#Successful performance check

[blastedking]

[43/64] Universe: Law Of Fire IV - Remnants of Gods

Don't stop talking. uvu

[sainz100]

Carlos Sainz | F1 London Live in 2017 | x x x x x

[haloiisms]

RAAHHH MATTMAC WIN!!!!!!! a victory for tomgirls everywhere. i miss my princess tom wambsgans every day

[cloud9technologies2]

Benefits of Implementing ERP Software for Engineering Firms

The engineering industry is one of the biggest industries in the world, and it plays an important role in growing the economy as well. The engineering sector is growing day by day and is highly competitive. Hence, efficiency, accuracy, and streamlined operations are crucial for success in this sector. Businesses face several challenges in this sector, like the complexities of a project, resource management, and deadline restrictions. ERP software for engineering firms is the best way to overcome all of these challenges as it integrates and automates business processes.

Here is the list of top benefits of utilizing ERP systems for the engineering industry:

1. Project Management:

The projects in engineering sectors have a detailed documentation process, different teams, and complicated workflows. ERP system for engineering firms help in various ways, like centralizing project data, enabling limitless collaboration, and getting real-time updates. Because of this software, every team member has all the updates, which in turn reduces miscommunication and delays in the project.

2. Resource Management:

For all engineering projects, it is essential to allocate all resources carefully, like equipment, materials, and labor. With the utilization of ERP software, the monitoring of resources can be performed easily. It helps in checking resource availability, optimizing usage, and forecasting requirements. This ultimately results in improving cost efficiency.

3. Quality Management:

Ensures engineering projects meet industry standards and regulations.

Quality Control: Offers tools for monitoring and managing the quality of materials, processes, and completed projects.

4. Data Management:

Using ERP software, engineering firms can make sure that they can get a unified database to eliminate data silos and ensure consistency through all departments. A centralized data management system is beneficial for decision-making as well it provides critical information when required.

5. Time and Budget Management:

When the whole system gets automated with ERP software, it reduces time and cost on repetitive tasks like data entry, procurement, and inventory management. The utilization of ERP systems in engineering firms helps in reducing manual errors and improving productivity. Hence, the firms can focus on other important things like innovation and project execution.

6. Client Relationship Management:

Most ERP systems include customer relationship management tools that are very helpful in managing client interactions. This tool allows the firm to track communication history, project milestones, and client preferences. Because of this feature, firms can improve customer satisfaction and build long-term relationships.

7. Scalability and Flexibility

ERP solutions may scale with the company as it grows, allowing for more projects, clients, and resources. Customization: ERP solutions can typically be tailored to an engineering firm’s specific demands and operations.

8. Financial Management

Accounting combines financial accounting with project management to provide a complete picture of the company’s financial health. Reporting: Creates detailed financial reports, such as profit and loss statements, balance sheets, and cash flow statements.

How PMTRACK ERP Helps:

Managing development processes, monitoring complex projects, and ensuring seamless collaboration across divisions are becoming increasingly important for company success. Engineering organizations in Pune, India, and around the world have distinct issues in successfully managing their operations.

Implementing a bespoke Enterprise Resource Planning (ERP) solution provides transformative benefits by streamlining processes, improving project management, and ultimately generating profitability.

For businesses considering ERP adoption, selecting the correct ERP software vendor is critical. PMTRACK ERP, a reputable ERP solution provider in Pune, India, specializes in engineering ERP systems tailored to the demands of engineering and manufacturing companies.

ERP software is used to connect project management with financial accounting, inventory control, and procurement procedures. This integration gives project managers real-time information about project costs, resource availability, and schedules, resulting in better-informed decisions and more effective project execution.

Engineering firms that use an ERP system can improve operational efficiency, reduce costs, improve project delivery, and ultimately boost client satisfaction and profitability.

Summary:

ERP software provides several advantages to engineering firms in Pune, India, ranging from better project management and financial control to higher client satisfaction and scalability. Engineering organizations can employ a comprehensive ERP solution to improve operations, decrease inefficiencies, and drive long-term growth.

PMTRACK ERP, one of the leading ERP solution providers in Pune, India, provides comprehensive, industry-specific ERP solutions that are suitable for engineering organizations’ unique requirements. Firms that collaborate with an experienced engineering ERP software company in India receive a trusted partner in negotiating the complexity of their business, setting them up for success in an increasingly competitive landscape.

[chiarrara]

are most fit pics body checking or is my brain just poisoned

[finnishbee]

This whole thing is getting messier and messier

Now I'm curious cause of your tag. What did Swedish media say about the eurovision thing?

Oof yeah, here’s a post detailing it … here another… Basically they’ve absolutely flipped over the fact that Finnish public didn’t give Loreen points at all (which I find absolutely hilarious) and suddenly started wielding such rhetoric as “the former eastern part of our kingdom” referring to Finland, which is???? like??? do I even need to say how Not Okay that is?

It might seem to some that the Finnish people are reacting to Sweden’s (unfair) win and them being sore winners (which, points to them, I didn’t know was possible!) with too much drama, but it’s all tied to our history together. Finland has traditionally seen itself, and has been seen by other countries (Sweden included) as the sort of “little brother” to the more advanced, better-faring, glorious Sweden. While Sweden to my knowledge doesn’t much care about what Finland gets up to (perhaps overlooking/ignoring us and our merits), Finland is always comparing itself to Sweden and trying to live up to it. It’s a very common rhetoric and sort of, the atmosphere over here. We know more about Sweden than Sweden knows about us; we’re constantly conscious that Sweden exists. Sweden gets talked about in international news; Finland, if mentioned, is often tied to - you guessed it - being Sweden’s neighboring country.

We used to be part of Sweden for 600 years. During that time, Swedish was implemented as the language of the culture and the “civilised” whereas the finns living in the eAstErn pArT oF tHe kiNgDoM were seen as “wild” and “uncivilised” and just, generally a lesser people to the Swedish speaking population. We haven’t been under Sweden’s rule for some 200 years and STILL we can’t seem to shake their influence on us. Swedish is still a mandatory language to learn at school (and I have many opinions on that, but that’d be another post). Finnish as a language has been disregarded for its whole existence. Our leading national thinkers and poets in the 19th century, who were the first ones to really push for the Finnish identity instead of us seeing ourselves as part of Sweden or Russia, wrote in Swedish. The first novel in Finnish was published in 1870.

So this is monumental to us, to have the whole word watching Finland and not Sweden. Finland has a lot of merits, especially considering how small a people we are (just 5,5mil). To have a song in our language, in Finnish be this popular, is something we couldn’t have imagined. We as a people are humble to the extreme, so much that we might easily scorn anyone who is too successful (not a good thing!), and this is the first time in my life that I’m seeing the whole country rally behind someone like this. When we say “Our Jere” we mean it with our whole hearts. We’re so so proud of him, everyone is, and for once Finnish people seem to think in unison that someone deserves all the praise and the success.

SO, to have Sweden in this UNIQUE moment of Finland raising its head and being “we’re so amazing”, with the rest of Europe going “yes you’re so amazing!!”, spew rhetoric like this, is just, unbelievable to me. Like I can’t just believe that in the 21st century there are people in Sweden who hold up 200 year old thought patterns of our country. It’s been shocking ‘cos though there’s always been rivalry, it’s felt more… tongue in cheek. We “love to hate” Sweden over here. It’s been “I hate Sweden (affectionate)”. But now we find this unbelievably condescending and belittling attitude towards us raising its head, and we wonder, we thought we two were okay?? But have they always held these beliefs???

So there’s a sense of betrayal in the air as well. And just, full on disbelief. And maybe we’re starting to see that it has been like this all along, but we’ve decided to turn a blind eye to it? True colours shining through? Perhaps not… but yeah.

Sweden not looking good here!

(here’s one more post that says the same that i did but was better at making it SHORT oops)

[urlocal-limitesshbic]

*.˗ˏˋ Use DEILD to enter the void in secondsˎ˗.*

~featuring a lucid dreamer’s unintended success story I found on YouTube~

Incoming Topics..

*PART 1 <RECAP: What is Deild? >*

*PART 2 < The success story >*

*PART 3 < How to use DEILD for the Void >*

*PART I < What is the DEILD method? > *

If you haven’t read my original post on DEILD I have linked it down below towards the end of this one. I recommend checking it out for an in depth tutorial on the method, but I’ll give a quick explanation here as well-

To put it simply, it is a technique that is traditionally used to get fast and easy lucid dreams. Upon waking you lie still and keep your eyes closed, tricking your body into thinking that you never woke up and then within seconds the dream reforms except now you’re aware in it! You can also create a new dream or you might enter a false awakening which becomes a lucid dream. This method works SO QUICKLY it’s seriously like a LD method shortcut!

I’ve heard of lucid dreamers talking about the void before but after watching a YouTubers video about a lucid dream he had, I realized he actually used the DEILD technique to go straight to the void in SECONDS, unintentionally! Which is something I hadn’t thought about doing before-merging the lucid dream technique WITH 👏🏼 THE VOID 👏🏼 TECHNIQUES!! 👏🏼 So for those of you attempting to enter the void state from a lucid dream, this can be used as a SHORTCUT on top of a SHORTCUT! 🙌🏼 Yes ma’ammmm y’all seriously need to come try this one out because when I say SECONDS I’m talking secondsss-no more waiting 20 minutes for your left brain to turn off, no more long breath work exercises or reality checks or hours of lying still, affirming, no more battling with creating portals-the void can be EFFORTLESS and induced in under a minute.

*PART 2 < The lucid dreamer’s success story> *

There’s this lucid dreamer on YouTube called TIGER123 who posts about lucid dreaming techniques and his own lucid dream experiences- he actually has a video tutorial on DEILD as well (which is linked in my OG DEILD post)

So, I was at work looking for something to watch and saw he posted a new video about a lucid dream he had recently. Well, I can tell you wasn’t expecting him to literally open the video by talking about how he woke up from a regular dream, realized it was the perfect opportunity to perform DEILD and get lucid, and then. AS HE’S PERFORMING DEILD. He enters the void! Just like that. While he was in the void he visualized the dream scene he wanted to be in and he said he was there within 10 seconds. Aka he instantly manifested entering the exact lucid dream he wanted to be in, from the void state.

This is someone who doesn’t believe in shifting or astral projection, wasn’t trying to enter the void, thinks the void is just an unformed lucid dream space that can be used to form a new lucid dream, doesn’t know you can manifest from that state and yet STILL got in and STILL manifested. Since he viewed the void as a place he can form a new lucid dream thats what he did. He still manifested instantly, he just MANIFESTED going from the VS to being in a lucid dream. This should just go to show you guys how REAL the void state is, because someone who doesn’t even know about it and wasn’t trying to get in STILL did it. (SO CAN YOU btw)

The void isn’t a concept created on tumblr. Lucid dreamers have experienced it for years, meditators experience it, yogis, followers of Neville Goddard and multiple religious practices do too; It’s just called by different names and defined differently, but all the experiences describe the same thing. So if tumblr success stories aren’t trustworthy enough to you, or motivating enough-expand your research and find hundreds of stories similar to this one-lucid dreamers thinking it’s just an unformed dream and yogis thinking it’s just a really relaxing deep meditative state etc…

*PART 3< How To Use DEILD to enter the VS> *

I linked the video at the bottom, he doesn’t really talk about the void much or deild because the video is about the actual contents of the dream he had, but the part he does talk about it is right at the beginning, the first 30 seconds or so, if you’re curious in checking it out but this is pretty much what he said about it, written out-

“First I was in a space dream and then I woke up and kind of realized I had just woken up from a dream and was able to stay still and kind of reenter into it and fall back asleep and I ended up in the void. You know that like complete blackness where it’s really easy to reform the dream and since I was there I figured I would just try to go to the beach because when I’m in this void state I can really go anywhere I want. I just reformed the beach and I ended up on the exact beach I was imagining in like 10 seconds.”

So boom. Thats’s it thats ALL. That simple. So here’s the exact steps to do if you want to enter the void through DEILD too and be the next success story:

Before bed: affirm “I will remember to stay still upon awakening. I will effortlessly enter the void using DEILD” or some variation of this (optional)

Visualize yourself waking up, staying still, and entering the void state (optional)

Go to sleep, with the calm certainty that this will work.

Wake up. Keep your eyes closed and lie still

You can keep a blank mind and wait, trusting that your subconscious will induce the void automatically, since you already set the intention the night before

5a. Or right after waking, with your eyes closed you can begin affirming that you are pure consciousnes and imagine yourself already in the void, or imagine yourself sinking gently down into the void state until you are truly there. This method is so effective you should be in the state within a minute or less.

And remember, the void state can’t be forced, just like sleep can’t be forced. All you can do is create the right conditions for it to occur naturally. It’s okay if you don’t get it right away. Focus on trust, not control. Avoid over analyzing whether it’s working while you’re performing the technique, just allow it to flow and happen. You saw he just literally lied still waiting for the dream to form and then he was in. It’s that effortless. Give it a go and report back in the comments 🫶🏼 Happy enteringgg

[smallfisheyes]

one suggestive paragraph hehe.

nanami kento who just doesn’t love you.

he tries. really. you are so easy to love, but he just can’t seem to love you more than admiration; more than the god-awful belittling role of a friend.

you are kind. he has seen you pick children from rubble. you had single-handedly halted an impeding panic attack that consumed the fushiguro boy. you pay out of pocket so that the children can do normal student activities: arts and crafts, team building activities, classroom and party decorations. he’s watched you be the most beautiful human that he has had the privilege of watching, defending innocents with, laughing with, but for some reason, he just can’t love you.

nanami kento who makes you cry because he says he loves you. trust him, he loves you so much, but as a friend. you had confessed your love for him. he broke your heart.

it was in the parking lot of your favourite post-mission meeting spot: the convenience store. (it’s family-owned, kento had said to you on your first visit as he gently took you by the elbow. it was his retreat. it would be yours too. you cradled the side of your face, your one eye badly bruised and rapidly swelling. you’ll like it here, he insisted. i promise).

the son was at cash that dark morning. kento would get the egg sandwich and coffee, you a banana milk and noodles.

“i’m on a mission to try every flavour,” you had declared one night, feet kicking and humming into your first dinner.

you had shrimp-flavoured noodles that fateful early morning. it was around 2:00 a.m., two second-grade curses with paired techniques. the following day, nanami turned down the offer of a sushi lunch with shoko. he wouldn’t be able to stand seeing shrimp tempura.

nanami kento who understands why you can no longer look him in the eye when you pass each other in the halls. you walk a tempo faster, a cold wind whisked up from your sudden distance and speed. it stings as you pass by. it stings when you rush to exit the staff room when he enters. he only dares to watch you when your back is turned and retreating far, far away from him. something under his sternum aches. he misses you. don’t you know?

it’s so hard to avoid him. he’s so big and he’s everywhere. he’s at work, he’s in the staff office, he’s in your mind. curses, he’s always in your mind.

before, fleeting images of nanami passed by. his small smiles. the big ones you managed to pull because “your humour is so childish,” so ridiculously stupid, but so stupid it makes him laugh anyway. the rumble of his voice that soothes you to sleep, especially the hard nights.

there are also the nights that your hand sneaks below the covers, then the hem of your pants, and thoughts of him doing less than innocent things run like a leaky faucet. it floods your mind, and suddenly, you can’t sleep. the only solution is to keep going until you’re tired. yes, that’s reasonable. besides, how could you not, not when he looked like that.

“what’s with you?” nanami would ask the next morning, then the morning after that, then every morning. it took you about half an hour some mornings (then most) to look him in the eye, your hands trembling around the mug he handed you. did he do something wrong? did he make you uncomfortable? should he back off? (or get back on?). stop thinking like that.

so, why can’t you seem to hate him?

you have seen him pick children from rubble. you have watched nanami perform four black flashes in succession during the black parade when it mattered most: students injured left and right. he pays out of pocket for lunches: yours and the students, with an exception of gojo. (he has a black card, kento ranted into his black coffee. he doesn’t need charity, just an ego check). you’ve watched him be the most beautiful human that you’ve had the privilege of watching, fighting with, laughing with, but for some reason, you love him and he just can’t love you.

if he does not love you, you fear who he does love. would she have long hair? short? curly hair? straight? does she have an excellent taste in fashion? is it more refined or street fashion? lolita or office-type? does she stand taller than you? is she funnier? does she have a million degrees and you’re out on the field doing the exact job nanami despises and fears? is she skinnier? prettier? the woman he would love (loves?) would just be better. he deserves better.

you cannot blame nanami kento for not loving you.

unknowing to him though, he does.

nanami kento stands at the till at the (your) convenience store.

“where’s your buddy?” it’s the son today, the one in desperate need of a haircut. he looks to be in his twenties. he scans nanami’s items: egg sandwich, transparent bandaids, a single carton of banana milk.

“by buddy, if you mean my partner, she is not with me,” nanami notes.

buddy. nanami wants to scoff. what an odd way of describing you.

“sorry, man.” the boy holds his hands out in apology. “didn’t realize you guys were together.”

there is a brief shock that pulls at nanami’s eyes. they widen, his mouth narrowing. together. why was that a less odd way of describing you?

nanami doesn’t notice his chest rising and falling rapidly. “she is my partner at work,” he corrects. he speaks in a murmur, eyes downcast. he studies the yellow carton on the till counter. banana milk. he didn’t even like it that much. a childish drink; childish humour. so full of energy but only experienced by a select special few. (why did you think he’s so special?)

“hmm,” the boy hums. “thought you guys were together. she seemed super into you. she looked at you like,” the boy shrugs his shoulders nonchantly, pressing buttons on the till screen, “like you meant a lot.”

nanami’s stomach sinks. he has to be the worst.

the convenience store bell tolls when nanami exits, paper bag in hand. the coolness of the night hits him. from this far out, he can see the speckle of the stars.

partner, nanami muses. the name suits you. it suits you and him: a pairing. together, as friends.

but not for long.

sorry guys but does anyone else wonder what would happen if nanami didn’t love you? and you love him? i do it all the time lol. if i feel it y’all have to feel it >:)

also it’s 2:00 am here please excuse the thought vomit.

[kaijutegu]

Aug ABSOLUTELY deserves the praise, @ryukikit. St. Augustine Alligator Farm is one of my favorite animal facilities, hands down. It's a pretty zoo, doable in an afternoon if you kinda like crocodilians, or an all day affair if you REALLY like crocodilians. Here are my favorite things about it and why I think it's worth supporting.

1. They keep animals in interesting social groups.

Crocodilians are heavily involved parents, but most places that breed them don't have the enclosure space to let the babies stay with the parents. St. Augustine does. One of my favorite groups was their crèche of slender-snouted crocodiles. They had the parents and then a yearling cohort and a new hatchling cohort. This aligns with how these guys live in the wild- the babies stick around longer! They have the space for it, and they are very in tune with the social needs of their animals.

Very, very few zoos can keep their baby crocs with the adults and still perform maintenance and animal health checks safely. This doesn't mean these facilities are bad- it just means that they have different management practices. And frankly, a lot of these species aren't frequently bred elsewhere. Your average zoo doesn't need a setup where you can have a multiyear crèche for slender-snouted crocodiles. Some species have better success when the young are pulled early, and some zoos are better set up to raise out any offspring separately or behind the scenes. Every facility's practices are different, and this just happens to work well at St. Augustine and be really enjoyable to see as a zoo patron.

Crocodilians are exceptional parents and very protective. It's a sign of incredible animal management practices and animals that feel very comfortable with staff that St. Augustine can do this with nearly every species they breed.

2. They understand the social needs of their animals.

Some crocodilians are social. Some are solitary. Some can live happily with a member of the opposite sex but get territorial around members of the same sex. St. Augustine pays incredible attention to their social groupings to ensure that they aren't just meeting the animals' physical health needs but their social needs as well. They do continuous scientific research about social structures in crocodilians, taking blood samples to test stress hormones and observing stress behaviors to see how group dynamics change.

For example, St. Augustine is home to one of the world's largest known living saltwater crocodiles, Maximo. And his comparatively tiny mate, Sydney. During the educational presentations with these two, they point out that even their monster of a croc needs his social group- he won't eat if she's not around and he is calmer during medical checks if he can see her. These animal share a deep and special pair bond, and they make sure to talk about how the social aspect of these animals' lives is integral to their care. It's a unique aspect of the way they talk about these animals, because he IS a spectacle and he IS a sensation, but they don't talk about him like he's a mindless killing machine- they talk about him like he's a big, complex predator with social needs like any other animal. Aug is the only facility I've been to where the emotional and social needs of crocodilians is part of the education they provide guests- and speaking of education...

3. Their demos and presentations are extremely good.

The presentations at St. Augustine are some of the best I've ever seen, and I've seen literally hundreds of animal talks on everything from aardvarks to zebras. But as you... can probably tell from my blog content, I've spent a lot of time learning about and working with reptiles. I really enjoyed all of their presentations because they are very scientific about things and avoid sensationalism. They really want you to be fascinated by these creatures and love them- but more than anything else, they want you to respect them.

Also, they do a really good job handling their ambassadors. I really enjoyed something as simple as watching an educator tell us about snakes. Throughout the whole presentation she made sure that most of the snake's body was looped in her hand. The snake was always supported and was very calm. She gave the snake plenty of head room so that it didn't feel constricted- it was just good handling all around.

But also, the presentations made it clear how much the park cares about the animals' well-being. When they do the feeding and training presentations, they make it very clear that the animals' participation is entirely voluntary. They do things differently for their 9-foot saltie and their 16-foot saltie, because the 16-footer is so large and heavy he actually struggles walking on land sometimes. They adapt their programs and his care to ensure that he's completely comfortable- and he didn't actually participate in the whole feeding when I was watching! At no point did they try to push him into anything uncomfortable; they offered, he didn't engage, and they moved on. It was a clear expression of his boundaries, and I really appreciated how much his caretakers respected that.

4. Ethical Interactions

I've been to... a lot of tourist locations in Florida that have animals you can hold. Almost always against my will! Many of them are pretty terrible, and you don't actually learn much, if anything. But I really found that to not be the case at St. Augustine. Every single animal presentation and interaction opportunity was accompanied by education about the animal's biology, habits, and- crucially- their conservation status.

When I held a baby alligator at St. Augustine, the proctors- there were two, one to ensure I was holding the gator correctly and the other to educate- were very informative about the role alligators play in their ecosystem and their conservation history. The animals were all properly banded, and one of the two proctors was there to ensure that none of the baby alligators were uncomfortable. As soon as they started getting squirmy or tense, they were removed, unbanded, and taken to an off-exhibit area to relax. And when the babies age out of petting size, they just go in the lagoon to live with others of their species. I saw one upset alligator the entire time I was there, and he was clearly upset that his escape attempt was foiled by a keeper during my nursery tour.

Even though he's restrained in this shot, you can see that his full body and tail are supported, and the grip, while firm, is gentle. He's distressed, but after I took this picture, she put him in his enclosure and he calmed down immediately.

Sometimes when you have petting attractions with baby animals, those animals... don't have a happy ending. (See: cub petting.) But St. Augustine's program is fine- the gators are all aged out of wanting to have mom around, there's no declawing/defanging, and they're handled with care. And it's worth it, because people love what they understand. St. Augustine was integral in raising public awareness about alligators back in the 60s when they were endangered, and now they're thriving- largely in part to programs like St. Augustine getting people to care.

And speaking of getting people to care, let's talk about their research.

5. Shared Research Results

St. Augustine is also home to more species of crocodilian than anywhere else in North America- all of them, usually. (They didn't have a Tomistoma when I visited- that may have changed.)

Because of this species diversity, it's an incredible research resource. Having every species means that you can do a lot of work comparing their behaviors, their growth patterns, and more. They've been a major research site for crocodilian biology since the 1970s. Today, they're one of the key sites for studying crocodilian play and social behaviors. They actually maintain a blog where they post copies of papers that were written using their animals, meaning that you can actually see the results of the research your admission helps fund. You can see that right here: https://www.alligatorfarm.com/conservation-research/research-blog/

All of this adds up to a zoo that provides a unique experience, tons of actual education, and transparency about what its research and conservation steps actually are. St. Augustine's come a long way since its opening in 1893, and they really do want you to leave with a new respect for the animals they care for. Ultimately, if you're a fan of reptiles, you can feel good about visiting the St. Augustine Alligator Farm- their care and keeping are top of the line, they do a ton of innovative conservation research and support for conservation organizations, and you can see this animal there:

(Gharial from the front. Nothing is wrong with her that's just what they look like from the front.)

[prokopetz]

You've talked before about how "generic" ttrpg systems still contain hidden assumptions about genre, story, playstyle, etc. (e.g. gurps and military scifi/fantasy) how do you figure out what those assumptions are? what should you look for in the rules to find them?

That's a fairly involved question for which a full answer is beyond the scope of a Tumblr post (even my notoriously long-winded ones!), but I find that a good place to start is with the "who gives a shit?" principle.

For example, suppose that the first piece of mechanically significant information on a game's character sheet is a statistic called "Strength", rated on a scale from one to ten.

Who gives a shit?

That is, why do we care how strong player characters are? Why do we care about having a definite, codified answer at our fingertips to the question of which characters are stronger than other characters, to a fair degree of precision? Why does any of this matter? What assumptions are we making about the nature of the conflicts that will be present within the game's narrative?

That's a fairly trivial case, but the principle can be extended to more fundamental features of a game's rules. Let's consider the classic Dungeons & Dragons style skill check, for example: roll a die, add a stat, compare to a target number, pass or fail. What assumptions are we encoding about the nature of conflict in this game?

Well, for a start, these assumptions might include:

The assumption that generating binary pass/fail outcomes for performing discrete physical, mental and social tasks is how most conflicts will be resolved;

The assumption that your game will benefit from these outcomes having a high degree of player-facing uncertainty;

The assumption that your game will benefit from this uncertainty containing a relatively high likelihood of complete failure;

The assumption that your game will benefit from the principal determinant of that likelihood of failure being some intrinsic and objectively measurable attribute of the acting character;

... and so forth.

If you're only familiar with Dungeons & Dragons and its very close imitators, these may seem like things you have to assume in order to have a functioning game, but there are a fairly specific set of conventions being expressed here. Why do we care about any of these things? Who gives a shit?

Even the first bullet point can easily be knocked down: one can imagine, for example, a game which simply assumes players can always choose to have their characters succeed at anything it's within the realm of possibility for them to do, and whose rules instead focus on providing a codified game-mechanical answer to the question of what that success will cost them, with the only uncertainty being whether the player is willing to pay that cost.

It's clear that a game which approaches conflict resolution in this way is expressing a strong set of genre assumptions. The trick is recognising that the industry-standard alternative (i.e., the D&D-style skill check) is equally laser-focused on a specific set of genre assumptions, in a way that's often rendered invisible by how common it is.

All of which is a very long-winded way of saying there isn't a simple checklist you can go down to identify a game's genre assumptions. But then, I warned you way up in the opening sentence that this would be the case – I hope I've at least given you a place to start!

[ohproserpine]

iv. dolly

see all chapters here tags: fem! reader, reader is a performer in a speakeasy, jealousy, possessiveness, alastor does not know how to interpret love, or maybe he does, in his own twisted way, roadkill used as a symbolism, gorey descriptions of love, murder the song she sings is 'roxie' from chicago

˚୨୧₊♱

"Hey!" Charlie's voice rang out as she spotted Mimzy making her way towards the hotel entrance. The blonde froze, casting a nervous glance behind her to see the demon princess rapidly approaching with a worried look that she mistook for anger.

With practiced ease, the blonde put on a fake frown, pressing her hand over her chest. "Oh, Charlie! I'm so sorry for the trouble last night, sugar! I'll pay—"

"No, no! I'm not here for that," Charlie waved her hands with a smile, seemingly oblivious to the slump of relief on Mimzy's shoulders. "Are you leaving so soon? The hotel wouldn't mind taking you in!"

Caught off guard by Charlie's unexpected offer, Mimzy grimaced. She hesitated, opening her mouth before shutting it as she struggled to find the right words. "Oh! Well…you see…"

A laughing track, sounding like it was filtered through a radio, echoed through the air, and Mimzy turned to the source to find Alastor towering over her with his signature grin.

"I don't think redemption is quite her style," Alastor's chipper voice rang out. His clawed hand reached for Mimzy’s hair, plucking a feather from her headpiece. In his hands, the pink ornament erupted into flames. "Frankly, I have my doubts she could even be redeemed at all!"

Horrified, Mimzy watched as her feather fell to the floor in ashes, her hand instinctively reaching for the charred remnants.

"Alastor," Charlie glared at him before turning her attention back to Mimzy. "We believe in redemption for everyone. It's not about what you were; it's about what you choose to be now. We'll be here to support you every step of the way."

"Thanks, sugar," Mimzy forced a smile, waving her hand around daintily. She glanced at the entrance with a subtle wish for escape, playing up the nice act while Alastor continued to watch the scene unfold with a cryptic smile. "But radio here is right. I don't really think it's my style. Different strokes for different folks. Plus, I've got a business to run!"

Alastor hummed, twirling his microphone cane around in his hand. The crimson glow of his eyes narrowed at her as he chuckled. "You couldn't possibly mean that wooden box of debauchery you call a club, right?"

"My 'wooden box of debauchery' has more character than any joint in that city," Mimzy grit her teeth together in a smile, barely concealing her frustration.

As another argument began to form, a throat clearing interrupted the flow, capturing Mimzy's attention. A pink glove slowly rose from the couch and Angel Dust pushed himself off the furniture, sitting up with a mischievous glint in his eyes.

"If I may~" Angel Dust chimed in. "You saying you, ah, got a bar? I'm always up for checking out new places. Mind if I swing by sometime, tits?"

Mimzy beamed and sent Alastor a smug look, making her way toward Angel Dust. She reached into her chest, pulling out a card with a flourish. "Of course, kitten! Here's all our information. You'll find us in the Vee district. Feel free to swing by anytime. And don't forget to bring a friend!"

Angel Dust took the offered card, a grin forming on his face. "Bring a friend, huh? You got it, toots."

˚୨୧₊♱

The Vee district, designated as the entertainment hub of Pride, was dazzled with bright neon lights and tall towering buildings adorned with blazing billboards. The streets pulsed with life, where every ten steps brought you face-to-face with street performers desperately vying for attention, hoping to catch the eyes of industry scouts. The message was clear – fame was the ticket to success. Performers were everywhere, found in rundown bars, neon nightclubs, and costly theaters catering to the insatiable appetites of the elite.

Mimzy's Lounge, nestled down east on one of the city's worse-off streets was no fancy stage. The building, weathered and worn, seemed to barely hold itself together. The exterior bore the scars of years gone by, with cracked windows, peeling paint, and near-rotting wooden walls. While it may not have been on the standards of the elite, to the poor and downtrodden, it was the best piece of entertainment they could afford.

Inside, the dim lighting of the bar did little to conceal the stains and cracks that adorned the floor and ceiling. Tables and chairs, mismatched, were arranged haphazardly. The air hung heavy with the smell of cheap perfume, wrapping around the audience—a motley crew of lost souls. On the stage, a couple of scantily clad showgirls were performing a dance routine, or at least their movements vaguely resembled one. The quality of the performance didn't seem to matter to the audience, who, hungry for any form of entertainment, welcomed the spectacle with open arms.

Seated discreetly in the back booths, Angel and Cherri had drawn their curtains tight, creating a cocoon of privacy amid the bustling buzz and thumping music in the club.

"…And check this out – Alastor is hitched," Angel Dust spat out the last word as if it were poison. His face caught the warm, bright lights spilling into their booth, slipping through the small gap in the middle of the curtains. He sipped from his drink, a glint in his eyes. "And the owner here's got some serious dirt on his missus or somethin' like that."

"That why you dragged me to this hellhole? Knew it," Cherri snorted, taking a sip of her cocktail, the sweet and tangy flavors doing little to mask the less-than-pleasant ambiance. "Couldn't believe you'd even want to step into a place like this."

"You know I can't resist a bit of gossip, and where else can you find more gossip than in a joint run by a gal who's got the goods on Alastor himself?" Angel grinned, his golden tooth flashing as he reclined in his torn red chair. "Hell. I bet anyone else would do what I'm doin'. I mean, who wouldn't be tearin' these walls down just to catch a glimpse of the Radio Demon's wife?"

Cherri Bomb let out a throaty chuckle. "Well, you're bloody right there."

A sudden blast of music echoed through the air, prompting Angel Dust to scramble out of his seat and poke his head out from behind the curtain. The previous performers stepped off the stage, making way for the upcoming act. He caught sight of a familiar pudgy figure sauntering onto the stage and hastily turned his head back to the booth, meeting Cherri's amused face. "It's startin'!"

“Welcome, all you devils and darlings, to the Dollhouse Lounge!” Mimzy's voice boomed, and the lights gracefully dimmed to focus on her. The hum of conversation dwindled, the audience's attention now on the stage. “It's the moment you've all been waiting for! The last act of the night… Dolly, the living doll!"

With Mimzy's spirited introduction, the claps and cheers crackled in the air. In an instant, the lights plunged into darkness, leaving Angel to flit his gaze across the smoke-hazed stage, hungry for a glimpse of what was to come. Suddenly, a surge of stage lights sliced through the lingering smoke, akin to a celestial burst, revealing your silhouette with a large signage that spelled out your name in bold, red letters.

Wearing a lovely smile, you spread your arms wide, catching everyone's attention as you sang the first note, voice sultry and dripping sweet like honey. "The name on everybody's lips is gonna be Dolly."

"That's his wife?" Cherri gawked behind Angel, her jaw dropping in disbelief. "Are you sure we got the right girl?"

"Hell, I'm just as surprised as you are," Angel shot back, an equally dumfounded look on his face.

"The lady raking in the chips Is gonna be Dolly," your voice echoed, the melody carrying through the lounge as you strolled towards the stage's platform. The rhythmic beat of the music vibrated against the soles of your heels while the spotlight dutifully trailed after you, its gentle glow caressing the curves of your glittery dress, casting glimmers of silver and gold that danced across the dimly lit bar.

"I'm gonna be a celebrity. That means somebody everyone knows," you continued, sauntering around the stage. As you swirled and twirled, your silhouette became a blur of sequins and shimmer. The spotlight then intensified its focus on you, highlighting the glint in your eyes. "They're gonna recognize my eyes. My hair, my teeth, my boobs, my nose."

"Fuck," Angel muttered under his breath. As you moved closer to the end of the platform, he could finally get a good look at you.

Shimmery blue eyeshadow graced your lids, while a dark blush adorned the apples of your cheeks, complementing the red lipstick you had on. Your dress, a dazzling ensemble of sequins, was not only radiant but also provocatively low-cut, teasingly revealing a glimpse of your chest before gracefully dropping to your knees. Dark silk stockings, sensually tracing the contours of your legs, were held by garters. At your feet, bedazzled red Mary Janes sparkled like jewels, catching the light with every step you took.

As Angel thought back to his conversation with Mimzy, he found himself agreeing with her earlier comments. You really were a living, breathing doll.

"From just some dumb canni-bal’s wife. I'm gonna be Dolly," you continued, seamlessly weaving your magic, each lyric a spell that bound the audience. "Who says that murder's not an art?"

With a spin, you twirled around the stage, a ditzy grin on your face, the sequins on your gown catching the light like stars. "And who, in case she doesn't hang, can say she started with a bang! Dolly Heart!"

As the final notes of the song echoed through the venue, the room erupted in applause and cheers. But, the curtain wasn't falling yet. Standing backstage, Mimzy let the moment linger, reveling in the prolonged applause. After all, happy customers always tipped generously.

On cue, bills and coins descended like a storm, hitting the floor with a crisp sound that mixed beautifully with the cheers of the delighted audience. There was so much that the shower of currency formed a makeshift carpet beneath your feet.

Angel Dust, still peeking from behind the curtain, wore a smirk of approval. "Not bad, not bad at all," he whispered to Cherri, who nodded in agreement.

Standing on the stage, bathed in the lingering glow of the spotlight, you held your pose, chest heaving up and down. A demure smile graced your lips as soft, appreciative nods and fluttering eyelashes accompanied each gaze you cast toward the audience. Tonight's turnout was impressive, though not unexpected given your agreement to perform one of your most famous songs after a prolonged hiatus.

"Dolly" was a beloved crowd-pleaser and the one song you hated with a passion.

The spotlight continued to shine relentlessly in your eyes, causing a painful burn in your irises. The deafening applause felt like a relentless assault on your senses as each clap echoed loudly in your ears. From the speakers, the music blasted in waves, the volume rattling your bones. Showbusiness, a constant companion in both your living and afterlife, had become an achingly familiar yet tormenting cycle.

In the corner of your eye, you saw Mimzy step up onto the stage to address the crowd. "Thank you, my lovely devils and darlings! Wasn't Dolly simply darling tonight?" she squealed through the mic.

The crowd erupted in cheers and applause once more, the energy in the room reaching a fever pitch. Mimzy basked in the adoration, her grin widening as she soaked in the success and the money. Oh, the money.

"I know you loved that!" she laughed. She leaned into the microphone, her voice turning into a whisper "Of course, you all do. I wrote it."

"Now, let's give our star her rest. Dolly, my dear, take a bow!" Mimzy's voice rang out, signaling the end of the performance. Relieved, you bowed before making your way towards the curtains as the heavy fabrics began to descend. After blowing a few more kisses to the audience, you slipped backstage, letting the smile fade from your face. As you vanished from view behind the curtain, Angel caught the look on your face.

It was a look he knew all too well.

"She looks perfectly happy without him," Cherri remarked with a casual shrug. "I mean, look at 'er. She's the star of the show. You think she left on purpose?"

Angel furrowed his brows, deep in thought. It didn't make no sense to him.

Why would you willingly perform under Mimzy's control when Alastor, with his power, could easily get you out of here? Contract or no contract, that radio freak could tear Mimzy apart like a hot knife through butter.

The spider's attention shifted towards the audience, and his gaze locked onto Mimzy, who was engrossed in conversation with some VIPs. The sight of her triggered a scowl to etch itself onto his features.

"I don't think so. There's more to it," Angel's eyes narrowed, the wheels in his head turning, "I've seen that look before."

"What look?" Cherri raised an eyebrow.

"That trapped look," Angel said, his gaze following Mimzy as she continued her animated conversation, oblivious to the scrutiny. "Before the curtains dropped, I saw it on her."

"Shit, Angie," Cherri's gaze followed Angel's, and she pursed her lips. "You think she's playing the part or really stuck?"

Angel Dust stood up straight, now opening the curtains wide as his eyes never left Mimzy. "I don't know, but I'm gonna find out."

Both of them took their time, patiently waiting until Mimzy stepped away. Once the blonde demon finally made her way backstage, they discreetly followed her lead, slipping behind the curtains with her.

The busy backstage corridor welcomed them with an assortment of items – costumes, props, and stage decor – scattered in chaotic disarray. Angel's eyes wandered around, and he spotted Mimzy in a far corner, sitting atop worn cardboard boxes. Nudging Cherri, he gestured for both of them to move closer.

"Hey~ How's it going, blondie?" Angel purred, leaning against a nearby prop, his tone dripping with a sickly sweet tone. Mimzy looked up, confused before she recognized him and flashed a wide grin.

"Hey, you! You're that spider fella from the hotel!" She tapped her chin in thought narrowing her eyes at him. "Uhm, Angle Dust was it?"

"It's Angel Dust," he corrected, a twitch of annoyance in his eye.

"Uh-hah, that's nice," Mimzy seemed unfazed, continuing to count her money, her legs swinging back and forth absentmindedly. "You like the show? Oh, who am I kidding, of course, you did!"

Angel Dust crossed his arms with a chuckle. "Yeah, about that. That girl, Dolly. She's quite a number, ain't she?"

"Oh, yeah. She's my little masterpiece," Mimzy smirked. "Met her before she had any of this."

"Let's cut the fuckin' crap," Cherri rolled her eyes, tired of dancing around the conversation. The cyclops leaned down to Mimzy's height, scowling into her face and driving her finger into the blonde's chest. "I'll say it straight. What's the deal with her? You got some strings attached?"

Mimzy paused and glanced up at Cherri with an arched eyebrow before turning to Angel and laughing tensely. "Your friend here sure is forward, Ankle! Oh, sweethearts, Dolly's here because she wants to be."

Angel Dust shot Cherri a glance, a silent conversation passing between them. "Yeah?"

"The girl signed a contract willingly," Mimzy explained with a casual shrug. "She gets what she wants, and I get what I want. It's a fair exchange."

Angel's eyes narrowed, his skepticism evident. "Contract? What's in it for her, then? Why willingly perform in this dump when she could easily be the star anywhere else?"

The blonde sent Angel a glare for his dig at her lounge but still answered him. "Dolly owes me something. A little debt she's paying off with her charming performances. A contract might sound sinister, but it's just showbusiness, furs." Mimzy leaned back, folding her arms, her expression daring the two of them challenge her further.

"Bull. She sold you her soul to dance and sing?" Cherri scoffed, taking the challenge.

"No, no, there was no soul exchange involved," Mimzy rolled her eyes. "Just a contract. But still binding, magical, and all of that stuff."

"Now, can you two get out of my hair?" Mimzy huffed, shooing them away with a dismissive wave. "I've got a lot of things to run here!" She returned to counting her money, clearly eager to be rid of the unwanted attention.

"Let's go, Cherri," Angel said with a look of defeat, pushing himself off the prop he had been leaning on.

Once the two of them finally stepped out of the establishment, the spider groaned to himself, now finding himself with more questions than answers.

˚୨୧₊♱

You strolled behind the weighty curtains, the backstage area buzzing with the rush of staff, the shouts of managers, and the lingering presence of performers idly awaiting their cues. Navigating through the organized chaos, you directed your steps towards your private dressing room—a sanctuary away from the glaring spotlight.

You threw the door open, entering quickly and slamming it shut behind you, the sudden silence a stark contrast to the clamor and racket outside. Flicking a light switch, the dim glow of a single, flickering bulb hanging from the ceiling revealed the room's worn-out glamour. A vanity cluttered with makeup, costumes haphazardly thrown on a worn-out sofa, and a cracked mirror that had seen better days—all were familiar sights.

"I would kill for a glass of whiskey," you murmured to yourself, the weariness of the performance settling in. Rolling your head and groaning as you heard a satisfying crack, you added, "or maybe a whole bottle of it."

Kicking off your heels, you let the cool floor cradle your skin, leaving the discarded shoes in a dusty corner to rest. Seated at the vanity, the chaotic world beyond the backstage curtains ceased to exist. The gentle glow of the vanity lights exposed the weariness in your eyes as you wiped away your mascara and dusted off the remnants of glitter from your skin. While removing your earrings, the shimmer of your wedding ring caught your eye.

A frown tugged at your lips, the subtle ache of longing surfacing.

You missed your husband.

With a sigh, you continued removing your earrings before tossing them onto your vanity. Seeking to ease the edge, you reached for a whiskey bottle on a nearby dresser, grabbing a glass and pouring yourself a drink. The golden liquid glimmered in the subdued light as you took a sip, the warmth of the alcohol coursing through you.

"C̵h̶e̸r̷?̷"̸

A static rumble of a radio, like thunder, jolted you mid-drink, causing the liquid to catch in your throat. Coughing and sputtering for a while, you scrambled to collect yourself before turning behind you. Your gaze landed on the desk table where your radio sat. The crackling static continued, accompanied by a familiar voice and distorted sounds.

Alastor.

Grabbing a cloth to wipe yourself, you rushed to the desk and grabbed the old radio in your hands. The radio was a faded, worn red with yellowed dials, and its antennas were visibly broken, held up together with scraps of tape. Your contract with Mimzy did not allow you to meet with Alastor or his shadows for as long as you were under her, but that didn't mean you couldn't communicate with Alastor in other ways.

With trembling hands, you carefully adjusted the dials, aligning them to the familiar frequency that bridged the gap between you two. Your heart thrummed in your chest, head almost dizzy from anticipation. The distorted voices began to clear, and Alastor's distinctive voice cut through the static, a lifeline in the abyss.

"Cher, my dear, are you there?" Back in his room at the hotel, Alastor spoke through his mic, awaiting your response. He was sitting by the large windows, bathed in the dim glow of the Ring of Pride's lights. The hues painted a lovely ambiance against his skin, highlighting the contours of his sharp features as he reclined against a plush couch.

Heavy silence lingered for a while as you felt your throat closing up. Without realizing it, you began crying, your sobs echoing through Alastor's microphone.

"Yes, Al," you choked out between sobs, your hands gripping the surface of the radio tightly, nails scratching against the peeling paint. "I'm here. I missed you."

Alastor listened to your tearful voice through the crackling static, his shoulders tense as his claws clenched against his microphone handle. Your vulnerable confession hung heavily in the air, and he felt a storm stirring within him. Unsure of what to do with these emotions, he could only sit there and listen to you weep.

From the busiest street in Pentagram City to the darkest alleyways, Alastor's reputation as a bloodthirsty killer was infamous, and he reveled in it. The idea that an overlord like him could entertain genuine care for someone sounded preposterous. Throughout his human days and beyond, Alastor never felt such sentiments.

Decades ago, he only needed himself. However, ever since you entered his life, he became a man possessed.

The moment he first laid eyes on you, you were a vision of beauty with bright eyes, flushed cheeks, and he couldn't deny that he felt an inkling of fondness for you right from the start. But that was all it ever was—nothing more, nothing less.

Then, seemingly out of nowhere, he couldn't help but notice that the glow in your smile was brighter, lovelier. And despite his usual tendency to dismiss such details, Alastor couldn't look away. Not anymore.

You held him captive, like a deer frozen in the blinding glare of oncoming headlights. He was aware the collision was imminent, yet it still caught him off guard; A torrent of emotions crashing into him like a speeding truck, leaving him with twisted limbs and cracking bones, antlers torn from his head, fur matted and bloodied, with his heart exposed, beating vulnerably before you.

In the months that followed, Alastor remembered how foreign the feeling to him was. He didn't want to understand it, refused to, but each attempt to rip those festering emotions out of his chest only left him bleeding.

Looking back, Alastor finds himself incapable of fathoming how life was bearable before you entered it. The mere thought of returning to a time when you weren't present is something he refuses to entertain. The person he used to be, before he stepped into that speakeasy, now feels like a distant stranger, a mere shadow of the man he has become with you in his life.

The static in his thoughts subsided, in tandem with your crying and sobbing dying down. A prolonged pause lingered before Alastor interrupted the silence. "Cher, you know I'd bring you out of that wretched place if you just said the word."

A bitter laugh escaped your lips as you wiped away tears with your trembling fingers. "You tell me that every time we have these calls. Do you not get tired of it?"

"Never," Alastor hummed. The sound of your laughter, even tinged with bitterness, momentarily lifted the heavy burden that his heart carried. "The offer will always be up, darling!"

"You know I can't, Al. Me and her have history together," your voice paused, cracking with emotion. "And I still feel guilty."

Alastor sighed heavily, frustration dancing in his eyes. He always struggled to understand why you felt indebted to Mimzy, why guilt still clung to your decisions like a persistent shadow.

To him, Mimzy deserved the consequences. Despite his constant offers to free you from her grasp, you remained steadfast in your decision to complete your contract

"Very well, dear," Alastor's smooth voice crackled through the radio, weaving a comforting presence into the air as you moved back toward your vanity, taking a seat. "Now, enough of these melancholic talks. Tell me, how was the show tonight?"

"Mimzy had me perform 'Dolly' again," you remarked, a crooked smile playing on your lips. "She's well aware that I despise that song. I mean, really? Have you ever taken a look at the lyrics? It's a bit on the nose, don't you think?"

As your frustrations spilled out, Alastor stood from his seat, staff in hand. Placing it beside his closet, he attentively listened to your words, occasionally responding with chuckles and interjections. He slipped off his monocle, unbuttoned his suit jacket, and then his vest, revealing a well-tailored red undershirt that clung to his lean frame.

"I find the cannibal's wife line rather charming," Alastor smirked, and though he couldn't see it, you rolled your eyes in response.

"Of course you'd enjoy that part," you scoffed, mirroring Alastor's movements on the other side. Shedding the bedazzled dress, you opted for more comfortable attire, draping yourself in a robe.

"What's not to like? It shows the audience that you're my darling wife," Alastor quipped with a smug tone.

"Bushwa. They don't even know it's you. And I don't think anyone thinks highly of some poor fool shackled to a gaudy singer," you snorted. With the radio in tow, you began to pack your belongings into your purse.

"Don't be ridiculous," Alastor's laugh rumbled against the speakers. "My dear, being 'shackled' to you is the most delightful form of imprisonment."

"Such a sap," you scoffed, unable to suppress the smile that spread across your face. Shouldering your purse, you made your way towards the door, ready to leave. However, a sudden memory of a conversation with Mimzy surfaced.

"By the way, did you know Mimzy was planning to have me perform on some talk show?" you shared with Alastor while locking the door to your dressing room. A furrow appeared on your brow as the backstage lights played with shadows, casting a pensive expression on your face. "What was it again… Oh! Yes! Box-2-Nite."

A sudden screech from the radio erupted, its harsh sound reverberating in the hallway. Luckily, no one was around at this hour, and you cringed at the unexpected disturbance. Glaring at the box, you raised your brow. "You scared the living daylights outta me."

Alastor stayed silent for a while, claws digging into the cloth of his coat, ripping the fabric. With a snap of his head to the side, he dropped it to the floor and moved toward his staff, his shadows playing on the intricate patterns of the carpet beneath his feet.

"Do you perhaps mean… Vox-2-Nite?" His voice, usually smooth, carried an edge.

"Is that the name? I thought you hated telev—Oh. Ohhh..." As you ascended to the higher floors of the building, a realization swept over you.

Alastor's relationship with Vox was complicated. It didn't take a genius to see that. If the ceaseless back-and-forths on broadcasts, the turf wars that had casualties matching mass-extinction events, and the hushed gossip circulating among the other performers were anything to go by.

“Small world,” you chuckled, strolling down the hallway that led to the performers' rooms, the echo of your footsteps blending with the distant murmur of conversation. “I’m guessing I shouldn't take her up on the offer?”

"Absolutely not," Alastor practically snarled out, venom dripping from his tongue. The radio in your hand crackled and buffered, a faint golden glow emanating from the dials. "That pompous piece of shit television is nothing but a clout-chasing, mediocre host flitting between this fad and another on his little picture show podcasts."

“I know, love.” With a swift turn of a doorknob, you opened the door to your flat. "I wasn’t… planning… to…”

Your words trailed off, lingering in the air, as you entered the room. Your eyes widened in awe, captivated by the sight of a bouquet of white roses gracefully adorning your bed.

"Alastor," you spoke into the radio, your voice filled with genuine warmth. "Did you send me roses?"

Back in the hotel, Alastor, settled back into his plush couch. The fiery embers of his anger melting away like a fleeting shadow, replaced by the realization that you had discovered his gift.

A soft chuckle came from the radio, "Guilty as charged, cher. "

Your heart fluttered, and you sank onto the bed, dropping the radio on your mattress and taking the bouquet into your hands. The delicate petals felt soft against your fingers as you admired their beauty. White roses, unlike red ones, were so scarce it was difficult to get a hold of.

"Alastor, this is… wonderful," you spoke into the radio, smile so wide your cheeks almost hurt. "Why—How did you even—How did you even manage to find these?"

"Oh, I pulled a few strings," your husband grinned before chuckling, "and a few limbs too."

Your laughter intertwined with his and Alastor listened fondly, finding solace in the melody of your delight.

The day you inked that deal with Mimzy marked the onset of an agonizing pain he had never experienced before. The thought of leaving your sorrowful self under the wretched contract of that avaricious woman had incited a frenzied rage within him, leading to weeks of unbridled slaughters on the streets of hell.

The blood he spilled onto the sidewalks left a stain on the concrete that lasted months.

Fortunately for you and him, the ordeal was nearing its end. Just one more year remained until Alastor could finally reunite with you. After enduring decades of this agony, an additional year seemed like mercy.

"You like it, cher?" Alastor's voice dropped an octave lower, the satisfaction evident in his tone, pleased to bring happiness to your moment.

"Yes," you laugh, cradling the bouquet in your hands. "I like it very much."

˚୨୧₊♱

[aokozaki]

ECHOLALIC POSTING - [Trivial: Success] Hmm, yes, this format seems quite easy to imitate. Make one right away.

POSEUR'S HONOR - No. It's too derivative. You haven't even finished Disco Elysium.

POSTER'S EGO - But you know the cadence. It's effortless, you've played enough. You would perform a skill-check right about now.

ECHOLALIC POSTING - [Medium: Success] In order for the dialogue to branch, you see?

POSEUR'S HONOR - [Trivial: Success] The color coding is all wrong. It's by skill category, and you don't know it.

POSTER'S EGO - [Legendary: Failure] It... it's definitely wrong. How shameful. Everyone's going to notice you don't understand the skill system.

-1 Morale

KITTYCAT - Meow meow meow meow~

[pedulum-chronometry]

@headspace-hotel Unsure about other paper but for the pharmacy paper I think I can help?

Treat the paper with a prescription bottle as discrete bc to a certain extent it is. That paper was given to you with a certain bottle of medicine and once that bottle of meds is empty it no longer applies and can be trashed. It needs to go when the bottle it came with gets thrown away. It applies to that bottle only.

That paper exists to make sure you have the most up to date information about whats in that one bottle. Lots of times you stay on the same meds in the same form/brand and that paper stays the same for the most part but that’s not always true.

And in fact I have a fun side story about my mom having a bad reaction to one particular brand (more specifically the binders used by one brand) of a medicine. She wound up in the ED with crazy blood pressure spikes bc her pharmacy was out of stock of one brand, substituted another brand with the same prescription ingredients, but she couldn’t tolerate this particular pill’s binders. Every time she gets her meds filled now she has to double check with the pharmacy to see what company made the pills so she doesn’t accidentally get the ones that she can’t tolerate.

So yeah, treat those little papers as if they are tied to that bottle of medicine specifically. Even if it’s the exactly the same text, the one from the last bottle needs to go when the new one shows up. You aren’t discarding anything useful by tossing something that no longer applies. And in fact you are using the thing as intended. Hope this helps.

how do i be okay with throwing things away

[valalice]

જ⁀➴ FOR THE FAME. a violet modern musician au

punk rockstar!vi 𝑥 popstar!reader

summary. the music industry—known for its raw creativity, dazzling performances, and turning anyone into an overnight sensation. but what comes with newfound success is being able to maintain a steady stream of traction around your name (whether it's good or bad, because all press is good press. right?), for some artists it comes naturally, becoming chart climbers release after release, while for others they struggle falling down the charts and becoming known as just a one hit wonder. now, when two artists under the same label are both getting sly criticism from blogs commenting on their declines, their managers have no other choice but to curate a classic pr stunt to regain their public appeal again, while creating buzz around their respective upcoming projects. what could happen when the industry's rebel and sweetheart become the unexpected pair of the year?

warnings. fluff, angst, and eventual smut. modern au. fake dating. enemies to friends to lovers. slow burn. reader's stage name is angel, you guys can honestly change it if you'd so like since it's rarely used. no use of "y/n". musicians: powder, ekko, claggor, and caitlyn. choreographer!mel. producer!jayce. homophobia and talk of internalized homophobia & comphet. addiction: alcohol & substance abuse, as well as talk of rehab. inaccurate knowledge of the music industry. social media extras & extended scene cuts. please check each individual chapter for appropriate warnings!

a/n. i'm am beyond excited to finally share this series with you all! this series started as a one off idea, and, well it turned into this. i know some have expected this, i've been throwing out teasers (more will still come) for some time. and to be honest i should not even be posting this series right now, but i cannot contain it for much longer, i'm just eager to get it out for people to enjoy! and is it hypocritical for me to be posting a series with the amount of drafts and request in my inbox? perhaps! but i promise that i will try my best to dually post between the series and other works! i'm still working on a posting schedule, so be on the look out for polls!

biggest thank you to @topimpabunny for dealing with my rants constantly, and bouncing ideas back and forth off of each other. truly, everyone thank her, because without her this series wouldn't even exist! another big big thank you to @veramores my wife, my best friend, for putting up with me yapping her ear away for like over an over. but nonetheless she is also apart of this series for giving me different perspectives on things. lots of love to the both of you <3

main masterlist ⋆ vi masterlist ⋆ read it on ao3

table of contents ◞ TRACKLIST

' 🅴 ' indicates smut

prelude ♪ popularity contest.

label mandated events. everyone dreads them, but social networking is a must; an art form managers have mastered and a sport to artists in order to thrive in the competitiveness that is the music industry. and it’s here where the two of you were closer than you had even thought.

track one ♪ sold your soul for . . . this? ( releasing february 14th on all music platforms )

with albums set to release during the summertime, meetings ensue to keep the artists on track. however, unpleasant news is shared that gives wake up calls when careers are on the line. oh, and a not-so-meet-cute happens between the bubbling popstar and spunky rocker.

track two ♪ the master plan.

uh, oh! looks like the track is still being produced!

extras ◞ DELUX EDITION

social media post

coming soon!

exposed ◞ BEHIND THE SCENES

discography ⋮ series playlist. reader's. vi's.

meet the artist ⋮ reader ꒱ vi

WANT A FEATURE?

comment on this post (and this post only) to be added to the 'for the fame' taglist! (i'm no longer responding to individually to each person who asks to be on the taglist, but i do see the comments and you are added!)

[servantofthefates]

5 Signs Your Dreams are About to Come True

1. Your life is falling apart.

No one talks about this part of manifestation. It’s not all rainbows and butterflies. The bigger the manifestation, the bigger the Tower moment. Friendships break. People leave. Jobs end. This is the Universe removing everything that isn’t solid in your life. It’s making way for something strong and stable.

2. Success eludes you.

You work extra hard. You follow all the rules. And yet you never get that promotion. Or that dream relationship. Or whatever it is you think you want. Because it’s not actually what your soul desires. It’s just what society led you to believe you want. This is the Universe asking you to let go of dreams that were never truly yours.

3. And yet you feel calm.

You stop being envious of people. Yes, you still worry about life here and there, but in your heart of hearts, you feel a certain kind of peace. Like some faith that everything is going to work out fine. And you start to feel small — in a good way. You start seeing that this is just your silly little life, and you can live it however the hell you want.

4. Imperfect opportunities arrive.

If you want a job that’s 3-days-from-home, you’ll get an offer that’s 1-day-from-home. If you want an intense connection, say with a Scorpio, it’s a lighthearted Libra who will ask you out. You will receive opportunities that are just short of what you want. This is the Universe testing you and checking if you know your worth.

5. You have surrendered.

You used to watch a lot of tarot readings, read astrology predictions, perform manifestation techniques, and even cast spells every new & full moon. But while you still believe in the power of it all, you’ve now said in your own words, “Universe, you know my wish. Show me the best path to it. Take the wheel, and wake me up when we're there.”

Your dreams coming true is like a house being renovated. You can’t just repaint it and throw in some new pillows on the sofa. No, that house will need to be destroyed. Walls torn down. Carpets ripped out. Lights yanked from the walls.

And when everything broken, old & ugly has been removed... only then do the new wallpapers get installed. Only then does the shiny furniture get assembled. Only then do the pretty paintings get hung. Only then does it become your dream home.

It truly is darkest before dawn. So embrace the dark like you were born in it.

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.