#Stephen Shields

[i-didnt-hate-it]

I didn't hate Abigal, it was a lot of fun!

I was sick the week Abigail released, so I'm just watching it now because I'm not going to see the new Planet of the Apes, I haven't seen any of them yet.

Now THIS is how you do a Dracula's daughter story.

If you know anything about the movie going into it, you know what's coming, but they make you wait for it to actually happen. Making Hitchock's bomb a cute little girl? Bloody genius.

Abigail is a fun, exciting, bloody vampire movie. It's got to be hard to make an original and unique vampire movie these days, but I think Abigail did a good job of blending a Gothic tone with a modern gorefest vibe.

The soundtrack was pretty good, not quite outstanding, but not bad. The use of music (a la Tchaikovsky) was fun and really set the mood.

The casting was great. Giancarlo Esposito was very Giancarlo Esposito-y, Kathryn Newton was funny and made me want to watch Lisa Frankenstein even more (new horror queen?). Kevin Durand was great as "the muscle." Dan Stevens looked like he had a lot of fun. William Catlett and Angus Cloud were both solid. But of course the standouts are Melissa Barerra, definitely a horror queen, and Alisha Weir in the title role. It takes skill to make an audience believe a 12 year old girl is actually a centuries old vampire, but Alisha did it.

Spoilers below.

I feel like others might disagree, but I honestly loved the pacing of the movie. With how long it took for them to show Abigail as a vampire, it really gave time to get to know the characters.

The way they set the tone really somehow made it feel like a classic Universal horror, but it also felt fresh and modern too. Little things like the creepy basement, the rats(?), the big library, the statue garden thing. It really felt like they were in a house that someone had been living in for a looooong time.

I honestly love how two people died before Abigail ever bared her fangs. It really helped sell the idea that she was just playing with them. And the black guy didn't die first! It is kind of sickly ironic that Angus Cloud's character was the first to go (RIP), but I mean, bro was an absolute idiot.

I'm still not sure who my favorite character is, I really just loved the ensemble. I will say, I figured out the Rat Pack joke before Peter, not too long before, but still before.

I love when modern monster movies reference the lore, but make it their own. Like they reference all the stuff that kills vampires but only a couple of them actually work, the rest are just part of the legends.

I wasn't expecting to actually root for Abigail toward the end, but I loved the respect the was shared between her and Joey.

Those Ready or Not guys really love making people explode like bloody water balloons. I mean, what a way to go, I guess.

[ulkaralakbarova]

Film Review: A Star is Born in a Thrilling Horror Masterpiece "Abigail"

⭐⭐⭐⭐ Rating: 4 out of 5. Anyone can become an entertainer, but it takes genuine talent to showcase skills that come naturally. If you remember the release of “Leon” (1994) with Natalie Portman or “I Am Sam” (2001) with Dakota Fanning, you’ll likely agree that it takes just one scene to reveal a future star of the cinematic universe. And if it’s not Alisha Weir, then who could it be? Written by…

[a-king-named-simba]

Bloggin' again.

[bob-the-movie-man-film-reviews]

Abigail (18): Well... "that was f*****g... WHOAH!"

#onemannsmovies #filmreview of "Abigail". #AbigailMovie. A horror/comedy that could have been a new Sixth Sense... but for spoiler marketing. 4/5.

A One Mann’s Movies review of “Abigail” (2024). Imagine it’s 1999 and you’ve just made a film called “The Sixth Sense”. You pass it across to the Spyglass Entertainment marketing team to promote it…. and they put out a trailer with a big caption saying “and BRUCE WILLIS as ‘THE GHOST!!” Quite. So, brickbats incoming for the Universal Pictures International marketing team for taking the horror…

[fearsmagazine]

ABIGAIL - Review

DISTRIBUTOR: Universal Pictures

SYNOPSIS: A group of low-level criminals are brought together to pull off a caper - kidnap and babysit overnight the 12-year-old ballerina daughter of a powerful underworld figure, the pay-off is a $50 million ransom. The hideout is an old isolated mansion. They try to settle in for the night but the rules go by the wayside as, one by one, the gangsters grisly and mysteriously meet their demise. The gloves come off and when they confront their prisoner, to their mounting horror, they discover that they’re the prisoners and are locked inside the mansion with no normal little girl.

REVIEW: Occasionally, screenwriters attempt to breathe new life into the vampire mythos by blending genres into their screenplays. While many of these scripts start off with a great promise, the final product often falls short of expectations. However, there are a few notable exceptions that have managed to capture the essence of the vampire genre. Examples include "The Lost Boys," "Innocent Blood," "Abraham Lincoln: Vampire Hunter," and "Vampires," the last two based on novels.

In Stephen Shields and Guy Busick's screenplay for ABIGAIL, elements of O. Henry's classic short story "The Ransom of Red Chief" and the 1990's film "Home Alone" converge, driven by the urban legend of Abigail's gangster father and tales inclusion of vampire mythology. The screenwriters incorporate subtle nods to Agatha Christie, creating humorous moments in the film. They skillfully weave in references to numerous films and TV shows, including "Reservoir Dogs," "Innocent Blood," and Kevin Durand's involvement in the vampire series "The Strain." The narrative is multi-layered, as the writers creatively rework the vampire myth to suit their story. What truly captivates the audience is Abigail's character arc and the motivations behind her actions. At its core, the story delves into a child's yearning for parental attention or the lack thereof, intertwined with the guilt experienced by parents. This complex exploration of parenting, children, and vampires sets ABIGAIL apart as a refreshing take on these themes since "The Lost Boys."

Directors Matt Bettinelli-Olpin and Tyler Gillett masterfully orchestrate a symphony of tension, action, and shocks that ebbs and flows like an adrenaline-fueled thrill ride. Their ability to consistently surprise and engage the viewer stems from their skillful framing and editing of sequences, coupled with the captivating performance of actress Alisha Weir, who portrayed Matilda in the 2022 adaptation of the musical. Her portrayal is simply outstanding here.

The mansion in which the characters are hiding serves as an integral character in the film. The production design is remarkable, creating a subtle yet tangible atmosphere. While there were a few scenes in the third act that raised questions about potential escape routes, my engrossment in the film at that point prevented me from giving them much thought.

The combination of practical and digital effects in the movie created some truly impressive "wow" moments, especially in the fight sequences. The dental design and contact lenses used for the vampire look were particularly well done. My favorite scenes were the visual sequences showing the destruction of the vampires—a real treat for die-hard horror fans.

The film's musical foundation is a harmonious blend of classical melodies and a gripping score composed by Brian Tyler. Tyler, a renowned composer with a rich portfolio of screen and television scores, has masterfully created musical movements that seamlessly intertwine with the classical selections, escalating the film's action and horror. In other moments, his score complements the actors' performances and heightens the suspense and tension of the scenes, leaving a lasting impression on the audience.

The film features a talented cast with extensive horror experience. Melissa Barrera, Dan Stevens, Kevin Durand, Kathryn Newton, and William Catlett have each starred in multiple horror films, bringing their expertise to the project. The cast also includes Matthew Goode and Giancarlo Esposito, who add their unique talents to their characters, enhancing the film's energy. This exceptional ensemble cast delivers a thrilling viewing experience, creating captivating characters that engage and entertain the audience.

ABIGAIL offers a "fangtastic" combination of a caper story and a vampire tale. It's one of the best horror-thrill rides I've experienced in theaters this year. In fact, I haven't had this much fun with a horror movie since "The Lost Boys" or "Evil Dead 2: Dead by Dawn." Not since Macaulay Culkin faced off against bumbling heist men has a kid's involvement in an action film been so entertaining. Yes, it's a bloody film, but families with tweens should venture to their local cinema for a killer good time.

CAST: Melissa Barrera, Dan Stevens, Alisha Weir, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud and Giancarlo Esposito. CREW: Directors - Matt Bettinelli-Olpin & Tyler Gillett; Screenplay - Stephen Shields & Guy Busick; Producers - William Sherak, Paul Neinstein, James Vanderbilt, Tripp Vinson, and Chad Villella; Cinematographer - Aaron Morton; Score - Brian Tyler; Editor - Michael P. Shawver; Production Designer - Susie Cullen; Costume Designer - Gwen Jeffares Hourie; Prosthetics Designer - Matthew Smith; Dental Prosthetics - Dominic Mombrun; Visual Effects Supervisor - Andre Bustanoby; Visual Effects Companies - NEXODUS, Crafty Apes, & DNEG. OFFICIAL: www.abigailmovie.com FACEBOOK: www.facebook.com/AbigailMovie/ TWITTER (X): www.twitter.com/UniversalHorror TRAILER: https://youtu.be/cOHf2qUZYBs?si=Kd0YefSxfpfRGpHd RELEASE DATE: In theaters April 19th, 2024

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[screenzealots]

"Abigail"

With a wicked sense of humor, slightly taunting tone, talented cast, and plenty of bloody gore, this is one entertaining horror ride from start to finish.

I feel like “Abigail” is going to be one of those horror movies that audiences and genre fans really like. This latest project from Matt Bettinelli-Olpin and Tyler Gillett has everything you’d want in a film, and it delivers on them all. From its wicked sense of humor and slightly taunting tone to its fully committed, talented cast and plenty of bloody gore, this is one entertaining ride from…

[geekcavepodcast]

Abigail Trailer **Graphic**

A group of kidnappers are tasked with watching a kid overnight in order to collect a $50 million random. Too bad they're now locked inside with the girl.

Abigail stars Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, and Angus Cloud. Matt Bettinelli-Olpin and Tyler Gillett direct from a screenplay by Stephen Shields and Guy Busick.

Abigail hits theaters on April 19, 2024.

[adrixivy]

Imagine Nick Fury being stressed the fuck out because all the Avengers are atleast scared of one or two, if not, all modes of transport. We don’t think about how much trauma this heroes actually have honestly.

Nick Fury, asking purely out of concern as he sees uncomfortable or concerned looks on the Avengers’s faces: Is there any objections to how we get there? We’ll be traveling by road.

Tony, uncomfortable with cars/ground vehicles after his parents crash and the amount of times he nearly died by cars crashing into him too: *raises his hand*

Stephen, also uncomfortable with ground vehicles because it was the reason his hands are busted up: *raises hand too*

Fury, sighing before suggesting another option: The quinjet?

Bruce, already very uncomfortable with the mention of the quinjet: *raises his hand*

Fury, pinching his nose bridge: How about one of Stark’s planes. It has cloaking tech too.

Steve and Peter being uncomfortable with planes because Steve literally lived under ice for 70+ years and Peter is scared after the vulture accident and his parents died on a plane: *raises hand*

Fury, gripping onto the meeting table tightly to control his emotions: How about a train.

Bucky, extremely uncomfortable with trains(The man literally fell out of one). Steve, having witnessed Bucky fall off the train and is terrified:*raises hand*

Fury looks over to the two agents at the side, noticing how stiff they looked and their faces very close to betraying their emotions of terror, yet did not raise their hands at all: What the hell is wrong with the two of you

Clint and Natasha being uncomfortable and probably having beef with every type of transport known to mankind: *looks away and Nick has already figured out why*

Fury sighs deeply, now having to figure out how the hell is he going to get everyone to walk to their next mission.

Maria Hill coming up beside him to whisper something to Fury: Spin a wheel and whatever mode of transport it lands on, they either suck it up or we sedate them

Thor who only ever travels by the bifrost or quinjet: *visibly confused*

[mastersoftheair]

from david shield's instagram

[bosguy]

Men in kilts

I never tire of posting pictures of the Kilted Coaches, Stephen & Rab. #kilts

The Kilted Coaches are a personal favorite for this weekly post. Previous Men in Kilts Posts

[castawavy]

after dinner they got into an argument (again) 😭

before / next

[hyperfixatingonstephcurry]

The vibes were immaculate for JP’s homecoming

Look at them 🥹

[hibiscusbabyboy]

While prom season is in three months, here are some songs to get you PUMPED!

[livelovecaliforniadreams]

#humanshield

[fearsmagazine]

ABIGAIL | Trailer & Poster

After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight.

In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.

Children can be such monsters!

ABIGAIL is directed by Matt Bettinelli-Olpin & Tyler Gillett, from a screenplay by Guy Busick & Stephen Shields, and stars Melissa Barrera, Dan Stevens, Alisha Weir, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud and Giancarlo Esposito.

Universal Pictures will release ABIGAIL in theaters April 19th, 2024.

[florida3exclamationpoints]

I forgot Robbie got doctor strange orange sparkly portal powers !! Opening them with a flaming chain is way cooler than 🤜🤛👐🤲👊🤌🫴🤏🤜🫶👏 boom boom woosh