#Susan C. Wilson

[viscountessevie]

Clytemnestra's Bind [ARC Review]

Release Date: 15th June 2023 Overall Rating: ⭐⭐⭐⭐⭐ Tragedy Level: 😭😭😭

Before we get into this review, here are some trigger warnings to keep in mind before reading this novel: Brutal Murders of Children (especially in the first few chapters), Violence and Rape.

My Review: 

Clytemnestra’s Bind by Susan C. Wilson is a Greek Tragedy in every sense of the phrase. The novel centres on Queen Clytemnestra of Mycenae. In the Greek myths, she is Helen of Troy’s twin sister and is known for killing her husband Agamemnon upon his return from the Trojan War.  This was after he had sacrificed their eldest daughter, Iphigenia to the Gods. The novel details her life long before Iphigenia’s death. 

The book is split into three parts. Part 1 starts with the invasion of her kingdom and having her first husband and child brutally taken from her. Part 2 covers her subsequent marriage to Agamemnon, her relationship with her three eldest children; Iphigenia, Electra, Orestes. Part 3 covers the crux of Clytemnestra’s notoriety in the Greek myths as she plots Agamemnon’s demise after Iphigenia is sacrificed. 

Susan paints a beautifully tragic portrait of Clytemnestra and her life. I kept thinking how much can one woman take before she completely snaps. Susan fully understands the genre she is working with and completely delivers. I could feel our heroine’s pain at every single turn. I had to put the book down several times to sit with it and let the devastation wash over me. Yet I appreciate how the author had done it. It was unflinching and tragic without being too gratuitous. The novel provides an excellent example of female rage that showcases how Clytemnestra gets to the point of murdering Agamemnon. 

I also adored how well developed Clytemnestra is and the insights we get from her point of view. So much of her life happens to her rather than her being the driving force of it. It is admirable to see how she still pushes through and tries her best to do right by her children after having lost her first family. Her relationships with everyone from her husband to his brothers, Menelaus and Aegisthus, her sister Helen to her children are all so unique and well written. The way she interacts with everyone is just so interesting to read and was a brilliant exploration into her character. 

On its own, the novel is a tragic tale of a Queen who had gone through the most unimaginable horrors one can go through, losing most of the people she had loved and having her agency taken away from her. That is what makes her taking control of her life towards the end so satisfying. 

As a reiteration of an old myth, Susan C. Wilson does an excellent job of building upon the lore. The hints and foreshadowing strategically placed all throughout the story as we know what is to come was exhilarating to read with a sense of dread knowing the tragedy looming amongst the characters. 

All in all, I would recommend this book for anyone looking to read a well written tragedy that covers grief in a meaningful manner and illustrates the female rage in all its glory. For Greek mythology lovers, especially those who appreciate a good Greek Tragedy, this one was definitely made for us. Picking up on the foreshadowing felt like a fun session of ‘Connect the Dots’. That being said, once again I warn everyone to tread carefully as the book has depictions of rape, violence and brutal murders. Read safely and enjoy this book everyone! 

Thank you to Neem Tree Press and NetGalley for an advanced copy of this book in exchange for my honest review.

[bookstagramofmine]

Book Tour: Clytemnestra’s Bind by Susan C Wilson

Book Tour: Clytemnestra’s Bind by Susan C Wilson @neemtreepress @RandomTTours @BronzeAgeWummin #BookTour #BookReview #GreekMyth #TrojanWar #Clytemnestra #BookTwt #Books

Book Review: Clytemnestra’s Bind by Susan C Wilson With the world the way it is these days (literally, the orcas are uprising), we all need some good news. And I’m here with some for all the Greek mythology fans! Clytemnestra’s Bind, the first book in The House of Atreus trilogy by Susan C Wilson, is a beautiful read! This first book is 290 pages and has been published by Neem Tree Press; and…

[kikithebooknerd]

Heyhey it's my stop on The WriteReads Blog Tour for Clytemnestra's Bins by Susan C Wilson!!

Thank you to Neem Tree Press and The Write Reads for the ARC in exchange for an honest review!

[cherylmmbookblog]

#Blogtour Clytemnestra's Bind by Susan C. Wilson

The House of Atreus: Clytemnestra’s Bind by Susan C Wilson. From women-led publisher Neem Tree Press comes this fiery first instalment in an epic three-part Greek mythology series. About the Author About the Author: Susan C Wilson is a working-class author from Scotland. She has a degree in journalism and a diploma in classical studies from the Open University. By day, she works as an…

[filmnoirsbian]

Hi !! I was wondering if you had any book recs/favorite books? Things that you think of as inspiration or just plain like? Genuinely curious. <3 im in love with your work btw i spent the other day binging your patreon

Some favorites that deeply impacted me from a young age up into teenagedom: the Animorphs series by K. A. Applegate, Where the Sidewalk Ends by Shel Silverstein, Oddly Enough by Bruce Coville, The Little Prince by Antoine de Saint-Exupéry, Little Sister by Kara Dalkey, The Enchanted Forest Chronicles by Patricia C. Wrede, The Tale of Desperaux by Kate DiCamillo, A Series of Unfortunate Events by Lemony Snicket, The Chronicles of Prydain by Lloyd Alexander, Something Wicked This Way Comes by Ray Bradbury, the Septimus Heap series by Angie Sage, Piratica by Tanith Lee, the Inkheart series by Cornelia Funke, His Dark Materials by Philip Pullman, Holes by Louis Sachar, The View from Saturday by E. L. Konigsburg, Shizuko's Daughter by Kyoko Mori, The Sea-Wolf by Jack London, Walk Two Moons by Sharon Creech, Criss Cross by Lynne Rae Perkins, Everything on a Waffle by Polly Horvath, Surviving the Applewhites by Stephanie S. Tolan, The Last Book in the Universe by Rodman Philbrick, The Adventures of Sherlock Holmes by Arthur Conan Doyle, Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg, The Iliad and Odyssey (allegedly) by Homer, The Táin by many people, Harlem by Walter Dean Myers, Esperanza Rising by Pam Muñoz Ryan, The Wall and the Wing by Laura Ruby, The Lord of the Rings by J. R. R. Tolkein, The Hainish Cycle by Ursula K. Le Guin, Till We Have Faces by C. S. Lewis, The Ethical Vampire series by Susan Hubbard, The Howl Series by Diana Wynne Jones, the Curseworkers series by Holly Black, The Turn of the Screw by Henry James, Lolita by Vladimir Nabokov, The Raven Cycle by Maggie Stiefvater, Frankenstein by Mary Shelley, The Haunting of Hill House by Shirley Jackson, Do Androids Dream of Electric Sheep by Philip K. Dick, Android Karenina by Ben H. Winters, An Autobiography of Red by Anne Carson, Beloved by Toni Morrison, A Stir of Bones by Nina Kiriki Hoffman, the Mistborn series by Brandon Sanderson, Deathless by Catherynne M. Valente, World War Z by Max Brooks, This is Not A Drill by K. A. Holt, Fade to Blue by Sean Beaudoin, Carmilla by Sheridan Le Fanu, The Moth Diaries by Rachel Klein, Leaves of Grass by Walt Whitman, Crush by Richard Siken, Hopscotch by Julio Cortázar, The Hunchback of Notre-Dame by Victor Hugo, Devotions by Mary Oliver, The Picture of Dorian Gray by Oscar Wilde

Some favorites read more recently: The Expanse series by James S. A. Corey, Engine Summer by John Crowley, Lovecraft Country by Matt Ruff, The Princess Bride by William Goldman, Heart Berries by Terese Marie Mailhot, My Best Friend's Exorcism by Grady Hendrix, Reprieve by James Han Mattson, House of Leaves by Mark Z. Danielewski, Sharp Objects by Gillian Flynn, Kindred by Octavia Butler, Reading Lolita in Tehran by Azar Nafisi, Station Eleven by Emily St. John-Mandel, The Crown Ain't Worth Much by Hanif Abdurraqib, The Refrigerator Monologues by Catherynne M. Valente, Convenience Store Woman by Sayaka Murata, Tender is the Flesh by Augustina Bazterrica, The Girl with All the Gifts by Mike Carey, The Girl with the Dragon Tattoo by Stieg Larsson, The Bluest Eye by Toni Morrison, She had some horses by Joy Harjo, Bright Dead Things by Ada Limón, The King Must Die by Mary Renault, Books of Blood by Clive Barker, Rosemary's Baby by Ira Levin, Cassandra by Christa Wolfe

Plays: The Oresteia by Aeschylus, Electra by Sophocles, Los Reyes by Julio Cortázar, Angels in America by Tony Kushner, August: Osage County by Tracy Letts, The Bald Soprano by Eugène Ionesco, The Trojan Women by Euripides, Salome by Oscar Wilde, Girl on an Altar by Marina Carr, Fences by August Wilson, The Glass Menagerie by Tennessee Williams, M. Butterfly by David Henry Hwang, Our Town by Thornton Wilder, Sweeney Todd by Christopher Bond

Graphic novels: The Crow by James O'Barr, DMZ by Brian Wood and Riccardo Burchielli, Eternals (2021) by Kieron Gillen and Esad Ribić, Watchmen by Alan Moore and Dave Gibbons and John Higgins, My Favorite Thing is Monsters by Emil Ferris, Maus by Art Spiegelman, Tank Girl by Alan Martin and Jamie Hewlett, Persepolis by Marjane Satrapi, Through the Woods by Emily Carroll, Anya's Ghost by Vera Brosgol

[bookcred]

clytemnestra's bind; susan c. wilson

[elennare]

Poetry-inspired flash-fic

It has been far too long since a. I posted here, b. I wrote fic, c. I did this fun little meme, so here I am again!

Rules 1: Pick five fandoms. List them in alphabetical order. 2: Visit this site to find your first RANDOM POEM OF POWER. Write down the 5th line (yes, even if it's an E.E. Cummings poem and you wind up with an apostrophe). Repeat five times and - you guessed it - list them in alphabetical order! (No cheating, mind! This is a challenge and it's always been about creativity.) 3: I think you can see where this is going. Write a very quick 50-word half-drabble for each fandom (try to do it all in one sitting), using the line from the poem as a prompt. You don't have to include it in the half-drabble - it's just inspiration. 4: Bravo! Have a cookie.

(I always forget to alphabetise the poems, I just take them in order - and I had to find another random poem generator, the old one was broken. This one is very Canadian, but it's the best I could find - suggestions for other ones welcome!)

Chalet School - informed crowded alloys detect no (Rita Wong, “fluorine” from forage) “I don't expect scientific brilliance from Corney and Co,” Nell Wilson assured the Staffroom. “But is basic coherency really too much to ask for?”

Hilda Annersley's eyebrows rose as she read some samples. “Leave them to me, Nell,” she replied, in a tone that boded no good for the miscreants.

High Rollers : Aerois - too large for this body. Too willing to (Joshua Jennifer Espinoza, "COMFORT" from There Should Be Flowers) It's not that Quill doesn't feel the lure of the spark of divinity. But it's too big, too powerful. What will he be if he takes it? Not an aarakocra any more, not really… will he even still be Quill? No. He'll stay mortal, stay with his friends, stay himself.

High Rollers: Curse of Strahd - “Forward, the Light Brigade! (The charge of the Light Brigade, Tennyson) Yesper hears stories, on his trips outside Barovia. Songs of glorious last stands, heroic charges, victories against seemingly insurmountable odds. He likes these tales, memorises them for the campfire. But he doesn’t believe them, not really… Maybe they’re true, maybe in Faerun they can be true, but not in Barovia.

The Left-Handed Booksellers of London - Forsaken by my parents (Alootook Ipellie, "Walking Both Sides of an Invisible Border," from Gathering: The En’owkin Journal of First North American Peoples: A Retrospective.) Vivien and Merlin rarely talk about their parents. What is there to say? Their father is birthday cards with dutiful invitations to visit Cambridge, that Vivien takes up occasionally and Merlin mostly avoids. Their mother is a case file Vivien doesn’t want to think about and Merlin can’t leave alone.

Swallows and Amazons - travels a direction it cannot find, (Kevin Irie's "Current") Susan peers blindly into the fog, trying to make out anything at all. Why did she let Titty and Roger go back by themselves? It’s all very well Nancy and Peggy saying they’ll have been back at camp for ages; Susan won’t be happy until she sees it for herself.

[enkisstories]

Let’s investigate! - Partnering the celebs with the detectives

Officer Rika Mack was the first to pick a partner. She chose Emma Phillips, not because they had known each other before already, but because she seriously admired Emma’s songs.

Gavin: “...told the swim team coach “I was sent to inspect the water corpse, but you seem to have ten of those here”.”

Amber: *roaring laughter*

Gone were Amber Stein’s pretentions of seriousness, she bonded with Captain Gavin Reed over their liking of inappropriate jokes. They even got a sentiment for that.

Orange Bailey-Moon was surprisingly shy this evening. Of the three officers talking into him, he eventually agreed to partner with Detective Chris Miller, a spellcaster.

Officer Godefroy Wilson hugged Hugo Villareal. He could have tried to more or less subtly body-search the mobster’s son, but it got interpreted as choosing Hugo for his partner.

Connor laconically commented that only a previous conviction, not previously having committed crimes, prevented service in the law enforcement. Otherwise a fraction of the DPD’s leadership would disqualify.

Speaking of Captain Connor Anderson, I apparently missed the c-key when taking a screenshot of him leaving the cafeteria with Judith Ward. In the same picture Markus Mandred walked next to Officer Eloise Deckart. The four of them looked like kindergarteners walking out for recess, too bad I lost that screenshot.

Sergeant Tina Chen wanted to have nothing to do with the event. She had agreed to take one single celeb under her wing, not party with all of Detroit, thank you very much! Fortunately Cailean Greig was a Loner, too. They spent serious quality time existing on opposite ends of the same room, ignoring each other, and were thus declared compatible.

Fun fact: At this point Tina doesn’t recognize Cailean, whom she has never seen in human form, and Greg’s memory of having bitten her is hazy.

And that left Chloe Kamski to pair with System Administrator Susan Miller.

Each pair will receive their own post next, to give you a first impression of their dynamics.

[deathdyinggrief2024]

Thanatology Bibliography

THANATOLOGY READINGS 

Moll, Rob. (2010). The Art of Dying: Living Fully Into the Life to Come. Downers Grove, IL: InterVarsity Press. ISBN: 9780830837366 

Parkes, C., Laungani, P. and Young, W. (1997). Death and Bereavement Across Cultures. London: Routledge. ISBN: 9780415131377

SELECTED BIBLIOGRAPHY

Alford, John & Catlin, George. (1993). The role of culture in grief. The Journal of Social Psychology, 133(2), 173-84.

Aries, Philippe. (1976). The Hour of Our Death. New York: Bantom.

Burton, Laurel., & Tarlos-Benka, Judy. (1997). Grief-Driven Ethical Decision-Making. Journal of Religion and Health, 36(4), 333-343. Retrieved from www.jstor.org/stable/27511175

Castle, Jason. & Phillips, William. (2003). Grief rituals: Aspects that facilitate adjustment to bereavement. Journal of Loss & Trauma, 8(1), 41-71.

Corr, Charles A., Donna M. Corr, and Kenneth J. Doka. (2019).  Death & Dying, Life & Living. Boston, MA: Cengage.

Crunk, Elizabeth. Burke, Laurie., & Robinson, Mike. (2017). Complicated grief: An evolving theoretical landscape. Journal of Counseling & Development, 95(2), 226-233.

Doughty, Caitlin. (2015). Smoke gets in your eyes and other lessons from the crematory. New York: Northcott. 

Dresser, Norine & Wasserman, Freda. (2010). Saying goodbye to someone you love: Your emotional journey through end-of-life and grief. New York: Demos Medical Publishing. 

Frank, Arthur W. (2013). The wounded storyteller. Chicago: The University of Chicago Press.

Guinther, Paul.,Segal, Daniel. (2003). Gender differences in emotional processing among bereaved older adults. Journal of Loss & Trauma, 8(1), 15-33.

Heath, Yvonne. (2015). Love your life to death: How to plan and prepare for end of life so you can live life fully now. Canada: Marquis Publishing.

Hemer, Susan. (2010). Grief as social experience: Death and bereavement in lihir, papua new guinea¹. The Australian Journal of Anthropology, 21(3), 281-297. 

Kalanithi, Paul. (2016). When Breath Becomes Air. New York: Random House.

Kellehear, Allan. (2002). Grief and loss: Past, present and future. Medical Journal of Australia, 177(4), 176-177.

Kwon, Soo-Young. (2006). Grief ministry as homecoming: Framing death from a korean-american perspective. Pastoral Psychology, 54(4), 313-324. doi:10.1007/s11089-005-0002-1

Lawrence, Elizabeth., Jeglic, Elizabeth., Matthews, Laura., & Pepper, Carolyn. (2006). Gender differences in grief reactions following the death of a parent. Omega - Journal of Death and Dying, 52(4), 323-337.

Leone Fowler, Shannon. (2017). Traveling with Ghosts. New York: Simon & Schuster. 

Lewis, Clive Staples. (2009). The Problem of Pain. New York: Harper. 

Lopez, Sandra. (2011). Culture as an influencing factor in adolescent grief and bereavement. Prevention Researcher, 18(3), 10-13.

McCreight, Bernadette. (2004). A grief ignored: Narratives of pregnancy loss from a male perspective.Sociology of Health & Illness, 26(3), 326-350.

Miller, Eric. (2015). Evaluations of hypothetical bereavement and grief: The influence of loss recency, loss type and gender. International Journal of Psychology: Journal International De Psychologie, 50(1), 60-3. doi:10.1002/ijop.12080

Northcott, Herbert.C., & Wilson, Donna.M. (2017). Dying and death in Canada (3rd ed.) Toronto: University of Toronto Press. 

Nuland, Sherwin B. (1995). How We Die. New York: Vintage.

Penman, Emma., Breen, Lauren., Hewitt, Lauren., & Prigerson, Holly. (2014). Public attitudes about normal and pathological grief. Death Studies, 38(8), 510-516.

Rosenstein, Donald L. & Yopp, Justin M. (2018). The Group: Seven widowed fathers reimagine life. New York: Oxford University Press.

Rubinstein, Gidi. (2004). Locus of control and helplessness: Gender differences among bereaved parents. Death Studies, 28(3), 211-223.

Sandburg, Sheryl, & Grant, Adam. (2017). Option B: Facing Adversity, Building Resilience, and Finding Joy. New York: Knopf Doubleday Publishing Group. 

Schonfeld, Davis., Quackenbush, Mike., & Demaria, Thomas. (2015). Grief across cultures: Awareness for schools. Nasn School Nurse (print), 30(6), 350-2.

Stelzer, Eva-Maria., Atkinson, Ciara., O'Connor, Mary F., & Croft, Alyssa. (2019). Gender differences in grief narrative construction: A myth or reality? European Journal of Psychotraumatology, 10(1),

Stroebe, Margaret., & Schut, Hank. (1998). Culture and grief. Bereavement Care, 17(1).

Swinton, John and Richard Payne. (2009). Living Well and Dying Faithfully. Grand Rapids: Eerdmans.

Tarakeshwar, Nalini., Hansen, Nathan., Kochman, Arlene., & Sikkema, Kathleen. (2005). Gender, ethnicity and spiritual coping among bereaved hiv-positive individuals. Mental Health, Religion & Culture, 8(2), 109-125.

Versalle, Alexis. & McDowell, Eugene. (2005). The attitudes of men and women concerning gender differences in grief. Omega - Journal of Death and Dying, 50(1), 53-67.

Walter, Tony. (2010). Grief and culture. Bereavement Care, 29(2), 5-9. 

Walter, Tony. (2010). Grief and culture: A checklist. Bereavement Care, 29(2), 5-9.

Winkel, Heidemarie. (2001). A postmodern culture of grief? On individualization of mourning in Germany. Mortality, 6(1), 65-79.

[viscountessevie]

ARC/Reviews Masterlist

ARCs

Reviews can also be found on my StoryGraph

COMING SOON: Unladylike Rules of Attractions by Amita Murray In the highly anticipated sequel for Unladylike Lessons, comes Anya Marleigh's book! Anya is Lila Marleigh's second sister and the musically inclined heroine of this book. She is a court singer and sitar player in Queen Charlotte's royal court. Anya soon comes into a large inheritance which has her involved with the executor of her new fortune, Lord Damian Ashton. Lord Ashton's banter with her is the least of her problems when she becomes embroiled in a murder case.

2023 ARCs

Unladylike Lessons in Love by Amita Murray Release Date: 30th May 2023 A realistic historical women's fiction centred on a really cool Indian heroine who runs a gambling hall. The book gives a deep dive into the working class and immigrants of the Regency era with a side of romance

Clytemnestra's Bind by Susan C. Wilson Release Date: 15th June 2023 A Greek Tragedy in every sense of the word that will have you sobbing - a prequel to Clytemnestra's story in the Trojan War.

A Most Agreeable Murder by Julia Seales Release Date: 27th June 2023 A murder mystery set in the Regency era that's a parody of itself and the Austen-universe, so much so that you can match each character to their Austen counterpart. It has a side of romance with a dashing Indian detective.

An Upper West Side Story by Rachel Cullen Release Date: 6th July 2023 A modern chick-lit/coming of age for 20-somethings set in 2004 and follows a group of four neighbours whose lives intersect together in various ways.

I Do, I Don't by Joy Argento Release Date: 11th July 2023 A contemporary sapphic romance novel about a reality show producer and her programmer for the show who unexpectedly has to step in as a lead.

The Wrong Family by Ellery Kane Release Date: 30th August 2023 A mystery novel a 30-something orphan woman gets involved with a rich family in Lake Tahoe after trying to find her father. Things start to go awry as soon as she arrives and the family's fingers start pointing to her.

Roomates by Ola Tundun Release Date: 20th September 2023 A debut novel about a roommates to lovers pairing with a seemingly perfect girl whose life is really a mess and a playboy who has to change his ways when the perfect girl comes crashing into his apartment with an offer he can't refuse.

Hunt on Dark Water by Katee Robert Release Date: 7th November 2023 A contemporary romance novel set in the fantasy world of Threshold. Tensions rise between a witch named Evelyn and sea Captain Bowen as they journey across realms and find out secrets that have them questioning everything.

2024 ARCs

The Boyfriend Subscription by Steven Salvatore Release Date: 26th March 2024 A contemporary queer retelling of Pretty Woman involving Cole Vivien, the CEO of their version of OnlyFans and Teddy Hughes, a botanist who has lost both his husband and his business. The two meet on a fateful night in New York and come up with a proposition to be a faux couple to satisfy what they each need.

Reviews

Paused: The Dark Olympus by Katee Robert [Edited: 28th Dec 2023 - Paused indefinitely for the time being]

Stone Heart - Medusa/Calypso Neon Gods - Persephone/Hades Electric Idol - Psyche/Eros Wicked Beauty - Helen/Patroclus/Achilles Radiant Sin - Cassandra/Apollo

[ulkaralakbarova]

Five twenty-something friends spend a drug-fueled weekend in Cardiff, Wales. Credits: TheMovieDb. Film Cast: Jip: John Simm Koop: Shaun Parkes Nina: Nicola Reynolds Lulu: Lorraine Pilkington Moff: Danny Dyer Lee: Dean Davies Felix: Andrew Lincoln Moff’s Father: Terence Beesley Reality (voice): Jo Brand Andy: Richard Coyle Karen Benson: Jan Anderson Pablo Hassan: Carl Cox Fleur: Stephanie Brooks Howard Marks: Howard Marks Jip’s Mother: Helen Griffin Tyrone: Danny Midwinter Ziggy Marlon: Justin Kerrigan Hip Hop Junkie: Tyrone Johnson Koop’s Father: Larrington Walker Jip’s Manager: Philip Rosch Lulu’s Uncle Albert: Peter Albert Lulu’s Auntie Violet: Menna Trussler Jeremy Faxman: Mark Seaman Connie: Lynne Seymour Luke: Patrick Taggart Boomshanka: Anna Wilson Casey: Robert Marable Herbie: Nick Kilroy Matt: Peter Bramhill Moff’s Mother: Carol Harrison Moff’s Grandmother: Anne Bowen Martin: Giles Thomas Jip’s Ex #2: Sarah Blackburn Doctor: Eilian Wyn Asylum Doorman: Neil Bowens Jip’s Ex #3: Nicola Davey Inca: Roger Evans Tyler: Bradley Freegard Trixi: Emma Hall Jip’s Ex #1: Elizabeth Harper Jip’s Secretary: Jennifer Hill TV Interviewer: Nicola Heywood-Thomas Casey: Robert Marrable Cardiff Bad Boy: Louis Marriot Millsy From Roath: Millsy in Nottingham Karen Benson’s Boyfriend: Robbie Newby Tom Tom’s MC: Ninjah Jip’s Mother’s Client: Cadfan Roberts Koop’s Workmate: Mad Doctor X Bad Boy: Jason Samuels Breakdancer / Bodypopper: Tim Hamilton Bodypopper: Alicia Ferraboschi Bodypopper: Sherena Flash Bodypopper: Marat Khairoullin Bodypopper: Adam Pudney Bodypopper: Mark Seymore Bodypopper: Algernon Williams Bodypopper: Colin Williams Bodypopper: Frank Wilson Film Crew: Supervising Sound Editor: Glenn Freemantle Sound Editor: Tom Sayers Dialogue Editor: Gillian Dodders Casting Director: Sue Jones Additional Editing: Stuart Gazzard Associate Producer: Rupert Preston Producer: Allan Niblo Director: Justin Kerrigan Producer: Emer McCourt Co-Executive Producer: Michael Wearing Steadicam Operator: Paul Edwards Second Assistant Director: Marcus Collier Sound Re-Recording Mixer: Craig Irving Editor: Patrick Moore Director of Photography: Dave Bennett Costume Designer: Claire Anderson Original Music Composer: Matthew Herbert Set Dresser: Ed Talfan Sound Recordist: Martyn Stevens Production Coordinator: Andrea Cornwell Post Production Supervisor: Jackie Vance Post Production Coordinator: Claire Mason ADR Recordist: Sandy Buchanan Gaffer: Andrew Taylor Sound Re-Recording Mixer: Nicolas Le Messurier Script Supervisor: Laura Gwynne Assistant Sound Editor: Susan French Music Supervisor: Pete Tong Makeup & Hair: Kerry September First Assistant Director: Charlie Watson Post Production Supervisor: Maria Walker Second Assistant Director: Matthew Penry-Davey Assistant Editor: Amy Adams Foley Editor: Miriam Ludbrook Original Music Composer: Roberto Leite Storyboard Artist: Nick Kilroy Dialogue Editor: Keith Marriner Makeup Designer: Tony Lilley First Assistant Director: Emma Pounds Music Consultant: Arthur Baker Co-Executive Producer: Kevin Menton Electrician: Mark Hutchings Boom Operator: Jeff Welch Costume Assistant: Karen Mason Casting Director: Gary Howe Production Design: David Buckingham Co-Executive Producer: Nigel Warren-Green Executive Producer: Renata S. Aly Art Direction: Sue Ayton First Assistant Director: Hywel Watkins Third Assistant Director: Tivian Zvekan Location Manager: Peter Vidler Location Manager: Frank Coles Assistant Location Manager: Roland Mercer Focus Puller: Mike Chitty Clapper Loader: Ewan O’Brien Key Grip: David Hopkins Construction Manager: Martin Dawes Property Master: John C. Reilly Set Dresser: Riana Griffiths Art Department Assistant: Jacqui Puscher Storyboard Artist: Deena Mathews Costume Supervisor: Anne McManus Makeup & Hair: Hanna Coles Still Photographer: Hector Bermejo Unit Publicist: Jessica Kirsh Movie Reviews: zag: One of my favorite films of all time, its a period movie describing the young party goers of the UK in the 1990’s. It hits the nail on the head, the lov...

[sporadiceagleheart]

All about angels with Bella Marie “Bells” Rzucek,Celeste Cathryn “CeCe” Rzucek, Charlotte Ruby “Charlie” Emily, Henry Boswell, Ava Jordan Wood, Megan Paige Nichols, Koralynn Marie “Monkey” Fister, Karla Isabelle Ruth “Karly” Sheehan, Emilie Alice “Em” Parker, Semina Mary Halliwell, Rachel Dee Ehmke, Charlotte Helen “Char” Bacon, Charlotte “Charlie” Figi, Charlotte Louise Dunn, Haley Celeste Dunn, Hailey Darlene Dunn, Harry Dunn, Rachel Joy Scott, Madison Taylor “Maddie” Scott, Ashley Nicole Scott, Olivia Ryan Anderson, Nathan Scott Anderson, Alexandra Flynn “Alex” Scott, Ashley Paige Scott, Hannah Louise Scott, Haylie Alexis Wilson Scott, Scott P. McLaughlin, Patricia C. McLaughlin, Kimberly P. McLaughlin, Annette B. McLaughlin, Kelly C. McLaughlin, Sloan Mattingly, Audrii Cunningham, Lucy Morgan, Mercedes Losoya, Norah Lee Howard, Saffie-Rose Brenda Roussos, Layla Michelle Mata, Kaylen Michelle Young, Madelynn "Maddie" Ciara Mata, Tess Marie Mata, Melanie Jae “Lanie” Powell, Allyceea Mabel Brynne Ennis, Avril Rose Gestes, Amelie Grace Belperio, Amelie Firalves, Aubree Lei Kinney, Olivia Marie Smallsreed, Olivia Engel, Olivia Dahl, Olivia Pratt Korbel, Catherine Violet Hubbard, Princess Sophie Hélène Béatrice of France, Louis XVII, Coralynn Eve “Cora” Sobolik, Rebecca Jeanne Riley, Nichole Lang Veru, Gabrielle Renae “Gabby” Barrett, Colby Curtin, Eliza Adalynn Moore, Kristina Rae Barrett, Mary Crocker, Hannah Mae Martin, Kylie Elise Myers, Mikayla Alice Marie Valentine, Sandra Renee Cantu, Brittany Nicole Hendrickson, Brittany Kaye Kroksh, Brittany Lynn Locklear, Brittany Shenea Rieger, Brittany Michelle McDonald, Crystal A Colon, Susan Blakely, Shantell Marie Cox, Madison Marie Plotts, Heather O'Rourke, Judith Barsi, Rhonda Sue Lynn, Heather Nicole Lynn,

[jcmarchi]

MIT Faculty Founder Initiative announces three winners of entrepreneurship awards

New Post has been published on https://thedigitalinsider.com/mit-faculty-founder-initiative-announces-three-winners-of-entrepreneurship-awards/

MIT Faculty Founder Initiative announces three winners of entrepreneurship awards

Patients with intractable cancers, chronic pain sufferers, and people who depend on battery-powered medical implants may all benefit from the ideas presented at the 2023-24 MIT-Royalty Pharma Prize Competition’s recent awards. This year’s top prizes went to researchers and biotech entrepreneurs Anne Carpenter, Frederike Petzschner, and Betar Gallant ’08, SM ’10, PhD ’13.

MIT Faculty Founder Initiative Executive Director Kit Hickey MBA ’13 describes the time and hard work the three awardees and other finalists devoted to the initiative and its mission of cultivating female faculty in biotech to cross the chasm between laboratory research and its clinical application.

“They have taken the first brave step of getting off the bench when they already work seven days a week. They have carved out time from their facilities, from their labs, from their lives in order to put themselves out there and leap into entrepreneurship,” Hickey says. “They’ve done it because they each want to see their innovations out in the world improving patients’ lives.”

Carpenter, senior director of the Imaging Platform at the Broad Institute of MIT and Harvard, where she is also an institute scientist, won the competition’s $250,000 2023-24 MIT-Royalty Pharma Faculty Founder Prize Competition Grand Prize. Carpenter specializes in using microscopy imaging of cells and computational methods such as machine learning to accelerate the identification of chemical compounds with therapeutic potential to, for instance, shrink tumors. The identified compounds are then tested in biological assays that model the tumor ecosystem to see how the compounds would perform on actual tumors.

Carpenter’s startup, SyzOnc, launched in April, a feat Carpenter associates with the assistance provided by the MIT Faculty Founder Initiative. Participants in the program receive mentorship, stipends, and advice from industry experts, as well as help with incorporating, assembling a management team, fundraising, and intellectual property strategy.

“The program offered key insights and input at major decision points that gave us the momentum to open our doors,” Carpenter says, adding that participating “offered validation of our scientific ideas and business plan. That kind of credibility is really helpful to raising funding, particularly for those starting their first company.”

Carpenter says she and her team will employ “the best biological and computational advancements to develop new therapies to fight tumors such as sarcoma, pancreatic cancer, and glioblastoma, which currently have dismal survival rates.”

The MIT Faculty Founder Initiative was begun in 2020 by the School of Engineering and the Martin Trust Center for MIT Entrepreneurship, based on research findings by Sangeeta Bhatia, the Wilson Professor of Health Sciences and Technology, professor of electrical engineering and computer science, and faculty director of the MIT Faculty Founder Initiative; Susan Hockfield, MIT Corporation life member, MIT president emerita, and professor of neuroscience; and Nancy Hopkins, professor emerita of biology. An investigation they conducted showed that only about 9 percent of MIT’s 250 biotech startups were started by women, whereas women made up 22 percent of the faculty, as was presented in a 2021 MIT Faculty Newsletter.

That data showed that “technologies from female labs were not getting out in the world, resulting in lost potential,” Hickey says.

“The MIT Faculty Founder Initiative plays a pivotal role in MIT’s entrepreneurship ecosystem. It elevates visionary faculty working on solutions in biotech by providing them with critical mentorship and resources, ensuring these solutions can be rapidly scaled to market,” says Anantha Chandrakasan, MIT’s chief innovation and strategy officer, dean of engineering, and Vannevar Bush Professor of Electrical Engineering and Computer Science.

The MIT Faculty Founder Initiative Prize Competition was launched in 2021. At this year’s competition, the judges represented academia, health care, biotech, and financial investment. In addition to awarding a grand prize, the competition also distributed two $100,000 prizes, one to a researcher from Brown University, the first university to collaborate with MIT in the entrepreneurship program.

This year’s winner of the $100,000 2023-24 MIT-Royalty Pharma Faculty Founder Prize Competition Runner-Up Prize was Frederike Petzschner, assistant professor at the Carney Institute for Brain Science at Brown, for her SOMA startup’s digital pain management system, which helps sufferers to manage and relieve chronic pain.

“We leverage cutting-edge technology to provide precision care, focusing specifically on personalized cognitive interventions tailored to each patient’s unique needs,” she says.

With her startup on the verge of incorporating, Petzschner says, “without the Faculty Finder Initiative, our startup would still be pursuing commercialization, but undoubtedly at a much earlier and perhaps less structured stage.”

“The constant support from the program organizers and our mentors was truly transformative,” she says.

Gallant, associate professor of mechanical engineering at MIT and winner of the $100,000 2023-24 MIT-Royalty Pharma Faculty Founder Prize Competition Breakthrough Prize, is leading the startup Halogen. An expert on advanced battery technologies, Gallant and her team have developed high-density battery storage to improve the lifetime and performance of such medical devices as pacemakers.

“If you can extend lifetime, you’re talking about longer times between invasive replacement surgeries, which really affects patient quality of life,” Gallant told MIT News in a 2022 interview.

Jim Reddoch, executive vice president and chief scientific officer of sponsor Royalty Pharma, emphasized his company’s support for both the competition and the MIT Faculty Finder Initiative program.

“Royalty Pharma is thrilled to support the 2023-2024 MIT-Royalty Pharma Prize Competition and accelerate life sciences innovation at leading research institutions such as MIT and Brown,” Reddoch says. “By supporting the amazing female entrepreneurs in this program, we hope to catalyze more ideas from the lab to biotech companies and eventually into the hands of patients.”

Bhatia has referred to the MIT Faculty Founder Initiative as a “playbook” on how to direct female faculty’s high-impact technologies that are not being commercialized into the world of health care.

“To me, changing the game means that when you have an invention in your lab, you’re connected enough to the ecosystem to know when it should be a company, and to know who to call and how to get your first investors and how to quickly catalyze your team — and you’re off to the races,” Bhatia says. “Every one one of those inventions can be a medicine as quickly as possible. That’s the future I imagine.”

Co-founder Hockfield referred to MIT’s role in promoting entrepreneurship in remarks at the award ceremony, alluding to Brown University’s having joined the effort.

“MIT has always been a leader in entrepreneurship,” Hockfield says. “Part of leading is sharing with the world. The collaboration with Brown University for this cohort shows that MIT can share our approach with the world, allowing other universities to follow our model of supporting academic entrepreneurship.”

Hickey says that when she and Bhatia asked 30 female faculty members three years ago why they were not commercializing their technologies, many said they had no access to the appropriate networks of mentors, investors, role models, and business partners necessary to begin the journey.

“We encourage you to become this network that has been missing,” Hickey told the awards event audience, which included an array of leaders in the biotech world. “Get to know our amazing faculty members and continue to support them. Become a part of this movement.”

[tessatalksbooksblog]

Clytemnestra's Bind by Susan C. Wilson #TheWriteReads #UltimateBlogTour #BookReview

Thank you to The Write Reads for my spot on this blog tour! Book Blurb Queen Clytemnestra’s world shatters when Agamemnon, a rival to the throne of Mycenae, storms her palace, destroys her family and claims not only the throne but Clytemnestra herself. Tormented by her loss, she vows to do all she can to protect the children born from her unhappy marriage to Agamemnon. But when her husband…

[ginaraemitchell]

Clytemnestra's Bind (The House of Atreus, 1) by Susan C. Wilson | Book Review of a Powerful Retelling | #HistoricalFiction #LiteraryFiction #Retelling @BronzeAgeWummin @SusanCWilsonAuthor @The_WriteReads @WriteReadsTours @NeemTreePress

This fiery tale of power, family rivalry, and a mother's burning love comes from one of Greek mythology's most reviled characters—a woman who challenged men's absolute power. This book is perfect for readers of Greek mythology and fans of Costanza Casati’s Clytemnestra, Madeline Miller’s Circe, and Jennifer Saint’s Elektra. Clytemnestra's Bind (The House of Atreus, 1) by Susan C. Wilson | Book Review | #HistoricalFiction #LiteraryFiction #Retelling | @BronzeAgeWummin @SusanCWilsonAuthor @The_WriteReads @WriteReadsTours @NeemTreePress

Clytemnestra’s Bind (The House of Atreus, 1) by Susan C. Wilson | Book Review | #HistoricalFiction #LiteraryFiction #Retelling | @BronzeAgeWummin @SusanCWilsonAuthor @The_WriteReads @WriteReadsTours @NeemTreePress A book blog tour from The Write Reads. Thank you to the author, publisher, and Dave & the Gang at The Write Reads for providing me with the information for this tour. Quick…

[sixtyfivehundredinvisiblebirds]

What I read in 2023

2023 Either/Or- Elif Batuman Arcadia- Lauren Groff The Buddha in the Attic- Julie Otsuka Monsters- Claire Dederer Also a Poet: My father, Frank O’Hara and me- Ada Calhoun Bodywork- Melissa Febos Vanishing Fleece- Clara Parkes The Idiot- Elif Batuman Syllabus- Lynda Barry The Women’s House of Detention- Hugh Ryan Saving Time- Jenny Odell Sag Harbor- Colson Whitehead (re-read, very happily) All Night Pharmacy- Ruth Madievsky Moby Dick- Herman Melville Tomorrow, and Tomorrow, and Tomorrow- Gabrielle Zevin Mare’s Nest- Holly Mitchell Lima :: Limón- Natalie Scenters-Zapico Heliopause- Heather Christle The Changeling- Victor LaValle The Secret History- Donna Tartt Punks: New and Selected Poems- John Keene Eyes Bottle Dark with a Mouthful of Flowers- Jake Skeets Togetherness- Wo Chan Soundmachine- Rachel Zucker Superdoom- Melissa Broder Philomath- Devon Walker-Figueroa Exiles of Eden- Ladan Osman NSFW- Isabel Kaplan Junk- Tommy Pico Draw Me After- Peter Cole O- Zeina Hashem Beck The Interestings- Meg Wolitzer Civil Service- Claire Schwartz My Education- Susan Choi Without Protection- Gala Mukomolova Mothman Apologia- Robert Wood Lynn A Nail the Evening Hangs On- Monica Sok The World Keeps Ending, and the World Goes On- Franny Choi Space Struck- Paige Lewis The Underground Railroad- Colson Whitehead Bliss Montage- Ling Ma Our Spoons Came from Woolworths- Barbara Comyns Garments Against Women- Anne Boyer Don’t Let Me Be Lonely- Claudia Rankine (reread) Present Tense Machine- Gunnhild Øyehaung, tr. Sophie Hughes Celestia- Manuele Fior, tr. Jamie Richards Night Bus- Zuo Ma, tr. Orion Martin Nightbitch- Rachel Yoder Boundless- Jillian Tamaki Your black friend and other strangers- Ben Passmore Library of Small Catastrophes- Alison C. Rollins Nerd: Adventures in fandom from this universe to the multiverse- Maya Phillips Desperate Characters- Paula Fox The Bird King- G. Willow Wilson Alienation- Inés Estrada The Anti-Racist Writing Workshop- Felicia Rose Chavez The Year of Blue Water- Yanyi Pale Colors in a Dark Field- Carl Phillips I Remember- Joe Brainard Manywhere- Morgan Thomas Obit- Victoria Chang Memorial- Brian Washington Girlhood- Melissa Febos Hot and Bothered: what no one tells you about menopause- Jancee Dunn