#Storytelling and Language in Rap

[omegaphilosophia]

The Philosophy of Rap

The philosophy of rap explores the genre of rap music as a form of cultural expression, examining how it reflects and shapes society, identity, power, and resistance. As a genre deeply rooted in marginalized communities, rap raises philosophical questions about authenticity, voice, justice, and the role of art in social change.

Key Concepts in the Philosophy of Rap:

Rap as a Voice for the Marginalized:

Social commentary: Rap music often serves as a platform for the voiceless, providing marginalized communities with a means to express their experiences with inequality, racism, poverty, and injustice. It highlights the struggles of urban life and critiques societal systems of oppression.

Cultural resistance: Rap emerged as a form of cultural resistance, particularly in Black communities in the United States, and has since evolved into a global phenomenon. Its confrontational style is often seen as a form of resistance to mainstream power structures, using lyrical storytelling to challenge dominant narratives.

Authenticity and Identity:

Keeping it real: The idea of authenticity is central to the philosophy of rap. Artists are often judged based on their ability to reflect their true experiences and identity, with the concept of "keeping it real" emphasizing the importance of staying true to oneself and one’s community.

Identity formation: Rap is a means of self-expression, with artists using lyrics to explore personal identity, culture, and experience. Through their art, rappers construct and project identities, whether through braggadocio, vulnerability, or social commentary.

Rap and Language:

Linguistic innovation: Rap is known for its complex, inventive use of language, including wordplay, metaphor, and rhythmic delivery. Philosophically, it pushes the boundaries of traditional language use, challenging ideas about how meaning is constructed and communicated through words.

Flow and rhythm: The philosophy of rap includes the role of flow and rhythm in conveying meaning. The way a rapper delivers lines, syncopates words, and interacts with the beat is as important as the lyrics themselves in shaping the message and impact of the music.

Power, Money, and Fame:

Materialism vs. meaning: Many rap songs explore the tension between material wealth and authenticity. The glorification of money, power, and fame is a common theme, but it’s often juxtaposed with critiques of how capitalism and economic inequality shape personal and collective identities.

Commercialization: As rap became more mainstream, it also became a highly commercialized genre. This raises questions about the relationship between art and commerce, and how commodification affects the authenticity and social impact of the music.

Rap as Storytelling and Narrative:

Lyrical storytelling: Rap is often praised for its ability to tell stories in a powerful, concise, and impactful way. Many rappers use their music to share personal narratives, express collective experiences, or construct fictional worlds that reflect broader social truths.

Oral tradition: Rap can be viewed as a continuation of the African oral tradition, where storytelling, music, and performance are tightly interwoven. It preserves this tradition while also innovating within it, using modern technology and global influence to expand its reach.

Rap and Philosophy of Aesthetics:

The beauty of the raw: Rap’s aesthetic is often defined by its rawness and grittiness, valuing the imperfect, the real, and the harsh realities of life. This raises questions about what constitutes beauty in art—whether art must be polished and refined or whether its power comes from its unfiltered expression.

Innovation in form: Rap challenges traditional notions of musicality, incorporating elements from various genres (jazz, soul, rock, electronic) and experimenting with beat, tempo, and rhythm. This highlights the aesthetic innovation and boundary-pushing nature of the genre.

Rap and Social Change:

Political activism: Many rap artists use their platform for political activism, advocating for social justice, racial equality, and systemic change. Songs like Public Enemy’s "Fight the Power" or Kendrick Lamar’s "Alright" have become anthems for social movements.

Empowerment and agency: Rap often emphasizes themes of self-empowerment, encouraging individuals and communities to take control of their destiny. It challenges systems of oppression and offers a form of cultural resistance, empowering listeners to engage with their circumstances critically.

Rap and Philosophy of Ethics:

Moral ambiguity: Rap sometimes explores morally ambiguous themes, such as crime, violence, and the pursuit of wealth. This can raise philosophical questions about ethics, particularly whether the genre glorifies these actions or if it reflects the harsh realities of systemic oppression.

Responsibility of the artist: There is ongoing debate about the responsibility of rap artists in promoting positive messages versus reflecting the realities of their environment. Some argue that rappers should be more mindful of the influence they have, while others believe that their role is to depict the world as it is.

The philosophy of rap encompasses themes of authenticity, identity, social justice, and the complex relationship between art and commerce. As a genre that speaks truth to power, rap is both a reflection of personal experience and a critique of broader societal structures. Its linguistic creativity, cultural roots, and ability to inspire social change make it a rich subject for philosophical inquiry.

[astrobiscuits]

Astro obs part 11

🐚 I've noticed that in the charts of people who were born with a serious malformation (hunchbacks, Spina Bifida, dwarfism) or intellectual disability, they usually have:

Taurus, Scorpio or Capricorn Ascendant

Luminaries (Sun/Moon) in 6th or 12th house

Stellium in 6th house

Sun conjunct or opposite Saturn

Uranus conjunct Pluto in Virgo (this is generational)

🐚 Likewise, Saturn in Virgo is found in those who suffer from chronic health issues

🐚 Individuals who have Sun in the lower part of their chart (1st house -> 6th house) tend to inherit the personality traits of the mother more, while those with Sun in the higher part of their chart (7th house -> 12th house) tend to inherit the personality traits of the father more [this observation is based on a concept from traditional astrology, sect of light]

🐚 Asteroid Talent (33154) can indicate what talent you have:

Sun conjunct Talent: acting in theater/movies; being a child entertainer; being super creative or a talent pertaining to your Sun sign (check the description for the ruling planet of your Sun sign)

Moon conjunct Talent: excellent cooking/baking; taking care of a baby or small child (being a mommy, lol); performing a moon ritual; gardening; having amazing counseling skills

Mercury conjunct Talent: being really funny; writing/storytelling; drawing; delivering eloquent speeches; teaching; memorizing long paragraphs or small, unimportant details; rapping; always knowing smart comebacks in arguments; reading super fast; making subliminals with detailed affirmations

Venus conjunct Talent: taking perfect photos; painting; scrapbooking/making very aesthetic pinterest boards; coming up with the best outfits; singing; making perfume; decorating a room; embroidery

Mars conjunct Talent: driving; doing stunts with a car/bicycle/skateboard etc; fighting; hunting; woodworking; playing fast-paced video games;

Jupiter conjunct Talent: doing circus stunts; throwing really fun parties; speaking a foreign language to perfection; speaking A LOT of languages (think like 10 languages); manifesting at the speed of light

Saturn conjunct Talent: always respecting deadlines; skilled at planning and time-management; keeping a serious face/attitude in situations when everyone is laughing; dry, sarcastic humour; offering mature advice for people your age; operating heavy machinery with skill, even if you've never done it before

Uranus conjunct Talent: being a dj; demonstrating advanced tech skills; being a very proficient astrologer (this involves STEM skills too, such as maths); having the ability to be an influential activist

Neptune conjunct Talent: being clairvoyant/clairaudient/ clairsentient/claircognizant; having energy healing skills (such as being really proficient at reiki); producing/mixing alcoholic drinks

Pluto conjunct Talent: communicating with the dead; feeling an immediate sense of danger before a dangerous event happens; sensing if someone will die soon; being able to move on from grief/heartbreak faster than others; being able to make lots of money through a taboo job; great lover if you know what i mean🤭

Chiron conjunct Talent: great energy healing/reiki skills; very knowledgeable in medicine or chiropractic; could also be rather insecure about their talent (pls don't be🥺 you're valuable just the way you are💕)

Ascendant/MC conjunct Talent: being talented is your trademark; everyone knows from the beginning about your talent; could make a career out of your talent

IC conjunct Talent: being talented from birth; your family likely noticed that you're talented early on; you could have inherited a family talent that was there for generations; you might try to keep your talent hidden, showing it only to the people you trust the most

Descendant conjunct Talent: you tend to attract partners who are talented; being talented is a trait you look for in a partner

🐚 Based on derivate astrology, the houses from your 9th house describe your college/university experience

1st house from your 9th house (natal 9th house) -> your overall college/uni experience

Ex. Jupiter in 9th house = fun, enriching college experience; likely to study abroad for a semester or a full degree; you might major in religion, philosophy or foreign languages

2nd house from your 9th house (natal 10th house) -> the price you pay for your higher education; your financial situation during college

Ex. Ruler of your natal 10th house is Saturn in 4th house = you might attend community college or a college close to where you live; financially-speaking, it's likely to be a cheap degree; you might have little money during college

3rd house from your 9th house (natal 11th house) -> the quality of education; how much do you study during college; the number of acquaintances you make at college

Ex. Ruler of your natal 11th house is Moon in 2nd house = you might make acquaintances at the canteen/cafeteria; you might be attached and reminiscence often about your study sessions, even after years of finishing college; you might study more at night than during the day

4th house from your 9th house (natal 12th house) -> how much do you stay in your comfort zone while pursuing your higher education; how much do you keep in contact with people from your past (childhood friends) and family

Ex. Stellium in your natal 12th house = you have a hard time living in the present moment while pursuing your college education; you think often about the past; you might keep in contact with your family and childhood friends constantly

5th house from your 9th house (natal 1st house) -> how much fun do you have during college (parties, dating, hook ups)

Ex. Venus conjunct Uranus in natal 1st house = you have plenty of fun, going out in big groups at parties, but this fun is fleeting (aka you get bored fast and need more)

6th house from your 9th house (natal 2nd house) -> your routine & physical health during college years

Ex. Capricorn Mars in natal 2nd house = you lead a busy lifestyle, but despite that, you make time to go to the gym often

7th house from your 9th house (natal 3rd house) -> whether you'll have a long-term partner during college years or not; starting a business while pursuing your college education; how many open enemies you have during college

Ex. North Node in natal 3rd house = if you are single, you are likely to get in a relationship with a long-term partner/future spouse during your college years

8th house from your 9th house (natal 4th house) -> whether you have to take loans to pay for your higher education or not; your sexual experiences during college

Ex. Pisces Mercury in natal 4th house = a distant relative or acquaintance that you forgot about might offer to pay for your college tuition; you might have sex with someone younger than you during your college years

9th house from your 9th house (natal 5th house) -> whether your college years will prove to expand your horizons or not; your relationship with your faith during college

Ex. Sun in natal 5th house = your college years and the experiences you have are likely to be the most eye-opening experiences of your life; your faith will strengthen during college

10th house from your 9th house (natal 6th house) -> whether your college education is going to pave the way of your future career or not; how popular is the college you attended

Ex. Neptune conjunct South Node in natal 6th house = you will likely attend a college that is highly idealised by many (think Ivy League); you might pick a major that doesn't guarantee a career, such as the arts (music, drama, theatre); you might feel comfortable attending this college and focusing on turning your degree into a career, but during these years, you're meant to give time and attention to your loved ones that you left behind

11th house from your 9th house (natal 7th house) -> how many friendships you'll make during college; the impact you'll have on a bigger community

Ex. Cancer Mercury conjunct Venus in natal 7th house = you will likely become an extrovert at the beginning of college (even though you usually aren't); after making enough friends, you will likely nurture these friendships; at that point, you will likely stop making new friends and go back to your crab shell, being grateful for your group

12th house from your 9th house (natal 8th house) -> how will college end for you

Ex. Pluto in natal 8th house = your college years will likely have a dramatic ending; you could lose your scholarship at the end of college

🐚 Considering the angles (Ascendant, IC, Descendant, MC) indicate the beginning of the spring and autumn equinox and summer and winter solstice, natal Venus joining one of the angles indicates your favorite season

Venus on Ascendant = your fav season is spring 🌷

Venus on IC = your fav season is summer 🌞

Venus on Descendant = your fav season is autumn 🍂

Venus on MC = your fav season is winter ❄️

[ducksido]

Ok, so I think a Welsh!Yuu would be awesome, and I’d love to see their reactions to things like the fact that w and y are vowels in the Welsh language, as well as the traditions surrounding Mari Lywd. I think it would be hilarious. Also I would like to see Malleus’s reaction/thoughts on the Welsh flag (because it has a dragon on it)

General Reactions

Grim: "What do ya mean 'w' is a vowel?! That ain't right!" "Mari Lwyd? You guys have a spooky skeletal horse that goes door to door for rap battles?!" Tries to challenge Mari Lwyd in a rhyming battle. Loses horribly.

The NRC Student Body: "Wait, your language has barely any vowels but somehow more vowels at the same time?!" Attempts to pronounce Welsh words. It’s an absolute disaster. Thinks Yuu is casting spells when they speak in Welsh.

Crowley: "Ah, Prefect! Tell me more about your delightful homeland—Wales, such a lovely part of England—" Yuu: "Finish that sentence and you’ll regret it."

Crewel: Impressed by the fact Welsh Yuu knows how to herd sheep. "At least you have a practical skill, pup."

Trein: Loves learning about the Mabinogion and Welsh folklore. Mildly disturbed by some of the stories. "So… your legends involve a guy marrying his own sister?"

Vargas: Immediately wants to test Yuu’s endurance. "You lot love running up mountains, right?!"

Sam: Tries to sell Yuu "authentic" Welsh cakes. Yuu: "Sam, those are just scones."

Heartslabyul

Riddle: Fascinated by the strict traditions of Welsh law. "Your people have so many interesting rules… but I still cannot allow you to argue with people via poetry!"

Ace: "Wait, wait—so you guys just sing at each other when you’re mad? That’s insane. I love it."

Deuce: Amazed by Yuu’s stories of Welsh warriors. "YOUR PEOPLE FOUGHT THE ENGLISH IN REVOLTS FOR CENTURIES?! THAT’S SO COOL!"

Trey: Learns about bara brith and Welsh cakes. Adds them to his baking list.

Cater: Tries to use Welsh slang. "Aye, Yuu! Proper tidy, yeah?" No one knows what he’s saying, not even Yuu.

Savanaclaw

Leona: Scoffs. "You lot fought off invaders with sheer stubbornness? Respect."

Ruggie: Loses his mind when he hears about Welsh rarebit. "So it's just fancy cheese on toast? Amazing."

Jack: "What do you mean you have a tradition where a skeleton horse demands to be let inside your house?!"

Octavinelle

Azul: Very interested in how Welsh mythology involves a lot of clever tricksters. "I believe I’d fit right in."

Jade: Mildly terrified but deeply intrigued by Mari Lwyd. "A skeletal horse that argues its way into homes? I must see this."

Floyd: "YOU HAVE A RED DRAGON ON YOUR FLAG?! THAT’S SO COOL!"

Scarabia

Kalim: Loves the idea of Welsh singing traditions. Immediately asks Yuu to teach him some songs.

Jamil: "So you tell fortunes using spoons? ...Interesting."

Pomefiore

Vil: Impressed that Welsh has some of the oldest poetic traditions. "True beauty is in language and art, I suppose."

Rook: Delighted by the poetic and lyrical aspects of Welsh storytelling. "Ah, the passion! The melody of your tongue is truly enchanting!"

Epel: Loses it when he learns Welsh warriors fought bare-chested. "THAT’S SO METAL!"

Ignihyde

Idia: Shocked that so many fantasy creatures come from Welsh mythology. "Wait… dragons, elves, cursed cauldrons?! You’re telling me your country is a fantasy RPG?!"

Ortho: "So your people hold singing battles? That’s amazing!"

Diasomnia

Malleus: Sees the Welsh flag. "…Your people honor dragons? You must introduce me to your ruler immediately."

Lilia: Knows way too much about Welsh folklore. "Ah, the battles I’ve seen in Cymru! Such fierce fighters!"

Silver: Likes how Wales respects its history and legends. "Your land seems peaceful. …Except for the part where you fight over poetry."

Sebek: Approves of Yuu’s respect for dragons. Immediately starts learning Welsh. "I SHALL MASTER THIS NOBLE LANGUAGE!"

RSA & Noble Bell

Neige: "Your country looks so magical! I’d love to visit!"

Chenya: Steals Yuu’s leek from St. David’s Day and runs off with it.

Rollo: Horrified when he hears about Welsh fire festivals. "YOU SET WHEAT ON FIRE FOR FUN?!"

More Welsh!Yuu Chaos

Names every NRC student the Welsh version of their name. No one understands.

Speaks entirely in Welsh when mad.

Randomly breaks into song when arguing.

Calls everyone "cariad" or "butt" depending on how much they like them.

Absolutely refuses to let anyone call Wales "English."

Welcoming Welsh!Yuu

First Impressions:

Mexican!Yuu: “You’re so proud of your country, I respect that. Also, I heard your cheese game is strong?” Brazilian!Yuu: “I feel like you either have incredible festival energy… or you’d rather be left alone. No in-between.” Aussie!Yuu: “Oi, you got deadly wildlife? Same here. You ever wrestle a sheep?” Sicilian!Yuu: “You have a deep, old culture that people overlook? We’re gonna be best friends.” Romanian!Yuu: “You have legends about dragons? Okay, you have to tell me.” Jamaican!Yuu: “You have a beautiful country and a complicated history? You get me.” Southern!Yuu: “You live in a place where people sing everything? That’s charming as hell.” Florida Man!Yuu: “Your government is technically a Senedd instead of a Parliament? That’s the kind of chaos I respect.” Czech!Yuu: “You have folklore that feels way too real? Yeah, you and I are gonna get along great.” Thai!Yuu: “You’re either chill or petty depending on how people treat your culture. I love that energy.” Vietnamese!Yuu: “You also have an alphabet that confuses outsiders? High five.” Pakistani!Yuu: “You believe in fighting to keep your culture alive. That’s admirable.” Egyptian!Yuu: “Wait, you have ancient ruins and a poetic language? That’s awesome.” French!Yuu: “Your people are stubbornly proud and refuse to let their language die? That’s something I can respect.” Québécois!Yuu: “You get the struggle of being overshadowed by a bigger country. We have much to discuss.” Greek!Yuu: “You tell stories that have been passed down for centuries? I need to hear them.” Irish!Yuu: “I swear we’re cousins. Are you sure we’re not related?” Scottish!Yuu: “You also have a history of fighting England? Respect.” Italian!Yuu: “Your singing tradition is no joke. You could probably out-perform all of us.” Aboriginal!Yuu: “Your culture has been around for thousands of years? That’s amazing.” Arab!Yuu: “You have so much history packed into a small place. That’s fascinating.” Philippine!Yuu: “You got a history of fighting for your language? I respect that.” Myanmar!Yuu: “So you’re quietly stubborn? I like that.” South Georgia!Yuu: “You mean to tell me you got sheep and castles? That’s a wild combination.” Singaporean!Yuu: “You somehow kept your culture alive despite being overshadowed? That’s powerful.”

How Welsh!Yuu Fits In:

Instantly bonds with Irish!Yuu and Scottish!Yuu over Celtic heritage, fighting against English stereotypes, and the importance of correct pronunciation.

Québécois!Yuu and French!Yuu feel their pain. "You fight for your language? So do we."

Mexican!Yuu and Brazilian!Yuu are fascinated by their music. “You mean to tell me your people just sing entire conversations?”

Jamaican!Yuu and Aboriginal!Yuu love their deep-rooted traditions. “Your culture is old and resilient. That’s awesome.”

Romanian!Yuu and Czech!Yuu trade folk stories. “Your monsters are what?!”

Egyptian!Yuu and Greek!Yuu appreciate their ancient poetry. “You mean your old texts are lyrical? That’s so dramatic. I love it.”

Pakistani!Yuu, Philippine!Yuu, and Arab!Yuu respect their dedication to their language. “People tried to erase your culture, and you refused? That’s real strength.”

Aussie!Yuu & Florida Man!Yuu vs. Welsh!Yuu

Unlike most newcomers, Welsh!Yuu doesn’t immediately get bombarded with attempts to unleash their chaos.

Aussie!Yuu recognizes something in them. “Mate, you’ve already got that quiet kind of unhinged energy. I don’t even need to do anything.”

Florida Man!Yuu is intrigued. “You come from a country where people have petty levels of national pride. I must see how far that goes.”

Instead of trying to push Welsh!Yuu into chaos, they take a different approach—testing their pettiness.

Florida Man!Yuu purposely mispronounces every Welsh word. They get a 20-minute lecture on phonetics in return.

Aussie!Yuu makes a bet: “Bet you can’t talk your way out of trouble using just singing.” Welsh!Yuu proceeds to do exactly that.

Eventually, Aussie!Yuu and Florida Man!Yuu realize—Welsh!Yuu is the most passive-aggressively chaotic person in the group. No need to corrupt them.

Final Verdict:

Knows their country is small but acts like it’s the most important place on earth.

Can and will give a full linguistic breakdown if someone dares call Welsh a “dying language.”

Has a beautiful singing voice but refuses to admit it.

One of the most stubborn Yuus. Will argue for hours if necessary.

Aussie!Yuu and Florida Man!Yuu respect them too much to corrupt them. They just sit back and enjoy the passive-aggressive chaos unfold.

Will absolutely fight someone over their culture. Someone insults Wales? They’re done for.

[ateez-himari]

SUNGYO; TRACKLIST

EXTENDED PLAY; SUNGYO

The romanization of the word '숭교' which signifies profound acts of respect or devotion, usually towards deities or revered figures, and translates to 'worship' but can also be interpreted as 'to bow down'.

Ambush ; 'They are backstabbers of rightness'

The track uses storytelling perspectives in order to paint its message; the figures encircling the vocalist are described as cowards, using underhanded tactics in order to entrap their isolated prey - which does not seem to deter the prey's ability to tear them down one after the other. In truth the entire narrative illustrates the way in which chairman Bang has chosen to address the theft accusations, by holding numerous press conferences in her absence attempting to clear his name whilst tainting her own - though the facts remain the same and one singular piece of evidence could shatter the innocent image he has been claiming for the past month. Mandarin Chinese was used in order to reflect the fact that people from western countries who look down on this type of music will refer to idols as 'Chinese' instead of using their nationalities in order to diminish their identities as well as careers, but by using this language the producer is demonstrating that her impact remains the same no matter what label is shown.

Ddaeng (TITLE) ; 'I hope you die in that well...I'll pray earnestly'

Venom was well masked under elaborate verses to subtly speak on the group's success all the while mocking rather prominent figures that have made claims regarding her assured failure, upholding sarcastic undertones throughout the track. There is heavy wordplay involving the word 'ddaeng' yet it is not solely to demonstrate the reason behind the title of lyrical genius, rather it is to play mind games with the targets of these lyrics, taunting their limited intelligence. The final verse is rapped calmly to show that insults do not have to be spoken aggressively in order to truly stab into someone's soul, that the words simply need to be sharp enough to cut away to their very core, and by stuttering she is not only imitating those attempting to save face nowadays after scorning her but also showing that she is unable to get the words out as she cannot stop herself from laughing at the circumstances.

Xie Xie ; 'It'll bite the fat bellies of the money thieving bastards'

The verses claw away at the thinnest layers of the chairman's schemes along with anyone else that have tried tearing down the group, lacing in threats of exposure along with the assurance that their empire could very well fall apart at the mercy of her lyrics. Repeating the same phrase holds two meanings; mocking some rappers that have attempted to belittle the vocalist the moment she stepped into the rap scene - as they often say the same things throughout their own tracks - and referencing the leaked internal documents in which employees were mocking her hearing disability as well as scars, questioning if she could even be an idol.

Interlude - Gluttony ; 'This infamous Taotie'

In ancient Chinese mythology there were creatures depicted with large gaping mouths known as 'Taotie', with the word translating to 'glutton', which would usually be found on bronze artifacts to warn about gluttony. The lyrics in this short track not only convey the story of this beast but also compare it to the man meant to be on the other end of this smoking gun, speaking on human gluttony and their inability to halt their destruction even once satiated.

No Name ; 'It's a shame to say anything more, pathetic'

The sharpened words attack those hiding behind keyboards whilst heavily implying that those same lyrics apply to those involved in speaking on the vocalist's name in the leaked internal documents, noting that their lives must be rather uneventful. It also serves to taunt whoever believes they could stand up to her, though warning them that their pride may very well be at risk as despite having a notably calm soul there would be no hesitation if it came down to tearing them to shreds with those pretty manicured claws.

Monster ; 'Don’t worry, I’m living fucking well'

Through these lyrics she is exposing the amount of pain that went into mastering the skills that people now praise as talent, openly insulting and ripping to pieces the people that have done nothing aside from mock her, crushing them under her foot with nothing but words. The entire idea of presenting the artist under the title 'monster' despite being described as an angel was not meant to portray something evil as the word so often represents but rather to express the almost inhumane ability to surpass every obstacle faced throughout her career and stand up with such force. In the chorus, saying 'M to the N, I'm a motherfuckin' monster' uses her last name, as the missing letter is heard right after the N when refering to herself, referencing the fact that Yoongi is also well known for creating outspoken tracks - through this she is effectively stating that being so brazen runs in their blood (which is why his voice can be heard backing up those lyrics).

[dasketcherz]

the tomb raider post kinda got me thinking!! what if, as a sort of prologue to vat7k, varian and raps went on an exploration of corona's depths together, yknow just for old times sake!! 🤭 (i kinda imagine this to be a multi-episode ordeal mhm yep 🙂‍↕️)

and thats where they would end up discovering the light trial and/or the deactivated portal to the enternal library?? :0 (if it is the light trial, i like the idea of varian and raps potentially competing it together) they would likely ask xavier if he has any knowledge of this (spolier alert: he does lol)

its this lil adventure with raps that would kickstart varian's journey across the seven kingdoms :)

ohhh!! this is actually a really cool idea!! :0 like how the curiosity started from corona and ends in corona, i fw that a lot!! gotta love a full-circle moment in storytelling <3 like OKAY OKAY YOU GOT MY GEARS TURNING SO!!! HERE WE GO, HERES MY THOUGHTS!

altho, as much as i love the notion of freckled siblings figurine out the light trial together (it's a cute thought for sure), i think varian already solving one of the trials at the very beginning before his journey even starts (or even finding out that his mom was a scientist) kinda kills the momentum of building and hyping up the mystery surrounding what they just found in the depths of corona was (the portal) imo?

(Like I imagine Demanitus must have designed some of the trials in a way that you cant proceed to the next one without the previous totem(s) in hand, like the totems itself becomes an inclusive puzzle piece to solve the other trials and that according to ulla's research the first trial is the fire trial, not the light trial—i think this would elevate how crucial it is to follow the trials step by step to even get to the library)

So instead, I'd personally go for a scene akin to Raps and Varian perhaps needing to clear the underground tunnels of corona for business related reason. Like they initially went down there to re-purpose the tunnels for smth useful again (like this could be the perfect fill-in-the-gaps on how they extended the hot running water system that was located under old corona all the way to the capital to put more context to new dream's voice over in the finale of the show mentioning how corona altogether became the first to have hot running water in the 7 kingdoms) and they just decided to have fun and treat it like an adventure while on the job as queen and royal engineer cuz they are sillies like that.

And amidst of just having fun, thats how they accidentally stumble across an area that, to their surprise, was not familiar to both of them. And Varian can say "Huh...I've retraced our steps around this tunnels before (when he came back down there to fetch the automaton and replicate it during his villain arc behind the scenes, cuz I love subtle callbacks thats naturally brought up in a scene) but I've never come across this area. I didn't even know there was another passage down here."

And it could have totally shared heavy similarities to the structure of the passage beneath the vault from s1

Except it looked far more aged with time than the one from the show and thats how the two figured this is different from the one below the vault.

And has a similar center piece that resembles the one from the show

except it's much wider and bigger with an unassuming decrepit arch (that looked withered out or unfinished/destroyed to freckled sibling's opinion) at the middle surrounded by pillars (thats meant for the gang to place the totems that will power the portal back on after they retrieve all seven of it) Something like this:

And there are letters (similar alphabet from the demanitus scroll) carved in the arch. Knowing this dead ancient language by memory, Varian tries to read what it says and its a cryptic passage that def reads like smth you'd find in a mythology to freckled siblings. Hence them going to Xavier askin about it later on if it rings any bells to him, to which indeed he recognize the passage and tells them it's talking about the legend of the eternal library—but Xavier claims that the legend itself is very vague about how to even get there, the only clear instruction was retrieving the totems.

Plus I like to think Varian needs the blueprint for this portal just like he did in s3 to figure what specific parts he needs to assemble it back into functioning condition because this is Demanitus we're talking about, that man is paranoid af (pretty valid considering the kind of shit he's tampered with during his lifetime) and leave everything he knows in form of riddles and cryptic messages.

And the only other copy in existence of said blueprint—is in Ulla's journal and she had it laid out in the very last spread pages of her book. And that's the moment it finally clicks to Varian what the answer to "where's the entrance and how to find it" question is, "Hold on... I've seen this arch. Wait...oh, OH—OF COURSE! OH IT ALL MAKES SENSE NOW—guys guys!! I know where the portal to the library is!!"

and boom, thats how it comes full circle in my head. thank you for coming to my ted talk (bows)

[the-most-humble-blog]

🛐 WHY GOLLUM WAS A STARVING WORDSMITH WITH UNTREATED RING ADDICTION PROBLEMS

Let’s get one thing straight:

Gollum wasn’t just a little wet goblin tweaking under a mountain.

✅ Gollum was a full-blown starving artist. ✅ Gollum was a tortured poet drowning in untreated addiction. ✅ Gollum was dropping lyrical bars so raw they could sandpaper your soul — off the fucking dome.

And no one — NO ONE — wants to admit it.

🧠 GOLLUM: THE UNWANTED LOVECHILD OF EMINEM AND CRACKHEAD CHIC

Gollum wasn’t rambling. He wasn’t muttering.

He was freestyling psychological horror ballads nonstop.

Every time he opened his mouth?

Flawless cadence.

Internal rhyme schemes.

Biblical-level emotional self-mutilation.

Survivalist cadence designed to hypnotize, confuse, and cripple the mind of anyone listening.

The man wasn’t "sick." The man was spitting verses harder than your favorite SoundCloud rapper on their best day.

And the sad truth?

Nobody gave him his flowers.

Because his stage was a mossy rock next to an underground fish pond. And his fanbase was three blind cave salamanders who didn’t even have ears.

🩸 THE UNTREATED RING ADDICTION WAS REAL

You think junkies mumble?

No.

Gollum was exhibiting the classic hallmarks of advanced obsession-based psychosis:

✅ Talking in second person to his addiction ✅ Bargaining with himself like a hostage negotiator ✅ Rationalizing evil with limerick-level smoothness ✅ Gaslighting his own goddamn neural pathways

The Ring wasn’t just "his precious."

It was his career-ending record deal with Satan.

It gave him the high once. And then left him to chase the dragon for 500 years in a leaky cave, mumbling sick 16-bar verses to the stalactites.

🛡️ BILBO: THE HOBBIT VERSION OF EMINEM

Now, it takes a certain kind of beast to stumble a starving wordsmith running on pure trauma fumes.

And Bilbo did it.

✅ Not with a sword. ✅ Not with strength.

With cadence.

Bilbo Baggins — this barefoot, second-breakfast-eating munchkin — out-freestyled a cave goblin battle rapper on home turf.

The Riddle Game wasn't cute.

It was an underground battle of psychological warfare through language. It was blood sport for linguists.

And Bilbo — the hobbit equivalent of Eminem stepping into an underground rap battle in 1995 Detroit — made Gollum stumble.

Made him panic.

Made him cheat.

Because for once in his miserable, dark-slick existence, Gollum couldn't keep up.

🧠 TL;DR

Gollum was a crackhead Shakespeare with no editor.

The Ring was his abusive label.

He dropped demonic verses with perfect cadence for centuries without witnesses.

Bilbo walked into his arena and broke his winning streak like a barefoot Slim Shady on a mission.

💣 CALL TO ACTION:

🔁 Reblog if you know Gollum deserved a Grammy in the "Cave Rap / Post-Apocalyptic Regretcore" category. 🛡️ Save this post to remember that untreated trauma sometimes creates the greatest poets we never clap for. ⚡ Send it to the friend still trying to pretend "bars" just means TikTok trends. 🔥 Bookmark it for the day you realize trauma and addiction have a language more powerful than a thousand polished speeches.

Or simply 🔁Reblog to keep my signal to mankind going strong.

⚖️ LEGAL DISCLAIMER: This post is Blacksite Literature™, cadence war poetry, psycholinguistic survival analysis, and mythological character defense protected under the Bloodwritten Covenant of the Last Storytellers.

If you’re offended: Go rap battle yourself in the mirror until you can face the truth.

🛡️ BLACKSITE POST: COMPLETE. 🩸 FULL TIMELINE INFILTRATION READY.

[fetichesonoro]

Fetiche Sonoro’s Best Albums of 2024

Hey people! Nowadays music albums are an underappreciated art form and we believe that an album is like a photograph of the current creative stage of an artist or band so we are very excited to tell you that these are the five best ones of this year.

Por Cesárea by Dillom

This work serves as a raw and ironic exploration of our most intrusive thoughts. Dylan León Masa, a 23-year-old artist originally from Argentina, has already made his mark across genres like trap, punk, and rap. He is rapidly emerging as one of the most promising talents in Latin American music, and this album has the potential to be the standout concept album of the year. It defies classification, seamlessly blending elements of neo-soul, alternative rock, garage rock, and experimental trap.

Sentir Que No Sabes by Mabe Fratti

Mabe Fratti's rapidly expanding discography welcomes a surprising and approachable addition that stays true to her avant-garde roots. Rich in melody, full of unexpected twists, and undeniably captivating, this work shines. Amid the darkness and melancholy of her cinematic soundscapes, the Guatemalan experimentalist finds a perfectly groovy balance.

Las Letras Ya No Importan by Residente

On Las letras ya no importan, Residente demonstrates that music’s true power lies in its ability to inspire and provoke thought. This album, which feels like a culmination of his legacy, brings together remarkable singles like René and This is Not America, preserving them under one roof. The Puerto Rican artist also showcases his evolution, moving past the era of rap battles and trivial personal feuds to embrace the boundless nature of art, transcending any rigid definition.

Gemelo by Angélica García

This dynamic and multifaceted hybrid-pop record takes listeners on a vivid journey through the many stages and expressions of grief. Angélica Garcia's latest album, a masterful creation from the songwriter and pop visionary, draws its name from the concept of the twin self, the intuitive, inner counterpart within each of us.

Sangre Sucia by Ángeles Toledano

The Andalusian artist makes a striking debut with Sangre Sucia, a powerful album that delves into themes of covens and menstrual blood, celebrating the raw and "impure" facets of life. It pays homage to the blood that marks the journeys of women and even nods to Hermione Granger—dubbed "dirty" as a Muggle-born—creating a fusion of flamenco, alt-pop, and Harry Potter-inspired storytelling. Rooted in tradition, the album incorporates modern language and aesthetics, blending electronic elements with influences from various genres.

[mrsfezziwig]

Confessions of a K-pop Fanfic Reader (part one)

So you are right there, you've heard the first few chords, vocals, rap and beat of a song and after capturing it with Shazam, you read the name of the song except... you can't.... because it's in Hangul; that's K-pop right? And disbelief with disappointment burrows and worms into your psyche. You only listen to English language music as there's no point in hearing something you don't understand, if you wanted something that had lyrics you didn't understand you'd listen to Gregorian chant songs. Still, you feel the need to find the rest of the track but something inside you lurches because K-pop is innocent, childish, nothing but ridiculous Crayon Pop bright colours and T-ARA's "bo-peep, bo-peep, bo-peep, bo..." or the unexpectedly self aware and satirical Gangnam Style (although you haven't necessarily read the translated lyrics yet).

You can't possibly be considering taking the 'genre' seriously? But, those infectious few English lines are stuck in your damn brain and you can't stand the not knowing anymore, so you sneak away to the toilet or claim to be doing some extra work so your discomfort at the possibility of someone seeing and mocking you for it is minimised as much as you can. Hell, you watch porn more openly than this but you still open the Shazam you made a few days or weeks before, knowing you are one click or finger tap away from being completely ridiculed by your friends or family or both for being even willing to consider taking actual time out of your life for K-pop.... But with a deep breath you plunge in, probably with a Stray Kids, BTS or Ateez song and suddenly you are breathless because although you don't understand everything being said, you are completely blown away at the MV quality, which is better than some Western movies in terms of storytelling and editing. Unbeknownst to you the artworks that this small Asian country creates come ready made with the captions in English, plus a few other languages yet it's probably for the best you don't know that because the simple quality of the video takes your breath away.

Wait up though... these people can't possibly be human! How do they all look so fucking good? And how old are they? They look like fresh-faced mid-teens only they can all sing and dance? Oh, but HOLY SHIT CAN THEY RAP-RAP! [Looking at you Rapracha]. It is just impossible that these humans not only exist but most of them dance hardcore choreo whilst singing live too. Nah, nah, nah... it's all bullshit. AI is so fucking good now that these people aren't real.

That's pretty much how discovering K-pop didn't happen for me, an adult old enough to have student debt until I die, who will never own a home because fuck you baby boomers, and finds children to be more like crotch goblins designed to test every last one of the few nerves in my battered self that aren't fucked up by my Ehlers-Danlos Syndrome.

My introduction was truly bizarre; I was married for 20 years - before my husband decided my disability meant he had free reign to fuck anyone who wanted him as I couldn't do it anymore - and my now ex-husband's co-worker had a daughter who wrote fanfics. Now, I was horribly, horribly naïve and rather dumb when I agreed to be a reader, editor and kind of coach for this girl. Not once in my entire life had 'fan fiction' come up in my bubble, I went into the whole endeavour genuinely believing that Seokjin, Yoongi, Hoseok, Namjoon, Jimin, Taehyung and Jungkook were Wattpad characters, not real people.

I thought they were like how Reddit has it's 'marriage counselling' and 'divorce' thing that everyone knows is said on that social media platform, or that Facebook has it's passive aggressive posts bitching about something, the baby daddy/mama drama fueled by said posts, the vague sympathy grabbing status updates and fake news, or X's hate trains. Having never heard of BTS (and by having done no googling beforehand) I went into it as if these weren't real people. To say the writing was atrocious from this teen was an understatement, and I was honest about it, figuring you don't ask someone for feedback if you don't want criticism. If all you wanted was read counts, votes and comments, I could have done that multiple times a day to boost you, which it turns out was pretty much exactly what she was really wanting.

Soon though, I was reading other books from the ones recommended at the end of my current read and it staggered me just how fucking good these books were. Some of them desperately deserve to be published in the conventional way with their highly detailed and provoking writing that I still return to time and time again. However, one glaring detail eventually stood out to me as I lay in a hospital bed with IV antibiotics in one arm and opioid IV in the other, having very, very little of importance to ponder, and one thing that stood out all of a sudden, and I couldn't avoid anymore, was how no one described the characters in terms of look and age; it was as if the writer assumed everyone reading knew what they looked like already...

Now my fucking dumbass was still thinking these were 'Wattpad characters', thus there would be a master document on the app with these details, right? Please bear in mind it had been a year or more that I had been living in the misconception fog thinking these weren't real people at that point, so a master list of characters to choose from simply made sense to me.

Yep, I am kind of stupid for assuming, and yep, I trawled the Wattpad help pages for far too many hours looking for this document or link to one, which admittedly gave me something to focus on as the cocktail of pharmaceuticals made me feel nauseous and also rather high. Am I just too trusting and gullible or can anyone else see my flawed logic here?

As it began to niggle more, seeing the references to South Korea (with the incredibly amusing American way of behaving ascribed to the country that was worlds different to the USA), with Seoul, Busan and Daegu all mentioned my singular lonely brain cell bounced around my skull sparking something off in there. That's when it dawned on me this could be a kpop thing and I finally googled the most common name from the stories, Jungkook, and felt like a bucket of ice water was tipped over my head as I realised that these people were real. Yeah, yikes 😬💀

It distressed me that I had been so blasé as to read these pieces without questioning the similarities. I was even considering becoming a co-writer for the first girl until that moment. Some of this can be explained by my condition during 2018 to 2019, with multiple hospital admissions due to infections or injuries from the Ehler-Danlos Syndrome. One of the infections almost killed me because it was missed for too long and had moved into early stage sepsis. There was no way I could focus on my normal book fare of Charles Dickens and thick, detailed history books and, being truly, truly frank, Wattpad saved my fucking sanity over those two daunting and harrowing years, never demanding more than my mind could handle with all the drugs being pushed into my system.

Plus there were hundreds of thousands of stories to pick from that weren't even Fanfic, about real people or other author's characters. Although I was careful as I was passionately determined to avoid anything that I would consider debauched and invasive, the mature content option was firmly turned off, and the first sign of smut had me gone! A few kisses or implied sexual conduct squeezed through but not full smut. Hello repressed religious trauma!. The amount of stories that were not flagged as Mature Content pissed me off then and pisses me off still.

Once the shock of finding out the truth was easing a little, I decided I needed to actually watch some BTS music videos to try and understand the craziness of it all. What I never expected was just how deep the songs were and are, nor how intellectual the entire industry is because who the fuck else is making music videos based around novels like Demian in the West?

I didn't realise in addition that not only Korean would sneak its way into my brain but that the whole idol industry is interwoven with its own language. This answered many questions I had about the common jargon such as comeback, lore, promotions, era, main, lead, sub, bias, bias wrecker/s, OT#, Big4, ult, PC (photo card), fan meets, Naver, Weverse, V-Live (rip to the GOAT), Chan's Room [*sniff* Baby, you aren't in any trouble, okay? Please just come home, we all miss you and love you, please, please come back!], 1/2/3/4th Gen, and more my messed up brain can't recall so late at night and after the various narcotics that I take to function.

And those narcotics are saying no more today!

So I shall see you in part two!

[bysumex]

Baboflow feat Dukus – Campeones

👉 https://bysumex.com/baboflow-feat-dukus-campeones-music-video/

The vibrant and high-energy music video “Campeones” marks a powerful collaboration between BaboFlow and Dukus, two dynamic artists who are pushing the boundaries of genre, geography, and sound. Set against a backdrop of compelling visuals and an infectious beat, the track is more than just a celebration—it's a powerful statement of resilience, identity, and artistic evolution.

BaboFlow, a Cuban musician, artist, and composer currently based in England, continues to carve out a unique path in the global music industry. With roots firmly planted in Cuban urban music, BaboFlow brings a deep understanding of rhythm, culture, and expression to his work. However, what sets him apart is his fearless innovation—constantly blending elements from reggaetón, hip-hop, dancehall, Latin pop, and UK urban sounds to create a musical language all his own.

“Campeones” (Spanish for Champions) is a perfect embodiment of BaboFlow’s creative mission. The track bursts with pride and positivity, reflecting the experiences of an artist who has navigated different cultural worlds while staying true to his origins. The lyrics, delivered with passion and conviction, tell a story of triumph over adversity, of staying grounded while reaching for global heights.

Joining him on this track is Dukus, a remarkable producer and singer whose influence can be felt throughout the production. Known for his smooth vocals and razor-sharp studio instincts, Dukus brings an essential sonic balance to the song—his melodic sensibility and refined musicality complement BaboFlow’s raw energy and lyrical intensity. Their chemistry is unmistakable, resulting in a track that feels as seamless as it is powerful.

The music video enhances the message of the song through bold visual storytelling. Shot with a cinematic eye, it features scenes that celebrate cultural pride, unity, and personal strength. Whether it's urban landscapes, powerful group shots, or dynamic performance cuts, every frame is designed to uplift and inspire.

“Campeones” stands as a testament to what happens when cultures collide in the best possible way. It’s a celebration of Cuban resilience, the UK’s cutting-edge music scene, and the limitless possibilities of collaboration. For BaboFlow, it marks yet another milestone in a career defined by constant evolution and artistic fearlessness. For Dukus, it’s a showcase of his multifaceted talent and ability to enhance and elevate any project he touches.

Together, BaboFlow and Dukus deliver more than a song—they offer a movement, a sound, and a vision of what global music can be when fueled by authenticity, passion, and creative freedom.

#musicvideo #filmmakers #london #bysumex #rap

[thepodcasthoard]

Modern Day Radioplays: Writing a Fiction Podcast - video

This is a video from WriteHive and it's all about how various creators write their own audio dramas and why and how they started.

The panelists are York Campbell, Julie Hoverson, K.A. Statz, Jordan Cobb, Sarah Rhea Werner, and Leslie Gideon, all of whom write or otherwise produce audio dramas.

York Campbell is the writer and host of Poetic Earthlings, which is an original science fiction anthology. Unfortunately, I don't know if this link I found is the right show, but I'll put it here anyway.

Jule Hoverson is the writer/producer of 19 Nocturne Boulevard, an anthology with stories in the supernatural, speculative, and strange.

K.A. Statz is part of Fool and Scholar Productions, an indie audio drama production company.

Jordan Cobb is an actress/writer and the founder of No Such Thing Productions, another indie production company.

Leslie Gideon is a writer and voice actor and created her own audio drama called The Path Down.

Sarah Rhea Werner is a writer and voice actor and creator of Write Now and Girl in Space. She's also the executive producer of Omen, her partner Tim Krause's show.

Patchree Jones- the host of the panel- first question is: How did you get into this line of work?

Jordan first started with listening to audiobooks. She studied acting in New York University and realized that a script she had written for a class would work with a few of her acting friends. After that first show- Here be Dragons- she fell in love with the audio drama production process.

K.A. Statz started because both she and her partner Travis are very creative and are storytellers. This was a hobby they wanted to share, and they discovered that she was good in the writing aspect and Travis was good at production so they played to their strengths.

Sarah started with her nonfiction podcast, Write Now, and tried writing fictional stories to be read out loud.

Leslie listened to Welcome to Night Vale and fell in love with the rabbit hole entrance it was. She saw the potential for stories that weren't as represented in other mediums and explored that.

York started by listening to AM radio stories and when he mentioned to his wife he wanted to start a podcast but wasn't sure of the topic, she suggested that he read some of his fictional stories.

Julie studied screenwriting and was in an old-time radio club. She's an actor who was invited by a friend to audition with her for a podcast. After auditioning and recording with the cast, she used those scripts she had already written to start making fictional podcasts of her own.

Question 2: What are the elements of a fiction podcast that make it different from writing a novel or short story?

Leslie points out that there's no atmospheric or worldbuilding writing- it's all dialog and sound. Because of this, she says, it's incredibly more intimate and character-focused.

Sarah separates the story into: dialog, sound effects, music in the background. But the dialog is the main part, the other two highlight that aspect.

K.A. says that you can't really explore characters by action, but what and how they speak. Language is a huge part of identity and writing for dialog is keeping the art of oral history alive.

York used to write and perform rap so he was more focused on the music and how to play with that aspect.

Julie used her TTRPG background and creating memorable characters as the game master and how to separate those characters just using dialog. Audio drama is (generally) in media res, right in the middle of the story. It doesn't have the slight disconnect of reading words and having it be in past tense.

Jordan says that you're living in the story with the characters. Writing scripts for audio fiction feels more "immediate and lived-in." Her screenwriting background tends to creep in as far as worldbuilding because you're guiding people through your world from their own life and whatever they're doing at the same time as they're listening to the podcast. She says she wants to have the listener "suspend themselves" in the world she creates.

Question 3: Do you feel that certain genres lend themselves more towards this medium more than others?

K.A. says that this medium is open to any kind of story. There are genres that are more difficult- she points out action as an example- but it's doable. It just requires more thought about how to depict it. And with more people coming into the medium, there's eventually going to be someone who brings a new technique in that will prove her wrong and she's looking forward to it. She also says that horror works very well- people tend to create more terrifying things in their mind than K.A. ever could on her own because of K.A.'s work.

Julie says that anything that's ruined by a visual, or a visual that wouldn't live up to the story. She agrees with K.A. and says that horror is good for audio, and action is difficult.

Jordan agrees about horror and adds comedy as a good genre. She compares it to standup comedy because the listener pictures the scenarios in their mind. Also, science fiction and fantasy because to produce it via say, a movie, it would be exorbitantly expensive. Whatever genre you choose, you're taking the audience with you on the journey. A little hand-holding is expected, but as long as you're willing to do that well, it's a journey they'll willingly take.

Sarah offers encouragement to any future creator, no matter what story or genre they're interested in- there's room for everyone in the medium.

York says that in his science fiction anthology, he sometimes goes off-track. And even when he does do that, he says that there's "a golden thread that ties everything together" because it's all told through sound.

Julie says that engaging characters are the key to each genre. If the writing, acting, and characters and their predicaments are good, they will draw the audience in.

Leslie says that any genre that focuses on characters or a certain atmosphere works well in audio dramas. Horror, especially psychological horror, works well. But so does romance because it's characters talking to each other and getting closer.

Question 4: What do you love about writing podcasts?

Julie says that she can do whatever she wants and can be any character she wants with no need for things like makeup or other visual cues.

Sarah says she can connect more to her listeners than she can from purely writing.

Jordan says the audio fiction is the closest way she can get to living in the worlds and have the experiences the characters she creates do.

York says "empathy saves the species." When he creates characters that have experiences he never will, he builds empathy with people who might have those experiences in the real world. He can show more compassion.

K.A. says the effect that her story has on listeners is amazing. There's also an amount of self-reflection that comes with writing, and it's personal without being invasive.

Leslie discovered a freedom in this medium that doesn't quite exist elsewhere.

Question 5: What are the challenges you've faced when writing fiction podcasts?

Leslie says that because of the nature of audio- namely that dialog is king- it's more difficult to create well-rounded characters that aren't what she calls "exposition machines." The world is shown through not only one character speaking, but how that character speaks to other characters.

York says that even though he enjoys the act of writing, it's grueling and takes a while for him. When he can't find "the heart" of the story, AKA the "core element," he doesn't record it. He has to find the human connection.

Jordan says that actually writing- the butt-in-chair method- is the most difficult part. And she also has trouble putting the exact mental image she has into language that other people experience. Getting onto the same page proves difficult at times.

Julie says finishing things is hard. Starting is easy, but finishing is harder. She also wishes she had a dedicated editor because she prefers writing and acting.

K.A. also has problems finishing projects. She's grateful to her partner Travis for sound direction and certain production duties so she can focus on other things. She also points out that a lot of work has to go into building an audience, and she wishes someone could do the promotion.

Sarah says that it's difficult to not burn out when you're making a project. Working around your life can be hard, but when you are burning out, it's sometimes difficult to step back even when it's necessary. Also, she points out that the finished product is not what it takes to make it- a thirty minute episode takes hundreds of hours to make.

Question 6: How do you best promote your podcast?

Jordan cross-promotes with other shows. She has snippets and trailers of hers on other shows, and shouts out other projects from other people when she's enjoying something. Most people listen to multiple podcasts, so you can get people to network and more ears on your work.

Sarah comes from a marketing background. She says creative people often think that marketing is antithetical to what their work is, but she thinks they should learn about marketing if they can. The more you learn, the more effective you are at it.

York says that there is such a thing as creative marketing, that you can bridge that gap. He particularly mentions just for social media episodes and giving an episode for those who don't want to go to another platform to listen to more yet. He also shouts out other shows and projects. Guesting on other projects is helpful, too.

K.A. says doing things adjacent to the podcast is good- she and her partner did Twitch streams about sound design. Also, building a community and having them spread the word for you is a plus.

Leslie says that because the medium is relatively new, the community is very social media focused. It's the best way to get the word out.

Julie points out the fact that even with cross-promotion, the word more or less gets passed around the closed room of audio drama fans, not so much spread further. But marketing, she admits, is very daunting especially when you're wearing so many hats already. But she says to find reality-based podcasts, not just fictional ones, and make connections there. So if you have a horror fiction podcast, reach out to horror movie review podcasts.

Question 7: Do you use sound effects and how do you incorporate them? Do you make them yourself or where do you find them?

K.A. writes them into the scripts at specific points. Her partner, Travis, either finds or makes them himself. While you don't necessarily need sound effects, they are an anchoring point and connection to the real world. You know what a car door sounds like when it's slammed shut and the probably emotion behind it. You can envision the situation.

York didn't at first, but added music and the sound effects later. Don't have them for the sake of them, use them to deepen the listener's understanding of the characters/world.

Julie uses the sound effects to serve the story. She uses the same sound effects- a door opening, for example- over and over. She plays with the sounds and layering them until she liked the result- she likens it to collage.

Jordan doesn't sound design her own projects, but she writes sound effects not just for ambiance but as part of the story. She also says to play with silence as a 'sound effect.'

Leslie thinks it's vital to create a soundscape when creating an audio drama because it adds to worldbuilding.

Sarah does her own sound design and editing and says freesound.org is a great resource.

Question 8: Do you plan the whole season in advance or do you go episode by episode?

Leslie plans out seasons first to make sure the narrative flows well. It also makes production and post production run more smoothly for her.

K.A. plans everything in advance because she "can't abide chaos".

York writes everything, including show notes, in advance.

Jordan plots the season first, then writes episodes in more detail to give herself room to breathe. But everything is done before recording.

Sarah is a self-professed "chaos monster" and has difficulty planning everything, so she writes episode by episode because it works better for her.

Julie writes episodes in her anthology about five or six in a batch, then looks for sound effects, music, and cast members as she works.

Question 9 (final question): What is your advice for future podcasters?

York believes in finding a story you can immerse yourself in, something that has a core of truth and real experience. A story that you're motivated and stoked to write.

K.A. recommends not standing in your own way and try little things at first, just to try and prove to yourself you can do it.

Sarah suggests that you find a friend and support system in the community to not get stuck in your head.

Julie seconds the finding someone in the community, along with finding shows that you enjoy and following them closely. Also, she suggests to write and just write, don't spend forever editing a sentence at a time. Keep moving forward.

Leslie says to listen to as many shows that you can. The best way to learn is to listen to the things people do well.

Jordan says to not let anyone steal your joy. You will start from 0, get one-star reviews, and have people say intentionally cruel and unprompted things about what you've poured everything into. She also says to never read reviews.

I only touched on their answers, I highly recommend watching it in its entirety. It's just over an hour and twenty-six minutes and it's truly jam-packed with information and it's really entertaining.

[phnx-triphop]

PHNX Announces Official Radio Release of Lose Myself on World Poetry Day – A Lyrical Odyssey of Self-Discovery

In celebration of World Poetry Day, 21 March, international trip-hop duo PHNX officially releases Lose Myself to radio stations worldwide, completing a deeply personal trilogy of transformation and healing.

Rap as Poetry – A Tradition of Storytelling and Reflection

Recognizing rap as a modern evolution of poetry, PHNX releases Lose Myself on World Poetry Day to honor the profound lyrical artistry behind hip-hop. AERIK KYLO, the poetic voice of PHNX, reflects on the power of words:

“Great rap lyrics are food for the mind and soul. As a teenager, I realized music wasn’t just about beats and melodies but about words with meaning—intelligent, poetic, and transformative. My greatest influences, from Q-Tip’s positivity to GZA’s wisdom, shaped how I write today. Rap is street poetry, and poetry has always been the language of transformation.”

This deep connection to poetry runs in his blood—AERIK KYLO is a direct descendant of the 17th-century German poet Johann Rist. However, while his ancestor’s poetry was religious, AERIK KYLO’s work is spiritual yet secular, using words to explore healing, self-discovery, and personal evolution. His lyrical style also draws from Norse skaldic poetry, an ancient Viking tradition where poetry was considered a divine gift from Odin, the god of wisdom, poetry, and storytelling.

AERIK KYLO’s Viking heritage is deeply rooted in his artistic identity. His given name is that of Viking kings. However, his parents originally planned to name him after Snorre Sturlasson, the greatest Viking poet. He chose to take on AERIK KYLO as his artist name, reflecting his artistic and spiritual journey. For KYLO, poetry was the highest art form in Norse culture, and the role of Odin as the god of poetry serves as a powerful inspiration in his work.

The Final Chapter: A Trilogy of Healing

Lose Myself is the resolution of PHNX’s previous releases, which chronicle a journey of mental health and transformation:

Save Me – The haunting debut single featuring Aarti Venkat, capturing the raw struggle of depression.

The Shadow (EP) – A three-track exploration of shadow work, confronting unresolved trauma, and integrating the darker aspects of the self.

Lose Myself – The conclusion, embracing self-acceptance, healing, and transformation.

Built around an atmospheric piano loop and lo-fi beats, Lose Myself blends melancholic and uplifting elements, crafting a hypnotic trip-hop meditation on self-discovery. The song’s lyrics embody a powerful mantra of personal growth:

“I had to lose myself to find myself, And find myself to love myself, And love myself to heal myself— I had to lose my way to find my strength.”

Cover Art: A Visual Representation of Poetry and Transformation

The Lose Myself cover art reflects the song’s deeply introspective nature. It captures AERIK KYLO in the act of writing in his poetry book, the very place where lyrics take shape before they transform into music. Scattered around him is a crystal grid, symbolizing energy alignment, clarity, and intention—echoing the personal and spiritual journey embedded in his words. The warm candlelight and atmospheric shadows create an intimate setting, reinforcing the raw, meditative essence of the track.

A Cinematic Music Video in the Arctic

Accompanying the release is a breathtaking music video, filmed in the remote wilderness of Lofoten, Norway. AERIK KYLO performs atop a mountain, overlooking the vast Norwegian Sea—a striking symbol of expansiveness and self-discovery. Interwoven with these scenes are shots of KYLO journeying through untouched Arctic landscapes, mirroring the song’s introspective themes.

A Cross-Continental Collaboration of Sound and Soul

The creation of Lose Myself spanned two continents. Vishnu Prakash, PHNX’s co-founder, produced the song’s initial demo in Kerala, India, infusing it with a meditative quality. Upon hearing it, AERIK KYLO immediately resonated with its atmosphere, developing it further musically and crafting its deeply introspective lyrics in the Arctic solitude of Lofoten.

“This song carries esoteric and spiritual references that were essential in my healing journey,” KYLO shares. “Through solitude in nature, studying spirituality, shamanism, and psychology, I pieced myself back together. The lyrics are an honest reflection of that process.”

About PHNX

PHNX is an international trip-hop duo bridging two distinct worlds—house-rapper AERIK KYLO from the Arctic Lofoten Islands, Norway, and industrial rocker Vishnu Prakash from tropical Kerala, India. Their collaboration merges vast geographical and cultural influences, crafting a sound that is deeply introspective yet universally resonant.

[yankanturtle]

SEBONGTEEN A Symphony of Talent and Passion

Seventeen is a South Korean boy band formed by Pledis Entertainment but SEVENTEEN is not just a K-pop group, they are a phenomenon, a collective of boundless talent and energy that has captivated millions of people worldwide. Debuting in 2015 under Pledis Entertainment, the group comprises thirteen extraordinary members divided into three specialized units. The Vocal Unit (Jeonghan, Joshua, Woozi, Dokyeom, and Seungkwan) known for their emotional ballads and pitch perfect harmonies, then The Performance Unit (Hoshi, Jun, Minghao, and Dino) who take choreography to a level of unmatched precision, and lastly The Hip-Hop Unit (Seungcheol, Wonwoo, Mingyu, and Vernon) whose rap lines combine lyrical depth with infectious beats. This unique structure allows them to showcase diverse musical styles and create dynamic performances that stand out in the industry. SEVENTEEN's name symbolizes the synergy of 13 members, 3 units, and 1 team that create a deep meaning of their group name and it's not just a random number.

Often referred to as "self-producing idols", SEVENTEEN is deeply involved in the creation of their music and choreography. This hands on approach sets them apart, as every track, from emotionally raw ballads to high energy anthems, carries their personal touch. Songs that they have made and released like "Don't Wanna Cry" and "HOME" highlight their ability to convey deep emotions, while tracks like "Very Nice" and "Mansae" showcase their playful and vibrant side.

The group is also known for their impeccable synchronization in dance, the highlight their performance aside their face cards and vocals. Watching SEVENTEEN on stage or just in the internet or live, feels like witnessing a perfectly orchestrated symphony, each member contributing to a larger, harmonious whole.

Beyond their artistry, SEVENTEEN embodies values that resonate with fans, such as hard work, humility, and camaraderie. They are more than just performers, they are also storytellers, dreamers, and role models. With their unwavering passion and connection to their fans, lovingly called CARATs, SEVENTEEN has become a beacon of inspiration for many.

SEVENTEEN isn’t just about their music. They have a unique ability to bring joy through their personalities, and nothing showcases this better than their variety show, GOING SEVENTEEN (GOSE) that you can find or watch in YouTube.

GOSE is a treasure trove of laughter, creativity, and heartwarming moments. Whether they’re solving escape rooms, competing in hilariously chaotic games, or diving into emotional storytelling, and especially in playing Mafia Games that they call "Don't Lie" SEVENTEEN’s charm shines through in every episode. Watching GOSE became a ritual for every Carat, it was their weekly dose of happiness, a place where Carats could laugh and forget their worries.

The show also deepened every Carats admiration for them. It revealed their genuine personalities, their teamwork, and their ability to create joy even in the simplest moments. GOSE showed carats that SEVENTEEN isn’t just a group, they’re a family who truly loves what they do and cares for their fans.

This is the group that touched every Carats soul and changed their life, a constellation of individuals who don’t just create music but craft memories that feel like home, moments that stay with you long after the melody fades. SEVENTEEN is more than just a name, it’s a feeling, a story, and a connection that bridges hearts across borders and languages. They are proof that music isn’t just something you hear, it’s something you live, something that becomes a part of who you are.

[gerogerigaogaigar]

Now that we've listened to the cadence of rappers through the interplay between the flow and beats it is time to listen to what rappers are saying. Rap has its own language made up of metaphors and references that can intimidate new listeners, but there is one skill that should be easy for anyone to appreciate. Storytelling. These songs are some of the best storytelling that hip-hop has to offer. And Storytelling is one of rap's strong suits so really this is some of the best storytelling that music has to offer!

The Art Of Peer Pressure Kendrick is why were here right? Well he is probably the best lyricist in rap history. The Art Of Peer Pressure may not be his biggest hit but it is unparalleled in terms of storytelling. Kendrick describes a night as a teen in Compton. Him and his friends emulating the violence heard on their favorite rap albums. The story seems simple, but the message is complex. He disavows every action he engages in saying that he's normally sober, normally peaceful, but he's with the homies right now. As the title suggests its a story about how peer pressure helps reproduce systems of violence.

Children's Story Slick Rick is the storyteller of all time. It honestly baffles me how naturally he communicates this simple fable without missing a beat. It flows so casually that you actually forget that he's maintaining rhyme throughout.

Gold Simple fables about street violence are extremely common in hip-hop. This one builds bravado and avarice until the tragic ending where the singer buries his mother before he can use all the money he's attained on her.

I Left My Wallet In El Segundo And now for the lowest stakes in any rap story. This is the gripping story of Q-Tip trying to remember where he left his wallet. The energy of a couple of friends trying to retrace their steps is actually really relatable though.

It Was A Good Day I've seen people on here try to use the details of this song's lyrics to pinpoint the exact date Cube was talking about. It's a simple song, but the simplicity belies some depth. It's pretty telling that to Ice Cube playing basketball and dominoes with his friends is on the same level as not getting harassed by the police or shot.

Millie Pulled A Pistol On Santa De La Soul decided to ditch the fun and games on Millie Pulled A Pistol On Santa. seriously content warning for frank discussion of csa. The tense story of a girl who is brought to the point of desperation because no one will believe that she is being abused. Its dark stuff and extremely well told.

Neighbors J. Cole dodged a bullet when he decided not to actually beef with Kendrick. Which is good cause I actually like Cole's music. Neighbors is about J. Cole tried to move into a nice house in a white neighborhood and got harassed until he was forced to leave. He meditates on the fact that fame can't actually stop the baked in racism at the heart of America.

Hey Mama If you want to know why fans are mourning Kanye or even hoping for him to get better instead of just dropping him like a rock look no further than Hey Mama. This ode to his mother is the sweetest song ever made. I'm kinda glad Donda West didn't have to see what her son turned into.

Just A Friend Biz Markie is the clown prince of hip-hop. his flow is goofy, the beat is kinda wonky, and the story is simple. And then he just kinda yells the hook like he's half drunk. It is either gonna charm you right away or annoy you. Just A Friend is the kind of stupid that I always fall in love with and it's enduring popularity is proof that others feel the same.

Fat Cats, Bigga Fish The Coup are the group that would eventually make the film Sorry To Bother You. Fat Cats, Bigga Fish is a deftly told story whose moral is "stealing is only illegal if you aren't rich"

To Be Continued ===> Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

[callmekaman]

BAATCHEET By:- Kaman

This track is a storytelling song that resonates with the raw emotion of a son to his father, Kaman crafts a message in the song so beautifully that every young boy could resonate with the lyrics.

Language :- Hindi/Urdu

Genre:- Rap/Hip-hop

Country:- India

Also Available On:- All Streaming Platforms

[rantsofamadam]

Ballet Thoughts

I just came from seeing The Nutcracker Ballet at a local theatre. It wasn’t the most high quality or professional theatre, but it was beautiful and the dancing was incredible.

Don’t get me wrong, I can’t dance for my life and don’t know many logistics when it comes to dance, but I ADORE watching it. Specifically ballet, rap and contemporary. (I adore all live performance art really, so much so I want to make the artistic and technical aspects of it my profession)

Ballet, from a viewers perspective, seems to be all about:

Symmetry, repetition, and a focal point.

And it flows so well.

I think ballet and dance is incredibly beautiful. The fact we have bodies and made art out of simply moving them.

Learning the limits of our bodies, that moving them gracefully or to music can be perceived as beautiful and something active to do. It’s- incredible. It’s beautiful. The fact we humans created the concept of dance for pure joy and entertainment is beautiful.

I also LOVE non-verbal storytelling.

Telling a story with pure movement, facial expressions, just music and sounds so it can be told in any language is incredible. And really puts the art of storytelling to the test with nothing verbal.

Ugh. Gorgeous.

Another thing I love about ballet is the juxtaposition of extremely graceful and beautiful dancers on pointe with blistering, bleeding feet in pain. Because from what I’ve heard and what it looks like- being on pointe is painfulll. But they look so graceful and beautiful. And I love that- beauty, fragility on the outside but tough as hell and painful otherwise.

Man art is so cool.

[latishabonnet]

Meet Indian Rapper Hanumankind, Whose “Big Dawgs” Music Video Has Taken the Internet by Storm

The Indian rap scene has been gaining significant momentum, with a new wave of talented artists pushing the boundaries of the genre. Among these rising stars is Hanumankind, a rapper whose music video for “Big Dawgs” has recently taken the internet by storm.

The Emergence of Hanumankind

Hanumankind, born Sooraj Cherukat, hails from Bangalore and has been a prominent figure in the Indian hip-hop scene for several years. Known for his compelling lyrics and unique style, Hanumankind blends traditional Indian music with contemporary hip-hop, creating a sound that is both fresh and deeply rooted in his cultural heritage.

His stage name is a fusion of ‘Hanuman,’ the revered monkey god from Hindu mythology, and ‘kind,’ reflecting his commitment to positivity and kindness.

The Breakthrough: “Big Dawgs”

The music video for “Big Dawgs” marks a significant milestone in Hanumankind’s career. Released just a few weeks ago, the video has quickly garnered millions of views across various social media platforms, earning widespread acclaim from fans and critics alike. “Big Dawgs” showcases Hanumankind’s lyrical dexterity and his ability to deliver powerful messages through his music.

The track features a hard-hitting beat and incisive lyrics that explore themes of dominance, power, and resilience. The accompanying music video is a visual treat, featuring stunning cinematography and creative storytelling that perfectly complements the song’s intensity. Directed by a talented team of filmmakers, the video has been praised for its high production value and innovative approach.

The Impact of “Big Dawgs”

“Big Dawgs” has resonated with audiences not just in India, but globally. Its success highlights the growing influence of Indian hip-hop on the world stage and showcases Hanumankind’s potential as an international artist. The song’s catchy hook and powerful message have made it an anthem for many, further solidifying Hanumankind’s position as a leading voice in the genre.

The viral success of “Big Dawgs” has also brought attention to the broader Indian hip-hop community, shining a spotlight on the rich talent and creativity emerging from the country. Hanumankind’s rise is a testament to the global appeal of Indian music and the universal language of hip-hop.

What Sets Hanumankind Apart

Hanumankind’s music stands out for its authenticity and depth. His lyrics often delve into personal experiences, societal issues, and philosophical reflections, offering listeners a rich and thought-provoking experience. His ability to seamlessly blend traditional Indian sounds with modern hip-hop beats creates a unique and captivating soundscape.

Hanumankind’s influences range from Indian classical music to Western hip-hop icons like Kendrick Lamar and J. Cole. This diverse range of inspirations is evident in his music, which often features intricate wordplay, profound themes, and a strong narrative voice. His respect for Indian culture and mythology is also a recurring motif in his work, adding layers of meaning to his songs.

Challenges and Triumphs

Despite his growing success, Hanumankind’s journey has not been without challenges. The Indian music industry has traditionally been dominated by Bollywood, making it difficult for independent artists to gain recognition. However, Hanumankind’s perseverance and dedication have paid off, earning him a loyal fanbase and critical acclaim.

His success with “Big Dawgs” is a significant triumph, proving that independent artists can break through barriers and achieve mainstream success. Hanumankind’s story is an inspiring example of what can be accomplished with talent, hard work, and a relentless pursuit of one’s passion.

Future Prospects

With the success of “Big Dawgs,” Hanumankind is poised for even greater achievements. He continues to work on new music, collaborating with both Indian and international artists to push the boundaries of his sound. His upcoming projects promise to further elevate Indian hip-hop and introduce it to new audiences worldwide.

Hanumankind is also actively involved in various social initiatives, using his platform to raise awareness about important issues such as mental health, social justice, and environmental conservation. His commitment to making a positive impact through his art is a key aspect of his appeal, resonating with fans around the world.

Conclusion

Hanumankind’s journey from a passionate young artist to a viral sensation is a story of talent, authenticity, and resilience. His music, marked by its unique blend of cultural influences and powerful messages, has left an indelible mark on the Indian hip-hop scene. As he continues to rise, Hanumankind remains a beacon of inspiration for aspiring artists, proving that with perseverance and dedication, one can achieve greatness.

The viral success of “Big Dawgs” is just the beginning of what promises to be a remarkable career. As Hanumankind continues to create and innovate, the world eagerly awaits what this talented rapper will bring to the table next. In a rapidly evolving music landscape, Hanumankind is undoubtedly a force to be reckoned with, and his journey is a testament to the transformative power of music.

(Facebook)