#Steve Rogers meta

[soliloquent-stark]

man out of time

marvel text posts 3/?

[rainbowsuitcase]

I know the "I understood that reference" moment is played for laughs and like Steve is being stupid but he just. He looks so fucking proud of himself. He's such a dork and it's so sad.

He's living in a world that feels familiar sometimes, that he recognizes sometimes, but that is also so different. The architecture, the fashion, the technology, the food and the drinks, and the way people talk.

The language must have evolved some, there are words we use that we don't even realize are references, that we think must have always been there but they weren't.

The pop culture is different, the movies and the music and the arts in general.

Maybe Steve feels like he's living in another dimension, in a mere shadow of the world he came from, and here's fucking Wizard of Oz.

That movie came out in 1939, he probably saw it when it was brand new, he might have read the book.

And finally, there's something he recognizes. Something from his world, something he knows and understands.

He's a lost puppy jumping at everything that looks vaguely like home. He's desperate for it. And he's played for laughs for it, by the movie and the characters around him.

[luna-rainbow]

On Steve Rogers, loss, and loneliness

Unlike some of the other characters, Steve's hurt isn't as plain to the eye. His demeanour is usually one of stoicism and optimism, and it is easy to forget that his story is steeped in loss and loneliness.

Steve's introduction highlighted how alone he was - an orphan, armed with a list of ailments, and hiding behind a newspaper to avoid small chat with other recruits. When rejected by the recruitment centre, Steve shrugs and heads to watch a movie - alone.

Steve is a loner, we are shown, and then just as abruptly - perhaps just like the way it had happened many years ago - Bucky crashes into Steve's world and hooks an arm around his shoulders and noisily talks about an expo and dispels all of Steve's melancholic air. Steve is a loner, except for Bucky.

But Bucky is now leaving to go to war.

Steve is used to being stoic, because there were no adults around him to spoil him. He is used to being buoyant, because Sarah taught him how to pick himself up and carry on. Steve is used facing the empty house and lonely silence -- except for Bucky, who filled his room with chatter, "We can put the couch cushions on the floor, like when we were kids."

So when we hear the anxious strain in his voice as he is informed by Bucky that he is leaving -- it also becomes plain that Steve is also used to loss, or the threat of loss shadowing him, everyday.

In his short life, he has already lost so much. He has lost his health (my thought is he was probably healthier in his early childhood until he caught scarlet fever, and then his health got a lot worse after that). He has lost his father, and all the security of having a family breadwinner. He has lost his mother - to long hours of work and eventually to the disease she was battling against.

What he dreads would happen, does happen. Life seems to have a way of chasing him down like that. Sarah gets sick, and his fear of coming home to find her gone...one day inevitably comes true.

At his darkest moment, Bucky squeezes his shoulder and promises, "You don't have to do it (alone). I'm with you to the end of the line."

It's just enough for Steve to square his shoulders and push on, as Sarah had always taught him to do. Deep inside - possibly buried so deep that he can barely put it into words, he knows that he pulled through because "Even when I had nothing, I had Bucky."

I'm going to pause here and emphasise how deeply lonely (and young) Steve was, and how, naturally, the only stable presence — ie Bucky — in his life, through periods of terrible grief and uncertainty, is going to be such a deep-rooted emotional foundation for him (regardless of how you ship).

When the draft does come for Bucky, it's not just Bucky who's unhappy, it's Steve who's also aghast. Suddenly, the possibility of losing his last bastion looms over him, and he remembers the fear and anxiety and the devastating grief of losing Sarah. But it is also a war that needs fighting - so he comes up with a solution: sign himself up. He can't keep Bucky from the war, but he wants to fight alongside him. Besides Bucky, what else does he have to lose?

"Men are laying down their lives, I have no right to do any less. That's what you don't understand, Bucky."

He says this angrily, because the words he can't say aloud are, "You are laying down your life, Bucky, and I might never see you again, and I can't go through all that again, not by myself."

When he hears about the 107th being captured, he has to go. He is saving Bucky, sure, but he is also saving himself, because the pillar, the lifebuoy, the harness that has kept him afloat all those years is Bucky, and he's terrified of sinking.

The serum makes him taller and more women pause to smile at him, but he is still incredibly alone. He sits alone during break, he draws alone in his book, he runs off alone and none of the USO girls even notices until it's his turn on stage.

But Bucky notices him immediately, and says, "I thought you were smaller," and, "Did it hurt?"

Steve doesn't really believe in miracles. His whole life feels like one bad luck after another, even if he forces one foot in front of another and keeps marching on. But maybe at that moment, he feels like Bucky is his miracle. Bucky, who always seems to notice when he's alone and pulls him into his social circle. Bucky, who had seen him lose his dad and Sarah and promised him the end of the line. Bucky, who he - and all the commanders - thought was dead, pulls through and gives him another promise - that he would follow the little guy back into war.

When Steve is finally thrust into the frontline, the losses keeps mounting, man after man are falling, condolence letter after letter is being written. And then towards the end of 1944, the tides seem to finally turn. German forces are waning, the Allied forces are advancing, and quietly, secretly, Steve dreams of home.

And that dream dies with Bucky.

"Honour the dignity of his choice," he is told, but he can't shake off the guilt.

He pushes himself forward, step by dragging step. Nazi Germany is falling. He is taking down Hydra with his own hands…and at the end, he buries them all in the ocean with himself.

His is sinking, but he isn’t afraid, because he is going where all the people who mattered are waiting.

And he is denied even that.

He opens his eyes to a world he doesn’t recognise. They tell him they had won the war.

But no one wants to speak with him about what was lost.

A folder of old photos, the museum of unmoving murals, the silent movies of a smile he would never see again.

He thought he had lost all there was to lose, but somehow life always seem to find something else to take.

What we see of off-duty Steve in the modern world is once again a figure of loneliness. He goes to the gym alone, he goes for a ride on the train alone, he sits at the cafe alone, he goes for runs alone, he goes to the museum alone.

Only during those solitary moments he could truly be Steve Rogers, instead of trying to meet everyone's expectations of Captain America. He is just shy of 27 years old, but suddenly, he can no longer lay claim to youth. Only a dream ago he was "just a kid from Brooklyn", and now he's an "old-fashioned" (as per Coulson) "older fellow" (as per Tony).

He's in the history books, he's on the television, he's in the classrooms; everyone knows of Captain America, but Steve Rogers is lost.

He had been willing to lose his life on the Valkyrie, but what he lost was every living connection and his own identity.

"Must have freaked you out, coming home after the whole defrosting thing," the friendly man says to him on their first meeting, but Sam only knows half of it.

The too soft bed and the too quiet room is one thing, the unshakeable nightmares another, but the worst of it is -- this isn't home.

He is marooned in a place that bears eerie resemblance to the world he knew, without being familiar.

Until the moment Bucky's mask comes off.

It's like the anchor dropping. He's now got a connection tethering him to this strange place, someone with "shared experience" that means he is no longer alone, and he is no longer a ghost forgotten by the seventy years of lost time.

"He doesn't know you."

"He will."

He has to believe that Bucky will, because Bucky is proof that Steve Rogers exists.

And once again, Bucky is his miracle. On the brink of killing them both, Bucky reels back from his brainwashing and hauls them both to safety.

Even if Bucky leaves after that, he's left behind something Steve hasn't had for a long time -- hope, and belonging.

"Family, stability. The guy who wanted all that went in the ice seventy-five years ago," he says to Tony as he prepares to meet the ragged team of enhanced people that is to become the Avengers. "I'm home."

Stoic and buoyant as he has always been, Steve sets to work building that home for himself. Gradually, we see Steve open up. He forms new connections and new friendships, he talks about his vulnerabilities with people he trusts, and he reclaims his own identity. He looks for Bucky, and waits until Bucky is ready to build that home for himself.

Until it is once again blown apart by the end of Infinity War - he loses not just Bucky, the anchor to his past, but the new family he has made apart from Natasha.

That's why it makes sense that Steve, not Tony, is the one working so hard to reverse the Snap. His family was 5 years ago, Tony's family is now. The people who rallied behind Steve and not Captain America, the people who followed him after he dropped the shield, the people with whom he no longer needed to be endlessly lonely and tirelessly stoic and who loved him for who Steve Rogers was, they all vanished in the Snap.

So even if there was only a small hope, Steve wants them back.

And that's why his decision to leave everything he had built, the sacrifices he had made to bring them back, in order to go into a life of incredibly loneliness and deception is still the dumbest narrative faux pas in the MCU.

[16woodsequ]

Sometimes in fics, Steve is shown to be really struggling with Bucky's memory loss and pushing him to remember things, or just being visibly sad and disappointed when he doesn't.

But I was just thinking that we have seen Steve react to someone who doesn't remember him. When Peggy, at the time the only person who know him in the past, forgets he had survived and she knew him in modern day, he reacts really well.

Of course, you can tell his heart is breaking. But to Peggy he is kind, gentle, and reassuring. He doesn't try to drag her into memories she doesn't have. He doesn't say he's been alive for two years. He just sits with her and comforts her as she grieves what to her is a heartbreaking reunion.

(X)

Anyway, I think Steve would be understanding and move at Bucky’s pace. Of course there would be grief on both sides, amd Bucky might feel bad about that. But Steve would never want him to feel bad about it, and he would be doing his best to manage that for Bucky's benefit.

[a-flag-is-a-piece-of-cloth]

Captain America and the Winter Soldier Special (11/16/2022)

Congrats to all the fic and meta writers who have headcanoned that July 4th is not actually Steve’s birthday!

[greenblueasu]

One of my head cannons about Steve Rogers is that he hates being seen shirtless by the public. Whenever the Avengers go to an outing at the beach, he won’t take his shirt off. He asks the Avengers to not post shirtless pics of him on social media. He is okay with his trusted friends seeing him shirtless, but with other people it makes him deeply uncomfortable. This has been the case before and after the serum. Before the serum, he hated it because people would immediately start talking or commenting about his bony appearance/ill health. Post serum, he hates the objectification. He doesn’t want people scrutinizing and commenting on his body either way. The Avengers understand and respect his requests, but the public keeps demanding to see him shirtless, and then they probably make up conspiracy theories on why he doesn’t show his shirtless body.

And when the requests get too much, he reminds the public that he is a soldier and avenger, and not a celebrity or model. His friends come to his defense as well, and remind everyone of the fact that he does not owe anyone anything.

[sarahowritesostucky]

Why Didn't Steve Just Jump Out?

You guys! I've figured out why Steve had to crash the Valkyrie and couldn't just jump out of it:

It had an autopilot function that Red skull turned on during the nose dive, remember? Steve didn't see him do this--he didn't know that button was there. He just knew that every time he tried to aim the plane down and then let go of the controls, it self-righted again. So he had to stay at the controls for the crash, if he wanted it to go down.

The end.

😭😭😭😭

[gay-jewish-bucky]

Steve not actually being a Captain is a popular headcanon in the fandom, and I get it, it's funny.

I just want to point out that—ignoring all other evidence that he was promoted to the rank of a Commanding Officer; such as leading an elite combat unit, or sitting at the head of the table in the war room and being heavily deferred to for military strategy, etc.—if you take a look at his dress uniform in Captain America: The First Avenger, he wears the official insignia of Captain.

They don't just give that insignia to people symbolically. It's a role that always comes with duties and responsibilities, ones that are far different from that of lower ranking men, including Seargents like Bucky. These are duties and responsibilities we see actually Steve carry out in the film.

[soliloquent-stark]

besides the well-known fact that tony stark's arc reactor literally powered his heart and symbolised his second chance at life, it's been not just alluded to but clearly stated by marvel from the very first iron man film that it represents his heart:

this point is made very clear again when it's used to portray his death:

of course they did this; they're such obvious metaphors that are easy to rely on for beautiful visual storytelling. they undoubtedly were aware of the potential for these scenes and carefully considered them since the beginning.

but you don't really get to use each of these moments more than once if you want them to matter, so they had to choose which one of tony's stories needed to be told through carefully picked parallels.

and who did they use them on?

yup, that's right. steve rogers. steve, who literally ends their painful fight by breaking his heart.

steve, whom tony literally hands his heart and says "here, take this" while he's devastated, disappointed, and at one of the lowest moments of his entire life.

so, platonic, romantic, alterous — the intricacies of his feelings don't even matter. they're only for tony to know.

but what we as an audience know, what we were explicitly told by marvel, is that the feelings tony had for steve were so strong that they were the equivalent of getting his heart actually shattered into pieces, and being reduced to offering your desperate, mourning heart on a platter as a way of saying "take it all, there's nothing left of me that you don't own now".

these were not accidents. we were meant to understand how profound his feelings were. so many things spiraled out of their falling out — the entire universe's faith was at stake as a result. tony was not indifferent to him. his problem was that he felt too much.

tony's achille's heel was always steve rogers, and that will forever be the backbone of the marvel universe.

[rainbowsuitcase]

I have a headcanon that, what with growing up poor and disabled and then being in the war and all of that, most of the skills Steve picks up during that time are very survival level (probably not an actual term but that's what I'm calling it).

Like, he can cook. He can make a meal from all kinds of scraps and leftovers and it will be filling, and usually even taste good if that's an option, but put him in front of a fridge stocked full of quality ingredients and he might have trouble even figuring out what to cook.

He can drive. Military cars, trucks, probably even tanks. Maybe he's a little reckless about it, preferring speed over caution, and maybe the Commandos didn't let him drive all that often once they realized (Bucky told them) that Steve never sat behind the wheel before. He drives like it - like he never got much proper training, but he's reckless and smart enough to get the car over rought terrain like no one. But put him on the busy streets of New York and he's one turn away from a car accident.

Patching up wounds, fixing up clothes, Steve can do everything that's needed in the worst conditions and with very little to work with. But give him proper, good quality materials and tools and he won't know what to do with half of it.

And maybe that's because it's not only his skills that are in survival mode, but he himself is too.

[zenaidamacrouras1]

i think pre-war!bucky would also have a steve-clinginess anxiety scale, if he didn't have to constantly be aware of steve's prickliness. a modern pre-serum!steve would be significantly less prickly about everything, as he would encounter significantly less overt eugenics. more ability to be openly queer and having more ability to define his own masculinity would help too

post-serum doesn't have to be so guarded or guard his independence, and he's not constantly on the verge of being labelled queer, so he would have more leeway with initiating physical contant. and the buckies you write with a post-serum steve don't have anxiety disorders, lol. so i believe they would be a cuddly couple, and bucky's anxiety wouldn't express itself so clearly in steve-clinging

Hi friend! ���� Interesting! You know what, I actually read pre-war Canon Steve as less prickly than many fans seem to.

I don't mind him being characterized as prickly and sometimes I absolutely adore it, but I don't necessarily see it as accurate in my little brain.

In CATFA we are seeing him on one of the worst weeks of his life. His best friend and maybe only friend and likely sole source of economic stability is about to go get maybe killed in war. So. Woof. I think he is absolutely at his worst. I can imagine him actually being pretty cuddly on a regular sort of day before Bucky got drafted.

Steve is not prickly, per se, post serum. He's tough. He's sarcastic. He doesn't like to be underestimated, but he's usually correct when he assumes people are underestimating him. He frequently forgets to value his own life. He's also very, very kind and very polite to people who aren't unmitigated dicks. I feel like these character traits would be consistent pre/post serum.

And the other thing we forget is that men used to be allowed to hug and even kiss tenderly (esp in some cultures). In Lord of the Rings which was written around WWII the men were allowed to be affectionate in a way that people today joke "ended toxic masculinity" but it's decades old. The toxic masculinity that the affection and devotion in LOTR "ended" didn't precisely exist when the LOTR was written.

Which is not to say things weren't bad. Just that men were allowed to be more affectionate with each other and have it be read as platonic (in part because women were seen as less then men).(Look I'm not an actual historian so this probably is not 100% accurate but I do touch on some of these themes in my Shakespeare fic -- it talks about historic concepts of marriage and same-sex affection that I researched extensively)

That being said, yes agreed, Steve would have had many awful pressures due to eugenics and anti-queer bias, but my thought is, he might have been comfortable cuddling up to Bucky platonically or otherwise...

Anyway, re my own writing, my earlier stuff has less consistent characterization. Don't trust anything I said back then. Just kidding. Mostly :)

Finally, in summary, hell yes cuddly couple. I'm all in on the Stucky cuddling head canon.

[luna-rainbow]

The shield-bearer vs the gun-wielder

(Unmarked GIFs are credited to @lost-shoe - miss you 😭)

One frequent interpretation of the Steve-Bucky dichotomy sees Steve as the protector and defender with the shield, while Bucky is the aggressor and assailant wielding a gun or knife or even his metal arm. It's hard to shake that impression when we remember just how savage Bucky can be as the Winter Soldier, whereas Steve notably did not carry a weapon after CATFA. Promotional stills where they appear together reinforce that image, with Bucky often appearing with an offensive weapon (or holding his arm up offensively) while Steve holds his shield defensively.

But the picture of Bucky stepping in front of Karpov made me rethink. Despite Bucky's loss at the new super soldiers' hands a moment before, he is remarkably restrained in what he does as he leads Karpov out of the cage. I am not against the meta that suggested he gained some satisfaction at striking back at the new super soldiers, but he stuck to his goal of guarding Karpov instead of getting swept up in the adrenaline and joining the brawl - as other guards in the background did.

Bucky is a protector. I know there are already lots of meta about this: from the moment we meet him in the back alley, Bucky is using himself as a human shield between Steve and the bully. He puts himself at Steve's back when he's rescued from the Hydra facility and he picks up the shield to protect Steve on the train. Even that one scene of Bucky being a sniper in CATFA, he shot the enemy to protect Steve. As Bucky, his acts of aggression happens when he's protecting someone (usually Steve).

So it's interesting to re-examine the violence in CATWS. Yes, Bucky/Winter Soldier is capable of extraordinary ferocity in taking down Fury and Steve and Nat, but he's also someone who sits there placidly when Pierce's maid startles them. Proactive attack isn't his instinctual state - and that becomes clearer when we see more of Bucky in CACW. He waits until violence is upon him before he retaliates: whether in Bucharest, or in the German airport, or finally in Siberia with Tony.

And on reflection, even in this climactic CATWS scene, the visuals are consistent with Bucky’s modus operandi — he is placing himself as a human shield between his enemy (Steve) and what he needs to guard (the Helicarrier behind him). The trail of destruction he leaves behind on his way onto the Helicarrier is frank reminder of how capable of violence he is, but this moment on the bridge holds a curious stillness. He is waiting, but not as a predator waiting for his prey, but rather like a lone guard’s final stand against inevitable doom. And perhaps — his aim was never on taking the most number of lives on the airfield, it was to disperse and disable anyone who might interfere with the Helicarrier’s launch.

Bucky's focus during the first part of the fight with Steve seems to be more on the drive Steve is carrying rather than on killing Steve. Killing Steve only comes after the Helicarriers fail (which begs the question: was Bucky specifically instructed to stop Steve without killing him and then kill him afterwards, or did Bucky have enough presence of mind to hold back for as long as he could?) Even as the Winter Soldier, Bucky seems most in his element when protecting something behind him.

On the converse, we have Steve, whose symbol is the shield, and I think it misleads (maybe even intentionally on Steve's part) the audience and his enemies into thinking that Steve's strong point is defence.

But it's not. I wouldn't call Steve an aggressor (and I'm not a huge fan of the angry chihuahua fanon), but he is far more proactive in his actions and a lot more aggressive in his attacks than the shield might suggest.

Even this memorable image, which seems to suggest Steve is on the defense against Bucky's raging attack is actually the opposite -- Steve is rushing Bucky from the side, and Bucky's punch serves to stop Steve in his tracks (i.e. it’s Bucky's self-defense against Steve's attack).

Our first meeting with Steve establishes him as a challenger - he challenges the recruitment rules, he challenges the disrespectful guy in the cinema, he challenges Colonel Philips and Hydra and the Red Skull - and eventually, he goes on to challenge Loki and Tony and Fury and Pierce and SHIELD in the modern world.

We don't see Steve carrying a weapon in the modern era (except for maybe brief moments of him using a weapon in Avengers) and it's easy, for the audience but also for Steve’s enemies, to forget that Steve uses the shield as an offensive weapon. Sure, it serves its function as an actual shield, but Steve hurls it as a projectile weapon intended to incapacitate so many times I won't be able to list them all so I'll just let this picture speak for itself.

Even at their first reunion, Bucky is running away to avoid a confrontation with the witness (Steve) while Steve is chasing after him to confront the sniper.

And I think this describes their different traits to a tee - Steve is like the bloodhound with a keen nose for trouble and doesn’t rest until he’s chased it down, while Bucky is like the guard dog who patiently sits by his family until commanded to fight or provoked. That's not to say Steve is always picking fights, but rather he's got an intuitive awareness of where the source of the conflict is and has no qualms putting himself into the fray. It’s also not to say that Bucky is always avoidant or apathetic, but rather he tends to watch and wait unless it threatens those he cares about...and that is probably deserving of its own meta to discuss how their separate upbringings make Steve and Bucky different in their confrontation readiness.

"I thought you were more than just a shield," Batroc says, so Steve clips his shield back on his harness and dukes it out with his fists.

Of course Steve is more than his shield, because the shield is just a piece of disguise for who Steve Rogers really is - someone who's always assessing the world around him (rather than hiding behind the shield) and ready to challenge the injustices (rather than waiting for the fight to come to him).

The real dichotomy between Steve and Bucky is that Steve is a natural challenger, who first picks up the shield to help him undertake a single-man offence on a Hydra base. When he wakes up in the modern world and sees that the imagery of the shield is entrenched with his identity, he uses that symbol to mask his fiery defiance while turning the shield itself into a weapon that works both in offense and defence. Bucky is a natural protector, who had picked up fighting and later weapons for defence and self-defence. Hydra then turned his loyal temperament and his skill set into “the fist of Hydra” - capable of both protection and targeted destruction.

They seem to have chosen (or been assigned) a weapon that is opposite to their instincts, but it’s also why they work so well together as a unit. Steve's convictions and idealism give Bucky the impetus to take up arms, and Bucky's constancy and protection give Steve the confidence to forge ahead.

The man who attacks injustices with a shield, and at his back, the man who defends him with a gun.

[16woodsequ]

Sunday Steve - Day 13.5: What Did a Tenement Look Like?

As a follow up to my tenement building post, I've done my best to find a collection of photos to show what apartments Steve lived in could have looked like. As I mentioned in my earlier Sunday Steve post, a lot of tenement pictures were taken specifically because of the poor conditions, so I tried to find pictures that would show a side of tenements we might not usually see.

Tenement playground, circa 1900-1937 (Link)

Contemporary photos

Interior stairwell, 1937. (Link)

Look at the wallpaper! Also I can just imagine children playing in that nook there, using it like a fort or something.

Interior between 1900 and 1910. (Link)

Look at all the pictures on the walls, the patterned and no doubt colourful table cloth and the decorative elements of the stove! This apartment looks like it has a gas stove and lights.

(part of me does wonder if this photo was staged to some extent, perhaps to advertise the new laws going in (?), but that's only a theory.)

Kitchen interior with sink and icebox, 1935. (Link)

You can see the draped curtains, the mirror above the sink and the cloth on top of the fridge. The shelf with all the jars has been recovered with a decorative trim and the floor is patterned linoleum.

Family at kitchen table in a dumb-bell tenement, circa 1935. Note the angled kitchen window by the stove looking into an air shaft. (Link)

(The Barnes family anyone?) Again, patterned, clean floors, a gas stove, what may be a folded up bed in the left-hand upper corner. Five toothbrushes above the sink, a mirror above the shelf, the trim on the shelf itself. I think the dark thing next to the boxes in the lower right-hand corner might be a toy pram.

Interior view of dressing table and toilet, 1936. (Link)

Typical small toilet, probably built after the New Law required them. Note the pretty framed photo of religious figures on top of the dressing table, what I think is an electric curling iron next to it, and the sculpting details of the wall pillar.

Reconstruction

But black and white photos don't give us a full idea of what things would be like. Luckily, there is Tenement Museum in Manhattan that has 1910 and 1930 Old Law restored tenement apartments.

Outside of museum and stairs leading up. (Link)

This tenement is 5 floors, which is standard for Old Law. New Law tenements were often higher. The tenement, like many tenements, had a store front on the street level.

If you look carefully you can see the tin-plated ceilings. Note how you can see a painting on the wall across from the stairs. In the tour they discuss how these were people's homes and they decorated them and were proud of them too.

Images of a 1910 style apartment. (Link) (Link)

These tenements are 3 rooms, bedroom, kitchen and parlour. Note the bed in the kitchen where Steve could've slept. This could also be a place for a crib for a baby. These apartments have shared toilets in the halls that were for two families.

Also look at the green and red walls! So much colour! And the pictures hung on the walls! There's a rug on the floor, doilies and a cushion on the couch, a patterned curtain behind the door... I wanted to highlight the homeyness.

Kitchen of 1930s style apartment. (Link) (Link)

With these photos you can see the three rooms of this tenement. A small bedroom by the front door, a kitchen and a living room past it. The apartments for this building were electrified in 1924, so they have lights, and a radio and an electric fan in the living room.

The apartment had coin operated gas, which could be the black box on the wall by the front door. The gas also connects to a water heater for this apartment which can't really be seen, but it is connected to the stove.

The built in shelves by the table was custom built by the father of the family living here. Residents often painted or wallpapered their space when moving in to make it their own. According to the Tenement Museum, linoleum flooring was really common, and you can see how this apartment has linoleum designed to look like a rug.

Living room and bedroom of the same 1930 apartment. (Link) (Link)

The living room isn't very staged, I'm not sure why since I haven't taken the tour. There is a disassembled bed frame against the left wall, so it's possible a bed is usually set up in this room for the parents. Also the former resident of the apartment said it was sparsely furnished, so they may be trying to recreate that.

The ice box for this family is kept on the fire escape, which is not shown.

In the window of the living room you can see green plants. These are morning glories the father planted in re-purposed cheese boxes. According to the former resident, they got the cheese through welfare aid, and cheese always seemed to be in surplus from that program. The apartment has electricity and there is an electric fan on on the dresser with the mirror.

The second photo shows the bedroom, which is that angled room next to the front door in the kitchen. The red cloth covered thing in is a bed that was shared by two siblings and folded up and covered every day.

Look at all the colour! The patterned linoleum floors! The climbing flowers in the living room window! The radio in the nook by the kitchen table! These places were not dreary and brown just because they were old or cheap.

Recollections from the previous resident:

Rosaria [her mother] decorated the apartment by draping fabrics everywhere: lacy curtains at the windows, coverlets in the beds, skirts across the shelving that Adolfo [her father] built into the walls. The family kept birds as pets. They cultivated flowers; morning glories twined at the window. The radio played, day and night, as they laughed with Amos and Andy, hummed along with Fred Waring and his Pennsylvanians, and followed the puzzling, upper-middle-class lives of One Man's Family. (Link)

Also, when the previous resident came back to see the tenement museum of her childhood apartment, she noted that the place was messier than her mother ever kept it, so they fixed that. Tenements could be very clean and well kept, especially since cleanliness and health were something people judged.

I really wanted to show that while small and cheap, Steve’s apartments would have still been full of life and colour.

Tenement Museum hall toilet, circa 1904-1935 (Link)

I don't know what time period the museum has this toilet as, but you can see how small it was, and also that it has bright yellow walls!

This toilet has a leaflet of papers on the back wall, probably for toilet paper. As my toilet paper post discussed, toilet paper became more common with indoor plumbing due to clogged pipes and such, so I imagine this is early 1900s. I'm fairly certain Steve would be used to using toilet paper!

What's with all the indoor windows?

A lot of Old Law tenements have windows leading from one room to another. These are for airflow and light. They are also a sneaky way the landlords tried to get around the law that every room had to have a window. The New Law later required the windows to actually have access outside.

These windows are also known as tuberculosis windows. While they may have been a cop-out by landlords, they were still intended to improve airflow and light in narrow tenements which would otherwise have only one outward facing window.

I hope this overview gave you a broader understanding of what tenements could look like and some appreciation of the ways people brightened up their homes.

Many more tenement pictures found here:

This link has a lot more interior shots, but also some with homicide victims (!), so approach at your own risk.

This link has more images of the Tenement Museum, showing other bedrooms from different eras and different tenement rooms. While some are styled as late 1890s era apartments, they still reflect what rooms and life would and could have looked like.

Sunday Steve Masterpost

[queerextremity]

i think one of the reasons i really like steve is the fact that he contradicts everything that you initially thought should be true about him. I’m not just talking of how i, before watching the cap trilogy, expected him to be some sort of walking toxic masculine propaganda, but he ended up being quite the opposite of that—that's already been discussed many times. i’m talking about all the subtle ways his storyline is written. when you think about it (and that’s probably the reason why steve is a very “safe” male character to me), he kinda goes through a character development that’s archetypically usual for female characters.

trying to fit in within the army, being rejected and mocked because you’re weaker and different, but later proving your strength by staying kind, persistent and clever is a story many old feminist media pieces used. i think of that scene from the first movie when peggy, after steve tells her about his life, says she knows what it’s like to have the doors closed for her. she does point out the reason why so many women are so passionate about steve (and why he’s really popular within the lesbian community, where attraction doesn’t really play a part). and i think it’s just so fundamentally different from the way i expected to read his story—as a typical patriotic male-centered superhero movie—and why it stuck with me when I saw it.

and i know we’re all joking calling bucky a damsel in distress, but when you think about it, he really does fit into the archetype of a superhero love interest. and steve does spend a lot of time trying to save him. and i, the great hater of this trope, find myself loving them tremendously. the thing is that, outside of their relationship, bucky has his own complicated and deep character conflict, and you would care about him no matter how the story handles him. in a world where such superhero love stories usually require the hero to be strong and powerful, and the love interest to be helpless and bleak, we have the cap trilogy. it plays with so many tropes that are so outdated even for superhero cinema that they should get boring, but it makes them interesting, dynamic and complex and refreshing.

that’s where it becomes impossible to ignore the romantic undertones of their story, because a lot of it is just familiar like that. adding that they are much more emotional in their relationship than the bros can handle. so we’re probably stuck with people trying to prove something to themselves by discussing steve’s sexual life in she-hulk, for example. it’s just that our society isn’t ready to accept male characters who are vulnerable and humane to their very core, and that’s another interesting way to look at these movies.

[sarahowritesostucky]

Steve is Still 90 lbs in His Head

Modern Steve Rogers Headcanon:

When he's going about his daily life, Steve regularly bumps into things/people and misjudges where he can fit/squeeze through in crowds, because in his mind he's still got this mental map of himself as a 90 lb twig of a shrimpo human being. It leads to him bumping into a lot of people in crowds and tight spaces and a lot of "oops! sorry excuse me's!"

*When he's on a mission as Cap, however, his mindset changes so much that he's able to be very swift and agile.

**He's getting better the longer he spends defrosted, but it's still only been a handful of years post-serum, vs. the 25+ years spent as his pre-serum self.

[musette22]

I thought you'd like this post.

www()tumblr()com/heartinyourthroat/144207221693/steverogersorbust-steve-cares-about-collateral?source=share

Ooohhh I DO, I do like this post, thank you very much 💙

I was a little bit confused at first about the tone and intention of this post, until I looked at the timestamp and realised it was made at the height of the Civil War discourse, which makes it make a lot more sense! It's a really well-articulated and well-argued post and I vehemently agree with almost all of it (there were a few things that didn't ring quite true to me - for one thing, he wasn't on his own since he was 18; he had Bucky, until he lost him too - but overall this is a really excellent take on Steve Rogers!)

I genuinely can't even imagine watching CW and thinking that Steve is arrogant or cold-hearted or that he doesn't care about lives lost. That blows my mind. Like, I'm sorry, but did we watch the same movies?? I'll never understand how some people came away with such a different (and incorrect) perception of Steve and his motivations and actions from seeing the movies, but I guess it's a very good thing I wasn't in the fandom yet at that point and I missed pretty much all of that discourse 😅 But it is really good and heartwarming to know that there were people out there who DID get Steve, and who did take the time to defend his honour ❤️ Just for that, it was really good to read this post, so thank you very much for thinking of me and sending it my way, lovely! 😘