#Stratus LP

[stardust-bridges]

Club Furies Premiere: Fernie - Traverse [Informa Records]

Informa Records presents its new release. The Glasgow-based label, led by Deepbass, and creator of hypnotic techno, presents Fernie. Owner of Space Textures, and curator of the Monument podcast series, he presents his long play called Stratus, which confirms the mastery of the Glasgow artist in his deep techno-entrenched sound. This album showcases Fernie‘s signature atmospheric sound, guiding…

[bondshotel]

SPECTRUM

Billy Cobham - Studio Album, released in 1973 🇺🇸

Songs

1. Quadrant 4 (4:20)

2. Searching For The Right Door / Spectrum (6:33)

- a. Searching For The Right Door (1:24)

- b. Spectrum (5:09)

3. Anxiety / Taurian Matador (4:44)

- a. Anxiety (1:41)

- b. Taurian Matador (3:03)

4. Stratus (9:50)

5. To The Women In My Life / Le Lis (4:11)

- a. To The Women In My Life (0:51)

- b. Le Lis (3:20)

6. Snoopy's Search / Red Baron (7:39)

- a. Snoopy's Search (1:02)

- b. Red Baron (6:37)

Total Time: 37:17

Line-up

- Billy Cobham / percussion, Moog synth drum (4,6b), producer

With

- Tommy Bolin / guitar

- John Tropea / guitar (5b)

- Jan Hammer / electric & acoustic piano, Moog synthesizer

- Joe Farrell / flute (2b), soprano (2b) & alto (5b) saxophones

- Jimmy Owens / flugelhorn (2b,5b), trumpet (5b)

- Lee Sklar / Fender bass

- Ron Carter / acoustic bass (2b,5b)

- Ray Barretto / congas (2b,5b)

ArtWork: Jeff Snider with Stanislaw Zagorski (design)

LP Atlantic SD7268 (1973, US)

[blackkudos]

Lil’ Kim

Kimberly Denise Jones (born July 11, 1974 or 1975) known by her stage name Lil' Kim, is an American rapper, songwriter, record producer, model, and actress. She was born and raised in Brooklyn, New York, living much of her adolescent life on the streets after being expelled from home. In her teens, Jones would freestyle rap, heavily influenced by actress/singer Diana Ross, and fellow female hip-hop artists like MC Lyte and The Lady of Rage. Performing a freestyle rap for The Notorious B.I.G. got her music career start in 1995 with his group Junior M.A.F.I.A., whose debut album Conspiracy generated three hit singles.

Kimberly Jones' debut studio album, Hard Core (1996) was certified double platinum by the Recording Industry Association of America (RIAA) and spawned three consecutive No. 1 rap hits: "No Time", "Not Tonight (Ladies Night remix)", and "Crush on You", a record for a female rapper. Her following albums, The Notorious K.I.M. (2000) and La Bella Mafia (2003), were certified Platinum, making her the only female rapper besides Missy Elliott to have at least 3 platinum albums. She was featured on the single, "Lady Marmalade", which also had guest vocals by fellow recording artists Mýa, Pink and Christina Aguilera (a remake of the 1975 smash hit, originally recorded by LaBelle) which went to No. 1 on the U.S. Billboard Hot 100, making her the first female rapper to have a No. 1 on that chart. In addition, the remake won two MTV Video Music Awards including Video of the Year, and a Grammy Award for Best Pop Collaboration with Vocals at the 44th Grammy Awards in 2002. In 2005, she served a yearlong prison sentence for lying to a jury about her friends' involvement in a shooting four years earlier. During her incarceration, her fourth album The Naked Truth was released. She returned to the public eye in 2009 with an appearance on Dancing with the Stars.

Throughout her career, Jones has earned several accolades for her work. Her songs "No Time", "Big Momma Thang" and "Ladies Night" were listed on Complex Magazine's "The 50 Best Rap Songs By Women", at number 24, 13 and 7, respectively. Crush On You, It's All About the Benjamins and Money, Power, Respect appear on VH1's "The 100 Greatest Hip-Hop Songs". In 2012, she was honorably listed on VH1's "100 Greatest Women In Music" list at number 45, the second highest position for a solo female hip-hop artist.

Life and career

Early life and career beginnings

Jones was born in the Bedford–Stuyvesant neighborhood of the New York City borough Brooklyn, to parents Linwood Jones and Ruby Jones (now Ruby Jones-Mitchell). At the age of 9, her parents separated, and her father raised her until he expelled her from home when she was a teenager. She lived with her friends and on the street. While struggling through her personal life, Jones met The Notorious B.I.G. (real name Christopher Wallace), who was a key figure in both her personal and artistic life, particularly when Wallace had gained popularity and influence through his relationship with Bad Boy Records (which belonged to P-Diddy). Jones attended Sarah J. Hale Vocational High School for two and a half years. Many of her friends also went there and she would often skip school to hang out with them. Since her school work wasn't being completed, the decision was made for her to transfer to Brooklyn College Academy to finish her remaining year and half of school. It was the same school that fellow rappers Nas and Foxy Brown also attended. In 1994, B.I.G. was instrumental in introducing and promoting the Brooklyn-based group, Junior M.A.F.I.A., which included Jones, who was only 19 at the time. The group's first and only album, Conspiracy, was released on August 29, 1995 and debuted at number eight on the US Billboard 200 chart, selling 69,000 copies in its first week of release. Three hit singles came from Conspiracy: "Player's Anthem" (peaked at No. 7 on the Billboard Hot R&B/Hip-Hop Songs chart and No. 2 on the Hot Rap Tracks chart), "I Need You Tonight" (No. 43 R&B, No. 12 Rap), and "Get Money" (No. 17 on the Billboard Hot 100, No. 4 R&B, No. 2 Rap). The RIAA certifiedConspiracy gold on December 6, 1995. "Player's Anthem" and "Get Money" were certified gold and platinum respectively.

1996–2002: Hard Core and The Notorious K.I.M.

After a year with Junior M.A.F.I.A., Jones began a solo career by making guest performances on R&B albums and recording her debut album, Hard Core, which was released in November 1996. The album debuted at No. 11 on the Billboard 200, the highest debut for a female rap album at that time, and No. 3 on Billboard‍ ' s Top R&B Albums, selling 78,000 copies in its first week of release. Hard Corewas certified double platinum by the RIAA on March 14, 2001 after having been certified gold on January 6, 1997 and platinum on June 3, 1997. The album's lead single "No Time", a duet with Sean "Puff Daddy" Combs (who would later change his stage name to "P. Diddy" and then "Diddy"), reached the top spot of the Billboard Hot Rap Tracks chart and was certified gold by the RIAA. The following single, "Crush on You", reached No. 6 on the Hot 100 and No. 2 on the rap chart. A remix of the album's track "Not Tonight" saw Jones team up with Missy Elliott, Angie Martinez, Da Brat and Left Eye of TLC. The song was part of the soundtrack to the Martin Lawrence movie Nothing To Lose, nominated for a Grammy Award, and certified platinum. In one stockholders' meeting of Warner Bros. Records, activist C. Delores Tucker criticized the label "for producing this filth," referring to perceived graphic sexual content in Jones' lyrics, and labeling them "gangsta porno rap". In 1997, Jones promoted Hard Core by performing on P. Diddy's "No Way Out" tour. The tour continued though to 1998 and became one of the highest grossing hip-hop tours of all time, grossing an estimated $16 million. That same year, she launched her own label Queen Bee Entertainment. From 1998 to 2000, Jones continued her road to stardom under the management of B.I.G.'s best friend, Damion "D-Roc" Butler's "Roc Management", touring and modeling for various fashion and pop culture companies including Candies, Versace, Iceberg, and Baby Phat. and even though she had not had an album of her own released, she was seen on dozens of remixes and guest appearances on other artist's records.

On June 27, 2000, Jones released her second album The Notorious K.I.M. The album marked a new image and revamped look for the rapper. Despite the limited success of its singles, the album debuted at No. 4 on the Billboard 200 and No. 1 on the Hot R&B/Hip-Hop Songs chart, selling 229,000 copies in its first week. It was certified platinum by the RIAA, four weeks after its release. It was on this LP that the well-known hip-hop feud between Jones and Foxy Brown escalated. In 2001, Jones teamed up with Christina Aguilera, Pink, and Mýa to remake "Lady Marmalade", which was originally written about a bordello in New Orleans and performed by the group Labelle (which included diva Patti LaBelle) 25 years earlier. The song was recorded for the Moulin Rouge! film soundtrack, released in April 2001, and stayed No. 1 on the Billboard Hot 100 for five weeks. The song also went to No. 1 in 50 countries around the world. This was a big accomplishment for female rap, as well as for Jones, who scored her first No. 1 Hot 100 hit and became the second female rapper in history to hit No. 1 on the Billboard Hot 100 charts. "Lady Marmalade" also garnered Jones her first Grammy Award. Jones also performed in two international hit singles. "In the Air Tonite", a remix of the Phil Collins song "In the Air Tonight" and duet with Collins, was released as a single from the Collins tribute album Urban Renewal. The second single, "Kimnotyze", was released as the lead single of record producer DJ Tomekk's compilation album Beat Of Life, Vol 1. It was released in Switzerland, Austria and Germany only. The song was successful, becoming Jones third consecutive top 10 hit in Germany after her number 5 hit "Lady Marmalade".

In 2002, Jones recorded a new entrance theme for then World Wrestling Entertainment (WWE) Women's Champion Trish Stratus entitled, "Time to Rock 'n Roll", which was used during broadcasts, until Stratus' retirement. The single was released on WWE Anthology, a compilation of entrance theme music to various professional wrestling superstars. Jones released the buzz song "Whats The Word" in mid-2002. Despite not having an official release, it went on to peak at number 9 on the Bubbling Under R&B/Hip-Hop Singles chart. It would later be released on the Japan edition of her third studio album, La Bella Mafia, as a bonus track.

2003–05: La Bella Mafia and legal problems

On March 4, 2003, Jones released her third studio album, La Bella Mafia. It debuted at number 5 on the Billboard 200, selling 166,000 copies in its first week, giving Jones her second consecutive top 5 album. The album received generally positive reviews from critics, receiving a score of 65 on Metacritic. A buzz single, "Came Back For You", was released ahead of the album, the music video for the song featured reality television personality Victoria Gotti. The first single, "The Jump Off", featuring Mr. Cheeks, peaked at number 16 on the Billboard Hot 100. Follow up single, "Magic Stick", featuring 50 Cent, peaked at number 2 on the Billboard Hot 100, staying there for three weeks. The song never had a commercial release or a music video, but was successful due to high radio airplay, peaking at number 1 on Billboards Airplay chart. A third US only single, "Thug Luv", featuring Twista, was released in the last quarter of 2003 at peaked at number 60 on Billboards Hot R&B/Hip-Hop Songs chart. The album was certified platinum in the US, selling over 1.1 million copies. Jones promoted the album with a string of concerts, which also featured DMX and Nas. Jones was nominated for five Source Awards and won two ("Female Hip-Hop Artist of the Year", and "Female Single of the Year"). The album also got two Grammy Award nominations for Best Female Rap Solo Performance ("Came Back For You") and Best Rap Collaboration ("Magic Stick"). She was also nominated for Best Pop Collaboration with singer Christina Aguilera for the song "Can't Hold Us Down", from Aguilera's album Stripped.

Greg Thomas, an English professor at Syracuse University, began teaching "Hip-Hop Eshu: Queen B@#$H Lyricism 101". Jones herself was a guest speaker at the school. Professor Thomas considered Jones' lyrics "the art with the most profound sexual politics I've ever seen anywhere." David Horowitz criticized the course as "academic degeneracy and decline". Jones also made an appearance on the multi-platform videogame Def Jam: Fight for NY. Jones provided voice-overs for her part in the storyline, where the player may fight an opponent to have Jones as their girlfriend. In 2004, Jones recorded a cover of "These Boots Are Made for Walkin'" which was used as the opening theme for Victoria Gotti's reality series Growing Up Gotti. The same year Jones was featured on the remix of "Naughty Girl" by Beyoncé Knowles. In December 2004, Jones began recording a pilot for a VH1 reality show titled 718 Makeover. The 718 in the title is the area code for Brooklyn, where Jones grew up. The show never made it to air.

On March 17, 2005, Jones was convicted of three counts of conspiracy and one count of perjury for lying to a Federal grand jury about her and her friends' involvement in a 2001 shooting outside the Hot 97 studios in Manhattan. During the trial of her co-manager, Damion "D-Roc" Butler, and her bodyguard, Suif "Gutta" Jackson, a former member of the hip-hop group Junior M.A.F.I.A, she testified not to have known they were at the scene. However, video footage from a security camera placed all three at the scene, exiting the building. This directly contravened testimony before the grand jury. Butler and Jackson have since pled guilty to gun charges. Jackson was sentenced, in U.S. District Court, to twelve years in federal prison as part of plea bargain in which he admitted to firing at least twenty rounds during the incident. The length of the sentence was said to have been influenced by his previous gun-related convictions. In July 2005, Jones was sentenced to a one-year and a day in prison, thirty days home detention upon release from custody, and three years of probation. She served the entirety of her sentence at the Federal Detention Center, Philadelphia in Center City, Philadelphia. She was released on July 3, 2006, after serving approximately 12 months. Jones, Federal Bureau of Prisons (BOP) Register #56198-054, was released from BOP supervision on August 2, 2006.

2005–08: The Naked Truth and Ms. G.O.A.T

Jones released her fourth album, The Naked Truth, on September 27, 2005, while serving a federal prison sentence. It earned her a 5 mic rating from The Source, making her the only female rapper to ever receive a 5 mic rating. The album debuted at No. 6 on theBillboard 200 chart, selling 109,000 copies in its first week of release, giving Jones her third Top 10 debut on the chart. The Naked Truth did not sell as well as her previous works, it only managed to reach a Gold certification by RIAA. She said that her prison sentence left her with no time to promote the project. The music video for The Naked Truth's first single, "Lighters Up", was number one on BET's 106 & Park for two weeks. "Lighters Up" was a Top Ten hit on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. The single also reached No. 67 on the German Single Chart, No. 12 on the UK Top 75 and No. 4 on the Finland Single Chart. The second single, "Whoa" was released on February 17, 2006. It reached No. 22 on Airplay.

On March 9, 2006, BET premiered the show Lil' Kim: Countdown to Lockdown, which was filmed before Jones headed to prison. The show became the highest rated premiere in BET history, averaging 1.9 million viewers. In May 2006, Debbie Harry released a song in tribute to Jones called "Dirty and Deep" in protest of her conviction. The song was available for free from her official website. The Dance Remixes, her first compilation album was released on June 6, 2006. The album featured remixes of songs from The Naked Truth and Hard Core. A limited pressing released only in the US, it received no promotion, due to Jones being in prison at the time of release, and failed to chart. On August 31, 2006, Jones presented the award for Best Male Video at the 2006 MTV Video Music Awards, it marked her first televised appearance since being released from prison. She also made appearances on the show The Pussycat Dolls Present: The Search for the Next Doll and Pussycat Dolls Present: Girlicious in 2007 and 2008 as a judge.

In January 2008, Jones announced that she had parted ways with Atlantic Records, choosing to release future projects independently. She stated she had no hard feelings towards Atlantic but felt more comfortable in her knowledge of the music business to do it alone. Jones released her first mixtape, Ms. G.O.A.T., an acronym for "Greatest of All Time", on June 3, 2008. It was produced by New York City DJs Mister Cee and DJ Whoo Kid. Among critics, the mixtape received generally positive reviews. It has been called a representation of Jones's return to the streets. Tito Salinas of All Hip Hop says "Lil' Kim shows that her time behind bars did not rust all of her swag away" on Ms. G.O.A.T. On the other hand, Ehren Gresehover of New York Mag says that although one of the tracks "The Miseducation of Lil' Kim" is not bad, he wished that it was Lauryn Hill who was making a comeback instead.

2009–11: Dancing with the Stars and Black Friday

On March 10, 2009, the song "Girls" by Korean singer Seven featuring Jones was released through digital stores as his U.S. debut single. Jones appeared in the music video that was released on the same day. "Girls" was produced by Darkchild. On March 24, 2009, she released the song "Download" featuring R&B singers T-Pain and Charlie Wilson. It was written by Jones and T-Pain and produced by Trackmasters. The song samples "Computer Love" by Zapp. Although it missed the Hot 100, it did chart on the Billboard Hot R&B/Hip-Hop Songs chart, peaking at number 21.

Jones appeared on the eighth season of reality series Dancing with the Stars, which began airing on March 9, 2009. She was paired with professional dancer Derek Hough until the dance couple was eliminated on May 5, 2009 against Ty Murray and his partner Chelsie Hightower, putting her at fifth place from all thirteen contestants that season. Her elimination was met by many boos from the audience, as she was a consistent high-scorer and a fan favorite.

On February 16, 2010, the Ludacris song "Hey Ho", which featured Jones and Lil Fate, was released as a promo single for his seventh studio album Battle of the Sexes. In June 2010, Jones started her 2010 Tour, her first headlining tour since 2000. It took her across the US, as well as Canada and Europe.

Jones released her second mixtape, Black Friday, on February 14, 2011. The video for the title track was released on February 16, 2011. The mixtape received mostly negative reviews from critics. It was made available for purchase via PayPal with the first 100,000 copies sold being signed by the rapper. In May 2011, Jones performed in South Africa as part of the music festival ZarFest alongside Fat Joe, Timbaland and Ciara. On June 19, 2011, Jones performed alongside G-Unit member Shawty Lo and hinted a possible working relationship with G-Unit Records. That same month the song Jones, along with Rick Ross, was featured on titled "Anything (To Find You)", by R&B singer Monica was leaked. The song, which samples The Notorious B.I.G.'s "Who Shot Ya?", initially featured just Jones, but her second verse was removed to make room for Ross. Her vocals were then removed fully due to contractual issues with B.I.G's estate. In August 2011, Jones performed four dates in Australia as part of the WinterBeatz Festival alongside Fabolous, Mario, 50 Cent and G-Unit. During the August, 17 date in Perth, she joined 50 Cent on stage for a performance of "Magic Stick". It marked the first time the pair had performed the song together. On November 28, 2011, Jones released a buzz single called "I Am Not the One". She also announced that she would release an EP, but it was later shelved for unknown reasons.

2012–present: Fifth studio album and "Hard Core Mixtape"

In the summer of 2011, Jones began recording material for her fifth studio album, as a restriction banning her from releasing new material as a result of her settlement with Trackmasters was lifted.

On Valentine's Day, 2012, Jones released the song "If You Love Me" produced by "Prince Saheb" of Knockout Entertainment as a gift to her fans. That same month it was announced she would make her return to the stage on BET's Rip the Runway. It marked her first televised performance in years. In March 2012, during an interview with MTV's Sucker Free, Jones revealed that contract issues with production duo Trackmasters were the reason behind her album delay, saying "...contractually, by the courts, I could not record any music – I wasn't supposed to put any music out." On March 23, 2012, the song "Keys To The City", a collaboration with Young Jeezy, was leaked to the Internet. Jones first mentioned the song during an interview with MTV's RapFix, saying "I have a song with another celebrity person that I know the world and my fans are gonna love... It's vintage Kim mixed with the new Kim." During the same RapFix interview, Jones also revealed another song, titled "I'm Ready", which she hopes to do with rapper 50 Cent. Jones also commented on the direction of her music, saying she was in "Kanye West mode", adding "...You do whatever you want to do ...it's all about taking chances".

Jones kicked off her Return of the Queen Tour on May 17, 2012 to positive reviews. In a radio interview at 99 Jamz, Jones stated that her upcoming book, The Price of Loyalty, is on hold to coincide with the release of her new album. It was also revealed in 2012 that Jones had signed upcoming female rapper Tiffany Foxx to her label, IRS Records.

On March 6, 2013, Jones returned to Rap Fix Live and revealed that Bangladesh would be executive producing her album with her, and that she had signed a business deal with former Chairman and CEO of EMI Records, Charles Koppelman. however Bangladesh later stated in an interview that "[didn't] think it was going to work out.". During an interview with XXL on April 26, 2013, Jones revealed that she does not have a name for the album yet, but the first official single would be out by mid year. Jones described the single, produced by Bangladesh, as "different" and "sweet dessert". On July 11, 2013, Jones released the Rockwilder produced single "Looks Like Money" as a free download to her fans on her birthday. On July 26, 2013 Jones announced and released the cover art for a new mixtape entitled Hard Core 2K13, which will also serve as a sequel to her critically acclaimed debut album, Hard Core. The mixtape was originally set to be released on October 31, 2013, but for unknown reasons, was pushed back. To make up for not releasing the mixtape, Jones released the singles "Dead Gal Walking" and "Kimmy Blanco" to the public, along with the tracklist. The tracklist revealed collaborations with French Montana, Miley Cyrus, Jadakiss and Yo Gotti.

On January 17, 2014, Canadian make-up artist and photographer Samantha Ravndahl filed a lawsuit against Jones, claiming that Jones had stolen an image from her Reddit page to use for her "Dead Gal Walking" single artwork. Ravndahl first tried amicably resolving the issue soon after the single was released in November by asking Jones to remove the image from her social media sites, but after continued social media posts containing the artwork, she followed through with a lawsuit. The stolen image depicts Ravndahl herself modeling a "zombie-style" make-up design of her own creation. In the lawsuit complaint, Ravndahl's attorney's claim that: "Ravndahl believes that Lil' Kim, acting through her agent, Whosay, Inc., slapped Lil' Kim's name and copyright notice over Ravndahl's face and makeup design on Ravndahl's photograph before distributing it all over the web." The case has been filed through a Federal District Court in California and Ravndahl is seeking $150,000 in damages from Jones, plus attorney fees. A jury is being requested in the trial. Jones has not made any public statements concerning the issue other than crediting her graphic designer on her Twitter page, as well as stating in an interview to XXL magazine, "I don't know what the heck is going on, if there were something going on, my team would know better than I would. You have to get that from my team because I really don't know what's going on." On February 18, 2014, Jones released another single from Hard Core Mixtape 2k14. The single, entitled "Haterz," features lyrics by Jones and rapper B-Ford and was released on her Twit Music page where fans could download it. In April, the single was released on iTunes.

On August 2, 2014, Jones announced via her Twitter page a concert tour for her much anticipated Hardcore Mixtape. Details have yet to surface about concert dates or locations. Throughout the remainder of the month of August, Jones released a number of songs via her Twit Music account: A remix to Beyoncé's and Nicki Minaj's collaboration of "Flawless" (August 4), "Identity Theft" (August 6), A freestyle entitled "Hot Nigga" (August 7),a freestyle to "No Flex Zone" by Rae Sremmurd (August 26), and a remix to Iggy Azalea's "Fancy".

On September 11, 2014, the Hard Core mixtape was released as free download on Kim's official website. In an interview with Revolt TV on the same day, Jones revealed that she, Iggy Azalea, and Rapper T.I. will be collaborating on a song some time in the future, citing "I don't know if it's going to be for my album or if we're just going to…we have other plans for it as well. But, I think we're going to do a double release." In the same interview, she explained the reasons why the mixtape was pushed back twice, stating "When this project was supposed to come out I had got pregnant. I didn't know. [...] Once I became fully pregnant, I was working in the studio but at one point I couldn't work anymore, obviously,".

Products and endorsements

In 1998, Jones signed to Wilhelmina Models. That same year she was announced as the face for the fashion brand Candie's alongside Brandy. She became the first and only rapper to endorse the brand to date. In 2000, Jones signed a deal with fashion house Iceberg, and also with cosmetics brand MAC to help endorse their VIVA GLAM line of lipsticks and lip glosses alongside Mary J. Blige. The MAC VIVA GLAM III campaign, which was built around a plum-brown lipstick, helped raise $4 million for the company in one year and became the most successful VIVA GLAM campaign to date. Due to the success, the two signed on for a second year. The rapper also modeled for the urban fashion line Baby Phat in August 2000. In March 2001, Jones, along with several other artists, featured in a commercial for Apple's Mac computers. It highlighted how users can burn custom CD's on their Mac. In 2003, Jones became the spokesperson for American clothing brand Old Navy. That same year her song "The Jump Off" was used in a commercial for AOL's dial up Internet service.

In 2004, it was announced that Jones would launch a designer watch collection, titled Royalty by Lil' Kim. Jeweler Jacob Arabo manufactured the watches. She also debuted her first clothing line, entitled Hollyhood. Jones also lent her voice to the video game Def Jam: Fight for NY which she was featured in. In 2005, Jones collaborated on a shoe line with high end shoe store, Petite Peton. That same year Jones was featured as a character in the limited edition comic book "The Heist". The book was a collaboration between Marvel and Atlantic Records. In August 2010, Jones signed a deal with Three Olives Vodka to become the face for their Purple vodka. In September of that same year, Jones, along with her cousin, Katrise Jones, opened their first beauty salon in Charlotte, North Carolina called Salon Se Swa. That same month, Jones also launched her second clothing line, entitled 24/7 Goddess Collection, at Charlotte NC Fashion Week. In November 2012, Jones began endorsing Cîroc vodka, revealing her own cocktail, titled "Queen Bee", and announcing herself as the "First Lady" of the brand.

Philanthropy

In 2000, Jones embarked on a promo tour in support of her second studio album, The Notorious K.I.M., and the MAC AIDS Fund. She visited MAC cosmetics counters, interacted with fans and help raise money and awareness for the cause, which helps people who are living with HIV/AIDS worldwide. She also took part in MAC's Fashion Cares show in Toronto, Canada. The show raised close to one million for the AIDS Committee of Toronto. Her endorsement for MAC, with Mary J. Blige, would go on to raise $4 million for the fund. In October 2001, Jones was featured on the R&B mix of the song "What's Going On". Jones, along with several other popular recording artists, released the song under the name "Artists Against AIDS Worldwide", with proceeds going to AIDS programs worldwide and also United Ways September 11th Fund. That same month, Jones performed at BREATHE, a benefit concert for breast cancer research and treatment. Proceeds from the concert went to the UCLA Breast Center and the Breast Examination Center of Harlem, an outreach program of the Memorial Sloan Kettering Cancer Center. On March 12, 2002, Jones walked her dogs in the 3rd annual "Paws for Style" fashion show. The event is held by Animal Fair magazine as a benefit for the Humane Society of New York. Items worm by the animals were later actioned off online. In 2004, Jones started her own foundation called Lil' Kim Cares. The foundation raises funds, resources and awareness for national programs that assist with issues of homelessness, HIV/AIDS prevention and awareness, transitional living, child neglect and violence against women. Speaking about the foundation, Jones stated she planned to be involved in a number of causes, most of which had effected her personally in past years. On April 17, 2004, Jones participated in the 28th annual Toyota Pro/Celebrity Race. The event helped raise more than $100,000 for "Racing for Kids", a non-profit program benefiting Southern California children's hospitals in Long Beach and Orange County. On August 24, 2004, Jones encouraged others to vote in the United States presidential election through the Rock the Vote campaign.

On March 10, 2005, Jones, along with several other artists, appeared in an episode of The Apprentice. Each artist was approached by contestants to donate a "personal experience" to be auctioned off for charity through music channel Fuse's "Daily Download" program with proceeds going to the Elizabeth Glaser Pediatric AIDS Foundation. In September 2005, Jones paired up with fashion designer, and friend, Marc Jacobs for a limited edition T-shirt line featuring images of the rapper. The shirts, titled Marc Jacobs Loves Lil' Kim, were sold exclusively at Marc Jacob stores with 100% of the proceeds going to The Door. That same year Jones donated a diamond watch from her "Royalty" watch line to the World AIDS Day eBay Auction titled "Bid 2 Beat AIDS". Proceeds went to LIFEbeat, an organization providing HIV/AIDS information to millions of young people annually. Through her foundation, Jones has given back to many, including teaming up with apparel company Mitchell & Ness and boxer Zab Judah to donate toys to underprivileged youth in Philadelphia in 2005, and teaming up with MusiCares in 2007 for a silent auction, held at the Grammys On The Hill ceremony, to help raise funds for the foundation. That same year, Jones was a part of the 4th Annual GRAMMY Charity Holiday Auction, which featured a large variety of celebrity-signed memorabilia that people could bid on through the online auction site eBay. On December 1, 2007, Jones teamed up with Preserve Our Legacy and the New Jersey Stem Cell Research and Education Foundation to put on a celebrity basketball game to raise awareness about various health issues plaguing minority communities.

On July 11, 2010, Jones launched her signature milkshake, titled "Queen Bee", at Millions of Milkshakes in West Hollywood, with proceeds going towards Wyclef Jean's Yéle Haiti foundation. On February 9, 2013, Jones took part in the first annual Reality On The Runway fashion show. The event wanted to help raise $300,000 for people infected with HIV/AIDS and increase awareness. All designs from the show were auctioned off online following the event with a portion of the proceeds going to AIDS United.

Personal life

In her teens, Jones began dating Shawn Powell. The pair met at the Empire Roller Skating rink in Brooklyn. After a couple of months of seeing each other, Powell was arrested for robbery and was sentenced to eight and a half years in prison. Jones and Powell continued their relationship with Jones visiting frequently and also kept in touch by writing letters to each other. The couple also became engaged while he was incarcerated. During this time was when Jones met Christopher Wallace, and with wanting to focus on starting her rap career the engagement was eventually called off and the couple split. Shortly after meeting Wallace, Jones had an on and off relationship with him up until his death in 1997. On July 23, 1996, Jones was arrested for possession of marijuana after police raided the Teaneck, New Jersey home of Wallace. The arrest came after police smelt marijuana inside the home when they went to ask for someone to move an illegally parked car. Jones denied she was smoking, claiming she was "upstairs all day sleeping". That same year, during the recording of her debut album, "Hard Core", Jones fell pregnant with Wallace's child. Jones never made it public until 1999 during an interview with The Source. Jones decided not to keep the baby, telling The Source "I already knew the kind of relationship that Biggie and I had, and I knew that [having a child] was something that couldn't take place..." Wallace called Jones three days before his death and told her he loved her. On March 17, 1999, Teaneck police issued an arrest warrant after Jones failed to turn up to court dates stemming from her 1996 arrest. The warrant wasn't a top priority for police and wasn't made public until September 2003, after the story was published online by The Smoking Gun. Jones was later removed from Teaneck's wanted list in October 2003, after $350 in bail was posted on her behalf. Jones' attorney told reporters that she didn't appear in court as she believed the case had been resolved.

In 2002, Jones started dating Damion "World" Hardy, the couple split in 2003. It was during this time that Jones had been a victim of physical abuse. Telling The Source in 2004 that she had suffered from black eyes, bloody lips, blood clots and even had to have an MRI. Jones also stated how she had to have multiple nose jobs due to being punched. On June 20, 2003, Jones had $250,000 worth of jewelry stolen from her while catching a flight at New York's John F. Kennedy International Airport after a bag, which she intended to carry on, was mixed up with eight other pieces of her luggage. The missing jewelry was recovered 10 days later, found wrapped up in a rag in a locker room for airline employees by a United Airlines worker. On July 1, 2003, John Acheson was charged after trying to extort $25,000 from Jones in exchange for her stolen jewelry. Acheson, who was never in possession of Jones' jewelry, called Jones' lawyer, Mel Sachs, on June 23 saying he had the jewelry and would exchange it for an initial $5,000 and $20,000 at a later date. Acheson was charged with third degree attempted grand larceny, fourth degree attempted grand larceny by extortion, and attempted coercion in the second degree. In March 2004, Acheson was sentenced to five days in jail and a $500 fine after pleading guilty to a minor charge of attempted grand larceny. In 2004, Jones dated record producer Scott Storch. The two met when Storch offered Jones a ride to her hotel. The couple spilt after only 2 months together. In 2013, Storch revealed that he would've married Jones if the relationship had worked out. In 2007, Jones and Ray J briefly dated. In 2012, Jones started dating Bronx rapper Peoples Hernandez, known by his stage name Papers. The couple split briefly in December of that year before reconciling that same month. On February 12, 2014, Jones announced she was pregnant, saying she was "a few months along" with her first child. Hernandez said shortly afterward he was the father. On June 9, 2014, Jones gave birth to a baby girl, named Royal Reign.

http://wikipedia.thetimetube.com/?q=Lil%27+Kim&lang=en

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[latestmarketreport]

Fault Tolerant Servers Market Scope, Research, Growth Prediction 2019 to 2026

The global Fault Tolerant Servers Market size will grow exponentially during 2019-2026. This report offers an analysis of the market based on the product, end-user, distribution channel and geography (the Americas, APAC, and EMEA). The Fault Tolerant Servers Market research report further analyzes the market’s competitive landscape and offers information on several companies.

Fault Tolerant Servers Market report provides in-depth insight of the Fault Tolerant Servers industry masking all vital parameters along with Drivers, Market Trends, Market Dynamics, Opportunities, Competitive Landscape, New Challenge Feasibility Evaluation, Fault Tolerant Servers market Share via Region, Analysis and Guidelines on New mission Investment.

Free Sample PDF (including TOC, Tables and Figures) of Fault Tolerant Servers Market @ https://www.millioninsights.com/industry-reports/fault-tolerant-server-market/request-sample

The demand for the fault tolerant server framework is on the rise in BFSI (banking, finance and insurance) segment, majorly credited to the need for compensating server failures.The key features associated with fault tolerant servers include centralized back-up system and disaster recovery by fault tolerant servers. Fault tolerant servers are essential for the proper execution of the data centers, thereby driving their importance in cloud infrastructural services.

Primary use of fault tolerant servers is preventing downtime and continuous availability of server. Fault tolerant servers are key components during mission critical IT operations, particularly in the banking and financial operations. These factors are projected to drive the market demand for fault tolerant servers over the forecast period.

Fault tolerant servers, also termed as fail over clusters are set of compute engines that are required to assist server-related applications and are fully utilized with a least amount of down time. These fault tolerant servers are processed alongside fault tolerant software in order to utilize excessive computers in assembly or sets for providing continuous services at time of system failures. The use of fault tolerant servers allows application to run as specific server crashes, also, runs the application as long as the server is fixed and operational.

The key players in the fault tolerant servers market are International Business Machines (IBM) Corp., Stratus Technologies, Inc., Microsoft Technology Corp., NEC Corp., Hewlett Packard Enterprise Development LP, Oracle Corp., Unisys Corp., Fujitsu Ltd., and One-Net Communications Pte., Ltd.

Do You Have Any Query Or Specific Requirement? Ask to Our Industry Expert @ https://www.millioninsights.com/industry-reports/fault-tolerant-server-market

[researchreportinsight]

Fault Tolerant Servers Market Segmentation and Analysis by Recent Trends, Development and Growth by Regions to 2023

24 May 2019 - The Global Fault Tolerant Servers Market is expected to display higher growth rate in the upcoming years due to the growing demand from the banking and financial establishments in order to stock piles of data and provide security while accessing it. The demand for the fault tolerant server framework is on the rise in BFSI (banking, finance and insurance) segment, majorly credited to the need for compensating server failures.

In addition, the growing adopting of data center equipment on the global scale has led to market expansion over the past few years. The key features associated with fault tolerant servers include centralized back-up system and disaster recovery by fault tolerant servers. Fault tolerant servers are essential for the proper execution of the data centers, thereby driving their importance in cloud infrastructural services.

View Full Report with TOC @ https://www.millioninsights.com/industry-reports/fault-tolerant-server-market

Primary use of fault tolerant servers is preventing downtime and continuous availability of server. Fault tolerant servers are key components during mission critical IT operations, particularly in the banking and financial operations. These factors are projected to drive the market demand for fault tolerant servers over the forecast period.

Fault tolerant servers, also termed as fail over clusters are set of compute engines that are required to assist server-related applications and are fully utilized with a least amount of down time. These fault tolerant servers are processed alongside fault tolerant software in order to utilize excessive computers in assembly or sets for providing continuous services at time of system failures. The use of fault tolerant servers allows application to run as specific server crashes, also, runs the application as long as the server is fixed and operational.

By product type, the fault tolerant server market is divided into three major segments including software, hardware and services. The services segment currently holds large share in comparison with other market segments. Furthermore, the market is categorized into retail sector, healthcare sector and BFSI (banking, finance and insurance) industry. The BFSI (banking, fiancé and insurance) industry is expected to witness augmented growth over the forecast period.

The fault tolerant server market is divided by region as North America, Europe, Asia-Pacific, Latin America and Africa. North America has shown major growth in the recent years owing to the implementation of latest cloud server technologies in banking & finance sector, surge in number of research & development activities and existence of well-established IT infrastructure in the region. In European region, Germany, France, and United Kingdom are projected to witness steady growth over the coming years.

Asia-Pacific region is estimated to hold a major share in the fault-tolerant servers market with massive growth in the forecast period. Countries such as India, China and Singapore are leading the Asia-Pacific market with larger base size of the market, growing product penetration in dominant end-user industries, and significant investment by leading industry players considering potential growth opportunities in the region.

The key players in the fault tolerant servers market are International Business Machines (IBM) Corp., Stratus Technologies, Inc., Microsoft Technology Corp., NEC Corp., Hewlett Packard Enterprise Development LP, Oracle Corp., Unisys Corp., Fujitsu Ltd., and One-Net Communications Pte., Ltd.

Market Segment:

Geographically, this report is segmented into several key Regions, with production, consumption, revenue (M USD), market share and growth rate of Fault Tolerant Servers in these regions, from 2012 to 2023 (forecast), covering

• North America (United States, Canada and Mexico)

• Europe (Germany, France, UK, Russia and Italy)

• Asia-Pacific (China, Japan, Korea, India and Southeast Asia)

• South America (Brazil, Argentina, Columbia)

• Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Global Fault Tolerant Servers market competition by top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players including

• NEC

• HP

• International Business Machines Corporation

• Oracle

• Unisys Corporation

• Fujitsu Ltd

• Stratus Technologies

Request Sample Copy of This Report @ https://www.millioninsights.com/industry-reports/fault-tolerant-server-market/request-sample

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[ultraisabarrosmartins1978]

De show a cinema: programação baratíssima em cartaz no CCSP

Nascido no ano de 1982, o Centro Cultural São Paulo, conhecido como CCSP, é um dos primeiros equipamentos culturais multidisciplinares do Brasil. Aberto ao público, o local promove diversos eventos gratuitos ou a preços mega acessíveis, além de disponibilizar espaços para uso livre de seus frequentadores, que aproveitam o equipamento para fazer aulas de dança, desenho e muito mais!

A fim de facilitar sua vida em São Paulo, listamos aqui, agora, os destaques da programação de março no CCSP, com direito à peças teatro, cinema, música e exposições.

MUMBI: o museu do Bixiga que merece o amor dos paulistanos

Informações sobre os eventos foram retiradas do site oficial do Centro Cultural São Paulo.

Confira: 

Cinema

Breves & Inéditos  12 a 31 de março Sala Lima Barreto (99 lugares) R$2 – a bilheteria será aberta uma hora antes da primeira sessão do dia Programação completa aqui

O Centro Cultural São Paulo apresenta a mostra Breves & Inéditos, um panorama retrospectivo de alguns dos melhores filmes lançados em 2018 que não tiveram a merecida exposição dentro do circuito comercial brasileiro. Filmes que tiveram um lançamento comercial restrito nos cinemas, sendo exibidos em poucas salas ou por pouquíssimo tempo.

A programação também reúne filmes que tiveram sucesso no grande circuito dos multiplexes e que merecem algumas exibições dentro do circuito cineclubista (é o caso de ”Podres de ricos” e ”Um pequeno favor”); além dos filmes que permanecem inéditos no Brasil, ou que foram lançados direto em DVD, Blu-ray ou Vídeo On Demand.

Espetáculo

Gota D’Água Preta 8 a 24 de março | sextas e sábados, às 20h, e domingos, às 19h 150min – 14 anos -Sala Jardel Filho R$ 30

Gota D’água é a transposição musical da Medeia grega para os tempos atuais. Na tragédia, Medeia é uma feiticeira poderosa que se apaixona por Jasão e foge com ele, dando-lhe dois filhos. Mais tarde ele a abandona para casar com a filha de Creonte, rei de Corinto. Como vingança Medeia provoca a morte da noiva e mata as duas crianças. Em Gota d’água preta, Medeia é Joana, mulher madura prestes a ser despejada junto com os dois filhos. Jasão, compromissado com outra que lhe garantirá o futuro, continua jovem, é um sambista que desponta para o sucesso com a composição e gravação de uma canção chamada Gota D’água. Todo o enredo transcorre agora na Vila do meio dia.

Texto: Chico Buarque e Paulo Pontes – direção geral, concepção e idealização do projeto: Jé Oliveira – elenco: Jé Oliveira, Rodrigo Mercadante, Aysha Nascimento, Dani Nega, Marina Esteves, Ícaro Rodrigues e Mateus Sousa – cantora convidada: Juçara Marçal – músico convidado: Salloma Salomão

Exposição

Conversas em Gondwana 7 de fevereiro a 7 de abril | Terça a sexta, das 10h às 20h, sábados, domingos e feriados, das 10h às 18h Piso Flávio de Carvalho GRÁTIS

Conversas em Gondwana é uma plataforma de pesquisa e experimentação em arte contemporânea e apresenta obras colaborativas desenvolvidas ao longo de um ano por cinco duplas de artistas brasileiros e sul-africanos. A mostra conta também com uma seleção de trabalhos intitulada Arquipélago, de vários outros artistas. Gondwana é o nome do supercontinente que há cerca de 200 milhões de anos reunia as massas continentais do que hoje chamamos América do Sul, África, Antártica, Austrália e Índia. O projeto evoca esse passado geológico distante a fim de intensificar o fluxo de práticas e pesquisas entre artistas, curadores e pesquisadores dessas regiões.

curadoras: Juliana Caffé e Juliana Gontijo (realização do Governo de São Paulo e Secretaria de Cultura) – artistas: Aline Xavier & Haroon Gunn-Salie; Ana Hupe & Gabrielle Goliath; Clara Ianni & Mikhael Subotzky; Daniel Lima & Ismail Farouk e Paulo Nimer PJota & Siwa Mgoboza – artistas Arquipelágo: Kemang Wa Lehulere, Penny Siopis, Cinthia Marcelle e Jean Meeran, Thiago Rocha Pitta, Marcelo Moscheta e Renata de Bonis

Música

Rashid 1º de março | sexta, às 21h 90min – livre – Sala Adoniran Barbosa R$25

Acompanhado de banda, o rapper traz o show de sua #CriseTour para divulgar o Crise, lançado em janeiro de 2018. Nas apresentações deste ano, Rashid explora seu repertório com uma setlist que inclui músicas de seus dois discos de estúdio, EPs e mixtapes, e traz, entre outras, composições como Gratidão, Bilhete 2.0, Ruaterapia, além dos singles mais recentes – Interior e Não é desenho.

Stratus Luna 7 de março | quinta, às 21h 90min – livre – Sala Adoniran Barbosa R$25

O grupo Stratus Luna, formado por Gustavo Santhiago (teclados, flauta e sítar), Ricardo Santhiago (guitarra e lap steel), Giovanni Santhiago Lenti (bateria e percussão) e Gabriel Golfetti (baixo e teclado), lança seu disco de estreia, batizado com o nome da banda, e mostra composições que vão do rock progressivo ao jazz fusion, passando pela música étnica e psicodélica.

Oruã + Marianaa 8 de março | sexta, às 19h 90min – livre – Sala Adoniran Barbosa R$25

Representantes da cena indie carioca, os dois grupos apresentam-se como parte das comemorações dos 15 anos do selo Transfusão Noise Records. Oruã, do Rio de Janeiro, apresenta o álbum Sem Benção/Sem Crença, que traz músicas como Malquerência, Vitin e Mother Sky (versão para o grupo alemão Can). Já o trio Marianaa vem da cidade de Campos dos Goytacazes e mostra seu disco de estreia, Sdds Role Lixo. Os dois grupos dividiram o EP Marginal Alado, no qual fizeram versões em homenagem a Chorão, ex-vocalista do Charlie Brown Jr,.

Lóki 4.5 – Tributo ao clássico de Arnaldo Baptista 9 de março | sábado, às 19h 90min – livre – Sala Adoniran Barbosa R$25

O baixista da banda gaúcha Cachorro Grande reuniu artistas como o vocalista do grupo Vanguart, Helio Flanders, e o tecladista Charlie Coombes para um tributo ao clássico disco de estreia da carreira solo do ex-mutante Arnaldo Baptista, Loki, que completa 45 anos de carreira em 2019.

Gross 10 de março | domingo, às 18h 90min – livre – Sala Adoniran Barbosa R$25

O cantor, compositor e guitarrista gaúcho Marcelo Gross, ex-integrante do grupo Cachorro Grande, mostra músicas de seu segundo disco solo, Chumbo & Pluma, na formação power trio e conta com participações especiais.

Ruido/mm 16 de março | sábado, às 19h 90min – livre – Sala Adoniran Barbosa R$25

Com 15 anos de trajetória, a banda ruído/mm (pronuncia-se “ruído por milímetro”), originada em Curitiba, faz show de lançamento do álbum A é côncavo, B é convexo. O LP tem oito temas inéditos (Niilismo, Volca, Antílope, Ouroboros, Tesserato, Esporos, Jacó e MMC) e sucede Rasura, disco que está nas listas de melhores de 2014. Frequentemente associado ao post-rock, o ruído/mm vem fazendo escola com um trabalho original e inclassificável.

Baleia  Domingo, às 18h 90min – livre – Sala Adoniran Barbosa R$25

O grupo carioca apresenta seu novo disco, Coração fantasma, que segue em processo de desenvolvimento e criação na proposta “disco vivo”, que apresenta os capítulos já registrados e lançados, além de intercalar faixas inéditas ainda nem gravadas – que só poderão ser escutadas ao vivo pelo público presente. Coração fantasma propõe um processo mutável, com o repertório sendo incorporado e alterado ao longo dos lançamentos dos capítulos.

Kamau 21 de março | quinta, às 21h 90min – livre – Sala Adoniran Barbosa R$25

Acompanhado do multicampeão DJ Erick Jay, Kamau apresenta o show Recap, em que repassa peças e passos fundamentais de sua carreira, passando por EPs, participações e o consagrado álbum Non Ducor Duco – além de apresentar uma prévia do que está por vir ainda este ano.

Karol Conká 24 de março | domingo, 18h 90min – livre – Sala Adoniran Barbosa R$25

O segundo álbum de Karol Conká, Ambulante, foi lançado em novembro, trazendo novidades no som da artista e reforçando ainda mais sua essência. Em parceria com o produtor Boss and Drama, ela misturou beats, flertou com outros estilos e fez um disco de rap no formato pop, fortalecendo sua personalidade. No show ela é acompanhada do DJ Hadji (pick-ups) e mostra tanto novas canções (Kaça, Bem-sucedida, Vida que vale, Vogue do gueto, Dominatrix, Saudade, Fumacê) quanto seus clássicos (Farofei, Tombei e É o poder).

Bixiga 70  28 de março | quinta, às 19h e às 21h 90min – livre – Sala Adoniran Barbosa R$25

A big banda paulistana apresenta-se em duas sessões no Centro Cultural São Paulo realizando dois shows distintos. No repertório, músicas de seus quatro álbuns, incluindo o mais recente, o festejado Quebra cabeças, lançado em 2018.

Orquestra Vermelha 29 de março | sexta, às 21h 90min – livre – Sala Adoniran Barbosa R$25

Projeto do guitarrista, produtor e artista sonoro Matheus Leston (ex-Patife Band), a Orquestra Vermelha é formada por integrantes virtuais. No palco, grandes painéis de LED exibem as silhuetas dos músicos, que executam um repertório original e instrumental, ainda inédito em disco, com influências de krautrock, eletrônica ambiente, jazz e minimalismo contemporâneo. A estrutura paradoxal (ao vivo e, ao mesmo tempo, playback) questiona as relações entre áudio e vídeo e o formato do que se convencionou chamar de show.

Mombojó 30 de março | sábado, às 19h 90min – livre – Sala Adoniran Barbosa R$25

Com 17 anos de estrada e cinco discos na bagagem, os pernambucanos da Mombojó se reinventam e apresentam uma nova fase de trabalho: o projeto MMBJ12, em que lançam um single inédito a cada mês. As faixas estão saindo desde agosto de 2018 em plataformas digitais, rádios e web. Na apresentação do CCSP, eles lançam a sexta canção do projeto.

Yma + Lau e Eu 31 de março | domingo, às 18h 90min – livre – Sala Adoniran Barbosa R$15

Dois novos talentos da cena indie brasileira. O sergipano Lau e Eu faz a abertura do show da cantora Yma, que lança seu primeiro disco, Par de olhos. O show terá participações especiais e efeitos visuais.

Veja também: Casa da Luz: o espaço cultural mais descolado do centrão

De show a cinema: programação baratíssima em cartaz no CCSPpublicado primeiro em como se vestir bem

[sagarj-things-blog]

Fault-Tolerant Servers Market Research Report : Key Growth Factors and Forecast 2024

Fault torrent servers enables a network or computer system to deliver uninterrupted services. The fault torrent technology’s purpose is to prevent complete failure that originates from fault at a single point. It also resolves probable service interruptions related to logic or software errors. These systems are designed to compensate multiple failures in the enterprises. These systems automatically detects a failure of the input/output system, motherboard, computer systems, network components and others. The failure point is detected and backup procedure immediately takes place in the server. Enterprises need fault tolerant servers to prevent crash of the crucial systems & networks and resolves issues related to uptime and downtime

Read Report Overview @ https://www.transparencymarketresearch.com/fault-tolerant-servers-market.html

The fault tolerant servers are designed to maintain high availability of computer systems and networks in the enterprises where critical data and operations are to be kept safe and accessible. A high availability group consists of sets of independent servers united together to provide system wide distribution of critical data and resources. These groups monitor each and every networks condition and provide fault recovery to guarantee applications remain accessible. A fault-tolerant server switches backup componentry to sustain high levels of system performance and availability.

The factor favorable to the growth of fault-tolerant market include increasing adoption of technologies such as Internet of Things (IoT), cloud computing, and big data & analytics in the enterprises, backed by the growing need for businesses efficiency in compliance control and for high availability of the system. The growth of the market is expected to be hindered by high cost of fault-tolerant system. However, fault-tolerant server market is expected to witness immense growth opportunities from the e-commerce, IT and Telecom, BFSI, and healthcare which require uptime for critical IT and other applications and services at the center. Furthermore, organizations are expected to invest in effective server technology to enable quick workflow, easy, cost-effective management of fault-tolerance, while minimizing the risk of downtime.

The fault tolerant server market can be segmented on the basis of component, enterprise size and end-user. Segmentation based on component includes hardware and software. Segmentation based on enterprise size includes large enterprises and small & medium enterprises. Furthermore, segmentation based on end-user includes information technology, banking, financial services and insurance (BFSI), healthcare, telecom, aerospace, e-commerce and others., In e-commerce sector the large software are stored at the server and required online connectivity so it required fault-tolerant servers to detect failure errors and backup with a solution within a less time. Mission critical applications also need fault tolerant servers to achieve high availability such as in airplanes which has many redundant systems to provide continuous functioning. The fault tolerance are capable to detect one or more failure in the system and keep continuous operation.

In computing environments, fault tolerance is a key component in the operation of systems and design. The fault tolerant is being used for business critical applications for absolute uptime. In today’s world companies deploy it for online usage, exchange of email and for different applications used in the companies. For these, the companies need to be supported with the backup solution. Therefore they deploy server error dictator to monitor and maintain applications accessible.

Request Report Brochure @ https://www.transparencymarketresearch.com/sample/sample.php?flag=B&rep_id=19160

The North America region is expected to be a major market for these systems as it hosts the headquarters of number of large organization including Facebook Inc., Microsoft Corporation and many others. These large organizations in the region and investing in fault tolerance technologies to prevent failure in the organization and keep process uptime. Major markets for fault-tolerant server in the region include countries such as the U.S. and Canada.

Some of the leading players dominating in the fault-tolerant servers market are International Business Machines Corporation (IBM), Stratus Technologies, Microsoft Technology, NEC Corporation, Hewlett Packard Enterprise Development LP, Oracle Corporation Unisys Corporation, Fujitsu Limited and One-Net Communications

The report has been compiled through extensive primary research (through interviews, surveys, and observations of seasoned analysts) and secondary research (which entails reputable paid sources, trade journals, and industry body databases). The report also features a complete qualitative and quantitative assessment by analyzing data gathered from industry analysts and market participants across key points in the industry’s value chain.

A separate analysis of prevailing trends in the parent market, macro- and micro-economic indicators, and regulations and mandates is included under the purview of the study. By doing so, the report projects the attractiveness of each major segment over the forecast period.

About Us

Transparency Market Research (TMR) is a global market intelligence company providing business information reports and services. The company’s exclusive blend of quantitative forecasting and trend analysis provides forward-looking insight for thousands of decision makers. TMR’s experienced team of analysts, researchers, and consultants use proprietary data sources and various tools and techniques to gather and analyze information.

TMR’s data repository is continuously updated and revised by a team of research experts so that it always reflects the latest trends and information. With extensive research and analysis capabilities, Transparency Market Research employs rigorous primary and secondary research techniques to develop distinctive data sets and research material for business reports.

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[991dotcom]

Dick’s Picks: ‘Spectrum’ Billy Cobham much-sampled spacey, jazz-fusion vinyl LP

Dick’s Picks: ‘Spectrum’ Billy Cobham much-sampled spacey, jazz-fusion vinyl LP

Dick’s Picks: Little known (but heavily sampled!) ’70s jazz fusion banger from Billy Cobham BILLY COBHAM Spectrum: Debut 1974 UK 6-track LP on the green & orange Atlantic label, including the fusion classics, Quadrant 4 & Stratus, housed in the US pressed gatefold pasted picture sleeve, more info here Billy Who? Tut, tut – weren’t you paying attention in jazz fusion class? Hailing from Panama,…

[soundchannel]

【入荷情報】LORD ECHO、HARRIET BROWN、PETE FLUX & PARENTALなどなど

こんにちわ！！！

本日の入荷です！！！

どーーーーーーーーーーーーーんんん！！！

LORD ECHO / HARMONIES -LP- (通常盤/帯無し)【レコード / レゲエ】

ニュージーランドのレゲエ／ダブ・バンドThe Black Seedsの中核メンバーとしてギターを担当する Mike Fabulousがスタートさせたレゲエ／ジャズ／ソウル・クロスオーヴァー・プロジェクトLord Echoが、待望のニュー・アルバム『Harmonies』が完成させた。

こちらのアナログ盤は限定プレスでのリリース。先行シングル「Just Do You」を筆頭に、本作にはElectric Wire HustleからMara TK、Fat Freddy's DropからToby Laingをはじめとする注目の顔ぶれが参加。

http://soundchannel.shop-pro.jp/?pid=113201769

PETE FLUX & PARENTAL / What They Need【レコード / HIPHOP】

Lexの実兄でKalhexのメンバーでもあるParentalとAtlantaのラッパーPete Fluxとのコラボレーション作品！！

2013年のリリース第一弾は即完売となり、2014年に発表されたE.Pは現在プレミアム価格になる程、ヨーロッパで人気を博している。そんな彼らの第三弾となるリリースは多くのHip Hopヘッズを虜にして来たプロデューサーDJ Spinnaによるリミックスを収録した 12” vinyl。その他2017年リリース予定のアルバムからのシングルカットやRob-O (INI)をフィーチャーした楽曲「Illness」の リミックスを含む全7曲を収録。Mastered by K-Defっていうのもミソ。世界限定500枚リリース。

http://soundchannel.shop-pro.jp/?pid=115922112

HARRIET BROWN / CONTACT -LP-【レコード / HIPHOP】

BADBADNOTGOOD (BBNG)などをリリースするINNOVATIVE LEISUREから、USベイエリアの新星HARRIET BROWNがアルバムをアナログでリリース！

ニュー・ジャック・スウィング(NJS)の最新化作品LPレコード！BADBADNOTGOOD (BBNG) などオルタナティヴで感性を刺激する作品をリリースしアンダーグラウンドなシーンからポップフィールドまでを股にかけて活躍する『INNOVATIVE LEISURE』から、USベイエリアの新星Harriet BrownがアルバムをLPレコードでリリースする。

http://soundchannel.shop-pro.jp/?pid=115256459

V.A. / AOR GLOBAL SOUNDS VOL.3 -2LP-【レコード / SOUL】

今や人気シリーズとなった タイトル通りの世界のAORコンピ第3弾が2LPリリース！！

76年から85年までに残されたレアで埋もれた14曲をコンパイル。今回は少しばかりアメリカ産が多めで、マイアミのJEFF SILNAによるプライヴェート・プレス極上AOR唯一楽曲にウィスコンシン��ラインランダーのドラムが駆け抜けるスムース・エレピ・ソフロSTRATUS、ピッツバーグのキラー・ファンキー・ダンサー7 DAYS UNLIMITED、DJ需要も高いブギー・モダン・ソウル・ファンクJAMES D. HALL、CCM系フュージョン名バンドSEAWIND関連として知られるアーバン・ブギーなOMEGA SUNRISE、ハワイアン名作ROB MEHLと同プロデューサーGERRY LIMPICが仕掛けた80Sブルー・アイドAORソウルGEORGE NASIFに、知られざる80SウェストコーストAOR/モダン・ソウルとして一部マニアに話題の無名アーティストJON KONTEAU、ボルチモアのジャジー・アーバン・インスト・ソウルSTEVE TURNER、80Sポップ感溢れる埋もれたキャッチー・フロア・フィラーBILLY ALWAYS、そして今春いよいよアナログ・リイシューされる金字塔ARCHIE JAMES CAVANAUGH、、、といったUS自主系の激レア音源とともに、シリーズVOL.1にも収録されたブラジルのPLACA LUMINOSAのメンバーでもあるWILLY SANTANAの極上ポッピン・メロウに バンド名に疑いの余地無しなスウェーデンのメロウ・ブギーFUNKY TEAM、カナダのCCMゴスペル・ソウルSTACEYにOUT OF THE FOGなどなど、やはり期待通り軽やかにグローバルにも展開。定番から発掘系まで ソウルフルでディスコでジャジーな煌く選曲は、AORファンはもちろんレア・グルーヴ・ファン、生音クラブ・ファンにもオススメです。

http://soundchannel.shop-pro.jp/?pid=115524549

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[cratesofjr]

Favorite Delivers Easy-Breezy '76​-​'85 Soul On "AOR Global Sounds Vol​.​3"

AOR Global Sounds Vol.3 (1976-1985, Selected By Charles Maurice) by Various

"Favorite Recordings and Charles Maurice proudly present the 3rd edition of their acclaimed AOR Global Sounds compilations series. Another brilliant selection of 14 rare and hidden tracks, produced between 1976 and 1985 in various parts of the world. On AOR Global Sounds Vol.3, DJ and producer Charles Maurice delivers again a fine overview of the AOR and WestCoast influences for many artists in the late 70s and early 80s. Even more than on previous volumes, he selected highly forgotten productions, deeply infused with Disco and Soul flavors." "Many of these great gems were naturally produced through all the USA, often made by artists with a very short career and as private press. For example, Jeff Silna only recorded this amazing song after winning the competition of a long gone Miami radio station, the Stratus project started around 1974 in Rhinelander, Wisconsin, and was a band led by Bob Ackley who only released this 7” single in 1976 after recording a full album and doing a few gigs around Michigan, John Kontol (Jon Konteau), however having credits for a few productions and appearances and still acting as a musician, never released another LP after his heartbreaking experience with Erect Records, that never rewarded him for his work and even change his name against his consent, as for “Dirt (In The Sky” by 7 Days Unlimited, whose both members were from Pittsburgh area, where a lot of dirt was literally flying in the air, the song was released in 1980 on a very limited 500 copies 7” single. But this kind of stories and waste of talent is not solely and American privilege, from Willy Santana (member of Placa Luminosa) in Brazil, and Funky Team in Sweden, to Stacey and Out Of The Fog in Canada, this 3rd edition proves again if necessary the international scope and fervor of this music scene, and the surprising amount of great music that go unnoticed at that time. Fully remastered from originals, with great attention to sound quality as always, AOR Global Sounds Vol.3 (1976-1985, selected by Charles Maurice) is presented by Favorite Recordings in a gatefold vinyl double LP and as CD." - Favorite Recordings via Blogger http://ift.tt/2pQuoSx

[stradarecords]

VA (CHARLES MAURICE) / AOR GLOBAL SOUNDS VOL.3 [1976-1985] : FAVORITE(WLP)  【先着でステッカー・プレゼント中！】AOR人気コンピ・シリーズ待望の第3弾！1976年から1985年までという美味しい時期のレア作品を多数収録！マイアミのラジオ局主催のコンテストの勝者Jeff Silnaによる唯一の録音というA1を筆頭に激レアな7インチに収録されているウィスコンシン州のStratusによるA2、当時500枚のみのプレスという同じくこれまた激レア7インチに収録のピッツバーグの7 Days UnlimitedのよるA3等々、どれもこれもマニアックかつ極上なAORばかり！  http://www.stradarecords.com/shop/item/18500/index.php #charlesmaurice #favoriterecordings #paris  #aor #modernsoul #synthdisco #disco #boogiedisco #danceclassics  #compilation #reissue #fusion #pops #rock #lp #dj #record #vinyl #vinyljunkies #stradarecords #recordshops #recordshop #recordstore (Strada Records)

[eildotcom]

Dick’s Picks: ‘Spectrum’ Billy Cobham much-sampled spacey, jazz-fusion vinyl LP

Dick’s Pick: ‘Spectrum’ Billy Cobham much-sampled spacey, jazz-fusion vinyl LP

Dick’s Picks: Little known (but heavily sampled!) ’70s jazz fusion banger from Billy Cobham BILLY COBHAM Spectrum: Debut 1974 UK 6-track LP on the green & orange Atlantic label, including the fusion classics, Quadrant 4 & Stratus, housed in the US pressed gatefold pasted picture sleeve, more info here Billy Who? Tut, tut – weren’t you paying attention in jazz fusion class? Hailing from Panama,…