#Spring 2021 Style
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Atelier Versace Spring 2021
Model: Joan Smalls
#joan smalls#atelier versace#haute couture#couture#fashion#mode#moda#model#models#women's fashion#womenswear#Lookbook#style#dress#dresses#black#boots#footwear#luxury#spring 2021#my upload
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#elie saab#fashion#spring 2021 couture#details#design#bridal#wedding#inspiration#style inspo#fashion photography#model
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Olly Alexander wearing an Andreas Kronthaler for Vivienne Westwood RTW Spring 2021 necklace Tiktok story (February 22, 2024).
#olly alexander#years and years#years & years#style#it's a sin#dizzy#100% pure love#a very bad fun idea#jewelry#jewellery#necklace#Andreas Kronthaler for Vivienne Westwood#Andreas Kronthaler for Vivienne Westwood RTW Spring 2021#Andreas Kronthaler#Vivienne Westwood RTW Spring 2021#Vivienne Westwood#tiktok#boycott israel
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Balmain Resort 2021
Birds and bird print - they're a popular theme in fashion; birds are symbols of freedom and infinite possibilities.
To see more in a blog post, click here.
#birds#bird print#bird#balmain#resort 2021#resort 21#cruise 2021#cruise 21#pre spring 2021#pre spring 21#fashion#fashion blog#fashion blogger#style blog#styleblogger#olivier rousteing#dresses#mini dresses
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Fear of God Spring 2021
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直裾战国袍 / Straight-edged Warring States robe: Distinguished by the excessive amount of fabric for the sleeves and the waist-to-floor straight edge, this style of Warring States robe was worn between the Warring States period and the Han Dynasty.
Warring States robes can usually be purchased in 2 lengths; - trailing on the floor (great for photos, awful for walking) - hemmed right at the floor (not as beautiful in photos, a lot easier for walking) Most stores selling this style of robes have skipped the extra piece of fabric between the sleeve and body, changing the entire drape of the fabric. Instead of it naturally opening at the front, this small change in the design causes the fabric to be completely closed at the front which makes walking without stepping on the fabric impossible (speaking from personal experience) T___T
==**==**==**==**==**==**==**==
Hanfu, the historical clothing of the Han people in China, has thousands of years of history. Since the 2000s, there has been a revival of Hanfu within China, with many Hanfu stores opening in the past two decades.
I first became aware that I could purchase Hanfu in 2021 and hoarded a bunch. Recently, I started digging more and more into the topic and realized that, while many of the Hanfu being sold are beautiful, they're not exactly true to the styles of Hanfu in the past. That's not to say they shouldn't be sold or worn, I'm not interested in gatekeeping what others wear, but I became intrigued by what exactly DID the historical Hanfu styles look like based on historical artefacts.
For my own interest, and for any others who might be interested, I'm going to try and do a series of the various Hanfu styles throughout the dynasties.
Chinese dynasties timeline for reference:
Shang Dynasty 商 (1300–1046 BC) Zhou Dynasty 周 (1046–256 BC) Western Zhou 西周 (1046–771 BC) Eastern Zhou 东周 >> Spring and Autumn Period 春秋 (770–481 BC) >> Warring States Period 战国 (481–221 BC) Qin Dynasty 秦 (221–207 BC) Han Dynasty 汉 >> Western Han 西汉 (206 BC–8 AD) >> Xin Dynasty 新 (9–23) >> Eastern Han 东汉 (25–220) Three Kingdoms 三国 (220–265) Jin Dynasty 晋 >> Western Jin 西晋 (265–316) >> Eastern Jin 东晋 (317–420) Northern and Southern Dynasties 南北朝 (420–589) Sui Dynasty 隋 (581–618) Tang Dynasty 唐 (618–907) Five Dynasties 五代 (907–960) Song Dynasty 宋 >> Northern Song 北宋 (960–1127) >> Southern Song 南宋 (1127–1279) Yuan Dynasty (Mongols) 元 (1271–1368) Ming Dynasty 明 (1368–1644) Qing Dynasty (Manchus) 清 (1644–1911) Republic of China 民国 (1912–1949) People's Republic of China 中华人民共和国 (1949-present)
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Masterlist Drarry Recs - Pt 4
Tropes:
A/B/O | Bottom Alpha | Omega Harry
8th year enemies to friends to lovers
Age difference
An event brings them together
Beauxbatons and Durmstrang AUs
Blowing each others mind (smut)
Cutesy 8th year
Curses, pranks and bad luck
Competent Drarry
D/s undertones
Demon Drarry
Drarry in fist fights
Ensemble cast
Emotional maturity
Epistolary
Fics set in a forest
Forced marriage | Married Drarry
Funny Mpreg
Gay awakening + trans Drarry
Hurt/comfort manipulation
Jealousy
Love/hate relationship
Magical theory and worldbuilding
Marauders Map
Morning after (intimacy)
“It isn’t like this with other people”
Drarry as each other’s safe place
Drarry in America
Drarry surprising the world
Drarry sacrificing their relationship
Drarry working through relationship issues
Realizing feelings and running away
Situationship | Toxic relationship
Long-distance relationship
Power imbalance
Pride and Prejudice AU
Draco in Azkaban
Draco learns about the Dursleys
Draco helps Harry heal his trauma
Harry defends Draco in the trials
Harry thinks Draco is Up to Something
Mental illness
Kid fic + humour | Secret pregnancy 1 & 2
University AU
Water-centric fics
Wedding planning
Witty fics
Workplace romance
T-rated comfort fics
Characters:
Age gap + Next Gen
Casual Drarry with other people | OMC
Drarry in a M/M/F threesome
Ron & Hermione dating other people
Draco & Ron friendship
Smart Harry
Harry helping Draco heal
Harry learns about old magic/pureblood society
Harry spoiling Draco
Harry comes back “wrong”
Sad but sweet Harry (8th year)
Harry living in a cottage
Dominant Harry | Possessive Harry
Talented Harry
Injured/disabled Harry
Magically Powerful Drarry
Rugged Drarry (manual labor)
Sexually inexperienced Harry
Harry cheats on Ginny with Draco
Dark Draco
Drunk Draco
Smitten Draco | Smitten Harry
Stalker Drarry | Unhinged Drarry
Draco changes after the war
Draco on parole
Guilty Draco & redemption arc
Draco is adopted by the Gryffindors
Manic Pixie Dream Girl Draco
Older Draco x younger Harry
Long Draco-centric fics | Long Harry-centric fics
Misc:
Drarry recs 2021-2023
Drarry WIPs
Canon style
My comfort rereads
Emotionally complex stories
Underrated fics
Long plotty fics (2024)
Spring reads
Top 5/10 ask game lists
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TOP 10 BL Trends of 2023
This is just me with my analysis hat on.
1. 2023 = the year EVERYONE went outside their lanes
Everything went topsy-turvy this year in BL.
For example, Korea gave us agonized yearning and outright queerness (The 8th Sense, The New Employee) while Japan served up soft office workers and tender family (Our Dining Table).
The BL world went askew for a while, especially in the spring of 2023.
Not that we still didn’t still get Korea’s soft angsty bubbles or Japan’s “what are you doing and why does it hurt?” kink-fests. But there were quite a few BLs that made us chronic watchers sit up in confusion and wonder if Korea was dabbling in Taiwan’s territory or Japan in Thailand’s. Then they fudged the kisses and we were like... okay, back in familiar territory.
In contrast, Thailand stayed course-correcting for the damage they’ve done in the past with tropes (2022) and self referential meta criticism (2021), but also almost aggressively returned to their BL roots after last year’s series of shockers. Certainly, they are reexamining those roots, transplanting some, aerating others. But they really went back to classic Thai university and high school BL and pulps in a big way in 2023.
Taiwan is always difficult to gage because they produce so few but they seem to have stuck with what they do best with no deviation while producing more this year than they have in ages. I’m happy for that, why change a good thing? But there is a tiny part of me that really wants them to hit it out of the part with a quality piece soon. For me, We Best Love still reigns supreme, but I would really like the HIStory franchise to give us that level but longer - like a happy version of Your Name Engraved Herein. I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit.
I know, what a very odd thing for me to say. But if any BL is going to break into the mainstream American market, I genuinely think it’s most likely come from Taiwan.
Vietnam and the Philippines are falling behind, in general. They just didn’t bring out very many shows in 2023, and what the brought out tended to fub the endings. This is forgivable in Japan (because of their style and quality) but not what watchers want in the lower production value propositions. In other words, if you do a pulp, you can’t mess up the ending (by romance standards). that doesn’t look to be changing anytime soon.
2. The Office Romance Dominated
After years of Thailand serving us an endless (and slightly bland) buffet of university (and a few high school) BLs, this year Korea was basically like...
Ofiice. We like the Office. It’s cheap to film we can use grown up actors, acting (mostly) their actual age.
And yeah... it totally worked.
To be fair, Japan has always given us office live action yaoi from the beginning (they had the source material) but this year everyone else, including Thailand, seriously started playing in this setting.
3. Boys Danced with Boys
The darling @heretherebedork was a big fan of this one, and I rather like it myself. Prior to this boys dancing together was very very rare in BL, but this year we got way more than our fair share. It was lovely.
Never Let me Go
My School President
Bed Friend
The Day I Loved You
Step by Step
Be Mine Superstar
Tie the Not
Dangerous Romance
I think there were a few more. These are the ones I remembered to write down.
4. Getting (even more) Meta With Tropes
BL has been getting more and more meta over the past few years but this year they really focused in on tropes specifically. Calling out their own biggest and most favorite tropes in a massive way, especially Thailand and especially GMMTV.
Like they tunneled in on damaging tropes with Bad Buddy and the like over the past 2 years, and now they are just having fun with us.
I mean they just started the dancing trope and already they are calling it out? That’s like rapid-fire regurgitated meta there, GMMTV.
5. Cameos are the norm now
Taiwan has always loved cameos but in the past the other countries have been show and steady with only one or two a year. (Unless Japan does a parody.)
This year Korea got in on the game.
Korea rarely starts trends but they do adopt smaller and lesser known existing ones and make them super popular.
This year they did that with cameo couple appearances, even borrowing a few of Thailand’s pairs (TutorYim and MaxNat traveled north). They did it so much I stopped tracking. Love Class 2, Why R U?, and Jun & Jun were the heaviest hitters.
Taiwan, of course, came back swinging. Kiseki was the gum-ball machine of pair cameos. (In Taiwan mafia = gay.)
6. We are entering the cross pollination age
The number of remakes picked up or started this year was startling, not just countries revisiting their own content (Thailand, Japan) but countries revisiting OTHER countries stuff.
Lemme explain...
Korea has started remaking Thai content (Why R U?) alongside cameo'ing Thai pairs.
Thailand is doing Korean IP (My Dear Gagster Oppa) and has 2 Chinese ones slated for next year.
GMMTV acquired a lot of Japanese IP (Cherry Magic, Ossen, and My Love Mix Up) - and then had problems distributing it.
This is probably the most surprising trend for me. Especially the Japanese stuff. I would have thought these properties well outside of Thailand's price range (even GMMTV's) not to mention Japan’s legendary IP issues (I swear I typed this pout before the pulled TayNew’s excellent Cherry Magic).
Also why not option some of the older popular manga instead? Bet that's much cheeper. (I did see a NEW Thai translation of Finder into Thai, which is 90s yaoi, so I have my fingers crossed on that front.)
I shouldn't be too surprised.
Thailand is running out of y-novel content. Their publication industry is just not robust enough (I was just talking to a friend about this at length recently). But I didn't think they had the funds to option, especially from Japan.
Perhaps the option deals are for peanuts?
7. Korea got cheeky
I’m not sure quite how else to put this.
After finally figuring out boys can kiss, Korea started to do not just higher heat but playful higher heat, with more aggressive word play and linguistic innuendo, like they are entering their racy rom-com teenage years (Why R U? Love Class 2 and Jun & Jun in particular.)
I guess: Welcome to your BL teens, Korea?
It’s cute of them. I am very much enjoying it.
And now that comedy is warming them up, we get to see them play with actual queer burgeoning physicality in shows like The 8th Sense.
It’s nice. I like seeing Korea stretch its wings. They still stick to their bubble, but that bubble seems to be expanding.
8. The Amnesia Trope is back
And I, for one, would prefer to forget about it.
9. BL got trendy
I’m not quite sure how to articulate this category but basically we started seeing a lot of “modern” romance trends out of the west (like a/b/o) show up in our BL. Not a ton and sometimes quite small, but there has a been a steady rise of things like: no seme/uke, femme gay, out gay, condom use, messy gay.
We also got an increasing range of sub genre frameworks (like mafia, office setting) that’s moved BL pretty firmly (even in Thailand) out of school and into the workplace, whether actual working is involved or not.
It’s not to the point where it feels like we get more non-school BL than school BL (if I include all countries in this assessment).
Japan, in classic Japanese fashion, quietly started moving in the opposite direction. It’s what they do.
10. The Vampires are coming
This is an announcement trend, which I don’t usually report on but it’s so CLEAR.
So last year we had a spate of announcements of possible Omegaverse (2 from China, 1 from Japan, 1 from Thailand - the only one that’s happened).
This year we got 5 Vampire (or vampire-esk) Thai BLs announced including one from GMMTV.
Whether all 5 will actually get made is unlikely, but having had (basically) none prior to this (Kissable Lips), I’m pretty confident that we will get at least 2 of them. And I wouldn’t be surprised if at least one other country made one as well. (Side eyes Taiwan with interest.)
Final thoughts
It feels like we are also seeing a decline in BL (both by quantity and quality) from Vietnam and the Philippines. As you all know, I don’t track or really watch either of these two very closely. But it feels like, now, no one else is either.
I think we have likely seen the BL heyday already in both places and their industries are now on the decline.
We might be witnessing a thinning in the players in the BL field.
FYI we had approximately
136 BLs in 2023
Previous Years
2022: 117
2021: 95
2020: 62
2019: 40
2018: 30
2017: 44 (China’s last gasp)
2016: 27
2015: 17 (50% micro)
2014: 17 (50% micro)
And that’s it! Let me know in the comments if you’ve spotted any additional trends you want to call out.
Last year, 2022′s trend report
2021′s Trend report
Last Year’s Stats & Predictions
(source)
#bl 2023#bl trends 2023#film trends 2023#EVERYONE went outside their lanes#The 8th Sense#kroean bl#thai bl#The Office Romance Dominated#bed friend#Boys Danced with Boys#the day i loved you#Getting (even more) Meta With Tropes#hidden agenda#gmmtv#dinosaur love#love class 2#jun and jun#We are entering the cross pollination age#why r U?#Korea Got Cheeky#The Amnesia Trope is back#BL got trendy#The Vampires are coming
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Also preserved in our archive
By Julia Doubleday
For many disabled and immunocompromised people, hospital settings are a significant threat to health and safety. Since the beginning of the COVID-19 pandemic, nosocomial- or healthcare acquired- SARS-COV-2 infections have been an additional risk for sick and vulnerable people seeking care. As of today, there have still been no updates to national-level guidance to reflect that SARS-COV-2 was determined to be airborne in 2021.
In 2020, such a risk was to be expected; hospitals were overwhelmed with patients, PPE was in short supply, proper isolation wasn’t always possible, and public health guidance about transmission was confusing and, it turns out, incorrect. Early on, the WHO confidently and wrongly asserted that COVID was not airborne; this decision led national health bodies to advise against full airborne precautions in healthcare.
But in the nearly five years since, one might assume that any patient visiting their local hospital could reasonably expect safety from infection with COVID-19. After all, we’ve had five years to study transmission, update guidelines, redesign infrastructure, upgrade ventilation, purchase PPE and train staff, right?
As a matter of fact, the CDC has yet to even issue updated infection control recommendations, much less have we seen implementation. The CDC did ask their infection control advisory body, HICPAC, to update the Guideline to Prevent Transmission of Pathogens in Healthcare Settings, last reviewed and updated in 2007. But when HICPAC submitted a first draft of the updated guidelines in November 2023, it was over loud public objections registering that draft’s inadequacy to control airborne infections.
Now, HICPAC is continuing to insist that surgical-style masks are equivalent to N-95 respirators as it pushes forward with its draft guidelines. This decision is emblematic of its commitment to preserving ineffective droplet-based infection control in spite of new information and evidence. While bizarre from a purely scientific standpoint, it makes more sense from a cultural, political and economic point of view.
I’ve written at length about the political and economic factors that led the WHO to immediately claim that COVID wasn’t airborne without the scientific evidence to do so in Spring 2020. Perhaps just as irresponsible as their early decision to spread this misinformation has been their subsequent reluctance to correct their mistake as loudly as they first made it, and ongoing refusal to unequivocally recommend airborne precautions in the years since.
This year, the WHO released a document that rescinded the previous distinction between “droplet” and “airborne” transmission of viruses. This represents progress, as new data showed that no viruses actually transmit solely via “droplets”- i.e., only via sneezes and coughs.
The evolution of the science was tracked beautifully in this Wired article. It’s astonishing that we had such basic science so wrong, for so long. But it’s critical to note that for decades, there was a large financial incentive against looking too closely at the claim that flus, colds, and other common viral and bacterial infections were being spread only via large “droplets.”
“Droplet” precautions are relatively cheap and easy compared to the more complex and expensive requirements of controlling fully airborne infections. If a virus spreads through coughs and sneezes, how do you prevent transmission? Well, we all remember early pandemic guidance. Loose fitting surgical masks, social distancing and keeping diners (or patients) six feet apart, putting up physical barriers to protect from spit, and simply washing hands and covering coughs and sneezes are all examples of droplet-based infection control measures.
But airborne spread is far more difficult to control. Now we’re talking about viruses spreading well beyond six feet, well beyond the radius of a single cough or sneeze. We’re talking about the virus spreading, not just via coughs and sneezes, but via the simple act of exhaling. And not only that, but because airborne particles are so light, they don’t quickly fall to the ground the way droplets do; instead, they can hang in the air, much like smoke. So now, a waiting room or crowded examining area full of patients with flus, colds and COVID suddenly represents a much more complicated and expensive infection control problem for a hospital.
Proper airborne infection control procedures are expensive, but they are not mysterious. Some changes would be relatively simple; masking with proper respirator-style masks, rather than surgical, is an obvious, necessary upgrade. New ventilation and filtration standards are a simple fix technologically, but require investment. Tools like Far UVC are exciting and could mean drastic leaps forward in both patient outcomes and occupational safety for HCW.
Most likely, in order to save money long term and make airborne infection control sustainable, hospitals themselves would be constructed with airborne infection control, patient isolation, airflow, ventilation, etc. as major priorities in the process of designing the infrastructure.
Airborne infection control would require, rather than tinkering at the edges of existing practices, a top-down rethinking of hospital protocols. How are patients being screened upon entry into the hospital? How can COVID, flu, RSV, etc. positive patients be protected from one another in a waiting room? Why are so many hospitals designed without windows in patient care areas?
Are you beginning to see how the economic incentives align against admitting the need for airborne infection control?
Let’s return to the WHO’s document, the one that rescinded the distinction between airborne and droplet spread. Instead, all viruses which spread through the air are now referred to as “infectious respiratory particles” or IRPs. The document encourages moving “beyond the dichotomy of previous terms known as ‘aerosols’ (generally smaller particles) and ‘droplets’ (generally larger particles).”
But problems arise when the WHO attempts to apply what we’ve learned practically- or rather, doesn’t attempt to apply it. Here, it balks at what would be a massive undertaking. As I reported previously, back in 2020, the WHO had been quick to claim:
“Would there be evidence of significant spread of SARS-CoV-2 as an airborne pathogen outside of the context of AGPs [aerosol-generating procedures], WHO would immediately revise its guidance and extend the recommendation of airborne precautions accordingly”
But in 2024, the WHO, now well aware that SARS-COV-2 is a fully airborne pathogen, adopts a new approach to infection control. It’s one totally unprecedented for any other pathogen in healthcare. They advise:
There is NO suggestion from this consultative process that to mitigate the risk of short-range airborne transmission full ‘airborne precautions’… should be used in all settings, for all pathogens, and by persons with any infection and disease risk levels where this mode of transmission is known or suspected. But conversely, some situations will require ‘airborne precautions’. This would clearly be inappropriate within a risk-based infection prevention approach where the balance of risks, including disease incidence, severity, individual and population immunity and many other factors, need to be considered, inclusive of legal, logistic, operational and financial consequences that have global implications regarding equity and access.
In other words, we shouldn’t always try to control airborne disease. That would be so hard and annoying! The document then goes to state that “risks” have to be balanced and goes on to list a bunch of factors that are never considered when it comes to the spread of other pathogens in healthcare.
When it comes to the spread of norovirus in healthcare, do doctors weigh whether to wash their hands, based on the local levels of diarrhea? When it comes to the spread of bacterial wound infections, do doctors clean surfaces based on how deadly they think the wound will be? I mean, if it’s not going to kill you, why bother, right? When it comes to bloodborne illnesses like HIV, do doctors no longer test for it because it’s now a treatable disease, no longer a death sentence?
Or, when you apply this logic to any other type of infection, is it clear that this is an absurd attempt to continue evading liability for nosocomial airborne infections in healthcare, including SARS-COV-2? People should not be infected with diseases in hospitals. Period. Regardless of disease severity. Of course, SARS-COV-2 is also incredibly severe for hospitalized patients; in Australia, nearly 1 in 10 patients who caught COVID in hospitals in 2022 and 2023 died. And these events are far from rare. Of 206 patients admitted for strokes in a hospital in Japan, 44 were infected with COVID-19. 6 of them - or 13% - died. Globally, we see the same thing over and over again: lack of airborne infection control, high rates of nosocomial infections, high rates of patient death.
The WHO chose to incorporate “balance of risks”, “disease severity”, “immunity,” and the rest of its laundry list of “factors”, not because it expects infection control bodies to do serious risk assessments, but in order to provide cover for them not to do any such thing. Universal airborne infection control would be expensive and disruptive so the WHO simply gives disease control bodies a series of “outs”.
This is the international backdrop against which the US has also been updating infection control guidance. The CDC, like other national public health bodies, does not directly report to the WHO; the WHO does not have enforcement power over the CDC. However, guidance from the WHO is taken seriously at the CDC, and experts at the CDC also influence the WHO.
The WHO’s document constructs a mile-wide loophole for HICPAC to drive through. Although HICPAC provides no evidence whatsoever that the characteristics of SARS-COV-2 (or flu, or RSV for that matter) would justify dropping airborne precautions, the language in the WHO document exists to justify dropping them in the face of the ongoing, global pandemic. Despite SARS-COV-2 being a systemic, multi-organ disease with the potential to cause long-term disability, and highly fatal when contracted by vulnerable patients, culturally and politically, we are treating it like a cold. HICPAC members are not making scientific decisions, but political ones.
The science on disease transmission has advanced tremendously since 2020. In a world that actually wanted to implement what we’ve learned from COVID, this would mean dramatically safer care for patients and healthier workplaces for HCWs. Instead, HICPAC does the opposite, working to ignore the advancements in scientific knowledge and fighting to keep infection control as similar as possible to the outdated droplet model of the pre-pandemic era.
For example, they advise that N95 respirators should be worn for “new and emerging pathogens,” but make an irrational distinction between these and other viruses that are already in circulation. You know, the ones that are actually, currently infecting patients. “Emerging/new” isn’t a type of transmission, so shouldn’t denote a type of infection control.
Even the CDC balked at HICPAC’s initial draft, sending it back with pointed questions about this bizarre distinction and other inadequate protections. It asked for clarification, stating:
Another issue relevant to preventing transmission through air is to make sure that a draft set of recommendations cannot be misread to suggest equivalency between facemasks and NIOSH Approved respirators, which is not scientifically correct nor the intent of the draft language. Although masks can provide some level of filtration, the level of filtration is not comparable to NIOSH Approved respirators.
Why would HICPAC equate surgical masks with respirators? HICPAC’s draft was not designed to protect patients; it was designed to protect the status quo and allow hospitals to continue to infect patients with COVID and other airborne diseases. It’s likely that the CDC’s decision to push back on this claim was influenced by the massive outpouring of public outrage at the draft, which was seen in both the public comments submitted and read at HICPAC’s meetings.
Additionally, both OSHA, the Occupational Safety and Health Administration, and NIOSH, the National Institute for Occupational Safety and Health, agree with both the CDC and patients that surgical masks are not sufficient protection. N95s are required to control airborne infections.
However, despite months of pushback, the tears of suffering and scared patients, the word of the experts who design respirators, as well as the input of occupational safety leaders, HICPAC remains unmoved on the subject.
In a series of votes held last month, HICPAC stuck to their guns. Lisa Baum of the New York State Nurses’ Association was the sole dissenting member of the committee, as reported by Judy Stone of Forbes. She not only voted against the anti-science equating of surgical and N95 masks, but also against allowing COVID positive staff to return to work 3 days after a positive test. The 3-day time frame has absolutely no scientific basis, and return to work should be based on negative tests, not on an arbitrary time window or symptoms. Since a quarter of all COVID cases are asymptomatic, staff should also be asymptomatically screened; they aren’t because hospitals don’t want staff taking time off. Again, these are economic, not scientific, decisions.
Putting these two votes together, HICPAC has voted to allow sick, infectious, COVID+ staff to go to work without proper PPE and infect fellow HCW and patients, in hospitals without proper ventilation and filtration. Patients who are infected in hospitals using outdated droplet precautions will have a 10% risk of death. Coworkers- even if fully vaccinated- will have a significant risk of developing a long-term health condition following their acute infection.
At a time when hospitals remain crushed by the ongoing burden of both COVID and post-COVID health problems, failing to protect workers is a particularly short-sighted decision. Studies have already shown that HCWs suffer unusually high rates of Long COVID, with a recent one in the UK finding a whopping 33.6% reporting symptoms, and 7.4% of respondents reporting an official diagnosis.
These decisions not only mean infected doctors and nurses returning to work actively ill; they also mean that hospitals will continue to reinforce false information about how COVID spreads, purposely miseducating doctors and nurses in their employ to save money.
The members of HICPAC understand that surgical masks aren’t really the equivalent of N95s, they simply believe HCWs are more likely to wear surgicals (they’ve explicitly stated such; this is not, incidentally, how infection control decisions should be made). But this reasoning is not shared with patient-care level HCWs. Instead, HCWs are told that surgical masks are a sufficient infection control measure for COVID-19 when infectious. When an informed patient seeking care tries to correct them, they are greeted with condescension; after all, the doctor’s information comes directly from the CDC.
Disabled and immunocompromised people relate stories of medical professionals who believe COVID spreads via droplets, who wear surgical masks instead of N95s, who draw curtains to prevent the spread of COVID and other viruses; in other words, they are continuing to adhere to outdated precautions. This is unsurprising, because they have never received accurate guidance reflecting our updated technical knowledge about how SARS-COV-2 and other common viruses actually spread.
They’ve never received updated information because the medical system does not want to spend money to protect workers or patients.
At the end of the day, this story is not about droplets and airborne particles as much as it is about dollars and cents. What sounds like an in-the-weeds scientific debate, is no more than a common tale of industry greed. We know- and have known- exactly what it would take to protect patients in healthcare settings. Instead, our leaders sit back and watch as day after day, more unnecessary infections and deaths accumulate. As day after day, more healthcare workers acquire illnesses at work which lead to staff shortages, worse patient outcomes, long-term departures, and the loss of talented, highly trained people from the field.
All of us, patients, doctors, nurses, and other healthcare staff alike, deserve medical leadership that will value our rights to safety in these settings. We deserve medical leadership that won’t actively try to slow scientific progress, and instead will welcome its arrival. We deserve to enter a hospital knowing we won’t be infected and killed because HICPAC would rather allow airborne nosocomial infections to continue on its watch than spend money preventing them.
Right now, the biggest factor protecting hospitals as their negligence rolls on into year five is the ignorance of the public. Most people have no idea how COVID and other viruses spread, have no idea that it’s so dangerous to contract COVID as a vulnerable patient (thanks to years of normalizing propaganda), and may themselves believe that social distancing or curtains prevent infections. This public ignorance is a deliberate tool which enables continued public health negligence on multiple fronts. Continuing to educate ourselves and each other is resistance when the state relies on ignorance to tamp down resistance to policies of mass infection and death.
#mask up#public health#wear a mask#pandemic#wear a respirator#covid#covid 19#still coviding#coronavirus#sars cov 2
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Mor Mbaw for Mans concept menswear Spring/Summer 2021 photographed by Kito Muñoz and styled by Hadrian Bernal
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Elie Saab Spring 2021
#Elie Saab#fashion#mode#moda#model#models#women's fashion#womenswear#Lookbook#style#spring 2021#white#my upload
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#elie saab#spring 2021 couture#fashion#fashion photography#couture#bridal#wedding#wedding gown#inspiration#style#design#details#art
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Xiao Zhan | The simpler is more complex
Original Article: https://mp.weixin.qq.com/s/Zkps0vHvP89ZrMWQIUZ3NA Original Author: JIAWEI This article was originally published on 10 August 2024 on ELLE’s Weixin Official Account 世界时装之苑ELLE.
Xiao Zhan believed that truth brings simplicity. But in performance, he is starting to like multi-sided and complex characters more, or rather, this is the true and real state of human existence. At a time when everything is being simplified, to be willing to admit the difference between people, to seek the possibility of communication, to be sensitive and defend complexity, this definitely requires passion, as well as courage.
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Two black curtains reached the top of the studio ridge, neatly separating the shooting area from the surroundings, there was a need to go through a maze of them to enter the small core space. Pure white, plenty of air conditioning, and the camera shutter sound was high-frequency and continuous.
Xiao Zhan wore black clothes and rarely made any unnecessary movements. For a while, the lights broke down and photography was suspended, so he maintained standing in the dark with one foot on the wooden box; when the staff and the photographer were discussing the photographs, adjusting the styling, he stood alone in front of the display screen, and the weak screen light enveloped his body. Very occasionally, he swayed slightly to the background music, his legs lean but muscular.
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#01 I’m afraid of becoming dull
After entering the entertainment industry, these things quickly became part of his daily life – cameras, spotlights, monitors, and barriers. Because of his career and popularity, he had fissioned into countless “Xiao Zhans”, such as giant portraits on the facades of high-end shopping malls, the projections of an astonishing number of fans, or the appearance of characters in successive movies and TV series.
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Currently, in the dressing room after the shooting, Xiao Zhan was carrying his box of whole grain salad, vividly imitating the scene of meeting director Zheng Xiaolong.
“I was a little bit hesitant, so I asked the director if he wanted me to be thinner or stronger? He said, thin, of course thinner, so good looking, sharp.” After a while, Zheng Xiaolong saw him again while taking final costuming photographs, “He said, hey, you’ve done well.” From then till now, he has lost more than five kilograms.
Xiao Zhan, the source of all of this fission, was presentable and relaxed, to him the glamor seen by the outside world was a supplementary value. Sometimes he even forgot about it and said, “No one really cares about you.” Then he continued to talk about his work.
Recently completed was the 5-month filming of “The Legend of Zang Hai” in Hengdian. The previous film, also shot for 5 months, was the film “The Legend of the Condor Heroes: The Great Hero” directed by Tsui Hark. This was often the case for large-scale movies and long-running television dramas, it took four or five months once you joined the group. In 2022, his filming work was mainly “Where Dreams Begin / The Youth Memories” and “Sunshine By My Side”, in 2021 it was “The Longest Promise”, in 2020 it was “Ace Troops”, in 2019 it was “Douluo Continent” and “The Oath of Love”.
Endless filming appointments. Hence, it was sometimes impossible to decide whether the interval between filming should be lengthened or shortened.
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In the second half of 2019, during the filming of “The Oath of Love”, Xiao Zhan was filming during the day and recording the variety show “Our Song” at night. Both sides were very challenging. The former was his first time playing the male lead in an urban drama, so he had little experience and was under great pressure; the difficulty of the latter lies in the harmonizing, “I had to memorize all the harmonizing that were different from the song’s tone, and not to be led astray. “
“Then, I thought it didn’t matter. I slept for an hour or two and woke up a good man again. But now, while my mind says it doesn’t matter, my body will make some protests.”
This year he was filming in Hengdian. Later, one day, he discovered that his tonsils were inflamed and it was painful to swallow, but he went to work as usual. Until the director came over and asked him, what happened to your eyes? Only then did he see his own swollen eyes in the mirror, held on until the afternoon, “completely like a frog.”
He had to go to the hospital, the symptoms themselves were very common and could be stopped by taking medicine. What can’t be done was exactly what doctors advised the most: you need to rest.
More importantly, “Perception will become dull. I am really afraid of this, afraid of becoming very mechanical and formulaic.” When saying this, the emphasis was on the word “really”. When he chatted with seniors, “They also said that you have to live life, you need to experience life.”
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The fact is that the life in the limelight is somewhat contrary to the life of ordinary people, but the profession of an actor requires him to be in touch with as many folds of life as possible.
A while ago, he watched a one-man show on a variety show, describing the current workplace situation of contemporary young people. Xiao Zhan had opened a studio and worked before entering the entertainment industry. He could understand the gloom caused by going to work, but the new vocabulary and tools that appeared in the workplace made his sense of resonance weaken. He found himself gradually uncoupling to a certain extent.
#02 The flavor of life lies in the details
In early June, Xiao Zhan took a short vacation and returned to his hometown of Chongqing. He loved walking very much, and one night he walked for several hours, visiting old streets, People’s Liberation Monument, and even around the place where he used to work.
In 2014, the 23-year-old Xiao Zhan graduated from university and worked as a designer in a design studio. Every weekday morning, he transferred from Line 2 to Line 3 at Niujiaituo Station, pushing through the crowds and squeezing onto the light rail, and several times he had been squeezed so hard that his face was pressed against the glass windows.
He simply stuck against the glass and looked at the Jialing River below, seeing the strange rocks exposed in the dry season and various people, including winter swimmers, joggers and fishermen, with a rather optimistic spirit.
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He still loved to observe the people around him——
“Why are you still here so late?”
“People walking in a hurry must be people who have just gotten off work and are rushing back, their behavior is just like when I was trying to catch the subway, when it’s the last train and you want to run, in a panic. Some food delivery guys are rush forward undauntedly. There are also some very leisurely people, sitting there drinking beer, then going home and starting a new day.”
“Everyone has an exciting story happening, and it is everyone’s life that makes up our society. So it is wondrous, everyone is the protagonist, we are all filming our own biographies, how will tomorrow’s story develop?”
At that moment, mixed in, he was like all those who have been busy working in a foreign land for a long time and finally had the time to go home, and discovered that “it had been a long time since I came here, and there had been quite a lot of changes.” “Actually, I’m not particularly happy or have any other feelings. I’m living, that’s all.”
Two and a half days later, Xiao Zhan left Chongqing and returned to Beijing due to work, then rushed to Shanghai, and then in turn to France. This time he brought his parents too. This was a long in coming family trip, within a week, they traveled from France to Switzerland and back to France. Every detail of the trip was magnified, they were happy, bickering, or just walking for a while, “it was all very vivid.”
On the day they parted, they had dinner at a restaurant in the south of France, the car to pick him up arrived and he had to leave first. Before leaving, his mother hugged him and told him to take care of himself. In a rare move, his father also hugged him awkwardly.
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The flavor of life lies in the details.
“I used to think that work was everything and life was not that important, it was nothing more than having a place to sleep, then getting up, going to work, finishing work, and resting. But now, when my parents have grown older, and I have not been with them for a long time, you will feel as if each other’s lives, even your family’s, would become further and further apart. “He especially did not want this to happen.
The way to avoid suspension and regain the real sense of life is not difficult. “When you have time, go out and see more. The important thing is to feel life and feel the world. Even if some of the things are bad and cruel, they are all life, and will burst out with energy when you need it.”
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#03 Stay innocent, stay complex
Halfway through the interview, Xiao Zhan suddenly said that he was ambivalent about long interviews. On the one hand, he was worried that he had not grown up enough and would show ignorance in the conversation, but on the other hand, he wanted to explore some subtle feelings through the conversation because he felt that he was not good at using words to record them.
Observation, feeling, understanding and expression are the essentials of why actors can bring creativity.
“Dialogue is also muscle memory.” Xiao Zhan said, “Although I am very introverted, I am not antisocial. Because I think actors need to learn to express, express your inner thoughts, and digest the content conveyed to you by the other party.”
Before the filming of “Sunshine By My Side” started, he met with the main creators and held several script meetings to deepen his understanding of one another and the characters. In the early stages of “The Legend of Zang Hai”, the producer also mentioned that he would discuss the script in detail and talk about a scene with a lot of his own understanding.
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Xiao Zhan is not an actor with a professional background, when he first entered the industry and filmed “Battle Through the Heavens” and “The Wolf”, he had strong doubts and asked himself, am I suitable? The constant negativity and self-refuting made him lose self-confidence.
Sometimes he would be asked what he would be doing now if he had not participated in the talent show, debuted, or entered the entertainment industry at the age of 23. He had thought about it, but did not look back.
If he was not good at acting, then he needed to spend extra time taking acting classes, review more in the monitors, and ask more advice from his seniors. He put his head down stubbornly, and with hard work, he slowly found the knack.
Later the filming of “Where Dreams Being / The Youth Memories” started, Xiao Zhan played Xiao Chunsheng, a young man from the military courtyard in Beijing, who was completely different from him, and even his accent was completely distinct. He felt insecure. Before filming started for many scenes, director Fu Ning would run over and whisper to him, “Don’t be afraid Zhanzhan, just speak bravely, if you feel it, just say it, the audience actually can feel your emotions and what you want to express.” .
He also gradually gained more self-awareness: “Techniques may not be my area of expertise, I rely more on feelings. Only when I feel it myself then I can have the confidence to interpret it. If I rely solely on some techniques, I don’t think it is sufficiently moving.”
It had been 8 years since Xiao Zhan first acted, and his resume included leading male roles in films and television dramas of various themes. But he still felt that he is a newcomer and hopes to cooperate with more experienced production teams if there is an opportunity in the future.
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He would not think too much, he actually did not know his work plan divided by year. He only cared about the work arrangements for the next stage, rather than “asking about things that are too far away.”
“I still feel like a child now, but in fact I am not anymore. It seems like I am still in high school, but in fact I have grown up.” The nature of a child means curiosity, desire to explore, and power of imagination.
He placed the curiosity and desire to explore into his characters, “I mean, for myself, when I dig into the character’s background and past, I explore the complexity and contradiction of the character as a person, and present it. Only in this way can some of his choices and motivations be understood by the audience, and the work may then be good, and only then can you have the audience you have now, right?”
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#(Q&A)
ELLE: During the break, will you think about anything on the set? Xiao Zhan: Of course, I remember that just a few days after filming was completed, I was still dreaming that I was still filming, and the director and I were still discussing how to say that phrase on set? How to handle that scene?
ELLE: Do you actually miss the atmosphere on the set? Xiao Zhan: I like it very much, because I like the feeling of everyone creating together and working together to get something done.
ELLE: When you first entered the entertainment industry and your popularity grew very quickly, you said you felt it was a bit unreal and magical, but now you seem to be quite relaxed. How did this change occur? Xiao Zhan: Rather than being unreal or magical, after so many years, I feel that I hadn’t had time to adapt to such a fast pace at that time, so when I woke up from sleep, I was like where am I today? What am I doing? I think it is a process, just like when you first enter the workplace, you will be very excited, “Work here I come, please take good care of me”, “My highness is here, everyone get out of the way”, “I can do it, I will do it”. (Laughs) But after experiencing a lot of things, you will feel that it seems that everything needs to be considered in the long term.
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ELLE: In several interviews, you mentioned that you like to play roles that “can convey energy.” Why do you have such a preference? Xiao Zhan: Because I think this is the life of the character. The kind of energy I’m talking about is not just a single, generally understood positive energy, I’m talking about nourishment that can subtly influence and moisturize. I believe that every character has a complete storyline inside, this is what I like very much, and as long as you dig deep, you can move people. I don’t really like to call the villain a “villain”, as it seems to be a bad character from the beginning, but in fact it is not, he may have his own difficulties.
ELLE: It sounds like “transmitting energy” is just a general term, but is it actually about understanding different people through performance? Xiao Zhan: Yes, if you break it down to each character, what they convey is different. But if you want to talk about “good people” and “bad people”, then I don’t think it’s interesting.
ELLE: So do you think performance is a form of communication? Xiao Zhan: Yes, you can say that, I think it’s great to say that, (performance) is a bridge to communicate with the audience. Just like when a drama is broadcasting, I will read some of the audience’s comments and impressions after watching it, and I feel that they have a very rich feelings about the work. When I see some comments that are exactly the same as my thoughts during the filming, I will feel very amazed, as if the bridge is really connected, we don’t know each other in life and have never communicated with each other, but he suddenly understands my thoughts then, I’ll just feel that, oh, acting is a beautiful and magical thing.
ELLE: Do you watch some science fiction movies, TV series, and literary works? Xiao Zhan: Yes, I used to like watching “The Three-Body Problem”, I have actually watched some science fiction movies recently, the American drama “Constellation”, and recently I am watching “Dark Matter”, which is about infinite flow and parallel time and space. Because I think maybe there really is a parallel time and space. Every choice you make will split out a different parallel time and space.
ELLE: Then will you imagine Xiao Zhan in parallel time and space? Xiao Zhan: I will really wonder, for example, is he still an actor? Maybe yes, but is he still filming now? Is he still singing now? Or is he also a designer? Is he an employee or is he his own boss? (Laughs) Really, I will.
ELLE: As for the future, what do you think it will be like? Xiao Zhan: Wow, I feel that the world may return to its original nature when the time comes instead, maybe the world will become a better place, and people will return to very essential communication.
ELLE: This is very interesting. Why do you think so? Xiao Zhan: Anyway, at least now I have a little aversion with this kind of ubiquitous Internet, when we were young, there were no mobile phones, everyone just chatted during meals, my friends would all come downstairs to play, hide and seek, and play various games, I feel that that time was very precious instead.
ELLE: Will there still be an actor career by then? Xiao Zhan: I think there will be. I believe that as long as life goes on, drama will continue. Because everyone needs an outlet, emotional resonance and sustenance, be it images or sounds. So I feel that even if the world is destroyed, as long as there are still people, drama will definitely exist.
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Rhys Darby returns to New Zealand for two huge milestones - Spy
Rhys Darby is back in New Zealand.
Why is Kiwi comedy star Rhys Darby back in New Zealand?
Rhys Darby is returning from his base in Los Angeles for a double celebration over the next few weeks - his 50th birthday and a special event to mark his 25 years working as a stand-up comic.
“I’m home for my 50th birthday celebrations,” he reveals to Spy.
Darby hits the big milestone on March 21 and says he, his wife and manager Rosie are planning on a shared party with their family and friends.
A week later, Darby will be in proud parent mode as his eldest son Finn’s band, Great Big Cow, will be performing at The Whammy Bar on Karangahape Rd on March 27.
“So, as a cool dad, I’ll be there of course, with my band manager suit on,” he says.
There will be fun and laughter to have on Waiheke Island the following week too. Popular island spot Wild Estate Vineyard in Onetangi has secured Darby for an exclusive one-off New Zealand show with an intimate audience of only 200 tickets.
Punters can be sure Darby’s will be giving the native birds on the island a squawk for their money with his famous bird calls from his 2021 TV stand-up show Mystic Time Bird.
“The show is called ‘25 Years’ - it is a celebration of my stand-up career,” say Darby.
“I’ve hand-picked the best material from my five comedy specials, and I’ve also added some new stuff,” he divulges. “It’s all killer, so the audience can expect me having a blast, and so I’m sure they will too.”
Wild Estate has become the go-to live venue on Waiheke for comedy and live gigs; last month, the Jordan Luck Band rocked the vineyard, and comedians Nick Rado, Tony Lyall, Paul Douglas and Ruby Esther have all had successful stand-up nights there too.
Darby has been home several times over the last few years, whether to film with his mate Taika Waititi in West Auckland for the second season of their hit HBO Max show Our Flag Means Death in late 2022, or his Kiwi road trip with David Hasselhoff called Hoff the Beaten Track last spring.
Darby finished the year with aplomb, hosting the 51st International Emmy Awards in New York in November.
The production company for his road trip show, Stripe Studios, made headlines last month with the New Zealand Herald’s Media Insider column, penned by Shayne Currie, reporting Stripe for unpaid bills. The production company also filmed a travel-style show with US comedian Iliza Shlesinger. Currie reported the Netflix comedy star is applying to have Stripe Studios (Comedy) Ltd liquidated. Stuff followed up this story, reporting Hasselhoff was also owed money from the production company.
Darby politely had no comment on the state of his and The Hoff’s road trip show, but sources say Darby played a big part in getting as many of its Kiwi crew as he could paid by Stripe.
However, Darby did share that Hollywood has been rather wet and dull so far this year. “I have a few top-secret TV and film projects in development, which I am really looking forward to.”
“What I can reveal is: I’ve been involved in Mukpuddy’s awesome adaptation of Badjelly the Witch,” he says.
“I think it’s going to be so so good!”
Source: NZ Herald
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Mother Resort 2021
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Fear of God Spring 2021
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