#Sunaura Taylor

[librarycards]

Nevertheless, the fact that some vegans can be annoying, misguided, or worse, is not a reason for people on the left to dismiss the question of animal liberation or to grant some of the world’s largest corporations a free pass. (If being annoying were the litmus test for leftists, we’d have a small cohort indeed.) In addition to relentlessly critiquing and combating objectionable business practices, we believe that feminists and anti-capitalists have a duty to ask an even more profound question: What grounds our species’ right to commodify and dispossess other sentient beings? What gives our species the right to violently exploit another animal’s sexual and reproductive capacities in the service of capital?

[...]

[W]e see veganism as “an act of the imagination,” a beginning and not an end in itself. It is an aspirational category, an acknowledgement of values that cannot be fully manifested in the world as it currently exists. Refusing to consume animal products is not an act of negation, but a proactive commitment to working to usher in a more emancipatory, egalitarian, and ecologically sustainable society. This process of structural transformation can be aided by a shift in self-understanding. Identifying with other creatures — recognizing Gunda and her piglets as fellow creatures not commodities — while still honoring our myriad differences, is one way to challenge capitalism’s perennial politics of divide and conquer.

Astra & Sunaura Taylor, Our Animals, Ourselves: The Socialist Feminist Case for Animal Liberation.

[coldalbion]

I'd not seen this before. Really nice.

[solarpunkpresentspodcast]

3.2: Thinking About How We Think About Animals with Dr Chloë Taylor

Today’s episode is all about animal ethics—or do we mean critical animal studies? @arielkroon discusses this linguistic nuance and the differences between them (and much, much more!) with Dr Chloë Taylor, professor of women and gender studies at University of Alberta.

Today’s episode is all about animal ethics—or do we mean critical animal studies? Ariel discusses this linguistic nuance and the difference between them (and much, much more!) with Dr Chloë Taylor, professor of women and gender studies at the University of Alberta. Dr Taylor has been involved in a five-year-long project researching the “Intersections of Animality” and is a trained philosopher who works in gender studies, and sees a lot of intersections between the way that we think about and treat animals and the way that we think about and treat minoritized subjects. Come join us for a thought-provoking and highly educational discussion here!

Links

Dr Chloë Taylor’s profile at University of Alberta 

Peter Singer and Tom Regan

North American Association for Critical Animal Studies

Where Disability Rights and Animal Rights Meet: A Conversation with Sunaura Taylor

Making Kin: An Interview with Donna Haraway 

Auroch de-extinction and rewilding

Connect with Solarpunk Presents Podcast on Twitter, Mastodon, or at our blog.

Connect with Ariel at her blog, on Twitter at @arielletje, and on Mastodon.

Connect with Christina at her blog, on Twitter, and on Mastodon

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[ohc-and-the-music-tapes-archive]

Art Notes column in Flagpole, 22 June 2005, describing Sunaura Taylor’s exhibition and mentioning Elephant 6 members.

[source]

transcript:

ART NOTES THREE SHOWS UNDER ONE ROOF

There were days in my childhood when rumors of the circus coming to town offered relief from the heat and stillness of summer. Instead of a circus this week, Athens has AthFest 2005. And in conjunction with AthFest, the Lyndon House Arts Center has art to turn your head. With three shows under one roof, there is something for everyone:

Headspinning: Discover “Headspinning: Inspiration from the Canvas to the Album Cover.” This exhibit offers the chance to see the art that inspired album covers. See the drawing from Randy Bewiey’s sketchbook that became the cover of Pylon’s Gyrate, and the trestles from the cover of R.E.M’s Murmur, and Chris Bilheimer’s many Polaroids that became covers for R.E.M., Green Day, Mendoza Line, Toadies and Ben Mize. There are works in the exhibit that hold much more interest than the familiar album cover, such as two of Terry Rowlett’s paintings. A tiny image on the cover of Five Eight’s The Good Nurse, Rowlett’s painting of a nurse holding flowers, standing in a serene Tuscan landscape, is actually large-scale. The detail of the painting is much more satisfying than the cover suggests. Rowlett’s painting on the cover of Kevin Kinney’s Sun Tangled Angel Revival is divided in half. In the painting, baby Jesus (with a cowboy hat) and Mary float above an old Chevy in a Jerusalem- meets-Arizona landscape. On the album cover, the virgin and child are on one side while the Chevy is on the other. On Elf Power's Creatures, Laura Carter's collage appears polished and seamless; but the original is delicate, vulnerable and obviously labored over by hand. A simple pencil drawing by Stephanie Dotson became the cover of the Phosphorescent album. This cover shows how something raw can be manipulated into a finished product. Other highlights from the exhibit include John Hawkins’ “A Young Professional,” from No Time by The Squalls; the R.A. Miller painting that became part of an Elf Power cover, Andy Cherewick’s painting found on the cover of Dream in Sound, and “Heckatie” by Jeff Owens found on a Drive-By Truckers cover. “Headspinning” will be up through Aug. 6.

Loved Ones and Marshmallows: Sunny Taylor has has developed a skillful approach to classical figure painting. Her paintings stand out as misplaced relics from Madrid's Prado Museum. Only recognizing the subjects of the paintings gives away the third millennium as the date of completion. “Robee and Julian,” is a double portrait which shows the two Athens residents who were Music Tapes wearing marching band jackets. A larger-than-life portrait of Jeff Mangum includes the drawings of little creatures always found on his pants; and, his loud laugh can be heard in the smile Taylor has painted on his face. The love the artist has for her subjects can be seen in these paintings, as well as in the portraits of her sister Astra. Two paintings have a slightly more powerful edge about them. Both “Jolly Jumper” and “Butterfly” are self-portraits painted from childhood photographs. These paintings show a bold melancholy, and an intense attention to detail. The lace on the gown of the baby in “Jolly Jumper” involves an incredible manipulation of paint. “Butterfly” combines the creature of freedom and flight with the look of a frustrated child. Michael Lachowski’s work consists of bold, gestural drawings and fashion photographs. Check out last week's Flagpole on-line at www.flagpole.com for more details on his work. This show runs through Aug. 6.

Golden Threads: The 50th Anniversary of the Chattahoochee Handweavers Guild is marked with the Biennial Southeast Regional Juried Show titled “Golden Threads: Connecting Innovation and Tradition.” The exhibit includes works as diverse as Pat Stettler’s wildly-patterned colorful fabric piece, to Linda Harshbarger’s delicate design and subtle colors. Aaron McIntosh from Smithville, TN, has created a fanciful composition with fiber in which an abstracted road, with dashed yellow lines, leads to a castle with smoke-stacks. Another unique piece is by Jeana Eve Klein from Boone, NC, titled “How to Build a Clique; it uses three dimensions to add interest to the figures and diagrams in the composition. Among the highlights of the exhibit are three large city-scapes by Elizabeth Barton, who is from Athens. The Chattahoochee Handweavers Guild has grown out of a group of five Atlanta women who, in 1955, shared an interest in weaving. The guild has remained flexible and has evolved into a contemporary entity. “Golden Threads” is up until July 15.

Endnotes: Bozeman Pottery has opened at 150 Barrow St. Hours to view the ceramics made from clay dug by Jim Bozeman himself are 1 p.m. to 6 p.m. Contact him at idigclay@hotmail.com. Clayton Street Gallery has re-opened with a fresh Perspective and a new gallery committee.

Beth Sale Email art news to outthere@flagpole.com.

[lesbianboyfriend]

sometimes searching for books on libby is like. you will find horny books with titles you never could have imagined

[vegan-commie]

Ableist values are central to animal industries, where the dependency, vulnerability, and presumed lack of emotional awareness or intellectual capacity of animals creates the groundwork for a system that makes billions of dollars in profit off of animal lives.

- Sunaura Taylor, Beasts of Burden

[imalicja]

The aim of the game is to answer and then tag some mutuals you wanna know better or catch up with.

Favorite color(s): hmm maybe magenta purple. i love getting my nails done with a color like this

Last song played: plimsoll punks - alvvays

Currently reading: 9 books ;) but something that is translated into english that im reading is Secondhand Time: The Last of the Soviets by Svetlana Alexievich and something im reading in english is Beasts of Burden: Animal and Disability Liberation by Sunaura Taylor (both nonfiction and both amazing...)

Currently craving: a swim. my swimming pool is closed till september lol

Coffee or tea: both, but i definitely cannot live without coffee.

thank you for the tag my lovely @komplikacije <3

im tagging @all-mirrors @katoprofen @newplaces2drown @rentz @rybreads <3

[chaosacademia]

after the biggest identity crisis, feelings of failure and major breakdowns, i've decided that my next academic year will be... different. i need a break from uni, which still hurts to admit. i intend to make learning enjoyable again, so i will start my year of rest and slow learning. the idea is to go back to learning at my own pace about whatever im curious about and NOT for obligation. so! this is a list of nonfic titles i am considering picking up!

- Ace: What Asexuality Reveals about Desire, Society, and the Meaning of Sex, by Angela Chen

- An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, by Ed Yong

- Beasts of Burden: Animal and Disability Liberation, by Sunaura Taylor

- Black on Both Sides: A Racial History of Trans Identity, by C. Riley Snorton

- Disfigured: On Fairy Tales, Disability, and Making Space, by Amanda Leduc

- Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures, by Merlin Sheldrake

- Having and Being Had, by Eula Biss

- Medical Bondage: Race, Gender, and the Origins of American Gynecology, by Deirdre Cooper Owens

- Messalina: Empress, Adulteress, Libertine: The Story of the Most Notorious Woman of the Roman World, by Honor Cargill-Martin

- Off with Her Head: Three Thousand Years of Demonizing Women in Power, Eleanor Herman

- Sentient: How Animals Illuminate the Wonder of Our Human Senses, by Jackie Higgins

- The Botany of Desire: A Plant's-Eye View of the World, by Michael Pollan

- The Psychopath Factory: How Capitalism Organizes Empathy, by Tristam Adams

- Unwell Women: Misdiagnosis and Myth in a Man-Made World, by Elinor Cleghorn

- Why Have There Been No Great Women Artists?, by Linda Nochlin

- Witches, Midwives and Nurses: A History of Women Healers, by Barbara Ehrenreich and Deirdre English

- Without Children: The Long History of Not Being a Mother, by Peggy O'Donnell Heffington

[cosmicfriend]

Beasts of Burden: Animal and Disability Liberation by Sunaura Taylor

[katescomsformakers]

Week Three: Sanaura Taylor & Enabling Spaces

"there is no such thing as disabled people, only disabling environments."

This lesson was focused around a video we watched about a wheelchair user, Sunaura Taylor, and her environment. We watched this and took notes of ideas we found interesting. Disabled people face struggles such as limited housing options, career opportunities and can become socially isolated. For example, Sunaura explained that she would have to mentally prepare before going anywhere like a coffee shop, as workers would have to make accomodations for her. This kind of anxiety is why many disabled people fear new environments and exclude themselves from public spaces. Sunaura also said that she would sometimes fear judgement due to her mobility and arm function, needing to use her mouth to open things etc, and explained how this was polarising to most people. I think that more accessible architecture and accomodations towards disabled people will over time create more acceptance in society and normalise these changes. A shift in the way we design to accomodate those who are not able will also create a shift in our minds, opening them to thinking about others more frequently and taking their needs into account other than just thinking about ourselves. Unpacking the way we are quick to judge is also important. Seeing someone do something a different way than we are used to, for example using a body part for its "not intended" use, can be strange to an able bodied person as it is not part of our personal "norms". However, it is important to understand that that is the way some people must live their lives due to the state of their mobility, and to be free of judgement as well as educate yourself.

[librarycards]

hey!! do you have any recs for books/reading about veganism?

full disclosure, i don't read a bunch on veganism in terms of animal and environmental ethics, because the graphic depictions of abuse/violence/etc. often featured in them i find extremely upsetting. that being said, i do have a few readings - not all books - that i can confidently recommend, as well as a few cookbooks i love!

general theory/etc readings:

Sunaura Taylor, Beasts of Burden: Animal and Disability Liberation

Alexis Pauline Gumbs, Undrowned: Black Feminist Lessons from Marine Mammals

Disability and Animality: Crip Perspectives in Critical Animal Studies (edited collection PDF linked!!)

Ruth Ozeki, My Year of Meats (novel)

Lauren Berlant (z"l), Cruising Veganism (the link is to a pdf on my google drive bc I can't find it atm on google scholar)

Some books on my TBR are:

Julia Feeliz Brueck, Veganism of Color: Decentering Whiteness in Human and Nonhuman Liberation

Han Kang, The Vegetarian (novel)

The Routledge Handbook of Vegan Studies - these handbooks always have both hits and misses, but I think it's worth checking out!

My favorite vegan cookbooks:

Vegan Richa's Indian Kitchen & Vegan Richa's Everyday Kitchen

The Vegan Table (this is tragically out of print now but easy to get used!)

The Vegan Chinese Kitchen

Vegetable Kingdom

Also, The Veginners Cookbook is a great resource for new vegans/people interested in trying veganism, published by a blogger I've liked for a while.

hope this helps!

[ohc-and-the-music-tapes-archive]

Sunaura Taylor Robbie and Julian oil on canvas 5' x 8'

[source]

[vitos-ordination-song]

The reason I dislike anti-vegans despite not being a vegan and often disagreeing w them is that I do care about animals and I find anti-veganism anti-intellectual. Although I am not a vegan in diet, I do appreciate vegan tenants: fundamentally veganism is opposition to exploitation. I’ve gotten a lot out of engaging with certain vegan authors; Sunaura Taylor is a must-read. That’s why even if I agree with an anti-vegan argument, I still take the vegan side bc it just feels like anti-vegans don’t want to be challenged or care more about their own hurt feelings.

[sothatstom1]

How would you do it?

The videos from the last section provided us with a glimpse at how making affects people who we may not be thinking about. 

VIDEO 1

Sunaura Taylor's walk through San Francisco highlighted some obvious things in the built environment that affect mobility-impaired people.  She drew us deeper into thinking about how making can disable people by distinguishing between impairment and disability.  For example, Sunaura has an impariment that restricts the moving of her arms and the ability of her hands to grasp objects.  In her art work below, Self Portrait as Manatee, Taylor's impairment is visible.  However, the designed world - from steps to coffee cups to clothing - can either enable or disable her.    

Taylor, Sunaura. Self Portrait as Manatee. 2013. Oil on Paper. Sunaura Taylor. http://www.sunaurataylor.com/portfolio/Drawings%20&%20Paintings/details/1

The Danger of a Single Story similarly highlights the effect on people who cannot find themselves in the narratives around the.  Chimamanda Ngozi Adichie discusses the power of literary narratives, but as creatives we can extrapolate the point she is making to art and design, for instance in the development of characters and worlds (concept design), the use of stylistic motifs, symbols and so on (visual communication design), within the subject matter of photography and art. and so on.

While the lived experience of Adichie and Taylor are very different, each highlights the way that making can further marginalise people.  But knowing that, how should it inform your making?   

When making anything, it is important to be aware of potential pitfalls that could further marginalise people. This means being mindful of potential biases and stereotypes that could be perpetuated through the making process, and making sure that the project is accessible to everyone. It is also important to ensure that the project is inclusive and representative of the diversity in the world. This means creating content and products that appeal to a wide range of people, regardless of their identity or background. Finally, it is important to create a safe and respectful space for people to participate in the making process, so that all voices can be heard.

[brbphotosynthesizing]

I recommend reading Beasts of Burden by Sunaura Taylor if the intersection of disability and animality interests you.

It's so freeing to be a disabled vegan. Here is a mindset that firmly rejects the idea that value is tied to profit and productivity, so why would I not be in support? A cow has value for its existence as a cow, not for meat or milk. I have value for my existence as a person, not for labor or money.

[stefaniaperinelli]

Bestie da soma

Acquistato qualche mese fa, mi ha chiamato ieri e così ho aperto il 2023 iniziando a leggere questo superlibro!

Sunaura Taylor, in questo libro scabroso, ruvido, difficile nel porsi questioni alle quali non è possibile rispondere se non vivendole nella contraddizione, ci indica un cammino arduo. Da pensatrice radicale, essenziale, Sunaura Taylor, artista, attivista per i diritti dei disabili e degli animali, affronta in questa sua opera, smontandole, le diverse maschere della normalità. Di ciò che si può definire abilismo. Di una visione antropocentrica del mondo. Di una visione patriarcale e razzista che attraversa le nostre società che definiamo civili.

L'introduzione curata da Marco Reggio e Feminoska sono già un ottimo inizio, non solo perchè ci aprono ad una loro maggiore conoscenza, ma perchè chiariscono il collegamento fra tutti i diversi temi dell'Antispecismo perchè il dualismo binario (bene/male, etero/omosessuale, umano/animale, bianco/nero, maschile/femminile, ecc.) è solo una costruzione concettuale volta ad etichettare così da poter emarginare, sfruttare, opprimere e dominare.

Sunaura Taylor propone e collega tematiche estremamente importanti, spesso chiuse nei propri scompartimenti, con semplicità e acume, spaziando nei mondi degli Invisibili.

"Gli animali siamo noi, tutti noi. Dobbiamo sciogliere le catene che li (ci) imprigionano. La cura diviene così una forma di interdipendenza, di etica liberatrice."

Consigliatissimo!