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Marvel & DC Barbies
#barbie#mattel#dolls#doll collector#dc#marvel#dc comics#superhero#villian#harley quinn#poison ivy#cat woman#super girl#bat girl#black canary#wonder woman#storm#mystique#pheonix#jean grey#mary jane watson#black widow#susan storm#invisible woman#elektra#mcu#fantastic four#toys#xmen#pamela isley
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A Tea Party
Is this another Gravity Falls fan fic?! I've been hooked on Gravity Falls (again). Anyways, enjoy something fun!
Links: ao3, tumblr, masterlist
âOne order of our hotcakes! Coming right up!â you call out with a wide smile, effortlessly weaving between tables and customers. The Greasyâs Diner is packed to the brim, the clatter of cutlery and hum of conversation creating a symphony of Friday evening energy. The smell of sizzling bacon and freshly brewed coffee fills the air, mingling with the sweet scent of syrup as you glide past a table where a stack of pancakes is being devoured by a group of teenagers.
The diner itself, a quaint train car labeled "Gravity Falls 1883," is a relic of the townâs history, and tonight, itâs alive with the warmth and nostalgia of simpler times. The worn leather booths are filled with families and friends enjoying classic American comfort foodâhamburgers, pancakes, biscuits and gravy, soda, and milkshakes, all made to satisfy both hunger and soul.
Lazy Susan, the heart and soul of the diner, oversees everything with her usual charm, her one perpetually closed eye giving her an endearing, slightly mysterious air. Sheâs been running this place for as long as anyone can remember, and her infectious laughter can be heard even over the din of the crowded room.
âHey!â you shout over the noise as you approach the open window to the kitchen. âGot another ticket for ya!â You bend down a metal wire to pin the slip of paper, letting it snap back up with a satisfying twang.
âThanks, (Y/n)!â The chef, whose name youâve yet to recall, shoots you a playful finger gun, his other hand expertly flipping an omelet on the stove. The kitchen is a sensory overload of sizzling fats, bubbling sauces, and the constant rhythm of plates being prepped and passed out.
âNo problem, dude,â you reply, smirking as you return the finger gun, before making your way back to Lazy Susan. The older woman is deep in conversation with a couple at the counter, their discussion sprinkled with the latest gossip from Gravity Falls. You catch snippets of their chatterâa local kid has gone missing, and the only clue left behind is a tiny red shoe fit for a doll.
You roll your eyes internally. Probably just some runaway who ruined the carpet with too much of playable slime, you think, stifling a grin. Parents can be scarier than any of the weird creatures around here.
âHey there, ladies!â
Your attention snaps to the front door just as you reach for a glass to prep another milkshake. A grizzled old man saunters in, his hand raised high in a wave thatâs a little too enthusiastic for someone his age. Heâs got two kids in tow, and his black suit, with the missing fez, oozes with charismaâor at least, his version of it.
The boy, who you quickly recognize as Dipper, follows behind, rubbing his elbow, clearly embarrassed by the old manâs antics. The girl, Mabel, matches her great-uncleâs energy, waving confidently at the diner patrons as they find an empty booth.
You set down the rag and milkshake glass, grabbing three menus instead. The large red letters reading "Greasyâs Diner" stand out on the covers, framed by retro designs that scream classic Americana.
As you approach the booth, you paste on your best customer-pleasing smile. âEvening, Stan!â you say brightly, handing him a menu before turning to the twins. âHow are you, Mabel?â You purposely ignore Dipper, even going as far as handing his menu to Mabel.
Dipperâs mood shifts the moment he spots you. He straightens up, as if caught off guard by your presence. â(Y/N)ââ he start.
Mabel, ever the bubbly one, beats him to it. â(Y/n)! Youâre working today!â
You smile back, genuinely pleased to see her. âYep. Friday nights are usually the busiest. Wouldnât want to miss out on the money.â
Stan cuts in with a wide grin, his voice booming across the diner. "Why, I like my money like I like my pancakes! Stacked high and never touched by anyone but me!" He chuckles, clearly pleased with his joke, and then adds, âOnly I know how to properly appreciate a good stack!â
You laugh, though itâs a bit forced, but you appreciate the effort. Heâs still a paying customer, you remind yourself, though you canât help but find some amusement in his antics. âSo, a stack of fresh, hot pancakes for you, then?â
âYou betcha!â Stan says, swinging his arm proudly.
You turn your attention to the twins, holding your notepad ready. âAnd what about you two?â you ask, curiosity lacing your voice as you wait for their orders.
Dipper glances up at you, his confidence returning just a bit. âIâll have the, uh⊠the usual,â he says, trying to sound nonchalant, but thereâs a hint of something in his voice.
Mabel beams, clearly more interested in the interaction between you and her brother than the menu. Her eyes darts between the two of you. âIâll have the biggest milkshake you can make!â she chirps, her eyes sparkling with excitement.
As you jot down the orders, you canât help but notice the way Dipperâs gaze lingers on you, almost as if heâs trying to figure you out. Thereâs something different in the air tonightâan unspoken tension thatâs annoying.
Walking away, you pin the order slip to the metal wire with a little more force than necessary, the clatter echoes in the busy diner. You try to shake off the strange feeling lingering from Dipperâs gaze, but it nags at you. Whatâs his problem, anyway?
Itâs not the first time Dipperâs actions have left you feeling sidelined. You canât help but remember the countless instances where his obsession with solving mysteries and spending time with Grunkle Ford took precedence over his promises to you. One memory, in particular, stands out:
A few weeks ago, you, Dipper, and Mabel had planned a simple day out togetherânothing special, just some time to hang out, grab ice cream, and maybe catch a movie. It was supposed to be a break from all the supernatural chaos that constantly surrounded Gravity Falls.
But then, just as you were about to head out, Dipper received a call from Grunkle Ford. There was some new anomaly that needed investigating, and in an instant, Dipperâs focus shifted entirely. âIâm really sorry, but Ford needs me for this,â he had said, already halfway out the door before you could respond. âWeâll hang out later, I promise!â
âLaterâ never came. Dipper had spent the entire day with Ford, lost in whatever mystery they were unraveling. You wouldnât even had mind his behavior, if he bothered to invite you!
You had tried to brush it off, telling yourself that Dipper didnât mean any harm, that he just got caught up in the moment. But it wasnât the first time this had happened. There were other days, other plans that had fallen because of some mystery that he had to solve with Ford. And it wasnât just the cancellations. Even when you did something thoughtful for himâlike covering for him during one of his late-night research sessions or helping him decode a cryptic passage in the journalâhe rarely seemed to acknowledge it. There were no thanks, no gestures to return the favor. It was as if he took your support for granted.
Over time, those small slights and unfulfilled promises built up, leaving you feeling more like a convenient sidekick than a true partner in his adventures. You had your own interests, your own life, but it often felt like Dipper only noticed you when it served his latest quest.
You huffed loudly, to no one in particular, and busied yourself by filling up three glasses with water and ice, but your mind keeps drifting back to Dipper. Maybe heâs just trying to get under your skin, like usual. You roll your eyes at the thought, but the annoyance doesnât fade.
âHowâs the shift, sweetie?â An older man beckons you over, his warm smile instantly putting you at ease.
You return the smile, walking over to him with a friendly nod. You place the cups on a round silver tray, the ice clinking gently in the glass cups. âItâs busy, but thatâs how I like it. How about you? Howâs your evening going?â
The man chuckles, adjusting his cap. His finger laces around a mug of dark fizz, soda you presume. He brings it to his lips for a sip. âOh, just fine. Iâve been coming to this diner since before you were born, I reckon. Always a pleasure to see a new face behind the counter. Youâre doing a great job, kid.â
You laugh softly, leaning on the counter as you chat with him. âWell, thanks! Iâm just trying to keep up with the pace around here. Greasyâs is a pretty lively spot.â
As you continue your pleasant conversation, you notice the older manâs eyes light up as he talks about his favorite memories of the diner. You find yourself genuinely enjoying the exchange, smiling and laughing as the workday stress melts away.
However, unbeknownst to you, Dipperâs expression darkens as he watches you and the older man chatting. Heâs hands are clenched a little too tightly, and his jaw is set in a way thatâs impossible to ignore.
Just as the older man begins telling a story, you hear a commotion coming from the booth where Dipper and his family are seated. Mabel is leaning across the table, whispering something to Stan with a mischievous grin. Her brother glances at them, his eyes narrowing slightly, and suddenly, you have the distinct feeling theyâre plotting something.
Your suspicion is confirmed when Mabel raises her hand, calling you over. â(Y/n)! Can we get some extra napkins? I think weâre gonna need them!â
You raise an eyebrow, but nod, grabbing a handful of napkins from the dispenser and the round tray of ice cold water. As you approach their table, you notice Stan looking far too innocent, while Dipper avoids eye contact altogether, staring intently at the salt shaker as if it holds the secrets of the universe.
âHere you go,â you say, handing the napkins to Mabel. She beams up at you, but thereâs a glint in her eye that makes you hesitate. You smoothly slide the cups of water to each customer. Somethingâs definitely up.
You glance at Stan, whoâs grinning behind his menu, clearly trying to suppress a laugh. The con-man is a walking prankster, and with Mabel involved, thereâs no telling what theyâve cooked up. Dipper finally peeks up at you, his cheeks slightly flushed, but he quickly looks away again when he catches your gaze
âThanks, (Y/n)! Youâre the best,â Mabel chirps, her tone a little too sweet. Before you can respond, she "accidentally" knocks over her cup of water, sending a cascade of ice cubes and liquid spilling across the tableâright onto Dipperâs lap.
Dipper jumps up with a startled yelp, grabbing the napkins to frantically blot at the spreading wet patch on his pants. âMabel!â he hisses, his face turning a deep shade of red.
âOh no! Dipper, Iâm so sorry!â Mabel exclaims, though the grin tugging at her lips betrays her true feelings.
Stan bursts out laughing, slapping the table with delight. âThatâs my girl! Good one, Mabel!â
You bite your lip, trying not to laugh, but the sight of Dipper, usually so composed and serious, flailing around like that is too much. A snort escapes before you can stop it.
âOh, so you think this is funny, huh?â Dipper snaps, glaring at you, but thereâs no real anger in his voiceâjust frustration mixed with embarrassment.
âMaybe a little,â you tease, crossing your arms and raising an eyebrow. âNeed some help, or do you got this?â
Dipperâs eyes narrow as he grabs a handful of napkins, blotting at the mess. âIâm fine, thanks,â he mutters, though the wet stain on his shirt suggests otherwise.
Mabel, still giggling, tries to cover for her brother. âCome on, Dipper, itâs not that bad. Besides, maybe (Y/n) can help you clean up. You know, since sheâs so good at her job.â
Youâre about to retort when Stan cuts in, still chuckling. âYeah, yeah. And maybe after that, you two can work out all that weird tension between ya. Itâs like watching a soap opera in here!â
Your cheeks heat up, and you shoot Stan a glare, but he just leans back, completely oblivious to how uncomfortable his comment made you feel. Dipper, on the other hand, looks like he wants to crawl under the table and disappear.
Trying to regain your composure, you grab a clean towel from the counter and toss it to Dipper. âHere, use this. And next time, try not to wear your drink.â
Dipper catches the towel, his expression softening slightly as he mumbles, âThanks.â
You nod, turning to leave, but not before catching a glimpse of the small, appreciative smile heâs trying to hide.
As the evening continues, you find yourself busy with the usual rush of orders, but your mind keeps drifting back to the incident with Dipper. You canât quite shake the image of his flustered expression or the way his eyes softened when he thanked you. Itâs confusing and⊠uncomfortable? You couldnât quite place a finger on it.
You glance over at the Pines family every now and then, noticing how Mabel happily slurps her confetti milkshake, chattering animatedly about a theater show she wants to see, while Stan devours his stack of pancakes. Dipper, on the other hand, seems quiet. Heâs eating his burger, but his gaze occasionally flickers toward you, as if heâs lost in thought.
When the dinner rush finally starts to wind down, you take a moment to catch your breath, leaning against the counter. The atmosphere in the diner has mellowed out, with fewer customers and the soft hum of the radio becoming more apparent. Youâre just about to head back to the kitchen when you notice Dipper standing up from the booth, his eyes scanning the diner before they land on you.
He hesitates, looking like heâs about to say something, but then he glances at Mabel and Stan, who are still engrossed in their meals. With a deep breath, Dipper makes his way over to you.
âHey, (Y/n),â Dipper greets you, leaning against the counter. His hands are fidgeting with themselves. âSo, have you heard the latest rumors about the missing kid?â
You raise an eyebrow. âYou mean the one about the abducted children and the tiny red shoe they found at the latest crime scene?â
Dipper nods. âYeah, thatâs the one. I was actually going to check it out tonight. You know, see if I can figure out whatâs really going on.â He pulls out a journal with the number three, flipping to a page. He flips it around and brings it up to your face. âYou see, Ford and I took a sample from the scene and we think it has to do with thisâŠâ
You glance at the page in the journal, which features a cute drawing of a Victorian style doll with a pair of cartoonish eyes. âThe doll: âPolly?â Whatâs that supposed to be?â
Dipper leans in, his expression serious. âThe story goes that Polly was once a beloved toy of a child who went missing years ago. Since then, sheâs been wandering the town seeking lonely children to kidnap, hoping that one of them will love her.â
You raise an eyebrow. âAnd how exactly does she lure these kids?â
Dipper continues, his voice low. âItâs said that Pollyâs presence is accompanied by a soft, haunting melody that only children can hear. She creates illusions of a warm, inviting home and plays with them until they trust her. Once theyâre close enough, she tries to entice them to follow her and stay with her forever.â He clears his throat and notes quickly, âThough, Grunkle Ford never actually saw Polly. He only heard rumors and descriptions of her from other creatures heâs encounter.â
Scoffing, you place a hand on your hips and take a step back. You try to keep your tone casual, but a hint of sarcasm slips through. âPolly sounds like something straight out of a horror movie, Dipper. Who knows, maybe those monsters actually lied to Ford? Maybe she doesnât even exist.â
Dipperâs voice raises in annoyance. Heâs taken aback by your unbelief. âIt might sound like a clichĂ©, but the evidence weâve found aligns with the description.â He points exaggerately at the image of the doll. âThe missing children reports suggest something unusual is going on. If thereâs even a chance that Polly is involved, we need to deal with it.â
You rolled your eyes, your frustration bubbling to the surface. âWhoâs we? You didnât need me then, so why do you need me now?â
Your words carry a sharp edge, and Dipper flinches slightly, clearly catching the reference to that time he stood you and Mabel up for monster hunting with Grunkle Ford.
Dipperâs eyes narrow slightly, but he doesnât back down. ïżœïżœïżœI know I ditched you, but this is different. This is about doing what we can to protect people. Donât you want to protect Gravity Falls?â He waves a hand around at your customers. Their happy faces pangs your heart.
âThere is no we in this, Pines,â you snap, shaking your head as you let out a loud, frustrated sigh. Pinching the bridge of your nose, you try to keep your irritation in check. âLook, I have enough on my plate as it is. I donât want to get involved in another one of your mystery adventures.â You glance away, making your frustration obvious. âWhy donât you go ask Ford?â
Dipper shifts uncomfortably, his resolve wavering for just a moment before he steels himself. âFordâs busy with his own stuff, andâlook, I know it sounds crazy, but youâve got a knack for handling these situations,â he insists, his voice firm but pleading. âI wouldnât ask if I didnât think you could help.â
You scoff, crossing your arms and refusing to look at him. âOh, so now you need me? Where was that when you ditched us for Ford last time?â
Dipperâs face tightens, but he doesnât back down. âI messed up then, I get it. But this isnât about the past. Itâs about whatâs happening right now. Weâre dealing with something dangerous, and I need someone I can count on. I need you.â
His words hang in the air, and for a moment, you can see the sincerity in his eyesâthe same eyes that had once dismissed your insecurities about your friendship as unpredictable and unnecessary. Itâs infuriating how he can just flip the script when it suits him, but thereâs something about the way heâs looking at you now that gives you pause.
You let out a heavy breath, still reluctant but sensing the gravity of the situation. âFine,â you mutter, half-annoyed, half-concerned. âBut donât think this means Iâve forgiven you. And if we end up in another life-threatening situation, youâre on your own, got it?â
Dipper nods, his expression softening with relief. âGot it. And⊠thanks. I wonât let you down this time. Iâll meet you at the house where the last kid was abducted at midnightâ
You roll your eyes, but the slight dip in your guard shows that maybe, just maybe, youâre willing to give him one last chance. You walk away from the counter, feeling the weight of the evening ahead pressing down on you. The clockâs hands tick around the circle, and midnight approaches with relentless inevitability. Youâve already wrapped up your shift at Greasyâs Diner, and now, at home, youâre preparing a backpack filled with adventuring tools: a flashlight, a multi-tool, and a first aid kit. You double-lace your shoes, mentally preparing for whatever challenges the night might bring. The last thing you want is to be caught unprepared.
You glance up at the wall clock; it reads 11:40 PM. A deep dread settles in the pit of your stomach. This was the last thing you wanted to be doing today. With a resigned sigh, you throw on a thick jacket, feeling its weight as a reminder of the cold night ahead. You flick off the lights and check to make sure everything is in order.
Your aunt and uncle, exhausted from the day, had fallen asleep hours earlier. Their snoring from the bedroom reassures you that theyâre not likely to wake up anytime soon. You quietly slip out of the house, making sure the door is securely locked behind you.
Outside, the chill of the night air bites at your cheeks as you pull the hood of your jacket up and shove your hands deep into your pockets. The quiet of the neighborhood is both eerie and comforting. The streetlights cast long shadows, and the only sounds are the distant hum of late-night traffic and the occasional rustle of wind through the trees.
You approach a rustic home made entirely of wood, from its walls to its rooftop. Itâs wrapped with yellow tape from police officers, warning you to keep out of the crime scene. Beside the home is an old, beat-up vehicle parked in front of a small garage. The paint on the car is scratched and damaged, indicating itâs well-loved. On the small lawn was a pink plastic flamingo. A pair of sunglasses sat on top of itâs large beak.
You wait by the picket fence, hoping the neighbors wonât notice you loitering around. Glancing up at the stars, you notice they twinkle brightly, as if calling out to you.
Finally, Dipper arrives, huffing and puffing as he catches his breath. âYou ready?â
You nod, pushing aside your lingering dread. âYeah, letâs get this over with.â
You follow him as he leads the way, your footsteps crunching softly on the gravel path. Dipper ducks beneath the yellow tape, and then holds it higher to allow you to follow suit. The house is old and weather-beaten, with overgrown weeds encroaching on the yard. The dim light from a single streetlamp flickers erratically, casting eerie shadows.
Dipper stops near the front porch and pulls out a small flashlight, its beam cutting through the darkness. âWeâll start by checking here. Polly might have left more then just a red shoe behind.â He cracks open the slightly ajar door, it creaks loudly, notifying you of his rusted hinges.
As you both begin your search, the air grows colder, and the silence becomes almost deafening. The occasional creak of the house seems unnaturally loud. You move cautiously, scanning the area for anything out of place.
You approach a pile of toys in the living room, noticing some are faded and worn, while others are oddly pristine. âHey, Dipper!â You call out to him. As he approaches, you knelt down and pick up plastic toy horse. âItâs like theyâve been left here for a while.
Dipper crouches down and examines them more closely. âPolly might use them to lure children, making it seem like sheâs offering friendship.â
Your eyes fall on a small, delicate music box among the toys. Its paint is chipped, but itâs still intact. âThis music box could be important. Do you think itâs connected?â
Dipper picks up the music box, turning it over in his hands. âMaybe. The journal mentioned a haunting melody. If this is what Polly uses, it could help.â He tilts it to one side, noticing a handle sticking out of the container. The brown haired boy begins cranking it, slowly and firmly until a melody begins playing.
You and Dipper stand frozen, recognizing the song. The music boxâs tune lingering in the air, its hauntingly beautiful melody now accompanied by a ghostly, girlish voice singing softly in your minds. The eerie lyrics resonate with an unsettling charm:
Twinkle, twinkle, little star, follow me, we wonât go far. In the woods where shadows play, come with me, weâll laugh and sway.
Skip and hop, the night is bright, in the dark, weâll find delight. Close your eyes, and hear the tune, magic whispers, come real soon.
Twinkle, twinkle, stay with me, in this land of mystery. Through the night, and past the trees, letâs discover what thereâs to see.
A shiver runs down your spine, and you glance nervously at Dipper, your throat tightening as a thick lump of fear settles in. âD-Did you hear that?â you whisper, your voice trembling.
Dipperâs face pales as he nods slowly, his eyes wide with apprehension. âYeah, I heard it. Itâs like the song is trying to reach out to us.â He takes a deep breath, trying to steady his nerves. His expression is resolute. âLetâs follow the melody.â
You shake your head, vehemently disagreeing with the person you thought was bravely foolish. âLook,â you took a step back and put your hands palm facing towards him. âIâm done with whatever this is. Ghosts? Monsters? Fine. But haunted dolls? Absolutely not. You and your endless mystery adventures can take a hike.â You jab your thumb back toward the door, making it crystal clear that this isnât your cup of tea.
Dipperâs eyes narrow, his face hardening with determination. âI get that youâre scared, but this isnât the time to back out. Weâve already started, and if we donât follow the melody, we might miss a chance to stop whatever Pollyâs planning.â
You cross your arms, scowling. âYou think youâre so brave, donât you? Always jumping into the unknown without thinking things through. Maybe youâre used to getting yourself into these messes, but Iâve got my own limits.â
Dipper takes a step closer, his tone sharp. âThis isnât about being brave or foolish. Itâs about saving children before they all die.â
You glare at him, frustration clouding your judgement, developing your words into something more raw, more painful. âThatâs all you care about, isnât it? The adventure. The thrill. Youâve never once stopped to think about how this affects the people around you.â
Dipperâs taken aback, his expression faltering for a split second before he quickly recovers. âThatâs not true. I care aboutââ
âAbout what? About saving the day? About being the hero?â You cut him off, your voice trembling with the weight of everything youâve been holding back. âBut what about me, Dipper? What about the fact that every time you drag us into one of your mysteries, weâre the ones who have to pick up the mess? You donât even care that Iâm scared out of my mind right now.â
Dipper opens his mouth to argue, but no words come out. He looks at you, really looks at you, and for a moment, you think he might finally understand. But then he shakes his head, his eyes show a lack of emotion, of empathy. âI do care, but itâs not about what we want or how we feel. Itâs about doing whatâs right.â
Your heart sinks, the finality of his words hitting you like a punch to the gut. âOf course,â you say bitterly, turning away from him. âItâs always about solving the mystery.â
Dipper reaches out, as if he wants to say something more, but you step back, avoiding his touch. The silence between you is heavy, filled with everything thatâs been left unsaid.
You clench your fists, feeling a mix of anger and something else you canât quite name. âFine. But donât expect me to follow blindly. If weâre doing this, you better have a plan that doesnât involve us ending up as Pollyâs next victims.â
The boy swallows his words, and turns away. âNo problem,â Dipper says sarcastically, waving a hand dismissively as he heads towards the back door, the music box in hand. âFollow me. I bet I know where this thing is leading us.â
You both trudge through the dark woods, your flashlights cutting through the shadows that dance ominously on the tree trunks. Dipper had tossed the music box to you, instructing you to wind it up repeatedly. Despite the incessant, irritating melody, thereâs something oddly soothing about it, a small comfort amid the tension.
âSo,â you call out, peering over Dipperâs shoulder, âwhere exactly are we headed?â
Dipper is focused on journal 3, which heâs holding with a purple flashlight. The light reveals hidden text, and a small drawing in the corner, depicting field of flowers and a tea party, surrounded by doodles of stars.
He glances at you. âWeâre trying to find this.â He points to the vague, almost insignificant drawing. âThe rumors claim that Polly in a clearing by a lake.â
ââŠand you know where this is⊠how?â you ask, skeptically.
âIntuition,â Dipper replies with a shrug, as if itâs obvious. âBut mainly because the music box is guiding us. Itâs like a beacon. Without it, weâd be stumbling around blindly.â
You pause in step. Your eyes widen in disbelief. âSo, youâre telling me that if we wander around randomly in the forest, weâll eventually find Polly?â
âThatâs the plan!â Dipper grins, looking both confident and a bit foolish.
You scowl, feeling a mix of irritation and reluctant admiration. âGreat. So weâre just hoping the music box is as good as you think it is. I suppose if we end up lost or worse, we can thank your âintuitionâ for it.â
Dipperâs grin falters slightly, but he maintains his proud expression. âWeâre in this together now. Just keep winding the music box. Weâll find our way.â
You mutter under your breath, but your grip on the music box tightens. Despite your irritation, youâre almost envious of his lack of doubt. As you both push deeper into the forest, the night seems to close in around you, the eerie melody from the music box being the only grounding normalcy.
Finally, you notice the peaks of flowers emerging from the ground, growing more abundant as you approach. Beyond them, a clearing beside a lake comes into view. Then, your eyes fell onto the tea party that was described in the book.
What catches you off guard is the sight of an elaborate setting, a scene that would ordinarily evoke quaint charm but now strikes you as profoundly unsettling. The long table, set with intricate lace tablecloths, is laden with porcelain teapots, delicate cups, and an array of pastries that seem untouched, as if waiting for guests who will never arrive.
Seated around the table are numerous stuffed animals, each dressed in pastel-colored dresses and suits that shimmer softly in the moonlight. They sport tiny hats and monocles, their glassy eyes reflecting the dim glow of the shining stars. The stuffed animals are arranged as if in the middle of an animated conversation, their poses frozen mid-actionâa teddy bear holding a teacup; a bunny poised with a strawberry, glazed scone; a dog with a red bowtie sitting politely; and a duck in a dapper suit, all seemingly caught in a moment of eternal tea-time.
Pastel balloons are tied to the backs of the chairs, their soft, muted colors creating a deceptive air of festivity. The balloons sway gently with the breeze, casting playful shadows that flicker across the scene. The entire setup exudes an air of mock merriment.
However, the true horror reveals itself as you take in the sight of the missing children sitting in between each stuffed animal They are sprawled around the table in a disturbingly serene manner. Their bodies positioned as though they had simply fallen asleep amidst the party. Their heads hang limply to the side, faces expressionless, and their mouths slightly ajar. Not a single noise escaped them as their pale faces barely take in a breath of air. Their clothes, once vibrant with life, now look out of place amidst the cheerful pastel decor.
The air is heavy with an unsettling stillness, and the soft, haunting melody from the music box persists, filling the silence. The childrenâs passive forms etch themselves into your mind, a haunting image that you know will stay with you.
Your breath hitches. You take a step back, your foot crushing a delicate poppy. âI-I donât thinkââ Panic surges up your throat, choking off your breath and words. The sight is overwhelming, and you struggle to process it.
Dipper turns around and looks at you. You can see the frustration in his expression, the way his jaw tightens as he glares at you. âAre you seriously going to bail now?â he snaps, his voice edged with impatience. âWeâve always gotten through everything because we stick together. And now youâre just going to walk away?â
His words cut through the fog of your fear, anchoring you to the present. You glance up at him, seeing the earnest resolve in his eyes. But the sight behind himâthe children, so unnaturally stillâwonât leave your mind. âDo you see that?! What could your plan possibly do againstââ You gesture wildly at the scene, your voice trembling with a mix of fear and disbelief. âThat?!â
Dipperâs face hardens as he hears your hesitation, and thereâs a flash of anger in his eyes. âYou think I donât get it? This is terrifying. But youâre the one person I thought I could count on, and youâre leaving on me when I need you the most?â
His words sting, and you can feel the weight of his disappointment pressing down on you. The sight of the children, so disturbingly still, tugs at your resolve. Your breath hitches again, the overwhelming situation pulling you in different directions.
âYou think I donât understand?â you counter, your voice shaking with fear and frustration. âThis is too much! Youâre acting like Iâm just supposed toââ
Before you can finish, Dipper interrupts, his tone softer but still firm. âLook, I know Iâve messed up. Iâve said and done some things I shouldnât have. But right now, we need each other.â He ends, confidently.
Itâs so dismissive that it leaves you wide eyed in disbelief. He actually doesnât care about you.
With a heavy sigh, you finally relent. âOkay, okay,â Feeling the weight of the situation and his words, you place two hands up in mock surrender. âWhatever. Iâll stay.â
Dipperâs face softens slightly, though the tension remains. Without another word, he begins walking up to the clearing. The faint glow of his flashlight dances ahead, casting flickering shadows on the walls. You follow closely behind.
As you approach the long table, your eyes are drawn to a striking figure perched at the head of the table. There, on top of a tall, ornate stool, sits a stunning Victorian doll, commanding the center of attention. Her golden blonde curls are meticulously arranged, cascading down her back. Atop her head is a baby pink bonnet with an elaborate lace trim, secured with matching ribbons that flutter gently in the breeze, as if beckoning you closer.
The gown is a soft pastel shadeâbaby pinkâadding to its ethereal charm. The bodice of the dress is fitted, accentuating the doll's delicate form, and features a high lace, white collar that frames her porcelain neck with intricate patterns. At the center was a bright blue broach.
The skirt of the dress featured multiple layers of fabric. The top layer of the skirt is adorned with delicate lace trim, which falls in soft, scalloped edges, and is decorated with tiny rosettes. The hem of the skirt is finished with a delicate lace ruffle, giving it a dreamy, almost fairytale quality.
On her feet were a pair of lace socks. One foot had an accompanying red shoe. The other was missing it.
You look at Dipper, who is also frozen, his eyes wide with uncertainty. Before he can speak, a loud, shrill voice interrupts.
âUninvited guests!â The voice echoes through the clearing, causing both of you to jump.
Your gaze snaps to the source of the voice. You scan the attendeesâstuffed animals and the motionless childrenâbefore your eyes settle on the doll. Her beautiful porcelain face, pale and delicate, displays two rosy cheeks and a soft, closed smile. Her eyes are shut tight, but a chill runs down your spine as you wonderâdid she just... speak?
The voice carries a singsong quality as it continues. âWelcome to my party, but youâre terribly late! The fun is about to begin, and I do hate to wait.â The dollâs arm raises slightly, her hand perpetually open. Though she cannot truly point, the gesture directs your attention toward two chairs set at the far end of the table. These chairs, ornately decorated, are clearly intended for the guests of honorâchairs that seem to beckon with a chilling invitation.
The air grows colder, and the haunting melody from the music box had long since muted in place. The dollâs gaze remains fixed ahead, her closed eyes concealing whatever dark intentions lie behind them.
âYouâre just in time for tea,â the doll continues, âSo come and sit, donât let it be.â
Dipper shifts his weight from one foot to another. He glances at you, and then says. âO-Oh um, weâre not hereââ
You interrupt him, your voice laced with urgency. âSure! Donât mind if we do!â You grab his arm and yank him along, leaning in close to his ear. One hand shields his ear from the dollâs sight as you whisper harshly, âWe have to play along. Donât make it angry, Dipper. The last thing we need is for that thing to think weâre party crashers.â
Dipperâs eyes widen in realization, and he nods vigorously. âOkay. Sure. That sounds good.â He gives three uncertain confirmations.
You both approach the ornate chairs at the head of the table, their plush, pastel-colored cushions inviting and deceptively comforting. As you sit, the cushions mold around you, cradling your weight with a softness that feels almost too soothing, as if coaxing you to relax.
The dollâs face remains fixed in its serene smile, her closed eyes seemingly gleaming with satisfaction. Her hand drops back down to her side, and instead, a white teapot adorned with pink bows rises from the table, hovering gently in the air.
With a whimsical lilt in her voice, the doll says, âI do hope youâre hungry, for tea and cake weâve got. But before we begin, a little jokeâdonât you think thatâs a lot?â
She pauses, as if waiting for a response, then continues with a playful tone, âWhy did the teacup frown and pout? It lost its sugar and cream, without a doubt!â
The eerie laughter that follows is almost mechanical, as if itâs been rehearsed. The stuffed animals begin to jiggle and bounce in their seats. Itâs as if the stuffed animals are performing a grim, choreographed routine, their movements and laughter meticulously timed. Their glassy eyes seem to twinkle with an artificial delight, their stitched smiles stretching wider as they moved merrily.
You exchange a tense glance with Dipper, the bizarre nature of the scene amplifying your unease. You offer a stiff chuckle, which Dipper mirrors, attempting to blend in with the strange atmosphere.
Instantly, the laughter ceases, as if it were a switch that had been flipped. The sudden silence is nerve-racking, making your stiffened smile feel even more out of place.
The teapot glides across the table, its movements smooth and deliberate. It pauses in front of your and Dipperâs tea cups, the spout extending as it begins to pour a dark liquid. The steam curling from the cups carries a faintly burnt scent, mingling with the underlying bitterness.
The teapot sets itself down softly onto a lace doily, the porcelain clinking gently. You observe the tea as it settles in the cups, the dark liquid swirling slightly with the motion.
Her mechanical, yet oddly enchanting voice chimes in. âWould you like some milk or sugar in your tea? Or perhaps both, to make it sweet and neat?â Her eyes remains closed, her head was set straight, neither looking or tilting to observe the both of you.
The jar of sugar cubes and the small pitcher filled with milk lift gracefully into the air, floating over toward you with an almost magical precision. The dollâs eyes remain closed, but her posture is expectant, as if eagerly awaiting your choice.
Dipper glances at the hovering items, then at the doll. âUm⊠neither?â he says hesitantly. The dollâs serene smile twitches at the edges, her head tilting slightly to the side in a manner that seems almost disappointed.
A moment passes. One long moment.
You can almost feel the shift in atmosphere, a cold weight settling over you as you realize the dollâs displeasure. To avoid any further ire, you swallow hard and stammer, âS-Sugar⊠please.â You quickly add, âThank you,â hoping to placate the doll and salvage the situation.
Pollyâs smile smoothly returns to its original, serene curve. She straightens her head back to its normal position, her posture relaxing as if satisfied with your response.
"How many sugar cubes shall I add?" Polly inquires, her shrill voice directs its attention towards you. "Just one? Or two? Or perhaps moreâmake sure to choose with care, for sweetness brings delight or despair."
Her hand, though rigid and fixed, seems to gesture towards the jar of sugar cubes with an almost imperceptible twitch, as if hinting at the gravity of your decision. She giggles, enjoying her jokes.
âT-Two is fine,â you squeak out, your voice trembling with fear.
Two sugar cubes, lifted by a silver spoon, float gracefully from the jar and tumble into your tea, where they dissolve into the dark liquid with a soft hiss. The milk and sugar set themselves back on their respective lace doilies with a gentle flutter.
An oppressive silence falls over the clearing. The stars above shine brightly, but their light only amplifies the eerie stillness of the fieldâno insects buzz, no rustling from hidden creatures. Just an unsettling quiet.
âDrink,â Polly demands, her voice now stripped of its rhyming whimsy. The sudden shift in tone sends a chill down your spine. Your gaze flits between Dipper, the doll, and your cup of tea, the weight of Pollyâs command pressing down on you as you reluctantly prepare to sip.
As you lift the cup to your lips, your hand trembling, Dipper suddenly springs to his feet.
âActually um,â Dipper begins, his voice slightly wavering but attempting to sound confident, âweâre not here to play. We wanted to ask you a question.â He glances over at you, visibly relieved that the focus has shifted off the tea, but his satisfaction quickly fades as he sees the dread in your eyes.
Pollyâs eyes suddenly snap open. They are a startlingly bright blue, the same shade as the broach on her dress. Her gaze locks onto Dipper, the intensity of her stare making you squirm.
Polly's grin remains fixed, her lips curling slightly as she begins to speak in a sing-song.
âQuestions and answers, the game we play, but you must sip your tea before you sway. Ask away if you dare to pry, but remember, thereâs no going back once you try.â
Her eyes twinkle with a hint of mischief as she continues.
âWords have power, as youâll soon see, one sip and youâll uncover whatâs meant to be. But if you refuse, thereâs a price to pay, and the answers you seek may slip away.â
Dipper swallows hard, his resolve wavering under Pollyâs relentless gaze. âWeâre just trying to find out what happened to the missing kids. Can you help us?â
Pollyâs smile widens, her eyes never leaving Dipper. âAh, the missing ones, so close to our hearts, But to learn their fate, the tea must start. Sip and reveal what lies beneath, or face the consequences of your disbelief.â
âDipper!â You lean over your chair, grabbing at his vest with a tight grip. The fabric bunches up in your hand as you tug him closer. âWe have to play along,â you insist, your voice a low, urgent hiss. The frustration in your tone seems to only aggravate him further, and he shakes off your hand with a scowl.
âNo way!â he hisses back, his voice laced with panic. âWe donât know whatâs in that thing!â
You turn your attention back to the tea cup, its dark liquid swirling ominously. The fear of whatâs inside is unnerves you, but drinking it is the only way to get Polly to cooperate. With a determined breath, you lift the cup and lock eyes with Polly, whoâs watching you intently. âIf I drink this, will you cooperate with us?â you ask, trying to keep your voice steady despite the lump in your throat.
Pollyâs eyes lock onto yours with an unnerving intensity as she considers your offer. The eerie, porcelain doll remains perfectly still, her unsettling smile never wavering.
âAh, a brave soul, how rare to see,â she begins, her voice lilting in a rhythmic, almost melodic tone. âA sip from the cup, and questions shall be free.â
You breath out, almost sighing. With a final, resolute glance at Dipper, who watches with anxiety, you lift the cup to your lips. The liquid inside is dark and opaque, its aroma bitter and uninviting. Pollyâs gaze follows every movement with a sinister patience.
You take a long sip of the black tea. The liquid is shockingly hot and has a taste that is both earthy and bitter, lingering on your tongue. You swallow, feeling the warmth spread through your chest.
Polly remains fixed on you, her eyes unblinking and intensely focused. Her smile doesnât waver as you put the cup back down on the table
âWell done,â the doll tilts its head, pleased by your action. âYouâve proven youâre willing to play. Now, tell me what you seek, and Iâll give you a chance to speak.â
You opened your mouth and began, âHow do we convince you to give us the missing children?â
The Victorian doll stands up her short legs seems to balance her on top of the stool. âTell me why you seek to save the children from their dream. For here with me, they are content and serene. They dream of love, their hearts entwined, with parents and loved ones, all perfectly aligned.â
âBecause,â you stood up as well, uncomfortable with how indominable she appeared. âThey need to return to their actual parents who miss them!â
Pollyâs eyes, now bright and gleaming, open wider. Her voice, though sweet, carries a hint of sorrow. âBut you see,â she replies in a sing-song tone, âTheir parents left them lonely, left them on their own. Deprived of the love and the attention they craved, so I whisked them away to a world theyâd be saved.â
It was impossible to argue with her, you realized. She saw herself as an angel of saving grace for the lonely children of Gravity Falls. Nothing was going to change that. âWhat⊠will happen to them if they stay with youâŠ?â You pause between each word as your voice grew into a dim whisper.
Pollyâs porcelain smile remains, but her voice turns colder. âIf they stay with me, dear, theyâll slumber here, sweet and dear. Their bodies will wither, and their spirits will fade, while I keep them close in the shade.â A chill runs down your spine as Pollyâs words become clearer. Her serene face seems almost mocking as she continues. âTheyâll dream of a world where theyâre never alone, but time will pass and their bodies will moan. When their forms decay and their lives come to end, Iâll gently lay them where the waters blend.â
You and Dipper exchange worried glances as you take in the sight of the lake behind Polly. The realization hits you: beneath that calm surface, the lake likely holds the bodies of missing children of the past. A cold shiver runs down your spine. What has Dipper dragged you into?
Dipper seems to be formulating a plan, his eyes darting around the scene. He turns to you, urgency in his voice. âI need you to distract her while I find a way to defeat Polly. Can you do that?â
You stare at him, disbelief etched across your face. âDistract her?! How could I possiblyââ
Before you can finish, Dipper suddenly tips over his teacup, sending its contents spilling onto the grass. The handle of the delicate cup cracks off and clatters to the ground. âOops!â he exclaims with exaggerated nonchalance. âCan you handle that for me, (Y/n)?â
Your jaw drops as Dipper swiftly ducks beneath the table, vanishing from Polly's sight. The doll's gaze remains fixated on the spilled tea, her smile widening into an unsettling crescent. She murmurs something under her breath.
âHaha, w-what was that?â you stammer, taking an uncertain step away from the table.
Despite her facial muscles being unable to move, you can sense her eyes narrowing with displeasure.
Trying to buy time, you feign a cheerful demeanor. âOh, Polly! Look at that mess! Isnât it just the most amusing accident?â You wave your arms dramatically, hoping to divert her attention as Dipper figures out how to defeat her.
Polly finally responds after a pause. Her head snapping up to stare at you. âOh, such a clumsy little thing, Making spills and causing a fling! But entertain me if you please, before I chase you to the trees!â
She begins to rise from her chair, her movements smooth yet unnervingly quick. You back away nervously, trying to keep her attention focused on you as she starts to follow you around the table and towards the lake.
With each step you take, Pollyâs laughter rings out, a chilling melody that echoes across the clearing. She floats with an almost unnatural grace, her gaze fixed on you as you weave through the field, her intentions clear.
As you lead Polly in a wild chase, your heart pounds with anxiety. You approach the lake and then turn around to face her, you glance behind you into the murky depths below. Well, it seems like you have no where else to run. Just when you think you might be cornered, you see Dipper darting from beneath the table, clutching Pollyâs red shoe and the music box.
He skids to a halt near the edge of the clearing, holding up the shoe and the box. âPolly!â he shouts, his voice carrying a mix of urgency and determination. âYour shoe is a key to this whole mess! And the music boxâletâs see if it can bring your little party to an end!â
He quickly turns the handle on the music box and starts to play the haunting melody. The sound fills the air, and it appears as though the stars are drawing closer. Pollyâs expression shifts from curiosity to agitation as she stops in her tracks, her eyes widening.
âYou think a tune will save your day?â she shrieks, her voice cracking with frustration. âItâs not enough to keep me at bay!â
But Dipperâs plan is already in motion. And he yells, â(Y/N)! Get her!â
Realization sets in and your body moves before youâre ready. You lunge forward and grip the head of the doll pulling it towards you into an unyielding chokehold.
âWhatâs next?!â You gruff out, trying to keep a firm hold of the protesting doll as it tries to squirm out of your grasp.
He runs to you and holds up Pollyâs red shoe, revealing a hidden compartment inside. He pulls out a shimmering, ornate key and waves it in front of her. âThis key.â He announces triumphantly, âIf you wind it into the keyhole in her back, sheâll stop moving as the spirit trapped inside will finally release.â
He quickly hands you the key, his hands trembling slightly from the adrenaline. You manage to pry open Pollyâs back, revealing a small, ornate keyhole hidden beneath her delicate dress. With a deep breath, you carefully insert the key and start turning it.
As you wind the key, Pollyâs movements become more sluggish. Her eyes, once wide with rage, begin to lose their focus, her form flickering as if struggling to maintain its shape.
âKeep going!â Dipper urges, his voice barely audible over the fading music. âYouâre doing great!â
With each turn of the key, Pollyâs protests grow weaker. Her once-terrifying grin softens, and her movements become more erratic. Finally, with a final, decisive click, the key reaches its limit. Pollyâs body suddenly goes limp in your arms, her disturbing blue eyes still wide open.
A profound silence falls over the clearing as Polly begins to disintegrate into ash, leaving only her head behind. You and Dipper release the creepy objects, allowing it to gently fall into the grass.
Dipper steps forward, his face displays relief and exhaustion. âWe did it,â he says, his voice filled with weary satisfaction. âLetâs get out of here before anything else happens.â He starts to walk away, his focus on the path ahead.
A moment passes.
When he notices the silence stretching longer than expected and doesnât hear your footsteps following, he stops and turns around. His eyes search for you, and his heart skips a beat when he finally spots you standing still near the remnants of the broken tea party.
â(Y/n)âŠ?â Dipper calls out, his voice tinged with concern.
You stand there, unmoving, a vacant expression on your face. Your eyes, usually full of life, are now glazed over, and a sinister smile curls your lips. Dipperâs stomach drops as he takes in the sight.
âYouâreââ he begins, but his voice falters. The realization hits him like a cold wave. âNo, no, no. This canât be happening.â
He rushes back to your side, shaking you gently. â(Y/n), can you hear me? Snap out of it!â
But the smile on your face remains unnaturally wide, and your eyes stay fixed in a haunting stare. âWelcome to the party,â you say in a voice thatâs not quite your own, echoing Pollyâs eerie tone. âYouâre the next guest of honor.â
Dipperâs heart races as he searches for a solution. He frantically looks around, his mind racing through every clue and piece of information he has. âNo, this isnât right,â he mutters to himself. âThere has to be somethingâŠâ
His gaze lands on the remnants of the doll and the now-silent music box. The realization strikes him againâPollyâs spirit might have latched onto you in a final act of revenge.
âOkay, think!â Dipper says, more to himself than anyone. âThe key worked for Polly, so maybe thereâs something left we can use.â
He runs away to frantically searches through the debris, his hands moving with urgency. As he works, he remembers the music box and its intricate mechanisms. With a desperate hope, he pries open the music box, hoping to find something that might help.
âIâm sorry,â he says, his voice cracking with guilt. âI shouldâve been more careful. I shouldâveââ
Walking slowly, deliberately towards the boy, you observe him carefully. Your voice is distorted as you respond in a manner that drew from the neglected depression caused by Dipper. âLeft behind, Iâve grown so cold, now with this doll, my heartâs been sold.â You shake your head, trying to separate the sing-song voice from your own. âI told you, Dipper. Iâm not a tool you can use whenever itâs convenient.â Itâs barely above a whisper.
He finally looks at you. Really looks at you. The dawning realization hits him like a cold wave crashing over him. He understands now: this was all his doing. The doll had called out to lonely children, those who felt abandoned and neglected. It wasnât just a matter of curiosity or adventure; it was a matter of deep, personal connection. The spirit that inhabited the doll had latched onto it because of its own loneliness when its original owner vanished. And now, that same spirit has attached itself to you.
Dipperâs heart races as he confronts the gravity of the situation. He stands, his palms slick with sweat, and he wipes them nervously against his vest. His eyes are filled with a mixture regret and desperation. â(Y/n),â he begins, his voice trembling slightly, âI... Iâm so sorry. I didnât realize... I didnât see how my actions would lead to this. I thought I was just solving a mysteryâŠâ
You fail to reply, your expression a mask of hollow understanding. You tilt your head slightly, as if considering his words but not truly grasping them. The eerie calmness in your demeanor sends a shiver down Dipperâs spine. His hands tremble as he reaches out to you, the weight of his guilt and fear heavy in his heart.
With a deep breath, Dipper envelops you in a hug. Youâre stiff against his body, and heâs stiffly hugging you back. His hands are placed awkwardly on your back, as if heâs unsure of where to place them. You can feel his heartbeat accelerating, each thud resonating with the frantic urgency in his chest. His face is flushed red, and the tips of his ears are crimson, revealing the depth of his feelings for you.
Yet, Dipper shrugs past his shyness and confronts you. His voice softens, and you can see the struggle in his eyes as he continues. âLook,â he says, his tone more earnest than before, âI know I can be a pain sometimes, and I know Iâve always let you down. I even say things that I regret. But⊠IâŠâ He hesitates, taking a deep breath as if gathering the courage to finally say whatâs been on his mind. âIâm sorry for calling you unpredictable. Iâm sorry for calling your feelings unnecessary. Iâm sorry for only seeking you out when itâs convenient for me.â
He pulls away slightly to look at you with sincerity, his voice almost breaking as he continues. âI never meant to make you feel like you didnât matter, like your thoughts and feelings were less important than mine. I got so wrapped up in the mysteries and trying to prove myself that I forgot how much youâve been there for me, even when I didnât deserve it.â
He squeezes your body, a silent plea for you to believe him. âI donât want you to feel like youâre just another part of the adventure. Youâre more than that. Youâre⊠important to me, in ways that go beyond all this craziness. I need you here, not just because of what weâre facing, but because⊠I need you.â
You struggle against the spirit's influence, your mind a battleground of despair and defiance. The dollâs voice echoes in your head, a cruel reminder of your loneliness and Dipperâs perceived neglect. You fight to hold onto your own thoughts, pushing back against the overwhelming darkness.
âI need you. We have a ton of bizarre mysteries to solve, and⊠well, Iâm gonna need your expert opinion on the best milkshake flavors at Greasyâs Diner. And believe me, that's a crucial job.â He lets a hand go to cup your face gently. His thumb brushing against a tear that leaks from the corner of your eye. âSo, how about it? Stay with me and I promise to bring you the most ridiculous milkshake combinations we can think of. Deal?â
With a surge of willpower, you manage to break through the spiritâs hold. You feel the pressure in your mind lift, the cold grip loosening as you regain control. A final burst of energy helps you push the spirit out, and you gasp for air, your chest heaving.
As the last remnants of the spirit dissipate, you collapse into Dipperâs embrace. You both fall, tumbling onto the fluffy grass. Your arms tremble slightly, and your breathing is ragged. Slowly, you wrap your arms around him, the hug coming out as an awkward yet sincere gesture. Dipperâs arms tighten around you, his grip warm and reassuring.
âSeriously?â You murmur into his shoulder, your voice still shaky. âIâm never messing with the supernatural again, Dipping Sauce.â
Dipper chuckles into your arms, his eyes softening with relief. Heâs still flushed, but thereâs a tender, grateful smile on his face. âYeah⊠me either.â His voice filled with earnest emotion. âAt least, not alone. Not without you.â He pauses. âAnd youâre important. More than you know.â
The two of you stayed lying in the grass under the stars for a while longer, the night air cool and calm. His embrace was comforting in comparison to the terror you just went through. Eventually, without saying a word, you both silently agreed it was time to head back to civilization.
The walk to your house was peaceful, Dipperâs hand gripping yours tightly, as if reassuring himself you were still there beside him.
When you reached your doorstep, you turned to him with a soft smile. âSee you in the morning, Dipper,â you said, leaning in to place a quick kiss on his cheek.
His face lit up in a deep blush as he instinctively covered the spot where your lips had touched. âY-Yeah, see you tomorrow, (Y/n),â he stammered, coughing awkwardly to hide his embarrassment.
You chuckled, finding his shy reaction utterly endearing. Turning to head inside, you were almost through the door when you heard his voice again.
â(Y/n)?â
You paused, hand still on the doorknob, turning just enough to see him standing there, his eyes earnest and filled with something unspoken. âWhat is it, Dipper?â
He hesitated for a moment before giving you a sheepish grin. âYou think we could meet up at Greasyâs tomorrow? Iâve been working on this idea for the coolest milkshake ever, but⊠well, youâre the milkshake master, soâŠâ
Your heart warmed at the thought, and you smiled. âOf course. I wouldnât want you ruining my reputation with a bad milkshake experiment.â
He laughed, the tension easing between you. âDeal. Letâs create the best milkshake Gravity Falls has ever seen.â
With one last grin, you gave him a wave and stepped inside. But then, he says something else.
â(Y/n)?â
You full turn around this time and face him. âDipper?â
Dipper stared at you for a long moment, his eyes distant, as if lost in thought. You could see the wheels turning in his head, like he was on the verge of saying something more. But then, he shook his head gently, a small, almost defeated smile tugging at his lips.
"Nothing. Good night, (Y/n)," he said softly, his voice barely above a whisper.
You paused, sensing there was something deeper lingering just beneath the surface. Part of you wanted to urge him to speak, to let out whatever was weighing on him. But for now, you let it be, trusting that whatever it was, Dipper would tell you when he was ready.
"Good night, Dipper," you said warmly before turning and slipping into your home, leaving him standing on the porch.
#dipper x reader#dipper pines#gravity falls dipper#dipper and mabel#mabel#mabel pines#gravity falls mabel#dipper#grunkle stan#stanley pines#gravity falls#dolls#tea party#romance#slow burn#angst#lazy susan
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#my dolls#bjd#abjd#ball jointed doll#asian ball jointed doll#bjd collector#doll oc#doll collector#vinyl doll#azone doll#pookie boo bonbon#flower doll#my girl#black eyed susan#Mimsy
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Psychic Life, Vol. 5 No. 6, Deja Vu Pub., 1985
#witches#psychics#occult#vintage#psychic life#magazine#deja vu publishing#angels#dolls#healing#alternatives#lourdes#spirits#doctors#susan hull bostwick#1985#psychic
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Bad movie I have Valley of the Dolls 1967
#Valley of the Dolls#Barbara Parkins#Patty Duke#Paul Burke#Sharon Tate#Tony Scotti#Martin Milner#Charles Drake#Alexander Davion#Lee Grant#Naomi Stevens#Robert H. Harris#Jacqueline Susann#Robert Viharo#Joey Bishop#George Jessel#Susan Hayward#Dionne Warwick#Sherry Alberoni#Richard Angarola#Mikel Angel#David Arkin#Philippe Auber#Frank Babich#Billy Beck#Pat Becker#Lovyss Bradley#Paul Bradley#Richard Brander#Tex Brodus
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Ch 197 : Send in the Clones
This is a short chapter. Finny and Snake are led from the outside by Susan, one of the young staff members, who teases/flirts with Snake about his relationship with Doll before introducing them to the Collie class. They made bath salts the day before and today are making pound cake with orange marmalade, instructed by an older woman staff member.
While weâre here, we meet a few more of the children at the orphanage, and more parallels begin to emerge.
Weâve already met Theo, the âCielâ clone, and Jenny, one of the kids from the outdoorsy Corgi class in chapter 196, so now we get to meet three more, who parallel the other servants: Sebastian, Mey Rin, and Bard.
Oliver (ăȘăȘăăŒ), Mey Rinâs Doppleganger, Collie Class
Itâs possible Oliver is a boy, but it isnât explained. (Oliver does use ć, boku, the same first-person pronoun Our Ciel does, and a common one for young boys.) Oliver is also very shy and tends to stutter when they speak, like Mey. Oliver has a strong aptitude for domestic tasks like embroidery, and seems very close/clingy with Daniel, the Bard clone, and always seems to be apologizing.
Artie (ăąăŒăăŁ), Sebastianâs Doppleganger, Mastiff Class
Artie is the oldest in his class and impresses Finny and Snake with elegant manners and speech, just like a high-ranking servant like a butler. He keeps some of the other kids in line (like the Bard clone Daniel), and also seems to know more than he initially lets on about âfledgling dayâ (the day that the kids leave the orphanage, supposedly). He also uses the same pronoun as Sebastian, ç§, Watashi.
Daniel (ăăăšă«), Bardâs Doppleganger, Collie Class
Daniel is definitely a boy (or he sees himself as one, anyway), as he complains about having to dress like a girl and do âwomanâs work,â in much the same way that Bard complained to Seb when he first joined the servants. And like then, heâs given a stern talking to about cooking and other domestic tasks not being the sole domain of women. (He even uses the same pronoun, ăȘăŹ/äżș, ore, as Bard.)
I canât say yet what the significance of these parallels are yet, but theyâre definitely one of the most important aspects of this chapter. The other one has to do with a term thatâs repeated over and over this arcâ
ăć·Łç«ăĄăźæ„ă, literally âleaving the nest day,â or what Iâm calling âFledgling Day.â
Itâs the day that the eldest in each class âages outâ of the orphanage and presumably goes on to the world to work as a servant in their area of expertise, and is a day of celebration. When Artie first talks about it in this chapter, itâs while lecturing Daniel about needing to be prepared with skills when he leaves the orphanage one day.
However, only a few pages later, Susan, one of the staff, announces that Jenny, the girl we met last chapter who was afraid of horses, is having her âFledgling Day.â
This is sudden and surprising news that almost everyone seems excited aboutâexcept for Artie and Oliver. The latter is so shocked that they forget to tend the marmalade theyâre making and it begins to boil and burnâand I wonder if that juxtaposition is intentionally ominous as to why theyâre so concerned about this news.
On the last page of the chapter, Artie murmurs about how this canât be, itâs too sudden, genuinely horrified. Does he know that âfailuresâ are disposed of? Itâs giving me even stronger Promised Neverland vibes nowâŠ
Another interesting element is that Snake seems oblivious to their different reaction, but not Finny. Could it be because of his own experience as a test subject that he can recognize what it means to have failures âdisposed ofâ?
I wonder if Oliver and Artie may become allies to Finny and Snake, and if we may be horrorfied (ala the bone prosthesis in the circus arc) once we learn more about what Undertaker is doing with all these kidsâŠ
~#~
As always please be respectful of the work Iâve put into my translations and donât use my translations or screenshots without credit.
Iâm also human and I make mistakes, so apologies in advance if there are any.
#black butler#é»ć·äș#ch 197#kuro spoilers#english translation#sebastian michaelis#fol orphanage#finny#ciel phantomhive#mey rin#bard#snake#doll#artie#theo#jenny#oliver#susan#undertaker#poi translation#chapter summary#collie class#mastiff class#fledgling day#comparison#sorry this is so late#100 notes
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Valley Of The Dolls (1967)
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Susan Blakely paper doll by Gregg Nystrom.
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Ch207, Spoilers part 2
Oof, Yeah. Artie has Polaris' aptitude alright. A bit like Sebastian, too, but he's meant to be a "copy" of Polaris.
Artie has Theo get the head matron's gun.
There's commotion down the hall, it seems. Probably more staff coming after hearing gun shots.
I can't tell if Snake is dead already or just still suffering. Theo might be saying something about having to deal with Doll, but it looks like Finny doesn't think she's much of a threat right now.
It could also be that Finny knows Snake won't survive a wound like that (if he's even still alive).
Meanwhile, people are coming down the hall and about to turn the corner to find them.
I can't tell if Finny is about to automatically kill those people... or beg them for help.
đ
#black butler#kuroshitsuji#ch207#spoilers#kuro spoilers#black butler spoilers#kuroshitsuji spoilers#finny#finnian#artie#snake#snake's snakes#doll#mabel#theo#theodore#fol orphanage#head matron#susan#oliver#untranslated#observation#dec 17 2023#part two#part 2
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If someone helps me write the script, I swear I'll buy this set and make a stop-motion skit.
Please, I'm begging. đ
#dollblr#doll community#tell me the mom's name is not Karen or Susan đ#there's another set that looks MUCH worse than this#the father's face didn't even match the rest of his body đ#this one just looks awkward sksksk
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Botanic Tournament : Main Bracket !
Round 6 Poll G
"But op this isn't a flower name" : read this
Susan is a name coming from the word for lily (or possibly rose, it's unclear) in Hebrew
(Roses, black eyed susan, lily and Venus flytrap)
#botanic tournament#tournament polls#round 6#susan pevensie#chronicles of narnia#narnia movies#narnia#cs lewis#c.s. lewis#queen susan the gentle#the problem of susan#bookblr#movieblr#venus monster high#venus mh#venus mcflytrap#monster high series#monster high fandom#mh dolls#monster high dolls#dollblr#monster high#mh venus#monster high venus
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Paper Doll: Christy Nock
American Girl Magazine, March/April 1996
[Ko-Fi Donations]
#American Girl Magazine#1990s#1996#MarApr#MarApr1996#Paper Doll#Susan McAliley#Modern Day Girls#AAPI#History#ASIAN AMERICAN#CHRISTY NOCK
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